7 Colors Of Nature With Gouache : VIBGYOR

1. Introduction: A rainbow is one of nature's most beautiful optical phenomena. So culturally, rainbows often symbolize hope, promise, peace, and sometimes even mystery or magic. Its fleeting beauty reminds us of the wonders in nature and the signs hidden in everyday sight. So I thought, why not to paint the rainbow colors in form of nature? So different different rainbow colours, landscape painting we will be doing in this entire course. Hello, friends. My name is Mohiisna and I'm from India. And most of you know me as Mohani Art Gallery from my Instagram account. I mostly do nature related painting, mostly related to nature. So this whole class will be related to nature painting with Kosh. So in this class, we will be learning. So what are materials we will be needing for a complete painting. Then some techniques we will be learning how to use those techniques in the seven paintings which we will be doing. Very basic and useful techniques of using gauze. Then some beautiful paintings starting from the violet color. Then comes the indigo color. So all seven rainbow colours we will be doing one by one, and I will be posting all of these paintings, alternate days. So again, blue colour, then green color. Also, if you want to practice more of gauche techniques, you can watch my class. That is 15 days gauge landscape painting. So let's start and begin with our first painting that is with violet color. 2. Materials Required: Welcome back. So let's discuss about the materials which we will be needing. Let's first talk about the paper. This is the 300 GSM paper which I'm using here and it's from the hithrput which I'm using here. It's a very good textured paper, not very textured, but medium texture. This is the masking tape which I will be using in the painting. Then the colors, there are three different brands of colors. This is from art creation, and one is from Brostro and another is from Camel. So these brands I will mostly be using for my Gauche colors. Apart from that, let's talk about the brushes. So the first brush, which is the rigor brush, it is a very thin brush of size two by zero. Then comes the flat brush. I have three flat brushes. You can see. These are three brushes, which has a thick at the top, and one is very thin from the top. You can see. When we will be doing the texture painting, we will be using these brushes also for the background. Then comes the Filbert brush of size one. And the fan brush, this is the Bristol fan brush which we will be using. Then comes the round brush. Of two different size of size two and four. All these materials we will be using these all brushes. Then let's talk about the pen, technical pen, rubber, then the pencil, scale, all these things we will be needing for drawing purpose, then the palette, then the cloth. Also the water container we will be needing. All these materials we will be needing in our entire painting. Let's begin. 3. Techniques: Welcome back. So let's talk about the techniques we will be using here. So I have few colors over here. I have just randomly taken some colors. So let's discuss about the techniques. The first technique which we will be using is just how to use that color, how to use gauche color, how much water to use. So let's talk about that. So mostly we will be doing wet on dry. So the colors will be wet and our page will be dry. So first, just wet your brush properly with clean water, and then just take your color. If your color is milky, then it is fine. No need to add too much water because we don't want a transparent color. The color should be in a very milky form. It should not be thick also, I should not be thin also. It should be somewhere in between so that you can easily flow your brush. If in case your brush is not flowing and some rough textures are coming, that means your brush is dry, you have to wet your brush, again, take the color and try to do the whole background painting. You can see how I am doing it in one go. I've just added few white colors inside this blue. That is the teal color, and I'm just moving in my brush in the upward direction. So this is one way of doing it. Another way is when you are using three different types of colors and you are blending those colors. Let's discuss about that also because that will be required when we will be doing the colors, two, three colors. So first color which I'm taking is the blue. First wet your brush and then only do the color combination or color blending. First, I'm just taking this teal color and just covering the above part. My brush is wet and I have loaded the brush with lots of colors so that in one go I can do a proper opaque painting. After that, I will just wash off my brush. Now, water is there on my brush. Now I will take this yellow color, put it below, and I will try to blend this color with this steel color. I'm pushing my light color towards the dark color. This is how I'm doing the blending. But again, you can see there are some lines over there. I'm just trying to blend it over there where the two colors meet. Sometimes you have to add a little bit of white colors to make that color a little opaque because sometimes the colors are very thin and you will add little white to it to make a nice thick opaque color. So just adding and you can see how I'm mixing the color and how it has blended properly. Such a beautiful color has come up. If you feel that it should be blended more than add again that blue and move downward, not totally downward, but little downward. So like that, we have to fix the colors. So every time take milky color, not very thin color, not very thick color. This is how we have to do the color blending. There will be lots of color blending in these entire seven days painting. So you will get to know this. Also, let's talk about the brushes, how we will use the brushes. You can see these three brushes are there. This has a thick, uh, above texture. You can see it is very thin. The breadth is very thick and one is very thin. It has a very pointed tip. There are two types of flat brush which comes. You can see it is creating a thick line. But when I will use the thin brush which has a thin tip, you will see it will create a very nice thin line. There are two types of flat brush which comes in market. You'll notice this brush is very good for creating textures and water textures. This texture part we will be using in our painting. In our water painting in our sea painting. I'm just mixing a little dark color, and this type of texture we will be creating inside the water part. Using the tip of the brush and the dam brush, this is a painting in which this type of technique we will be using so yes, so it's a very beautiful painting with a blue color everywhere. So this is a blue colour painting. So now comes the fan brush, how to use fan brush. You have to use fan brush that is completely damp brush. Fan brush should not be totally wet. It should be a damp brush means you have to dip in water, remove excess of water, and then you have to use that brush. It is a bristle brush, not a synthetic brush. Just keep that in mind. And just using the tip of the brush, you can easily create the grasses which we will be using in this painting, which is a green colour painting. So yo yo. So these textures we will be using if you want to create a bigger grasses, you can create bigger grasses with this. Beautiful grasses are used to create in just one go with this fan brush. It's excellent brush for creating grasses. And now comes another brush, which is the Filbert brush. This is a very small size brush which we will be using for creating the tree textures. Now, these tree textures, you will see in the painting which I have shown you previously. That painting also that tree texture was coming. So you can this type of tree texture we will be using in most of our paintings. It's very beautiful way to create the texture of the tree with this type of brushes, and it's very easy also. With the same brush we will be using for the cloud also that I will show you later. So with my liner brush, whenever you are using any liner brush or rigor brush, make your color a little thin and then use it because these are very thin lines and it's very easy to create the branches and sub brranches with these rigor brushes. So all these brushes we will be using for the painting. You can see how thin the lines are. These thin lines we will also be using in the water painting because there also we will be needing the thin lines for creating the reflections or the water part. Wherever it will be required, we will be using these brushes. So now comes the Round brush. Again, round brush also here, it will be used for filling of the colors, but it is also used for creating the textures of the water. You just have to move the brush in to and fro direction. Make sure the color is fluid, then only your brush will move properly. And if your color is not fluid, it will create breaks in the lines. Make sure that your color is fluid, then only that texture will come up. This type of textures we will be using in this painting. So there are numbers of painting. This is the indigo color which we will be using. So yes, there are different different variations of techniques of the styles which we will be using in these different different paintings of different colors. This is a seven colors of nature, which is in the rainbow. So so all these techniques, try to practice it so that it will be helpful for you to do it in the next class which we will be doing the painting. This is a rough texture, just making your brush damp and take a thick color without any water, and this is a nice rough texture you can create on the mountains or anything. I'm not sure if we will be using this texture or not, but I wanted to show you how to use this dry texture. That's why I have shown you Let me show you with a little darker color so that it will be visible more. You can see how rough the texture is coming. You have to use damp brush and co little colors and that's it. Now let's talk about the cloud formation, how to create cloud using the filbert brush. Here we will be using Filbert brush for creating clouds. This is a very good brush for creating clouds. Take damp brush and very little amount of color on your brush and just with the edge of the brush as it is a half circle shape. It is very easy to create the cloudy effect in the sky. Since the gauge paints react to the colors if it is too wet, don't make it too wet, it should be a damp brush, and the color has to be very little amount so that that fluffiness is there. Like this, we will be creating clouds also. And different colors of clouds will be there. One will be white and one will be another color. So I'm just trying to show you how you have to create the clouds so that you can easily create in your painting. Another cloud with different colors is a violet color which I'm using. Just dab, dab, dab and it's done. So like that, you have to create the clouds. You don't have to overdo the brush marks. Otherwise, the color behind will get reactivated. So this you have to keep in mind in Gauche because Gauze gets reactivated with water. So something like this type of shape should come when you're creating clouds. These are the techniques which we will be using. Let's start with our first painting. 4. Violet: Welcome back. Let's start with our first painting that is violet. So maximum colors which we will be using here is violet. So first, I'm drawing the center line. So I think it's not visible. Let me use a different pencil so that it is more visible. So again, drawing the line. Same line just with a different pencil. So that you guys can see what I'm drawing. So now I think it's visible. So after that, not much of drawing is there, just the backside mountain and rest, we will be doing the coloring part. Backside mountain. I'm just trying to draw it. I'm keeping a little curve area in the center because there will be the sun part. So the reflection below So this is it. Now let's discuss about the colors. So these are the colors. The first color is move the violet, the coral, yellow, white and black. So all these colors we will be using in this painting. If you don't have any of these colors, you can use just one violet and make it a little lighter violet with adding white. So anything you can use, it's completely up to you which violet you want to use. If you have different type of violet, like different shade of violet that also you can use. It's not an issue. So just starting from the top, make your color fluid, like a milky color and then start from the top so that you don't have to repeat the background process again and again. My color is already a little bit of milky, so that's why I'm not adding too much amount of water in it. Otherwise, that color will become thin. So now this violet color so first is the mauve color. It has a little tint of that reddish color in it. Then this is the violet color. So just adding this violet, you can see my brush is getting dry, so I will just wet my brush a little bit more, and then I will use it. I'm just trying to blend these two colors together. Go one at a time slowly, slowly, just adding little white and this coral color and just adding one layer of it and trying to blend it with this violet color first. So every time first, try to blend the colors, then move downward. Always push the color which is below above, then it will look like a uniform blend of colors. Adding little white to this coral, and again, I will take this coral color and put it below. And again, I will try to blend those two colors together. So every time you have to blend the colors, there should not be any sharp lines in between. So try to blend it as much as possible. I'm adding a little bit of white to this lemon yellow and just covering this part which is below this pinkish part. You can say the pinkish color it is. If you don't have the coral color, you can just make a little bit of orange and add white to it. It will come similar color to this. So just adding a thick amount of this yellow color and just covering the below part. This is a lemon yellow, which I'm using here because I want a bright color. That's why I'm using here lemon yellow. If you don't have lemon yellow, you can use any yellow whichever you have. So now the upper part is a little done. A little bit more blending is required for the orange part. So you can see how pink is mixing with this yellow and it's turning into orange color. So it's basically an orangy pinkish color that is called as coral over here as it is written in the brand. So it's like that color only. So just try to blend it a little bit more once your background has dried. Once you feel that you have done the background properly, then only stop blending it. So every artist knows where they have to stop because every artist have their own way of painting. So just look it from behind and see how it is looking, where it is missing, and then try to blend the colors. Till you feel that you are satisfied with it. Now we will be doing the below part also with similar colors, since it is a reflection, so the colors, whatever we have applied above, it will be below also. So I could have used just violet color on the whole, but I wanted to give a little touch of the sunset where there is a nice warm effect. That's why I have added this yellowish color. So first, now, since this is a reflection, so reflection is always the opposite of the sky. So first will be the yellow color, then a little orangy color, then the violet and then the mouth color. So it will be like that. Similarly, here also, we have to blend the colors. So yes, you have to blend the colors as you're moving down, try to blend the colors. Push the color to down and try to blend it. You can see an trying to blend the colors. This is how we have to do the blending. Now I'm using this violet color and just applying just below to this pinkish color, and that is the coral color and trying to blend it. Slowly, slowly, similarly, whatever colors you have used on the top, you have to use the same colors below. Currently, just focus on the blocking and the blending part. No detailing is done over here. Just we are blocking the colors and blending the colors simultaneously. Follow the same process which I am doing and you'll get the same result like this. Just follow it. And since the below is the darkest, so the morph color which is there, that is the darkest color which I've used below, and similarly, try to blend the colors as well. Once we are done with the background, then we'll start with the detailing process. So you can see when we have added yellow, it's becoming so bright and beautiful. 5. Violet Final Details: Welcome back. So let's start further. So let's continue further with this. I'm just taking black and my rigor brush and just first outlining the entire mountain, and then we'll fill the colors. So first outline it. Make your color a little thin because we are doing the outlining part. So make your color thin and then start with the outlining. The horizon line which is there. So all this part we will be filling up with black color. You can use a bigger size round brush for filling this up, and a little bit of gap I have left in between the horizon line just to add a little yellowish color on that area. So just a double line parallel line I have just added with a very little gap to it. And with my round brush, I will just try to fill up this whole area. Very simple process. Take the round brush, make your color milky, and then fill it. I'm just taking a little bit of violet and mixing it with this black color to make it a little bit of violety touch to it. Just slowly fill up the entire area because this is a very dark color, and if any mistakes happen, we cannot cover it up. So try to do it very carefully. Once we are done with the above part, similarly, we will be doing the lower part also. So we will be filling out this whole reflection which is there, the below part with a similar color. Whenever you are doing any blocking, just try to outline the color, the whole thing so that the colors should not go outside the boundary. It is a very easy and a very fruitful way to fill out the colors, and you will never get any mistakes or never spill the colors outside the boundary. So first, draw the boundary and then fill the colors. This is the best way to fill the colors. Now, once you have done with the entire filling of the area, there is a center line which will be with yellow color. But first, you have to wait for this whole black color to dry. Then only you can add the center yellow line. Now in the center, I'm just adding a little bit of yellow and this coral mix, so it will turn into a little orangy color. And in the center, a nice small size sun we will be adding over there. Oh very small size, just taking white and just making a small round circular shape on that area. So you can see how bright that color has come up when you have added that white color in the center. Now taking my flat brush, you can see this is a thin flat brush which is there to give the texture. So I've just taken that flat brush and adding some lines below. Now, in this, you can also use the round brush for giving the textures. So I think it's better to use round brush here instead of using this flat brush. So I will take my round brush and I will just make the color more fluid so that the colors can easily move, and then I will create the line in a to and fro manner. It's just some big and some small lines. It all depends upon how much pressure you're applying on the brush. If you're applying lots of pressure, it will create thick lines. If you're applying less pressure, it will create thin lines. So it all depends upon how much pressure you're applying on the brush. So I'll not fill it completely with all lines. Just the darker part, I will be filling up with the lines. And the lower part which is there, I'm just making it a little bit more dark with black color because there I will be creating grasses. So just filling up this with whole black color. And a little bit of lines over these mountain reflection area, because reflections are not always of same shape, so just a zigzag line just to create a nice reflection texture on the water part. So very small small details are these, which makes your painting really very beautiful and lovely. So just taking this white and yellow mix and adding a line in the center, which we have left at white. So just adding that line, which gives a separation of the two reflections. So this line is actually the line of the sun, which is falling on that. That's why I have created this line. So now let's add a little bit more lines. And after that, we are done with the lines, and then we'll create the grasses. So for creating the grasses, you can use your round brush also. You can use your rigor brush also. It all depends upon your choice which brush you are using. So I'm using here my rigor brush and just making the color thin and moving the brush in the upward directions. Just move it up and leave. So it will give a nice pointed shape to the grasses. Always make sure that your color is fluid and little thin. Otherwise, these thin lines will not be created. So try to make your colors thin and then only create these textures. So you can see how I'm filling up the entire area with smaller grasses. After that, I will add bigger grasses also. So now let's add some bigger ones as well. These grasses actually adds more beauty to this painting because on these grasses, also, I will show some yellowish and whitish and some orange reflection falling on it. So it will enhance the grass beauty. So just taking white and yellow and just adding a little bit of more lines to that, little bit of coral color also, and just adding some lines which depicts that the light is also falling on these grasses. Just to show the light effect. Not on all the grasses I will be doing on a few of them, which are bigger ones. Adding some leaves on the top, some small textures. And So we are almost done with this painting. We just have to add birds on the top, and then we are almost done with it. Just a few detailings are left, few highlights, and then we are done with it. You can see how bright these grasses are looking when we have added the lighter colors. Just adding a little more of white in the center. So you can see how beautiful it is looking. Just adding there are a few white patches. I'm filling that up. Just try to make these colors as dark as possible. And then let's add some birds on the top. Now for adding the birds, so I will not be using my brush because these are very small. So I will be using my technical pen to create those just a V shape size. Very small size birds are these, which are flying in a group. So very small shape, like we used to do in our childhood, how we shape birds, very small, small. This painting is almost done. We'll just take out the tape and see how it looks. So let's take out the tape and see very slowly, you have to take out the tape when you are using paper. So this is our first painting with violet color. So I hope you liked it. I would love to see your project work. And you can also tag me on Instagram that Mohini Art Gallery. And now we will meet in our next painting. 