Illustrator for Lunch™ - Something's Fishy - Appearance Panel Tips & Tricks | Helen Bradley | Skillshare

Illustrator for Lunch™ - Something's Fishy - Appearance Panel Tips & Tricks

Helen Bradley, Illustrator for Lunch™ & Photoshop for Lunch™

Illustrator for Lunch™ - Something's Fishy - Appearance Panel Tips & Tricks

Helen Bradley, Illustrator for Lunch™ & Photoshop for Lunch™

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6 Lessons (30m)
    • 1. Illustrator for Lunch™ - Something's Fishy - Intro

    • 2. Illustrator for Lunch™ - Something's Fishy - Part 1

    • 3. Illustrator for Lunch Something's Fishy Part 2

    • 4. Illustrator for Lunch Something's Fishy Part 3

    • 5. Illustrator for Lunch Something's Fishy Part 4

    • 6. Bonus video on rotating and scaling fish

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About This Class


The Illustrator for Lunch™ series are short video courses you can study in bite size pieces such as at lunchtime. In this course you'll learn to make three fish using the Appearance Panel - the entire fish, head, tail and eye is one single object! You'll also learn a handy recolor technique. This video is "Pen Tool free" so you can complete the project without using the pen tool.

More in this series:

4 Illustrator Shading Techniques - An Illustrator for Lunch™ class - Simple Highlights & Shadows

5 Hexagon Patterns in Illustrator - an Illustrator for Lunch? course

Create Color Schemes in Illustrator for Using, Sharing & Selling - An Illustrator for Lunch? Class

Create Patterns in Adobe Capture for Illustrator & Photoshop

Create Wreaths & Other Floral Designs - An Illustrator for Lunch™ Class

Designing with Spirals - An Illustrator for Lunch™ Class

Doodle Flower Design & Pattern in Illustrator - An Illustrator for Lunch™ Class

Draw a Hot Air Balloon in Illustrator - Fun with 3D! 

Illustrator - Design in Black and White - Create Positive/negative images

Illustrator for Lunch? - 10 Interface and Setup tips too Speed your Workflow

Illustrator for Lunch™ - 10 in 10 - 10 Align tips in 10 minutes or less 

Illustrator for Lunch™ - 10 in 10 - 10 Type Tips in 10 minutes (or less) 

Illustrator for Lunch™ - 10 in 10 - Ten Top Illustrator Tips in 10 Minutes 

Illustrator for Lunch™ - 10 Layer Tips in 10 minutes

Illustrator for Lunch™ - 10 Pattern tips in 10 Minutes 

Illustrator for Lunch™ - 10 Pen tool and Path Tips in 10 Minutes or Less 

Illustrator for Lunch™ - 20 Appearance Panel Tips in 20 minutes or less

Illustrator for Lunch™ - 20 Color tips in 20 Minutes

Illustrator for Lunch™ - 20 Gradient tips in 20 minutes

Illustrator for Lunch™ - 20 Pathfinder, Crop and Cutout tips in 20 minutes or less

Illustrator for Lunch™ - 20 Recolor Artwork tips in (around) 20 minutes

Illustrator for Lunch™ - 20 Reflect and Rotate tips in 20 minutes or less

Illustrator for Lunch™ - 20 Things New Illustrator Users Need to Know

Illustrator for Lunch™ - 3D Extrusion Effects - Text, Shapes, 3D

Illustrator for Lunch™ - 3D Perspective Cube design and Bonus 3D star

Illustrator for Lunch™ - 4 Exotic Patterns - Quatrefoils, Moroccan Trellis, and Layered Diamond 

Illustrator for Lunch™ - 4 Handy Patterns - Diagonals, Plaid, Colorful Dots, Chevron

Illustrator for Lunch™ - 5 Cool Text Effects

Illustrator for Lunch™ - Abstract Ombre Background - Color Scheme, Blend, Transform 

Illustrator for Lunch™ - All you need to know about Brushes in Illustrator

Illustrator for Lunch™ - Backgrounds for your projects - Sunbursts, Halftone, Blends & Brushes 

Illustrator for Lunch™ - Banner and Award Badges - Appearance Panel, Masks, Warp 

Illustrator for Lunch™ - Blends and Gradients - Blends, Blend Modes, Gradients 

Illustrator for Lunch™ - Braids, Rick Rack and More

Illustrator for Lunch™ - Circle Based Patterns - Rotate, Blend, Multi-Color Dots

Illustrator for Lunch™ - Clipping Masks, Opacity Masks & Layer Masks

Illustrator for Lunch™ - Complex Block and Half Drop Repeat patterns

Illustrator for Lunch™ - Complex Rotated Repeating Patterns Made Easy - Using MadPattern templates 

