Transcripts
1. Introduction: Hello everyone and welcome
back and I'm back with an interesting and amazing
class thickness guide towards the global
standards challenge. This class. We will be painting these
beautiful landscapes for the next ten days. It is indeed mandatory to start the challenge
on the first day. You can join it on any day accordingly to your
convenience and peas. The main motto behind
this class is to develop a creative
learning practice. No matter what your
skill level is, you will improve with practice and how quickly
you will improve. It depends on how
much you practice. If you can practice for a few minutes each
day consistently, that will add up to a significant amount of
change if you stick with it. These are the landscape that can easily be done in
ten to 15 minutes. So it won't take
much of your time, it just take a regular practice
to do these paintings. So I hope you guys will
enjoy this session as much as you did
the previous ones. So let's get started. Thank you so much guys.
2. Hope: Hello everyone and welcome
back to day one off. Identity is
watercolor challenge, beginner's guide to watercolors. And today we are going to
paint this board silhouette, the colors that I'm going
to use a lemon yellow, permanent orange,
scarlet red portion, blue, cobalt blue ivory plaque. And the vapor that I'm using, it's slanted variable
200 GSM, a 100% gotten. So we will start being prepping our paper by doing a
clear wash off water. Make sure you just do it properly to make it damp
enough to work in layers. And I'm gonna start
with lemon yellow. Then I'm gonna add
permanent orange, ScalaCheck, blue, cobalt blue, one-by-one in the layers. Now I'm going to
draw the silhouette in the foreground
of our painting. And I'm gonna use bush and blue mixed with black
to paint this board. The piece. I hope you guys have enjoyed
this session. Thank you so much
for joining me.
3. Dream: Hello everyone and welcome
back to the second deal, beginner's guide to watercolors. Today we are gonna paint
this beautiful Netscape. And the killer said
we're gonna use a crimson motion blue, cobalt blue. And I already. Let's get started. Again. Gonna work on
wet-on-wet technique. You have to video
probe paper properly. First saw that it would be damp enough In build layers on it. And I'm gonna start
with crimson red. Just starting from the
center of our being deemed to the upward part
of fun painting. And Dan, I'm going to add the blue and the upper
section of our painting. Right upper corner
of our painting, I'm going to add some
sheets of floorlets. You can use Persian blue here to add more depth
than that night sky. I'm going to add
fundamentally intensely blue on the edges
of my reflections. To give it up a bit
more realistic. I'm using white gouache to paint the morning
and it's a friction. I'm using ivory black to create the silhouette of the
island and the cheese.
4. Gratitude: Hello everyone and welcome
back to the third tier of beginner's guide to
watercolor challenge. And today we are gonna paint
this beautiful seascape. And the loads that we are
going to use our lemon yellow, permanent orange,
scarlet thread, I already black
and burnt sienna. And the paper that I am
using it as Lana aqueous, 200 GSM, a 100% cotton paper. So let's get started. We'll start with wetting
our paper evenly. And then I'm gonna
start painting from the center to the
upward part of the painting. I am using lemon yellow. Lemon yellow, and then I'm
gonna use permanent orange. Now I'm gonna add some strokes of it with
my flat brush to create the clouds and
amusing lightest tone off the scholar trend. Now I am using the
lightest tone of black library to create the
clouds of the evening sky. I'm using Scala trade, took kids and distant
clouds and sky. Now we'll start painting. I will start with the
lightest tone of a shin blue. The bottom part of our painting, I'm going to add
the lightest tone of lemon yellow Silvana, where you are just working
with these two colors. Make sure that you are leaving a white gap between
both of the colors. So when you are
going to match them, they won't create
a green pigment. Altogether. You have demands these two colors
with the help of a clean brush to create the proposal waves in the water US society
of your flat brush, just press it down on the paper. It will create the
broad thieves. I am using burnt
sienna to create the rocks and to create
the board silhouette.