6. Indigo: Welcome back to day two, that is indigo color. So let's draw a simple drawing. Simple line in the center, we will be drawing, not much of it. Not much drawing here in this, the line. A little bit below, I think we can draw the lines. It's a little bit above. So just drawing the line a little below and I will erase the upper line. Just the horizon line we have to draw and rest we will be doing directly when we will start painting. So let's discuss about the colors. The colors which we will be using here is Prussian blue, the light blue, coral, white and black. So now let's start with the painting. So the first color which I will be using here is the Prussian blue and with a mix of this light blue. So taking my flat brush and mixing both the colors and very little amount of this light blue since I don't have the indigo color, so I'm just trying to make it by mixing this light blue to this Prussian blue. So if you have indigo color, you can directly use indigo color. So you can mix and make any colors, whatever colors you want to make. So I'm just applying a nice horizontal direction coating with my flat brush. Try to make the color milky and then use the colors. So it will be easy for you to flow the colors and move the brushes smoothly. Don't make the color very thin. Otherwise, it will turn into a transparent color. So try to keep it thick only. It should be milky, not watery. So just adding and making a nice indigo tone and just blocking in. Then I'm just using this light blue and applying it and trying to blend the colors. So you're blending everywhere whenever you will change the color if you have to blend the colors. Wash off your brush, and again, if you feel that your brush is becoming dry, wash off your brush, again, take the crap the color and then try to blend the colors. Now, if you don't have this light blue, you can use any blue and add some white to it. Now I'm taking this coral color. If you don't have this coral color also, I think I told you in the previous class that how to make it just by mixing orange, yellow and little white. So just coloring it. So we have to blend the colors. I'm not making it very dark coral color. It's more of a whitish, pinkish color so that when you will blend with this blue color, it will nicely blend with that. So yes, you have to blend the colors simultaneously. So again, taking this nice pinkish color a little bit more darker than the one which is above and just covering the part which is below, that is the horizon part, covering it up. And trying to blend the colors, which is the light color. So whenever you are doing the blocking, blend the colors, try to mix it. And similarly, we'll be doing the lower part also since lower part is the reflection, so it will be of similar color. So first, I'm just making a line trying to add first the indigo color by mixing Prussian blue and light blue. O using same flat brush. Now, a flat brush size depends upon the size of your paper. Whatever is the size of your paper, accordingly, choose the flat brush. If your size is very big, then of course, you have to use a big flat brush. So choose accordingly. This size which I'm using here is the A five size. That's why I have used a smaller size flat brush. Just taking this light blue and mixing with this Prussian blue and just covering first the foreground. Just filling it up first. See how this color has come up. Similar color is there below, it is a little bit of dark color. Otherwise, the color is same. Now my upper part has almost dried up. So you have to wait for the background to dry, then only you can add certain details. So yes, you have to wait for this background to dry. Then only we have to do the other detailing part. Just adding a little more of this light blue. Again, mixing this Prussian blue with light blue and applying first on the top because I want to do one more coat on this. Wait for the first coat to dry, then only apply the second gauche coat. Like we do in acrylics, similar way. You can see I've added more of this blue part, the dark blue part, and then I'm applying this lighter blue and trying to blend this color with this. I'm pushing the lighter blue above, not too much above just to the line which is joining the two colors. Again, taking this light blue and trying to blend the colors. Till you are satisfied with the blending, try to blend it because everyone has different way of blending. You can see I've just taken mix of white and light blue, and I'm just trying to blend the colors with the lighter blue washing off my brush. And again, I'll take this coral and white mix and just mixing it nicely and just applying the color and trying to blend it. Every time whenever you're blending the colors, try to push the lighter color towards the darker color. But if you feel that there is lots of light color and you want more dark color, then of course, you can push the darker color towards the lighter colour. It all depends upon how you want to adjust the colors. Just adding a line in the center. Mm. 7. Indigo Details: Welcome back. So let's start further. We have already drawn the background and blocking of the background and foreground. Now, let's do the detailing first. I will be using here the round brush and just center will be lighter and the sides will be darker. So like that, we have to color it. Make your color fluid so that the brush can move easily because we have to move the brush in the to and fro direction. So taking my round brush and taking the lighter color and just you have to just touch the brush from the top, and as you will move the brush in two fot directions, automatically, these wave type structure will be formed. I'm doing this one in the center, the lighter colors. So you can see how the lines have been formed when we are using the round brush. Now, the sides I will be using the darker color, that is the Prussian blue and a little bit of that blue mix. So the color should be darker than the color which you have used as the base. So only Prussian blue will also work, add the brush strokes into and fro directions. I'm hardly touching the paper. You can see. I'm just touching the edge of it and little bit, and you can see how the texture is being formed. This technique I have already discussed in my technique section that we will be using this. So if you have any issues, try to check that technique section and then do it later. Just adding a little bit of black and then just repeating the same technique, adding and moving the brush in the to and fro direction. Now, see, here I have used a lot of black over there, which I will fix it by just using the lighter color, just taking a little bit of color. As we can reactivate the colors, you can fix it anything. So we will be fixing this one by one once we will be drawing the trees, so this will be covered. So don't worry about that. So you can see how nicely the water ripples are coming when we are using this movement of the brush. So adding the lighter section in the center, darker section on the sides. I will add more darker section on the sides also. So again, taking my flat brush. Now, this is the pointed flat brush which I was talking about. With this brush, I will start adding more textures from the sides. So this brush also I'm moving in the same manner and just filling the sides with the darker colors. This type of movement makes the water look more realistic. Similarly, on the other sides, we will be repeating the same process. You have to keep in mind that the sides will be dark and the middle section will be light. So small small details actually make the painting look more beautiful and vibrant, as you can see here. Now, this part is almost done. We will add now the upper part. This part has also dried, so we can add the clouds now. So let's take the round brush with white color and first add the small moon which is on the top. First, I'm just taking a very transparent color and adding one circle. After that, I will take a thick white color and I will add in the center. So this white, which is the transparent white, will create a nice shadow effect of this moon. So you can see how bright and vibrant it is looking. Now, let's add some clouds. Now, this is actually a sunset time when the moon is there and a little bit of darker clouds are visible. So it's something like that. So I'm just taking my brush and adding some clouds. Now, this time, the clouds are a little wet, so it's not totally wet. It is a damp brush and a little bit of water, little bit of fluid color I have taken. And I'm not repeating the process. If I'll repeat the process, the background color will get reactivated. So you have to be very careful when you are drawing this type of shapes of clouds. Don't repeat it. Just do it in one go. Let me zoom in a little so that you can see it clearly. You can see how little small small clouds I'm making. So you don't have to repeat the process. Just take these two colors that is coral and a little bit of black and blue color and just try to do the cloud part. Don't repeat the process, do the blocking in one go. Another some clouds which are there at the horizon part. These are also the clouds which I'm making, which are in the continuous form. You must have seen when there is a sunset time and you can see the dark grayish clouds which are there at the sunset part. So this is what I'm trying to depict over here. Just add the colors very slowly. So once we are done with this, the cloud part is done, and then the tree and the reflection will be left. So you can see how beautiful these small clouds are looking in the below section. Smaller clouds means these clouds are very far away. That's why they are looking very small. I'm just marking the area where I will be putting the trees. No. 8. Indigo Final Details: Welcome back. So let's start further the detailing. So now we will be drawing the tree. Now, here I'm also using my round brush of size four. And first, I will draw the tree trunk and the branches, and then I will go with the detailing of the leaves. So first, I'm just focusing on the branches, how it will be. If you're not okay directly drawing with black color, you can draw with your pencil, and then you can draw it. But remember, you cannot rub the pencil marks. So, yes, you have to draw it so you can, little lighter pencil marks, you can draw it. And just making the tree trunk, wherever the joining is there of the branches, there it is thick, and as it goes out, it becomes thin. So that you have to keep in mind when you are drawing the tree part. So first, I'm just drawing some of the branches. Just follow the process and you will be able to draw all these beautiful trees which are there inside the water. You can say these trees are mangrove trees. Any trees can be these, but, yes, it is inside the water. So after drawing the branches, we will be drawing the whole tree leaves. So just I'm just adding branches here and there. One tree is big and one tree is small. M So whenever you are drawing anything, try to make your color a little fluid. Otherwise, you will end up creating thick lines. So any lining part, anything, make your color a little fluid. That means a little thin, not milky, a little thin, and then draw the lines. This will be easy for you to move the brush, and you can easily draw thin lines. So here you can see the lines are not much thin, but yes, if you will do such thing like making the color thin draw very. Yes. Now, if you're not comfortable drawing with your size four round brush, you can use your liner brush also for drawing such details. It's completely your choice which brush you want to use. Now for the reflection, I'm just drawing first the line, and then I will create the details. Using the same brush, I'm just making the lines like the zigzag lines and just filling it. Because the lines, these are the reflection of the tree lines, so it should not be straight. Similarly, I will be doing for the other tree as well. Now, once you have drawn this, let's go ahead by doing the leaves using filbert brush. So just taking damp brush and with little color on my brush and creating some of the leafy textures on the top, like we did in our technique section, similar way I'm doing it over here. But when you're repeating this process, take very little little amount of color. Don't take too much color. Otherwise, you will end up like patchy things. So that's why take very little little amount of color and then create this texture. You just have to da, da, dab the edges, and you can easily create this half circular shapes. So it's mostly half circular shapes which I'm trying to create, some small, some big Very easy and very convenient way of creating the tree texture. Now, this brush, which I'm using is of size one, filbert brush. You can use size two also. If you don't have this brush, you can use your flat brush also of smaller size for creating these textures. But use the corner of your brush. Don't use the complete brush. Use the corner of the brush and try to create the textures. And one more brush you can use is the fan brush. But again, fan brush use the Bristol fan brush of smaller size. So here I'm just creating the tree which is hole on the above. So you can see how real these trees look when you're using this filbert brush. Very easy way to create this. But remember, one thing that use less color and damper brush. No need to use wet brush. It should be a damp brush. Damp brush is nothing. Wet your brush, remove excess of water, and then use the brush and very little little colour. You can see the tree texture, how it has come up. It looks very real. Now I'm just adding a little bit of this Prussian blue color inside this just to make the color a little light because I feel that this color is very dark. And similarly, this color is blending with this thing, this reflection. So it's looking more beautiful and real and just adding some more darker textures below with the same color mixing little black to it, just a little bit of darker lines here and there just to show the reflection of the tree foliage and the tree textures. So just using my round brush and adding some more textures and below. And finally, we are done with this painting, final details. Let's take out the tape and see how it looks. So if you're trying out this painting, do tag me on my Instagram that is Mohni Art Gallery. I would love to see your project works and reshare it. You can see the white border adds more beauty to this painting. So that's why I use masking tape, and it looks neat also. So see you in the next class. 9. Blue: Welcome back to day three that is with blue color. So today we will be painting something related to the ocean. So again, the portrait shape paper, and just drawing the center line a little bit of waves we will add, and that's it for the drawing and rest we will directly do by coloring. Very simple drawing, just the center line and some wavy texture. Try to draw with very light hand. Don't make very sharp lines. Otherwise, these all black graphites will mix to your color and can make your painting dirty. So try to use very light soft lines. Now we will talk about the colors which we will be using here. So the first color is cobalt blue, then the teal color, then white, and this is Prussian blue. All these four colors we are going to use. Let's start with first the blocking of the background, that is the sky. So taking first color, which is the cobalt blue and starting from the top. Just simple cobalt blue you have to take. Take milky color so that it gives a nice thick coat on the top. So nice thick color on the top. And as we will go down, it will become more lighter and lighter. So one third part I'm just covering with this nice cobalt blue color. Now I'm mixing a little bit of white and just adding more amount of this lighter color and trying to blend with that darker color. So as we will move down, I'll just take more white. And again, more lighter color than the one which we have applied on the top. As you are going downward, try to add more and more white and try to blend the colors simultaneously. You can see I'm gradually adding the colors. Basically, I will be using two colors only, more of these light and dark blue color and a little bit more lighter at the horizon line. So you can see I'm just mixing white and making the color lighter and lighter and just blending it and pushing the light color towards the dark color. Don't push it towards the end of the dark color, otherwise, everything will turn out to be same color. Again, a little bit more white to the horizon line and just blending the colors. You can see how beautiful that cobalt blue has come up when you are doing the base. Now we will be doing the lower part. Once the upper part will dry, we will then add the details. So a little bit it has dried up. Now you can see the color has become light. So I will add a little bit more amount of cobalt blue, and just take this color. So since here it is too hot, so the colors are drying very fast. So if your color is a little wet, wait for it to dry and then you can start again. Just doing one more coat so that it gives a nice finish to the background. Just adding the same colors which we have used and trying to blend this lighter color with the darker color. Once you have done the upper part, we will be doing the lower part. Do it slowly and patiently when you're doing this and don't press your brush too much. Otherwise, lots of brush lines will be created. Now, let's add the lower part first. Just taking this bal blue with a mix of little bit of Prussian blue because I want a little darker color at the horizon line. Now the upper color is a little dark and as I will go down, it will become a little lighter. So for lighter color, just making it a little more darker, just by adding Christian blue. After that, just cobalt blue. Just making the upper part a little more darker and more brighter because as we come near the colors becomes light and as we see far away, it becomes a little dark, especially when it is related to C. That's what I'm trying to create over here. Now taking white mix, and again, same cobalt blue, and I'm just trying to blend this color. It's fine if the lines have gone. We will be doing it with the colors, so it will be fine. Just taking this steel color and just trying to blend it with this darker color. You can see how beautiful that teal color is. If you don't have this steel color, you can make it just by mixing blue and yellow and a little bit of white. Just adding wherever I have created those edges, I'm just making that area a little bit dark because those are the waves area. It's just making it a little dark so that this will be the reference point. Now again, taking a little bit more lighter color and just adding it below. Taking Christian blue and adding one more wave which is there and just blending this color with this teal color. We're almost done with the background, one more line is left and then we are done with it, adding white and teal color. I'm just trying to block in this lower part. So we're almost done with the blocking of colors. Now we will start with the detailing. First, we'll do with the clouds and then the detailing. 