Illustrator for Lunch™ - Create a Floral Alphabet character

Illustrator for Lunch™ - Create a Nighttime Cityscape Image

Illustrator for Lunch™ - Create a Plaid or Tartan Pattern

Illustrator for Lunch™ - Create a Range of Triangle Patterns

Illustrator for Lunch™ - Create a Retro Landscape Illustration

Illustrator for Lunch™ - Create a Textured Dot Pattern - Transform, Vector Texture, Patterns 

Illustrator for Lunch™ - Create a Wave Pattern 

Illustrator for Lunch™ - Create a Whimsical Tree

Illustrator for Lunch™ - Create an Ikat Inspired Pattern

Illustrator for Lunch™ - Create an Isometric Cube Pattern - Shape Builder, Align, Pattern Make

Illustrator for Lunch™ - Create Complex Art in the Appearance Panel

Illustrator for Lunch™ - Create Diamond, Harlequin and Argyle Patterns

Illustrator for Lunch™ - Create Guilloche Effects

Illustrator for Lunch™ - Create Hi-Tech HUD rings

Illustrator for Lunch™ - Create Perfectly Overlapped Rotated Shapes

Illustrator for Lunch™ - Create Seasonal Ornaments - Learn new skills while making seasonal art

Illustrator for Lunch™ - Create Stitches and Sewing Elements

Illustrator for Lunch™ - Create with bends and blends - techniques for icons, logos and more

Illustrator for Lunch™ - Creative Half tone Effects

Illustrator for Lunch™ - Custom Corner Tiles for Pattern Brushes

Illustrator for Lunch™ - Cute Furry Creatures

Illustrator for Lunch™ - Cutout Text Effects - Photos, Pathfinder & Text

Illustrator for Lunch™ - Designing with Symmetry

Illustrator for Lunch™ - Doodle-Style Heart - DIY Brushes and Nested Shapes

Illustrator for Lunch™ - Draw a Retro TV - Shapes, Texture & Sunburst

Illustrator for Lunch™ - Draw a Vintage Birdcage - Shapes, Transform, Texture

Illustrator for Lunch™ - Faux Tissue Paper Collage - Blending, Texture, Transparency 

Illustrator for Lunch™ - Flat and Dimensional drawing techniques

Illustrator for Lunch™ - Fun Effects with Graphic Styles - Appearances, Brushes, Styles 

Illustrator for Lunch™ - Fun with Scripts - Download, Install, Run

Illustrator for Lunch™ - Get Creative with Blends and Brushes

Illustrator for Lunch™ - Get Export File Sizes and Resolution Correct

Illustrator for Lunch™ - Going in Circles - Brushes, Blends & Transformations

Illustrator for Lunch™ - Gradient Background Effects - Find, Adapt, Create & Use

Illustrator for Lunch™ - Houndstooth & Rose - Vector Halftone Tracing & Houndstooth Pattern 

Illustrator for Lunch™ - Illustrating Cacti with Custom Made Brushes

Illustrator for Lunch™ - I'm Seeing Stars - Fill, Warp, Clip & Crop Shapes

Illustrator for Lunch™ - In the Frame - Shapes, Fills, Strokes & Color

Illustrator for Lunch™ - In the Kitchen - Cartoon Art with Live Paint 

Illustrator for Lunch™ - In Your Face - Pen Tool Practice 

Illustrator for Lunch™ - Layered Paper Style Collage - Gradients, Graphic Styles, Transform 

Illustrator for Lunch™ - Let's Go Steampunk! - Shapes, Rotation, Textures 

Illustrator for Lunch™ - Make a 2017 Calendar from Scratch - Grids, Layouts, Text, Patterns & More 

Illustrator for Lunch™ - Make a 3D Y Shape Pattern - from paper illustration to digital design

Illustrator for Lunch™ - Make a Lace Pattern Brush - Stroke, Blends, Pattern Tiles, Rotation 

Illustrator for Lunch™ - Make an Organic Spiral Pattern

Illustrator for Lunch™ - Make Art Brushes - Configure, Color & Scale

Illustrator for Lunch™ - Make Art Using Other People's Art 

Illustrator for Lunch™ - Make Custom Organic Patterns - Transform, Scissors, Align, Pattern Swatch 

Illustrator for Lunch™ - Make Retro Shapes - Pathfinder, Scripts, Rotation

Illustrator for Lunch™ - Make Scrapbook Papers to Sell - Patterns, File Formats, Marketing Materials 

Illustrator for Lunch™ - Make to Sell Printables - Stripes, Grid, Lines & Isometric Grid

Illustrator for Lunch™ - Mastering Live Trace - Turn Bitmaps to Vectors

Illustrator for Lunch™ - Meandering Hexagon Pattern

Illustrator for Lunch™ - More fun with Scripts - Text to code, more scripts, more fun (trees too!)

