10 Days of Relaxing Gouache Landscapes

1. Introduction to the Class: Hello everyone In myself, richer and welcome back to another amazing sculpture class of mine. And it is all about quash. Yes, you had to try this glasses standards of relaxing gorgeous landscapes will be learning ten beautiful landscape and easy step-by-step process learning different depths and techniques of gouache and how to apply them without any delay. Let's get started with a beautiful class. And thank you so much guys for joining me in. 2. Art Supplies: Hello everyone. So let us know the art supplies we need in order to create beautiful landscape in this class. So I'm going to use a 300 GSM watercolor paper. It's twenty-five percent cotton. And I'm going to use the smooth side, not the textured one. If you have this kind of paper, you have to use the smooth ER, smooth ER side of this paper. We need some synthetic brushes. This is a flat brush number 11 from Bruce shore. Dessert round brush number three with a pointed tip. In order to create such fine details, round brush number two. And we need to find the Taylor. Whatever you have. It will do the colors that I'm going to use, these flash paints, gouache colors. And there are many, but I do have gouache colors as they are also available in tubes. They are also available in jars and Cops. Whatever you have if you don't have gouache, then you can also work with bolster colors. Okay, let's move on to the next chapter. 3. Basic techniques of Gouache: Hi everyone and welcome to the basic techniques. Of course. In this section we'll be learning tonal values, hunt Rajiv, different tonal values and how we'll mix two colors and blend two colors with the help of a white gouache. And we'll be creating a flat gradient and will be creating a Flat Bush and a two-color gradient without any delay. Let's get started. So I'm gonna take whitewash from rostral morph color from Art Philosophy and rose color from Bruce, true. Okay, so first we will learn about the tonal values, how we will achieve different values of the same color in gouache. When we're talking about different tonal values, we will achieve them by mixing white and the base color. In this way, we will get different tonal values. So here I have taken rose color and Bitcoin cash in my color palette. And I'm going to mix these colors on a creamy texture consistency. I'm going to dip my brush. Make sure your brushes damp. It shouldn't hold too much water otherwise, the Gershwin work as an watercolors. Once you have your damp brush, to just put it on paper towel, dab it like the way I am doing. Okay. You have to just dab it on the towel and gently mix the colors like the way I am doing. So I'm gonna put the darkest tonal value of a color that is rose color. And this feel like the way I'm doing this docker is tonal value of our color. To achieve the lightest and to achieve the next tonal value of this color, I'm gonna mix white with my color. And gradually when eventually we'll get one tonal value. And after that, if you wanted to get another line will mix white in that. So in this way we'll get different values of the same colors. Now for the third tonal value, I'm gonna mix a bit more white to my base color. In this way, we will get done tonal value. We're gonna repeat the same process in order to achieve our next terminal value. Let's start with the blending brush like and watercolors in guage, we also have a flat wash blend gradient wash. That means a board single color background. And I'm just going to add a bit of water in my brush and I'm going to get my paint to our texture and consistency. And C, We are gonna, I'm gonna use my brush here. I'm going to create nice background. Whenever you want, just creating a flat green flag wash. Make sure you are just taking your brush in one direction so the brush won't leave any strokes. Like the way here I have done. We have achieved welfare. Single flat wash. For the one color blending. I'm gonna take some more color in my palette. I'm going to dip, dip my brush in the water. I'll remove the excess water and prepare my color on a creamy texture. I'm gonna start from the top of our painting. You can see I'm going down. I'm going to dip my brush in the water, just the upper part of my brush. Brush because we weren't up to us to be damp. I'm gonna act some more color. Now I'm going to add by it. The bottom part of our being gonna have a nice gradient background. From light purple too, dark purple. Brushes dry. My color is red, so I'm gonna dip my brush in the water. I'm gonna do it. So if you feel your colors light, you can add a bit of dark shade. The topmost part. We have a nice gradient background. Light bulb Bu, too dark. Let's see what we can create with these backgrounds. So I'm gonna let it dry for some time and I'm gonna