10. Blue Clouds: Welcome back. So let's start further. So now we will start first with the cloud details, so I'm taking white a little bit more. So after that, we will start creating the clouds with our filbert brush. So make sure that your filbert brush is a little bit damp. It should not be a wet brush, and start creating the clouds in these type of fluffy shapes. Don't repeat it and don't overdo the coloring. Otherwise, that blue colour will start coming up. So do it very carefully. Don't smudge the colors. You just have to dab dab dab. So that's how you have to do the cloud detailing over here. So try not to smudge the colors and take very little little color on your tip to create these small fluffy clouds. Now, these are smaller clouds of smaller sizes. Now, smaller means that the clouds are at a far distance. That's why these are very small sizes clouds. Bigger clouds means they are a little closer. That's why they are a little big. So adding a little bit more white on the top just to show that these are more glowing on the top area because sun is directly on the top. That's why it is more glowing on the top, adding a little bit of white. So very easy process of making cloud by using your filbert brush. But try to use smaller size brush. Now let's use the detailing. Let's do some more detailing. First I creating the center line with just Prussian blue color. After that, I'll start creating the details of the water and the lines which are dividing, these are all the waves which are coming. So that's why I've created it with a little darker color. So once we have done the outlying, then we can do the detailing. As we have learned in our technique section that how we have to do the detailing. Same way, we have to do the detailing over here. I'm using a smaller size flat brush, taking the steel color, and just dabbing it. Now, again, your brush has to be damp. It should not be wet. Color can be a little bit fluid, but your brush has to be damp brush.Te very little little colour and try to fill in these areas with these textures. You can see how I'm filling up these areas. Try to make the line as close as possible, then only it will look more beautiful and little real. Just making some lines in a slanting way, in a diagonal form, just to add some wavy look to it. A little bit of textures on the top just to create the border of these lines. Similarly, I will be doing for this lower part as well. Similarly, for the upper one. Once you have done with dark color, use lighter. That is the teal color to add more textures, in between leaving some darker edges also and just adding some textures below, mixing this cobalt blue and Prussian blue and adding some nice dark textures to this steel background. This is how we mix the colors when we are doing the water part. So where there was blue, I use lighter color here. It is lighter color, so that's why I'm using here a little darker color, not too much dark. So you can see I've just filled it up. After that, again, I will take teal color a little bit white mix, and again, I will start adding. But this teal color is a little bit more lighter than the one which is the base color. Also adding some textures on the lines, which is the slanting lines. So more textures, I'm just adding here and there, leaving some areas of dark and light textures. I'm not overcvering those lines. Just in between, I'm just adding these textures. Oh try to add these textures very close to each other. Then only it will look a little more realistic. Similarly, taking a little darker color and adding on the top. I'm using the smallest flat brush which I have to create these textures. Now, just dab dab dab you have to do, and you have to use damp brush. So again, a little bit more dark textures I'm adding over here. Similarly, I will repeat this section also, the below section, little bit of slanting lines with lighter colors. Then some darker textures. Again, some little darker textures below. 11. Blue Sea Details: Welcome back. So let's start further. So again, taking my same brush and adding some more white and teal mixed color and my damp brush and just adding these textures to the lower area which is there. Just adding the textures where there are gaps in between. Adding a little bit more textures on the top because I feel that the upper area is a little bit darker. So just blending this color with the lighter teal textures. When we do the detailing of NC, this is how we blend the colors with textures of the base color than the lighter color than the more lighter color. So like this way, we do it the detailing of the water, adding more lighter textures in the center part. So the more you will do the layering of these colors, the more it will look more realistic and beautiful. Now I'm taking my round brush and just giving a little shape on the upper part so that it looks more clear the waves and just adding some more slanting lines. What I'm doing is I'm just doing the layering of colors. I'm layering the colors. I'm not repeating it, I'm not overdoing it. I'm not smudging the colors. I'm just layering it. Adding again the darker lines on the top and this line which is on the top should be a little sharp line. That's why it'll be visible. Otherwise, it will not be visible. So that's why I'm just making it a little more darker and just adding few more lines, slanting lines. Similarly, little bit of lighter lines. Similarly, I will be doing for the lower part as well. So all of these processes are very repetitive process. So most of the time, what happens that we end up doing it very fastly just in order to finish the painting. So try to do it very slowly. Take breaks if you feel like, and then start doing it because the more neatly and more calmly you will do the painting more patiently, the more your result will be beautiful. It all depends upon how much time you are giving to your painting. You can see mix of dark and light lines I have added to these all waves which are there. Also taking a very thin color and just adding on the top just to add some nice shadowy texture of this darker line. Just make your colour thin and just add one layer of it. That's it. Now, again, I'm just taking a little bit of more textures. I'm adding in between. A little bit, I will add it on the lower part also mixing bar blue and teal together. That's what I was telling. The more you will layer the colors, the more beautiful it will look. So that's what I'm drawing over here. Just keep on layering it till you feel satisfied. So you can see how this whole texture is coming up when we are adding so many layers to this whole painting. It's actually coming up with real beautiful waves and the water effect. So just enjoy the process of detailing and do the layering until then you are satisfied. Now I'm just taking this round brush, making the color very thin and just making the line which is there on the top little more straight because I feel that line is not straight. Little bit more lines over here where the waves are a little bit color below, adding a shadow type color. You can see how thin my color is. Just adding a simple line on the top of the waves. So let's take out the tape and see how it looks. I feel that something is a little missing on the below part because I want the third layer which is there. It's a little bit more detail it should be. 12. Blue Final Details: Welcome back. So even if I have removed the tape out, but I feel that this third wave which is there, I want a little more detailed version of it. So I'll do it carefully so that the sides are not hampered. So just adding a few more darker lines of this prussian blue over here. A little bit of the lines which are little darker lines below. A little bit of lines in between. So just adding a few lines here and there. So now a little bit of the lines I will be adding on the top also just to make it a little more dark and more visible. A little more textures in the second part. Now, this is all optional. You can leave it like this. You can do it further, but I still want to do it a little bit more. I'll make the line which is there more visible because this is the main part of the line and it has to be more prominent. So I'm just making the outline of the outer part a little bit more lighter like a shadow, very thin color I'm taking. So now let's do the lines which is on the top. The line which is on the top is a little bit or it's not straight line. So what I will do is, I'll just take my flat brush, and I will just take the Prussian blue, mix a little bit of water in this, and just try to add a straight line on the top. Or instead of doing the straight line, I will just make that line with the scale. So putting the scale on the top and just making the line straight line. And I'll just fill in the colors over here. So once I've done this whole filling of colors, again, I will add the textures on the area where the lines were just few lighter areas. Just to blend the colors with the same, which is in the background. So you can see little little things makes your painting more beautiful and unique. You can see how nicely it has come up. So the last part of it is, again, just taking this round brush and taking a small round brush of size too and just blurring that line just with water. I will just blur that line a little bit because I don't want that line to be very sharp line. So I'm just trying to make that line a little blurry line. So I'm just repeating there the process. Just with the damp brush, I'm just repeating there only and making those lines a little blurry. This will give a little bit more effect to the painting just to show that the sea which is very far away, it's becoming a little blurry and it is not visible. Sometimes we feel like that, right? So that's what I'm trying to create over here. So this will make your painting a little bit more realistic. So the last part of it, adding some white because here a little bit of blue has come up. M. Now just the last part of the painting which is giving a little bit more highlight to the top by using my flat brush. Just a few final details, just taking this teal color and adding a little bit more textures in the third part of the waves with this steel color and a little bit on the edges, I'm adding this color, the edge of the wave. And we are almost done with it. So do try out this project. It's very beautiful and very, like vibrant colors. So if you're trying it out, do tag me on my Instagram. That is Mohni Art Gallery. I will love to reshare it, and we will meet in our next class. 13. Green: Welcome back to day four, that is green color. So today, our main focus will be on the greenery side. So let's first draw a little bit of drawing and then we'll start with the coloring. So just not a center line just below the center line, you have to draw it, and then we will be doing the hot drawing, which is very small hot in between, and rest we will be doing bicloring. So very simple hard drawing, it is not very difficult. So only this much drawing is required for this painting rest all the background and everything we will directly do by using colours. So our drawing is almost done. Now we have to just do the background blocking. First, we will do the upper one with black and sap green colors. So I have taken two colors out as you can see the sap green and black so with my flat brush, I'm just mixing two of the colors, making it a quite dark sap green color. And then I'll just paint the background first. So you can see how dark green color it is. So you have to mix sap green is already a dark color, but, yes, you have to mix a little bit of black to it to make it more dark and to cover the background because we want a dark background because we have to create the textures on above this So just using your flat brush, you can just fill it the entire the background. Even if the brush marks is there, it's completely fine. You just have to do a thick color coating on the background part. Do it very carefully when there is the hot part because these are gauge colors, and if they react with dark color, it may turn into something muddy color because that we have to do with lighter color. So be careful when you are coming across the hot part. So covering the area which is near the hut using my round brush of size four. Slowly, slowly, I'm just filling the colors, first making the outline and then I'm just blocking in. You can see the upper part, blocking is almost done. Now let's do the lower part. Again, for the lower part, upper side will be more of green. So first, I'm using just the sap green color a little bit of black mix, not too much. You can see the green texture is already there. So just moving the brush in vertical direction, and I'm just filling it. So as I will go down, I will make the colors a little bit more darker. So you can see there are lots of brush marks, but I'm not bothered about it because we have to do the texture part, and those all brush marks will be gone when we will do the texture thing. So try to fill it completely with thick colour. It should not be a transparent color. Don't mix too much water. You can see we have done the whole blocking of this whole thing. Now we'll start with the detailing. 14. Green Background Detailing: Welcome back. So let's start with the background detailing now. So for this background detailing, the brush which we will be using here is the filbert brush. So once the background has dried, then only do that. So the small size filbert brush of size one I'm using here, you can see for creating the details of the background. So it has a nice round tip on the top. So the colors which I will be using here is the light green light permanent green. And one more green I will use, that is the lemon green. If you don't have lemon green, you can use lemon yellow and mix a little bit of green to this lemon, and it will turn out to be a nice greenish color. So yes, you can use any color, whichever color you want. Now, I've just wet my brush and making it a little damp, so removing all the excess water from there and just taking this light permanent green and mixing a little bit of black into it. And just creating the textures with the top part of the brush. It should be like a half circle shape, some big, some small. So random shapes I'm trying to create. You can see some are small, some are big. So these are actually the trees which are in the background. It is a very dense forest, so it's looking like so many trees are there which are overlapping one another. So you can create different different sizes of trees, some small, some big. So like this, we have to repeat the textures in all the parts. The entire background should be filled with this. So it's actually very easy way of creating the tree texture. If you are drawing smaller smaller details in your canvas or anything, this is the best brush for creating tree texture details. So you can use a bigger size Filbert brush for bigger size page or canvas, or you can use the smaller brush also. It depends upon how you want to create, how much details you want to create. The best way to create you can see, I have left a little bit of gap, also, wide gaps in between. So try to leave it so that you can see the proper shape of this tree, the half circular shape. So if you will not leave the spaces, it will look like one bundle of these textures. So try to leave the spaces so that all the trees are individually visible. I'm just repeating the same process, and I'll fill the entire background first. I really like the outcome of this painting. It is looking very beautiful and very green and fresh. Painting it is. You can also try it on a bigger size paper or a bigger canvas, you can try it. I think it will come out really, very beautiful and green. That really suits your eyes. Just adding the textures on the top and filling the entire background. I will be doing one more layer of this one more layering because this is just one layer. One layer is the background we have filled, this is the second layer where we are creating textures, and on the top of the texture, we will be creating lighter texture. So one part is done, wait for it to dry a little bit, and then we can start with the next layering with the lighter colour. So here I'm taking lemon green and mixing a little bit of green also that and just adding the textures on the upper part of the tree. Leaving few of the areas of that green and just the upper part of the tree, I'm just highlighting it. So try not to cover the entire part, just highlight the upper part of the tree. So you can see when you're highlighting the upper part of the tree, it is looking like more bright and vibrant. Similarly, I will be doing for all the trees, as you can see. Like, these textures play a very magical role in these tree texture painting. I really like this brush for creating trees, for creating clouds. You must have seen how I've created clouds in my previous painting. Here I am just creating the tree textures. So very beautiful and very unique texture comes up with this type of brush. Almost the entire thing is filled up. Now I will create the tree line. The lines and the branches, small, small tree lines and branches, I'll try to create. For this, I'm just taking yellow ochre there and just taking yellow ocher with my round brush, I will try to create the tree lines. We're mixing a little bit of yellow to make it more bright. Just some nice tree lines here and there. Okay. Don't bother about the shapes and sizes, add the lines, few straight lines, few branches here and there just to give the look of the tree. Make your color a little thin when you are doing this. So you can see how I'm adding here and there, the lines, some sub branches. So likewise, you have to fill the entire tree area. And when you will see the entire thing, it will look like all the trees which are the back and they are filled with leaves and green leaves and the tree branches. So it's full of forest area. You can see how bright and beautiful this background is looking now. And now we will do the grass part which is below. But first, let's paint this part, which is the hut part with my same color, which is the yellow ochre. I'm just filling the entire hut with this color. Mm So now we'll wait for this to drive and then we'll start with the base. That is the foreground. 15. Green Grass Detailing: Welcome back. So let's start with the grass detailing. So for this grass detailing, we will be using a different brush, that is the fan brush. This is Bristol fan brush, which I'm using here. So just wet your brush, remove all the water from it. It should be a damp brush again. Take both the mix of this light and dark green color and just adding the textures from the tip of the fan brush. Very easy and very powerful way of creating small textured grass. So take very little little color on the tip of the brush and just add these textures. Don't use the synthetic fan brush over here. Use the Bristol fan brush. It is a very hard brush. It is not very soft brush. So try to use Bristol fan brush for creating this. If you don't have Bristol fan brush, you can use the flat brush also for creating this texture. Similar way you have to do, but in flat brush, you don't have to wet your brush. Directly use the dry brush and create these textures. So I'm just applying on the upper part first. And as I will go down, I will increase the length of the grasses a little bit more bigger, just by pulling it down the brush. Currently, I'm just making it small only small textures. After that, I will just take the colors and I will push it a little bit downward to make it a little bigger size grasses. You can see I'm doing all the grasses in line because this is something like a paddy field or you can say where there is full of greenery and all the field is there. So that's why these all grasses are in line. That's what I'm trying to create over here. Adding some lighter textures on top of it with this lemon green color. The more you add layers to your painting, the more beautiful it looks. But in gosh, layers means that you have to use thick colour. You cannot use thin colour for layering anything. So whenever you are doing any layering part, just use thick colours. Now mixing a little bit of this sap and this permanent green and creating little bigger grasses, as you can see in a line, you have to create in a line. Also some light textures in between. Now, as I will go down, the grass size will increase, so I will now start making bigger grasses. I've also taken white over there. So now let's move on further. So before taking any longer grasses, take your rigor brush, make the color a little thin and rest by mixing water and then try creating the lines. I'm just mixing a little bit of white also so that it becomes more visible because white makes the color a little more opaque. So starting with smaller grasses, and as I will go down, it will become bigger and bigger. So this is my whole thing which I am doing over here, making the grasses in all the directions and in a bunch, as you can see, So as we will go down, it will become the grasses will become a little bit bigger. So just enjoy the process and do it patiently because all these process really needs a lot of time and patience. If you will do all these processes in a hurry, it might ruin your painting. So try to do it very slowly and try to create very thin grasses that will look more beautiful. Now you can see I'm creating another grass which is below in between the two grasses. So like this, I will be moving forward in a line. You have to move in a line because this is a paddy field. This is not a normal grass. These types of paddy fields, you can see a lot in India. I'm not sure about abroad, but yes, a lot in India, you will see these type of paddy fields you must be seeing in your countryside also. So yes, so lots of paddy fields, you will see in Indian villages, not in the cities, but yes, in villages. So all these, you can see as I'm going down, it is becoming bigger and bigger. Now I'm adding a little bit more textures to these grasses, just making it more light, just by adding a little more white to this lemon green colour and just adding more of textures to it. I'm not filling it entirely. As you can see, I'm not filling it entirely. I'm just adding in between the grasses. Here exactly what I'm doing is the layering of colors so that there are multiple greens should come up. I'm also adding a little bit of yellow ochre to make it a little bit of browny look. When the leaves dry, it becomes a little bit of brown, so a little bit brown texture will also look good. Use here rigor brushes. Don't use any thick brush. Use your rigor brush for creating all these lines and textures of the grasses. A little bit of black textures also here and there. So we're almost done with this background details. The last part which is left is the hut, which is there, the hut detailing, and then we are done with the entire painting. A little bit of smaller grasses also I'm adding at the edge of these grasses. Adding some more layers to these grasses. 