Illustrator for Lunch™ - Multi-Color Faux Pattern - Patterns, Transform, Expand 

Illustrator for Lunch™ - Neon Effect - Appearances, Graphic Styles, Fonts

Illustrator for Lunch™ - On (a pattern making) Safari - Repeating Patterns 

Illustrator for Lunch™ - One Design Concept - Many Variations 

Illustrator for Lunch™ - Pattern in a Pattern - Achieving the Impossible in Illustrator 

Illustrator for Lunch™ - Pattern in Pattern & Irregular Repeating Patterns

Illustrator for Lunch™ - Pattern Know-how - Install, Transform, Recolor

Illustrator for Lunch™ - Pattern of Lines and Dots

Illustrator for Lunch™ - Pop Art Style Star Pattern 

Illustrator for Lunch™ - Real Time Mandala Design

Illustrator for Lunch™ - Real Time Mirror Drawing - Symmetrical drawing

Illustrator for Lunch™ - Road Trip - Custom Brushes and Live Paint

Illustrator for Lunch™ - Roaming Square Pattern

Illustrator for Lunch™ - Seamless Repeating Texture Patterns

Illustrator for Lunch™ - Season's Greetings - Shapes, Brushes, Texture 

Illustrator for Lunch™ - Semi Transparent Flowers - Scatter Brushes, Opacity, Blend Modes 

Illustrator for Lunch™ - Sharing and archiving files - troubleshooting the pitfalls

Illustrator for Lunch™ - Sketchy Image Effect - Image Trace, Swatches, Sketchy Effect

Illustrator for Lunch™ - Something's Fishy - Appearance Panel Tips & Tricks 

Illustrator for Lunch™ - Stipple Texture Effect - Grain, Gradients, Blends 

Illustrator for Lunch™ - String Art Inspired Designs

Illustrator for Lunch™ - Stylish Doodles to Make and Sell

Illustrator for Lunch™ - Type on a Path - Type, Paths, Shapes

Illustrator for Lunch™ - Using & Troubleshooting Bounding Boxes

Illustrator for Lunch™ - Using Photoshop Objects in Illustrator - Images, Shapes, Patterns and more

Illustrator for Lunch™ - Vector Textures - Vectors, Clipping Masks, Pathfinder

Illustrator for Lunch™ - Warp Shapes & Text - Envelope Distort, Warp, Gradients 

Illustrator for Lunch™ - Watercolor Magic - Type, Downloaded Patterns & Brushes 

Illustrator for Lunch™ - Watercolor stripe seamless repeating pattern

Illustrator for Lunch™ - Whimsical diagonal line patterns

Illustrator for Lunch™ - Whimsical Scrapbook Paper Designs to Sell or Share

Illustrator for Lunch™ - Whimsical Text Effects

Illustrator for Lunch™ - Whimsical Textured Drawings Using Hand Drawn Brushes

Illustrator for Lunch™ - Zentangle® Inspired Pattern Brushes - Shapes, Effects, Brushes

Make Ditsy Patterns in Illustrator

Pattern Design in Illustrator Masterclass

Piping Effect in Illustrator - An Illustrator for Lunch™ Class

Rainbow Gradient Shape & Text Effects in Illustrator - an Illustrator for Lunch™ class

Terrazzo Patterns Without Drawing a Shape! - An Illustrator for Lunch? Class






Meet Your Teacher

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Helen Bradley

Illustrator for Lunch™ & Photoshop for Lunch™

Top Teacher

Helen teaches the popular Illustrator for Lunch™, Photoshop for Lunch™, Procreate for Lunch™ and ACR & Lightroom for Lunch™ series of courses. Each course is just the right length to take over a lunch break and is packed with useful and fun techniques. The projects are designed to reinforce what is taught so they too can be easily completed over a lunch hour or two.

