Video Editing in DaVinci Resolve 18: Beginner to Pro Complete Course

1. INTRODUCTION: What's up, guys? My name is Rosanna, I'm dead, and I've been in video editing fields in 2012. And in this course you will learn how to edit your video from basic to advanced level. First, we start from beginning level where you will learn the basics of dementia. Dissolve how to edit your videos into venture is all. You will learn the pages of Da Vinci, resolve how to use them, how to work with them. And then we move on to our advanced training, where you learn the advanced technique to edit your videos, to improve your video, to add amazing texts effect, amazing video effects, and etc. So if you want to learn video editing from beginner to advanced level interventions or Dan joint is training right now. 2. Download & Install: Now to download the debentures, although it is set for the ventricles. All 18. We have this very first link, Blackmagic design.com. Click on this link and it will take you to the download page. Now we have two options. We have the free version and we have the studio virgin. If you want to buy the studio version, then you can do that in here. Now I'm going to download a free copy of the dendrites already. So I'm going to click on this button. And now we have this window. And we have three options. We have MacOS, Windows or Linux. I'm using Windows, so I'm going to select Windows. Now you need to fill this form in order to download ventures all 18 version. Now click on this digits two and download button. And it will give you the free copy of Da Vinci's already in. Now, if you download does not automatically start, then click on this button. As you can see, mine is already downloading. Now extract the zip file. Now open the folder, Refresh, open the folder and we have this EXE file application. Now, double-click or you can right-click and open the file. Now right-click and click on open to install the ventures already. Now it is updating the file. Click on yes. Now Jack, all these except for fair or medical acceleration utility. Now click on Install and it is now installing our derivatives all 18 setup. Now as you can see, we have this window click on Next, click on ISF, the term click on Next, select your location here, click on Next and click on install. Now in order to run the adventures all 18, we need to restart our computer. So I'm gonna do these dark mine. And now we have Da Vinci Resolve 18 right here. Now if you opening these for the first time, you will see this window click on the Continue, click on start. Now I will delete the result is now launching. This is my previous project window. So I'm going to abbreviate in order to recover my all projects. Now there we go. They are all my products. This is how you can install and download them and use all 18. So let's create our first project by double-click on this untitled project. And we have these different years old, 18. 3. Davinci Resolve 18 Interface: So this is the interface of Da Vinci Resolve 18. Now, unlike other software adventures, all is divided into these pages. Now every single period is performed a different task in media paid, we add our media, we select our media and incurred per week at our media and align them in diamond and inadequate. You can do the actions of these values, but you can also do the editing. Now infusion paid, we add visual effects to our videos in color, correct. And color grade our videos inferior light, we added our audios. And now in final big driver, you can export your video. This is the interface or 2 " or AD. And now I will be explained each one in depth. So let's get started. 4. Project Window: So guys, this is the project window. Now you can change your thumb from here. You can create a new project, you can import a project, you can add a folder. And in here you can also right-click on your local database Open file location. Open this folder. Open this folder and open the guest. And if you open the projects folder, we have all our projects that we created into ventures or 18. This is your local database. Let me switch this from here. And now you can also modify your projects according to rename, data modifier, timeline, format, and frame rates. Now, let's create our new projects. So you can also click on this new product, or you can double-click on this untitled project to create a new project. And there we go. This is our first project. 5. Media Page: So guys, the first page is a media page. Now you can select your media in every single page. So what is the main purpose of the media paid? Why it is a separated page. While the main function of the media bit is you can select a video, drag it in media storage, and it will show all the videos that are available in that folder. So you don't need to go back and forth in order to select them there you can select the media in this folder. In other pages, you only select a video and it will show that video to you. You can also obtain the project frame rate according to that video. I'm going to change it. If you don't want to deselect, don't change. Now our project frame rate or change according to this video. Now as you can see, we have only one video, but in media we have all the videos that are available in that folder. This is the preview window of the media. Now you can select a video and then preview that video. You can also stop that video, and you can also load that video. Now you can also use this in order to preview your video. You can mute your audio, you can visible your audio. You can also listen to the audio track. E.g. if I go to audio drag and now I'm listening to the audio drag and visually wearing my audio track. Now you can also use the annotation. So what is the annotation force? You have to select the source. And you have to drag this video in this timeline in order to track a marker. Let me explain to you. I'm going to delete this video. And now if I select this video and use this annotation and I select a mark. Now, it is visible right now, but if we play the video, then it will disappear. So in order to set a marker, you have to select the studio, drag it in the timeline. And now you have to just place a marker. Select this video, and now place the marker. Now we have the marker. Now you can also join the marker. You can also change the brush size, e.g. this. So guys, what is the main purpose of the annotation? Annotation is used to highlight something in your video in a specific location like this. Now you can also delete a Margaret if you want to deselect a marker, press Delete key on your keyboard and it will delete that Margaret. Now we have the metadata that carries the information of your video. We have the inspector that we'll see in edit page in-depth, and we have other features as well, but this is the main purpose of the media pool. Now let's move on to our next wave, which is the cart page. 6. Cut Page: So now before we go to the cart page, let me just select two clips and now go to the garbage. And now in cut paper, we have these two clips. First, I'm going to drag this clip in our timeline. And you can drag your timeline in order to preview your video. Or you can just click on these three playhead. And you can freely or video like this. So now this is our preview window. In our preview window, we can play this video, we can look this video. Now we have these tools which are available in cart page. So now these are the inspector features. We have this transform controls, we have groping, we have the Dynamic Zoom and etc. And now you can also fast forward your video. Now I'm going to lock my timeline. Now you can also trim your clips by select the n part of the clip or the starting part of that clip, and drag this to the left side in order to trim the end part and select the starting point, and drag this to the right side in order to trim the starting point. Now you can also click here, and you can also choose the bot for your video. Now we have this clean. Now I'm going to drag another on our timeline. There is another way to do that. We have these tools as well. You can place on top or you can just drag this andro of this on top of our first clip. But if you want to use this, all you have to do this. Select a clip, selected position, and now just click on this icon and it will place your video on top of this clip. Now we have several option as well, but the best way to do that is just drag the clip and drop this on your timeline. Now we have this audio only and video only, which also allow us to view all the audio or the video only. If I select my this video, you can see we have the video only, but if you want the audio only all you have to do this. Click here and drag this video right here. And we have the audio of that clip. Now I'm going to do select and delete this audio as well. Now we have these tracks option. You can also delete your drag or you can also delete the Amtrak. And it will delete the Amtrak. Now guys, you can also lock your drag. And it will not move until we unlock our drag. Now, it will move. Now you can also mute the track. You can also disable your thread. Now if you were disabled, it won't show the preview of that clip. And it won't also rendered that clip. And I'm going to enable this, and now I'm going to trim this part as well. Now guys, you can also split your clips by clicking on this icon. Now I'm going to select my desktop and I'm going to click on this split clips, and as you can see, it will split our clips. Now I'm going to select this part and I'm going to press backspace in order to delete that. So this is not the main functionality of the cut, but what is the main functionality of the cartilage? So let me just select these videos and delete this video. Now we have three videos similar to each other, but with different camera angle. So now I'm going to click on the sync button and we have the videos play at the same time, but with different camera angle. You can also work with different camera angles, multiple videos, you can just select an area, e.g. if I want to select this video, this area, all you had to do it is click and it will automatically trim that area. Now I can select this from this preview window and drag this on our cut will timeline. Now for the second clip, I just want these clips, so I'm going to select this. Now. We'll drag this right here. Now for this clip, I'm going to select this second clip and drag this on top of this clip. Now you can also join the preview window by clicking on this source tape. Or you can just click here. We have the timeline preview. This is for the timeline preview, this is for the trimmed clip preview, and this is for the sink been preview. And now we have these three clips so that this is the basic functionality of the gut page. Now let's move on to the next page, which is NADH. 7. Edit Page: Insector: Now I'm going to drag this video in added page media pool. And if this is not visible to double-click on this media pool and it will be visible and effects as well. Now let's drag this video in our edit page timeline. Now first start with the Inspector. So what is the inspector? Inspector is the property of a video, audio, factorization and etc. So what is the transform chromosome is like if you want to zoom in or zoom out, if you do, if you don't select your video before applying any effects in inspector, then it won't work. So first you have to select your clip and then you have to zoom out and zoom in your video. You can change your position, you can change your angle. You can change your anchor point as well. You can pitch the video, you can show the video, and you can flip the video as well. Now, if you want to reset this, this transform, all you have to do just click here and it will reset all the effect that we applied in transform. But if you want to reset a single effect, all you have to do this, click on that effect and it will reset that effect. But if you want to reset all the effects, just click on this transform, Reset and it will reset all the effects. So in our next is cropping. So what is grabbing groping is like if you wanted to crop your video, you can do that from here. You can also soften the edges of the globe. Now in Dynamic Zoom, we can automatically applies them for this effect. I'm going to select a picture. So I'm going to select this picture. And as you can see, this is a picture naught. Now the Dynamic Zoom is automatically apply as Zoom to our video. You can zoom out your video, double-click here. You can swap the effect and it will zoom in your video. Now you can also change the Dynamic Zoom is it's like animation style. Now starting slow. Now it will add slow. And we have the ease in and ease out. Now let's restart this Zoom. Now we have the composite moles. So now I have this length layer. Let me just put it onto this picture of fine. Now in composite mode, you can add effects like this. You can screen this effect. You can also decrease the opacity of this effect. If you want to know, let me just delete this by pressing Backspace. Now the next is this region. So what is this butane? It changes the speed of our club. You can increase this period, you can degree this bleed like this. But if you decrease this way, then you have to increase your video length as well according to the speed. Now I'm going to set this to normal. And I'm going to set this right here, plays decided. Now you can also reverse your video, e.g. if you want to reverse over, then you can do that from here. Just click on it and it will reverse your video. You can also freeze frame your video, like click here. If you want a free this frame, it will freeze that frame, but not the whole video. Now, I have to redo right here. Now you have to select the correct mode in order to stabilize your video correctly. So we have three more. We have perspective similarity and we have translation. So if your video perspective is changing, then you need to select the perspective. If you're VDO position is only Jenny, e.g. my video is doing this and this, then I need to select the similarity or transition. But if my video is changing its perspective, e.g. is by video is doing this, panning the camera from ground to the mountain, then I need to select the perspective. In this video of my perspective is changing. So now I have to select the perspective mode and now click on destabilize. And now have a look. Now, if I select this molarity, you have to click on is stabilized. Once again. To stabilize your video. You can see we have a shaky video. So in order to stabilize this video correctly, I need to select the perspective. And I need to Jane this mode in Greece to 0.5 and grow to 0.7. Now let's stabilize. So every time you change something, you need to click on this button stabilize in order to stabilize your video. So I'm going to do stabilize and it will take longer than usual. So now we have the stabilized video. So now in this video my perspective not changing, only the position is changing. So what I'm going to do is I'm going to do select this similarity. And I'm going to select the Stabilize button to stabilize, it will do. Now have a look. My row is now stabilize. Now I'm going to decrease the groping ratio. Now stabilizing once again. Now we have this video. So this is how stabilization work. So now we have the next option which is lens correction. You can correct your lens distortion from this option. So d time and scaling is for the highest resolution preview for your videos, I recommend don't change any setting because it will affect your machine and it will slow down your edit process. This is the inspector. Now we have the audio inspector as well, but we will see this a lot. 8. Edit Page: Preview Mode: Now there is another way to use the inspector of your video. This is a preview now and we have this preview modes. Now here first we have transfer mode. Now, if I zoom in my video, you can see we have the value chain in Zoom. If I zoom out the video, the values will change. Now you can rotate your video as well if you want to. And the second option is the globe. So first I'm going to restart my Transform. And you can crop this very easily using this preview window mode. Now the third one we have the Dynamic Zoom. You can also control the Dynamic Zoom. You can enable a Dynamic Zoom here and here we have the Dynamic Zoom. And then you can change your dynamic zoom range from your preview window like this. And now here we have the preview window, then M Zoom. Now the next one is the Open FX. The Open FX is used to control the effects on your preview window. So e.g. I. Have this effect called light rays. And if I apply this effect, you can see we can control this effect on your preview window. Like this. You can even chain the land degrees of brightness. And now I can change its direction. Now the next we have the fusion overlay. So what is diffusion overlay in effects? We have these effects. You can e.g. I. Have their Digital Glitch. I'm going to drag this and drop this here. Now I can control these effects on screen. These are the three main effects. So we can control these on our preview window screen using the preview window mode. And finally we have the annotation. Now let's delete this vision and delete the Open FX. Now, the final option is the annotation. Annotation I explained to you earlier that it is used to highlight something in your video, e.g. this is the point I want to highlight. This is the one. These are the marker to highlight something in your video. You can also delete them if you want to just press delete key and it will delete. Now you can also turn them off if you want to just click here and it will turn off. If it is highlighted, then it is enabled. Now in preview window, we also have a match for emotion. So if you click here, this is the original source video that we cut. So e.g. if I want to select this part of my video, then I need to press, I press 0. So this is the range that we do. We are selected. So I'm going to drag this and drop this right here. And that part will be selected in our timeline. You can also select the video part using these match frame. 