16. Green Final Detailing: Welcome back. So let's start with our final details. That is the hut which is there. So for this hut, we will be using this yellow ocher with a mix of little bit of black. When you will mix a little bit of black to this yellow ocher, it will turn out to be like burn sienna color. So just blocking and creating some Details. Now first, I'm doing the lining, small, small lines I'm adding to create a nice pushy shade on the top with the grasses because this is a hut. So just small, small details with my fine liner brush. That is the rigor brush. After that, the window and the doors we will be doing. So making the edge of this, that is the triangular edge, little bit more visible by using the darker color and making it more prominent. Outlining the sides and the below part with the same color and also the door and the hut, the door and the coloring it with this dark color. And a little bit of textures also I will add to the walls just to give a little bit of texture to it. You can leave it like this or you can add a little bit of texture to this wall area also with the same color a little bit lighter than the one which is above, just to give a hot look to it. So very small circle over there. I'm just trying to add. So it's a very small hut. I haven't created it very big, so it's a very small and tiny hut which is there and mixing little bit of black and yellow ochre and just making it more prominent. Since these areas are very small, so you have to do it very carefully with your liner brush or your small size round brush. Don't use bigger brush over here. There's one line which divides there. So just lines I'm drawing. Now let's create the smoky effect on the top. Is there some smoky effect which is there on the top, just taking white colour and little bit of lines I'm adding to the sides because I want this a little lighter in color. So a little little textures you can add just to make your painting a little bit more beautiful. So we will be adding a smoky effect on the top, making the upper part a little more white because this has been covered with a little bit of black. So that's why I'm adding little white to it. Now taking my round brush and making a color, little thin just by mixing water and just adding some smoky effect on the top. Don't repeat it, don't overdo it. Otherwise, the background color will reactivate. So you have to be very careful when you are doing this. Take thin color, but do it in one go. Don't repeat it. Otherwise, this may damage your painting. So this is it. We are done with the entire thing. Little bit of final details you can add by using the green color. So it's totally optional, but yes, little bit of details are always there when you do it. So the little bit of final details by mixing this white and this lemon green and adding a little more lighter texture of the grasses on the top. So now let's take out the tape and see how it looks. So this is the entire painting to try out the project and do share me or tag me on my Instagram that is Moheni Art Gallery. I will love to reshare it. So this is the entire painting. I hope you enjoyed doing this with me, and we will meet in our next class that is the yellow color. Little last detail which is left. I'm just mixing this and adding on the top, which is the horizon line can say, just making it a little more visible. So this is it. See you in the next class. 17. Yellow: Welcome back to day five that is yellow. So here we will mostly be using yellow color. So different variations of yellow here we will be using. First, let's draw the sketch, and then we'll start with the painting. First, I'm drawing the horizon line which is there a little below the center line. It's not in the center. It's a little below. So just drawing a straight horizontal line. After that, I will add some birds on the top. So there will be two birds which I will be drawing here. So since we are using the background as light color, so these all pencil marks will be visible. That's why I'm drawing these birds. So very easy and simple birds, I'm drawing over here. So let me zoom in a little so that you can see it more clearly. So very simple drawing of the two birds which is flying above. The two wings which are coming outward. Now, another bird which is in the lower side, just following the another bird. Same type of drawing. Little wing directions will change. So very easy to follow. Just follow the process, how I'm moving my pencil and draw with a very light pencil. Don't draw it with a very hard pencil. Once you have drawn it, try to rub all these lines which are there with your eraser very light. There should not be the pencil marks too much. So make it light so that when you paint that black color should not come into your yellow color. So try to rub the graphite part, and then we'll start from the center. The entire painting. After that, let's discuss about the colors first. So the first color is white, Christian blue, black, then lemon yellow and deep yellow. So these are the colors which we will be using here. And this is the normal brush, which is the mop brush, or you can say a blender brush, which easily blends the colors very nicely. This you can use with acrylics, also, you can use with the Kash or watercolors also. It's very nice blender brush. First, we will use our round brush, that is the bigger size round brush. Starting from the center, start moving the brush in circles. Make your color a little fluid, should not be very thick color. So you can see I'm just making the circle in the center. After that, I will take this lemon yellow color and start adding around this white, and then I will blend the colors. First, I'm adding it in circle and then slowly moving the brush from inside to out. Whenever you are applying the darker color, wash off your brush immediately. And then when you are using the lighter colour, take some lighter color or you can use the damp brush and just move the brush in the outward directions like I'm doing over here. So slowly, slowly, you have to do the blending moving in the outward direction from light to dark. So just try to move the brush in circle. Now I'm adding a little bit of this deep yellow to this lemon yellow and moving it outward. So it's like a light to dark transition that we are following over here. So applying this color again in circle, you can see now my brush is getting dry. So again, I'm taking water on my brush and taking the color and again, applying these circles. After that, I will just wash off my brush, or I will just take this yellow color and I will try to blend this color with this deep yellow color. Again, I will wash off my brush and starting from the center, taking a little bit of white, I will move the brush in the outward direction using the side of my flat brush. So slowly, slowly, you have to blend this way. As we are going outward, it will be more darker, so you don't have to make lemon yellow directly, use color which is the yellow colour, deep yellow color and apply it on the outward part. So you can see how bright this yellow is when we are applying it. Now, once you have thoroughly applied the colors on the sides of your paper, just remove the brush and just wet your brush, remove the color, and you can do it with this brush also. You can do it with this mop brush also. But I'll try to do it with mop brush. I have wet the brush, make the brush a little damp, and I'm just moving the brush in circle as you can see. So you have to just move your brush in circles like this and you can see how nicely the blending is being done with this mop brush. It's a little bit of color mixing to the sides. We have done the upper part. Now we will be doing the lower part. So for the lower part, middle part is lighter and the sides part is darker. Using my flat brush and mixing a little bit of this Prussian blue in this. So if you will mix Prussian blue, it will turn into a little greenish color, which I don't want. So I will take it a little bit of violet color. So I will use violet color over here instead of this Prussian blue. So just taking this violet color or mauve color to the sides and just mixing to this yellow and applying first the line. So this I'm creating a little blurry line. So first, I have drawn the line and I will make it a little blurry. You can see I'm just repeating it over here to make the lines a little blur. Now, once you have done this, now we will be blocking the foreground which is there, the area, which is the water part. So to the sides, I'm using the deep yellow color, and to the middle portion, I will use the lemon yellow color. So to both the sides, I'm applying the same deep yellow. And to the center, I will be using this lemon yellow colour. A little bit of white also I'm mixing, just to make this part a little bit more light. So you can see we almost done with the blocking. Now we will be doing the details. 18. Yellow Water Details: Welcome back. So let's start further. So our background is still drying. So first, we will do the water part and then we'll start with the upper part. So let's start with first the water detailing. Similar detailings we will be using here, but lots of layers to it using my flat brush, taking a little bit of this prussian blue and a little bit of this purple color that is the violet color. And I'm just starting to add these sides first because the sides are more darker than the one which is in the center. So make your brush a little bit of damp. It should not be very dry brush. Just mix the color and start applying to the sides of the water part. Just the same technique as we used earlier in our previous painting. Similarly, we have to use it over here, but less textures in the center and more textures towards these sites. So this is the process we are using over here. And don't make your color very dark. As you can see, it is not a very dark color. I have mixed a since this is the violet color, so it's not coming very dark. And I have mixed very little amount of prussian blue not too much. So don't make your color very dark. And a little bit of black also you can add little bit of this Prussian blue to the sides to make more darker textures. So as it goes in the center, it is light, and as it is in the sides, it is more dark. So this is the process how we have to go. Some of the waves are also there in the center, so just I'm making it with the same brush, the line, and similar lines on the top also, making the lines first, and then we'll do the further detailing. So same technique you have to repeat on the sides. So the more you will add the layers, the more realistic your water will look. So you can see how closely I'm just adding these textures. So try to use the damp brush, not wet brush. Otherwise, these textures will not come up. So don't use wet brush. Color, you can see I'm taking very little little color on my brush, not too much color, and try to give the textures. You can see I'm leaving the center, which is just below the one which has a white part. So like that, you have to create the glowing effect over there. So first, I'm just taking my lemon yellow, so just below the white part, first, I will add the white color in the center. Similar process, just the dabbing technique, taking white colour thick white color you have to take, and then just apply it to the center and a little bit to the sides also. Just expand it a little bit. So try to do it as close as possible. Don't make it with lots of gaps. Otherwise, it will not look like a real water. So you can see how closely I'm just creating these textures. So these all processes are very repetitive process. So do it calmly with patient. Don't do it in a hurry because this can spoil your painting too if you do it in a hurry. So try to do it very patiently. So you can see how I'm just adding the textures first and the center which just white colour. Now, I'm again taking this mix of the two colors, that is the yellow and the mauve color and just adding more textures to the sides of the white part. So this is how we blend the water part. You can see I'm adding in the center also, even if the white is a little bit of wet, but still I'm adding so that this get merged in this white part too. Not too much inside the white part a little bit. So again, taking this Prussian blue and adding bellow. You can see the lower part is a little bit more darker than the upper part. Adding some more darker values to the waves which are there. Now, again, taking this purple and this yellow mix and just adding a little more textures to the sides and a little bit to the white part as well. So you can see how much layering I am doing over here. The more and more you will layer it, the more it will look beautiful. You can see how blended it is looking the colors. Now I'm taking this lemon yellow and adding to the sides of the white, not to the center to the sides of the white. Once you add this yellow color, it becomes more glowing. Similar process, I'm doing what I have done above, white the lemon yellow, then the darker color. It's similar. So similar is the water part also. Little bit more white, I will add to the center, very thick white color and to the center part. You can see how glowing it is looking when you will add these textures. Now little bore finishing, I will give to the upper part, which is the background part to the So just using my mop brush and the blender brush, you can say, and just moving the brush in circles and just making this part, which is the lemon yellow part a little more bigger so that this part is a little bit more bigger than the one, which is the deep yellow one. So very little little details, you have to just do it. Just try to make it more blended so that it will look more beautiful and vibrant and neat also. Now we will be doing the bird part. 19. Yellow Final Details: Welcome back. So let's start with the final details, that is the bird painting. So for this bird painting, first, let me add a little more darker details over there, and then we can start with the bird painting, little bit darker lines to this part. Just some slanting lines I'm adding just to make this area a little bit more highlighted. So just final lines, and then we will be doing the bird painting. So for this bird painting, we will be ding the round brush of smaller size like two or four and try to make your black color a little fluid and then start filling the colors. So make sure that your base has dried, then only use this black color and do it very carefully and very slowly when you are doing this bird painting because if little drop of black goes on it, and your whole painting will be you have to redo it. So try to do it very carefully. Use the pointed tip of your brush first to outline it and then start filling the colors. Very slowly, slowly, you have to do it. You can see very slowly and take the colors, fluid color and slowly the wings first outline it, everything, and then fill the colors. This is the easiest way to do the painting, which is the blocking of any colors. And this way, you will never ever take the colors outside the boundary line. And little bit shapes, you can correct it when you are painting it. And also, if you are not comfortable using round brush, you can use your liner brush or rigger brush for filling this up if you're not comfortable with round brush. So slowly, slowly, I'm just trying to fill it up. Now, this is a main part of this sky, actually, because of this, the sky is looking more beautiful because of these two birds. So try to do it very neatly, very carefully. And if you are trying out all these paintings, all these paintings and do tag me or you can share me on my Instagram that is Mohii Art Gallery. I will reshare it. And I would love to see your project works. You can see first one I have done. Then I'm doing the second one. First, I've outlined it, and then I will fill the colors. So when you are not redoing it, your color, the background color will never reactivate. So try to do it in one go. Don't redo the colors again and again. Otherwise, the wet color will reactivate the color which is behind, so that you have to be careful when you are doing this. So slowly, slowly, you can see the shapes are coming and already when it is in between this white part, it is already looking very glowing, actually, especially this bird. So intentionly, I've put this word in the white part, as you can see. Just fill the colors slowly. So once we are done with this filling of the colors, we're almost done with this painting. We'll take out the tape and see how it looks. You can see how beautiful that bird is looking, which is in between the white part. So let's take out the tape and see how it looks or a little bit of white. I just missing a little bit of slowly take out the tape when you are taking out from paper, and this is done, so we'll meet in our next class. 20. Orange: Welcome back to day six, that is orange. So first, we'll start with the drawing a very simple drawing it is with a horizon line and some mountains and some sea waves. That much drawing is needed over here. So a simple horizontal line. And then the mountain, which is little below the horizon line. And after that, some waves I will be adding, and that much drawing is needed for this. So once we are done with the drawing, we'll talk about the colors which we will be needing for this entire orange painting because here mostly focuses on the orange color. So let's discuss about the colors which we will be using over here. So the first color which we will be using is the Indian red, deep yellow, orange, lemon yellow and black and white. So these are the colors we will be needing for the entire painting. Let's start from the center, moving the brush in circle, like we did in the previous yellow one painting. Similarly, we will be doing here, but with orange. So here, just adding a nice circular white color, then lemon yellow, and slowly we will be blending the colors. So starting from the center part, now you can see here my main focus is on the orange, orange will be more than the yellow part. So just taking again this deep yellow, which is the permanent deep yellow, or you can say cadmium yellow, or you can take chrome yellow also. There are different names of these yellows. So you can take any yellow. It looks like an orange shade, you can see, and just taking a little bit more. Similar way, we have to do the blending over here like we did in the previous yellow one painting. I'm just taking the lighter color and I'm trying to blend it with the deep yellow. Now you can see I've mixed both this yellow and orange color and I'm again putting the color outward. This is how we have to do the filling of colors. It's a very bright and beautiful painting. I'm sure you will love this. So this orange is very bright and very vibrant color, as you can see. Now, we will be using the outward color, which is the Indian red. This Indian red is something like burn Sienna, you can say. I've mixed the Indian red and orange together, and I'm just applying it outward. I don't want a perfect Indian red color. I've just mixed it with orange to make it more towards the orange part, and I'm just covering it. After that, I will blend the colors. Try to do it slowly and fill up the colors slowly. Don't bother about the blending in first go when you are blocking the colors. After that, you can blend the colors because these colors can get reactivated. So it's fine. Even if it gets dried, we can reactivate it and we can blend the colors. So don't worry about that. So slowly, slowly, I'm just filling it up. Taking white and moving the brush from circles to outward, adding again, yellow and moving the brush in the outward direction with this mop brush, as you can see. It's a blender brush or mop brush, whatever you can say. It's a very nice circular brush which has a circle tip on the top, and slowly you can easily blend this color with this brush. If you don't have this brush, use the round brush itself for blending it. With that brush, also, you can easily blend the colors, but make sure that always push the color from light to dark, not from dark to light. Oh So slowly, slowly, I'm just blending the color. You can see how bright and vibrant it is looking when I'm just blending the color and moving the brush in the outward direction. So you have to move your brush in the outward direction, starting from center to the outer portion. Once we are done with the background, we will do the foreground. Blending is a never ending exercise. The more you will blend, the more it will look beautiful. So you have to see where you can stop the blending. So now we will focus on the foreground. So using my flat brush, taking red and this orange mix, that is the Indian red. If you don't have Indian red, you can use burn Sienna and just applying first from the top and filling the colour slowly. So to the sides, I'm putting dark and to the center, I will put a little lighter version of it. So mixing this orange and yellow together and putting it in the center. So slowly, slowly, I'm just trying to fill the colors. It is same color which we have used on the top. It is similar to that. Adding and blending it also a little bit, and also taking a little bit of yellow, this lemon yellow and mix, and just adding in the center to make it more light. So this is the whole blocking of the foreground. 