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1. Illustrator for Lunch™ - Something's Fishy - Intro: Hello, I'm Helen Bradley and welcome to this episode of Illustrator for Lunch, something fishy. My Illustrator for Lunch series is a series of Illustrator training courses that are designed to be consumed in small bite-size pieces so you could learn them, for example, over lunch. In this particular course, we're going to look at using the appearance panel and each of these fish that you're going to create is actually one single Illustrator object. Buried inside that object is the fish's body, as well as its tail and its face, and it's eye. You're going to get used to using the appearance panel, adding a mask to the appearance panel, and then creating your fish all inside the appearance panel. By the end of this project, we're going to have a real appreciation of what path is in the appearance panel in Illustrator, and just some of the things that you might be able to do with it. If you're ready, let's get started with our fish project. 2. Illustrator for Lunch™ - Something's Fishy - Part 1: The first step with our project is going to be creating a new document and starting with one of our fish. We'll choose File and then New. Now I know that my final image needs to be a bit wider than it is tall, so I'm going to set it to 700 pixels wide, but I'm going to make the height just 450 pixels. I'm also setting it to RGB color mode, and I'll click "OK". This is a good shape for our image. Now to create our first fish, we're going to use the ellipse tool. I'm going here to the Rectangle Tool, and here is the Ellipse underneath it. I'm just going to draw out the first of my fish, which is just going to be a long, narrow ellipse. Just remembering, I wanted to get three of them onto the page here. I'm going to invert my colors here because I want it to be filled with black. I don't want it to have any strike at all so I'm going to turn off the stroke. Now I'm going back to my ellipse tool because I'm going to make the tail using the ellipse, but you could use the pen tool if you prefer. I'm just trying to make this pen tool free for people who really freak out with the pen tool. Let's go and get the ellipse tool, and let's create a small ellipse. Now I'm going to the Selection tool, I'm just going to rotate it around. It's going to form the first part of my fish's tails, it's going to be in this position. I'm just going to audition it and just make sure it looks pretty right for where it's going to go. I think I've rotated it way too far. Here is the first shape, so I'm now going to reflect it. I'll choose Object, Transform, Reflect. I'm going to reflect it vertically, so you can see that it's gone from pointing in this direction to this direction. I've preview turned on so I can see what's happening. I want to duplicate so I'm going to click "Copy". Here's my fish's tail. I'm just going to move these pieces into alignment with each other, and that makes a pretty good fish tail. Now that I've got these pieces together, I'm going to select them and I'm going to join them, so I'm going to the Pathfinder. You can get to that by choosing Window and then Pathfinder, but I have it open here. What I want to do is to unite these, just put them together into a single shape. I'm going to move them over my fish. Now the smart guide to showing me that everything's lined up, so I'm just going to test it and make sure it looks good, and just work out where it's going on my fish. Once I've got everything nicely aligned, I'm going to select over both of these shapes, and I'm going to unite those two. I have a single shape that is my fish shape that has a black fill, and that's all. There's the basic shape for our fish. Now before we go any further, we're going to make a mask, and this is the trickiest part of this project. You want to get this right, so let's just take it very, very slowly. The first thing I'm going to do with my fish is put it in position here, and I'm going to select it, I'm going to choose Edit, Copy. What that means is that I have a copy of my fish on my clipboard. With the fish still in place, and I'm definitely not going to move it because that would be a bit tragic right now. We don't want to move it at all, we're going to the Transparency panel. We're going to click here on "Transparency". You can also get to it by choosing Window and Transparency. What we're going to do is we're going to make a mask, so we're going to click "Make Mask", and this is perfect. The fish is all disappeared, that's exactly what it should do. We're going to make sure that clip is selected, and we're going to click here on the "Mask". Then we're going to choose Edit, Paste in Place. What that's going to do is paste our fish from the clipboard right on top of the existing fish. We can't say anything here. Well, we can if we hover over it. Now, we're going to switch the colors here, so I'm just going to select over this fish and I'm going to make sure that it's filled with white. I've got my fish and I've filled it with white. Interestingly enough, everything goes black, but don't worry about that. That's exactly what it's supposed to do. Now, we're going back to our transparency panel because it's really important before we leave here that we, first of all, make sure that we've got what we need to have, which is a black fish on white here and a white fish on black here. But also at the moment I was still editing the opacity mask, you can see up here in the title bar, here for this image, it says opacity mask. Now you've got to get out of this opacity mask or you'll never be able to work on your fish. What you have to do before you leave