9. Edit Page: Timeline Modes: So guys, as you noticed, we have several moles in our diamond. So our first mode is a selection mode. So what it does is select everything that are in our diamond, e.g. the cursor of the timeline, the tracks as well. To our next mode is the Trim Edit Mode. You can access this mode by simply press the T on your keyboard shortcut key. And you can just select your video and drag it to the right side or to the director to select a specific part of your clip. Now, our next mode is the Trim Edit Mode. So first let me just select this lecture mode. And what it does. If I select this, we have the yellow cursor up here. And now if I play my video, you can, We will the part of your video over and over again to see if that part is necessarily or if you want to cut that part out. To cut that part out, we have the blade mode. What it does, it split your trip. So select the blend mode. Click here, click evolution where you want to split your clip and it will split your lip. So as you can see, I have four different lips now. I can now edit them separately. Now I'm going to select the selection mode. And now we have these three more data used to insert our media. Our first mode is the insert limb. So what it does, if I want to insert the clip between these two clips, then I can come over here, select a clip, and now click on it. Insert glib, and it will insert directly between these two clips. Now our next mode is the Overwrite clip. So what it does, if I want to override this clip, then I can just come over here to the starting point of this clip and then select a clip. And now click on this, alright, and it will override that clip. So our final insert mode is the blaze clip. So what if you want to replace a clip in your timeline, then you can do that as well. It's very easy. Just select it and select a clip that you want to replace two. And now click on this Replace clip, and it will replace that clip with the new updated that you selected in your media pool. Now we have snapping more. So what is this inner being more? So you can connect your clip easily. If this is a nibble and we have a white line appear, you can connect two clips very easily. If you disable this napping more than you can freely move your clip whenever you want to. Now the next is the Link Selection Mode. So what it does now I can select my video and the audio at the same time. If selection is a nimble and if the link selection is disabled, then I can simply just select the video and audio only. And you can place them separately in a separate track. If you want to. If this is enabled, you can now select your video and audio at the same time. Now the next is volition log. So what it does now I can simply move all my clips freely in my timeline. And if this is enabled, then I can move anything in my time. And because everything is positioned log, I can even delete the ripple. So if I disable this position log, then I can delete the ripple as well. And I can move my clips. So if you enable this, we have these logs appeared as well that indicating that your position is low in timeline. Now we have the next video is flag. You can add a flag to the video and add a flag. And we have these flags. You can add flags to your video like this. You can now double-click on a flag, change its color, or human add a node as well if you want to. And if you add a node, then we have a black dot appear in Central or the flag that indicating that you add a node as well. So if you want to remove all the flux is just simple, clear all, and it will delete all the flags. Next we have marker. You can set a marker to any position. You can even change the color of your marker, or you can even double-click on the market and add a note as well. If you add a node, then we have the similar black dot appear, dad, you add a marker. And if you want to clear them all, all, you have to do this click here and clear all, and it will clear all the flags, all the marker. So now guys, in the final, we have these 3 mol, which is used to Zoom your timeline. First we have the Extent Zoom, we have the Detail Zoom. And then finally we have the customizable. You can even customize your Zoom from this slider, or you can even use a shortcut key, just press Alt plus your mouse to zoom in and zoom out your timeline. And final guys, we have the audio volume. You can decrease or increase the volume, or you can even mute your audio as well. So guys, these are the modes that are very useful to use in our timeline. 10. Edit Page: Timeline Features: Now you can also join the view of your timeline. You can just click here and we have the timeline view option. If you don't have the audio tracks visible, then you can just click here and all the audio are now visible. Now you can also click here to stack your timeline, to add multiple timelines if you want to. Now we have, if you drag a clip now we have Timeline number two. And we have Timeline number two here as well. Now you can close this and you can add multiple timelines if you want to. Just select a clip. And now we have Timeline number three. Now you can also delete these two timeline if you want to select them and press Delete key to delete them. Now the next we have the video views option. You can view your video like this. Now we have the term option. Now we have the detail thumbs option like this. Now the audio, we have these as well. You can select them to view your audio according to your need. Now we have the track height as well. You can increase the height of your drag. You can increase the height of the audio track as well. Now you can increase the size of your timeline size as well. Just come here on your track, press Shift and use your scroll to zoom in the video or the audio as well. You can also drag this above all the down to view your tracks easily. Now here you can right-click, you can add drag. You can add a substrate and drag. You can move, drag down like this. You can read the drag or you can leave the Amtrak as well. Now if we want to change the color, you can do that as right-click here and change the color from here. And you can set them default if you don't like the color, like this. Now you can also disable your track. So if you disable your track, then our video won't show on our screen, on our preview screen, and it won't render as well. Now here we have the pollution log. You can log abolition of a specific track if you want to. Now I can move my drag of the video, but I can move the audio track. Now guys, we have two options. We have the solo and we have the Mu drag in our audio track. So if you mute this track than this jack won't be audible. And if you solo this track, then this track only audible to you, but not the other tracks or the tax will be mute if you solo this track. 11. Edit Page: Transitions: Now guys, let's add effects. So unable the effects and interval box first we have the video transition. You can easily add transition between two clips. This transition, I'm going to just drag this and drove this right here. And here we have the function. You can add multiple transition as well if you want to, maybe give it a background, but you can customize your transition, does click your transitions like your transient. And in inspector we have transition unable. So you can now increase the border. You can change the color as well. You can customize your transition if you want to. Remember like this. Now we have amazing transition that you can add. Like this brightness and the camera shake. And we have some others as well. We have the pain tradition as well. You can even increase the duration of your transient if you want to. Now we have these gambler oxygen, we have the data validation. So just select this, delete this, and now add a rotate around. And we add this transition like this, and we have violated, this is bundled, this is my favorite addition. So far. You can even customize this transition as well if you want to. Now, we have this transition. This is how you can add video transition, and we can also add audio transition as well. Like this. This is how you can add validation. 12. Edit Page: Effects: Now next we have generators. You can easily add generator just all you need to do the select editor and place it on top of your video. And there you go. We have this amazing graphics. You can also add a paper if you want to. And now we have a paper screen. You can customize this paper as well. You can even animate this if you want to. Now next we have effects, we have fusion effects, which is I believe is premium. And we have three effects, which is in Open FX. There are several in OpenSSL that are premium, but there are so many effects that are free to use. These effects are very easy to use. All you need to do a deselect effect and drag it on top of your window and you defect. You can even customize defect as well like this. And now we have this amazing dynamics. Let me just delete all the video and let's focus on this videoclip only. And I'm going to select the audio and delete the audio as well. And now we have this zoom blur effect. Now you can delete this umbrella effect if you want to. You can preview the effect. Just hover your mouse from left or right side of an effect to preview the effect that you are going to apply it. In Open FX, I have several effects, data, my flavor. So first, I have glow effect. You can add a glow to your video. You can even change the color of your glow if you want to like this. Now we have this beautiful glow effect in our screen. You can imagine the Gamma. You can imagine again if you want to, you can even change the saturation of the glow like this. And now you can join the composite type as well, or the opacity of the glow. Now next I have the light rays effect. Increase the length, increases orphan, and decrease the brightness. I'm going to apply this to this clip. Then you will understand what I'm doing right here. So now you know what I'm talking about. This is a light rays effect. Now you can gain the position of the light is if you want to, like this. Now we have this amazing rays coming from the sky. And you can also soften the value as well like this. Now I'm going to add a financial effects, which is the fast noise. It is very easy to use as well. All you have to do just click here. Jane is P set. Like if you want to add image, you can do that. You can add a smoke. You can do that as well. If you want to add a water surface, then you can do this. You can add a river or you can add a heat is like this. Check this out. Now we have the audio FX as well, but we will see these in detail in our favor light paid because this is a very lungs. So this is how you can apply the effects in any page. 13. Edit Page: Titles: Now I skip bin folder, which is title folder. So let's delete this video. And now we have title folder. So first we have titles, then we have region dieters enlarged, we have subtitle. So guys, first, let's use diffusion. These are the very simple to use. Just select efficient either drag and drop on top of your video. Codecs. And the acid. You can Jane couple of setting as well like size dragging. You can change the color. And that's it. Don't do anything else. So these are very simple to use Tidal fusion titles. You can add several titles if you want to. And we have some amazing dieters in fusion titles. You can preview your title, just hover your mouse from left to right side to preview our data like this. So now we have titles. You can just select tax plus, place it on top of our picture or video. Jane. Jane, the size, its font. And you can chain these options as well if you want to. Now you can also emphasizes the title. And here we have the layout of your title. You can zoom in your title in Z position, you can rotate the title. You can even change the background of your title. In transform, you can also add spacing. You can also rotate. Share your title like this, or even change the size like this. Just reset this if you want to do is add all the settings that we apply, just simply click on this Reset and all the effects that you apply will be reset. Now the next we have guys shedding. So what is shading? You can enable shading like in second we have the red outline. You can enable this inter. We had a black shadow. You can add shadow in force, you can add a border like this. These are very easy to use as well. You can, e.g. I'm going to add a shadow. You can control your shadow. You can even change, soften like this, or you can just erase position like this. And that's it. This is how you can add a tax plus in additive page and in settings, you can also control these option control is Inspector, control is property. And you can also add a Dynamic Zoom to your title like this. Now guys, you can also fade in and fade out attack is very simple. Just select this point, drag it to the right side, and this points to the left side. So now we have fade in and fade out. You can also use this to distract to any drag of your video like this. Snowing final rehab subtitles. So let me just drag this down and place the subtitle on top of our layers. So now we have first subtitle, sub one. And if you want to add a subtitle right here, just trim this, select these, and click on this, Add New, and we have new subtitle n Here we have submitted a number three. Now if you want to do Jane, the style of the subtitle, you need to just select a subtitle, then go to this style. And you can, Jane is property right here. You can even add a stroke, transform. You can add a drop, shadow or human add a black background as well. Or you can even change the color of the background if you want to. Like this. Now, all the subtitle will follow this style. Now you can also add a new subnet, and I'll just select a subtitle, press Alt, and drag this to the right side. And now we have new subtitle. Now you can change its name to number four, and now we have number 34, 2.1. This is how you can add a subset. 14. Edit Page: Multiple Subtitle: So here I have subsided number one for character one. And if we want to add more subtitle for more characters, then you can do that as well. So let me just show you first you need to duplicate the subtitle, press Alt, and drag this to the right side. Now, if we change the style color to yellow for subtenant number two, then the style will change this number one as well. So how you can jane the style of this afternoon number two. So first you need to uncheck, Use textile and then change the color of their subtitle. And now I'm going to increase the size of this subtitle as well. Now check this out. We have this substrate and number one, and we have this alternate number two. Now we have two different subtitle for two different characters. So this is a simple way to add more subtitle for more characters. And if we want to add some data number three for vector D, then you can do that as well. Just Jane and Jane, the color of that connector. Now we have 12.3, and if we want to repeat the subtitle, all you have to select a subtitle, press all, drag this to the right side, and Jane the subtitle text as well. Now check this out. We have subsided number 123.123. So this is how you can add multiple subtitle for multiple characters. 15. Edit Page: Keyframes: Now guys, I'm going to add a symbol, zoom in and zoom out animation using keyframes. So as you can see in our Inspector video, we have every single keyframe for every single features that are visible to us in our Inspector. Now I'm going to zoom in and zoom out. So I'm going to add a keyframe for Zoom. Let me just come to this wind and I'm going to add a keyframe. And as I add a keyframe and let me just show you click on this diamond shape and we have our first keyframe right here. Now we will zoom in from this position, from this one to this point. So increase the zoom in value. And now we have this zooming animation. And if we zoom out animation, then we have to come to this point. And I'm going to add the normal value one. And now we have zoom in and zoom out animation. Now I'm going to smooth this animation. So click on this graph, select all your keyframe, and select this graph. And now we have this animation smoother. Now you can select this graph as well. If we want to just select all Yogi frame and select a graph preset, and it will smooth your animation. Now if we want to remove a keyframe, then you can do that as well. All you have to do this, select a keyframe and press delete key. And it will delete that keyframe for you. And now you can add key frame for every single value, e.g. I. Can now Jane my position as value for I want to just select a keyframe, select a point, set a point. I'm gonna do Jane, my pollution from this point to this point right here. Now, Douglas, how we have this animation and Regina position as well. Now you can add key frame for every single value that are available in our Inspector. So guys, this is how you can use key frames in Edit page. 16. Edit Page: Clip Features: Now, if you right-click on your clip, we have some of the amazing features that are available. So first we have new compound clip. So if you want to merge multiple eclipse, eclipse, then you use compound clip. So how do you do that? So I'm going to select this clip, and I'm going to select this clip right here. Now if you want to delete these gaps, all you have to do just select and press backspace. Select and press backspace, and it will delete that people or gap. Now you have to select all the clips or you can use shortcut, which is Control Alt, Control a to select all these glyphs. And now right-click on one clip and now select new compound play. Now you can rename your compound clip right here. Now, let's create this compound leaf. Click on Create to create a compound column. Now we have this compound. We have multiple clips in one click. Now, if you want to decompose this glove, we have two options. You can either choose, decompose in place using clips, or you can choose right-click. And now open in timeline, it will open their glib in a separate island. So now we have two timelines. If you click here, we have two times and we have compound clip number one, which is our main clip. And we have our main timeline. This is our main timeline, and this is the compound. Live inside the compound, we have three Eclipse. So now I'm going to right-click and I'm going to decompose in place using leaves. Now I'm going to delete these glyphs. Now the second option which is useful is copy option. You can either copy or clip and paste in a new location. Or you can e.g. I'm going to add a symbol keyframe animation. Let's move this animation. And I'm going to rotate the angle as well like this. Now we have rotate angle, select the rotate angle keyframes and now smooth them out as well. Now we have this animation. Now I'm going to add some effects so you can better understand what I'm doing right here. So I'm going to add a glow effect. And now I'm going to increase the glow. And Jane the color of the glow as e.g. this one. Now if you want to copy these effects and you want to paste them on a separate clip, then you can do that as well. You don't need to do all the effects all over again. All you have to do just select a clip, e.g. this clip, click on Eclipse that we apply effects to copy the effects. Now right-click and now paste attributes. Now you need to select Video attributes, and now you need to click on apply. And it will apply that effects to a new glib Daniel joules. So now we have this clip effects on this clip now you can select any of the glove and you can apply the effects of direct labor of data tables. Now guys check this out. We have glow effects and we have the keyframe animation as well of their glib. And we copy these attribute to this clip. So you don't need to worry about doing all the things all over again. From this routing point, you can just copy the attributes and paste that attribute to a new column. Or you can select multiple clips at once. E.g. now I have three clips. I can now select all of them. And now I can paste the attributes to all of them. Now check this out. It is very useful features to use in da Vinci Resolve. And now the next option which is very useful is delete selected, which is backspace shortcut key. You can now e.g. I. Have this rebel you can, you don't need to deselect the club. And now attached to this clip, all you have to do deselect the gap and press backspace and it will delete the ripple that you select it. Now we have another option which is press Delete key. But you need to worry about one thing is if you press Delete key, the club will delete it, but the ripple will also delete it. So if I press backspace, delete k, sorry, now we remove our claim, but we do move the ripple of that clip as well. So if we have this clip right here and ideas, e.g. I. Want to delete this clip and the report of this clip as well so I can press Delete. And if you don't want to delete the default, all you have to just select the clip and press backspace and it will delete only that glib, but now the dipole. But you need to worry about one thing is if you have this clip right here and you click Delete, you see what happened the rebel when we deleted of the Arctic lip as well. So if you're working on multiple layer, then you must need to avoid the delete key. Because if you press the Delete key, then your layer will be distributed. So I'm going to delete this clip as well. Now if you want to remove this attitude, all you have to desert. Right-click on your clip and now select, Remove Attributes, check this video attributes and now apply and all the attributes will be removed. Now we have another option which is very useful, which is real-time controls. So if you want to add speed ramp to the video, all you have to just select, read, I'm contours. Add up wind where you want to speed up your video, slow down the video, and add Android. And now we have three options. You can either slow down the starting point or even speed up the starting point and slow down the second point, The second part of the video. Now, for the final, I'm going to add some more speed, which is 400. Now, check this out. We have slow-motion, and now we have fast motion. This is how you can ask speed ramp to your video. So now we have large useful option which is auto align. So if you want to align your clips automatically, you can just do that. Place your clip on top of that layer that you want to align the clip to. Now select both of the glib. Now right-click. And now we have this auto land clips and now click on this based on waveform. It will align your clip based on the audio. So your audio must be the same in order to align the clip. Now we have this clip number 1.2, which is the same, but I align them automatically by using the array form. These are the features that are very useful. I personally use them alone to save me time. 17. Edit Page: Adjustment Layer: So now guys, like the effects folder and we have adjustment layer. Now you can add anything to this adjustment layer, and this adjustment layer will affect the layer data under this adjustment layer. Now e.g. I. Have Open FX. Now I am going to add a zoom blur and noise effect. So now I'm going to just disable this event. Now in Flask knows I'm going to add heat is now we add heat to this adjustment layer. This adjustment layer is affecting the layer data under this a decimal here. Now I'm going to add a zoom blur as well. Now as you notice, we add a zoom blur and noise effect. He takes effect. Now check this out. If I add anything, any glib under this adjustment layer, this adjustment layer will affect that clip as well. So now we have clip number one. We have clip number two. And as you notice, we have the same effect on that globe. If you want to add a similar effect, do multiple, at least, then you can use a decimal here. Instead of using the attributes, you can use the adjustment layer. Now if you want to add a keyframe animation, then you can do that as well. All you have to do this. Click your adjustment layer, you can add also Dynamic Zoom and check this out that dynamic zone will affect both of these layers. You can also add a keyframe animation, e.g. I'm going to add a Zoom from here to here, like this. Now check this out. We have effects, we have Dynamic Zoom and we have keyframe animation on this adjustment layer. This is how you can use adjustment layer. 