21. Orange Blocking: Welcome back. So let's do further blocking of the foreground. So I'm using here my round brush. First, I will do the part, which is the land area. So just taking this Indian red, black and orange mix a little bit and doing the outer part, which is the land part of the um, water. That is the sand part. Since it is the sunset time, that's why it is a little bit darker area. So I'm not putting it too dark, so just making it a little bit of the brownish effect. So that's why I added a little black to it. So just covering it with my round brush. Now mixing a little bit more of orange and doing the other part, which is the second final wave which is the final wave. I'm trying to cover that. It's a little lighter than the sand color. So blocking that part now comes the final, which is the middle part of the wave. That also we will cover using my orange, more orange and Indian red mix. Then we'll be covering the part, which is the middle part of the wave. It's a little bit similar color but not similar exactly, little bit yellow. I'm just adding to it to make it more lighter to give a little variations between the two waves. So just adding this color and filling it out. Now, once this blocking is done, we will also do the blocking of the above area, which is the mountain area. For the mountain area, I will be using black color and just filling it again with round brush. The easiest way to fill the colors is just to outline it first and then start filling the colors. So the colors will not come out. Do it very carefully, and because this is a very dark color and you cannot remove that, so do it very carefully. Now, once we are done with the blocking, we'll first start with the detailing of the C. So you can see already this painting is looking very bright and beautiful, very vibrant color it is. And I'm really loving the outcome of this color. So if you also try it out, I'm sure you will also love it. So now I'm using my flat brush, which is a pointed flat brush and giving the detail to it. It's of smaller size, and I'm just adding the details with my Indian red color. Same technique you have to use as we have used in the previous paintings, as you have seen. You can see you have covered the sides first with this Indian red color. So just covering the sides and slowly, slowly, we will do the center also. Center part also. But I'm not blocking it too much the center part. I'm leaving some spaces in the center because I want a little bright it to be. So that's why I'm keeping the center a little bit more brighter. So that's why I'm adding a little less details to it. When I was adding the texture to the side, they were more closer, and when I'm adding in the center, it a little more far. So this is the difference between putting these textures. Now, you can see I've just put the texture. Now I'm taking the orange color and just putting it to the center part, the orange color. So where we will be creating the reflection, that is the sun ray, which is falling on the C part. So just below the white part. I'm just trying to give the reflection of the sun So it should be just below the white, that's try to do it like that only, making it with a mix of first white and then yellow. So a mix of white and yellow will make this reflection more brighter and more beautiful. So again, taking a little bit more white and adding from the top and I'm going towards the down. Now taking this lemon yellow color and putting to the sides of this reflection. So this film just similar to the color which we have used the above part. That's why I'm using center wide, and the sides this lemon yellow. After that, we will do a little bit more of the detailing. So taking again this color which we have mixed, the darker color, mixing a little black to it, and again, creating the waves, little darker waves below, making it little fluid, the color, and just making some more lines of the waves, as you can see. All these small small details make your painting look more beautiful and more realistic. So you can see how vibrant this water part is also looking. Now we will do the ripples part and the whole waves part, and the mountain part is also left out. So we'll complete that first. We 22. Orange Sea Details: Welcome back. So let's start further the sea details. So first, I'm just taking my rigor brush, making the color a little thin and little thin, it should not be thick colour. Otherwise, you'll not be able to create some thin lines. Again, I'm taking the size for round rush, and I'll start creating some nice small boats of different different sizes. The boat which is near, it will be a little big, the boat which is very far, it will be very small. So different different sizes of boats I will be making in this water part. So not just only one boat. There will be three to five boats in this. So you can create a number of boats. It's your choice. I'm making a little bit of orange shade also so that the reflection of the sun is falling on this boat and making it a little more orange. So that's why one side, I have added black and one side, I have added a little orange color. Very small, small size boats are these. So let me just try to zoom in a little so that you can see a little more clearly. So just making the reflection of the boat below. So every boat will have the reflection of their boat. So this is the boat which is a little nearer, so this is little big. So as we will go towards the upper part, the boats will be more smaller and smaller because those boats will be very far. That's why I will be creating those boats in a smaller size. Just making the reflection more dark and prominent, taking a little bit of yellow color and adding on the top, just to give a highlight of that sunlight falling on it. These all small details matters a lot when you are doing these paintings. It's a bit time consuming, but the whole outcome is very beautiful and very vibrant. Just try to do it carefully one by one. Now we will create other boats also. The upper boat is the smallest boat which is in the corner, upper part just below the horizon, very small size boat. Try to do with your rigor brush, you can use the smallest brush which you have the liner brush for doing all these details. Don't use the bigger size brush. Otherwise, there will be chances of doing some mistakes. So try to do with a very small size brush. Now, I will add three or four more boats and the reflections as well. You can see actually this boat effect adds more beauty to this painting, more beauty to this water part. So you can see as it is coming more near towards the foreground, it is more bigger in size. So, likewise, we have to create the boats. It's not like I have created five or six. You have to create the same number. You can create any number of boats if you want. So we're almost done with the board part, does the reflections, and reflection will be again with a little more of the brownish color. So I'm just mixing this brownish color and making it the reflection with the same brush, that is the round brush. Now, once we are done with the reflection part, now I will be doing the water ripples with all these white water ripples which are there. Now using my rigor brush, just making more highlight in the center with white, just to make it more vibrant. Now, just adding the thin layer of color on the sides of these water waves. Don't use too much water when you're doing this. Try to use a milky color, not a very thin color. Otherwise, that brightness of white colour will not come up. So very carefully try to do these lines. These are not straight lines, very small curvy lines are these and also try to create some more wavy textures. Now, in this case, I'm using my rigor brush only to create all these wavy textures. Very thick colors are these and less of water. The thickness of these colors make this white color more vibrant. You can see how thick the color is. I'm just making the waves, and you can see how bright and beautiful it is looking. So one more way which was in the middle, adding those lines. Now, this texture I will add with my flat brush and just a nice damp brush and making the textures like horizontal textures. The same textures are these which I have applied on the water part. But you can see I'm not fully covering it up and just at the edges, I'm applying it. Similarly, a little bit of to the first wave which is there. A little bit orange and a little bit of this mix of orange and this red mix to the other side also. Now to the last one which is there, I will just first add the lines. Using my round brush and taking this nice color that is the Indian red color and making these ripples more clear, outlining it with a thick line. Just to make it more bold and the shadow which is coming there. Mixing little white and orange together and just highlighting this last wave which is there, making it more like light orange color. 23. Orange Final Details: Welcome back. So let's start with the final details. So the last part of, which is the ground part. So that also we will do the detailing. But first, let's add a little bit of the orange texture, mixing this little black and this little orange and just adding some more highlights. Now, again, use a damp brush. Don't use wet brush. Otherwise, this texture will not come up. So damp brush, it should not have much of water in your brush. Then only this nice texture will come up because we want a little darker texture. Also, a little bit of light textures. Also, we will add mixing white and this orange and adding some textures to the opposite part. So it is a mix of dark and the orange textures. You can see how vibrant and beautiful it is looking, adding little one more line of this white to this ripple, just to make it a little more white and glowing. So now we will be doing the next the final details, which is the details of the mountain also and a little bit of the textures of orange to the ground part, just to give a little more highlight of the sun which is falling on the this crown part. I just adding a little bit highlight of this orange. Again, every detailing with the damp brush, don't use wet brush. Otherwise, this background color will reactivate. So be careful when you are doing that. Now taking my rigor brush and taking a liquid black color, making small small textures on the top. And then I will start adding the palm trees, very small size palm trees where I will be adding on the top. So once these textures are done, first, I will create the lines, and then I'll start adding small different sizes of palm trees on the top. So just try to do it very carefully when you are doing these palm trees. Don't need to create any details, create the lines of the leaves, and that's it. Now, in this painting, you can also create one big palm tree if you want the additional thing here, I have not done, but, yes, you can do it like your own creativity. I'm just giving you a little bit of idea how you can change it. So you can add one big palm tree from the ground to the above part. And that will also look very beautiful. So just I've added some small, small palm trees on the top part of Des mountain. A little bit of birds I will add on the top. So some small birds also, I will add on the top, moving in like groups. So this is it. This is the entire painting. I hope you liked it because I really liked the outcome. And I really enjoyed doing this painting. I hope you will also do and do share your project works and tag me on Instagram that is MohiiatGallery. I would love to see your project work, and we will meet you in our next class. Thank you so much for watching. H 24. Red: Hello, all. Welcome back to Day seven. That is red. So this is our seventh painting. So let's first do the little bit of drawing, and then we'll start with the painting. Simple drawing. So just taking my ruler and just drawing the center line first. So just a center line, and then the mountain. Now, again, this mountain is a little bit below the horizon line, as you can see, and also we will be adding the mountains which is behind. It's behind the main mountain. So there are two mountains, one front and one at the back. And rest or we will be doing le coloring. So let's talk about the colors which we will be kneading. The first color which we need Indian red, vermilion red, lemon yellow, and white and black. So these are the colors which we will be kneading. So let's start first with the blocking of the background with my flat brush. So I'm just wetting my brush and taking first little bit of black, mixing it with this Indian red. If you don't have Indian red color, you can also take burn Sienna and because Bn Siena is also a similar color, but in Bern sienna, don't mix too much black in there because it's already very brownish in color. So I'm starting from the top and filling up the color, as you can see, we make them brush in the to and fro direction and just first occupying the darker color. And as I will go down, it will be more and more red. So whenever you are using the gauche colors, makes the color milky, and then use it. Now here I'm using my again round brush. Bigger size round brush, making the color a little more fluid. That is a little more milky, and I'm just filling the upper part first, moving the brush in circles. So you can see I'm moving the brush in circles. So this is how we have to move the brush, so we have to paint it in circular form. Then I'm simply taking Indian red and again, moving the brush in circles and also trying to blend this color with the darker color. So when you are blending the colors, do it very gently, otherwise, and push the lighter color towards the top. Don't push the dark color towards below. Otherwise, all the colors will become same. So you can see I'm just making it a little curvy. This is also one of the way of filling the background. Now I'm using vermilion and just again, moving the brush in circles, just trying to blend the color with the darker color, pushing this vermilion towards the top and just blending it. So whenever you are blending the colors, try to wash off the brush again again and again when you are doing it on from the top. So now I'm mixing red and this lemon yellow, and again, I'm filling the color in the same way. So you can see it will look like a cloudy effect with these circles and just trying to blend it as much as possible, taking again this same color which is a little orange and just moving it in circles. Try to take bigger size brush when you are doing this. Don't use a very small size brush. Otherwise, it will be difficult for you to blend. Now I am taking more of yellow and just doing the same repeating the same process. So this way, we have to fill the background. Now comes the foreground. So the foreground, again, since it is a reflection, so first will be the lighter color then the darker color. First, I've just made a line with lighter color and slowly, slowly, I will fill it with first the lighter orange, then dark orange, then red, then then vermilion, then the Indian red, and then Indian red and black mix. So this is how we have to go downwards from light to dark transition. Try to do it very carefully, very smooth touch of the brush should be there. Don't use the brush with lots of pressure, very smoothly, try to use the brush. You can see here I'm also using my round brush for filling this up. So you can use any brush for filling your background and foreground. There is no brush like compulsory that you have to use your flat brush only. Now you can see I'm slowly filling it, and as I'm going down, I'm mixing more and more this red. Now I'm taking this vermilion and the Indian red mix and just trying to blend the colors with this Indian red and vermilion. And then I will take vermilion and sorry, Indian red and black mix and then I'll try to blend it more. You can see I have filled the background and the foreground. Since the foreground is the reflection of the background, so both will be similar colors. 25. Red Blocking: Welcome back. So let's start for the blocking of the background. So once this background has dried, I will just add one more coat to it because I feel that this is not blended perfectly. So I'm just taking more of this Indian red, and I'll start again with the blending part. Do again this coating once the background has dried so that, the background color should not come out because of the water effect. So just mixing a little bit of the black and this Indian red together and starting again from the top similar way, we have to repeat it like how we did previously. Same colors, and just I'm doing one more layer of it. This time, little more perfection in the blending part. As you can see, I have made this a little round in shape, and simultaneously, I'm blending the colors as well. So taking again this vermilion red and trying to blend it with this nice Indian red, and you can see how nicely this blending is happening now. Sometimes in first layer, the blending does not happen. So you can add second layer to it, like we used to do it in watercolors or acrylic. Similar way, we have to do it in gauze. You can add one more layer of it just to make the blending more perfect. So that's what I'm doing it over here. Now, I will just take again this vermilion and just apply it more towards down part. So slowly, slowly, your blending will become more perfect when you start doing this. So similar colors you have to use when you're doing the second coat of it. So I've done the second at now. Now I will do the part which is above. You can see there is a part which is above the horizon line, and a little bit of blending over here also is needed. So just with my blender brush, I'm trying to blend these colors, moving the brush in circles. It's a very nice blender brush, which blends the colors very beautifully. It's a very small size, as you can see. Now let's add some more blocking part, which is the part which is above the horizon line, little bit more yellowish over there, because I want to create some yellowish effect there. So I want that part to be more yellowish and more glowing. So a little bit more of the blending I'm doing on the upper part. So taking more of this vermilion and just trying to blend it properly, you can see blending takes time, especially when you're moving it in circles. Sometimes with round brush, also, it doesn't work, so use the thick round brush. So now let's do the bindl part which is there. So taking my round brush and just taking this Indian red and black mix and making a color a little more of reddish and a little muted just by adding white to it and a little more red. And you can see a nice maroonish color is formed, and I'll just cover the backside because I want the backside not to be very dark in color. I want it to be a little lighter in color. So just first outlining it, and then I will block in the whole part. With the same brush, I will just block in this part. Just slowly, slowly, I'm just trying to block it up. I haven't block in the entire thing. I have left. You can see a little bit below. That part, I will do it with a more lighter color. Just filling the straight line and just taking a little more white. I haven't washed off my brush. Already, there is some color on my brush and just filling it with more lighter value of this color. So just applying this white to it and just taking more white and again, applying it just to make a misty effect over there. That's why I'm adding a little more white over there. This is how we create a little misty effect over the any area. So taking more of this yellow and making a line which is below with a lighter color. So these are very little small small details which actually make your painting looks more beautiful and more vibrant. So now you can see how this misty effect has come up when you have added white to it. Now I'm taking my rigor brush and making the color a little more fluid and adding some trees on the top. First, I will add some branches and some shapes, little bit of these textures on the top. Then some small tree lines and some tree textures. As I will be adding. So very small tree lines are these? Uh 26. Red Detailing: Welcome back. So let's start further. So now we will add some more tree lines on the top. So a little bit of the first, the yellow part and then the tree lines. So just I'm taking a thick color using my round brush and just moving the brush in to and fro direction. My backside has already dried, it should not be weathered. Otherwise, you will not be able to move the brush. It will blend with this red color. We don't want the color to blend with this red color. So that's why I'm using your thick color and damp brush. Don't use wet brush over here and take quite thick color and then apply this whole technique. Then your color will not mix with that background color because I want a vibrant yellowish on the top just before you can say just after the sunset when there is a yellow part which is there, that is the reflection. So just adding more of white in the center, just taking a little bit more of white and adding it to the center to make it more vibrant. As you can see. So the more you will do overlapping, the more vibrant it will become. Again, you have to use thick color and the damp brush don't use very wet brush. Otherwise, the background color will reactivate, which we don't want the color to reactivate. Now we will be doing the upper part of the tree which is there using my same brush, or you can use your rigor brush also. You can use the same round brush, smaller size, and we can add these tree lines on the top. Or let's first paint the one which is here. Just block in this first, and then we can start with the tree lines on the top. So just adding some textures on the top, and then I will just block in this entire mountain. Now, just using the same brush or you can use this flat brush also for filling, mixing a little bit of red because I don't want this also to be very dark like black color. So that's why I'm mixing a little bit of red. And below, I will make it a little more dark, upper part a little more reddish and below part a little more darker. Like this, we have to fill it up