come back and let you know what we can do with these kinds of background. Let's see what we can create on our first backgrounds. So this kind of backgrounds are also used to create guage patterns, saw, lead the BSD clear, dry, otherwise you will reactivate the base layer. Make sure your colors perfectly dry. There was black in my color palette. I'm gonna use it to create some leaves pattern. I'm going to use my round brush. Let's create some folder bathroom. Gouache is one of the most, was the dye medium. Traditionally that's opaque, meet matte finish. Watercolor activated. Like this, we can create different types of pattern. Unlike watercolors, it is reusable and not water resistance. Whenever you are creating these kind of pattern to create the stem, always use the tip of your brush. Gently draw the leaf part and just press your belly of your brush. Just complete the leaf. What are the qualities of garage? It's opaque, matte, quick drying, water mixable, and can be reactivated with water. If you add too much of water, it will activate and evoke like a watercolor. So if you warn the velvety matte finish off your watch, you have to use it in the right creamy texture where you just have to add a little bit of water in your color. Get that consistency. Only in that consistency you can work in multiple layers. Otherwise, what happened if you're not using it in a climate consistency, your base layer will be activated and it will spoil your whole artwork. If you don't have gouache colors, then it's perfectly fine. You can also work with bolster colors as it have almost a similar qualities of kwashiorkor. So in this way, we can draw a leaf pattern on a flat. Wash off. Gosh. Let's see what we can create here. We can create a landscape, we can create a mountain, and let's do it. It's just a simple landscape is completed. You will have a nice landscape with the background that we have created. In our technique section. I'm gonna wash my brush. Now, paternal paper towel. I'm gonna take some white and I'm gonna create a little moon here to complement. See how beautiful it's looking. So let's remove the tape and see how our creations look. These are the tool miniatures that we have completed in our techniques section on, as you can see that a zone defense phenomenon. This is all that we're gonna do in our project section. So let's move on to some more techniques that we need in order to create our landscapes. 4. Basic techniques of Gouache-2 2: Hello everyone and welcome back to the basic techniques of garage part two. And in this we'll be learning how to create a tree silhouette bushes, and hard to create goodwill clouds. Without any delay. Let's get started. So I'm gonna use my dry brush technique, it's run mine and everyone is using, so I'm gonna use my mop brush. This is a small mop brush and I have just dip the tip of the brush in the water. Then I just dab some brush in my color. And I'm going to dab it on the paper. As you can see, it's a random process. There is no particular way, but in this way you can get there naturally effect on your bushes. Once you have done dabbing, grab a liner brush or 0 number brush, show one number on brush, and start adding some mini leaves. The hearing deal with small ranches. Once it is done, you'll have a nice looking natural bushes. Now let's paint a tree silhouettes. I'm going to use my two number noun brush. First, I will draw the stem, the trunk of a tree. And slowly when I'm moving forward, I'm going to tune it out. Make sure whenever you are just drawing the branches of your tree silhouette, use the tip of your brush to create thin branches, right? So it will give more natural look. You can read down P0 dash, dash on the tree branches to create the leaves effect. Now we will learn how to paint clouds. I'm going to paint a minima ground using the lemon yellow and dark pink color. Now I'm going to use dark pink in the bottom part of our painting. And we're gonna mix it. We're gonna blend it. Okay? I'm not gonna use white color because these are the colors that compliment each other. So we don't use right here, right back down, does DD solvable now paint the clouds and I'm going to use two number round brush to paint the clouds laid. I'm gonna dig dark paint to paint my clouds goes. We are showing a contrast here. And the pink is up, isn't perfect. And trans through the lemon yellow. You'll have to draw linear lines very light handedly. Don't put too much pressure on your brush. Just randomly. Start, join many lines, ten lines. And we're going to draw diagonally. And we're going to drag it from left to right because we are showing that our clouds are flying from left, right to left, sorry. The brushstrokes that we will do will be from right to left. As you can see, our clouds are getting sheep as we are just