18. Edit Page: Power Bin: So if we want to use some effects in all your products, then you can save them in a bower been like I did, I have these adjustment layer that I save. And now check this out. We have this radial blur. And in a decimal number two, I have this amazing glow effects. You don't need to just do the effects all over again from the starting by, you can save them in a bourbon and then reuse these effects. E.g. I. Have this new adjustment layer. So now I'm going to add a simple effects so you can better understand what I'm doing is I'm going to add a vignette here. And now I'm going to save this in our Power BI and how you can add a bar when how you can enable your power button. You can just go to your view and enable this show bourbon. If this is unchecked, then you can just select this show bourbon, and we have this PowerPoint. You can select your Master power Bin, right-click kid. You can create a new power when new folder e.g. I'm going to add just open the folder and drag this and drop this in your power bin folder. And now check this out. If I delete this adjustment layer, I can now just reuse that adjustment layer that we saved in our bobbin. Now you can use them in all over your projects if you want to. Now you can save anything in your power button, e.g. in my master, I have saved some effects and voice effects, e.g. a. Whoosh effects. And I have saved some tax effects that I use, like this popup tax effect. I have this shaky effects. And finally, I have this text effect. You can save anything in your barbarian and reuse that clip or that effect in your projects. 19. Edit Page: Menu Bar: So now guys, let's go to our menu bar and individuals all we have for keyboard customization. Now in keyboard customization, you can customize any shortcut key if you want to. E.g. I'm going to search Blade Edit Mode and invalid anymore, you can change your shortcut key, select this and now press AGI that you want to assign to that effect. And now click on Assign if you want to assign for me, I'm not going to assign that. You have to save changes. Now close this and now we have check for updates. You can check for update if you want to. So now we have the latest update, which is this. And now I'm going to skip this. Now in file you can create a new project. You can save this product, import or export as well. You can go to your products manager. So if you want to go to another or projects, then you don't need to close the adventures. All, all you have to do is go to File, go to Project Manager. And you can just select a project. And now we have in our second project. Now if you want to go back to your previous projects, all you have to just go to your product manager. Now and we'll do a training project. We are back now in file. We also have products setting. You can change your project setting, e.g. is a solution if you want to. Now, in added, we have these videos that I explained to you earlier, e.g. you can copy effects, you can delete rebelled. And this is new, which is delayed gaps. So e.g. if you have multiple clips, e.g. you have clips like this, aligned like this. You don't need to select individually to delete them all. You have to just go to Edit and click Delete gaps. And it will delete all the gaps between your clips. Now in added guys, we have replaced, overwrite, insert all these effect that I explained to you earlier, which is D effect these mode, this mode are now uncertain in our edit menu bar. Now in our tree menu bar, we also have these moles. We have now dynamic tree mode, which is this mode. And we had dreams, start trim and which you can do that from this mouse cursor. Now guys, let's move on to time. And anytime we have a useful feature which is eraser, so laser is used to split your clips very easily. All you have to do is place your cursor where you want to split your Caleb and press shortcut key for it is you can set a shortcut key for it. E.g. go to customisation keyboard and now search for razor. And for me I assign B to my eraser tool. And now I can now just come to a point where I want to cut my clip and now press V key to split the globe. Now we have the bars of one-click. Now enclave, we can also decompose, which I explained to you earlier. And in Mark, you can clear your mark e.g. I. Have. And now press 0 and we have this In-N-Out mark. Now if you want to clear this mark, all you have to just go to your mark. And now select clear in and out and it will clear the in and out mark. Now in view, I explained to you earlier, you can also show a bar, then you can also enable about when that are available in your media pool. Now let's move on to playback. And in playback you can also end-time proxy dilution. You can change your preview window resolution to half, quarter and finally, full. So if your video is in higher resolution and it's taking too much time to preview, then you can go to your playback and Jane this two-quarter and it will play the video smoothly. As you can see, we don't have any lagging in our video. And if we switch to full, you can see we have a slightly lagging in our video. These are the useful features that are available in our menu bar that will save you some time. 20. Edit Page: Multicam: Now we have a multichannel feature in Edit page. And let me show you how you can use this feature and it's very useful. So first, what I'm going to do is I'm going to drag this footage in the timeline. And as you can see, this is diamond number one. And now what do you need to do is just right-click on this file or any of your file and create new multi-camera clip using selective clips. And now uncheck this small source clip to original globulin. And now click on Create. Now delete this video. And now here we have this icon that it will present the Mulligan footage. Now what do you need to do is just right-click on this and now open in timeline. And now guys Have a look right here. This is the angle number one, and I'm going to add another angle. Now this is the angle number two, and I'm going to add this video, and now this is the angle number three. Now what do you need to do is just double-click on this timeline, upon this timeline. And as you can see, we don't have any clip. Now, drag this multi-camera h in here. Now, hide this inspector. And now click cave. Now we have two windows. Now double-click here. Now Jane, the source to multi-camera, and now we have the angle number 12.3. This is Lucy video. Now guys, if you want to switch to another angle, you can do this with the num key of your keyboard. And this is, if you select this, this will cut your audio plus your video. And if you select this, this will only cut your audio. So let me show you what I mean. So I'm going to play my video and I'm going to press E on the keyboard. And now as you can see, this is the angle number two. And now if I play my video and press three, you can see this is the angle number three. Now if I play my video, let me just do it single screen. Now if I play this video, you can see this is the angle number one. This is the angle number true, and this is the angle number three. You can use this multi-camera and you can cut different video using this multichannel. Now guys, you can use this multichannel feature in another way. So let me just show you what I mean. So I'm going to delete this multichannel footage, this timeline. Now I have this footage. I'm going to drag this right here. And now we have Timeline number one. And I'm going to leave this footage and I'm going to right-click on this. And this multi can. Now open this in timeline. And I'm going to cut this video, read this part, and I'm going to duplicate this footage. Now. Play this right here now you can see we have the angle number 1.2. And I'm going to increase the zoom of this video, 1.5. Now if I disable this video diagonally, this is the original and this is a zoom-in footage. Now I'm going to go to this timeline and I'm going to drag this multi-candidate right here. Now, double-click here. Hide inspector, JND source to multi cam. This is for the video plus audio card. If you want to cut your audio, you can select this. And if you want to cut only the video, you can dance like this. So I'm going to cut my video only, so I'm going to select this. And now if I play this video, press two on the keyboard, you can see now we have the symbol and now we have the zoom in. And now if I press one on the keyboard again, you can see we have the zoom in and zoom out effect. So if you want to add zooming effect more than once in your video, you can use this multi-camera effect like this. So this is how you can use this multichannel feature in anticipation. 21. Edit Page: Media offline: So guys, there is a problem called media of language you might face. So e.g. I. Have these five cliffs, these five pictures. So I'm going to drag them in my timeline. Now e.g. if I change these pictures are location e.g. I'm going to cut them and I'm going to paste them in a new file folder. Now guys check this out. They all turn red. They all are not available in our media posts. So what do you need to do? Just right-click on your media pool. And now you have to select re-link lifts. You need to relink the clips. So now I'm going to go to the updated location, select the main folder. So you don't need to select a specific folder. You have to select the main folder. Select the folder, and now click on Close, and now click on Search, and it will automatically search for your glyphs. And now we are here, our clips are now back. And if you don't have that Eclipse e.g. if you delete them, I'm going to delete them. Now. We don't have these clips, so you can also remove all the clips in vain if you want to tag, these are all our lives are gone. And now I can now, again reeling them. In our main folder. I'm going to select main folder dist, and now check this out. All our clips are now revealing. This is how you can relink your beliefs. 22. Edit Page: Timelapse: So now guys, I'm going to show you how you can add it, your time-lapse. So I have this time-lapse right here. Now I'm going to select all the time-lapse picture. And now I'm going to drag them and drop them in our timeline. Don't drop them in your media pool because otherwise it will be available in a picture form. So we don't want that. I want my time-lapse innately folder, so I'm going to drag them in our timeline and now check this out. We have this beautiful time-lapse. Now you can also this timeline, e.g. I'm going to zoom this time-lapse and now I'm going to slow down my time-lapse. And I'm going to do increase the duration of this as well, and now check this out. Now you can also add our dynamic zone if you want to. And I'm going to increase the range of the Dynamic Zoom less than our time proxy resolution to water. Let's switch the Dynamic Zoom. And for final, I'm going to add our glow effect. And you can also add a camera shake free camera shake if you want to. And in gaba, gamma is you're gonna go into degree this bead and I'm going to use my emotion as well. And now check this out. We have fake camera and we have low effect as well. I'm going to do the greatest speed just a little bit. Now, check this out. So this is how you can easily edit your time-lapse in NADPH. 23. Fusion: Introduction: So now guys, let's move on to our next page, which is Fusion page. Now, this is unlike Edit page and it paid work only system, but the vision work on no system. So this is our video and this is our output. You can switch to single screen or two dual screen. So this is our final output and this is our original clip. So if I press one on keyboard, this is our original clip, and this is our output. You can see a wide ordered pair on the second and y dot appear on the first one. In this clip. In our edit weighed how we add effects to our clip. We just select the effect and we drag and drop onto our clip. And we just change the value. Effect will apply to our ugly but in effusion how you can add an effect to the clip. You have to drag effect and drop between these two nodes. And effect will apply to the final result, e.g. I'm going to select the node. And in our settings, in our Inspector, you can control the blood size, e.g. now check this out. If you select your media in and press one on keyboard. So this is our original clip. I'm going to just delete this blur effect and I'm going to select this clip. And now I'm going to add an effect to this clip so you can better understand. So now in blur, I'm going to increase the size. If you want to zoom out your preview window, just press Control and use your mouse to zoom in and zoom out. Now check this out. This is a blurred video and this is our original clip. So if you press one and again and again, you don't see any preview. If you press one or one again, it will disable a little preview. I'm going to press one to enable the preview of this audio clip. And now I'm going to press too in your keyboard to enable these media out. So this is our final result and this is our original claim. You can add effects in one way. You can add effects between these two nodes. This is our media, and this is the effect, and this is our final result. If you disconnect all these nodes from the final node, then the results will now show to you on your preview window, and it will not render it as well. In order to render or show the preview, all you have to deselect and connect this to your media out. Now in our future where we have our media pool, we have our effects, we have Open Effects, templates and layouts as well. You can show your cliff, e.g. this is right now first clip, and this is our second loop which is inactive. We have currently two clips. Now you can also switch to single screen or dual screen from this icon. And you can go to your inspector from here. So guys, this is the introduction of region page. 24. Fusion: Basic Nodes: So guys, I know it's look like a very difficult task to edit your videos or add visual effects infusion page, but it's very simple. Once you understand the neural system, we have different kinds of nodes. Infusion rate. First we have basics nodes like we have learned node that don't require any extra node. You just select your node and drag and drop it in-between these two nodes, media and media out. And it will work fine. Now we have some bright and contrast node, brightness and contrast node. These nodes don't require any extra node, e.g. we have curved node and we have color corrector node. You can change these values. You can change the hue, e.g. add saturation, contrast. You can increase, gain, Lift, Gamma, etc. These node don't require any extra node to function. So I'm going to select these node and I'm going to delete this node. So now I'm going to show you one extra node, e.g. if you want to add a tax, you just select your text and drop it in between these two nodes. So now we have text node and we have marginal. So what is marginal? Let me just show you an additive in a little bit. If you want to add a tax, you just select attacks and place on top of this layer. Now, this text layer is above our video. That's why it shows us the texts like this concept infusion. The green line mean above layer. So e.g. if I write a tax, increase the size. So you can better see what's happening and library just sweet to single screen. As you can see, the green line means above layer. So infusion, the green lines mean this is layer number one and this is layer number two. Green lines mean above layer. It's very simple concept once you understand. And the blue line means masking node. If you want to add a mask on this node or only a video, all you have to do is just select a masking nodes. So these are the masculine or these for either masculine norm. So e.g. I'm going to select ellipse, and I'm going to connect this to our marginal. Now, select the Ellipse and decrease the border. And now check this out. Now we are masking our texts. So now let me just show you how this is working. This is the marginal green line mean above layer. So I connect my texts to above layer, and then I connect my mask to the marginal. So my marginal is no masking. The text node is not masking. So if I wanted to do a screen and press one on keyboard, select the text. As you can see, we have these texts full. But in our merge node. If I press one, you can see we have this EX because our ellipse is masking out double t. I hope you now understand how this node system works. Now how you can access to these nodes. So these are the North, but how you can access to these by searching, you can search from here like e.g. if you want to serve them, older dog can search minor like Merge. And we have this marginal. But there's a simple way to search for these nodes. You have to press Shift plus spacebar. And we have this Select tool. And now you can search for any node, e.g. if you want to search color corrector, we have this color corrector node. Select this node