here, is make sure everything looks like this. Then click this fish here, and then everything is perfectly all right. Now if your transparency dialogue doesn't look like this, now is the time to stop and go back and start again. You want a white fish here and a black fish here. Then click on your black fish before you leave this dialogue, and now everything is perfect and we're ready to continue to work with our fish. 3. Illustrator for Lunch Something's Fishy Part 2: Now that we've got our fish created and we've got our mask, we're ready to decorate our first fish. Let's just select over the fish, so we have it selected. We're going to get our appearance panel, which is down here. We're going to move it to where we can see it because we're going to use it all the way throughout this project. If you don't have an appearance panel down here, just choose window and then go and get it from the list here. It's called appearance. Right now, we can say that our fish has no stroke and it has a black fill. Let's click on this fill item here. You have to click on the fill because we want the effect that we're going to apply next to only affect this particular fill. We're going to choose effect, stylize, scribble. Now, what you should say is exactly what you're seeing on the screen here. Now is you should say, I scribble effect. We're going to make it 30 degrees in angle. Then you can go ahead and create any scribble effect that you like. You can make yours whatever you want it to be. Now I like a little bit of variation in mine, and the stroke width is one pixel, but I think that's probably a bit much because I'm going to crosshatch this. I probably want less width in my stroke than you might normally want. I might just increase this by a thing a little bit as well, and maybe a little bit of increase in variation, but probably not that much. Let's go back to a little bit of variation, but not a lot. You can play around with this dialogue. It's all fun from here on in. Now that I've got that, I'm just going to click "Okay". This means that I now have this fill on my shape that has a scribble effect in it. When I close this up, the scribble effect disappears because it's attached to this fill. That's critical. Now we're going to click on this and we're going to drag it down here to the new icon. What that's going to do is give me a second fill exactly as I'm right on top of the first. You can see that's docking things up quite a bit. Well, we're going to the second fill and we're going to click on its scribble because we want to change this effect only. What I want to do is to make this 120 degrees in angle, and that's giving me my crosshatch effect. Now again, you can do whatever you like here. This is open slather. Do whatever you like, make whatever choices you like here for your fish. These are just the choices I've made. I'll click "Okay". So far so good. We have a crosshatch fish, but we want to give it a tile and we want to give it a face. This is where this project is like really awesome because we're going to do it using a fill. Let's see how we're going to do it. We're going to just click here on add new fill. This adds a solid black fill over the top of everything. We've lost the scribbles temporarily. Let's make sure that we have this particular fill selected. Its one that you just added that makes everything black. With it selected, you'll choose effect and then convert to shape, and then ellipse. This is really interesting. You're going to really like this. I have preview turned on and I'm going to make size absolute. Look what happens. What we've done is we've converted this fill within our fish into a circle because this is a 30 pixel wide and high ellipse, which is basically a circle. We need ours to be a little bit bigger. I'm just going to make mine, well, lets tests 70 and 70. Yeah, that's pretty good for the fish's face. It's going to go over here, but I'm just measuring it where it is right now, so I'll click Okay. We have a crosshatch fish and we've got the fish's face. It's not in the right place. Let's go and get this fill here. We want to make sure that we're working on the black dot fill. We have it selected here, now let's choose effect, distort, and transform, transform. What we want to do here is we want to move this, so we're going to click preview to turn it on. We don't need any copies, all we need is to move it towards the front end of the fish. Let's drag on the horizontal option here. Yes, it moves, but you can see that we're out of room on this slider. Well, that's just illustrator because if you click in here and start pressing the up arrow key or type in a number, you can put whatever number you like in there. I'm actually pressing Shift and the up arrow key to move the circle all the way across so it covers the fish's face, and I'll click Okay. Well, that was a circle, but why am I not seeing the circle outside the fish's face? Well, the answer to that is this mask. The mask that we created is signed to illustrate a shovel is fills into this fish, but anything that goes outside the area of the fish, we don't want to see. It's basically a clipping mask buried inside the shape. By making our mask before we started, everything has scribble and has circle and anything else we do with this shape is all going to be constrained to inside this shape. That's what's working like this. We want another one of these circles, but this time we want it for the fish's tail. Just so we get a bit of practice with this, let's do it brand new. Let's go to add new fill. We could have made a copy of the other one, but it's worthwhile just getting a little bit of practice with this convert to shape option. This is