doing the brushstrokes, the right to left. And it's not a rocket science, you just have to practice it before applying. So I'll suggest just practice it in this way. Paints a miniature backgrounds for your clouds and practice on that like the way I am doing. And once you are confident enough, then move on to the painting project. Now I'm going to paint a little mountain silhouette on the horizon line. Once it is done, we will do the shading part in our water to shoulder reflection of our beautiful evening sky. The color that I'm gonna use is lemon yellow because the shades of this guy are dark pink and yellow and our water is already pink. So I'm going to use lemon yellow and the brushstrokes I'll be doing is from left to the center. Like this. The way I am doing, I'm just dragging my brush from left to the center, but don't put too much of pressure. Don't put extra water in your brush. Your brush should be damp enough. Unite and once it is done, you'll get it right. Painting exercises almost complete. And once it is done, I'll be drawing a small son just above the mountains. I am doing. Once it has done, our basic techniques of the Gaucher complete and I hope you guys have enjoyed decisions utilizing the next one. 5. Sunset silhouette Day 1: Hello everyone and welcome back. Today we are going to paint a beautiful sunset, silhouette landscape and the colors that I'm using. Lemon yellow, dark yellow, acromial, if you have read. So I have started painting from the bottom part of our painting. And I have post use the lemon yellow, then I have used the chrome yellow. And I'm going to blend it nicely because these colors belong to the same category, so we don't have to use white color. And in that I'm using now, I'm going to blend the colors. But the dam dash, okay. Blending part is done. And we have created a beautiful background from light yellow to dark yellow and then to red. So once again, I'm going to apply the colors in the second layer because I want it to be a bit on the vibrance side and darker sheets. So I'm going to apply the colors again. And now once we are done with creating the background, now we will be doing the silhouettes. So this is the exercise that I have told you in the basic techniques part two. We have to follow the same procedure for creating the bushes and the tree silhouette. And I'm going to use the black color. Silhouette. Painting is almost some little buds. Josh, if you're not comfortable drawing it with objects, you can also use them to create the buds. Okay, I'm going to add white highlights with the help of a signal jail white gel pen. It will look more realistic because the light is shining on the buds. Once this pandas done, we will remove the tips and we will do will the final painting. And I hope you guys have enjoyed this session. Thank you so much for joining me in and see you guys in the next one. And don't forget to upload your projects in the project section. I would love to share them on my Instagram. Thank you guys. 6. Sunset Hues Day 2: Hello everyone and welcome back to the second day of our garage beginner's class. In this will be painting a beautiful evening sky and the colors that I'm using, Prussian blue, flesh tint from Bruce shop, and lemon yellow. Chrome yellow, if you have any of the colors, white, gouache and backwash. Here I'm mixing my color. I have taken one bud off, Persian blue and two-part off, white gouache. And make sure your color should be on our climate action. And if you don't have fleshed in sheet, what you can do is take one bite of garage and makes one or two drop a little drop of red in it and you'll get that color flesh trend again. So once our colors are really, will start painting, aren't colors are ready and we will start painting the top part of our painting, the sky. And I'm using Persian blue mixed with white. And the second in the bottom part of our painting, I'm going to use flesh tint. So make sure whenever we are just switching your colors, clean your brush properly in the water. Okay? These are the colors that compliment each other. So I'm not going to use that patch of white to blend it, only a little bit of it to give it a perfect Glenn. And I'm going to take invite street on my brush. So if you're not comfortable with this technique, you can take the white in your palette and mix it, mix it, and then you can use it. Once we will have the nice blend like the way I am doing. I'm going to add some chrome yellow. The bottom part of our painting. Blending is a key factor whenever you are just working with gouache. So you have to go easy and take your brush and slowly just blend your colors in advance. You feel that your gradient is perfect and let it dry and then move on to the foreground layer or layers that you want to use. Here I have added a chrome yellow and