Wand-erful Witch: Draw a Magical Pastel Character in Procreate

1. Introduction: Hello, everyone. I'm Uni, and in this class, we are going to draw this cute cow why illustration of an adorable pastel wich girl in procreate. During this class, you'll get familiar with a lot of useful features like symmetry tool, liquefied tool, recoloring with reference, clipping masks, and blending modes, and learn the basics of drawing in procreate. By the end, you'll not only draw an adorable illustration you'll be proud of, but also feel super confident using procreate. And now let's spend some time drawing. 2. Preparations & Guiding Lines: Let's begin our class firstly by deciding what kind of canvas we're getting sing. Today we're using a standard square canvas from Procreate with our Pixel Weed and Pixel heats at 2048 pixels. DPI are set at 300 and color profile is set aSRGB with this loan number. When it's all done, let's get done. Let's get to our new canvas, and let's begin our preparational part. So firstly, to have all the materials that we will see throughout this class, please go under the project reso Sap and download everything. And when you have done it, let's go to our brush library. We will go to this brush that you downloaded with the title Dow flat Pencil, and we will select. When you have the selected, let's go to our layers. We'll go to the background color layer. We'll go to the color palette that you download. We'll go to the palette right here onto the bottom and we also will go on the cards to see the colors names. Now, let's select the color with the title background and we will change the color of our background. Now when we did this, let's go to our actual color palette, you can go under this color palette that you downloaded under color palette right here onto the bottom and under card, and we will select the first color to help us with creating our little guiding lines. Let's go and select this red color right here. Now, when we did this, let's do one more thing by going to the Range icon over the top plat. We'll go under Canvas and we will toggle drawing guide. We will need to have these cells, but we will need to start everyone from the same place. Let's go to eight drawing guides, and we will go and set the grid size to 65 big cells. When we have the results like that, let's hit down over our top right and let's begin creating our little guiding lights. Firstly, we'll go over the top and we will count down to 2.5 and we will create a straight line going through the whole canvas. Hold your Apple pencil at the end of the line and hold one of your fingers onto the screen to make the line straight. Now when you have this line, straightaway, let's go to the top and we will write down hat, so we will know what we will use this line for. And when we have this line here, let's go and deal with the bottom part. Again, counting 22 from the bottom and creating our straight line right here. Hold your Apple pencil, hold one of your fingers on the screen. If you see that you missed the line, you can lift up everything and go to the spooked up option line right here and then hold your Apple pencil at some link space and move the line to where it's supposed to be. When you are done, just tab on the screen to accept the changes, and let's go and write down bottom right here underneath this bottom line. So when we have the line for the bottom part, we will go and deal with this area that we have inside. Firstly, let's go and count to seven from the top to create another line. One, two, three, four, five, six, seven. We will count to seven, and we will go when we have this markdown to the opposite side with our straight line, and again, holding everything that we need to hold to create a straight line. Let's go and try down head. When we have the line for the head, let's go underneath it and we will need to create another line for the chin. Let's go from this line that we've created for our head and we will again count to seven. One, two, three, four, five, six, seven, create an L markdown and again go into the opposite side with our straight line. Holding everything that we need to hold, and then let's go and try down chin right here over this line. Now, when we have the chin, we are done with the top part of our illustration. So let's go and deal with this bottom part. Underneath the chin, we will need to have the line for the waist. So let's go and count to four from this line of the chin. One, two, three, four, Make a tal markdown and go into the opposite side to create our straight line. Holding our line, holding our Apple pencil, and writing down the waste right here onto this line. Now when we have this wasteland, we will go to the area that we have on the bottom, and we will need to again, count to six from this line that we have for the waste to create our last line. One, two, three, four, five, six, making a little markdown and going and creating our straight line, going to the opposite side. Hold your line, go and write down skirt right here onto this line. Now when we have this line, this is our last line that is supposed to be horizontal. Let's go and create one last line of our guiding lines. That will be this time vertical. We will go from the left and it doesn't matter if you go from the top or to the bottom. We will count 215 from the left. Let's go and do this. When you found the 15 mark, we will go and create a straight line the same way as we did on the horizontal axis. So go and holding everything that we need to hold and when we have doors out like that, we are done with our guiding lights. Let's go and do the following. We will go to our layers. We'll go to this layer where we have our guiding lights. We'll tap onto the icon, and we will adjust the opacity to the level that will be useful for us. We will need to see what's happening here onto this layer, but it doesn't need to be very bright. Find the level that works for you. When you are done, tap onto this layer to close this window and then we'll tap on the plus icon to create a new layer on top. Now when we have the results like that, we are done with the guiding lines, so let's move on to our next part. We we'll create the basic scheme for our future illustration. 3. Basic Scheme: Let's begin this part firstly by going to our color palettes and we will select some contrast color. So for example, the dark profile. Now, on this new layer that we've created, we will go between the lines of the head and the chin, and we will go right here to the middle and with one line, create a shape of the circle. To make sure that it is a circle, firstly, we are holding our Apple pencil at the end of the line, and also we need to hold one of our fingers on the screen to make sure that it's a perfectly rounded circle. If you need to adjust the size of your element while you are holding erythin, move your Apple pencil from side to side, find the size that works for you, so it will need to fit this area that we are right now at. And when you have the size and everything done, let's lift up erythin and let's move the shape slightly towards the center. We'll go to the booked up auction circle on the top. We'll hold our Apple pencil and we will drag this shape so it is in the middle. When you have the result like that, let's tap on our layer to accept the changes our canvas, actually, and we will go and continue creating our additional guiding light. So firstly, let's go toward the line that we have for our head, and we will go from the central line, the vertical one, and we will count to three right here, and we will make a little markdown right here. So when we have this markdown, we will go and start making other markdowns right here to create the actual head. So firstly, let's go toward the line that we have for our head, and we will go from this line to the last from the middle line and we will count to three. Now when you have it, we will need to go towards this line and we will go and count to five, one, two, three, four, five, but also we want to create a bit of the til tread here. So we will need to move this line slightly down. So let's go two or even three little excels down, so we will create a line like that. Now when we have it, let's go and connect all of these lines together, creating our lines the same way as we did before by holding our Apple pencil at the end of the line. And when we have the result like that, we have the future hat right here on our canvas. Now when we have the result like that, let's continue by going toward this area between the chin and the waist and we will create some of the future body right here. Let's go toward our middle line as always, and we will count to 2.5 from both sides right here onto the line, and we will make two marks down right here. As for the bottom right here, we will go to two points and we will again create the markdown and when we have these markdowns, we will go and create the guiding lines like that. So when we have this future body shape, we will go and create the future shape for the skirt. So let's go to this area that we have right here for our skirt, and we'll go to this line on the bottom end from our central line, we will count to six. So let's go like three, six, and we will do the same onto the opposite side, three and six. And we will connect these lines together with our straight lines like that. So when we have the results like that, we have our future skirts. Let's go and work on our legs right here. So for the legs, firstly on the top, we will go to this line that we have for the skirt and we will count to 1.5. So we will create another markdown right here. As for the bottom, firstly, let's go to the bottom line and we will step from the bottom one cell up, creating a little markdown like that, and also one step from the central line, and we will create a guiding lingon in that way. So now when we have this line, we will go to the 0.3 right here, and we will create another guiding line like that. So later on we'll create a little boot right here. Now, as for the second leg, let's go again to the top line right here, and we will again count to 1.5, creating another markdown right here, and as for the bottom, we will need to go to the four point. Again, let's step one cell from this line, and we will go with the little markdown like that. So again, connecting our lines like that and creating a straight line. Now, when we have the shape like that, let's go and deal with our little arms right here. Firstly, we will go toward the left side. We will go to this markdown right here on our body, and from this markdown, we will go slightly down. So we will again go and count to 1.5. So let's go toward this line right here and make a little markdown like that, and then we will go towards the side. So we will go right here to the left, and we will need to count to five from the central line. One, two, three, four, five. Let's make a little markdown right here, slightly lower than this shape, and we will create the straight line like that. Now when we have it, we will go towards the area right here and as we will create the girl that will be holding something into the hand, we would want to create this hand shape right here too. So let's go towards this area right here, and we will count to eight from the central line. So let's go run two, three, four, five, six, seven, eight. We will make a little markdown right here. And as for the length right here, we will need to go four cells up. So we will go and create the little markdown right here. So let's go and create this line here. And when we have it, we will go to the opposite side and create another shape for our hand. So one more time, going toward this markdown right here. At our shoulder or something, and we will go one more time, 1.5 cell down. Creating a markdown right here and then we will go towards the error right here onto the bottom. We will have the loose hand right here, loose arm, and we will go from this line of the waist and we will count 23 right here. One, two, three. Let's make a little markdown and we also will go from the shape that we have right here and we will need to count to two. The markdown that we have right here is the right. And connect these T shapes like that with our straight line, and when we have the results like that, we have the basic scheme for our future girl. When we have this scheme done, let's go to our next part, where we'll create the actual sketch. 4. Girl Sketch: Head & Body: Let's begin this part firstly by going to our layers, and we will go and reduce the opacity of our layer with our scheme. So let's tap onto the end icon and move the slider toward the lot. Again, we will need to have something not that bright. So when you found the level that you prefer tap onto the layer and create one more layer by tapping on the plus icon. Now, when we have this new layer, let's go to our color palette to select a different color. So for example, we can use the same color that we use for our guiding lines, it was this red color. Now when we are all prepared, let's start by recreating the shape of the head. So firstly, we will go towards this area, we zoom in our canvas and we'll go toward the left side to this little tip right here, and we will turn it into a straighter line. Let's go and create something like that. When you have it, we will go and basically we will repeat the shape that we have for our shape of the circle. If you want, you can go and maybe move this line slightly down so we will have no that lifts up check right here. Go along the ship and creating a similar shape to what we have on our sketch. If you need to adjust something, you grab your eraser and erase the parts that you don't need. Now when we have this basic shape, let's get back to a brush if you were using your eraser and let's go and work on our facial features. For the facial features, firstly, let's go from the bottom from the sland that we've created. We will go two cells up and we will go a little bit down from the two cell point. Let's go to something around 1.5. When we have this little marking down, we will go to the left side and we will start to create the mouth like that. You can go with a more rounded shape with a more open shape, maybe with even different shape right here, it's up to you. Create a very soft smile like that, and when you have the result that is looking like a mouth, let's go and create a little nose. For the nose, we will go to this little area a little bit higher and we will create just a dot like that. Now when we have the dots for the nose, let's go and deal with the ice. So for the ice, let's go on the same level where we have our nose, so the same cell, but we will move slightly toward the right first. Let's begin with the right part. We will go one cell to the right from the central line, and we will go and start to create the shape that will look like an p. You can go with a bigger shape with maybe smaller shape if you prefer with different shape, again, if you want to create the shape like that, and when you have it, let's go toward the top part and we will create a little cat win like that, some kind of eyelash right here. When we have it, we also can go and map out that later on we will create some kind of the highlight right here, so it will look not that scary. When we have the result like that, let's go to the opposite side and create the second eye right here. As we are creating a bit of a tilt onto our hats, we will position it a little bit differently. So this time, let's go to the line that we have right here. Again, we are using our ls to map out everything. We will go to the same line that we have for our first eye, and we will go slightly higher. Let's go and make a little markdown like that, and we'll create the similar shape, the similar size onto this little. So let's map out what we need to create right here. Again, trying to create this eye size wise, similar to what we have onto the opposite side. So if you need to look at the previous shape right here and match it with this one that you're creating right now, go and do what you need to do. And when you have the shape one more time, going over the top part and creating this little eyelash right here. Now when we have the result like that, if you see that you can go and maybe erase some lines, so it looks similar to what you have onto the opposite side, go and do that. And then let's again go and create this little highlight over the top, go onto the same side that we have the first highlights on and create a similar shape onto the opposite side. Now when we have the result like that, let's go and work a little bit on our eyebrows. For the eyebrows, let's go first or the left side, we'll go slightly higher and create a little shape like that. As for the opposite side, let's go right here, again, slightly higher than our eye and create the similar shape right here, but slightly lower. Now when we have the result like that, let's go and start working on our hair. Basically, we'll start with the fringe right here. So for the fringe, let's go slightly higher than the shapes that we have for our eyes. So we will go and create the shape like that. Let's start from the middle part and we will go higher and create the basic curve like that. Now when we have it, we will go and we will need to create some kind of the shapes that will look like a fringe. We will start to create the triangular lines going in that way. When you have this first triangular shape, let's go maybe slightly higher with it. Again, right now we are creating a sketch, we are mapping out everything so it doesn't need to be perfect. Let's go towards the right part and create another very soft curve right here. Going like that, maybe going slightly lower. You can always take a look at your illustration from the distance to decide whether you like what you are creating right now or whether you need to go and maybe aja some parts, make them slightly differently. Go and create this curve and when you have it, we will go toward the opposite side and we will create the line that will go to the opposite side too. Let's go from here and create another shape that will look like a triangle right here on the top, and we will go with something like that. Now when we have these parts, let's go and work more our head right here to finish up with the top part of our illustration. We have this guiding line right here as our trianra. Let's go and elongate it. Lonate and creating the similar ship right here, going slightly outside the ships. And when we have the result like that, let's go and create the top part that we will have right here. Let's first map out where we will want to finish up, creating our bottom part of the head. Let's go from our middle line that we have right here and we will go and count to five right here, on the left. And as for the right, we will go and deal with it a little bit later. When we have this five point, let's go and elongate our line slightly to this point and when we have it, we will go and continue creating our head by creating a rounder shape going inside the sheet. So for now, let's map it in that way. And when we have the result like that, let's go and work on this line. We will go slightly higher than this line and we will create the curve inside this very straight line. So very, very soft curve like that. Now, when we have it, we are ready to finish up this part. So we will go slightly higher than this line that we have as our bottom part, and we will create, again, rounder shape like that. Let's go with something like that, and if you need to go grab your erasa and erase the parts that you don't need, go and do what you need to do right here to clean up your sheep. So for example, let's go with something like that for now, and again, if we need to fix something later on, we will go and fix it later. When we have the result like that, let's go and finish up creating our top part of the heat, and we will do it very easily by continuing to create this shape in rounded element ratio. So going down with another curve and creating the rounded shape like that. Now when we have the result like that, let's go to this line that is our headline and from it, we will step a bit, one cell on top, and we will have the bottom part of our heat right here. Let's go like that and create the sheep that will go up and we will have the tip of our heat right here. Create the curve like that firstly and then let's continue creating our shape right here and connect it with our top part. Creating a very, very soft tip like that. Now when we have the result like that, let's finish up creating this part. Again, going toward this line and again turning it into a very soft curve instead this very straight corner. Going like that and creating line, going slightly higher than the sheet that we have right here as our tip and then connecting everything in that way. Now when we have the result like that, let's go toward this part and we will go and finish up creating our actual shape for the hat. From this shape that we have for our hat, let's go and count two, three, and when we have it, we will go more toward the right, and we will finish up creating the shape that we have right here. Doing basically the same thing as we have onto our left and creating this rounder shape for our bottom part of the hat. Again, if you want to maybe go to the opposite side to match it with this side that you're working on right now, go and do it and when you have it, let's go toward the top and create the continuation of the hat in that way. Again, trying to make it similar to the opposite side. Again, remember that now we are mapping out everything that we would want to recreate later on. And if you have some extra lines, go and erase them with the help of your eras right here. And when you have the result like that, let's also go towards the top part right here. Where we have these intersections between the bottom part of our hat and this sheet