and add, and it will add. If you want to disconnect a node, press Shift and select a node and it will disconnect. And if you want to connect this node in-between these two node, deselect this node and press Shift. And now drag and drop this right here. And now you can make any changes and it really affects our final output. Now guys, you can also mask the color corrector because we have this blue line, which means you can add mask. So I can now add masking node. As you can see, this area only if x because we have this ellipse node. And now if you want to disconnect this node, all you have to do this. Press Shift. Select this node right here. If you want to connect this, select this door right here, and now drag this line to the blue side of the color corrector node. And now we have this area. These are the basics nodes. I hope you understand the concept of nervous system. Now as a beginner, when I tried to understand these concepts by watching videos, I just don't get it I understand In our system because I tried myself to understand the concept or no system is very simple. You have to try it yourself, these same things, then you will understand how these systems work in Fusion page. 25. Fusion: Multiple Nodes: So now guys, I'm going to add multiple nodes in our future. Weird. So now you can better understand how the nervous system works. So first we have our video. First we have this clip. If we press one, we have this clip right here. Now I'm going to disconnect this clip. And now I'm going to add a background node. And now I'm going to connect this background to our media out. Now as you can see, we have this black background. So you can change this color from these settings like e.g. you can add a gradient map if you want to. Now guys, I'm going to place this clip on top of our backgrounds. So how you can do that, you just select your node, drag these, and press Shift and drove this node in-between these two nodes. And it will automatically add a merge node so you don't need to add a marginal. So now I'm going to place this. So you can better understand that this is like a layer. So we have this layer and we have this layer. Yellow lines means is connected to the output. So now I can change the size of this node. As you can see, we have this background and we place This video on top of our bedroom. Now I'm going to select a text node, and I'm going to drag this and drove this in-between these two node. And it will automatically add a merge node. So now I'm going to add a text as well. And I'm going to increase the size of this node as well. So now as you can see, we have first background node and we have this video and then replace our text on top of our video and our background. And these all nodes are connected to the output node. We have another node which is transform node. You can also transform these all things or you can draw some just one clip. Now, I'm going to drag this transform node and I'm going to drop this right here. Now as you can see, I'm going to select this transform node. And you can change the size, aspect ratio, the angle. You can flip your video, and you can change the position as well if you want to. And if you want to reset these changes, all you have to do this click on this circular error to reset all the things. So guys, now I hope you understand how this system works. First we have background, and then we add our video on top of this background. And then we add X on top of our video. So guys, if you want to add an old, you don't need to just select a node and then drop it in-between these two node. All you have to do is just click here and it will add it automatically that not all you can do. One more thing is just like this node, the updated node, the last door, and just select a node that you want to add it. Now, it will automatically add that node in-between your nose. So now you can change the settings right here, and it will effects all the nodes. And now guys, if you want to add this brightness and contrast node before the text node, all you have to do it. Just select your clip. Then post I'm going to delete this brightness and contrast node. And you have to select a media in because it's our video. And now you have to select a node and it will automatically add that node in-between, that clip node. So now if I change the settings, it will only affect my media in. If you want to effects the background as well, you have to then select your background and then adding e.g. a. Character actor note, then I can now change the hue of that background. Now you can see what is happening right here. This is the basic concept of how node system work inefficient way. So I hope you now understand the basics of these nodes. This is how you can add multiple nodes in Fusion page. And now if you go to Edit, we have this video and we have this text. 26. Fusion: Emitter: Now I have this picture right here. Now I'm going to show you guys how you can add amateurs slash particles node in your fusion bear. So first you need to select this pia mater, then you have to select Periander. So first I'm going to connect this to render. And now I'm going to add a merge node in-between our story. This is transform node I'm going to add. This is the merge node in-between our main clip, this media in the media. And now I'm going to connect this to our merge node. And now I'm going to show you, if I play this video, you can see we have these emitters. I'm going to change my resolution to full so we can see what is happening right here. So now as you can see, we have these particles. So these are the particle node and these particles are now renders here. And these Render are now connect to our merge node. This is how these particles node our work so forth. I'm going to select this period under and press one on keyboard. So this is our particle node. So now I'm going to select my P emitters, our main particle node. And I'm going to go to the velocity and I'm going to change my velocity two this side. Now if I play my video, as you can see, these particles are now going to our right direction to the right side. Now you can also obtain the velocity variance. And you can also change the angle as well if you want to. And the angle variance like this. Now I'm going to move this to this position. And now I'm going to decrease the variance and maybe decrease they've lost year later. And now I'm going to decrease the number two like three. And Jane, the last man to light for. Now, this is the basics particle. So this is for the 3D version. So we are right now in 2D. As you can see, if you want to add a 3D, then you can just add, disconnect this, and then you can switch to 3D. And now we have this 3D. And now you can just go to the image like this node. Now go to this style. Then you're going to join these two blob brush. And you can also turn to these as well. Now I'm going to join these two points, and now I'm going to connect this to our marginal. So if this is not connecting to merge node, you then need to select the P render and then switch to 2D. And then it will connect to your merge node. Because our images into d naught in 3D. So now I'm going to select my P meters, and now I'm going to change the style to bitmap. And now I'm going to select my Da Vinci is all PNG file. Now connect this to our p.sit amateurs. And now check this out. We have this small they're going to resolve in our particle shape. Now guys, I'm going to add a blur and below as well. So I'm going to increase the glow, increase blood just a little bit. And maybe just blend it right about right about here. And if you want to increase the size of these emitters, all you have to do is just add a transform node. It's like the transform load, increase the size. And now we have these particles. Now you can also change the style, change the settings of your particles. For battery cell e.g. Jane, the angle like this. And you can also move it to z direction as well if you want to. Now I'm going to do Jane the number to two, lifespan to 30. Now check this out. Now I'm going to select my transform node and I'm going to increase the size of this node. Now we have these particles. Now guys, if you select your p.sit emitter node and go to this style and engaged. You can also increase your gain to add more shining to your logos or your PNG files. Now you can add a picture as well. So I'm going to disconnect this. And now we're going to add my picture and select this picture took PM meters. And now we have this picture. Guy. This is the simple way to add a meters node in Fusion page. 27. Fusion: 3D Text: So now guys, I'm going to show you how you can add a 3D texts on your video using fusion. So first, grab this node text 3D and drop this right here, and select this node. And I'm going to type a simple texts. And now press one on keyboard to view this right here. Now before we start editing our texts, you can zoom in and zoom out using press hold control and using your mouse wheel to zoom in and zoom out. You can also travel from the mouse scroll. And you can also rotate your view from hold Alt and using your mouse scroll, like this. And you can also using your mouse scroll to travel from above to below. This is the basic view function. And now select your text. And now to make our texts TD, right now our text is like kind of a flat tax. So select your text, go to the extrusion and increase the Extrusion Depth. Now, we have this td tags and I'm going to increase the size of the depths. Now, that's fine. Now I'm going to render these texts in order to add attacks on our video. So I'm going to select this text node, and I'm going to connect this to render 3D. Now press while on keyboard on rendered 3D and we have these texts. And now if you want to add light on your tax, you have to select the merge node, this node, and drove this in-between these two node. So now we're going to add light on our test. So now I'm going to select this spotlight and I'm going to connect this slide on our city. So if we change the value of the light, you can see we don't have the light enabled to cast light on how much tax you have to select the rendered 3D and you have to enable the lightning and enable the shadow. And now select the marginal and breast one on keyboard to view this, right? And now I'm going to select my light, and I'm going to push it back and press 21 keyboard on our renderer. And as you can see, this is our final result. I'm going to select this, move it above. You can select the green to move this above or below. You can select the red to move it from left to right. And now you can select the blue to move it from far or too near your texts. Now select the spotlight and I'm going to increase the size of the cone. And I'm going to increase this angle as well. Just like that. Now, if we rotate our texts, I'm going to add a transform node z, transform node slack, this transformed 3D and add this before our render. So now if we select our transform and if we rotate our texts, as you can see, this is a 3D texts. And if you place this transformed 3D before our merge node, you can see we can move the text only. But if we add this transformed 3D before our render 3D, then we can transform this spotlight and attacks 3D at the same time. So now if we rotate our text, as you can see, we have the light move along with our texts. But if we move this before, place this before my 3D before Spotlight, then we can only rotate the text, but not the light. And if you want to add a text on your video, just drag the multi node and connect the standard CBT to your merge node. Now, select the media would press two. And now we have this 3D node. If you want to change the color, you can also do that. You can use the color picker to tend your color of your text. Or you can use the slider to change the color of your text. Just like that. You can also change the decay type as well if you want to get this is the basics of how you can add a 3D tax on your video inside a Fusion. 28. Fusion: 3D Lights: Guys, we are currently using one light, which is for light on our TV tax. Now we have different kinds of light infusion. I'm going to explain each one-by-one. So let's get started first, we have this for light and what it does if we select our spotlight, we can see we can cause light on one spot. If we move this far from our texts, you can see we have this kind of light casting on our texts. This is for light. Now you can also join is the direction. If you want to. You can move from x to y to z. And you can join the cone size as well if you want to. Now I'm gonna do change the color of my shadow as well. And I'm going to change the color of the light as well. So now we have this kind of light. So now the second light is if we search for light, we have four, we have spotlight which we are using currently we have point light. So now if we select white light, I'm going to add my point light. Now I'm going to add a merge city and drag this before our transformed 3D. And now I'm going to connect my point lied, to our Monday, Tuesday, and I need you guys to focus on these texts. As soon as I connect my poor lied to my 3D, you can see we have this light casting on our texts wide line. So now if we select our phone lines first select RMSE, depressed one on keyboard, and select the point line and go to the transform. And you can see we have only translation. We can only move this from left to side. From above to below n from five to near our decks or two behind our text, we have this shining light casting on our texts. As you can see, we have this shining light casting on our tags. You can also animate this slide if you want to. Now you can also join the color of this slide as well. And you can also Jane is in density as well if you want to. Now, if I select my transform TD, disconnect this from here and connect this before our render 3D. And I'm going to rotate this. You can see we have this spotlight behind our texts and we ask for light in front of our vertex. Now Guys, our next slide is ambient light. So I'm going to select my text 3D and I'm going to search for ambulate. Add this slide. If we select our monthly depressed one on keyboard and select our ambient light, and Jane is direction. You can see. Nothing is happening because ambient light effects all over your text. So if we select our transform, 3D, rotate our tags. You can see we have the same light appearing backside of our texts and the front side of our texts. So it's going to effect your decks from overall. So I'm going to change this color. Two more like this. So if we disconnect this MLI, you can see we have this color and if we call neck this slide, we have this column. And if we rotate our dx, we have the same light abating on the backside of our texts as well. So this is before and this is with ambient light connected. Now guys, we have one life left, which is directional light. So now I'm going to select my text 3D and search for directional light. And I'm going to add this slide. Let's add this slide. And as soon as I add this slide, we have have white light appearing. So if we select our transform, does rotate our texts, we have this white light. And if we select a metric d plus one on keyboard, select our direction, I go to a restaurant form. You can see we can move this slide from x-axis, y-axis, z-axis. I'm going to place this right here. You can see we can move this slide to any introduction of our texts. So this is the direction light. Now I'm going to change its color. Two more like this. Now we have this tax effect. Now I'm going to select my transform and rotate our next you can see we have four light causing on our desks. And now if you want to move your decks only you can select your transform 3D and connect this after the tax levy. And now if we rotate our tax, you can see we have this kind of tax effect. These are the light node invasion page. 29. Fusion: Keyframes: So now guys, let's animate our texts. So I'm going to select my transformed 3D. And in Y rotation, I'm going to add a symbol rotate animation. Now to add any motion, all you have to do is use keyframes. So I'm going to add a starting point where I want to start by animation. Click on this diamond shape. And I'm going to come over to this point. And I'm going to rotate this text to time right about here. Now if we see we have this white line and beer data indicate that we have keyframe animations. Or if we play this video, you can see we have this rotate and emission. Now, if we enable keyframes, we have this transformed 3D and in transform 3D in y rotation we have key themes. Now you can also select these keyframes and move them anywhere you want to. Or you can select individual keyframe and move its location as well if you want to. Now if you want to smooth the animation of this keyframe, all you have to do, it is higher these keyframes and enables blind and in spline in y rotation. I'm going to come over to this point, holds control and use mouse wheel to zoom out. And you can select this keyframe. And you can do these animation, these graphs that are available in our spline. So I'm going to select my smooth. And now we have this smooth animation. You can also select them and you can also reverse them if you want to. Now we have this reverse rotation. You can select them and you can also set them loop if you want to. And now we have this rotating loop x all over the video. Now I'm going to Control Z to undo this. Now we add these graph as well. You can set ping pong, you can set related and all these graphs. So in supply and you can smooth the animation of your keyframe. Now I'm going to hide this, and now I'm going to select my point light and then transform. I'm going to add a key frame animation for this one light as well. I'm going to come to the starting point, set a keyframe here. And right about here. I'm going to animate this right about. Now if we play this video, we have this animation. This is how you can animate using keyframe into your page. 30. Fusion: Chroma Key: Now guys, we're going to remove this green screen backgrounds. So in order to remove this background, we have to search for key effect. We have to effectively, you can either use here or you can either use Delta gear. So the elder care is very simple to use. So I'm going to add this effect. And now I'm going to select my background color picker. Click hold, and drag this on your screen and you have to pick the best greens green value in order to remove your green screen accurately. So I'm going to select this value. And now as you can see, we removed our backgrounds successfully, but we need to change some settings to avoid this black shadow on our greens. I'm going to increase my mad separation just a little bit. Don't push it too far. And we have to go to the mat. And I'm going to select this and drag this to the right side of the mat shoulder. And now if we play this video, you can see we have successfully removed our green screen, but we have some issues right here. So to fix this, we have to increase just a little bit. Now as you can see, we removed our background successfully, but we have this softness on our face. So to fix this, we have to select this and drag this on the left side. Just a little bit. Don't push it too far, just right about here. Now we remove the background completely accurately. So if we go to the edit page, you can see we removed our green screen. So to remove this part of your background, all you have to do, you just select your subject video and now go to the group and just scroll this area. And now we are done. This is how you can remove your chroma key using the ikea effect infusion page. 31. Fusion: Planar Tracker: So now guys, I'm going to drag this laptop screen. So in order to track, uh, screens, we have a planet tracker dedicated to screen. So I'm going to add this planet rigor. And now I'm going to select my laptop screen. So in order to track this, we have to come to this starting point. Select our screen. Now we have to click on this drag to end. And as soon as I click on this, we have this era that saying that the reference time zero must be within the rendered in our new range is this value. So we need to set this value. So in order to set a new value, we have to click on this reference times set. And now we have to practice. Now it is dragging our video. So as you can see, we have some mistakes here. So I'm going to stop my tracker, come to this running wide, reset my tracker, and I'm going to select this laptop screen right about here. Now set the range. Now click on this track two, and now it is dragging our screen successfully. Now guys, we drag our laptop screens successfully. So now we have to give this tracker or four days took place on this level of screening. So I'm going to select my this footage. And now I'm going to connect this to the green effect. Now we have two switches, this operation to our corner pin. And now I'm going to decrease this toe quarter. So in order to get our Bachelor of view. So now we have to fix the coordinate when Jane these two corner pain. And now select this corner pin and place this on your screen right about here. And select this corner pin and place this right here. Now we drag our video on this laptop screen. Now we have to zoom this video. And now we drag our video on this laptop screen. We can just loop this preview window. And now check this out. This is how you can track your screens using panel tracker. 