our fill, this is our solid black fill, so we're going to target it so that the effect that we're going to create is going to be made with this. We'll choose effect, convert to shape, ellipse. Make sure preview is turned on and click size absolute because that means that we're actually making the size ourselves, we get to choose how big it is. I'm going to start with 70 by 70. For this, it looks pretty good, click "Okay'. Again, we need to move it. Again, we're going to target this one so we make sure that we're targeting the correct one, and then we'll choose effect, distort, and transform, and then transform. This time, we're going to push it in the opposite direction, but we want to make sure that we turn preview on first so we can see what we're doing. Let's take it in this direction. Again, we've run out of space in our dialogue, but we can just down arrow or shift down arrow to push our fish's tail out as far as we need it to be. When we get it in place, click "Okay". Now before we finish up, let's create the fish's eye. You already know how to do this because it's just going to be another fill. Let's click here on add new fill. Now this is a black fill, but let's make it pink for now just so that we can see it clearly and see exactly what we're working on. We need to make this fill into a fish eye size circle. With it selected, we will choose effect, convert to shape, ellipse. Again, turn preview on. We want it to be an absolute size. Now 36 is obviously going to be too big. I'm thinking more, something like 13 and 13 will be a good fish eye size. There it is there, I'll click "Okay". Now what we have to do is move it. Again, I'm making sure that this fill is selected, I'm choosing effect, distort, and transform, transform. Make sure that preview is turned on and we need to move it towards the front of the fish. We've run out of slider here. I'm just going to click in the box and I'm going to up arrow or shift up arrow to move the eye over. Now, I still think my eyes a bit big, so I'm just going to make a guesses to where it's going to go. I think I want it to be a bit further down on the fish's face as well, so I'll click Okay, but it's still a bit big, so I'm going back to my ellipse, I'm going to click on it, and that lets me make changes to the size of my fish eye. I've just brought it down to 12 and 12 and I'll click Okay. Now it's a pink eye, but I think our fish might look better with a different color eye. Let's just click in here, and let's go and change the fish's eye to for example, white. Actually, I think I'm going to go for a light gray. Then we have our first fish and were ready to go ahead and to create our other fish. 4. Illustrator for Lunch Something's Fishy Part 3: We can create the other fish for our project by just making a copy of this fish. I'm going to select this fish with the selection tool, and I'm going to Alt Drag a copy of it away, and then I will drag a second copy. If you're working on a Mac, that's going to be Option Drag. Now, I'm going to select all three fish because I want to space them out neatly. When I select them, you'll see that the align options appear here. The first thing I'm going to do is drop down this icon here to make sure that I'm going to align the fish to each other, not to the art board. So I'm going to click "Align" to selection. What I want to do is to make sure that they're evenly spaced apart, so I'll choose Vertical Distribute Center, and that's just going to make sure that they're nice and evenly spaced. To make sure that their tails are in alignment, let's just go and align them horizontally align left, and let's make to sure that they're nice and neat and tidy fish. Let's have a look at this middle fish because what we want to do is to flip it over, so we want it to point in the opposite direction. With it selected, let's choose Object, Transform, Reflect. Now, you'll see that it's reflected across the vertical, and that's fine. The problem is that its eye and its tail have moved a little bit, but we already know how to create those. So knowing how to create them means that we can very quickly fix them. So I'll just click "Okay". With this fish selected, I need to isolate the things I need to fix. Well, first thing is this eye. So let's just go and select the eye. What I need to do is to change the transform. So I'm going to this transform, and I'm going to move the eye in the opposite direction, making sure I have preview turned on so I can see where my eye is, and I'm just going to continue to move it. I've lost my preview. This is fed up. So let's continue to move it. I think by the time I line up the face, that's going to be in a pretty good position. So I'll click "Okay". Now, let's have a look and see what this one is. Well, this is the face or lips. So again, let's go to Transform. Let's turn preview on, and we want to move it just back a little bit. So it looks like the other faces. I think my eye might need a little bit of adjustment. So now, let's go and transform the eye again, just bring it back a little bit. Then let's have a look at that tail, which means this one's probably the one that's left, it's the tail. Let's click on "Transform" because we want to adjust the tail, click "Previous" so we can see what we're doing, and then we just need to push it out a little bit more, and make it match the other tails and click "Okay". So now, we've made two extra copies of our fish and we've flipped one of them. Let's have a look at our background. I can get rid of the appearance panel for now because I don't need it quite so visible from scope of our back into position. We're going to add a background using a rectangle. So I'm going to click here