that we have on the top, we will step slightly higher and we will create some kind of the line like that. So when we have it, we will continue by going toward the bottom and creating some shapes that will look like hair. So let's take a look at everything from the distance, and maybe we will fix this part of the hats on the right. So work with your brush, work with your erasa and create the shape that will look nice. Try to make it similar to the shape that you have onto the opposite side too. So now when we have the results like that, let's continue by going to the sides and working onto our hair. So firstly, let's go probably to the left side and we will create the hair here. So we have this little shape right here onto the top. Let's go to word our hat. So we will go to this line that we had as our guiding line, and we will go and create the little shape like that. Now when we have the shape, you can go and maybe work more on it and create the more rounder shape, it's up to you. When we have it, we will go and create a little deep, and then we will go and continue creating the shapes that we will use for the hair. Firstly, you can go and maybe map out what you want to have right here. So something curly, probably maybe something going slightly higher than the shape right here. And then we can map out after we've mapped out, we can go create the cleaner lines, the cleaner look for everything that we have right here. First of all, let's go and create the basic shape. For example, going up, going inside, going slightly down right here. We will need to go and finish up, creating our here right here underneath this line that we have for our chin. So when we have the results like that, let's go and maybe create the cleaner shape by using our eraser and our brush and creating the overall look like that. So when we have the shape like that, let's go toward the opposite side and create the hair here too. We will go to the shape that we have for our head first and we will go slightly inside the shape and we will start to create the hair right here. Let's go with the first curve like that and then again, mapping out what we want to see right here. So for example, let's go with something pretty curly, and we will go toward this line, toward this intersection that we have between our shoulder and our arm right here. So basically going toward the arm. So going like that and starting to maybe create some lines like that, starting to add some thickness toward the element. So creating the parallel curve toward the right here and finishing up with these shapes onto the bottom. So when we have the result like that, we also could go and add the additional elements as the ear. So for example, let's go right here where we have this little dip and we will create a little ear right here, maybe slightly smaller shape because we don't want it to look too weird. Now when we have the shape for the ear, let's go and continue creating our shape for the here. So going slightly towards the side right here of our head and starting to create again, mapping out the shape that we want to have for our hair. Starting with some curls like that, and we will want to finish creating our hair somewhere closer to the line of the waist. For example, let's go and map out half of this area right here, and this is going to be the bottom part of our hair. Let's go and continue creating some curls and create something going in that way. So again, right now, don't pay too much attention, create the basic shape that you would like to see for the hair. If you see that you could go and maybe erase some lines that are overlapping or the lines that you don't want to see right now onto your screen, onto your skage. Go and erase everything that you don't like right here. And when you have the results like that, let's pay closer attention to the connections where we will need to have the hair right here onto the top. Between our head and the hair, and we will go and start to figuring out what we can fix right here. So when we have the basic shape for our hair like that, let's go and work on our body parts. So firstly, we will go towards the chin area and we will go underneath it right here at the middle line, and we will go down with two little lines like that. So this would be our little neck. So now when we have the neck, let's go and create the shoulders and the parts of our little dress right here. So firstly, going towards the sides after we've created our neck and we will go and create the very rounded shape like that. So let's go toward this element that we have for our shoulder, and we are creating the shape like that. Going towards the he parts and creating a very rounded shape like that. Now when we have it, we will go slightly down and we will start to create some kind of the ruffles right here. Going inside the shape and starting to create the shapes like that. Let's create three of these elements, and then we will go closer to the shape that we have right here and we will create a rounder shape right here too. So instead of this very straight lines that we have in our sketch, we will create the rounder shape right here, maybe not that rounder. So work a little bit onto the line, and when you have it, let's finish up creating our sleep right here by going to these little ruffles that we've created and we will go and create one more layer of them. Again, going right here to this area and starting to create three of these elements right here. Let's finish up with the shape going in that way. Take a look at everything from the distance to see whether you like the result or not, or maybe you want to clean up some lines that you have for the here, for example, or match it nicely with the shape that you creating for the ruffle and for the overall shape of the sleeve, you can figure out it on your own. When you have the result like that, let's go towards this little line and we will continue creating our shape for our dress right here. Let's go to it. Again, we will go and create a slightly rounder shape right here going toward the opposite side, creating the very nice shape for our middle part of the dress. When you have it and when you cleaned it up with your eraser, let's go to the opposite side, and again, we will create a sleeve right here. Firstly, let's go and create a little ship that later on we can turn into the lapels. So what we need to do right here is to create a little line like that that will be some kind of similar to what we have right here. We can actually go and create the little ship right here, too. So let's create a smaller shape like that. And we will use our eraser to create some kind of bump like that. We will go toward the opposite side one more time. We will continue creating shap. So when we have it, we will go towards the sleef area and we will start to recreate the same things that we have right here on our left. So let's go toward this area. We will need to go to the line that we have right here, and we will slightly go higher from it. So let's go and make a little markdown like that. We will go slightly higher to recreate firstly this part. We will need to save the space for this bottom part of the ruffles. Let's go and make to mark down right here. Then we will go toward the ship that we have for our body right here and we will go slightly toward the side and start to create the ruffles here too. Going like that and starting to create three shapes and don't forget that we will need to have the shape right here on the top, so it will be a continuation of our sleeve. You can go and start to map it out alone the shape that we have for our hair and then later on, we can use our eraser to erase this part that we don't need, so we will have the nicer shape right here, the nicer look for this overall line and nothing not too weird. If you see that maybe you can go and benefit by removing the shape that we have for our hair or if you want, we can go and maybe try to create it in a different way, so we will have a nicer look right here. For example, let's move it slightly towards the left and we will have more space right here for our little shoulder. When we've moved it slightly toward the left, we will go again and repeat the same things that we had before. And we can go and if you want to move this line slightly to the side, we can go and do it in a different way. So we will go to the ribbon icon. We will use the free hands method, and we will go and select this area that we have for our hair like that, fully selected. And when you have it selected, we will go to our okey. We will use Uniform method, and we will drag the shape slightly towards the left side. So now we have a nicer shape for our hair and also our ear doesn't look too weird. So when you move the shape and when you are satisfied with the placement for it, let's go and tap onto the first option that we used. It was our exurban icon, and let's continue working onto our sleeve. So let's go again toward this bottom part. Let's go and work onto the overall shape of the sleeve right here and create something in that way. Again, if you want to clean up everything that you have right here for the hair and also for the sleeve, you are welcome to go and do what you need to do right here. So now when we have the results like that, let's finish up creating this little part, the ruffle part on the element. We are going slightly towards the inside part of the shape of the little sleeve that we have and creating the same thing as we have right here on our left. Now when we have the result like that, one more time, take a look at your illustration from the distance, decide whether you want to fix anything or if you are satisfied with everything as it is right now. Let's go and work on this area right here. We will create a little boo. Firstly, let's go to these little bumps that we've edited at the end, and we will go from them toward the middle part and create a little neck cut like that. You can spend some time here and figure out what you want to have right here. Maybe you want to create not a triangular, little cut right here, but something different. When you have the first lines, let's go and create two more lines right here where we have the ends of our bumps and when we have it, let's go toward this middle area and we will create a little steroid here. So for the star, firstly, let's move closer to our left side and we will create the star gone in that way. For now, let's go like that, map out what we want right here. And when you are satisfied with the size of these elements and with the position of these elements, let's turn it into something more cute. So we don't want to have these very angular pointy little shapes right here. We want to turn them into a very cute star, and the cute star will have the very rounded elements. So for now, we are working with 14% of the size of this brush, so you can go and tap onto this checkmark, the slider thing right here, and you will have this little window. You can remember the size that you are working on right now. So you will need to tap onto the plus icon right here, and then let's go and make it slightly smaller, and we will work precisely onto the shape of our star. So let's go over the lines that we have right here and let's soften up the overall look of our star by turning the straight corners and very pointy angular things right here into a very nice and cute looking star. We also can go grab our erasa and erase the parts that we don't need, go with a bigger size of the eraser with a smaller size of the erasa to see clearly what you are doing and whether you need to go and maybe adjust some parts or notes. Figure out what you want to see for the star right here. Maybe we will go and create these little parts in a smaller way and again, working with our brush, working with our erasa, creating a very cute look for this element. Again, take a look at your illustration from the distance and decide whether you want to adjust it in any way or if you for now is satisfied with everything here. If you are satisfied with it, let's go and create the actual shape of the bow. Firstly, go toward the right part, again, with a smaller size of the brush if we want to and going toward the top and starting to create a very rounded shape like that. When we have it, we will go towards the middle part that is supposed to be a middle of our bow and we'll make a little deep right here. When we have it, we will go toward the bottom and we will finish up by creating the second part of our little bow. So again, create it in a nice way in a very rounded way. When you have it, let's go toward the opposite side and create something similar here. So again, starting by going to the top and creating a rounder sheep. Again, don't worry if it doesn't look too good right now, we can fix everything when we are done with creating the shape. So for now, mapping out what we want to create right here for our little bow. And then we can create it in a nicer way. Create the basic shape and then maybe we could go towards the two parts and we can turn them into a more triangular shapes, still rounded, but a little bit more triangular. Let's work with our brush and with our eraser to create the ships that will look nice right here on side this illustration. When you are done with the basic sap, again, if you want to fix something, we can fix it later for now map out what you want to see right here. For example, we can go with slightly bigger sheep right here onto the top of the star, so we fill the area right here with some elements. When you are satisfied with it, let's go toward the middle parts of our bow and we will create some of the little shapes right here that later on we will recover differently. When we are happy with it, let's go toward the bottom part and we will create the loose ends of our bow. Let's go from the middle of our star toward the site. We will first create two very three lines like that, and then we will add some thickness to them and finish up everything by creating the lines like that. Let's go toward the opposite side here too. Let's try to remain the same thickness for this element and create the element going in that way. One more time, take a look at everything from the distance, decide whether you want to maybe adjust something, maybe you want to try out something else, maybe add more thickness towards some areas right here. Maybe you want to work more on the boo or on something else, go and do what you need to do to create a nice look for this element. And when you have the result like that, let's go and continue working on this little part because we will need to finish up creating our body. So now when we have the result like that, let's go again to the previous size of 14% of the brush, and let's work on the skirt. So for this skirt, firstly, let's go toward this line that we have right here, and we will create a little curve like that. A very even curve. You can hold your line at the end if you see that it's not too even. You can go toward this edit mode on the top end, adjust your curvature by moving the nodes that you have right here. You can go and maybe make it slightly smaller, position in the center. Go and create the nice curve right here that will be the bottom part of our actual skirt that we are going to be creating right here. Don't go too high with these nodes that you have on the sides. And when you are overall satisfied with everything with this general look of the bottom part of the square, tap on the screen and let's go and work on the overall look of our skirt. Let's go to the line that we have as our triangular shape and we will go and turn them again into something very, very soft right here. Let's go to where this intersection and create a nice and soft curve like that. And doing the same onto the opposite side too. If you need to rotate your canvas to create this line and do that, we are not going with this curve to the end part of our skirt. So we are trying to have some space right here. And when we have the result like that, let's go and create the peculiar shape for our skirt. We will go and firstly create the rounder element like that onto the bottom, and then we will go along this line that we've created on the bottom, and we will create peculiar little patel shapes. Let's go like that along this line, and we will create a couple of these details right here. Following the direction of this line that we have created on the bottom and creating a couple of these details right here. Again, to finish up with everything, we are creating half of this element right here on this side. And now take a look at everything from the distance, decide whether you want to go with the small elements like that, or maybe you want to go and turn them into something bigger. So for example, we can go and maybe create not so many of them, so we will have less details to recreate later on. So let's go with our eraser, for example, and see how it will look with the smaller amount of these elements. So for example, let's go and create four of them right here inside the bottom. So for example, let's go with something like that. We can go with our eraser and erase the parts that we don't need right here. If you want to work more on the bottom part right here and erase this line that we don't need, go and clean up your illustration, your sketch part right here to see clearly what you are doing and whether you like it or not. So when you have the result that you like, let's go towards the areas that we have right here onto the side and we will need to create some kind of the back part of our skirt. We will go right here and we will create one more little detail like that. Now when we have the result like that to finish up with our skirt, let's go toward this little line right here, and we will go with two little curves on the sides. 5. Girl Sketch: Legs & Arms: So now when we have the result like that, let's go and deal with the legs firstly, and we will do it in that way. We will go to the left side firstly. We will go slightly toward the side from this little guidance line that we have right here. So some kind of one cell or slightly smaller than one cell, and going like that and creating two parallel lines like that. To finish up with the second leg, let's do the same thing here, following the direction that we have on our guidance line and creating the line in that way. When we have these two little elements, let's go and work on our little boots or some kind of the shoe right here. So for the shoe, firstly, let's go toward the bottom to this little line, and we will do the following. We will go and go in slightly higher than the oral shape right here, and we will create the rounder shape like that. So when we have this rounder shape, kind of create more flat shape onto the bottom, and then we will finish up everything by creating a little shape for our heel. Let's go closer to the shape that we have for our guiding line in the center. So going like that with the hell part and then going toward the bottom and creating a little heal the actual one like that. So when we have it, we will continue creating the line going in that way. And if you want to go and maybe work with your eraser to flat up this sap, you are welcome to go and do that. So when we have the result like that, we will continue working Osa our top part. So let's go and maybe make it less rounded right here. So again, working with our brush, working with our erasor, creating some kind of this shap, again, mapping out everything that we have right here. Doesn't matter how it looks, whether it's not looking too good right now. When we have the shape like that, let's go toward the heel right here, and we will create the parallel line to what we have right here, Osa layer with the guiding line. Let's go and work on this part. Now when we have this part, we will go and create the line yo inside like that, and then we will go slightly towards the top part and create some kind of the detail right here on our shoe. Creating something y in that way. Now, when we have the shoe like that, let's take a look at it from the distance and maybe we will go and create these parts in a slightly different way. Let's go some kind rounder and again, working with our brush and working with our eraser to create a nicer look for the always take a look at your illustration from the distance, maybe go here and create something in that way. For example, we can have some kind of the heel of a different shape right here. Again, creating something that we would like to see right here. If you want to create something different, you are welcome to go and do that. So when we have the result like that, let's go slightly higher than the shoe and slightly to the side from our shape that we have for our leg, and we will create some kind of a soak right here. So going like that on this part and creating a line like that. And then we will go toward this part and we will create rounder shapes, so some kind of the rods little soak right here. So creating it in a pretty nice weight right here. So having some space between the elements and then going to the sides and creating the continuations and the closing parts for our socks. Now take a look at everything, see whether you need to go to some areas and maybe work on them. If you see that the heel is too big, you are welcome to go and work on it. Decide on your own when you are done, let's go and work on this leg right here. Again, going with our leg going like that. So let's go toward this legs that we have the lines that is supposed to be our leg, go like that. Then when we have the level of the soak right here, we'll go to this little shape right here and we will create the soak here too, creating the same shapes. For example, go slightly higher right here to match the opposite side. When we have it, go and adding some thickness to it and creating these rounder shapes onside the sides. Now when we have it, we will go