32. Fusion: Tracker: Guys to track motions infusion rate, we have a symbol dagger. So if we search for tracker, we have this trigger TRA. I'm going to add this tracker. And first I'm going to go to my playback and increase my proxy resolution to full. Now what I'm going to do is just select this point, drag this. And we have this window appearing that we are selecting that area. And I'm going to select this point right about here. And what I'm going to do is I'm going to click on this, drag forward, and it will drag that idea forward from star to this point. Now you can also view that what we selected in here, in this small window in Drucker one, you can add multiple tracker if you want to. Now guys are tracking is done. Now we can either drag our tax on this data or we can either drag a picture or a video on this data. So what I'm gonna do is I'm going to select this text and I'm going to type X. If we said to do a screen click one ingredient, the size of this text, go to the layout, shading. And I'm going to add a shadow and lessen the shadow color, drew more like this is better. Now I'm going to also degree the softness. And I'm going to change the position of this as well, right about here. Now let's change the color. And now we have these texts. So now what I'm going to do is I'm going to select my tracker, go to the operations. So in operations, I'm going to select Manage movement. And I'll select this text and connect this to our tracking data. So now what I'm going to lose, I'm going to place this text right here, degrees the size of these texts, and place this right here. Now if we play our video, you can see we attach our texts on our tracking data. Now we can also attach a video if we want to. So I'm going to select this video. I'm going to attach this on our tracking data. So now we have this widow. So to resize this video, all you have to do is just add a transform node. Degree is the size. And reposition this video. You can add a video if you want to. Now if we play this video, you can see we adapt our video on this dragon data. Now I'm dragging this subject I in order to show you how you can match, move your position of this tracker. So let me just finish this tracking that led me to show you how you can drag the position of this tracking data. Now I drag this subject I, and I'm going to show you how you can go to the operations, select the magic moment. And now you can also select these two background only. And we can now add this effect as well if you want to. As you can see, we have this subject in the center of our deal, but our background is moving only. Our subject is stay at the center. Now in order to fit this background problem, all you have to do just go to the Fusion page and now search for transform. Select this transform and increase the size and the position as well. Now if we play this video, we have this effect. Now if we decrease this proximal to have, we can see that our subject position is track. Guys. This is how you can use this tracker and drag your video and add some effects onto it. 33. Fusion: Matte Control: So guys infusion paid, we have different kinds of mask. Now. We have rectangular, we have ellipse, we have polygon, and we have, we have these blind. So if you want to mask out something from your video or from epic journey, you have to select a mask. And then I'm going to select this media press one keyword. And now I'm going to select this mask. And I'm going to cut out the debentures of Logo. Tonight. If you want to cut out disadvantage of the logo, you have to connect these to your media. And now we have disadvantages of logo. If you want to cut down multiple things from your video or from a video, you can do that as well by using multiple mask nodes. So e.g. I'm going to disconnect this node and I'm going to add another mask node, ellipse mask node. And this time I'm going to cut out our OBS logo. And now if I connect this to my media, you have the Vin Diesel of logo. And if I connect this mass number two to mask number one, we have this OBS low. If you want to mask out multiple things, then you can do that as well. All you have to do is brag a mosque load. Select that object. And now connect this to mask number two. And you connect this to our main media, and you have one root three objects. Now we have another node which is mad control. So first I'm going to delete these nodes. And let's drag this mad control node in here. I'm going to disconnect this media in node as well. And now guys, what I'm going to do is I'm going to drag this media and I'm going to connect this to our midi out. So this is our background. Now what I'm going to do is I'm going to show you that we have multiple inputs in our American don't know. So if I select this and press Alt and let go, we have these multiple inputs. We have foreground background, garbage mat, we have solid man, and finally, we have effects mask. I'm going to connect this to our background. Now guys gonna leave, we are using only one input of American dole, which is our background input. So now what I'm going to do is I'm going to drag this layer mask and I'm going to mask out my adventures or logo. Now what I'm going to do guys, I'm going to select this mask and I'm going to press all, let go. And I'm going to connect these to our garbage mat. Now guys, what inside this mask is now our garbage. So if you want to cut out the logo only all you have to do is just invert this mask. And I'm going to rename this mask as well. So you can better understand what these nodes inputs are. So now what I'm gonna do is I'm going to select this polygon mask disconnect. This must select the polygon mask and I'm going to just add a rough mask around this photo, be a logo. Now what I'm going to do guys, I'm going to connect these press or let go to our effects mask. And I'm going to connect these garbage to our garbage mask. So now what I'm going to do guys, I'm going to select this polygon mask and invert this. And as you can see guys, we have this polygon mask which is connected to our effects mask, and this garbage, which is connected to our garbage mat, I'm going to rename this as well. Effects mask. So now guys, what I'm going to do guys, I'm going to select another ellipse mask, disconnect all these. And I'm going to do mask out my OBS logo this time. Now guys, what I'm gonna do is I'm going to connect these press all to our foreground. As you can see, nothing is happening. So what I'm going to do guys, you have to select your med control and you have to join the combined to combine Alpha. And to fix this problem, all you have to do is just check post-multiply imaging. And now we have this OBS logo. We have our garbage mat, and we have our effects mask. So how these inputs, so let me just add one more node, n for this time. What I'm gonna do is I'm going to mask this part only. And now I'm going to connect this to our final input, which is our solid mask. Now, connect this to our foreground. I'm going to connect this to our garbage and connect this to our Effects masks. Now I'm going to rename these so you can better understand what I'm doing here. For these four. Finally, we are going to rename this to solid mat. Now guys, for your better understanding, I'm going to disconnect all these mask node. And now what I'm going to do guys, I'm going to only connect this foreground. As you can see, we only have this foreground. And I'm going to connect this to our garbage. And as you can see, our garbage mask is selecting that part that is inside this foreground node. So the garbage mat select that is inside this foreground node. And if we invert this, you can see we are now masking out the foreground mask. This is the relationship between the foreground and the garbage mask. And now guys, if I connect this to our solid mass, you can see we are only mask out that part which we are selected in our garbage mask. So this is our garbage mask. This is our solid met rectangle mask is our solid mad. And the foreground mask is our OBS mask. And we have our final mask, which is effects mask. And if we select this, you can see we have photophobia, logo villages effects mask. If I select solid matter, you can see we are showing that as well. And if I select my garbage, you can see we are only masking out the OBS logo, which is our foreground. And for our foreground, you can see we can show anything that we want on screen. And in solid mask we are only showing that part g we mask in our garbage mask, garbage mat. And now if we want to connect these to our media out, all you have to do is just grab a merge node. Now connect this to our marginal, and now we have this freedom. So I hope you better understand what these inputs does in med, control. These are masking nodes and this is my control. It is very useful when you want to cut out multiple things at once. 34. Fusion: Remove Noise: So now guys, we have this video and now I'm going to show you how you can remove noise in your fridge and paid search for remove noise and add these in-between these nodes. Now what I'm going to do is I'm going to lock this color. You can either use color or you can either use Chrome if you wanted to. Now what I'm gonna do is I'm going to zoom in my video and I'm going to increase the softness. And I'm going to increase my detail. Now if I show you the deserted before and after, I'm going to set this to do a screen like this, press one on keyboard. And now if I zoom in, this is the origin. And guy, this is our remove noise result. It also make your video later be solved. So if you want to avoid that, all you need to do is just decrease the softness and increases or decreases its softness. Now as you can see, we have a much difference. This is our original footage and this is our remove noise. And you can also go to the Chrome and you can also increase the softness and increases bill as well. And now we have this final, this is how you can use the remove noise in Fusion page to remove noise from your video. 35. Fusion: Templates: Now guys infusion obeyed. We also have templates. So if you go to the Effects and select the Templates folder, you can see we have several templates, so I'm going to show you some of them. It's very easy to use. You can just drag and drop them in your timeline. E.g. we have lens flare, so I'm going to add one lens. I'm going to add this lens flare. So it's very simple. All you have to do is just drag and drop this in-between these two nodes. And now we have this lens flare. And now guys, if you want to make some changes in your length layer, you have to double-click on this to open this group node. And you can select individually these nodes and you can change the settings here. Now as you can see, we can customize our lens flare as well. If you want to. These templates are very easy to use. You can just drag and drop down in between your notes. I'm going to close this group and literally this lens flare. Now next guys, we have particle effects as well. You can also add blowing leaf, just drag this and drove this writer and add a merge node and connect the final node to our merge node. And now we have these templates. Now I'm going to increase the size. And now as you can see, we have these leaves template. I'm going to select it and delete them. Now I'm going to add a matrix node and connect this to our merge node. And as you can see, we have this matrix line appear degrees if density decrease the depth and I'm going to increase the width and height as well. Now we have this awesome animation. Now, if you want to decrease this values, all you have to do is just double-click here. Select your amateurs. Double-click here to open the properties of a meter n degrees the amateurs. Now if I play, you can see we have this awesome tablets animation of metrics line. Now I'm going to delete this matrix. Now finally, we have our stylized x. Now guys, what I'm gonna do is I'm going to select this rotates solver. And I'm going to connect this to our marginal, and I'm going to change my text as well. And now if I play my video, you can see we have these amazing texts animation template in our Friesian breed. So these all are very simple to use. Just drag them and drop them here and connect them to the marginal, select the final load and connect that node to our marginal. I'm going to add one more. Connect this to our merge node, select this, rename this. Now we have this amazing animation. These are the templates in our Fusion page. 36. Fusion: Plugin: So now guys, I'm going to show you how you can install a plug-in or scraped in your debentures or search for dementia is already active plug-in and go to this website called Stieg underwater.com. And it will take some time to open this website because it's very slow. So now guys, if you want to download this script, all you have to do, just click here and it will download your reactor installer. Now guys, what I'm gonna do is I'm going to go to the Fusion page, an infusion page. I'm going to drag this and I'm gonna draw this right here. And as soon as I did that, We have this installer window. So all you have to do, just install a lounge. And now it is installing our directors script. Now we have this reactor system. Now guys, it will take maximum 10 min, I believe, to install this in your vision range. Now guys, directors clip is now completely installed in our Fusion page, and we have to select some plug-ins to install in our vision bit. So what I'm gonna do is I'm going to search for audio waveform. Check this. If this is unchecked and check this. Now guys, we are done now close this window and new item has been installed. So now what I'm going to do is I'm going to go to the Effects, add a fusion Composition, and now go to the fusion and infusion. What I'm going to do guys, I'm going to search for audio waveform that we just installed. And I'm going to connect this to our media out. Right now nothing is happening because please load audio files. So we have to select the audio waveform and select a audio file. So I'm going to select this audio file. And now if we play, we have this audio waveform shown to us. Now we can change the setting. We can zoom in and zoom out this. We can increase the amplitude as well. Now if we go to our edit page, you can see we have this. Let me just drag this on place. Let me just place this on top and drag our background. Now we have this audio wave from now you can add effects on this all the way from S value if you want e.g. if you want to add a glow, you can do that as well. Just search for glow effect. Add a glow, increase the size. Now go to the Effects. You can see we have this effect. So now guys, what I'm gonna do is I'm going to place that audio that I give this audio way from n, play this under this audio track. So now I'm going to drag this under our drag. And now I want you guys to focus on this audio away from checkout is visual and now jack out the visual on our audio waveform. These are the same ridges. So guys, this is how you can install reactors clip infusion rate, and install the fusion protein. 37. Color Page: Introduction: Now guys, let's move on to our next page, which is Calibrate. Now just like vision paid DaVincis all collaborate also works on our system. But we are few differences between the color base node and the fusion are. Now on the top right corner we have Effects. Now you can add these effects on your Collaborate node. This is our node timeline, and this is our clip. You can add multiple clips. And then you can select clips and color grade that clip if you want to. Now let's add these clips. On top left corner we have Gallery. You can save your personnel or customized alerts in gallery and then you can use them in your projects. Now we have alerts as well. You can use these alerts according to the camera and their profile. Now we have media poll in color bridge as well. You can drag and drop this media in here and use them. In preview window. We can switch to different timeline if you want to, you can switch to Timeline number five, e.g. I. Again, suite to time n number three, and then two time and number six, which we currently working on. Now in here we have colored ways. You can use these to color grade your footage. We have HDR as well. Now we have different features. Right here. We have curve, we have color whopper, qualifier, masking, window cracking, and etc. Now guys, you can also switch to different scope if you want to just click on this drop-down menu and then you can switch to create two vectors, cope and to show gram, etc. Now guys, right here we have keyframe animation as well. You can add keyframe and add your animation here as well. Now you can zoom in or zoom out your node diamond as well. You can select this and you can drag this timeline if you want to. You can also using your mouse scroll to move your timeline of node as well. If you want to view your footage preview in full screen, then you have to press control plus F to view it in full screen. And if you want to minimize this, all you have to just click on here. Or you can use the shortcut key, which is control plus F. This is the introduction of DaVinci Resolve colored page. 38. Color Page: Nodes: Now, if you right-click on your node, we have reset node grade. Now, if you add some color grading effects to this node, e.g. I'm just adding random colors to this node. And if you want to reset all these effects, then you have to right-click on your node and then select resigned or grid. And it will reset all the effects that we apply to this node. And on the second we have node label. If you want to label this node, then you have to click here. And then type a label and press Enter. And if you want to rename this, all you have to do is double-click and then rename to a new name. If you want to just remove this level, double-click and now press backspace and it will remove that level. Now we have node color. If you want to change the color of this node, then you can also do that. Just select a color and it will change the color of that node. As you can see, this line is now Jane in color. If you select a new color, if you want to just reset the color, just click Color, select anybody