5. Smile: Hello everyone and
welcome to day four. Door of identity is
watercolor challenge, beginner's guide to watercolors. And today we are gonna pay
this beautiful seascape and the colors that I'm
going to use our lemon yellow, permanent
Dorian, scarlet, red bands, sienna, and
the BBA that I'm using, Islamic quartile, 300 GSM, a 100% cotton sleds get started. We will start by
prepping our paper. I'm going to first draw
the layout of a seascape. Once it is done with
a prepper paper, by doing a wash of clear water. I will start adding lemon
yellow in the center part of our painting and I'm
going to drag it down to both of the ends, the bottom part
and download area. Now I'm going to add permanent orange because we're paying dinner evening seascape. That's why if you have
put excess pigment, you can remove it with the
help of your flat brush. The top area of our painting, I'm going to add
some scarlet red. And once it is done,
we'll proceed further. Now I'm going to add our little mountain made with
the help of a scarlet shed. Painting. Mountains. The rocked by painting in the foreground with the help of a dark skin. These wild flowers. I'm using. Josh. You can use any detailing brush on
0 number one, number.
6. Paradise: Hello everyone and welcome
to the D5 of identities, beginner's guide to watercolors. And today we are gonna be in this beautiful sunsets
silhouette and the colors that I'm going
to use our lemon yellow, permanent orange to him suddenly Persian blue,
I already black. And the paper that I'm
using it as an egg query, all 300 GSM and a
100% cotton paper. Let's get started by
preparing their paper. And we're going
to do a flat wash of clear water properly. I'm gonna start by adding potion blue in the top
area Alpha painting. I will drag down to the center part and just
clean my brush on the paper. And now I'm going to
add Crimson Lake. Now I'm going to add yellow in the center part
of our painting. And we're gonna create
a gradient background. Soldiers clean your
brush in the water and chemo excess pigment from the beeper like
doing I am doing. Now our background
is ready AND rule start creating the silhouette
bandwidth, ivory black. This is the far most
easiest project and attendees of beginner's guide to
watercolor challenge. I hope you guys like it and add painting is almost complete. So see you guys in the
next one. Thank you.
7. Joy: Hello everyone and welcome to the DSX soft India's
watercolor challenge. And today we are gonna paint his boat silhouette escape and the color that
I'm going to use, lemon yellow and burnt sienna. And the paper that I'm
using Islam Query 300 GSM, a 100% cotton paper. So we're gonna start by prepping our paper with a
wash of clear water. First. I'm gonna start adding by lemon yellow
in the center apart. And I'm gonna drag a dual
bottom and do the upper DVR. And then I'm going
to add burnt sienna, the medium tonal value of burnt sienna in the uppermost
part of our painting. So make sure you are adding colors slowly and
gradually bought, bought too much of
pigment once because you won't be able to control
it, needs some planters. Once our background is done now I'm gonna paint
the mountains. I'm going to draw the outline of the mountain and I'll clear
my brush in the water. And I just fill up with Philip mountains
with a clear water. Once it does, try and draw
the silhouette of art board, I'm going to paint the
darkest tone of burnt sienna. Now we're going to add
the shadow part at all. And I'm using the darker, stony value of burnt sienna.
8. Serenity: Hello everyone and
welcome back to D7 of attendees
watercolor challenge. And today we're gonna paint this beautiful night landscape. And the colors that I'm going to use our permanent audience, Rosewood color from
drafting girls and ivory black paper
that I'm using. It's Lana acquitted alternately GSM and a 100% cotton paper. Let's get started
by a plumping up people with a wash
of clear water. I'm gonna start by adding permanent orange
and the center of our painting to woo
the bottom part of our painting and to
the upper tail area. Then I'm going to hide the Rosewood color
from graphed angles. It is a shade of red in-between. A bit mix of red and black, but it's a beautiful shade. But no-shows if you
don't have this fun. You can also use red
with the slight handoff, Mars Black in it
for loop perfectly. You can also use scarlet thread. If you don't have this color. Draw the silhouette of our
land and leave some gaps in between to create our Lee calls and the color that I'm using footed as this, I already plan.