toward the bottom part right here, and from the bottom, we will go and start to create a rounder shape like that, creating some kind of a nose of our shoe. So creating it in a rounder way and then going toward this part and starting to create a peculiar look for our shape right here for the shoe and creating something in that way. So creating some kind of a deep right here once at the side. Again, if we need to go and clean up our shape and create something different, for example, we will go and do that. Creating the basic shape for our shoe and then going higher like that and finishing up creating the shape going in that way. To be honest, the little heel will be seen right here, so we can go and create some kind of shape like that, very, very tiny element, and then we'll go to the top right here and we will need to recreate this little part on the shoe. Let's go and do it in that way. We will go and firstly create the straight line like that, and then we will create the rounder shape or the top. So now when we have the result like that, let's take a look at everything and maybe fix some parts if we need to fix them. So for example, we can go and work more on these little parts so we don't have a weird connection. And when we have the result like that, let's go and work on our hands. So let's first go toward this part and we will create a hand right here. So let's go towards our little shape that we have for our guiding line, and we will go closer to the shape of our skirt, and we will create the shape going in that way. So very, very soft curve like that. When we have it, we will go to the opposite side and we will go closer to this line that we have for our guiding line. And when we have some kind of sausage shape like that, let's go towards this part right here, and we will create the actual hands. So first, let go and creating the little shape going like that. So we will start by creating a little met. So let's go and create the rounder shape like that and one shape going in that way. So smaller shape right here and then we will go and divide this part right here, too. So let's rotate our canvas, and let's go with a smaller size of brush. Let's go toward this part and we will start to create a little finger right here, so going like that and then figuring out what we need to do right here. So starting to go and let's not create four fingers. Let's create three fingers like we are in the animated film or something. So we already have one finger right here, so let's go and create two more. We will go toward this part, we will create the finger right here. So let's go with the shape like that. And when we have it, we will need to connect everything with our first finger that we have right here. We will need to go and create the similar shape to what we have for our first finger, and then let's go grab our eraser and erase all the confusing lines that we have right here. Let's erase everything that we don't need, and then we will clean up everything if we need to clean everything or anything. So when we have the result like that, we can definitely see that the fingers are a little bit too not proportional to one another, so we will need to go and work onto the thickness of them one by one. So they should look pretty similar to one another. And let's go and start to do this. For example, with the smaller size of the brush, let's start to sculpt the shape right here and when we have it maybe slightly longer this time, go in with our eraser and starting to erase the parts that we don't need to see clearly what we are actually doing right here. Let's work more on these elements and create our nicely looking fingers right here. And now in the same way, we can go and work more on the oral shape of our arm and maybe work with our brush and work with our eraser to create a nicer shape. So when we have the result like that, we can also go towards some of the ruffles right here and fix them up so they will look nicer with the oral shape that we have for our hands and our arm and everything. We can go and create the connections with the arm right here. And when we have the result like that, let's go toward this part and let's create our second arm right here. So for this part, let's go and do the phone. Firstly, we will go and figure out where this line that we have for the chin is, and we will need to go slightly higher than this line, and we will create a little line like that. That way we will know that here starts our little pump. So we will go toward this part first and create it. So let's go toward this line. We will go to the side from it, so our line will be in the center, and we will go and start to create the rounder shape like that, and we are connecting it nicely with the overall shape that we have for our dress. Again, mapping out what we need to have right here. And when we have this line, we will go towards the top and we will start to create the shape that will be that rounded. So we will need to create something in that way. Again, for now, if we see that something is not looking nice, if our little hair is not behaving right here, we can go with our eraser and erase the parts that we don't need. Basically, what we need right here is to create the shape that will be not that rounded. Creating more like a sticky part right here. So when we have this stick for our top part of the hand, the arm, we will go and start working on our additional element right here, and then we will wrap the palm around it. So we will create some kind of the magic one right here, and we will go and firstly, we'll need to map out the direction oh. So let's go and create the little shape like that, maybe not that diagonal. So we will have slight diagonal with a line like that. When we have it, we will go toward the bottom part first and we will create the little secret here. Let's add some thickness to this element. Go on like that and starting to create a very nice shape right here. When we have it, we will go toward the bottom end. Let's finish up creating our little ones with a little heart right here. We can go and erase all the lines that we don't need, so we will see clearly what we are doing right here when we have the bottom part of our ones, we actually can finish up creating our little fingers right here and the overall shape for the pum. Let's go and start creating it in that way. We will go closer to the shape that we have for our ones on the top, and we will create the big finger here. For the big finger, we will need to create the shape that will go slightly toward the ones and create the very rounded shape like that. Then we will go to the opposite side and create the shape that will look like that. So creating some kind of the sausage right here or the bean shape and erasing all the parts that we don't need. For now, we can definitely say that it's off, it's not matching with our hand. We will fix it later. We'll move it after we are done with this part. So let's first create this hand and then we will move it to the needed place. Now when we have the shape like that, let's go towards the opposite side of the one and let's start to wrap around our fingers. Going like that right here onto the top slightly higher or on the same level that we have for our finger right here and starting to create the pointing finger right here, firstly, so going like that and starting to create other fingers here, too. So again, we are creating three fingers. So let's go and start to create them in that way. Wrapping around the one right here, our fingers and finishing up by creating the very rounded shape like that. For now, mapping out again, everything that we want to create, finishing up by creating a little shape like that. Let's go grab our erasa and erase all the parts that are overlapping. So when we have the result like that, let's go and finally match it with the overall shape that we have right here for our arm. Again, go into our Traban icon, free hand method, selecting this element right here, the full go into our yoke and moving the shape to the site. If you see that the hand is too small, we can go to one of the corners and adjust the shape right here, the side and create something going in that way. As for the overall size of this little element, we will need to go two cells right here from the line that we have for the chin, so we will have the size of the finger like that and a little bit higher right here onto the side. When we have the result like that, one more time, probably moving it slightly towards the right, so we will have the matching element right here. When you are satisfied with the placement, let's tap onto the urban icon because it was the first option that we used, and let's grab our eraser and start to work onto the continuations of the shapes. Let's go right here towards this side and start to figuring out what we are doing right here. So we will need to create the back part of our little hand right here, and we'll go and do it in that way. So creating the slight curve right here and going down with a different shape. So let's also work on these little parts, grab your eraser, grab your brush, create a nicer shape for the oral arm that we have right here. Let's probably go and make it slightly less thick, so it will match with the arm that we have onto the opposite side. Or if you are quite satisfied with everything right here, we can fix everything later on when we are going to be fixing everything anyway. Let's go along these ruffles right here and let's match them with the oral shape that we have for our hand right here to and also we can figure out what we have right here for our hair. You can go and create something different right here, create a nicer curve maybe, work with your brush, work with your eraser, create a nice look for the hair here too. For example, we can go slightly toward the inside part and create a nicer shape right here. Now clean up everything, and when we have the result like that, let's continue working onto our magic want right here. For example, let's go and continue by going toward this part. We will create a rounder shape right here, slightly beyond the frames the overall shape of the wt. So when you have it, let's go and create another shape of the star. So if you don't want to create another star the same way as we did before, we can go and steal the star from here. So again, go into our Ruben icon, freehand method, selecting this element, going around it. When it is selected, we use three fingers. We will swipe them down and we will first use the option copy. Now, again, swiping three fingers down using the option paste and when you have this bounding box, you are free to go and move the start toward the one. You want to rotate it, go to the green notes, hold your Apple pencil there and rotate it in a way that you want it to be right here. Find the placement for these elements. Let's put it onto this little parts maybe slightly lower. If you want to go bigger with this shape, go and adjust the size too. Find the size and the look for these elements, and when you are done, tap on the arrow key on the top left. When we have the result like that, we will go to our list and you will see that you have the inserted image right here. So let's tap on the lee and use the option merge down, and then we will grab our eraser and work on this inside part or onto some other parts that we need to fix. And when we have the result like that, let's go towards the sites from this Littel star and we will create some kind of the wings right here. Let's go like that and create them in that way. Creating something like that and doing it on both sides. Let's go with a bigger shape on the top and smaller shape on the bottom and create something going in that way. So try to make them similar on both sides, not like I did it or try to create it in a nicer when you have the result like that, let's finish up everything by creating a big heart on the top. If you are overlapping the shape of the hat, go and overlap it nicely. Nicely overlapping will be if you go to the shape but not go in that way. So if you are touching your line with another line, that won't look too good, better go with a bigger shape and go inside the shape and overlap the hat in a nice way. You don't create the unnecessary tension between the elements. Now, when you have the oral shape, grab your eraser, go and erase all the parts that you don't need. Now when we have the result like that, let's go and create some additional elements, and then when we are done with all the elements that are supposed to be here, we will fix some parts. 6. Additional Elements Sketch & Sketch Fixes: Firstly, let's go and create the additional element in the shape of the cat right here on the side. So let's go to this bottom area right here, and we will go and create the shape of the head firstly. So we will go and we will start to create a shape in kind of the bean shape like that. So let's go firstly with the shape of the ellipse. So very freely create the shape, and then we will go and create it more like a wider shape on the bottom, so something going in that way. Create the shape like that, and when you have it, let's go toward the top and create the ears that will go slightly higher than the line that we have as our guiding line for this crud. Go to the sides and create the ears right here. Try to make them very nice and very pointy or a little bit less pointy. So when we have the result like that, let's go towards the middle part and we will work with our nose and our little mouth right here. So let's go toward the middle part, as I mentioned before, slightly lower than the middle. And first, let go and create a little nose like that. Again, you can go with a smaller size of the brush to precisely create the elements in a way that you want them to be. So for example, the nose doesn't look too nice right now because it's too big, so let's go and erase the bottom part, and then we will go toward the sides and create the mouth like that. Now when we have the mouth, let's go toward the sides and we will create the eyes right here. Let's go with the similar shapes to what our girl has and we will go maybe slightly bigger with the overall shapes, and we also will go and add a bit of the thickness to them. Or we don't want to go and create some thickness, we will go and create the irises right here. Let's go and create something like that. Our little cat will look to the side. Can go and shade away the things right here, maybe create something like that. Let's also go toward the sides and create the whiskers here. So when we have the result like that, let's go with the bigger size of the brush again, we will go toward the bottom part right here, and we will create a little shape for the color. So let's go and step a bit from the side that we have for our overall shape of the head and create the rounder shape like that. So we are creating this line parallel to the line that we have for our head. Now when we have the result like that, let's go toward the left side and we will create the line going down in that way. When we have it, we will go closer to the line that we have as our bottom line and create a rounder shape like that. When we have this line, let's go slightly toward the side and create another leg right here. We will go and create the rounder shape like that. Try to make it similar size wise to the first little pull that you have onto the opposite side. If you need to connect something in a better way, you are welcome to go and do that. If you want to maybe make the pow slightly the overall shape of the pose slightly bigger on the bottom, you are again welcome to go and do what you need to do right here. Don't go too far away from this line that we have for our bottom part. And when we have it, we will go toward the opposite side and we will create these very, very nice bam element. So let's go with the soft curve like that. Then we will go and create the bottom the back leg, and we will do it in that way. Going toward the top, starting to create a very rounded shape like that and then going toward the bottom and creating the continuation of our leg. So again, if you want to maybe create something different or work more on the oral shape that we have right here, you are welcome to go and do that. We also can go and maybe add some beautifications here, some kind of the pendant right here or something like that, going towards the bottom part, the back part, and starting to create the tail right here. So let's create some peculiar shape for the tail. First let's create it with one line like that, and then let's go and add some thickness to it. So going like that and starting to create the oral shape for the tail. Again, take a look at everything from the distance. If you see that maybe you can go and try it out one more time, maybe make it slightly less big, you are welcome to go and do that. Maybe try out a different shape right here. When you have the shape that you like, let's take a look at everything from the distance. Again, right now, we are creating a sketch. So if you want to go and maybe adjust some parts, go and adjust them, you can clean up your little sketch right here to see clearly what you are doing or if you want to add maybe additional elements, for example, we can go and maybe create some kind of the moon right here on the head of our cat, you are welcome to go and add as many details as you prefer right here. And when we are done with the cat, let's go and add a couple more details. So for example, let's go to the opposite side and balance up everything by creating a little cauldron right here. So let's go again, toward this area that we have for the bottom parts between the skirt and the bottom, and we will start by creating a rounder shape onto the top right here. So let's create an oval shape like that. If you want to go a little bit bigger, you are welcome to go with the more open shape right here, so slightly rounder shape. When you have it, let's go toward the inside part and repeat what we have right here, but pay more attention toward the sides right here and make them a little bit more pointy. And when you have them, let's go slightly toward the middle part, so step in a bit from the side and with one curve creating the rounder shape like that. Again, hold your line at the end, and let's go to our 182 over the top and adjust the oral shape that we would want to have for our cauldron. So play with the notes right here, adjust the size of them, create something that you would like to see right here. Move the shape again, maybe if you want to make the orall shape smaller when you are at the 18 mode, you can go right between the notes, hold your Apple pencil there, and move the shape toward the inside part. So when we have the shape for our cauldron, so for example, let's go with something like that. We will tap on the screen firstly and then let's go and create some legs right here. So we will go with very soft triangular shapes like that. Firstly, going toward the sides and creating them. And if you want, you can also go and create one little leg at the back here too. Again, pay more attention toward these part. If you see that you went too far away from the cauldron, you are welcome to go and maybe try to reconsider the shape that you have right here for the overall shape of the cauldron on the top, figure out what you want. When you like the result, let's go toward the middle part right here and let's of course, create the face because we are creating a cute illustration. Let's go to the middle, and let's create the eyes like that and a little mouth right between the eyes. If you want to add more details, you are welcome to go and do that. For example, we can go and we can create the bubbles right here inside the cauldron and maybe some going outside the quadron. So for example, let's go and create some kind of a pattern with our little bubbles. Let's go like that. Let's create a couple of them. You can go with different sizes or with one size. You can go inside this part that we have on the top of the cauldron and create something in that way. Now when we have the cauldron done, let's go slightly higher and let's create the crystal ball right here. So with one line, we will create the shape of the circle. So again, hold your Apple pencil, hold one of your fingers, create the shape. If you want to move it, go to the 18 mode and move it. So let's create it in that way. We will have to fill the area right here. If you want, you can go slightly, not with a perfect circular shape. You can go a little bit longer with the shape, but still remain the oval shape like that, and you are down tap on the screen. And let's go and create the bottom part. First let go where the bottom part, creating a little shape like that, some kind of stunt right here. And then when we have it, we will go slightly bigger with the shape. Go underneath the first one and create a rounded parallel curve. And finishing up by creating something like that. If you need to go and maybe erase some parts, go and do that. And also, we'll need to go right here to create some kind of the back part of this little stand. So as we have the crystal shape right here, it will be kind of transparent. So we'll need to show it right here. And also, we can go and maybe try to create some peculiar little details that later on we can recreate. So you can go with some sparkles. You can go with some elements that are some kind of highlights or so and create something like that. So now when we are ready with the crystal ball, let's go to the right and add some bottles with potiots. So firstly, let's go toward the top. I will go to this headline, and again, we will create half of the circle like that, so hold your line and then you. If you don't want to, you don't need to create the full circle right here. When you have the shape like that, let's go toward the top and create two little lines that will be parallel to one