and then let's start up nicely try to fill it up so that there are no gaps in between. Now taking this red colour and applying it on the top to make it more reddish because it's a red background, so it would look like a reddish effect on the mountains also. So now let's do the further detailing of the mountains as well as the tree lines which is at the back. That is left, which we have to do it. So again, using my this brush, which is the filbert brush, making it damp, and then using the same color which I used earlier for this background blocking and creating some nice tree lines at the back. Take very lessless color, use your damp brush. Don't use wet brush, and create some nice tree lines at the back. So once we are done with backside tree lines, I'll just take my rigor brush here and again, take this white color and apply it in the center to make this area a little bit more brighter. So white color adds actually more brightness to that area. So add more white to it. You can see how bright that part is looking when I've added just white there. Now, again, that brush was also not very wet. So try to use a thick color whenever you are creating any textures on the top, creating some small textures over here. Just to add the small, small grassy effect to these mountains. So the tree part and the below part is left. So let's first draw the tree line. So taking again, this same color. This is the black color which I'm taking, making the color fluid, and then start the lining part. So first, try to draw the line. You can use your black color or you can use your pencil also to draw it. But remember that you cannot rub anything over here, even if you do any mistake, you have to overdo the coloring part. So do it very carefully when you are doing the tree line. So slowly, slowly just try to create the tree lines. So you can see first I'm just creating thin lines. After that, I will make these lines a little bit thick. Now, once you have done this thin line part, now you can create the thicker lines. So you can see how the lines are coming. There are small trees as well on the sides that also I will draw it, just the lines. So once the tree branches are done, we will now be doing the leaves part and the water reflection part, and that's it. Oh 27. Red Final Detailing: Welcome back. So let's start further with the tree detailing. So now we will add some details with the tree again with my filbert brush. So taking some nice black color, taking less color, not too much color, and your brush should be damp. Same thing we have to repeat like we did in the green one. We have to just create a half circle sort of tree part and take less less color on your brush. Don't take too much color. Otherwise, it will end up creating patches. So take very less amount of color and try creating the tree textures on the top. Similarly, the gap which I have left in between there also, I will create these pre textures. Similarly to the sides of the trees on each and every branches, I will try to create some nice tree textures. So on the smaller trees also, I will be adding some tree textures. So in between. So this is how we arrange the tree format, the tree textures and everything. So little little textures I'm adding here and there to the branches and making it like a half circle shape. U So you can see, I've just added to the smaller tree part also. So this is how we have to add the tree textures. After that, we will be doing the water part, the water reflection, the reflection of this big mountain, the reflection of the waters, the reflection of the tree. Every reflection will be there in this water. So let's start drawing the reflections. So for the reflections, we'll start with the brush which is the rigor brush, making the color a little thin and adding little textures first on the top, adding a few more tree branches here and there. Little bit of branches here and there. I'm just adding some small thin branches. This is not necessary. You can leave it also, and you can add it also. It's totally up to you if you want to add further more details. Now, let's do the detailing of the water first. So this is the line of the tree line which I have drawn over there. After that, I will be doing the detailing with my same brush, which is the rigor brush, just creating some line, which is the So I think instead of creating with my rigor brush, I will be using my round brush for creating these lines because that is very thin. So just creating a straight line first off the tree line. So for the reflection of the back mountain, I will be using my flat brush, which is the pointed flat brush. There are two types of flat brush which I discussed earlier. So taking, again, damp brush, very less water, less color. And first, I will create the line so that the line is, like, straight. And then I will start creating some nice downward strokes. With very less amount of color and damp brush. Don't take too much color, otherwise, there will be very thick lines, so I want a little more dry texture. That's why I have to use damp brush over here. Just creating some nice vertical lines there. So you can see I have already created some lines. Now I will create some lines over below this mountain, which is the bigger one. A nice vertical strokes, downward strokes. So your brush should not be wet, it should be damp. If it is sticky, if it is drying too much, again, wash off your brush, remove excess of water, and then take very little amount of color and then do this. Don't use too much color because we want a dry brush effect. So this is how we have to do the reflection of this bigger mountain. Adding a little bit more darker details, moving it in downward direction. So this is the reflection of the mountain. Now we will add some reflection of the trees also. But before that, I will just mix a little bit of this Indian red and black mix, and I will create some nice lines, water lines of this here below. Similar lines like to and fro. Make your color fluid and try to create some nice lines in to and fro direction. So this is how I'm just covering the lines of the water. So very gentle touch to it. Don't press your brush, move your brush in to and fro directions and automatically that design that whatever it is called, the design will come up. So don't press it. Do it with a very light hand. So as you are going up, use the lighter color. That is the Indian red only because the upper part is little more lighter in color. So this is how we have to do the whole thing. Now the reflection of that white and yellow color in between, I'm just adding here yellow first, and then with the darker textures we will be adding here. But first, I'm just adding this lemon yellow texture. Then I'll take white and add a little bit more textures over here, just moving here and there, making this area more brighter. This water part will only add more beauty through this painting. So do it very carefully. Take your time and do it. Now, you can see I'm just taking a thick raw white and I'm adding it in the center just to make it more glowing. So I'm sure you will enjoy doing this painting a lot because I also enjoyed doing this. This one and the orange one is really very beautiful and vibrant. I'm sure you will enjoy this. So, this is our last painting of the seven colors of nature, so. So, yes, I will be sharing 43 more bonus lessons. So coming week, so stay tuned for it. This was a surprise for you, so I will be sharing three more bonus lessons. So, yes. So they are also very beautiful and very colorful. So with warm colors, with cool colors, and with a mix of warm and cool colors. So again, adding a little more white texture pillow just to make it more vibrant. So just adding this white highlight over here, and this is it. I'm not doing much of it. You can add birds also on the top if you want, or you can leave it like this. It's totally your choice, how you want to do it. You can leave the trees and you can just make this whole background effect. That will also look very beautiful. And if you're trying out this painting or any painting in this project, do tag me or share me on my Instagram. That is Mohini art gallery. I will love to reshare it. And please don't forget to share your feedback. So let's take out the tape and see how it looks. So I hope you enjoyed this whole series and three more bonus lesson coming up. And thank you so much for your support. 28. Bonus Lesson 1: Welcome back to bonus Lesson one. So here we will mostly be using warm colors. So let's do a little bit of drawing, and then we'll start with the painting. So first, I'm just drawing the line a little below from the center. And a little bit of waves also we will add below, and that's it for the drawing and rest we will do just by coloring it. So you can see one is the slanting line and others are a little straight line. So now let's in the center, there will be the sun. So this is the drawing which we have very easy drawing it is. Not much to do. Now, let's talk about the colours which we will be needing. So the first color is black, white, burnt umber, yellow ochre, then burnt sienna, orange and yellow. This yellow is cadmium yellow. So let's start first with the painting using my flat brush. I will start first with the background painting. I have wet my brush, taking first the color which is the burnt umber, mixing it with white and a little bit of burnt sienna and just making it a very creamy color. So I'm just mixing it and you can see how I'm just taking a little bit white, also. I'm just making it more like a cacheu type color. So just applying first from the top. So this is the color which we want a very light creamish color, as you can say, chocolate color, it is. So just adding first above, and then as we will go down, it will become more and more yellowish. So first adding on the top, then as I will go down, I will add more of the warm colors. So here, basically, I'm using more warm colors. You can see they are all warm colors except the two neutral colors. So mostly warm colors, landscape is this, or you can say seascape. So just adding more white and this yellow occur. And applying it in the center and just trying to mix it with the darker color. So whenever you are blending it, blend it, push the color, lighter color towards the darker color. Don't push the dark color mostly towards the lighter. So every time you have to push the color that is light towards the dark color. Sometimes we do push the color towards the lighter color also when we want the darker color more. So now I'm using yellow ocher and I'm putting just and I'm trying to blend also. So whenever you are doing it, try to use milky color, don't use a very wet color. Now taking this cadmium yellow mix and a little bit of this white and adding again this color and blending it with yellow ocher. So you can see, as I'm going down, it is more and more yellowish. So it's a very beautiful, very vibrant, yellowish painting, as you can see. So just try to follow the steps, and you will easily be able to do it. So slowly, slowly, I'm just adding the colors. Now, the lower part of the color, which is more towards the orange, brownish side, so that I will first add it firsts I've added the yellowish color in the center, then another the cachet color on the top. Now I will add a little bit more of the orange color in the bottom part. So taking orange, yellow, and little bit of this burn dumber mix and adding it below, making it little light color, and just adding it below. So you can see you can mix so many colors with these colors. You can make so many variations of these yellows and browns by just mixing it. Adding it over here in like a half circle type of shape. And then slowly with my light yellowish color, I will try to blend this color together. Every time blending is there, so every time you have to do the blending and in Gauche, blending is little easier than acrylic because it can easily get reactivated. So you can easily blend the colors. So again, adding this yellowish color, making it a little bit more lighter because I don't want here to be a very darkish color. So just blending it properly. So you can see, I have done the blending of the upper part now. Now we will do the lower part blocking. So for lower plat blocking, I'm using again that color which I have mixed with orange and everything, and I'm starting to apply this color, making more of this purumber first making the line. And then I will just blend the line with the colors because I don't want a very sharp line to be there. So just blending it and applying again this color below, this mix of orange, yellow, and the burned umber. As we will go down, it will be more lighter color. So mixing yellow and white and then adding it towards down. So as I will go down, it will be becoming more and more yellowish, and the area which is the land area will be more of the brownish color. So now I'm just adding more of this yellowish color and filling it with my flat brush. Just make your color milky and try to fill it up. Currently, we are mostly focused on the blocking part, no detailing, nothing, the blocking. Once we are done with the blocking, then we'll start with the detailings of everything. So just blocking here first. Now, you can see almost a blocking is done the ground part is left, and that's it. So for the ground plat, I'm using black and this burnt umber mix and just applying it with my flat brush. Now, this whole blocking is done. Now we will start with the detailing part. So let's start first with the detailing. For the detailing, first check that your background has dried, and then we'll add one sun in the center. Using this blender brush, I will take this yellow and add it in the center, this yellow color, just yellow colour. After that, I will just take the white color and I will apply it in the center first yellow color, a nice round circle. You can use your round brush also if you don't have this brush. Now I will take my flat brush and make it a little more orange because I want this lower area to be a little more orange. So just making it a little more orange just by adding orange color. And slowly, I will blend this colour with this yellow color. So sometimes we have to do a little bit of adjustment when we are doing this whole coloring part. And after that, I will add one sun in the center once that blending is done. So let's add the sun in the center of the sky with my round brush. Taking yellow and more of white, thick color and just add a small circle in the center. And just a little bit of clouds here and there, just to add more variations. Very small. Again, damp brush, not very wet brush and just add here and there these lighter yellowish clouds, the lines here and there. So just take thick colour. Don't take thin colour, take thick colour. Then only these will be visible because already the background is very light in colour. 29. Bonus Lesson 1 Details: Welcome back. So let's start further. So here I am using my liner brush and just making the lines on the top with a nice thick color. You can see I'm just using thick color and I'm just trying to make some nice lines on the top. To give a little bit more effect to the sky area and to the sun. That's why I'm adding here the yellowish line. Now, let's take the round brush and using my round brush, I'm just taking this yellow color and outlining the outer part of it. Now, this is lemon yellow, which I'm using here. So you can use lemon yellow or you can just take the yellow which you have and mix white, and then you can just create it. Now, let's add this orange color on the sides of the path which is there, just to make it more vibrant. Just to make this path more vibrant, that the light is falling on this area, and this is becoming more vibrant. That's why I have added here a little bit of orange color. Now let's do the detailing of the water part using this burn tumber and a little bit of black mix. Try to use damp brush, not too much water and mixing all these brown colors. And then I will start with the detailing from the top first. Just similar way we have to do like we did in the previous painting of the water part. Similar way, we have to add the details. So now, there were a little bit of waves which we have done. So I'm just doing it with my this brush and making the line first. And then, again, I will start adding the details. Same details. Again, use less less color. Damp brush, don't use too much water on your brush. It should be a damp brush and take very less amount of color and try to create these textures just by dabbing it. So slowly, slowly, you can see I'm just trying to fill it up, adding more orange color to this brownish color, mixing a little more of black and a little more of burnt umber and just making these waves a little thicker one, moving it in a downward direction and making these waves a little thick. So there are two waves which I will be making over here. So one above and one this side. The wave which is near it is lighter in color. So that's why I've added little white to it. And similar way, I'm just creating the textures using the dry brush effect. O. Again, adding more details on the top, adding these details also in the below portion of the water part. This is the actual best way of adding water details because this way you can mix the colors and you can make the colors. Now here what I'm doing is I'm taking the lighter color in the background and adding the darker color on the top of it. So this way you can create any background, any lakeside beauty, anything. So you can see already this painting is looking so beautiful. Now I'm taking this yellow and orange mix, and again, I'm adding these orange texture in between here and there, leaving some areas of yellow also, not filling the entire thing. Here and there, I'm just adding these orange texture. So you can see we have mixed so many colors like orange, the browns, the yellows. Now here, again, I'm adding a little bit more of orange texture just to make it more highlighted. So slowly, slowly, the beauty of this painting is coming out, as you can see, it's so bright, warm, and very beautiful. I really liked this painting a lot. So just making the lines a little bit more darker with the black grayish color and making some more lines with the lighter color, not the dark color, a little lighter color. So I think I'll be using a little bit more lighter color than the one which I have used over here. So just taking more lighter color, and I will be creating these waves, removing it with my same color which I have used. This is the way you can correct your mistakes also when you have done it somewhere. So I'm just using the background color, and I'm just filling it up with this yellow color, as you can see. So slowly, this is the cadmium yellow, which I'm using here. So just have filled it, and then again, I will create the details. So this way, I have just removed the mistakes which I have done over here. Now, making the color again, just making more of these wavy lines. Again, same texture, but a little more with the dry brush. Now I will be creating some more lines and textures with my fan brush, taking my fan brush and a little bit of yellow and white mix and just adding to the sides to the area, the corner area of the sea waves. Again, dry brush effect, a little bit more dry effect. I'm adding it here. Now, again, taking a little bit more of this white and again, adding a little more layers. Use completely dry brush when you are creating such type of textures. Don't use any water or anything. Just dry brush and the color. That's it. Now I'm taking my liner brush or you can say rigor brush and creating some more fine lines of the waves, some fine lines to this final wave which is there. Very small, small, minute details actually adds more beauty to your painting. So do it very slowly, patiently. Don't do it in a hurry. Whenever you are doing any painting, take your time and do it patiently. It's not like you have to do it in one go. Just take your time, enjoy the process, enjoy the mixing of colors, enjoy the brush strokes. Enjoy each and everything. So the more you will enjoy, the more beautiful your painting will be. So I'm just taking first the black color and a mix of this brown and making the highlight to this line. Just making a nice line highlight to this. A thick line also you can create, just highlighting this area so that these waves become more prominent. So you can see now you can clearly see the lines of the waves, adding a little bit of yellow to this area just to make it more bright and shiny, that the rays are falling on this also, taking a nice thick colour of this yellow and orange. And just applying it on the top, you can see it's a very dry color. It's not wet. After that, I will blend it with my darker color which is there. Just taking my round brush and I'm trying to blend it with my damp round brush very slowly. After that, I will blend this orange color with the darker color as well. So you can see how we can blend the colors. So this is actually again a little bit of glazing thing where you can see the background color as well as the top color. So this is how you can create more vibrant and more bright land area. So making this more orangy and more brownish in color. So very vibrant and very warm landscape it is, or you can say seascape, it is. So just add these and you can see how vibrant this is looking. Now let's add a little bit more details to the water part. So making first the line, which is in the center, the horizon line, just making a little more dark and just trying to blend it with the colors, like how we did in the previous painting. Same way we have to do it over here also. Don't make it very sharp line. Just try to blend the colors. After that, we will be adding some more palm trees here and there, giving