on the Rectangle tool. I'm going to draw a background all the way across my illustration, and it's filled with solid black. Now, to get our rippled ocean look, we're going to use the pattern. So I am going up here to the Swatches palette, and I'm going to click here on this icon here, this Menu icon. I'm going to choose Open Swatch Library, and I'm going to Patterns, and I'm going to Nature, and I'm going to Nature_Animal Skins. These patterns are given to you in Illustrator, so you will have these. Just go to Open Swatch Library, Patterns, Nature, Nature_Animal Skins. Now, there's a pattern here called Tiger, and I'm going to use that. This is the Tiger Pattern. Now, at the moment, it only looks half-like waves in the ocean. One of the things that we need to do is to rotate this so that it goes across the illustration, not up and down. With our rectangle still selected, I'm going to choose Object, Transform, and then Rotate. What's happened here now is that my shape and my pattern have both rotated. I don't want to rotate my shapes, I'm just going to deselect this option. I have preview turned on, but you can see now that what's happened is that by rotating 90 degrees, my pattern has rotated. So now, it looks a little bit more like waves in the ocean, so click "Okay". What we want to do next is to move this below the fish so we can see it in place. So I'm going to click "Open the Layers" option here, the Layers panel. You can get to that by choosing Window and then Layers. We've only got one layer in this document. But when I open it up, you can see that we have a rectangle and three fish. The three fish are on these paths. We're going to grab this rectangle, and I'm going to drag it all the way to the back. Now, I could have used Object, Arrange, and used Sent to Back. But I'm just want to show you that you can also do that with the Layers panel. Now, we have a few problems here. The fish are see-through, but that's going to be easy to solve in a minute. But let's deal with the fact that ocean right now is brown. Buried inside Illustrator, are some color editing tools. With this rectangle selected, I'm going to choose Edit and then Edit Colors, and there's an option here for Convert to Grayscale. What that's going to do is make my pattern grayscale. There it is, a grayscale pattern, much more like what we want for our fish illustration. Now that we've done our background, we're ready to solve the problem that our fish are little bit see-through, and we're going to do that in the next video. 5. Illustrator for Lunch Something's Fishy Part 4: To solve the problem of I'll say throw fish, we're going to take the Selection Tool and we're going to select on this first fish. Let's go to the Appearance panel. The problem with the fish is that everything that we have in the y of fills that is across the fish's body is a scribble effect. Here are the two Fills that affect the fish's body and they're both filled with scribble effects, so what we need to do is to put something behind that. We need to fill the entire fish with a color and put everything behind the scribble effect and behind the face and the eye and the tail and life is going to be good. Let's go here and click "Add New Fill." For argument's sake, let's just use the Fill of what we've got here is a pale gray that I selected for the eye earlier. But you can always come here and click on another color to make the fill whatever color you want fill fish. You can say that this fill is at the very top of this fish and that's the reason why it's covering up everything underneath, to put it behind everything else we're just going to grab it and just drag it down. We want to drag it down underneath the last fill, which is one of those scribbles. When we get it, then we're just going to let go. Now you can say that the fish actually has a background color. We can go and do that for the other fish as well. Add a Fill, well, this hasn't come in the correct gray so I'm just going to go and grab a gray for it and then drag it all the way under every other fill. Let's go to this fish and do the same thing. A New Fill, pick it up, drag it under all the other fills. When we click away, you can say that they fish are having a little bit of difficulty being seen inside the ocean. Well, we can solve that a couple of wise. One of them is that we could actually add a stroke around our fish. Let's click on the first fish, and we already have a stroke here, it's just that it's not stroked with anything, so let's go and get white for our stroke color. Let's make it, for example, a three-point stroke. Now, the three-point stroke just have a look at it away from the fish, it's only stroking body and it's not stroking the face and the tail. The reason for that is it's buried here, way down low inside the fishes appearances. It's underneath the face and the tail and the eye, so all we need to do is to go and grab it and drag it to the very top. That will put it over the top of all the other objects on the fish. Let's go on say that again on this fish. We'll go and add a stroke, so we're going to go and add a white stroke, we're going to make it a three-point stroke. Then we're going to pick this stroke up and we're going to put it above absolutely everything else so it surrounds the fish. We'll do that on the last one, so that's looking better. To finish off, let's go to our rectangle, so I have my rectangle selected here, and I'm going to choose Object, Transform, Scale. What I want to do is to scale down the fill, so I have Preview turned on here. I want to make sure that I have Transform Objects turned off and Transform Patterns turned on because what I want to do is to make sure that I