another. We have it, we will go toward the top and create a little shape that will be our bottle right here. So again, creating something like that, two parallel lines, creating the rounder shape on the side, and then we are finishing up everything with a little core right here. So let's go like that and create the shape like that. Again, mapping out everything doesn't need to be perfect. When you have the shape that you like, let's go toward the middle part and we will map out that here we will have some kind of the portion. So let's go with something like that, maybe slightly bigger with the shape. Now when we have the first bottle, let's go towards the line that we have for the chin and create another one right here. This time, let's go maybe with a different shape. We will create two parallel lines like that. We will create the shape on the bottom, and then we'll create some kind of shoulders right here in that way. Again, we will finish up everything by creating two lines on the top, if you need to go and straightaway, create the clean look for your illustration, go and erase all the parts that you don't need. Go like that, create the top part right here, so rounder shape and then finish up everything with the quirk as always. So again, creating something like that. If you want to go and maybe add some details right here onto the bottom, you are welcome to go and do that. Firstly, create the liquid part right here and maybe create some kind of I know, like a heart or some details right here, so it will be like love potion or something. And to finish up with everything right here for the details, let's go and create one more bottle. So you can go and for example, if you're feeling quite lazy, you can go to the ribbon icon, free hand method, select this little bottle right here, free fingers down copy, free fingers down paste, and use the second bottle right here too. So for example, let's make it slightly smaller and maybe position it differently. So for example, let's go with something like that and fill the area with the last bottle. To finish up with it, let's go to our list. Let's go to this inserted image layer, tap on it, and use the option merge. Now when we have everything that we need for our sketch, let's go and take a look at it without the lines that we have for our guiding line. We'll go to these checkmarks right here. We will tap on them, and then also, we will go to our wrench icon over the top left and we will toggle drawing guide right here because we don't need anymore. And when we have the result like that, if you want to adjust something, for example, the placement or anything, you are welcome to use firstly, the S Rribon icon freehand method. For example, we can go to the CAT like that, select it, go to the Aoki and maybe find a different placement, maybe kind of closer to the girl right here. So find the placement, find what you are looking for right here. When you are done, tap onto the S Rbon icon, and if you want to go one by one to all of the objects that you have right here and maybe readjust them, maybe resize them or do something with them, you are welcome to go and do that. Spend some time right here with these two tools and find the placement for every object that you want to have onto your illustration. And when you are satisfied with the placement of all the elements that you have right here, we can do one more thing. So for example, you want to fix something, but you don't want to go manually with your brush and with your eraser and adjust some parts right here. We can do the different thing right here. We can go to our magic Qantol over the top plat. We'll go liquefy and we'll be using the option push. So you have the side slider right here. You can go and adjust the size of the brush that you are going to be pushing with and we are not touching anything right here that we have as different sliders. So with this push option and size slider, we can go to some of the elements and we can push them and adjust the overlook of our illustration. So for example, if you want to go and play around with these two, you are welcome to go and do that too. So for now, let's just go and spend some time adjusting some of the elements if we want to adjust them with these two. When you are done, adjusting everything with your push option and liquefy too. Let's tap onto our magic one tool twice. And if you see that you can go with your brush and maybe adjust some elements to create them in a nicer way, you can go and do that, too. For example, we can go right here for our little shape that we have for our fringe and maybe make it slightly bigger or create something different right here. You can use your brush, you can use your eraser and create different elements right here or clean up your sketch. A you won't be confused of what you are doing right here. For example, you can go right here to these little parts that we have onto our head and recreate it here in a nicer way. Maybe create a bigger shape for the ear right here and maybe work more onto the overall shape of the hair. If you feel fancy to go and create the cleaner look for your lines, you are welcome to go and do it right here onto your layer with the sketch. Later on, it'll be easier for you to go and create the clean lines. Again, let's spend some time here and maybe adjust some lines manually. And when you are satisfied with how your sketch looks, let's me on our next part. We will create the clean lines? 7. Clean Lines: Head: Let's start working on our clean lines, firstly by going to our brush library, and we will switch the brush by going to the calligraphy folder and choose moonline brush. And as we are creating a very cute illustration, we want all of our lines to be very, very smooth. So let's tap onto our moonlineush, go inside the brush studio, and we'll go under stabilization on the lab. We'll be adjusting the amount of streamline and amount of stabilization. So you can tweak these options to your liking or you can set them the same way that you see right now onto your screen. You can try it out right here onto a drawing pad, find what looks good for you and what feels fine for you. And when you are done, let's hit the. And then we will go to our layers one more time. We'll go to our layer where we have our sketch. We will tap onto the N icon one more time. We will reduce the opacity, so we will see clearly what we are doing with our lines. Now when we found the level that works for us, let's tap onto the layer to close this window and then let's create one more layer by tapping on the plus icon. Now, the last thing that we need to do is to go to our color palettes and change the color to lines. Now when we have the result like that, let's go to our slider with the size, and let's set our size to something around 6%. One more time, you can go to your Canvas and try it out right here. If you want to go with the smaller size or with a bigger size, it's up to you. When you are already, let's go and start recreating all the lines that we have right here. Our main goal for this part is to create closed outlines. That means that all of the lines that will be outside will be closed. If we have some elements inside, for example, here where we have our face and our little neck right here, we can go and create some little gaps so everything that will be recolored with one color could have some gaps inside. So one more time, our ingle is to create the clean lines. Our ingle is to create the closed lines and also the smooth lines. So we will be working with all the tools that we used before. You can go and hold your line in the end to go to the editing mode to adjust your line. So you can go right here and play around with these little node right here to create a nice connections between the lines and nice little shapes right here. So when we are at this point where we are creating our lines, we will go through all of the elements that we have right here, and we will also need to create nice and smooth connections. So if you see that you are going a little bit beyond the frames, again, we are going to our editing mode and we are adjusting our shapes. And of course, we don't need to recreate everything with 100% of similarity to what we have on our sketch. So if you see that you can go and maybe adjust some parts, maybe reduce some elements right here or create more details, you are, of course, welcome to go and create the details in a way that you want to have them right here. So when we are all set to creating our lines, let's go through all of the lines that we have onto our stage, and let's go and start recreating them. You also can skim this part if you want to go on your own and recreate the lines, but if you want to follow along, let's continue by going and starting to recreate all the elements that we have right here. We are working with our brush and we are working with our erasa and we also will need to make sure that all of the lines that we are creating have the same value and the same volume inside them. So the thickness of the lines will be even everywhere. Now let's go through all of the lines, and we are again starting to create all of the elements that we have sa layer with this sketch. So go through all of the lines and start to create the similar lines to what you have ta your ler with this sketch. If you see that you have a very complex shape right here, you don't need to go with one line. You can go and maybe try to create a couple of lines, but make sure that you are connecting everything nicely and that your line doesn't look very jagged or if you see not the seamless connection. So if you have not the simils connection, go with your eraser, go with your brush, and adjust the shapes to make them look nice. Now one by one, let's go and start recreating the shapes. Again, you can experiment. You always have a room to experiment right here. Basically, what we need to do is to recreate what we have Ota Ali with this gauge. Always good to take a look at your illustration from the distance when you are creating it, because that way you will see clearly what you are doing and whether you need to go and maybe adjust some parts. From the distance, you will see it in a nicer way. So let's go and continue creating this strength of hair, and again, we'll take a look at it from the distance. And one more time, if we have some jagged connections or something that doesn't look very right, we will go with our eraser and erase the part that we don't need. We also don't want to create the connections like that. So if you have some extra lines that you need to go and get rid of, you are welcome to go again with your brush and with your eras. And adjust these parts. So now let's move on to the irate here, and with one line, we'll create the sap. We again, can hold it at the end. We can go to the 18 tool right here onto the top and adjust the shape to our lining. We can go with slightly different shape, so it will match the overall look of our face right here. You can move the sheep while you are at the 18 mode to again, readjust it. When you are down, tap on the screen. And again, if you have the extra parts, go and erase them with your eraser. And when we have the results like that, let's go and recreate the shape that we have for the overall shape of the face. Again, going right here and creating that nice shape right here, making nice connections. If we need to hold our line, we will hold it. If we need to go with our editing tool or with our eraser or with anything else, we will go and use all the options that we used before. And again, as I mentioned before, we can go and create some gaps right here, so we will have a nicer connection with the overall shape of the hat. I will probably try to create the bottom part of the face one more time because I quite don't like how this bottom part looks, so I would want to go with slightly flatter shape right here, maybe created in that way. Let's go and try it out right here. When we have something like that one more time, we can go to our editing mode. We can adjust the curvature here. Always take a look at your illustration from the distance, as I mentioned before, and when you have the result that you like, let's tap on the screen. Let's go to our eraser two, and we will erase the extra parts that we don't need. Now, when we have the top part of our face, we will go toward the bottom part where we have the neck and we will continue creating it right here. So let's go and create a very nice little shape like that. So this part will be a little part of the shoulder later on, and we will then move on to the opposite side and continue recreating the shape for our face. Again, if we want to hold it, we can go and hold it. If we want to go manually, we can go and do everything manually right here. So when we have this part, let's finish up by creating our hair right here. And again, we don't need to recreate it with 100% of similarity. If you want to try out something different, go and do that. So for example, we can go to our 18 mode and maybe add a little bit more weight toward the bottom part so it will look a little bit better because naturally the hair behave in that way. When we have it, let's go and work a little bit onto this little gap or a little deep right here. Again, we are trying to create a nice connection. So if we need to go and maybe go slightly beyond this shape that we have on the top and connect it in a different way with the next shape that we are going to be creating, we will go and manually do it. Now, let's go toward these little strands and maybe we will create slightly different shape. So we don't want to go with the shape that will have a very rounded connection on the bottom. We would want to have something a little bit more angular. So let's go and try to do it right here. Again, taking a look at everything from the distance. If we need to go with our editing tool, what we need to do, we will go and do it with our editing tool. And again, manually, we will try to create a nice connection right here. Now when we have this shape, let's finish up by creating the last strength of hair that we have right here. Again, you can experiment a little bit and maybe create the more peculiar shape right here. For example, let's go with something like that, or if you don't like it, we can go and maybe create a free strength like that and turn it into the top part. When we have something going in that, let's go and with the same size of the brush, we will work on our head. So with one line or if you want, you can use a couple of lines. Let's go and create a very soft curve like that. And when you are holding your line and when it is going toward this straight line, we can try to lift up our Apple pencil and go to this line option. You probably will have the option arc right here. I don't have it, so if you have it, you can use it from here, but if you don't have it, we will need to go back to our canvas and one more time. Try to create this curve and create it in a rounder way. Hold your line at the end, and if you need to adjust it, go to the 18 mode, take a look at it from the distance, decide whether you want to go a little bit maybe further away with this line, so you will have a finished shape right here. We also will need to connect it with our shape right here with our fringe. If you see that you later on will need to go manually, you can try to go right now and swing this line that you are working on right now and maybe try to connect it with the shape that you have right here on the bottom. Or if it doesn't bother you, you can go and tap on the screen and then manually go toward this little part and connect it with the shape of the hat. Now when we have this first line for the hat, let's go and continue creating the lines over the top part. So for now, let's go with the line like that. We will go toward the middle part and we will create the overall shape for our hat, so the bottom part of the hat. And if we see that we have some gap right here, we can go and either create it, but actually, we don't need it because we will have the overlapping part right here. But for now to create a nice shape right here, let's go and create this line. Now let's go toward the bottom right here, onto the right, and let's maybe go and firstly work on the overall shape of the here that we have right here, so we will have the finishing point right here. Again, if you want to, you can go with a different order to create to recreate the parts that we have right here. If you want to go one by one to every element that you have right here, so you first maybe want to go and work with the hair, go and finish up the whole lines that you have for the he and then move on to the next part. If you are okay with a little bit of chaos, you are welcome to continue creating the lines in the same way that I'm doing it right here, or again, it's up to you create the lines in a way that you prefer to create them. Now let's try to create a nice curve right here. Maybe we will need to go with a couple of at tantra here. We will need to have a bit of a gap right here, so when we are creating it, in that way, when we see it from the distance, we will have a nice overall look right here. So when we have it, let's go and finish up by creating a little shape like that, a little bit of the curl, and the whole shape will be closing in that way. Going right here to our dress and creating a rounder shape like that. And now when we have the shape for our hair, let's go and finish up with our hat. So let's go toward this part that we have right here, and we will need to make sure that we are creating it in the same way that we have it on the left. So we are going creating the similar shape right here, going slightly towards the shape that we have right here onto the top. So slightly overlapping. If we need to go to the 18 mode and adjust something here, maybe adjust the overall shape or curvature or anything else, we will go and do that. For example, let's make it slightly smaller. And when we have the results like that, let's tap on the screen to accept the changes. And if you see that you will need to go manually and create a nice line right here, a nice connection. Go and do that. If you see that some other places will need your attention to the connections, for example, you are welcome to go and work on them. So for example, we can go right here, create a nicer connection between the shapes, and when we have the result like that, let's go and finish up with our head. Go right here and starting to recreate this line, again, trying to create a curve right here, holding it at the end, and when you have the curve like that, let's go to the tip and let's recreate it here too. Going like that and again, creating something similar to what we have on ARSke. Go with your brush along the lines if you see that you can go to them and you can adjust the smoothness of the lines or the overall weight or the connection parts. Go and adjust this part. And when you have this tip like that, let's go and create this line firstly. So you can rotate your canvas, so it will be more natural for your hand to go with the floor right here with a direction. And when you have it one more time, holding our line in the end, taking a look at arfin from the distance. If we like it, we can keep it. If we want to fix it, go into our editing mode. When you have the result like that, let's go and work on this tip. We are going slightly lower than the end part of our middle part right here and we are going to the top with a little tip like that. Again, holding line in the end, if we want to go to our editing mode and maybe adjust it slightly, we will go and do that. Make a nice connection, make a nice shape right here. When you are done, tap on the screen. Make sure that the connections are looking nice. For example, right here, we can go and make a very slight adjustment by creating the more rounded shape right here and it will make you some points right here in acuteness of the overall illustration. It will look like a finished, polished illustration. Now when we have the result like that, let's go slightly higher than these little overlapping tips onto our heads and we will create this line that we have right here onto our sketch, slightly higher creating our shape going in that way. Again, with one line holding it at the end, go into our 18 mode if we need to adjust. Let's take a look at it from the distance. If you like how it looks, we will tap on the screen. And now we also will need to go to our slider with the size and we will need to remember the size that we are using right now. You need to tap onto this little slider thing right here and you will have the plus icon right here where I right now have the minus. Make sure that you remember the size, and when you have the size, remember it. Let's go and make it slightly smaller, for example, 4% or so we will go and work onto our e it will be easier for us to create them right here. Let's go with one line and create the shape right here, so holding line at the end. If we need to adjust it, go into our editing mode and starting to adjusting it. So what we need to achieve right here is the straight look of the eye, so it doesn't look too crooked toward the side. So try to make it pretty solid right here. When you have the result tap on the screen and straightaway, let's go toward our icon with the color on the top right, and we will drag the color right here inside the shape. Now let's go and create this little part right here, so you can go and try it out a couple of times, maybe create it in a different way. If you want to maybe switch the brush to have a little tip right here, you are welcome to go and from the brush library, go, for example, to the ink and folder and select studio pen brush or maybe technical pan brush. If you want to go manually, you can get back to Monoline brush and create a thicker look right here onto bottom part and maybe