the bottom part of our painting, and I'm not going to use white here because we have fleshed in DOD mixed with both of the colors very nicely. Once it is done, we will start drawing the clouds. And to paint the clouds, I'm using the color fleshing that's available in my palette. I haven't added too much of color, so I'm just using the remaining color that's in my ballot. Finally, our painting, the clouds, make sure your brush doesn't hold much water. It should meet damp, just only damp enough to create the clouds. Okay, otherwise, what will happen that you will activate the base layer and board of the color will mix up on one, give that effect, that desired effect that you want. Right? Now I'm going to draw the silhouette of our painting with the help of a pencil. And once we have completely then use a black wash to add the ADD is. And what you can do is you can also use a black font color to create the fine details. Blake wash in my palate to draw the silhouette of our painting. And those will be the final step. And after that morning, our beautiful sky. Using the full ground off our painting, you can use any gel pen or fine line. What do you have? That's completely okay. If you want to join mid-quarter, that's completely fine. You can do whatever v you are comfortable. The painting is almost complete, so see you guys on the third day and I hope you guys have enjoyed the session. Don't forget to upload your projects in the project section. Would love to share them on my instinct now, thank you so much guys for joining me and thank you. 7. Poppy flower field Day 3: Hello everyone and welcome back to another chapter for offer gouache thickness class. And today we are going to paint a beautiful poppy landscape and the colors that I'm going to use a deep green, red green watermelon, burnt sienna Bush in blue, white gouache, and black wash. Without any delay, let's get started and mix our colors. So I have taken one side of Persian blue and a two-part of white gouache to make our sky. Let's mix up the colors. Remember that we have to make some color at a creamy consistency. It should not be w4 tree. Okay, don't add too much. Water. Color is ready. And I have divided my paper into two parts. And in the top part of our painting, we will be painting sky using the color that we have created. So do not add to mature further, your brush should be damp, just damp enough to get the colors nicely on your brush. And I will start beating from the top part of our maintain. And in the midsection I'm going to add a bit of white because on the horizon line beam on to make us guy a little lighter, blue shade. Now I'm going to blend both of the colors nicely from downwards to our first see. We have a nice gradient from dark blue to light blue. And it looks so beautiful when you have created it. Now I'm going to take a bit of flesh dent. It is from rostral and if you don't have flushing, then that's completely fine. Take one part of guage and add one or two drops of red into it and you'll get the fresh date sheet. Okay, So we're gonna use it to create the clouds. And once we'll paint the clouds with flesh tint, I'm gonna highlight it with my NDA, dark blue shade. Those shows that I am doing. These are the diagonal strokes that I'm doing. So these will be the most simpler way to paint the clouds if you want. The most easiest way that I feel. I love fitting in this week. Once we are done with flash sheet, we will add our highlights to our clouds, blue and the dark blue. Now I'm going to add the highlights from the color that we have created in our palate. Okay, you don't have to add too much of glue, just a very light shade of the blue. And the dark blue shade we will add on top of the clouds. Suggest to give it that contrast club. In this part of the painting, I am going to add dark blue contrast color in the clouds. It will give a contrast effect. Definitely it's gonna look so beautiful. This guy part is done. We will remove the tip and paint the mountains on the horizon line. Now, our mountains Florida has done and I have taken the deep green color. You can take sap green if you have that and palate, that's completely fine. So we'll make Sakalava creamy consistency and vivid paint. The base layer for our tulip feeling August. So obviously, if this layer is ready for her to live P and I'm gonna take mid green now. I'm going to add a bit of deeply in, in that and we will create the grass and the second layer for our two live feed. Okay. It also added burnt sienna and my palate. So we can add the highlights and the grass field to create the puppy floss and dad. Now we're gonna create the second layer. Take the second two number round brush and start making those strokes from downwards to avoid it like the way I am doing. And we have to create these strokes and the