a little more shape to the upper wave which is there, adding a little more orange color to it. A little more white on the top. 30. Bonus Lesson 1 Final Details: Welcome back. So let's start with a final detailing that is the trees. So now we will start creating the trees. So for just a little bit of details of the reflection of the sun which is left just adding that and then we'll do the tree part. So just below, just I'm using yellow and the thick yellow color you have to use when you are doing this. Don't use wet color, use thick color, and your brush should be dry, not wet. And with the edge of the brush, try to create these textures. So try to create it just below the circle which is there, the sand which is there. And then let's start creating the trees now. There are three to four trees which we will be doing. Now, trees, you can arrange it accordingly. It's your choice how you want to arrange it. Just mixing a little bit of this burnt umber and black mix and making it a little fluid and using my flat brush for creating first the lines So again, make your color fluid. Don't use thick color. Otherwise, you will not be able to make a smooth line. So try to make the color a little thin and then create these lines. One is in the slanting lines, one is straight lines. So these lines are actually in different different angles. So once you have created the lines, then you can make it thick or thin. It's totally your choice, how you want to arrange your trees. I want to arrange it like this. You can arrange it in different form. You can arrange just two trees. It's totally your choice. Very simple and easy creation of palm trees are these. So two, I will create over here, two, I will create this side. So now let's start with the lining part. So using rigor perch, now we will start creating the tree lines. Make your colour fluid, very thin fluid color, and then start creating the lines with using your liner brush or rigger brush. Just try to create nice round lines. Try to make this tree in a round shape. You can see how when I'm creating the lines is actually the round shape which is coming. So try to create it like that. Very simple and easy to do it. Just try to follow the steps and try to create these lines. And again, I'm telling make your color fluid. Don't use thick color. Otherwise, you will not be able to make these lines in one go. So try to make your color fluid, then only use these brushes, especially for lining thing. Now, once I've created all the lines, I'll start creating the leaves part. For the leaf part, I'm using my round brush. You can use your liner brush over here, but I want a little thicker lines. So that's why I'm using here, the round brush for creating some thick textures. Again, mixing this black and brown mix and just trying to create some nice thick textures of these leaves. I don't want very transparent textures, very thin textures. So that's why I have used this round brush, especially for creating this. You can use any size round brush size two, size four, any size. Just use the tip of your brush and you will be able to create some nice lines, some nice diagonal lines. So try to enjoy the process and very simple and easy tree I'm making over here, not much complicated. If you have seen my series, which is the seven colors of nature, and three more are coming, this is one of them, one bonus lesson, and two more will come. If you have done these ten paintings, then I think you will be able to do any gauze painting. Any landscape gauge painting, I think I have covered most of the areas over here. So you can do any painting with Gauze if you have done it correctly, if you have seen the steps, if you have followed each and every process, I think you will be able to do any gauze paintings now, especially the landscapes. So just try to do it slowly and create these textures. Now, here, since the area is small, I'm using my, again, the liner brush, which is of size one and creating these textures. So you can see how these textures, when I'm adding these trees in black and brown mix, how these are looking beautiful with the background of this warm color. So this tree actually adds more beauty to this entire painting. So you can skip this tree part or you can put it. It's totally your choice. You can arrange the trees in different form, like two trees over here or four trees. Anyway, you can arrange it and you can just do your painting. It's totally your painting, how you want to arrange it. It's totally your choice. So just follow the process. So we have almost done this painting. Just one more tree is left and we are done with it. I hope you enjoyed this whole series of gosh painting because I really enjoyed it. And I'm sure you will also enjoy it while doing it because all these are very beautiful landscape paintings, very beautiful and very vibrant colors I have used in this entire series. So try to follow the steps and do share your project work. And if you are doing the project, any project, any one of them, you can tag me on my Instagram that is Mohii Art Gallery. I will love to reshare it. If you want to practice more and more gauche techniques, there is one more lesson. I think there are two more lessons there in the Gasch series. You can just check it out. There is also one more Gauche lesson on the indoor plants that also you can check it out. That is a very lovely lesson. So you can see I have just created all the trees, and now I will just remove the tape. Here, you can add birds also if you want, but I will not add it here. So you can definitely add birds. Now I will just remove the tape and a little bit textures, I will apply it below with my fan brush, mixing yellow and orange and just adding some highlights over here just to give a little more vibrancy to this area. And little bit of vibrancy to this part. So just to make it a little little textures, I'm just adding there. I'm just trying to blend this color with this nice yellowish color, making more highlighted. And now we will take out the tape and let's see how it looks when we take out the tape. So I hope you enjoyed this bonus lesson, you in the next bonus lesson. 31. Bonus Lesson 2: Welcome back to bonus Lesson two. So let's start first with a little bit of sketching and then we'll start with the painting. So first, I'm drawing a straight horizontal line, which is in the center. And then I will draw the mountain, which is a little below from the horizon line, a little mountain or you can say a path which is there, and then some nice small wavy mountains on the back side. A little bit more higher. I'm just trying to make it. So this much drawing is needed. Let's discuss about the colors which we will be using here. So these are the colors which we will be using here, blue, white, black and yellow. Any blue you can take, whichever blue you like, reliant blue, cobalt, blue, thalo blue, any blue you can take. So just taking this blue first, and I will mix this blue with white and black to make it a grayish blue type color. So just taking a little bit of blue first. Wash off your brush and then take the white. So lots of white here is needed because I want a very light color, not very dark color. This is the hallow blue which I have taken here. You can take any blue, whichever blue you want and mixing little bit of black to it just to make it a little grayish touch to it. Still, I feel that the color is a little bit dark, so I'm just making it more lighter. Now, let's see what color is formed over here just by checking in it a little. So I feel it is a little more darker. So just adding a little bit more of this white and blue, and I'm just adding it on the top first, taking thick amount of creamy color and try to do it in a horizontal manner on the top part first. And then as we will go down, it will become more yellowish. Now, you can see I've added white here and just blending this color with this blue color, which is the grayish blue. So always try to push the lighter color towards the darker color. So here my light color is the white color, which I'm adding here a little bit of blue is also there in my white. So it's not too much blue, very little amount of blue and more amount of white. So I'm just pushing the color towards the bluish part. That is the bluish grayish part. Wash off your brush again and take this yellow color with a mix of little bit of white in this. Applying it just below the part which is the area, which is the mountain area just above that. And as I will go towards the up, it will become more and more light, the yellow color. So this is how we have to move towards the top so we don't have to make the color turn into green because when blue and yellow will react, it turn into green color. So we don't want it to make it to secondary color. So that's why I have used their little whitish color. So as I'm going above, I'm increasing the amount of white mixed to this yellow, and less yellow will be added. So when we will blend this lighter color of blue and yellow, it will not turn into that greenish color. So this is a technique how you can do the blending of the yellow and blue colour. Slowly, slowly. I'm just trying to fill it. Now I will blend the color just by taking white, and I will apply their white color, and I'll just try to blend that line which divides the two colors. Very simple and easy way to blend two primary colors. So now let's take black and mix it with yellow color. And this is a nice greenish color which has been formed, as you can see. So I think we'll need one more color that is the orange color over here. So I'm just taking a little bit of orange over here, and I will mix this orange color to this black to make it a little brownish color. I want a little brownish color to be there. So just taking a little bit of black mix, and you can see how very light brownish color is formed and just putting it above the area, which is just a little bit above the area and trying to make that area a little bit more like orange type. Taking a little bit more of white in this, making it a little lighter in color and a little bit more of black and just applying it just above this area. I want this area to be more like a brownish or orange type of shade. So that's why I've applied this color. Again, I will take a little bit more of white, and I'll just try to blend this color with this yellow color which is there. O. So you can see how it has been blended. Now again, I'll take this blue color and just apply it and move downward. So this is how the blending is done. If in one go, you are not satisfied with your blending, you can do second coat also, but first wait for the first coat to dry a bit, and then you can repeat the second coat. Now, just the blending part is left. So I'm just blending it carefully with very light pressure onto my brush. Again, washing off my brush and just taking this yellow color a little bit. I'm just trying to blend this with the lighter color which is there on the top very slowly and softly. With very light brush pressure, you have to blend all of these colors. Now the above part is done. Now we will do the below part. So let's start with the blocking of below part. It is similar color as we have done the above part. So same color we will be using with this grayish blue color first. Then in between, it will be a light orange, yellowish color, then again, blue color. This is the pattern how we have to create the water part. So you can see I have left in between this area. This part, I will use the yellowish and orange color which is there. And as I'm going down, I'm making it a little more darker color. So just try to fill it up, and I think one coat is more than enough for filling because we will be doing the detailing. So when we will do the detailings, all these marks and brushes will be covered. So don't worry about that. Now adding this yellowish orange color in between and blending it with this blue. So I'm not blending it too much. And this is whole part, which is the background part of this whole water part which is there. Now we will do the detailing. 32. Bonus Lesson 2 Clouds Details: Welcome back. So let's start further. So let's first do the back pountain and the clouds and the blocking of this bigger one. So let's take first our round brush. Now taking this tallow blue and a mix of black and a little bit of white to it. So making it a little dark bluish color and just trying to cover this area which is above. So first, I'm just doing the outlining and then I'll start blocking that part using my round brush. So a little more darker color I want. So just adding it little water to it because my brush is getting dried as you can see. So just taking water on my brush and just grabbing the color and filling this part which is there. So try to do it slowly, carefully. It's a little bit textures, I'm adding on the top, just to show that there are small small trees on the backside. Little little textures, I'm adding on the top. Now using the same color, I will be adding clouds. So taking little little color on my brush and just creating some cloud shapes. So very small, small clouds. I'm just trying to add on the top, making it a little lighter in color and just adding small, small clouds. Make sure that your color is milky and you're not overdoing the background color because if you will overdo it, your background color will reactivate and it will mix with this color and a different color will be form. So don't redo it. Do it in one go. And with very light pressure on your brush, don't just smudge the colors over there. So slowly, slowly adding few of the clouds of different shapes. These clouds actually will add a little more beauty to your sky. Some bigger clouds, some small clouds, some horizontal clouds. So very small small clouds here and there, especially to above the horizon line. I'm just taking this orange color and a little bit of white mix and just adding some orange part over here just to add that there is a sunset point happening, which has happened. So just a little bit of orange area over here and a little bit of yellowish also. Oh. So adding a little bit of yellow thick yellow color. Don't use mixed water or something. Try to use thick color over there. And then we'll do this part, which is the part, which is the rock part, Viger rock, which is there. First, we will fill in with black color. Or you can mix a little bit of blue also in this black. But maximum part will be black in this. Sing my same brush, I'm just trying to fill it up. So once we have done the filling, now we will do the detailing of this rock also, which is there. So they are very small, small rocks which are there inside, so that we will start creating so little bit of black below because this area is more blacker than the area which is above. This is actually the starting point of the detailing. Now we will do the detailing of the part which is there. But before that, let's add little white colour, making it a little lighter color and drawing the line over there and just trying to make it a little blurry over there, moving the brush like this and the lines will become a little blurry. So you can see the blurriness which has come up when we are using these lines. Now, let's add the water. For the water part, I will just be using this blue and white mix and just mixing the color nicely and just adding some details over the water part. Similar way we have to do like we did in our previous painting. Same way here also I'm doing, just adding some waters, especially in this orange part also. 33. Bonus Lesson 2 Detailing: Welcome back. So let's start further with water detailing. So a little bit more of, so as we are going down, I'm just making the color a little bit more darker, that is a little bit more dark blue. So just adding these textures with the same brush and just making the color a little bit more darker as you can see, and adding the same textures below as well. Especially the area which is below. This is a reflection of this rock. So this area should be a little bit more darker than the area which is the farther away. So this area, I'm just trying to make it a little bit more darker, especially the area which is the near to the rock because this is a reflection which is the of the rock. So that's why I'm making this area a little bit more darker. You can see how beautiful this water is looking with a mix of different different colors. And this is how we mix the colors by giving textures to it. We add textures and we make a different different variations of colors, and we add them. Now I'm adding this orange shade color over here just to give a little more blendness to this part. So already this lighter blue is there, but orange is not there. So just adding a little bit of orange so both the colors try to mix to each other. This is how we blend when we do the water part or something related to that, something related to water. This is actually we are blending the colors with the help of textures. So water part is almost done. Now we will be doing the rock detailing, which is there. So a little bit of the orange part I'm just adding above also. After this water part, we will start doing the details of the rocks. So for this, I'm using my fan brush, a dry fan brush, just mixing this white and black together. And just giving a nice texture to this. Use your damp brush, just wet your brush, remove excess of water, and then use this brush. Don't use a wet brush, otherwise, this texture will not come up. So applying this texture all above, leaving little below black area. So you can see I've applied to every area above there. So just giving textures to the corners also with black color and to the below area just with black, giving a little textures to it. After that, the textures, I will start creating the details of the rock Very easy way of creating details in the rocks and very realistic also it looks. When it is done, you will see how. So just adding a little bit more of whiter details in this, just to add a little bit more realism. Now, taking my rigor brush and making the color a little more dark grayish, and just adding the lines of the rocks, as you can see, different different shapes of the rocks are there. So I'm just outlining the lines first. Just random shapes. I'm trying to give to this rock. As this big rock contains different different small rocks, that's why I'm just trying to give a shape. And also to some of the edge area, I'm making it a little more thicker lines with black, as you can see. So this is how we have to create the rocky textures on this whole mountain. So this is a small rock or you can say it's not a mountain. It's a small rock kind of thing, which is having a small, small rocks shapes in there. So that's what I'm trying to create over here. So this is how you can do rock formation when you want to do it. Little bit of the textures of the trees and everything and little grasses. I'm just trying to add it over here. Little little small small textures of the grasses, just adding to the boundary area. Also adding a dark textures of the line, which is the below part, which is there, just highlighting that also. All these things matters a lot. Very small, small things are these, but these things really helps you to make your painting look more real and more beautiful. See how the textures are coming up and how the rocks are looking very real and very beautiful. So this is how you have to create the rocks when you are doing it. So now let's add some tree lines which are there. There are some tree lines which are there and two, two, three trees we will be adding over there. So let's first draw the tree line and then we'll add the tree textures. And So if you're not comfortable adding directly black color, you can draw it with pencil. But remember, you cannot rub pencil over here. You have to remove the pencil line just by using the background color. So make sure that you do it very carefully when you are using black color. So simple tree lines I'm just trying to draw over here. Very beautiful and very serene painting it is very calming effect it gives this painting, especially the background, the sky, it looks like very mesmerizing effect. So when you will paint it, you will feel it because when I did it, I really enjoyed doing this painting, and I'm sure you will also enjoy it. So little tree branches here and there. I'm just adding it. O. So once we are done with the whole tree lining and tree branches, then we will start creating the tree textures. So you can see, try to draw thicker lines from the beginning, and as it goes out, it should be a thin line. So this thing you have to keep in mind when you are drawing the tree branches. 