work with your eraser and create a nicRTp right here onto the top. So it's up to you. When you have the results like that, we can either go and recreate the same shape onto the opposite side or we can make a copy of these elements. So for example, let's go with a copy. We will go to our Strobe and icon. We will use the free hand method, and we will go around the shape. We will select only this shape and when it is selected. We know what we need to do. We'll use our three thinkers, we'll swap them down. We will first use the option copy. And then we will do it one more time, three fingers down using the option piece. Now, to make sure that we are not blurring our lines right here, we will need to do one more thing. We will go right here onto the bottom panel under the second from the right icon, where I have right now bicubic. If you have something different, set the interpllation. The thing that we are working on right now, this is interpllation. We will need to set it to bicubic, and that way, your lines won't be that blurry when you are adjusting them and moving them across the canvas. When you set this option to bicubic, let's go to the flip horizontal option. We will tap on it, and then we will move the shape to the opposite side. Now, if you see that maybe you can go and rotate the shape, for example, slightly, we can go to this green note over the top. We will hold our Apple pencil right here and we will make a rotational movement. So also go and find the placement, try to match it the position that you have onto your sketch. When you are done, tap onto the Aoki onto the top left, and when you are done with this, we will need to go back to our list and make sure that this inserted image, or copy of the eye is not separated. It's on the same layer with our overall thing that we have right here for our clean lines. So let's tap onto our inserted image, and let's use the option merge down. And now when we are ready, let's get back to our 6% of the size of the brush, and let's go and recreate the eyebrows right here with one curve like that. And also right here onto the opposite side, probably it will be a little bit hidden right here because we have a little shape for the hair. Now when we have the result like that, let's go and recreate this little node by creating a little dot like that, and then the same way as we have it onto our sketch, we will recreate a little mouth. Again, hold your line and the end, go to the 18 mode if you maybe want to go and adjust something here, maybe let's go and make it a little bit kind of crooked, so our shape onto the right will be slightly bigger. Again, take a look at it from the distance. If you like how it looks, tap on the screen, check it out one more time without these dots and nodes and everything. And when you are satisfied, let's go and continue creating other details 8. Clean Lines: Body: So let's go toward these parts, and we will make them a little bit more defined. So we will have some space between our shape of the bottom part of the head and the shape that we are going to be creating right now. So let's repeat them the same way as we have them onto our sketch, but we will go slightly lower. So when we have this thing, let's go and maybe start to recreate it completely right here. So we will need to create a little rounder part right here. And then we will go to the parts and continue creating this shape right here. Now, to finish up with the overall thing that we are working on right now, the color part, we will go to the opposite side and recreate it here too. So when we have the results like that, let's continue by going to the sleeve, and let's recreate it here too. Let's go, again, a little bit lower than we have it onto our sketch and connect it nicely with the sheet that we have right here. Now, let's go toward this little part and we will recreate it. Going into the second layer of ruffles and creating these little parts. Again, if you want to maybe play around with the overall sheep or with something else, maybe with the size or the placement go to the 18 mode and adjust it from here. Let's finish up by going to the bottom and creating these shapes right here, trying to make nice connections so they don't look too weird or too bulky. When you have the results like that, let's tap on the screen. Probably, we can go and make this part slightly smaller. When we have this part, let's go toward the bottom and we will create another line that will go like that. We will have the first layer of our ruffles right here done, and when we have it, we also can go straightaway and add some beautifications her. For example, instead of creating these lines that we have right here onto our sketch, let's go and do something like that. For example, we can go and create a couple of dots like that, and then we will go and create some kind of defaults right here. Let's go like that and create them in that way. We probably can go with slightly smaller shapes for these elements. If you want to try to create these elements with a smaller size of the brush, you are welcome to go and do that. But we want to be consistent, so let's go with the bigger size of the brush. And let's finish up creating this element by recreating this line that we have right here. Again, try not to create a very rounded shape if we need to go and maybe adjust it right here with our editing mode, we will go and do that. And now we can decide what we want to recreate next. Either it will be a little bow or our hand right here and arm, the orall shape, let's probably go with the so with one line or with a couple of lines, let's go to the bottom first and create these little shape right here going like that, creating our line, going to the opposite side, and starting to recreate it here, too, connecting it nicely with both our hair and our sleeve and making nice connections here. Now, if you see that you can go and maybe manually adjust some parts, some connections or anything else, you are welcome to go and do that. Let's go toward the handwrite here and let's recreate it. So we'll create the curve going in that way. So we'll have the big finger. So probably with a couple of lines, it will be easier, creating a little soft curve, creating two parts like that, and when we have it, we are going to the opposite side, and probably it will be easier to start with the bottom part and recreate it like that. Now when we have it, we will go toward the top and we will connect everything with one little line like that. Now when we have it, let's go and probably work on our one, but it will be easier for us to create it in the new layer. Let's go to our layers, create one more layer right here and let's go straight away very boldly like that and create the lines like that. Again, holding our Apple pencil at the end of the line and creating something in that way. Now straightaway, let's go and create the bottom part by creating a little heart right here. You can go and try to create it in a couple of attempts. As always, when you have one half, go to the opposite side and tra create it here too. Now when we have it, let's go and straightaway, we are going to be getting rid of all the overlapping lines, so we are getting our eraser and starting to erase all the overlapping lines. Now when we have the result like that, we will get back to our list and we'll get back to our previously where we have all the lines that we have right here. We'll get back to our brush, and we will continue recreating the fingers that we have onto our sketch. So, again, the same way as we have them onto our skage, let's go and recreate them. Go like that, starting to create our rounder shapes for the fingers. For now, just go and recreate them. Try to create nice connections as always with everything that you have right here, all the connections. And when you have the result like that, let's go back to our s to this layer where we have our base for the ones, and we will grab our eraser and one more time, we will go through all of the overlapping lines and we will erase them. So again, we will see clearly what we are doing and whether we need to go and adjust some connections here too. So when we have the result like that, we don't have more overlapping parts right here, so we can get back to our list and merge these two lays together. So let's go to the lay on the top, tap on it, and use the option merge down. Now, if you say that you can go with your eraser and maybe work on some connections or some little lines right here, you are welcome to go and soften everything up, make nee connections, make everything look very cute and very right. And when you have the result that you like, let's go and continue creating other details. So let's get back to our brush and you can decide whether we will continue with creating our one or if we want to go and continue creating other details right here. So probably let's go with the one and we will go and recreate it here. So let's go with this shape right here, starting from the bottom, starting to create a very rounded shape, going like that, going toward the sides, trying to create again, an equal element right here. If we need to go to our editing mode, go and recreating the parts right here. Now when we have the result like that, let's go toward our start and let's create it here too. Going toward the bottom and again, manually starting to recreate our little details right here. Going like that and starting to create the elements. If you see that you don't want to go and create the elements on both sides, we can do a little trick right here. So let's go toward our ring icon. We will go toward the canvas one more time, and we will use the drawing guide one more time. But this time we will use the different option right here. So we'll go under endin drawing guide and we will use the option symmetry. When we have the line like that, we will move it toward our ship so we are going to this blue note right here. We are starting to move the guiding line to the middle of the one. And let's go toward the green note right here so we can rotate the sheep. So we can go slightly higher with our green note right here, and it will be easier for us to go and rotate it straight away right here when we are at the Zoom option. So let's try to make it in the direction that we need, and also we will need to position it in a way that it will be in the center of our want. When we have the result like that, probably I will rotate it slightly toward the right a little bit, and we will have the nice result. So when we have the nice result, let's tap onto the D option. Let's make sure that now our layer is assisted. And actually, if you don't want to mess up with everything right here, we can go and create one more layer on top. So to make sure that we can use our assisted two onto the slay, we will need to tap onto the slay, and we will need to use the option drawing assist. Now, when we have it done in that way, let's go toward one of the sides, and we will try to recreate the shape for our start. And you can see how easily we are creating on both sides at the same time. So let's go through all of options for all of these lines that we need to recreate for our star and let's go and recreate it. If we need to go and adjust something, so it won't look the same as we have it earlier with the sketch, we will go and do that. For example, let's go with something like that. Maybe we will see it from the distance and decide we want to adjust it. But I think it looks pretty fun, so we can go with it and let's go and continue creating other details here. Let's go to these little wings that we have. Let's go like that, and let's start recreating them. So now when we have the results like that, let's go towards the top and we will recreate our little heart right here. So going toward this line that we have for our wing, starting from it and starting to go to the top and recreate this element right here. Again, taking a look at everything. If you think that you can go probably from the top and will be easier for you to recreate it from here, you're welcome to go and do that. Always take a look at it from the distance as always and make a nice connection right here into the middle part. Make sure that these connections are looking nice too. So if you need to go and manually adjust something, go and do that. We are trying to achieve a very nice look right here and a very nice connection between the parts. So if you need to go with your brush and with your eraser, maybe with the small inside of the eraser, let's go and adjust everything to make a nice illustration. If you see that you can go to some other places and maybe adjust them too, you are welcome to go and do that too. When we are done with this task, we are done with the one itself, so we can go and turn off our assisted drawing because we don't need it anymore. So let's go to our range icon. We will toggle drawing guide when we are at the canvas and also we will need to go to our layers, and we will need to turn off assisted drawing from these both layers. So tapping on the layer on the top and choosing drawing assist right here and doing the same under the bottom layer. Tapping drawing assist, and then we will go to this layer, the bottom one, where we have this overlapping part. Let's grab our erasa and let's go and erase this overlapping part. Going like that and very easily erasing everything that we don't now, when we are ready with it, let's get back to our list. Let's go to our list where we have the additional elements. We'll tap on it and we will use the option merge down. Now let's continue recreating other elements. So getting back to our brush and starting to recreate other elements here. If you want to cheat a little bit and maybe still this little shape that you have for the star, you can go and do that because we don't want to go right here and recreate it one more time. So let's go to our Strian icon free hand method, and very, very accurately, we will go and cut this little shape right here. So going like that with our brush, try not to go to some other eras and create the extension of the work later on. So when we have the result like that, when this element is selected, three fingers down using the option copy, three fingers down using the option piece. And now moving our shape towards the area right here. So let's go like that. Let's find the placement. Maybe we will need to rotate it slightly. When we have the result like that, when you found the placement, take a look at it from the distance. As always, when you are done with it, let's tap Ota our Aro key. Let's grab our eraser, and we will probably have some elements that we need to work on, so we will need get rid of all of these extensional lines that we don't need. Let's go very easily, very manually, and erase this price that we don't need. Now going along all of the parts that we need to work on probably right here too, so it will be easier for us to work with other parts. When we have it set in that way when you are satisfied with everything with the position and all the things, let's go to earliest tapping onto this inserted image layer and using the option merge down. Now, getting back to abrash and continuing to recreate other details right here. Let's go toward the actual shape of the bow and let's recreate it here. You can go closer to the shape of the here, but not too close. Again, we don't want to create the very unnecessary tension between our elements. You can either go and make sure that you are not connecting the parts like touching them, but you can go and overlap them if you need to. When we have this part done, let's go to the opposite side and create the second half right here of our bow. Trying to make it similar to what we have on the opposite side when we have it, I'll probably make it slightly smaller on the bottom and maybe on the top, too. So, let's go and try it out one more time. We will go like that. We will try to recreate it like that. When it is looking nice or decent, we will need to work on our connections firstly, so going on like that, trying to make nice connections between the shapes. We also can go right here and create a little line, so it will be a continuation of our color right here. So going like that and creating a little line right here. When we have it, let's go toward these parts and we will recreate them too. Go with our brush and again, either trying to create what we have ta or Leo with the sketch or maybe experimenting a little bit and creating something different. It's always taking a look at everything from the distance and deciding whether we want to adjust it or if we are satisfied with how it looks. Going to the opposite side, stepping a bit from this line so it doesn't look too weird, go like that and starting to recreate this element here too. Let's probably go with something like that, something that big, and we will finish up creating our peculiar little shape onto the bottom. Again, working with our brush, working with our eraser, making nice connections with everything where these nice connections are needed. So let's get back to our brush, and let's continue creating our dress. We are not going to be recreating these little elements. We will add some kind of the shadows later on, so it will look nicer. If you see that maybe this part looks a bit too overwhelming, we can go and slightly readjust our start here. So we will make the bottom part slightly bigger. Let's go and try to do that. So go slightly bigger with the lines right here, go slightly to the bottom part, and then we will grab our eraser and we will erase the parts that we don't need, and we will try to remain the same line weight right here onto the bottom. So if you need to go to the outside part right here and work on this part here, too, go and do what you need to do to achieve a nice result. So paying attention to the lines right here to the weight of the lines and going like that and erasing and maybe restoring some parts that are supposed to be right here. So now when you have the result like that, when the star is looking nice, let's go toward the second sleeve and let's recreate it here too. So let's go firstly toward the top, and we will go with the curve going in that way. Again, holding our line if we need to adjust it going into the eating mode. When we have the result like that, let's go and create slightly bigger shape right here so we are creating the similar things that we have onto the opposite side, some ruffle thing. When we have it, we will go toward the bottom and we will start recreating these elements here too. Let's go and maybe make this little line that we have right here slightly smaller, going with our eraser, creating the thing like that, and then connecting everything with smaller shapes right here onto the bottom. Let's go with half of the circles, half of the ellipses and create nice connections between them as always. If you need to work on some other connections, you know what you need to do. Go and work on these connections. Let's go right here, create a little final piece of our ruffle parts, working with our eraser, working with our editing mode. If we need to when we have the result like that, let's go toward this little part and create the final part of our sleeve right here. So let's go with something like that, going slightly towards the side right here to the inside part and creating some kind of a rounder shape like that. And to finish up with our sleeve, we will need to repeat this little pattern right here. So let's go again and create three little dots like that, maybe a little bit more in a nice way. And we also will go and create two little lines that will be some kind of default right here. When we have the results like that, let's finish up with the top part of address by creating this little line going inside. So again, holding our line, if it's not going in a way that you need. If it's straight, instead of this very curvy little line try out one more time, go to the editing mode and adjust the part right here. It's always take a look at it from the distance. When you are done, let's go and create this little line with one line going like that and try creating it in that way. If you see that maybe you can go and soften up the corners right here, you are welcome to go and do that. If you are okay with them, let's go and create this arm right here. Let's go toward the bottom part first and create it with one line like that, going toward the top, trying to create the parallel curve right here. If you need to hold it, hold it. If it's not happening for you, try it out one more time or try to go to the 18 mode and maybe you will have the option arc probably you won't. So create the line in a way that you like. Take a look at it from the distance. Maybe it's a bit too rounded. So let's go in that way by using our editing tool. And then let's go toward the fingers and let's recreate them too. So repeating what we have onto our o with the sketch, probably it will be easier to start with the side, so we will have the overlapping parts right here, and also we'll need to make sure that our fingers and everything and the arm overall is similar to what we have onto the opposite side. So try to remain the same weight for this element. Let's try it out one more time with the finger. If you see that maybe you will need to go and maybe work on the weight right here and make nice connection right here, you are welcome to go with your eraser and erase all the parts that you don't need. Now, when we are ready with it, let's go and recreate this point finger. Going like that, starting to recreate it, and then go and starting to recreate other fingers here too. Trying to overlap them in that way and then finishing up with this little finger right here, going slightly toward the side. Now let's take a look at it, and if we see that we can go with our eraser and work a little bit more on lines, we will, of