complete field. So our second layer for the truly p will be trading. Okay? I'm going to speed up this process because this is the same thing that I'm going to repeat. Here. I have added a bit of black in my green mix because I was, I'm having a feeling that the green color is very light. So in order to add the highlights and our grass field for puppies for, for p plus, we have to take bit darker tone of green. While you are painting this grass, you can also add the burnt sienna highlights between here and there to highlight the grass. In the distance AD on the auto mountains, the grass field will be very small. And when we are coming towards the downward by painting the grass will be longer. Our second layer is complete, and I have taken vermillion in my palette. And I'm going to start painting the puppy flaws in the distant area near to mountains. The flowers are not visible. So we are going to just put, put small dots there in order to give an illusion of the puppy floss. And when we are coming to the download pod off our bottom part of our painting, we will paint some small tulips hearing there, and I'm going to use red and yellow. I have started painting small tulips and the bottom part of our painting. And I have speed up the process because this is gonna be the same thing that I'm gonna do it in repeat motion. If you feel like that It's too fast, you can slow down the speed of the video. I have to live free lives almost ready. And now we have to create bushes and the bottom part of our painting left corner. So we're gonna repeat the same process that we have a practice in the technique section, but the color that I'm going to use here is a mix of dark green and a mid-plane. And we will create the bushes. And once the first layer will be dry, I'm gonna add some black highlights in the same way over the green color to give it a complete look. Now I'm gonna add DPLL chromium. If you have, let me use it to highlight some the yellow tulips here in there. So it is a random process. There is no particular thing like doing in a particular way. We just have to create small dust hair and dead. And the red you looked at, we have painted in the bottom part of a painting, I'm going to paint some yellow tulip also. We will be painting some bushes with the help of the green that is in our palette using the technique that we have learned in the technique section part two. As the base layer will dry, I will add some black highlights, the same as we did in the technique section. And once it is done, our painting is complete. And I love you guys have enjoyed the session. Don't forget to upload your projects in the project section. And thank you so much guys for joining me in. So let's remove the deep and reveal the final painting. 8. Window Scenes Day 4: Hello everyone and welcome back to another amazing chapter of ten days of relaxing washcloths. And today we are gonna paint a beautiful sky scene from the window. And the colors that we're going to use our potion, blue, one part of Persian blue mixed with two parts of white and a shade of flesh dent. If you don't have, then just mix one part of white gouache and one or two drops of vermilion or red. That will be perfectly fine. As a color is ready, we will now start painting our sky in the background. And we're going to use this guy blue color that we have prepared. And in the bottom bottle feeding, I'm gonna use a bit of white gouache. Highlight the light sky shade that I have taken war straight from the tube. If you're not comfortable, you can also mix it in your palette and you can proceed further. Background is released, so I'm going to make splashed in color. If you don't have this color in your palate, that's completely fine. Pick one part of the garage and add one or two drops of red color and you'll get both flashed in she'd and amount. So when I use the dark tonal value of Prussian blue to give the highlights too well Clouds. Okay, Let's mix a color on a creamy consistency model of order because if you add too much, if the garage will lose its opaqueness and the MAD finish. Once I color is ready, we will start painting the clouds. So we're gonna start painting the clouds. And I'm going to make the strokes from those right to the left pride. In order to give clouds a distinctive shape. I've been invited highlights to our clouds. It should be like the way I am doing. Start adding the blue highlights for the Cloud. Still give it a contrast look. Once our background. I'm gonna use postcard Windows. Once we will, we will use the black garage to draw the silhouette or five window. Paddles done now it's time to add some bushes and we are gonna use it. They think that I have to learn the techniques section part to just dab your brush and the color and start dabbing it on the paper to create a double