34. Bonus Lesson 2 Final Details: Welcome back to the final details. So let's do the tree texture part now. So this is the only thing which is left here. So here you can use your elvet brush also. I'll show you two, three techniques how you can create the tree texture. You can use this brush also. Again, everything you are using, you have to use your damp brush. Don't use your wet brush. So I'm just trying to create textures first with this brush, as you can see. Just using the tip of the brush, you can easily create some nice beautiful textures. So since I want the texture to be more towards the outer side, so that's why I'm trying to create it like that. Also, you can use a different brush, which is the round brush or the fan brush, I will show you both of them how to use it. Round brush, also, if you don't have any brush, you can use your round brush to create these textures just by using small dots and different different textures just by creating it. This is also one of the way of creating textures of the tree line. So anyway you can create the textures, there are no rules in it. So whichever brush you feel like, now I will show you with the fan brush how to create with fan brush. Again, damp brush, take the colors and just put the side of the brush, take the side of the brush and try to create the textures. Very easy and very quick way of creating textures with these brushes also. So you can see there are so many ways you can create textures of the tree line. This will also create very small, small, nice textures of the trees when you will use this brush. So there are variety of ways where you can create textures of the tree line. So now let's use another brush which is the flat brush. That is the pointed flat brush, which we did with the water pod also of smaller size. Just take the brush and you can create a nice, small textures of the tree line just using the sides of the brush. So you can see, even if you have just the flat brush and the round brush, you can easily create any textures of your tree line. It's not necessary that you should have the fan brush or the filbert brush because most of them don't have it. So you can use your round brush or simply the flat brush, the corner of the flat brush, and you can create a nice texture with it. So you can see, I'm making a texture like that that it is going outward and it is becoming little pointed. So this is something the tree shape is. So a little thick inside, and as it is going out, it is little pointed in shape. So similarly, I will be doing the entire tree lines like this. So take very little little color and try to do it. Don't take too much color on your brush and use the side of your flat brush to create these tree texture lines. This is one form of tree which is there. There are many forms of tree which you can create it, but this is one form of them. Now, let's add some texture with our rigor brush also taking some nice textures on the top, just on the top, just to give a little shape to these tree textures. Just adding to the sides the textures of the leaves. It's completely optional. You can leave this part also, and you can just use your flat brush and create the tree textures. That is also fine. But to give a little bit more depth to these tree textures, just I'm using this rigor brush because these are very fine pointed brush, and it gives a very nice texture to it. Adding few more textures here and there. So let's take out the tape and see how it looks. So it's looking very beautiful and bright and vibrant. And so this is it a little bit more of the detailing I will do over here. I feel little textures on this side. So any painting is never ending exercise. You are never satisfied with whatever you have done. You will always do it until you feel satisfied. So just adding a little bit of these three textures on the corners, and then we are just done with I hope you are enjoying this whole series, and I will love to see your project work. And if you are trying out these projects, do tag me on my Instagram. That is Mohini Art Gallery. I will love to reshare them. So one last bonus lesson is left, and I will meet you in the next class. 35. Bonus Lesson 3: Welcome to Bonus Lesson three. So let's first start with the drawing and then we'll start with the painting. So first, we will draw the side trees or bushes, you can say, which are there. And then we'll start with painting the water. And in between, there is one boat which is there. So very simple drawing it is not very complicated. So just you have to draw the side bushes and then the center boat, and that's it. So drawing a small boat over here. Now, let's discuss about the colors which we will be needing for doing this entire painting. So these are the colors. So the first color is Prussian blue, then lemon green, permanent green, teal, white, black, and viridian. So these are the colors. So let's start first with the painting. Here I will be using my round brush for painting the background. So use your bigger size round brush of size six or eight to complete these paintings. So first I'm just doing the outline with black color. Simple outlining the lines which we have made. And then we'll start with the color filling. Now, I'm just creating a little more thicker area, which is because this area is a little blackish in color. So I'm just covering a little bit of the area of this sides of the bushes with simple black color. Not too much thick, very thin black colour details filling is there. After that, I will be using Prussian blue, which is the first color which we talked about. Make your color a little milky and then use it. And a little bit of radiant also I'm adding to it. So just filling this entire thing slowly. If you don't have radiant, you can use normal green color and mix it with this blue to make it a little more like greenish blue type, and just covering this area over here. Now slowly, I will try to blend this color with this black color. This area, which is on my right side, it is more dark and the left side is more lighter and more greener. So it's like that. So I'm just adding this Prussian blue mix of green and just adding this color here. After that, I will take this lemon green and a mix of this teal color. It will create a nice, beautiful, greenish like color, like a sea green color. So mixing this color together. If you don't have this lemon green, you can use the lemon yellow and add some green and then teal to make this color. And just trying to blend this color with this Christian blue. So whenever you are filling any color, just try to blend the colors with the lighter color. That will be easy for you to fill it. Now, just filling it entirely leaving that board part. Very beautiful and very serene color it is, very charming color it is. When you will start painting this, you will automatically feel very good when you will do these greener color painting. So now, this side is a little bit of lighter dark. It's not much dark. So I'm just adding a little bit of this Prussian blue and adding this color to this side. And also making some uneven shapes over here. So you can see slowly, slowly I am just building up the color and the shapes inside the water which is there. You can see already this color with green and blue mix is looking so vibrant and so, like, beautiful. Once you have done the first coat, slowly, the colors will dry because these colors don't take much time to dry. Just try to apply one more coat on this, which we will be doing here also. So I'm just trying to blend this Prussian blue with this green just by using green colour. Now, again, I will take this ridian and this Prussian blue and a little bit of this steel mix, a little amount of steel mix. And again, I'll start filling this over here just to make the color a little lighter because I feel that this color is a bit darker. Then taking this steel and this green mix and just trying to blend this color with this blue color. So try to build up the colors and blend the colors slowly to give the shape of it. Now, the other side, I will make another little darker lines and textures on the other side. Little little shapes to it because you can see in water, there are some shapes which is inside and just giving a little bit of shapes to this area just by adding this Prussian blue and green mix. Also creating one shadow part of the boat over here. 36. Bonus Lesson 3 Blocking: Welcome back. So let's start further. So now we have done the blocking of the middle part. Now let's do the blocking of the sides first. So just mixing this viridian and this black color. And I don't want it to be very dark black color. So that's why I'm mixing this viridian and black mix and just covering the area, which is the tree part or the bushes part, which is on the sides. Just covering blocking this up, you can block this up with any brush, either round brush or flat brush. Whatever brush you feel like you can use it and just try to do the blocking of both the parts. Simple one layer of blocking you have to do. So try to make the color dark only. Don't make it light because we need darker color. Then only that light green color will reflect. So one side we have done, we have to do the other side as well. Yeah It's better to first outline the things and then do the coloring so that the colors will not go outside the boundary line. You can see I have done both the sides. I will just make a little more finish to the middle part first, and then we'll start with the detailing of the other sides. My color has properly dried the center part one, and I will just use one more layer of color just to make it a little more lighter green colour. Using my flat brush and making the color a little thin, I'm just trying to give a little glazing effect to this whole area just by adding this lemon green colour. See how the glazing effect works when you add on the top of it. And just on top of you, you have to add this color, and you will see amazing result to this. Little bit of colors will automatically activate and it will mix. That is fine. It's okay. But try to do this glazing effect on the top, just to make it more greenish. Simply try to add the slighter green colour to all the sides, especially to the greener area. Also, some more light to this area where this boat is. So now let's take our round brush now because we have to do the corners now, so we cannot do with the flat brush. So I'm just taking, again, my round brush to fix a little bit more of the colors because I want a proper color mixed to this. So we will first take the round brush, taking this Prussian blue and just adding to the sides a little bit of textures into the water. Little bit of textures I'm adding just to show that there are stones which are below the water part, and it is reflecting in a dark area. Also some shadow of the boat. Try to do it very slowly, carefully once you are doing this. Little bit textures here and there doesn't matter, but make sure that the shadow part is clear, especially the boat shadow part. Now, we will add the textures on the parts, which is the sites, the bushes. So for this, I will be using my filbert brush and mixing this permanent green and this lemon green together. And we'll start first from the corner. Just adding with the edges of the brush, make sure that your brush is not very wet. It should be a damp brush, as we have done in so many paintings. So similar way, we have to do this. Also, remember the green painting which we have done. It is a similar way here we are doing it just by adding textures like a tree formation. But here we will not be creating any tree line. So first, I'm adding this green color with a mix of light green. We will also be doing layering, but first we will do this color first. If you have permanent green light, you don't need to mix this lemon green, you can directly use that permanent green light color. And if you don't have this type of green, you can just mix cobalt blue and lemon yellow to make this green. So any color you can make just by mixing the two colors. So slowly, slowly, I'm just building the textures as you can see. Just enjoy the process and do it slowly. Take your time and do it very slowly. This is our last painting of this series. That is the seven colors of nature. I hope you enjoyed this whole painting series. And if you did do share your project work, and you can tag me on my Instagram that is Mohini Art Gallery. So you can see one side we have done. 37. Bonus Lesson 3 Adding Texture: Welcome back. Let's start now adding the textures to the tree lines or the bushes. So let's take again, the other side, which we have to do. One side I have already done, I'm now doing the other side. Same process I'm repeating over here also. First I'm doing the edges, and then I will do the entire thing. Don't cover the entire area, leave some black spot also in between. And make sure that your brush is completely damp. It should not be wet. Otherwise, this texture will not come up. So you can see I'm leaving some gaps of black also in between the darker color which we have done, and try to leave some gaps also. So slowly, slowly, we are building up the textures. This is just the one at we are doing. We will at least do two more coats on this. Because you must have seen the colors of the leaves or anything. It's not just one colour. There are different variations of greens are there. So that's what I will build over here also. So one coat already done, now we will do the second detailing of this using the lighter color. So as we go above and above more layering, we use more lighter colour. So you can see I mixed a little bit of white also in this to make a little lighter color. And this time it is more of the lemon green. So I'm not covering the entire sections, on the top of it, I'm adding just to give a little shape to it, mostly in half circle shape. So as we did in that green painting, similarly, I'm doing over here. But in this painting, I will not create any lines or anything of the tree lines, we are creating these bushy shapes. So slowly, slowly leaving some of the areas, you have to create this type of shapes. Don't cover the entire green sections, leave those part also. And little little area just on the top to create. You can see half circle type shape is coming up when I'm creating this. So similar way, we have to do the entire thing. If you have any doubts, anything, any questions, any query, you can always ask me in the discussion section, or you can ask me through my Instagram DM also. Anything you can ask me, you can DM me. I'm always there to help you. So just adding the textures on the areas, not fully, just some areas. So one side, I have done it. Now I will do the other side also. Just slowly, I will just remove the tape, and then I will do that. Just adding some green textures also where that green has been overlapped. So this also you can do. If you feel that there are a lot of lighter color has come up and green is not coming, so you can add some greens in between also. This is nothing just are laying the colors. I will just rotate it to the other side and we'll see how it goes. It's to the other side also with the lighter version of greens in some parts. So starting from the bigger one, we'll go towards the smaller one. First, I'm just trying to correct the edges, and then we'll do the inside part. So slowly, slowly, I'm just taking the color and adding some of the lighter textures here and there in between. So when you are doing this type of textures, do it very slowly, patiently. Don't press your brush too much. It should be a very light touch to your brush. Don't press your brush and give these shapes. Otherwise, these shapes will not develop. So you have to do with a very light pressure and damp brush. You once we are done with this, then we'll add some more details in the water part. If you don't want these lighter green textures, you can just leave it, make it a little darker, and you can leave it like this. It's totally your choice, how you want to decorate your bushes, how you want to color your bushes. So I'm just adding some of these textures over here. So we're almost done with adding the texture, the last part is left and we're almost done. Once this texture part is done, we'll start with the middle part detailing, the boat detailing, the water detailing. All these are left. Just final touch to this shape thing, and then we are done with this side part. 38. Bonus Lesson 3 Water Details: Welcome back. So now let's add the water details now. So for the water details, you can use your rigor brush also. You can use your round brush also. But try to use the tip of your brush when you are doing the rigor brush. I'm just making the sides a little bit just outlining the sides and making it a little more darker, just to give a little more shape to this. Also covering a little bit of this area a little darker color. Because this area is this shadow area, which is very dark in color. Now I'm adding some lines along these sides, as you can see, some nice curvy lines to the areas which are there, which is the water part, just to add the little lines of the water. Simple lines with my round brush. To the other side also, I will be adding the lines, but it's very dark, so I'll make it a little lighter color, and then I will start adding the lines. First starting from here, just adding some nice greener lines to here. You can see these lines are not very dark, very lighter lines are these and just adding here to this water part. Just giving a little shape, round shape to it. Also adding some lines to the sides. Now we will be using now the little darker color, not too much dark. Also adding some line to the side. You're not comfortable drawing the lines with your round brush. You can also use your rigor brush for drawing these lines. Now here also I'm just making the outline with the darker color. Now here my darker color is the Prussian blue. So adding some more lines to the side also. So now I will add some lighter lines with my teal and white mix. Into darker area also, I will be adding some lighter lines. So just try to use your tip of the brush, and you can easily draw these very fine lines easily. Drawing some lighter lines here and there. Can see now the water part is coming up slowly. Now I'm just adding some more lines of these blue colours to the outer area. So I feel that this side should be more bluish. So I'm just taking this Prussian blue and adding this blue color to this side, just making it a little more bluish. And blending it with the lighter color. So now, again, I'm adding some lines of these bluish lines over here. Taking some teal color and adding some lighter lines. So mix of light and dark lines are there. So more lines, lighter lines we will add to the area which is beyond this part, which is the side part. Just adding some lines, making it a little curvy. To make the water look more realistic. That's why I'm adding these lines. So mix of teal and white is there. That's why this color is lighter. 39. Bonus Lesson 3 Final Details: Come back to the last and final details. I've just taken two more colours that is burn Sienna and yellow ochre. So I've mixed burn sienna and yellow ochre together, and I'm just first a little bit of yellow aquar I have added not too much, and I'm just blocking this whole this whole boat first with this burned Siena. So I will just take this Prussian blue and I will just make this shadow, which is the boat shadow a little bit more darker, just by using a little bit of thin transparent color of this Prussian blue. Now, let's do the further detailing of the boat. So till then the burn Siena is drying. So let's do a little bit more detailing of the grassy part which is there. Taking some more lighter colours of this lemon green and white mix and just adding a little bit more textures on the top part of these bushes and just giving a little bit more curvy shape to it. These are just final details. You can skip this option also. If you don't want to add more details, you can leave this and you can keep it like this. It's totally your choice. It's a little bit of textures I'm just adding in. U same technique, same thing here and there. I'm just adding the lighter textures. So since this is the last part of the painting, so a little bit of final details, I'm just doing here and there. So if you also feel that something is missing, you can just add the final touch to it. Now, once the background has dried off the boat, now you can do the detailing part of the boat. So using my rigor brush, I will just take this burnt sienna and mix a little bit of black to it. And first, I will outline this whole thing. So try to use as thin brush as possible. You can use size zero or size two by zero, any size you can use, but try to use a thin brush. Also taking this mix of yellow ochre and white, and now I'm trying to give some more details inside. First, I'm just drawing the lines And then some horizontal lines also. So you can see now the shape is coming off this board. Now again, with this darker color, I will just outline the areas, which I have done with lighter lines. After that, I will just take white, and again, I will draw the line outside this darker line. So you can see now the boat is looking very clear when we have added this white color. Now I will add the stick which is there in the boat. First doing with white and then with the same darker color. If you have used directly white, it wouldn't have been much visible. That's why I'm just adding first white and then this color and making this a little shape straight line. And a little bit of oval shape at the end is there, so you can see there. So this is it. We'll not do much of it. So I hope you enjoyed doing this entire painting like I did. It's a very beautiful painting, as you can see. A little bit more darker textures you can add to the bushy part, but it is completely optional if you feel that it is perfect and don't do it. Since sometimes I don't feel it perfect because I need some perfection, so that's why I add some more green, some more black, just to make these bushy areas look more realistic because I am more towards the realism part. So I hope you enjoyed this whole entire series, which have ten paintings together, three bonus painting and the seven paintings of the seven colors of nature. That is the rainbow color. And I will love to see your project work of these. If you are doing any of these paintings, do tag me or share your project work just by tagging me on my Instagram that does Mohini Art Gallery. I will love to see your project works. The final touch up I have done, and that's it. And then I'll just take out the tape and let's see how it looks. Very easy and simple painting it is if you follow each and every step of mine. So just taking out the tape. So this is the last painting of this whole series. I hope you enjoyed it like I did, and we will meet in our next class, and it will come soon. Thank you for watching.