course, go and do that. So if you need to go over some lines and maybe you have the jagget line or if you have some kind of the gap or something like that, we will need to go and get rid of it. Let's go with our eraser over the fingers right here and make nice connections between them. So going like that and starting to erase the parts that we don't need. Let's work on this pointing finger two. And when we have the result like that, we are done with this hand. So let's get back to our brush, and let's go and recreate our little skirt. So for this skirt, we have the shape, so let's go and recreate it. We will go toward these little lines right here and maybe we will adjust it slightly by holding our line firstly, go into our 18 mode, and we will make it nodes that rounded. So let's take a look at it from the distance, decide whether we like the roundness, how it is right now. If you don't like how it looks, we will make it a less rounded but a little bit more slopy. We will create something. In that way, we will tap on the screen and let's go and try to repeat it onto the opposite side here too. So again, starting by going to this intersection, starting to create a rounder shape right here, go into our editing mode to match it with the opposite side. So trying to create something similar right here. When you are sure that you are kind of similar to what you have onto the opposite side, tap onside the screen, and let's go and work onto these little lines right here. So we are creating some kind of default right here one more time. If you need to try it out a couple of times, you are welcome to go and do that. These little lines should be quite parallel to the outside part. So try to make them quite parallel or maybe a little bit more going towards the central part, so not too rounded. When you have the shape like that, again, if you need to maybe work with it into the time, you are welcome to go and do that. And when we have the base for our skirt, let's go toward the bottom part and let's work onto it here too. Go first, let's toward the outside part, go on with a slight curve like that. If you want to go and erase the parts that you don't need straightaway, go and do that. When you have it, let's go and start creating these little bumps onto the bottom. So again, we can go and recreate everything in the same way as we have it onto our sketch or we can maybe try out something different, maybe try out something a bit nicer and more consistent right here. Let's go toward the opposite side, so we will have this little peculiar shape right here. So repeating the same thing as we have it onto the opposite side, making a very nice connection right here. Trying to match it with the opposite side, and when we have it, let's go toward the bottom and create the curve right here. To make sure that you are doing something similar to what you have onto the opposite side, let's lift up our Apple pencil when we are holding this thing. Let's go to our editing mode. And let's go toward the opposite side, and we will go right here to this shape, and we will match it with it, so we will have the same size right here. Now when we have the same size, let's move it back and we will also need to go and find the different rotation right here. We right now are looking only at the size of the element. Make a nice connection right here when it is nicely connected. Let's tap onto the screen, and let's go and create the rest of these petals right here. We'll need to have three more right here. Let's go and start recreating them again, holding our Apple pencil going to our editing mode. If we need to go like that, probably we will go right here firstly to create the shape from the outside parts and creating this in that way. It will be size wise, similar to what we have right here onto the opposite side. When you are done, let's create the last thing right here, probably going slightly lower, creating it in that way and if we need to go with our editing mode, we will go and do that. If we need to go with our eraser and create the nice connections right here and create the like the overall shapes for the connections, we will go and manually create these things right here. Again, you can try to work with your brush. You can try to work with your eraser to create a nicer looking shapes. And when you have the results like that, let's take a look at it from the distance first, and then we will again add a bit of weight right here to this little part and make a nice connection. Now when we are done with our skirt or the top part of our skirt, we also need to go right here to these little parts and create smaller shapes right here as the back part of our dress. So let's go and do it on both sides right here on the outside part. Like closer to the outside part. When we have it, let's go and work on our bottom part. Firstly, go into our legs. Nothing very hard right here, we'll need to create two lines that will be our leg. When we have it, we will try to make them parallel firstly and then we'll go and recreate this little soak right here. To go in with a soft curve like that, go outside the shape and starting to create nice connections here. To go into the opposite side, trying to match it with the previous size and finishing up by creating this little shape that we have on the top, so the line should be parallel to the first one. Again, if you need to go to the 18 mode and match it nicely, go and do what you need to do right here. Try to make the line parallel, as I mentioned before. When you add an tap on the screen, if you see that you can go and maybe work onto some corners, if you have some corners, if you accidentally created some corners, go with your brush, go with your eraser and work onto these elements. Now when we have the results like that, let's go and continue working on our sock right here. So go on like that, starting to create the line right here, going right here, creating a little line here, going toward our boots or our shoes firstly, and let's work onto it here, too. Let's go right here. Let's recreate it. If you want, we can go and soften up this little corner right here and overall continue to recreate the lines as we have them onto our layer with the sketch. Of course, if you want to experiment, you are welcome to experiment a little bit. So for example, we can go and maybe make this part slightly going towards the middle part. So when we have it, let's go with one curve probably. We will try it out right here and we will create our shoe. When we have it, if you see that you can go and work onto your lines onto the connections and roundness and everything, go and work on it. When you are done with this part, let's go toward this little top part. So again, creating a little curve, go into our editing mode if we need to trying to make a nice connection, trying to match the direction that we have on our layer with this gauge. When we have it, if we have a little gap to work on it manually, we will go and work on it. Let's go and add the similar weight to the whole line right here and when we have the results like that, let's go and recreate this last piece of our shoe. So now when we have the result like that, let's go to the next leg to the last leg that we have for this girl and let's recreate it. Firstly, again, starting to create these parallel lines to create the actual shape of the leg to go on like that with two lines, trying to make a nice connection between the shape of the leg and our skirt. So if you need to elongate the line, go and do that. Then let's go and one more time, recreate the sok. Go on like that probably with a less of the curve, go onto our editing mode, going toward the bottom. You want to go to the sites first, you are welcome to go and do that. Try to make this bottom line parallel when you are working on it, and then let's connect everything with rounder shapes on the sides. So going like that, again, if you have created some corners, go and soften them up. Again, inside and outside the shape. When you are done, let's go and create the shoe right here. So going with our brush and starting to create a rounder shape right here. Going like that, probably it will be easier to go from both sides. So let's go and create something going in that way. So again, if we need to try it out a couple of times, we will go and try it a couple of times. When we have it, let's go towards the bottom part and create a curve right here. So connect it with the overall shape. If you need to go to the 18 mode, go and do what you need to do with your editing tool right here. Again, when you are done, tap on the screen, if you have some corners or jagged lines or not so pretty connections work onto them. Make the overall look of the lines very, very nice, very, very smooth, very, very everything. When you are done, let's go toward this part and let's recreate it here, too. So probably we will create slightly different shape right here. Let's go closer to the bottom part and we will create the thing like that. So we will go toward the sites like that, and then we will just create a little part like that. So when we have it, we also can go and try to recreate this little part, but probably with this thickness of the lines, it won't be seen, and probably we will also need to work onto these little parts right here, so it will be seen right here. So spend some time here, create a nicely looking shape. And when you have the result like that, we are done with our girl, the lines for our girl. So let's move on and very quickly recreate all of these little additional elements. 9. Clean Lines: Additional Elements: Let's go one by one and start to recreate our additional objects. Probably let's start with something not so hard. Let's go to this little shape of the bowl and let's recreate it here. So let's go with one line with the same weight that we are using for our brush. So again, holding our line at the end with our Apple pencil, holding our finger on the screen. If we want to go with the rounder shape, go like that, create the shape like that, and let's go underneath it somewhere to the middle and start to recreate the overall shape that we will have for this crystal ball. So going like that, starting to make parallel lens to what we have for our main shape of the ball and going toward the bottom with slightly rounder shape going slightly outside this first shape. And when we have it, trying to make it even on both sides. So if you see that one part is a bit smaller or something, we will go to our 18 mode and adjust it, tapping on the screen when we are ready. And let's go toward the side and continue creating our crystal ball creating these rounder shapes onto this side. You can go with a full circular shape or you can go with some kind of the shoulder shape right here. Again, if you see that you can go and adjust some lines, make nice connections and the overall weight of the lines even everywhere, you're welcome to go and do that. If you want to go and maybe try out to create rounder shapes right here, you're welcome to work with your brush, with your eraser, create something goon in that way. Take a look at it from the distance, decide what kind of look you want to achieve right here. If you are satisfied with rounder shape, go and do the same onto the opposite side here too. Let's go like that. Probably I erased a little bit too much, so I'll try it out one more time. Going like that, trying to make the weight even everywhere. If we need to go over the line, we will go and do that. For now, we will go only outside the shapes and we will recreate them, so we are not going inside and creating these additional elements. Let's get back to our brush and let's go toward our little cool run right here. Let's go toward the top. Again, with one line, we will recreate the hold line and the end, go into our edging mode if we need to adjust something. Example, let's go with slightly smaller shape. So we are adjusting our notes right here. If you want to go with a less open shape, go and do what you need to do right here to achieve this look when you tap on the screen, and let's go inside and recreate this little part right here too. Again, with one line, creating our shape, trying to make it similar to the main shape that we have right here. So we will need to have the same level of space right here on both sides. If you need to go and maybe make it slightly open, go and do that. Try to make it even when you add tab on the screen, and let's go with one line and recreate this shape onto the bottom. So again, holding our line and the ends, go into our 18 mode if we want to adjust something. So for example, we can rotate it slightly to make it more rounded. I want to if we're a little bit beyond the frames on the top, it's okay. We can adjust it later on. So for now, spend some time here and adjust the roundness of this little body right here. When you are here, when you add, tap on the screen, accept the changes, and let's go and firstly recreate this little gap. So we are creating the line right here, and then we'll get rid of this line that we have onto the top. So with your eraser, work on this line when you are ready, let's get back to our brush, and let's go and re create this little silly legs. So go on like that and with one line or with a couple of lines if you need to go on and create these very soft triangular shapes. If you want to recreate this little one right here, you're welcome to go and do that. And straightaway, let's go and create these little facial features. I'll probably make it slightly cuter by moving the facial features slightly higher. So go on like that with our brush, creating our first shape for shape of the e. So you can go with a rounder shape with maybe not that rounder shape. So create the shape like that, tap on the screen, go to the opposite side, try to create something similar right here. So with one line, create an R shape. If we need to make sure that it's similar, we can move it closer to the previous shape and work on it right here. So we'll need to match the rotation, but it should be mirrored. And when we have it, moving it back to the opposite finding the placement for it, when we have the result that we like, let's tap on the screen. If you see that some parts are crooked, go and adjust them, of course, and then let's go towards the middle part between our eyes and create a little smile right here. If we need to go and adjust it with our 18, to go and that try to position it straightly at the center between our little eyes right here. And when you add in tap on the screen and take a look at it from the distance, decide whether you like it or not. If you want to adjust it, go and adjust it. But if you are okay, let's go and start creating our little bottles right here. So for the bottles, let's go first toward the bottom part right here of the rounder sheep, going like that, holding our one finger on the screen to make sure that it looks like nice and everything. So again, trying it out one more time because I accidentally accepted it. So again like that, creating a rounder shape, you can go with a bigger shape with a smaller shape, it's up to you. When you have the result that you like, let's tap on the screen. Let's go and get rid of this little part because we don't need it, and we will recreate this part right here onto the top. Again, with straight lines, creating two parallel lines on the sides, you can go slightly more toward the inside part right here on the bottom, making a nice connection as always, right here. Going to both of the sides, making nice connections with our previous shape, working with our brush, working with our eraser, nothing new here going toward the brush one more time and starting to recreate this thing right here onto the top. Very softly going like that and starting to create our shap. Creating a very, very soft rectangular shape or if you want to experiment, maybe you want to go with not a rectangular shape, but with more rounder shape or elliptical shape, you are welcome to go and adjust it to the way that you want it to look again, work with your brush, work with your eraser to create a clean look for these lines. Work on both sides evenly, take a look at everything from the distance. As always, when you have the result like that, we will need to go and create this quirk. So it is a little bit crooked right now, so we will need to go more toward the center and create our lines right here. Go on like that with slightly diagonal lines, go to the opposite side here too, trying to match the direction, taking a look at everything, one more time from the distance when we are done, continuing to create our quirk by creating a very, very soft curve right here on the top. Now when we have the result like that one more time, if you want to go and maybe work on these little connections, soften them up, go and do that both inside and outside. Work with your brush and work with your eraser. As always, go to both sides and create them evenly on both sides. When you are done, we're not going to be going toward the middle parts right here. We are not recreating the details right now, going toward our next bottle and re creating it here too. So one more time. If you want, we can go and create the bottle the same way as we have created our one. So we can go again to our wrench icon over the top left. We can go under Canvas, drawing guides, go into eight drawing guides and moving our sheet by drigging the blue note right here, go into the green note right here, adjusting the direction, starting to move it toward the center, so it will metre here. Find the center or an approximate center of these elements. When you're done, tap Done, go toward the layers. Make sure that you are on the layer where you have the lines, or if you want to go and create a new layer for this element, you are welcome to go and create it. We'll need to tap onto the layer, and we will need to use the option drawing assist. Now, let's go toward the bottle and let's recreate it right here. So going toward the bottom part first, let's create a straight line, holding it at the end, going toward the top part and starting to create this bottle shape. So let's go like that, and also we will work onto this corner right here. Of course, we will soften it up, create a curve into very straight corner, work onto the outside part here too. Make sure that the weight of the line is everywhere similar to everything that you are creating. When you have it, let's go and create this little shoulder part of the bottle. Again, trying to make nice connection, trying to match it with the previous shape so we don't have the extra work later on with our eraser, when you like the shape, tap on the screen, go toward the top, create this additional little line, the neck of our bottle. When we have it, we will go towards this part, and of course, we will recreate it too. Making a nice connection between the shapes right here in the middle. For example, we can go with slide curve like that. Try to make a seamless connection right here. If you see that it looks a little bit bulkier. In the middle, use your eraser and erase the parts that you don't need. Now let's go over the top and do the same thing here. Try to make this line parallel to the one that you have. On the bottom, again, if it looks a little bit bulkier right here, on the middle part, go with your eraser and erase the parts that you don't need. Now let's go and recreate these parts right here on the side. Working with our brush, working with our eraser, trying to make nice look for this part. Now the last thing that we need to do right here is to recreate our quirk, going like that, creating two lines. Actually, we are creating one line. It's automatically creating onto the opposite side, so let's go over the top and finish up creating our little shape right here. If you want, we can go and make the copy of this bottle or if you want to maybe create a different bottle, you can use the same tool that we are using right now. So I will probably make a copy, but firstly, let's go to our ring icon and turn off our drawing guide and also go into our list, tapping on the layer with our lines where we have this assisted little tool and selecting drawing assist from the list to be able to freely go to everything that we have right here on our canvas and adjust it to our liking. So let's go to our S ribbon icon. We will use the free hands method. We will go and select this bottle right here. Again, three fingers swiping down, copy, swiping down, paste. Now moving the shape slightly down. If you need to make it smaller or rotate it, we will go and do that. So find the placement for it. And when you have changed the size of the object, you also change the size of the lines. So we will need to go and adjust it right here. So firstly, accept the changes, tap onto the arrow key onto the top plat, and we will need to grab our eraser. Again, we want to be consistent with our lines. So we will go along the lines that we have right here, and we will make them slightly bulkier right here. So go and alon all of the shapes right here and starting like, making the lines right here one more time. So very quickly, let's go and do that. Now, when we are done, if we need to go with our eraser and aja something, we will go and do that. But also we'll need to go to our lyrics and make this inserted image a part of all the lines that we have. So tapping on it using merged down Opta. And now let's go and t create our little cat right here. So again, going with our brush, going with our eraser. Probably we can do it in that way. Let's go and create the shape of the ellipse or probably a circle, hold your line at the end, hold one of your fingers on the screen when we have the result like that, let's go again to our Rb and icon. Free hand method will select this thing like that. Go into our Aoki on the top left and we will use the option war right here. You can