dashes. There is no pulse. I didn't create all these bushes. It should be random. It shows the VIM doing follow the process. This completes, remove the final painting. And I hope you guys have enjoyed this session. Thank you so much guys for joining me. I hope you enjoyed it and see the next one. Thank you. 9. Bold Night Sky Day 5: Hello everyone and welcome back to another amazing chapter or per ten days relaxing Walsh landscapes. And today we are going to paint a beautiful bald night sky and the colors that I'm going to use our one part of Prussian blue and dupatta, right? And we'll be using dark bank or rose color, whatever is available in your palette. We'll be using black color to draw the silhouette part. Let us prepare a color at a creamy consistency and it will be light tone, a medium tonal value of Persian blue. We can see that our color is prepared and we will also prepare the pink color. Then we will start painting our background. As a colorist prepared. So let's start painting our background. And I'm going to use the blue color, the medium donor evaluate or Persian blue that I've created. And once it is done, we will start painting the clouds and make sure you don't add too much of water. Otherwise it will quash, will lose its opaqueness and madness. Background is prepare. So let's start painting the clouds and I'm going to use a dark ping to add clouds as these colors compliment each other very beautifully. So the clouds, we will be good. It will be enough. Pinkish shade. Now iCloud part is done. Let's add a gluing mourned. And I have taken white gouache and very light texture. And we're gonna paint a small circle. Make sure when you are painting a glowing moon, your edges should be solved. Lake it shouldn't be a hard edges. So once will have soft edges and then we will paint our moon. So now I'm owned by those down. Let's add those silhouette but with the help of a black wash. When you are drawing the right floors, make sure you are using 0 number brush or your detailing brush to draw the fine details. Known as dry. So we're gonna add white shadows to the clouds to give the effect of the more light that is reflecting on the clouds. Once this part is done, we will start completing our silhouette. It is almost complete, so let's remove the tape and reveal the final painting. And I hope you guys have enjoyed the session. Don't forget to upload your projects in the project section. Would love to share them on straight up. Thank you so much guys for joining me in. Thank you. 10. Sunset and birds Day 6: Hello everyone and welcome back to another amazing chapter are far garage weakness class. And today we are going to paint a beautiful sunset scene with flying bird silhouette. I have taken chromium one bond and run by DO, right? And we're going to mix these colors. These will be the base for us guy. And the highlights that I'll be doing is of the dock, Benkler, watermelon and red. Colors. Ready, so let's now start painting. So this will be the flag worship, the yellow color that I have prepared. Once the background will be dry, then we will add the clouds. I'm going to add a slight tone of a light tone of orange in the bottom part of our painting to give it a sunset, you under arrest, we will do the flat wash. So we just have to just slightly changed the color in the bottom part of a building. So don't use too much of orange. Just a hint of orange. As our background is ready. I'm going to add the clouds and as Guy and I'm using a dark pink color. And we're going to create some horizontal lines like the way I am doing. So you just have to do it away with a very light hand. Hit Enter. We are going to use the orange and the red shade to give the highlights to our cloud. Was done and it's looking so beautiful. Now we're gonna create the silhouette of the bushes. As I have dueling the technique section, we are gonna apply the same technique. Okay, so once the silhouette is done. Whenever you are creating the vicious uses your number. Detailing brush with a fine tip because it gives you the most precise that we wanted. Now let's paint some cute little birds. Painting is almost complete. I hope you guys have enjoyed the session. Let us remove the tape and review the final painting. Thank you guys. 11. Golden Hour Shadow Day 7: Hello everyone and welcome back to another amazing chapter of our attendees of relaxing wash landscapes. And today we are gonna paint the Golden our shadows. So the color that I'm gonna use, our ocher, yellow and burnt sienna, and we'll be using white gouache. So let's prepare our color. I have taken one bar DOF yellow ocher, and one part of white gouache, and one part of burnt sienna. So let's prepare our yellow ocher color first. We will start mixing our colors with a few drops of water. And once it is on the creamy