transform the pattern and not the object. At the moment, I haven't set to 70 percent, but just let's take it down a little bit. I'm thinking it needs to be pretty small here, so I have it set now to about 39 percent and I'll click "OK. " There we have a black and white version of our fish image. If you want to go a little bit more colorful, you can select the first fish and got back to the Appearance panel. Now, my Appearance panel appears to have disappeared, so let's just go and select it. We know that down he is the Fill that is controlling the fish's color. Well, we can just drop down this panel here and add a color to it. We'll make a red fish. Then let's click here and we'll make a green fish. Then let's make, for example, a bluefish. Let's select this one. Again, we're just going to change its color to a blue color. Your project here is going to be to create your own three fish. You're going to create your musk using the Appearance panel and then you can fill your fish with all scribble patterns, you can fill your fish with color, you're going to create the fish's face and it's tail and it's eye. You're going to flip one of the fishes and sort out the problems with some of the objects inside the fish not flipping with it, and then create a background from that tiger pattern. I'm Helen Bradley and I hope that you've really enjoyed this episode of Illustrator for Lunch, something's fishy. This Illustrator course was jammed full of tricks and tips for the Appearance panel. I feel sure that by the time that you've finished this project, you're going to have a real appreciation of what the Appearance panel can do and just some of the potential for using it in your illustrations. Please if you like this video, give it a thumbs up so other people know that this is a video series worth watching. Also look out for other episodes in my Illustrator for Lunch series, and I'll look forward to seeing you in another class another day. 6. Bonus video on rotating and scaling fish: This is an additional bonus video for this class because there has been a question as to how you can rotate these fish once you've created them. Here in the last panel on my fish, and so let's just locate this topmost fish, which is this one here. I'm going to target its little icon here to select it. If I try and rotate it with for example "Object", "Transform", and then "Rotate". Let's just rotate it around about a 135 degrees and click "Okay", you will see that there are some problems with this rotation. Let me just zoom back out and we'll see that the head of the fish and the tail haven't rotated correctly, so this is obviously not going to work. I'm just going to undo this by pressing Control or Command Z. With this fish shape still selected, I'm going to draw a couple of things. First of all, I'm going to make sure that the mask that is associated with the fish is actually going to move with the fish. I'll go to the Appearance panel, I'll click here on the "Opacity" option and just make sure that this icon here is gray. That means that the mask and the fish are going to rotate together, and that's really, really important. I'll make sure that it looks not like this, but it looks like this. Then we'll go back to our last panel, back to our fish and will choose "Object" and then "Expand Appearance". Now, you're going to say the Scribble Effect. I just want to turn off the background here and you can see that we're seeing the selection around the Scribble Effect. But that's only temporary because of my click away from the shape, everything looks as it did originally. When I turn the background on, you can say that there's no change in the fish having expanded its appearance. Let's go back now to our group and let's see what we can do with it. I'll choose "Object", "Transform" and then "Rotate" and we'll go back to our 135 degree rotation, so this has rotated through this 135 degrees. You can save that with the Preview turned on. The fish's head and tile are going to work just perfectly. I'll just click "Okay". Now, the other question that people had was that they scaling wasn't working. If they were trying to adjust the size of the fish, it wasn't working. Well, this is how you make sure it's going to work, you'll choose "Edit" and then "Preferences" and "General". Now, if you're on a Mac, you'll do that through "Illustrator," "Preferences", "General". The general area here you are looking for this option Scale Strokes and Effects. We want that enabled because that means that the Strokes and the Effects that are applied to this fish are going to be scaled when we re-size the fish. Let's just click "Okay", let's go back and target our fish. I'm going to make sure my handles are visible, they are here. I'll hold Shift and Options so that I can just scale my fishing, so it's much, much smaller, and I'll just move it over here. Let's move it to the top of the layers so that we can say that this fish is working just perfectly. It has scaled down and it's scaled in proportion, and it's been able to be rotated. If you're having problems with this, just follow those steps. You're going to select the fish, you're going to make sure that the Opacity mask that is associated with the fish is actually linked to it so that it will rotate. When the fish rotates, you'll choose "Object", "Expand", "Appearance" to expand it. Then you should be right for rotating the fish and scaling the fish provided of course you double check to make sure that your preferences are set to this Scale Strokes and Effect. If you have more questions regarding the fish and adjusting the size or rotation of the fish, please don't hesitate to ask the question, I'll see what I can do to help.