see we have this bounding box so we can go and adjust the shape very easily by going with our little notes right here. Let's go and make the shape slightly whiter on the bottom and slightly a little bit not wider on the top. So we are creating some kind of the bread loaf or something like that. Create the thing that you would like to see right here. I know that we are adjusting our lines right here, but it's okay. We can fix everything later on. So create a nice shape like that. Probably can go a little bit bigger. So try to make it even on both sides. When you have the shape that you like, let's tap onto the first icon that we were using. It was our Euban icon. And now let's go and adjust our shape a little bit. So probably, how can we do that? We can go to our list. We can create one more lay on we will go back to our layer where we have our lines. We will tap on the icon and adjust the opacity to the level that we can see on our screen but when it's not that bright and disturbing as always. Going back to our new layer, and let's go over this line that we've created right here and we will recreate it right here. The same way as always, creating our curves, creating them in a nice way, making nice connections right here. We are doing it because we want all our lines again to be consistent and to look nice, going over these lines and creating the shape in that way. So let's go to the opposite side. Let's create the sheep. So going like that, trying to make nice connections as always, holding our lines where we need to hold it and making nice connections right here and not creating any gaps and jagged lines right here. If we need to go either over the line or with our eraser and erase the parts that we don't need, we will do what we need to do. Now when we have the result like that, we can probably go and make it. In a nicer way, I'll try to do it one more time. So probably with this part going like that and creating the more like an open shape right here, trying to make it even to the opposite side. So when we have it again, go and fixing all the lines that we don't need right here. When we are overall done with creating this nice shape, let's get back to our list. Let's go to our main layer where we have all the lines. We will wrap our eraser and we will erase this part because we don't need it. Then we'll get back our maximum apasity tapping onto the icon, adjusting it like that, go into this shape that we've created for the hat for our cat, tapping, merge down, and continuing to create other details. Let's go toward the ears with one line or with a couple of lines. Let's create them. Go on like that starting to create nice connections with the oral shape of our head. Go on like that, making nice connection right here. If we need to go with a smaller size of the eraser, we will go and do, we will make a nice line right here. Going toward the opposite side, trying to match the second ear with the first shape going like that and creating something in that way. Probably too big, so trying it out one more time. Now when we have the shape for the second ear, let's go toward the body and let's recreate it here too. Firstly, let's go toward the color. We will go and create it in that way, creating the rounder shape like that and then creating the parallel line to what we have for our head. When we have it, if you think that it's too thick, you are welcome to fix it. If you are okay with it, let's create this little pendant right here, creating something like that, maybe. And when we are done, I'll probably go and with a smaller size of the brush created so it look a little bit better, so creating some kind of this shape and going toward the shape for our color. Getting back to our previous size of the brush of 6% and starting to recreate our legs right here. So let's go and create this leg right here, going with very soft shapes right here because it's a cat, because cats are soft. Going like that when we have it, let's go toward this little leg. And if you want to recreate it the same way as you have it onto your sketch, you are welcome to go and do that. If you want to experiment a little bit and maybe create something different, you are again, welcome to do what you want to do right here. So let's go with our eraser and erase all the lines that we don't need, making everything very cute and very soft and very smooth. When we have it going toward this back leg and starting to recreate it here too. So going like that first creating this bottom part of it and going toward the very bottom part and starting to create a very rounded chip right here. Maybe going slightly bigger with this part. Let's try it out one more time. Let's go with something like that. And again, we will finish up everything by creating this rounded chip for the bump. When we have the shape like that, let's go and recreate our tail. So let's go with similar shape to what we have onto our sketch, and let's go and create the thickness here too. Go and creating the parallel line to the first one that we've created. Now when we have it, let's go and recreate the whiskers firstly with the same size of the brush to go on like that, very boldly creating these two lines on both sides, and then we will change the size of the brush something slightly smaller. Again, 4% or so, and we will go and start to recreate our facial features. Let's first go to the nose. Let's recreate it here, creating it in a bigger way in a smaller way probably. In a smaller way, we'll look cuter. Let's go with very soft triangular shape like that, trying to make it even on both sides. When we have it, go to the bottom middle of the nose and create a mouth. Take a look at everything from the distance, decide whether the nose is enough of the size or if you need to go and adjust it. When you have it, we will go and recreate the ice. So let's go with one shape like that. So again, holding our line at the end, go into our editing mode. If we need to take a look at it from the distance, decide whether you like the placement and the size. If you want to adjust the size, go right between the nodes and drag the sheep with your Apple pencil outside. When you are satisfied with the shape like that, let's tap on the screen. Let's go and create another line right here inside. Go on like that and creating the space for our IRS right here. Straightaway, you can go and add the color inside like that. Now, let's go toward our Etraband icon one more time, free hands method, making a copy of this element, select it, free thingers down, using the option, copy firstly and then using the option paste again, firstly by slide three fingers down. Moving the shape to the opposite side, finding the placement for it, finding the same level for the eye. When we are done with it, tap onto the Ao key, go to your layers, tap onto the inserted image and use the option merged down. And if you want to recreate this little element right here, let's go and do that. Let's go with some kind of a moon shape right here, holding line in the end, go into our ten mode if we need to and creating the thickness for this part. Probably we can do it slightly in a cleaner way. So let's go and try it one more time. Hold an line in the end. If we need to go with our eraser with the smaller size of it, we will go and clean up our lines manually. Now, when we have the results like that, we can also work onto this part slightly. So we can go, for example, to our Rubon icon, select this element, go to our Aokey and if we want to rotate it, we will rotate it. If we want to make it smaller, we can make it small. Take a look at it from the distance when you are done. Tap onto the first icon that you were using. It was our rubon icon. And when we have the result like that, let's go to Earliest. Let's go and hide earlier with this gauge by tapping onto this check mark and check out how everything looks. For now, we need to make sure that every line that we have outside is closed, so we don't have any gaps with the environment. If you are sure that everything is closed, we are done with this part and we are ready to move on to the coloring part. 10. Base Colors: Begin our coloring part by doing the following. So firstly, we are going to our layers, and we will need to find our layer with the clean lines. We will need to tap on it and we will use the option reference. So that way, we will be able to use these lines onto this layer and recolor everything that we have right here on separate layers. So now when we did it, let's go underneath this layer with our lines, and from here, we'll create one more layer. Now when we have the new layer, it's time to begin coloring parts. Firstly, let's go to our color palette, and let's begin by selecting the color with the tattle skin. We will go grab our icon with the color and drag it to some of the skin areas. For example, let's go to the face. Then when we did it, we will go to the continued filling over the top and we will go to all of the rest areas that we need to recolor with the skin color, and we will go ra color them by tapping on that. Let's go through the arms, through the legs, and through the fingers too, and when we recolor everything, we will tap onto this check mark on the top where we have this color drop option. Now, let's make sure that everything that we recolored is recolored. If you have some small areas, they might be not recolored, so we'll need to go manually to these areas and recolor them. And when we have everything recolored, let's get back to our layers and we'll create one more layer on now when we did it, we will go to our color palette one more time, and let's switch our color to here and we'll go to the hair areas and we will recolor our hair. Let's go with our continue filling entry color these parts here too, and actually we'll go to this little part entry color it's here too because we have the hair in the back. Also, we'll need to recolor this little part right here as our fringe part, and when we are done with it, let's again tap onto this check mark as our color drop right here onto the top. Now when we recolor the hair, let's go to our layers one more time and create one more layer on top. Let's get back to our color palette and select this purple color. With the purple color, we will give tricolor everything that is going to be purple. So let's start from our hat. Go into the hat, dragging and dropping the color and continue filling, going through all of these additional elements that we have on the hat. Our little dress will be the same color, got to all of the areas that we have right here for this part and recoloring them too. Except our little bow right here and also go into these little back parts of our dress and tricoloring them too. With the same color, we will go toward our socks and tricolor them. And also, we can go toward this middle part of our little cauldron and tricolor this element here too. When we did it, we also could go to the stick of the one and tricolor it too. Entry color this little part here onto the top. Now when we have this, let's one more time go to our list and create one more layer on top and we will grab the color with the title Bo. With this color, we will go toward the main shape of the bow and we will recolor this little thing. We can go one by one and recolor it in that way. When we have the result like that, let's one more time, go to our lease and create one more layer on top and we will change the color to, for example, yellow sparkles. With this color, we will give tricolor the stars. Let's select one of them with color and we will go right here and tricolor this part here too. You want to go to some other areas, for example, maybe this little part onto the ones and tricolor it too, you are welcome to go and do that. We also can go right here to the cats and tricolor the moon part and this pendent part right here. With this color and when we have the result that we like when everything that we want to be yellowish is yellowish, let's go to our lays and create one more lay on top. Now, let's switch our color to blackish, and we will go with this color to some other areas. Let's first go to our shoes, go into both of them, recoloring them. It also will go to our cauldron. Everything that belongs to the cauldron should be recolored with this color. First if you want to experiment and use different colors, you are welcome to go and do that. When you are done with the cauldron, let's move on to our cat. Let's recolor everything that we have right here. As we'll go to the bottom part of our magic bow right here and tricolor this element here too. When we are done with this, either tap onto the check mark on the top or straightaway, go to the layers, create one more layer on top. Let's go and switch the color to something different. For example, let's go with the color of white. With the white color, we will go through all of these additional elements that we have right here. So for the ball right here, for the wings that we have onto our one to these little parts right here onto the bottles too. So we will need to recolor these parts here too. Let's go through all of these elements and also we'll go right here to our eyes in the cat on the cats and we will go and recolor these elements here too. Now when we recolored all of these elements, I actually wants to go and maybe recolor the hard parts in yellow too, so we can go very easily back to the layer where we have all the yellow elements and switch the color to yellow sparkles one more time and drag the color right here to this area. Now also we will need to go to these parts and tricolor them, but we will need to select a different colors. For example, we can go with orange and we actually can go to the same layer where we have all the yellow elements and tricolor these parts here too. Let's go to our quirks and tricolor them one by one or by using our continued filling option on the top. Now the last element that we will need to recolor will be our little color. Let's recolor it, for example, with pinkish colors, so we can go to our layer where we have the bow, so we won't be confused. We'll go and select the same bow color and tricolor this little part here too. Now when we have the result like that, we don't need our reference anymore onto Rl with the line. So let's go to our list. Let's go to Rl where we have this reference on W tap onto the lay and we will turn off reference by selecting from the list. Now to finish up with our basic colors, let's go and add some additional little elements right here inside the bottles and our little bowl right here. So we will go to our list and we will find our layer where we have our white elements and black elements here too. So let's go and create one more layer right here. We will tap onto this lee and we will use the option clipping mask. We are doing it because we want to stay inside the sheps and it will be easier for us to do it in that way. So firstly, let's go toward our crystal bull right here, and we will use the hair color. And let's go inside the ship, and we will create another circle right here. So let's go like that with one line creating our shape, holding it at the end of the line with our Apple pencil and holding one of our fingers on the screen. Go into our option of 18 mode over the top and dragging this ship more toward the center. Now when we are done, let's tap on the screen and dragon drop the color inside the ship. And then let's go toward these little elements right here onto our bottles. We will switch the color to blue, and we will first go toward the middle parts right here and create the bluish outlines right here. So basically, with this color, we will need to go with probably smaller size of the brush. We will go and step a bit from the side of our bottle and we will go and recreate the ship. Very easily and very quickly, let's go and do that. We don't need to go with very much of the precision right here. We just need to go and repeat the shapes, and we need to do it by using the method that we used before. We need to not have any gaps into our lines. So when you created the shape like that, dragon drop the color, and let's go through all of the bottles and create something similar here too. So stepping a bit from our sites and from all the lines that we have outside and repeating the shapes that we have for our bottles. Now let's go through all of these elements, creating seamless lines, try not to have any gaps because other way, we can't add colors inside. Dragging down the color when you are ready, if you see that you can go and maybe create something manually right here that will look nicer. You are welcome to go and do that. Let's finish up by creating this rounder shape on the bottom, the same way, holding our Apple pencil, holding one of our fingers, creating our shape, going and finishing up, creating the shape, by creating the lines on the top, closing the shape, and dragging and dropping the color. Now the very last thing will be to go right here to these bottles and add some liquity parts. So as a part of our basic coloring part. Let's get back to our list, and one more time, we'll create one more layer on top, and again, we will tap on the lay and select clipping mask right here. So now we want to go inside these bluish elements that we've created and we want to fill them with the color. How can we do it very easily? So we will get back to our previous layer where we have these bluish outlines, we'll tap on the lay and we will use the option select. Now we've selected these bluish parts and we will go back to our lays. We will go to this new layer that we've created and we will then go to our color palace to select some colors. For example, let's go with hair color or bow color, and let's go and recolor two of these elements. Very easily, we are going toward these parts right here and starting to create the liquidy parts. So you can go with a bigger size of the brush and very easily go like that and recolor these little elements. If you need to adjust something, select the eraser and adjust the parts to your lichen. For example, we can go with maybe different sheep right here. You can experiment and create something that you would like to see right here. Now, when we did it with this part, let's go toward the bottom and with the same color, for example, we will create slightly smaller parts right here onto the bottom. And when we have the result like that, let's one more time switch the color to, for example, purple. And when we have it, we'll go to the last bottle that we have right here and create this liquid de part right here too. Now, when we are done with this task, let's tap onto our traban icon to see clearly what we did right here. If you want to go and maybe adjust something, maybe adjust the liquidty part or something else, you are welcome to go and do that. When we are done with this task, we are done with this basic coloring part. So let's move on to our next part where we'll add some additional little details. 