reset that color node. Now guys, next we have log node. Now if I add some effects to this node, then I can do that. But if you want to log this node, e.g. let me just reset this node and I'm going to lock this node. And now if I apply some effects to this node, then the effect won't apply to this node because our log is logged in. If you want to unlock this node, just click it and it will unlock your node. And if you look this node, we have this lock icon appear on this node as well. Despair. Now guys, next we have add Seton. Now first we have this node which is acetyl as well. If you want to add another node, then you can do that as well. Just click on Add and it will add that node. Now 2 " all colored page is working on nor system to color grade your footage or collect that your footage. Now, this is our cereal. And next we have ads before, and it will add that node before this node. So let me just select this. And now we have this number three and this is number two. First we have this number two. And if I add a seagull before, then it will name that node number three, and this will be serial number two because we add cereal before this node. Now guys, next we have parallel node. Now for us to understand the nervous system. First, we need to understand how North work. So basically this is our firstNode. If I add some effects to this node, e.g. go to our color page and I'm going to do add. Let's say in our curve I'm going to just color correct this footage, e.g. suppose I want to add some more effects to this footage. Then I can add a serial and then add effective decision. E.g. I'm going to add a blur. Now, if I want to add another effect, then I can't do that on this single node. So I have to add another node to able to add some more effects. So e.g. if I go to the library and add directional blur than the box blur will disappear because we can only add one effect at a time. So I have to add another node and now go to the library and I have to add the new cell if you want to. Now in this node we have radial blur. In this node we have directional blur. So basically, the color bid is works on node system, which is very simple once you understand is processed. Now guys, next, we have parallel node, LAN node. Let me show you the difference between layer node and bile unknown. So first I'm going to select Add layer node. And now I'm going to the edit page. Let me show you what is difference between the layer node and a simple layer. First, I'm going to drag this layer and drove this, place, this on top of our, this layer. So this is our lane number one and this is our layer number two. So if I place another layer on top of this layer, then we showed this desert than the preview window show us the latest or the top one is older. So if I disable this layer that we have, if I disable this layer, then we have this layer. The preview window, show us that video which is placed on the topmost position of this layer. So I'm going to select this layer and I'm going to read them. And now let's go to the color page and any color bed. This is our layer placed on top and this is the below one. So let me show you what I mean. So this is layer number two and this is layer number one, but in color bridge, it work opposite. This is layer on top of. This layer is present to you as layer number two. So if I add something to this layer, e.g. if I add led me just increased my gain to the red side. Then you can see the changes is a beard on this node but not on the previous screen because this is the below layer and this is the above layer in Collaborate, it work opposite side. So if I have to select this layer, this is the node number two, which is placed on top. And I'm going to change this to blue and then we have this blue color. And if you want to see the results of this color, this node, first node, you have to press control plus D to disable this node. And now we have this node. And now if I select this node and press control plus D to enable this node, then we have this node appears. So guys, this is how lane or work. Now I'm going to snowed, reset this node, and now I'm going to add a parallel node. And unlike layer node, the parallel no-show or the second node is red as well. So if I integrate the result, if I increase my gain two blue, you can see, we can see the blue. And if I select this node and increased my gain to read, then it will combine these two desserts and show us our final answer. So once again, I'm gonna do Jane my gain. To read on this load, I'm going to change my gain two more like this. And now what it does, it combine these two desserts and send them here and send them in our output and show us Desert. So this is the difference between the parallel node and the layer node. Now final guys, we have add outside. Now what it does in our masking window, if I add symbol, a mask, and if you want to see the masking video, just click on this one or you can just press Shift plus Edge to view this masking area. Now I'm going to increase the size of this mask. And now first guy is we have this mask. Now if you want to invert this mask, you can do that as well. Just click here. Or if you want to invert this mosque in another node, you can do that as well. Just right-click Add Node and now add outside. Now we have the inside and the outside. This is how the outside Node work. And now guys, next we have save as your anode. And now how this node work. First I'm going to back some clips here. And now we have forklifts. If I click on cleaves, we have forklifts. Now what I'm gonna do is I'm going to save this as shear node and I'm going to copy this node. And I'm going to select all my clips, and I'm going to paste this node. And now if I make some changes on this Save As here, this node will affect all our clips. So if I select this node and make some changes, e.g. Jane offset and the offset of all these node will also be changed. If you want to delete this, save as Shane or just click on these delays. Save J node, click here. And now the node will be deleted. Now guys, next we have delete node. If you want to delete this node, you can also press backspace, or you can right-click and delete this node. 39. Color Page: Color Wheels: So now guys, we have colorways, now go to the color ways. And in here, in color ways, we have first lift. Now, lift will effect the dark part of your footage. E.g. I. Have this graph and in this area and this dark, but if I decrease my lift, it will make this part a little bit darker or degrees in light of that area. And if I increase my left, it will now bring light to dark part. Now I'm going to reset this. And now let's go back to our afforded. And now if I decrease my liver, you can see in our dark area of this footage now effecting if I increase my level, you can see it now, have some light on our dark part. Now let's reset this. And now in my scope, if I increase my leaf, you can see this lift is now pushed these values of the dark part of our footage upward. So now if I increase my level, you can see it pushed these value of one and if I decrease my lift, it now bring this value down. Let's reset this. And now you can also add a colored if you want e.g. I'm going to add this color and now let's lower our live. You can also add a color if you want to. Now guys, next we have Gamma. Now we use the gamma to increase the light of our short. So e.g. let's go to this color chart and I'm going to increase my gamma. You can see it now bring light to our chart. And if I decrease, my gamma is now decrease the light of our shot. Now let's go back to our footage and I'm going to increase the gamma. You can see it brings the light. Now if I decrease my gametes and now making our shot a little bit darker. And in our scope I want you guys to focus on this point. The gamma is now bring this value upwards. And if I decrease my gamma is now bring these down. Now bring the value from this area upward or either down. Now in gamma, you can also add a color if you want to. So I'm going to add this color and I'm going to increase my gamma. You can see it's now bring light to our short. And if I degrees Mangum and you can see we have this dark short. This is before and this is after. Guys next we have gained. So now in our chart, the gain is effect the light part of our shots. So e.g. if I decrease my gain, you can see snow effect this part. It's now bring this value down or bring these value upward. But if I decide this gain, go to our footage and now focus on these points, on our scope. You can see it's now bring this value down, or you can bring this value upward. And you can also add a color if you want to. And it will add that color. Just like that. Now next you guys, we have often now offset will bring all these value either upward or either you can bring this value down. So if I increase my lip, you can see it's now bringing these value upward or bring these value downward. Now in our chart, you can see snow bring this value upward or downward. Next we have color lobe. So now in our catalog we have same offset, but we have three different wheel, we have shadow, we have midtone, and we have highlights. So let's go to our highlight will now highlight really will affect the highlight of our charts. So e.g. if I increase this highlight, well, you can see it's now affecting the highlight of our shot. And if I decrease this highlight, well, you can see it's now effect the highlight. It is now decreasing the light of that highlight. So now let's go to our short. If I increase my highlights, you can see it bringing light to the highlights. And if I decrease my head is now now I want you guys to focus on this scope. If I decrease my halide, you can see it's only affecting this area. These are the highlight part. You can see it's an artifact in that part only, but not the whole score. Now we have midtone and mid-tone will affect this part only. So if I increase my mid-tone, you can see it's now affecting debt, but only, but not the whole school. Now guys, finally we have shadow. Now, shadow will affect this part of our scope. So if I increase my shadows now, making them softer and bringing them upward. And if I decrease my shadow, you can see it's now making them a little bit sharper and bringing these value down. Now let's reset this graph. Now guys, let's go back to our color ways and we have these features are also available in our color wheel. First we have auto balanced. If I click on this order, balance is now ordered my show. So it will do a couple of seconds to auto balance our short. And now it's done. So this is before and this is after. Now guys, next, we have this white balance. Now if I have too much warmer color in my shirt, then I can just simply click my face. Now it will eliminate that color. And now if I have too much blueberry in my shirt, then I can just click here and select this white balance. Select this guy and it really eliminate that blue color from my shot. Now guys, next we have temperature and we have been no, if I increase this temperature to the right side, it will add our Mongolia to my shoulder. And if I push this color to the left side, then it will add a blue color to my shirt, color to my shoulder. And in our day, and if I push this color to the right side, it will add Radical into my shirt. And if I push this collaterally left side, then it will add a green color to my shoulder. And you can also mix these two color if you want. Now guys, next we have contrast. So now if I increase the value of this contrast, you can see in my scope, it will spread these value from this point. If I decrease my contrast, it now, it's now shrinking my scores. You can also control this contrast using the pivot. So if I increase my contrast, let us say this point, then I can use my pivot to control my contrast. And now I have this contrast. So this is before and this is after. Now guys, next we have made and details. So if you want to add more detail to the charges, increase this value. And if you want to make your shot a little bit softer or decrease the detail of your fears. All you have to do just decrease the median detail and it will make your face or the video soft. This is before and this is opera. And here we have color boost and we have the saturation. So if I increase this color, let's say I increase this color boost and I'm going to add another node. In this node, I'm going to increase my saturation to 100. So this is the difference between the saturation and the colorable. So this is the saturation I'm going to add set. And for this node I'm going to add a name called Boost. If I disable this node, you can see this is the color boost node. So if I disable this node and enables hydration, or this is our saturation or this is the saturation mode. And this is the collarbone known colorable, snowed will boost all your color in your short. But the saturation, just add more colors to your shirt, just bringing them a little bit of not too much like the colorable. So I'm going to delete these. Now guys, next we have the shadow. Now you can add light to A-sharp by bringing these shadow app. Or you can bring this down to degrees of light from a shot from the shadow bottom. And now we have the highlight as well. You can either increase your highlight or degrees your highlight if you want to. It will affect only the highlight and this will affect only the shadow. And now we have the hue. You can also switch the color values by increasing this you today light side or to the left side. Guys, Finally, we have the lumen mix or if I decrease the value of this Lama mix all the way to zero, you can see nothing is happening to our chart. So I'm going to reset this node. And let's go to our color bars. And in our color bars we have the same values. We have the Lift, Gamma Gain and the offset. And in our gain, if I increase the value of this red in our gain, you can see in our scope the gain of the read is increasing, but it also affecting the others to color as well. So if you want to effect only one color, you can just do that. Let's bring this lumen mixed to zero. And now if I bring this value red upward, you can see it is now affecting this value only. It is now affecting one color values only, but not the three value at one. So if I reset this now increase this. You can see the other tools is now effecting as well. So if you wanted to affect only one color, just decrease this to zero and now increase the value. This is how you can use lumen mix. And final guys in our log will we have finally the store and we have the rain down and range of these values are for controlling our shadow. So if I increase my shadow, let's say, let's increase this right? In if you want to bring this rain down, degrees, this all you can also integrate this if you want to. If you want to increase the value, you have two degrees your shadow and now increase value. This is how you can control your shadow as well. So these are the color we use, guys, that you can use in our color bits to color correct or color grade your shot. 40. Color Page: HDR Wheels: So let's go to our attitude and we add this multiple color ways. So if we wanted to see what this color wheel does, all you have to do is just click on this icon and it will show you that part of your video that will effect if you change the value of this wheel. So e.g. if I add a blue color, you can see it now adding a blue color only this part of my image in our shadow, you can see if I increase, I read value, it is now increasing or adding a red value only this part of my image. Now, you can see it is now adding a light only this part of my image. Next we have the highlight. You can also add highlight if you want to. And it is now adding this color only in our highlight. And we have final, which is global, that will affect your whole shot. If you want to change the color, all you have to do, e.g. if I add, let's say a blue color, I can also gene is saturation. I can also Jane is export here. And you can also increase this value to select a color range from this color wheel. These are our FDR grids. 41. Color Page: Curve: Now guys, next we have these curves. This part of the curves will affect the highlight of your footage and this part will effect the shadow of your footage. So if I add a point here and bring this point up, what you can see, our highlight is now increasing. If I bring this point down, you can see our highlight is now decreasing. Similar to this point. I can now add a point to our shadow part and now my shadow, or I can now harsh shadow as well. Now you can also switch to a different color. We have red, we have green and blue to unlink this. And now I can bring this point upward. And now I can select the red curve, the green curve, and the blue curve as well. We have a different method to select these curves. All you have to do is just reset your curve, link these values. Now select a particular value, e.g. I'm going to select red. And if I bring this red curve upward, you can see it is now adding a red color to our footage. And if I bring this wind down, you can see it is now adding a greenish color to our highlighted. I can now add a red color to our shadows, or a greenish color to our shadows. Now I can select the green, and now I can add green color to our highlight or the pink color to our highlight. M. Similar to this point, I can now add green color to our shadows or the pink color to our shadows. Now finally guys, we have the blue color. You can either add a blue color to a shot to your highlight or the yellow color to your highlight. And you can also add a blue color to your shadows or a yellow color to the shadows. Now I'm going to select this point, link these values. And I'm going to increase my highlight. And I'm going to, because my shadow as well. Now guys down here we have the soft glove. You can also soften these value if you want to. I'm going to add a soft shadow to my short, or I can now degrees my highlight as well. Down here, you can also soften these value even more. There you go. This is our symbol curve. Now guys, next we have Hue vs Hue. So what it does, it switch the color values. So e.g. if I select this line and bring this line up, you can see the color is now switching. If you want a particular color to switch its color, you can also do that. I'm going to bring this line upward and I'm going to select the red color, which is my face color of this chart. And I'm going to bring this to its original position. And there you go. So this is before and this is after. Now guys, next we have the Hue vs Saturation. So if you want to change the saturation of a particular color, you can also do that. So I'm going to select the blue color of this drug and I'm going to increase the saturation all the way to up. And I'm going to select the face color, the face value, which is red. I'm going to bring this point upward. And now as you can see, the face is now increasing the saturation. You can also decrease the saturation if you want to just bring this line down or the upward to increase the saturation. So this is the Hue vs Saturation. You can also bring this line up or down if you want to select a particular color or increase saturation. Now, the only red color is now increasing the saturation except from all these colors. Now guys, next we have the Hue vs Luma. So what it does, if I select my face value, which is red, and increase this value or bring this point up. But you can see the light is now adding to this color. And if I bring this down, you can see a dark value is now adding to this color. This is a Hue vs Luma. Guys, next we have the luma versus saturation. So this part will effect the darker, the shadow part of your footage, and this part will effect the highlight of your footage. So if I select this point and bring this point upwards, you can see