texture consistency. Move forward. Now I'm going to prepare our burnt sienna. So I'm going to take one part of burnt sienna and one bar DOF white gouache to get the light tone of burnt sienna. Color is prepared. So let's start painting. I'm gonna use first two yellow ocher from the left butt and we'll be moving to the right part. And it will be a flat wash off two colors, yellow ocher and burnt sienna. While mixing. Blending these colors, make sure you blend it very nicely with a very light hand. Because these colors almost belong to the same category once we have added white to them. So the blending won't be a problem, just you have to be a little patient and just follow the process. Now our background is ready and we're gonna first paint the shadows. So I have mixed a bit of white in the burnt sienna, and I have taken my liner brush and I'm gonna draw the shadows. And it should be random. There is no perfect way to draw the shadows. You just have to follow the process and that's it. To paint the flowers in the shadow area via when I use the DAB Deck beam that I have taught you in the second chapter, I'll be sick washing techniques. Packages, dip your brush in the color and just dab, dab, dab. He had to give the effect of the wildflowers. Now I showed her part is complete and I have taken the darkest tone of burnt umber. And I'm going to draw the flowers just a bit on the right side of the shadows. It will give the effect that the shadows are reflecting from the sundries in the evening. We're gonna see in process will be the same. We'll draw the branches first, tiny little branches, and then we're gonna draw some way flaws by dabbing method. Okay? Flowers, I have taken white gouache in my palette and I'm gonna adapt my brush and just as the same process that we have done many times in the class, such as dab, dab, dab, That's it. Painting is almost complete. So let's remove the tape and reread the final painting. And I hope you guys have enjoyed this session. And don't forget to upload your projects in the project section. Would love to share them on my Instagram. Thank you so much guys for joining me in. 12. Farm Sunset Day 8: Hello everyone and welcome back to another amazing chapter, Alpha gouache class. And today we are going to paint a beautiful farms and sit and the colors that we are going to use that light sky blue and a bit of chrome, yellow, and orange color, over a million, whatever you have in your palate, that's completely okay. Let's make that color. So I have taken one part of sky blue as it is already prepared in my palette. But if you don't have this color, then what you can do is you can take one part of ultramarine blue and two-part off white Gausian. You can mix it and you'll get your shade. If it is still dark, then you can add white gouache as reference. So let's prepare our color on a creamy consistency. Colors are ready, so we will paint the top part of our painting with the light sky blue color that we have created in the bottom. But we're gonna use the groom yellow that we have prepared in our palette. I. And we are gonna mix these color. We have to leave a white gap in-between board of the colors to blend it with the help of the white gouache. Back down to his almost ready. I'm gonna take black color in my palette and I'm gonna have to bet on a team meeting. And then we're gonna paint our silhouette pod to paint the grass spot. I'm gonna use a fan brush to create the grass effect. Okay, So just dip your brush in the water, removed excess water on your paper doll, and then just dab it in the color and just start creating strokes from upwards or downwards to upload area like the way I am doing. Now let's draw some writing and flaws as in silhouette to complete our painting. 13. Moonlight Day 9: Hello everyone and welcome back to another chapter of a big meals garage 15 days challenge. And today we are going to paint night scape void, beautiful night scape and we're going to do a flat wash. I have taken for ocean blue and two parts of Persian blue heart photo flight. And I'm going to mix it. And I'm going to add just a light hand of black to give it a more dense look. Once our colors prepare, we will start painting. Make sure to prepare your collar on a creamy consistency. Don't already don't add too much water. Let's start painting. And as I see that it is a flat wash Soviet not doing any gradient effect, so we're not gonna add any Cloud. So KVL gonna just do a simple flag. And then we're gonna draw us silhouette on the foreground of our painting. Basically it is steady. So I'm gonna take some black to create the silhouette of our painting. And I'm going to mix it on academic consistency. So before drawing the silhouette, I'm gonna draw it roughly with the help of a black permanent marker. I'm using a black marker to