11. Shadows: Let's begin this part firstly by going to ear layers as always, and we will start from the bottom. So we will go to Earlier where we have our skin and we will add some details here. Let's create one more layer on top. We will tap into this new layer and use the option clipping mask. When we did it, let's get back to our color palettes and we will first use the color with the title cheeks. So for this element, we will go to our underneath parts of the ice. We will select the smaller size of the brush, and we will go with the shape like that. Create the shape, hold it at the end. If you need to move it, go to the 18 mode, adjust it slightly. So for example, let's go with something like that, not too big, not too small. When we have it, we will need to make sure that the ship is closed, have no gaps inside this shape and dragon drop the color inside when you are ready. Let's do the same onto the opposite side here to go into the opposite side, curtain R shap, try to make it similar size wise to what you have onto the opposite side. So if you need to adjust it, go to the editing mode. When you find the placement, tap onto the screen, make sure that you have no gaps into your line and drag and drop the color inside. Now when we have it, let's also go and change some parts by adding the shadows. What we need to do is to either use this same color that we are using right now or create a different leaf. So for example, let's try with the same color. We will go underneath the shape of our hat first, and we will elongate the line that we have right here for our main shape of the hat. When we have it, we will go slightly down and we will go with a bigger size of the brush and very easily add the color like that. That way we have a nice shadow right here. Let's add one more shadow, but we will di it right here once our legs. You can rate a canvas like that and we will go slightly lower than our skirt ends. For example, somewhere here and we will create a little shadow like. When you have it, we will go to the opposite side and we will do the same thing here. Following the direction, you can go with a slightly rounder shape right here. We will have some of the illusion that our legs are not just two lines like that and they are not two dimensional. So when we have the results like that, let's go to some other areas and we will add more shadows. Firstly, let's get back to our layers and let's work with our here. Let's create one more layer on top. Let's tap onto this lay and let's use the option clipping mask one more time. So when we have it, we also would want to go to the icon right here and we will change the blending mode, so it will be easier for us to add our shadows right here. So let's go to the apate slider and set it to something around maybe 40%. If it's not enough or too much, we can fix it later. So when we did it, let's get back to our color palettes and select this purple color, and we will go towards some of the areas right here once are here, and we'll add the color here. So let's first go underneath the shape of the heat and we will go with a big curve like that, following the direction on the line right here and it's curvature. Adding the color inside the line and when we have the result like that, let's go to the back parts of the hair. Right here underneath the shape of the face and right here on the opposite side. You can go and create some kind of shadow like that. As we'll go right here underneath the shape of the hair one more time underneath the ear, and we will go and create some kind of peculiar shadow like that. Go with a brush, creating some kind of a shadow, you can add some kind of volume with this shape and create something very, very nice right here and following the direction like that and creating something in that way. Now let's take a look at everything from the distance and decide whether we are satisfied with the amount of opacity. We can probably go to this layer where we have our shadow, tap onto the icon and adjust the opacity slightly so it will be a little bit more voluminous overall. Now, when we found the amount of opacity that works for us, let's tap on the layer to close this window, and let's continue by going to our shapes with the purple elements and we will go and add some shadows here too. Select the layer, create one more layer on top, tap on it, select clipping mask, go to the N icon, change the blending mode to multiply, and one more time, let's go with something round, maybe 50% of apaste. Let's switch the color to this dark purple and let's go right here to the back parts of our hat and let's add the shadows right here onto these elements. Now, when we have these parts done, let's go toward these little parts and we will recolor them differently too to add some interest to the picture. Also, we will just need to go to these little parts, the back parts of our skirt and create the shadows here too. Decide set the amount of opacity. If you want to go a little bit further with the opacity level, you are welcome to go and do it. You can go with maybe slightly lower opacity level or slightly higher opacity level. It's up to you. Find what you like right here. And when you are done with this task, let's continue by going to our next layer. So it is our pinkish layer. Let's go to it, select it firstly, create one more layer on top, tap on it, clip in mask, go into our multiply blending mode. Let's one more time switch the opacity to something around maybe 50% and changing the color to the bow color. With this color, let's go toward our bow and we will go right here toward the middle parts. As you remember, we had these elements onto our sketch and we will go and create these little parts right here, some of the folds. If you want to go to the part, you are welcome to go and add some details here too. If you are satisfied with everything, let's go to our next layer, which is our yellowish layer and the layer with the quirks. We don't need to add anything right here, but we will need to add some elements to our cat. Let's find the layer where we have our additional elements right here for the cat. So let's go above all the layers that we have right here, all the layers that are clipped. We will create one more layer on top, tap on it, create clipping mask, and we will go to our color palettes and switch the color to white. With this color, we will go and firstly, we'll need to figure out what amount of opacity we want to see right here because we are going to be working with our inner parts of the ears. Let's go, for example, with something around 35% and we will change it later if we need. Now with the smaller size of the brush, let's go inside the sheep that we have for our ears. Let's go and create something going in that way. You can fix it with your eraser if you need to. And also with the eraser, we can go and add some interest by creating a little detail like that. We also will go to the opposite side, of course, and add the similar thing right here. If you have some extra elements to erase, go and erase them, create this little element right here on the middle part, so we will need to match it with our previous ear and create it in that way. As we will go to our brush, and we will go with the bigger size of the brush to our little cauldron right here, and we will add the peculiar little detail in the shape of the halt right here. When we have it, we need to see whether we like the color that we use for this element. If we don't like it, if we want to go maybe with something more interesting, more peculiar, not that super white, but something that will benefit right here and make the color interesting. We can go and do the foam. We can go to our layers. We can go to this layer that we have our details on, tap on it, and use the option Alpha log. When we did it, we can go to our color palettes and, for example, switch the color to red orange or off white sparkles, and we can go with a bigger size of the brush and try it out right here. So this color is a little bit too dill, so we can go maybe with the background color with skin color, red orange. You can try out different colors right here and find what works for you. For example, let's go with maybe off white sparkle color and try it out right here. The color look nice, and when we have the result like that, we are done with our cats and we are done with our cauldron. So let's go and work onto our bottles and all of these little additional elements. So first, go into our layers. We don't need our alpha log right here anymore, so let's tap on the layer with the alpha log. You can find it by taking the right here and you will see the checkerboard. So let's tap on it, and let's turn off Alpha log by selecting it from the list. And then we will go and start adding additional details right here onto the bottles and our crystal. So firstly, we will need to find where we have these elements. So this is right here. Let's go and create one more layer on top, tap on it, like clipping mask, and we will need to use this middle parts. We will go to the layers where we have the inside parts of our elements, and we will tap on this lay and we will use the option select. Now, getting back to the new layer that you've created, and we will change the blending mode to multiply one more time. Let's again go with something around maybe 40% of opacity and we will first go with the pinkish color. Let's go and select this bow color and we will go toward the bull firstly and with one line, we will go and create this bottom part of it. If you don't like how this color looks, you can go and maybe try out the purple color. Let's go and try it right here and we can use this purple color for every bottle and every element that we have right here onto this. So let's go toward this pinkish part or purplish part with the color that we already selected, and you can see that it doesn't work right here because we are selecting not this part that is purplish, but the part that is our whitish part. Let's go again to our layers and we will find the layer where we have the additional colored part. We'll tap on the layer and use the option select. Now when we have this selected, going again to this layer where we have our little bottom part of the crystal ball and we are going to the top part of these little elements and adding our additional color right here. Let's go over the top right here and add some of the volume to these parts going towards the bottle right here maybe with this color, let's try it out right here. If you don't like it, switching the color to, for example, blue or red, even red, going right here and adding the additional color. As for the two parts, we don't want to go right here and add something here. So let's go and deselect everything by tapping to S ribbon icon. Now, when we have the result like that, we are done with our shadows and we can move on to the next part where we will add as many sparkles as we like. 12. Final Touches: Begin this part firstly by working on our hat. For the hat, we want to add some pattern right here. Let's go to this folder that you downloaded, so we will go to our brush library and we will go to the UniSA brushes. Let's find the brush that has the full star. So the brush is called star full. Let's select this brush, and let's go to our color palette to switch the color to yellow sparkles. When we did it, let's get back to our layers, and let's go and find the layer where we have our hat. We have one layer clipped on it so we can go above it or underneath it. Let's probably go and select the layer that we have for the mint color, and we will create one more layer from here. Now, without changing the blending mode, we will go toward the top part of the hat, and we will go and with a bigger size of the brush, start to add some pattern to our top part of the hat. So go like that, and you can see we are not going beyond the frames. We are edging our little stars very nicely. You can either go toward the bottom right here and add maybe a star right here and try not to go to the area that we have on the bottom of our head. So when you are satisfied with it, let's go towards our brush library one more time, and we will change the brush to sparkle full steel. Let's select this brush, and with the same color, we will go and add some sparkles. So let's go with smaller size of the brush probably even smaller than right now, something around maybe 5% or so, let's try it out. 6%, 6% looks nice. Let's go and try not to overdo it, but add a couple of these yellowish sparkles on the hat. So for example, let's go with something like that, and the same way, we will go towards the dress right here and we will add a couple of these details right here too. For example, let's go with three of the sparkles of yellow color. When we're done with it, let's switch the color to off white sparkles and let's go and add more sparkles to our head. You can go with the same size of the brush or you can go with slightly bigger size to have some difference into the additional elements. And let's go all over the place and add our little sparkles here. And when you are down with the top part with our hat, we will go toward our dress and we will add the sparkles here too. For example, let's go with something bigger size wise right here and go all over the skirt and add more of the sparkles. For example, let's go with something like that, and when we have the result like that, let's get back to our brush library. We'll get back to our calligraphy folder, we'll select our monoline brush, and we will go with a smaller size of the brush, and we will add more sparkles here. Let's go to some blink spaces right here and we will go and add some beautification in the shape of the dot. Going like that to address, creating these details, going to the top part here too to add some interest here too, for example, and then continue by going to our hat and maybe adding some details here too. Again, try not to overdo create it in a very nice and very even way. And when you have the result like that, let's go and do the same with other elements. Let's go either one by one to all of these elements right here, or we can go and create just one layer on top and add the sparkles in that way. Let's go toward the top to this layer that we have on the top before our layer with the lines and create one more layer here. Onto this layer, let's go with our off white color, and let's start adding some sparkles to some other areas. For example, let's go to the cauldron. Let's add the smaller details right here. Let's go toward this part and add some details here, too. You can switch the size of the brush and add the bigger size and smaller size shapes right here to the elements. Let's go through all of the bottles and add the details here too. You can either go toward the corks and maybe add some peculiar little touch right here with this element. And when we have the result like that, let's go and switch the color to white. So when we have the white color selected, let's go toward the top part right here of our bowl, and we will go and create a big sparkle like that. So creating a rounder chip like that. If you need to change something and maybe smoothen up something, we are welcome always go to our eraser and adjust the parts with our eraser. If you want to go maybe with even smaller size of the brush and add some sparkles here, too with white color, you are welcome to go and do that, too. Let's go again to our bigger sets of the brush and let's go toward our bottles right here and maybe add some peculiar little additional elements right here. For example, this will be our love potion, so we can go right here and add some kind of the heart. So very easily go either manually or you can go to this folder that you download. You can find some hearts there too. Create the element and if you want to go some other bottles and maybe add something there too, you are welcome to go and create these additional elements there. Here we can go toward the top and add some peculiar little details. So for example, going like that and creating something in that way. If you feel that this part is a little bit too bright to be a sparkle or some kind of the glass elements, we can do the fol. We can go with eraser. We can select it, and we can go to the slider that we have right here onto the bottom. So let's go and reduce the opacity of the brush, something around maybe 20 something percent or 30 something percent. And we can go to these parts and reduce the opacity of this element to the level that we would like to see right here. So when you found the level that looks good, we also can go to some other areas. So for example, to other bottles and we can follow the direction like that and create some kind of the glass effect. And when you have created these elements, again, with our eraser and with the reduced opacity or the eraser, we can go and add this nice effect right here. Let's do the same with this little bottle, maybe creating something peculiar and one more time, reducing the opacity to the level that will look nice. And when you are done with this task, don't forget to get back your maximum opacity for the eraser, and let's get back to our brush and see what else we can do right here. So for example, we can go and maybe add some pattern to the color right here, so you can go and maybe add some dot or something like that to add some interest. And when we have the result like that, let's also go with the smaller size of the brush to some other areas. So for example, to the dress and maybe to the bow and some other little parts, and we will go and add a few more sparkles in that way. Now when we have the result like that, let's go toward our one. Let's add a couple of sparkles here, maybe to the stick right here too. Then when we have the result like that, let's go and add some sparkles to the hair. As we have them on a separate layer, let's go and find it firstly. This is our lay with the here. We will go to this layer where we have our mint color and we will create one more layer right here. Let's again start by selecting the color that will be off white sparkles and we will go again to this folder that we used for our sparkles. Unit brushes, sparkle full steel brush and go into the hair and starting to add the highlights, the sparkles all over the place. You can again experiment with the size of the brush that you are aging the sparkle with and just go along the whole shape of the hair and start aging the sparkles. If you want to switch the color to white or to some other color, maybe something yellowish, you are welcome to go and do that. If you did something, if you don't like the pattern that you came up with, you are welcome to erase some parts with the eraser and maybe try out something different right here. When you're done with the sparkles here, let's get back to our brush library. We'll go to the calligraphy folder, one Line brush. We will switch the color to white one more time, and we will go and add some dots right here to add peculiar little details. You can go again with a different size for the brush. Try not to overdo it, try to create just enough of these elements so it doesn't look too overloaded. When you are done with this task, let's go towards the ice, and we will add some kind of the highlights here too. So let's go toward As. We will go to Ayer where we have our lines. We will create one more on top. And let's go toward our eyes. We will go to the top left parts and we will start to add the highlights here. So go with a big highlight like that, create one more underneath if you want to and do the same onto the opposite part here too. So try to match the size right here and the position of these elements. If you want to go a little bit bigger with them, you are welcome to go and do that. If you want to create the different shape, maybe use the brush that you have into your folder and create theples in that way. Now let's finish up creating some elements by going to the cauldron and adding some bubbles here. So for the bubbles, firstly, let's go to our color palettes and select dark purple color. We will change the size of the brush. Let's try out, for example, 13%, firstly. This is a little bit too small, let's go slightly bigger, maybe something around 20%, and we will go and start to create a bubble like that. We will go and change the size to something smaller, creating the bubble inside, and then go in with some pattern outside the shape. So you can again, go and switch the size of the brush. Now when we have the bubbles like that, let's go and change the color to purple, and we will go inside with slightly smaller size of the brushes, and we will be aging the inside parts of the bubbles. Let's go through all of these elements and let's start aging our inside parts of the bubbles. When you are done with this task, let's go and add maybe some sparkles right here inside the crystal ball. So let's change the color to yellow sparkle. Let's get back to our brush library, unison brushes, sparkles still full. And we'll go right here and add some peculiar little sparkles right here. Again, try not to overdo it if you want to go some other areas and maybe add sparkles there, too, you are welcome to go and do that. And when you are done with these sparkles, we are mostly done with our illustration, but if you want to go a little bit beyond the frames of the illustration and add some sparkles outside. Let's go and do that. We will need to go to our layers. We will create one more layer on top. We will go and change the color to orange sparkles and with the same brush that we are using right now, we will go outside the shapes and we will go and add some sparkles here to fill up the empty areas and create some peculiar little details outside the shape and add the final, the finished look for our illustration. So again, go with different sizes for the sparkles. Try not to overdo it. You can use different colors here too. So for example, don't limit yourself with only using this color that you have right now. You can go and switch the color to either off white sparkles or to white, and let's go and work with this color too. For example, let's go with some kind of smaller shapes right here or something. Different right here. So again, try not to overdo it at enough of these elements, and when you are satisfied with the sparkly parts, we can get back to our brush calligraphy folder, moon line brush, use the same white color and go with some dots right here, too. So add some little duets right here with this brush that you are using, and when you are done, we will do one last thing. We will go to some of the lines and we will soften them up to create a nicer look. So let's get back to our layers. We will go to our layer where we have our lines. We'll create one more layer on top, and we will tap on the layer and use the option clipping mask. So let's go back to our color palettes and select dark purple color, and we will start by going to this line that we have right here onto our head, and we will go and recolor it. So manually very accurately, go like that and starting to recolor this line. Probably it will be easier to start with the very, very small size of the brush, go toward these outside parts, make nice connections, and then change the size of the brush something bigger and either with one line or with a couple of lines like that, very boldly recolor the rest of the lines. Now with the same color, we will go to these little parts that we have for our folds and for our peculiar little details, and we will recolor them. So going like that, starting to recolor these lines, we also will go toward these little parts. So basically, we are going to main lines that we have inside and we are recoloring them with this softer color. So let's go right here. We will create the nice connection between the shapes. We will go toward the opposite side right here, too, and then with the bigger size of the brush, recoloring the rest of the line. And going to these two lines that we are created for the faults or for some volume right here onside the skirt and recoloring them too. And the very last thing will be to go right here to the sock and we will recolor this bottom line right here. Again, the same way as before, creating nice connections between the main shape and adding the color to the rest of the line and doing the same onto the opposite side here too. Go toward the opposite side and recoloring the line right here by the same way creating the nice connection right here. Now let's take a look at everything that we have right here and if you are satisfied with everything if you don't want to recolor anything else and maybe add some details, we are done with our illustration. Thank you for watching this class. Let review if you liked it and can tin subscribing for Mirkai videos in the future. Looking forward to seeing your projects.