the highlight is now increasingly saturation. And if I bring this point downwards, you can see the shadow part in our footage is now decreasing is saturation. Or you can also increase the shadow saturation as well if you want to. N guys, next we have the saturation versus saturation. It is similar to the luma versus saturation graph, but except you can just add a minor values of the saturation in this graph. So e.g. I'm going to add another node to explain this graph. And I'm going to name this luma versus edge. And for this, I'm going to name this set versus saturation versus saturation. I'm going to bring the saturation of the shadow part up all the way up. Select the first note and I'm going to increase the saturation of the shadow part. And now guys, if I disable my saturation versus saturation, or you can see this is our luminosity saturation shadow highlight all the way to 100. And this is the saturation versus saturation shadow area, shadow part of your footage. Bringing the saturation to 100. The saturation versus saturation will add more saturation to your shot made as the luma versus hydrogen will add a minor values of the saturation to the shot in your shadow part or in your highlight. So this is a minor difference between these two. So guys find it in this curve, we have our saturation vs Luma. So you can either add a light to your shadow part or add a dark value to a shadow part, or a dark value to highlight, or a light to highlight as well. So if I bring this point up, what you can see it is now adding light to our shadows, or it is now decreasing our shadow and adding a dark light. Similar to this point, you can now also allied to your highlight or add a dark value to your highlight. And you can also change this by using this value. So I'm going to resize this curve and I'm going to select my Hue vs Saturation. And I'm going to increase wind upward ingredients line, bring this line upward. Select my face value and bring this line to its original condition. Now you can also change this value by selecting the slider, this value. And now guys, you can also select a point, select a color from your video. So e.g. I'm going to select this blue color. And now I can switch these two different colors. But if you want to switch these two different colors efficiently, all you have to do is just select the color from down below. And now check this out. This is a curve in our color page. 42. Color Page: Color Warper: Now guys, next we have color wallpaper. Now using this color or you can also calculate either for date, e.g. I'm going to in my footage, I can now select this guy. And now I can drag this to the bluish side to add a blue color like this. Now you can add more controls if you want to, you can add more points. If you want to just reset these cardboard butter. And now you can add this point from here. Now we have more controls. Now I can now change the sky color, and now I can also change the skin color of our subject. This is before and this is after with the color of copper. Now let's reset this and let me explain you this tool. So first we have the Move tool that you can now select multiple point if you want to like this, and then you can join these point to any direction. Now guys, in a second, we had the drug selection. You can draw multiple ones and then let go and then click here again to chain these point to any direction. Now next we have this pin deepen, which is used to when you select these points, it is now open. And now if I click here selection, and now I can select this guy and only data point will chain, but not the whole graph. You can see only this point is now changing is the action. But not all the graphs, not all the net. So let me just reset this. And now if I select this guy and Jane is direction, you can see all the points moving along with that point. We selected. Now guys, next we have this pole points which is used when you want to be saturation up wind. So now our data is an Audi saturation, saturated like this. So this is before and this is after. And this is for the saturation. If you want to increase saturation of a binders, click here and it will increase the saturation of that point. And for D saturation, you can also make a point and now we saturate its value. Now guys, next we have this increase valve of all small selection. You can click in. First, I'm going to select this. And now I'm going to draw a points. And now I'm going to click here. And it will add more points around these points. So now if I click here, you can see it add more point. And if you want to decrease this point, if you wanted to minus these wind, all you have to do is just click here and it will de-select that once. Now guys, next we have this inverse selection. If you select this area, this area, and if you want to invert the selection, you have to click here and it will invert the selection. So the windy I do select it before, will now be selected and bind that you not let it before. We'll select it. Now you can change its direction. And now guys, next we have this Convert Selection tool. If you select these points and if you want to convert this to paint, you have to click here and it will convert that to print. Now you can do in one direction only. Like this guy. Lag, phase. Only data point will move this direction, but not the whole chart. Now guys, next we have this select pin column, which is used when you select a line. If you wanted to select this line, all you have to do this click here and it will select only that line. And now you can move its direction. And if you want to select another line, all you have to do is just select F18. Now select it and we'll select these point. And now guys, next we have this widget. Select Pin rain, anybody select a date, e.g. I'm going to click here and it will select its range. So if I click here, you can see its legs is drained. And now if I click here and it will select this range, let me just moguls to eight. And now if I select this point and it will select only this point range. So if I click here, you can see it's selecting a syringe. Now guys, next we have this which is select all or dislike beeping all. It will select all the chart. And now you can do any subtraction. And final guys, we have the reset. If you want to research this point, all you have to do is click here and it will be sad this point, but not the reset, all the facts. So if I reset this, you can see it also de-select all wind. But if you want to reset your effect, reset your direction to its original position, but not reset these points selected. You have to click here to reset this direction. And down below guys, we have these controls. So if I select this point and j is the direction, let's say right here. And now I can use saturation. As you can see on the picture on the previous screen. I can now change its saturation. And now I can add luminance, add light, or I can add a dark value to our footage. And then you can also use this. We can also control this analysis. Now these saturated, let me reset this. And now guys, in here we have these control as well. We have the temperature and the tint that we are available in here. Now we have the grid number two and agreed number one. So good Number two is this and great number one is this grid. So now I can select here and add a blue color. And now I can add a yellow color if I want to. And for gray number two, I can add a red color and I can add a green color. This is the grid, and this is the color of RPA hue and saturation. So God, this is how you can use color to color grade your footage. 43. Color Page: Qualifier: So now guys, we have this qualifier. So using these qualify, you can select a particular part of your video and then only make changes to that part. So e.g. I'm going to click here on this qualifier. And now I can select my sky. If you want to view this selected area, just click on the highlight icon to view the selected area. And now guys, using this view, you can also refine your selection even more if you want to. You can also soften the selection if you want to add in saturation, you can also make a refined selection like this. And in luminous you can also refine this even more if you want to like this. Now if I go to the color dropper and change its color to blue. And now if I click on the highlighter icon, you can see this guy is now changing its color. Only that part is now affecting, but not the whole video. So let's reset this and go to the qualifier. And let me explain you these tools. So if you select your face, e.g. go to the highlight. So if you want to select more part of your face, so e.g. I'm going to click on this plus icon of the qualifier. And now I can add my face even more. If you want to eliminate some values like in our background, you can now select the minus icon of the qualified and then you can select that. But I did want to eliminate and 40 plus one, you can add that part to resection if you want to. In this feather, you can also add a softened value of that selection that you selected. And you can also eliminate this orphan value if you want to. And final guys, we have this inward. If you want to invert this selection, you can also do that is click here, and this will invert your selection. And now in the color Whopper, I can now change the color to blue. And now in our final design, you can see this is our financing section. If you want to refine this selection, you can also do that as you go to the qualifier. And this man finance, you can also clean the selection if you want to. Like this. Now I'm going to reset my red, reset my node. Now we have these more control. You can also use the IBD selection to select the part. You can also use the qualifier illuminance and final guys, we have the qualified 3D. In the qualified 3D, you can also e.g. I'm going to select my face angle to draw lines on my face. You can select this plus icon to add more lines to your face or the section that you want to select. Now I can eliminate that bar that I don't want to select. The plus icon. You can add this section. For the minus y. You can eliminate dissection. You can also refine this selection. Here we have the salt, we have the flat, we have the diet, and we have the luminance value bars lactate is now showing that deserts. We have the soft result that we selected, the area we had the flat of our selection. We have the direct result of our selection. And finally, we have the luminance result of our selection. So I'm going to select the soft. And now, if I click here on the highlighted, go to the color dropper and gene the color to blue. Something like this. And now I can invert this section and now check this out. I'm going to add a slightly bluish color like this. So now check this out. This is how you can use a qualifier. 44. Color Page: Masking Window: So now guys, next we have this masking widow. Now in our masculine window, we have these multiple mask. We have the linear, we have the surrogate polygon curve, and we have the gradient mask. Now using these mask, you can cut out something from your video. So e.g. I'm going to select the circular mask. And now guys, if you want to view the masking area, you have to click on this highlight icon and it will show you that part that you selected. You can also invert the selection if you want to just click here, and it will invert that selection. And you can also increase the size of this mask. You can also mask, you can change its position, rotate this mass, soften the mask if you want to. And you can also, in our preview window, you can also make these changes. And now guys, next we have this pen, we have this curve mask that you can make a customized selection. If you want to make a customer selection, then you have to select this curve mask. And now I can now select my subject. I'm just making a mask around my subject. Now my subject is now selected. And if you want to invert this, you have to click here. And now guys, if you want to add multiple mask, then you can also do that. So e.g. we have these option, I can now select the gradient mask. And it will show me that part of my mouth that I selected. If I want to invert this, I can now invert this. So it is now showing me inside of this curve mask. So now if I make some changes, e.g. I'm going to add this value. And now if I click on this island, you can see only this part is not effecting, but the whole video is now effecting from this color Whopper. If I play this video, you can see we have this mask that we added to our subject. Now guys, if we go to our masking window and if we select a circular mask around our subject. Now if we click on the highlighted, you can see this is our masking area. But if we go to the edit bay, you can see we don't have any masking area, we don't have any cutout from our video. So if you want to show this result to our edit page, all you have to do is just right-click here and now add alpha output and now connect this jar masking data. Now if we go to the edit bay, you can see we have this masking data. And if we place this on top layer, and if we play this video lower layer, you can see we have this subject cut out from the video and we have our background. Now if you want to delete this alpha output, was disconnect this and now remove alpha output, and it will remove this. 45. Color Page: Tracking Window: Now guys, next we have this tracking window that you can drag some things. So e.g. I'm going to go to the masking area. And in our masking area, I'm going to select my curve tool. And I'm going to draw a mask around my face. What? I'm going to select the circular mask. And I'm going to place this right here, all my subject phase. And now I can go to the tracking and I can now drag this forward. And it will not drag that mask around my subject phase. Now this mask attached to my face, and now I can change its color grading, e.g. I. Can now add this, or I can now invert this selection and go to the Effects. And now I can add a blur effects by one. Good. Now check this out. Now guys, if I go to the tracking window and show you the preview of this video, you can see the mask is now a dad to our phase and the blur is now affecting the whole video, but not our face. And now I can go to the curve and now I can decrease my highlight like this. Now check this out. This is how you can use this tracking window. So if you want to add a customized mass, then you can also do that. Just click here on this curve mask. And now I can add a mask around my subject phase. I'm just adding a rough mask. Now if I go to the dragging window and drag backward and forward, you can see we have this mask. And now if I go to the mask, invert this mask, and now add a direction where let's say and soften this mask out like this. Then you can see we have this vector. Using this tracking window. You can make a customized selection if you want to. If you want to drag backward and forward, then you have to drag on this icon. Then you have to click on this icon. And if you want drag backward, then click on this icon. And if you want to track only forward, then click on this icon. And now guys go to the camera. And you can also stabilize this video if you want to do is click here. And it will now stabilize your video. And now our videos now stabilized. And we have this tracking mask plays on our subnet phase. Now guys, in our finally, we have the track effects. If you wanted to drag effects, then you can also do that. So I'm going to reset this node. And now I'm going to add a radial blur. And I'm going to do degrees is trans all the way to zero. And now right here you can add a point to drag. So I'm going to try this drug behind me, behind our subject. I'm going to add another point. And I'm going to place this right here. So now if I click on this track forward, you can see it is now tracking the drug. Now if I increase strength of our radial blur, you can see it is now tracking that area. This is how you can use tracking window. 46. Blur, Mist, Node Sizing and Key: Now guys are next, we know is our blurry mess. Who knows? So go to this window and you can using this radius, you can control your brand, you can upload your video or you can sharpen your video if you want to. You can control the sharpness by using this ratio. And you can also go to the sharpened widow, this blur sharpen. And you can even increase the scale of the sharpness. You can even sharpen module with you if you want to. Using this blurred image window, you can add a mass to it like this. You can go door is activation. This is our blemish window. And I'm going to reset my node. And now I'm going to go to the Color Burn, and I'm going to add this color. And I'm going to the key window, any number. If you want to lower the opacity of this node, all you have to do is just come to this key output gain. And you can also lower this gain if you wanted to. And now check this out. This is a zero gain and this is our 0.3 again. So this is before and this is after. Now guys, our final window is our sizing willow guys in our advertising node. All these controls are available in our edit Inspector. You can also join them right here. So this is our sliding window. 47. Color Page: Scopes: So guys, in our color palette, we have different kinds of scope. Right now, I'm using the British COVID, use RGB colors. So I can now calculate my video by watching these curves. And now I'm going to switch to waveform. And you can also balance your short by using this code. And I'm going to reset this node. And now next we have our vector scope. And now guys, in our vector scope, you can click it and you can check this show skin tone indicative. So this is our skin tone and you get a, now we use vector scope to correct our skin tones. Skin tones lie on this line. So what I'm going to do guys, is I'm going to make a selection on my face, make a mask on my face. And what I'm going to do guys, is I'm going to increase this offset to the red side, like this. And now I'm going to click here and now check this out. So what I'm going to do guys is I'm going to add a layer. And I'll just click here and connect this to the lower and connect these two tree upper side. So this is our upper layer and this is our lower layer. So what I'm gonna do is I'm going to select this and I'm going to go to the color dropper, and I'm going to select my face. Now let's click only highlight and we have our skin tone right here. This is before and this is after. So by using these kinds of scope, these are different kinds of scope. Next, we have the histogram and we have the SEA chromaticity. You can use these golf to color correct? Or color grade your videos in our color page. And you guys, if you want to add multiple scope, if you want to view the multiples curve, you have to click on this window right here. Now guys, right now we have four scores. You can also see 22. You can switch to one. And now you can bags three to four. Now let's close this window. And this window will a weird idea. These are different kinds of scope that we use in our color bridge. 