draw the outlines of a silhouette. Let's spend our silhouette and the foreground of our painting. For brushes, we are gonna be the same technique as we are doing in the previous chapters. In this, we are going to add some families also. Let's paint a little morning sky and I've been doing is almost complete. So let's remove the tip and reveal the final painting. And I hope you guys have enjoyed the decision. This is one of the most easiest painting we have done so far in our class. And don't forget to upload your projects in the project section. I would love to share them on Instagram. Thank you so much guys for joining me in. 14. Street Lamp Day 10 & Thank You: Hello everyone. This is a lousy of our attendees of relaxing guage landscape. And today we are gonna paint a street lamp ninth view. And the colors that I'm going to use, our Glee, blue, right? Chromium yellow and orange and burnt sienna color on the creamy texture, consistency. And I have taken gray color that is already prepared in my palette. And I have taken Persian blue. So if you don't want our grid and what you can do is add half part of black gouache with a two-part off, white gouache, and you'll get the gray tone. Once you have the desired color, prepared him, prepare them and adult creamy consistency and bonds. It is done. We will start painting our beautiful background. Solid's started preparing our background, and I have started painting it with gray color. This will be a flat wash of gray color because we need a night sky background for our painting. So we'll be painting the background with gray color completely. Okay, So once we are done with the gray color, then we will start adding the color clouds and shades of light gray and Persian blue. Mcdonald's daddy and I have mixes slide the part of Prussian blue with the grid that was available in my palette. I have start painting up the clouds. So I'm going to paint the clouds with a mix of Goody light blue and the dark tonal value of Prussian blue. When you are painting your clouds, make sure your brush should be damp. If there is any bit of water in your brush that is extra, then you will reactivate the base layer and you won't get the desired result that you want. Any art painting makes sharp to use a damp brush whenever you are painting your clouds. It's now I'm thinking burnt umber. And I'm gonna take chrome yellow, one part in one part per million that is orange color. We will prepare our colors and we'll start painting our street lamp. Gonna apply, spin the street lamps. So basically the light has been reflecting on their part please. So it should be a mix of vermilion and dark down. Okay, so we have to highlight the pod. The light is reflecting, right? So it should be the upper layer of the poetry and the bottom layer of the partners should be dark. Now, I thought completely dry. Let's stick a mechanical pencil and draw the outline for us treat LAM. Ones that are China is done, but we'll take the darkest tone of burnt umber in the fall of the street lamp, the darkest tone of burnt umber brands. We are done painting the lamppost. Then I'm gonna take some black in my liner brush. And I'm gonna do that a very fine line on the lamp posts. Sugar it a more precise detail. Now, I'm gonna take some chromium and I'm gonna be intelligent dot, dot on this sheet lamp. And I'm gonna make some little bit of orange and that shining globe. Once it is done, I'm gonna take some chrome yellow in my fine liner. Josh. I'm gonna paint pen line on the lamppost. Gives the effect that light is reflecting on that particular part. Once a lamppost part is done, now we'll start painting of the bushes using the same technique that we have learned in the technique section. And I'm gonna use a black color to paint the bushes. And then we're gonna add some little highlights with the help of a chrome yellow, and orange color to give the effect that glide has been reflecting on the leaves. I'm going to use orange plus chrome yellow on the tip of the bushes to show that light is reflecting that. And give us a very beautiful, a vague plan. The whole painting will be completed. I'm going to add a boot off colonial law and light hint of orange on the pathway just down below the lambda show the reflection of the light. Now I'm going to darken the lower part, the bottom part of the pathway, and a bit darker dawn. And I'm using the darkest tone of burnt umber. Painting is almost complete. So let's add a little moon just below our lamppost. And once it is done, where will you remove the tip and reveal the final painting? And I hope you guys have enjoyed this session. Don't forget to upload your projects in the project section. I would love to share them on Instagram and thank you so much for joining me in this class guides. It really means a lot. Thank you.