9. Love: Hello everyone and
welcome back to day off. Identity is challenged
beginner's guide to watercolors. And today we are gonna beam these mystical mountains and
the colors that we're gonna, we're gonna use our
permanent orange portion, blue, I really black. And the paper that I'm
using that slanted querying 300 GSM, 100% cotton. So let's get started by prepping our paper with a
wash of clear water. I'm gonna start beading
permanent orange in the center part of our painting and take it to the upper area. And then I'm gonna push in blue on the top
part of our painting. Make sure you're gonna leave
white gap between board of the colors so you can mix
it with a clean brush. Once our background scales. So today we're gonna start
painting our mountains and we're gonna use the lightest are not
Persian blue first. And then we're gonna
gradually increases, buy more pigment,
pigment layer by layer. Okay, and please do use your hairdryer to
quickly dry the Lias. So there will be no batch. And between Take your time while doing failures of
pharmaceutical monkeys. And if you want, you can select any other
color that you want. When I'm talking about
the tonal values of a particular color like
here, it's potion blue. The latest Donald value means
less pigment and mod water. When you start gradually
adding pigment, fund by one to York ballot. With the water, you'll get
differentiates off one color. So that is called
the tonal value. The latest value is more or
less pigment with warm water. And the highest value is
pigment and less water. For the last year or
pharmacy my own dance, I'm gonna make splashing bluefin ivory black to
get the duck is stone.
10. Peace: Hello everyone and
welcome back to D9, tough attendees,
watercolor challenge, beginner's guide to watercolors. And today we are gonna be in this beautiful forest and the colors that I'm gonna
use a lemon, yellow, sap, green bonds, CNOT, and the paper that I'm using, it does non-equivalent
trendy GSM watercolor paper. So again, we're gonna
repeat the same process. We are on a trip in our paper with a wash of
clear water makes sure you just make the paper damp enough when you
are working in layers. I'm going to start
maybe ending with lemon yellow and the blue spot of RBD. And then Indian yellow. After that to the center
part of her painting. Then we're going to **** greens. I'm gonna make sap
green with The Dorf, Indian yellow to give in shade. Dark tonal value of balance
and bottom by painting. Start painting our cheese. To create the darks. You can use your fan brush and if you don't
have a fan brush, you can use your detailing
brush to create that effect. You can use different
values of burnt sienna to create different
shades in the odd shapes.
11. Pride: Hello everyone and welcome
back to the last day off identities watercolor challenge, beginner's guide watercolors. And today we are going to
paint this seascape fuel. The colors. I'm going
to use our cobalt blue, persian blue, sad green, virgin hue been CML, the paper that I'm using, Atlantic Grill, 300
GSM, 100% cotton paper. We're going to draw the
layout of our seascape first. And then we'll start prepping our paper with a
wash of clear water. I had started painting with the ludus rami value
of cobalt blue, little bit off lighters
mixed them that. Then I'm going to use the Persian blue to show
the depth in the sea. Randomly placing my colors. And you can also drag friends
to complete our work. In the project section, you'll have an idea where you
have to please the colors. I'm using the dark
to an off Gabon blue to add more
depth in our scene. And after that, I'm going
to use differentiates off. It seems like sap
green and we're going to add more details. Make sure venue
or adding colors, you just leave a white space
around the eyelids so we can add the white quash to paint the leaves
that it's false. Now we will start
painting on islands and I'm gonna use the
lighter stony value, all burnt sienna first. Just read your paper first and
then start adding follows. I have started in sap green just to show where
the greenery parties and I'm going to use the darkest are no buttons he and not on the edges of the island. To give it a prominent look. Now, add a darker
tone up Sap green. I'm gonna use white gouache
to paint the waves. The waves always use the
dry brush technique. That means your brush
should be damped. There shouldn't be
a mole of water, and there should be more pigment or color that you are using. Okay. And done, and once it is done, add some more details on an island with the
dockets do on-off sap, green and burden who makes we will be using dry
brush technique for that.
12. Recap: Hello everyone. So let
us do a quick recap what we have done in
the last Andy's, okay. These are the ten
landscape we have painted and the last Andes. And these are very
easy to do techniques. Basically, we work on
wet-on-wet technique. And I hope you get
the technicalities of this technique and you'll learn something
from this session. Please do upload your projects
in the project section. I would love to share them on n star and do share your
views about the class or anything you want me to get it covered
in my next session. Thank you so much guys for
joining me in. Thank you.