48. Color Page: Keyframes: So guys, in our color paid, we also have key-frame, so sweet to be framed as click on this icon. And we have this keyframe window. So right now you're not seeing any key-frame because these are minimize it. I just click on this, expand and it will expand the option. Now we have qualifier color correction and Adrian will and we have the power curve as well. So what I'm going to do as I'm going to minimize this. And I'm going to add a keyframe. Just click on this diamond button, and it will add a keyframe. And now what I'm going to do is I'm going to lower my highlight. And now I'm going to come to this point and I'm going to increase my highlight. And I'm going to red. And I'm going to add a slightly green to it. Now, if we play this video, you can see we have this curve animation. You can also go to the color Warburg Jain these two here and now come to this point. And now I can change this to our yellow. Right? Now we have the color Wartburg keyframe appeared on the screen as well. Now we have the curve animation and we have the color whopper animation as well. So what I'm gonna do is I'm going to select these keyframes, and I'm going to play these right here. Now we have these keyframes, animation. Now if you want to color grade your sizing window, all you have to do is just pseudo sizing. Click here. And now go to our sizing. We know any numbers. As you can see, we have this input sizing. So you have to go to the input sizing. And now here we have keyframes for input sizing. And now what I'm going to do, I'm going to come to this point and I'm going to zoom in my video. So check this out. We have this Zoom in animation and we have the caravan Nikola whopper animation as well. So this is how you can add keyframe, how you can work with keyframes in our gallery page window. 49. Color Page: Node Mixer: So guys, if you right-click here and come to this Add Node, you can see we have different kinds of node. First we have the connected. So if you delete this character, you can also add this by right-click and now come to this Add Node. And you can select this character and connect this green line to this, and connect these to our output source. So this is our input source and this is our output source. And now guys, next we have our parallel mixture. So you can just select here, select this parallel mixture, add another character. And now connect this to this, and connect this to this, and connect our input to this. And now finally we have this to our output. Now guys, we have our parallel layers. So this is our first node, this is our second node, and this is our parallel connector. So now I can select my firstNode, make some changes, select my second node, and also add some. Jane is right here. And now this is our pattern, or you can also add this by right-click on your node. Connect this to our output source, right-click on your node, come to this add node and add a parallel if you wanted to. And now we have this parallel corrector. Let's delete this, reset this. And next guys, we have our layer and mixture. You can also add this similar to our parallel mixture. Or you can just right-click on your node and add this from this alien. And we have this layer mixture right here. Now guys, to explain the next mixture, I have this picture. So what I'm going to do is I'm going to right-click here, go to the Add Node and I'm going to add a key mixture. Mixture does so e.g. I. Am going to add malleable character. So I'm going to disconnect this and I'm going to connect this to this. And I'm going to add another character. And I'm going to connect this to this. So now what I'm going to do guys, I'm going to select first node for this number to node, I'm going to go to the mask window. And in my mask, even though I'm going to select this face right here. So if we click here, you can see we have this mask, right? I'm going to just increase the size and add a little bit softness to this mask. And I'm going to select my node number four. And what I'm going to do guys, I'm going to select my subject. Just click here. And now I'm going to select my subject. So I'm just adding a rough mask to explain to you why we use gooey mixture, why we'll use this mixture. So now we have to mask, we have mask number one and we have mask number two. So guys, why do we use this key mixture? So if you want to mask out multiple things from your video and color grade them separately, then you can use these key mixture. So what I'm going to do guys next, I'm going to add another character. And I'm going to play these right here. And I'm going to connect this to our mixture. And now guys, next two, I'm going to connect these mask to our key mixture and connect these two hour, this window. And now we have these two mosque in our this node. So now you can make some changes. E.g. right here, we make some changes. And now if we add another node, then you can see we only effect these two things in our video. And if you want to invert this masking selection, you can also do that. Just delete this node and right-click here, and you can add outside. And now we have the outside of our mask. And now you can add a secondary color to this mask. And now add a node. Place it right here. And now we can control multiple things in our video. Now connect this to our outside source. And now I can control these mask separately like this. So I'm going to do these nodes. So guys, final, if we right-click here, you can see we have these two. Finally, we have the splitter and we have the combiner. So I'm going to select this theatre. And I'm going to connect these right here. And now I'm going to add a node, add a serial, place it right here. And I'm going to add another serial base. Connect these, click on this line and connect the second to this input. And now add a final disconnect this from here, and place it right here and connect the final input, output to this input. And now we add the splitter, and I'm going to add a combiner. I'm going to connect this right here is connect this, connect these two files and connect this to our second, and connect this to our third. Now guys look closely to the splitter and the combiner mixture. You can see we have the red color, then we have the green, and then we have finally the blue color. So if you select this character, this node, and select this highlight, you can see we have the representation of the red color. Here we have the green color, and finally we have the blue colors. So you can separately control them. All you have to do is just select this combiner, add a final node. And now if you select the red node, if we select the red values, click on the highlighted. If you increase the highlights, you can see we have the red and if you lower, you can see we have the green. And you can see in our bread, the only red color is not moving anywhere in our second, the green color is now moving. And in our file, the blue color is now move. These are the representation of separate RGB. You can also control them separately. And now in our final note, if you want to add a glitch, you can also do that as go to the sizing and go to the North icing. And you can pan these, right? And now we have this green and red RGB, green and red glitch effect. And if you select the green values, pan to the left side, you can see we have the green and the pinkish Value, bleach, NNR. Finally, you can see we have the yellow and the blue village. Using these node, you can separately control your RGB color in your video. So if we lower our offset of the red value, you can see we have a blue color in our short. And now we have this calculator. This is how you can use these mixture angular page. 50. Color Page: Grab & Export Still: Now guys, how you can get apps, you how you can save your own words and then export them. So first of all, I'm going to explain to you guys why we use these nodes to color grade our footed. So first, I'm going to lower my gain, increase the contrast. Now, decrease my gamma as well. So I'm going to label them Gamma Gain and contrast. Alright? So this is our firstNode. Now I'm going to add another node. And this node, what I'm going to do guys, I'm going to go to the left and increase my lift right about here. And now I'm going to increase my shadow as well. Now I'm going to name this shadow, and now I'm going to add another node. And this node, what I'm gonna do is I'm going to increase my saturation about 70. And now I'm going to go to the Hue vs Hue. Drag this right about here and now select my red points, and I'm going to drag them to the original position right about here. Now I'm going to rename this level is as you said, in final node, guys, place this right about. Now, I'm going to, now let's change this to. So as you can see, if I want to change something from this four-day, from this calculated, I can now select my Gamma Gain and contrast, and then I can join them. And if I want to make some changes in my shadow, then I can select this node and then make some changes. E.g. I. Can lower my shadow, I can lower my lift, increase the shadow. And I can now select my saturation and hue. And I can make some adjustment in this node. So as you can see guys, we made several nodes. So we can make some adjustment if we want to afterwards. So that's why we use nodes in color page of doing Judy's older. And now if you want to save this Northwest, I'm going to add another node n in this node, I'm going to label this as f x. And now I'm going to add glow effect. And I'm going to increase the spread gene, the edge reader show jane this. We add a glow. Now what I'm going to do guys, I'm going to click this soil gallery, enable your gallery now right-click here. And as you can see, we have this GREP style. So I can now grab tool, and this is our string. And now guys, we save this. And now I'm going to delete these nodes. You said this. Now guys, if you want to save this as a printer, you can do that. Just right-click here on your picture, on your graphs and click on this Export. Change the location if you want to. And now what I'm going to do guys, I'm going to change this location. And I'm going to rename this as nu grid. Now save this. Now I'm here in my saved pictures. And now this is arbitrary that we saved from the Gap student. Now guys, if you want to apply this effect to other four-day then you can also do this. Just go to the edit page, add a footage. Now go to the color page. And in our global, you can just preview this from hovering your cursor from left to right, like this. Now I'm going to right-click it and I'm going to apply this red. And now check this out. We have the same gray node that we apply to that footage. Now you can make some adjustment, like if you want to lower your lives than you can do that, you can gender gamma or gain. And in this you can change the saturation or the hue if you want to. Like this. And in our fx you can gain glory and if you want to. So guys, this is how you can grasp still and exports in color bridge. 51. Color Page: Preview Controls: So now let's go to the color dropper. And as you can see, I have this qualifier on my preview window. I can now select the Ras gene is you select the sky chain is to blow like this. And if this qualifier isn't available to you, then you have to click this drop-down menu and select the qualifier. If this is off, you can see we don't have any qualifier on our preview window. If you want to enable this, just click on this drop-down menu and now select the qualifier. If you go to the mosque in window and I'm going to add a circular mask. As you can see, we have these control as well. If this isn't available to you, then you have to click here and I'll select the power window, and then it will be available for you. Now I'm going to reset this. Now I have this for date right here. And our next mode is in red wine. So go to the gallery and now right-click here and sweet to wipe more. And now if we switch to wipe more, as you can see, we have this wipe mode. Select the vibe mode, click on gallery, and now right-click it and place till. Now as you can see, you guys, we can now make comparison between our original footage, the footage that we calculated before. So this is the image wipe. And now let's click here to remove these comparison. So guys, for the next mode, I have this cat video. And if we switched to dust removal, which is our next board, and click now you show us our editor window. Would you say unsupported file format. So it only work on D PX and senior on frame. So we have to save this video LDP exe file. So go to the dealer bit, click the video, select the Custom Export as switches to be x, and now Jane its location. And now add render queue and now render all. And it will render this video as dy dx. So we save this, we don't write it right-click and go to Open file location. And as you can see, we have this GPX file. So go to the da Vinci resolve and go to the edit. And now I'm going to delete this footage and now go to the new clips folder, which is our folder. Now we have to select all the files. So press control. All. Now grab this and now drop this right about here. This is the cat video. Now we have to go to the color page. And now sweet these two dust removal. Now right-click on this dust removal and now click here and we have multiple options. So I'm going to select the median, and I'm going to select Draw and glean. We have three options. We can either draw and clean, click and glean or drought. So if you select Draw and clean and save this, then you have to draw. And then it will clean that dust. And if you right-click here as three to these two, click and clean, then you have to click here to clean the dust. Removal that dust. So now if we play this video, as you can see it moved that as two. If we click here, remove this dust. As you can see, we have to go frame by frame to remove the dust. This is how does removal works. You have to first save the video as dvx file, and then you have to import inadequate and then come to the color page. And then we do the dust removal and apply this effect. Now for the next mode, I have this video. So I'm going to select the Open FX Overlay, which is the next mode, and now go to the Effects and search for libraries. Now drag and drop this effect on your node. And now as you can see, we have these light rays effect. And if you want to control this fact, then you have to switch to Open FX. And now you can control its direction. If you, of this fact, then you can see we don't have the controls on our preview window screen. But if you enable this open effect, then you can see we have these control. If you want to control your effect on your preview window screen, then you have to enable the Open FX. For the next preview mode. I have this spider checker picture right here. So right now this picture is over saturated. So if you want to make a footage on its original form, then you must have a spider checker in your video. I have this spider Jagger. So I can now switch to color chart. Now go to the color match. And right here guys, the first color value is sine, the next is the orange. Your spider Jagger. Much to imagine these value, I can now select different Jagger to see if this value match my jar. So as you can see guys, this is the sine value. This is the order in which we can see are the exact same chart that we have here right now. What I'm going to do guys, I'm going to align this according to our chart because this is a sign and design as well. So I'm going to align these to our sine value like this. So now we have to click on the mat. Now as you can see, guys, this is the origin for data. So if we turn this off and go to the color wheels, and if I press Control D, you can see this is the before and this is after. And now I can make some changes. I can now calculate this footage. So these are the preview mode in color page. 52. Color Page: Shot Match: Now in color paid, we have a feature called short mat. So if you want to match our show to another glib, you can also do that. So go to the Edit and then include that showed. So I'm going to match this short to this calligraphy and in short. So what I'm going to do guys is go to the color page. So first, enable the clips from here. And now select your original clip and now press control and select that clip that you want to match your short. So right-click here. And now select this short mat to this clip. And it will match this shot to this shot. And it will take a couple of seconds. And now there you go. So all you have to do just now make some adjustment. E.g. in Greece, the gamma increases again or even lower your lift like this. Now I can also select this clip, press Control, select this clip of the Joker and our advocate and short mat to this club. And all I have to do is just make some adjustment to this group. And there you go. So guys, this is how you can match your shore to another clue. 53. Color Page: Surface Tracker: So in 18 version of doing today is all we have a new effect called surface reoccur. So go to the Effect and search for surface tracker. I now drag this effect and drove this on your node. Now select the parts of your subject. In this case, I have this guard, so I'm going to drag this part of the body and now select the track, and now select this track forward. Now guys, the dragging is done. So now go to the media. And I'm going to drag this in diagram Graphics PNG and drove this right here. Now right-click on your main node and add an OH affects input. So we have this input and now I can connect this graphic to this video. Now guys select your main node and now select the result. So now we can adjust the Instagram logo like this. Now it will look like that Instagram logo is the part of the body. Now guys, we have two method to add this graphic on catabolic. First, select your node and now go to the compositing, and now select this ad. And now we add this turnaround graphic. Or you can set this to screen if you want to like this, or if you're using the free version, you can also use this method. So right-click on this node and now add a layer. So now I'll drag this node right here and drag this as well. And now disconnect these nodes. And now connect this two first one and connect this to the second. Now right-click here on the layer mixture. Go to the consulting mode and select the Add. Now select the main node of the surface tracker. And in the output, select the onto blank. And now we have this. Now if I play this video, go to the edit page and I can play this video, you can see we have this graphic ongoing body. Now you can set this to screen if you wanted to. And now we have this logo. Now you can attach any graphic, this GAD body. So guys, this is how you can use surface tracker. Individuals over 18. 54. Color Page: Match Move: So if you want to drag footage in color because then you can also do them. So go to the Effect and search for Magic Move, and now drag this on your main node. And now all you have to do guys is set a point, select an object from your video. And now you can drag forward. And we're done. Now if we want to attach something on this tracking data, then you can also do them, so forth. Right-click here and add an 0 of x input. And now go to your media, e.g. I'm going to select this picture, drag this right here, and now connect this to this data. Now select your main node and switch this to positioning. Answered these two composite. So now we can adjust this picture volition like this. Go to the editable. You can see we have this picture attached to this video. And now I can attach and graphics like this. And now I can adjust is volition right here. And now guys, if you want to blend this graphic on this video, you can also do that. The switch these two compositing answer to these two composite. Now income body type. You can add this graphic, you can screen this graphic. You can change mode if you want. There you go. This is how you can drag a video in color, but using match movie effect. 55. Fairlight: Introduction: So now first I'm going to import this audio in Edit Page timeline. You can also import audio directly in fail at if you want to click on the media poll. And we have this audio, you can click this audio, select this order, and you can play this audio. Listen to this audio guide. This is the audio that we are going to add it in, dwindled as all fair light, you get. Also, trim your audio from here, e.g. I'm going to select this part. So to select this part, you have to press I on the keyboard. And from this line to this point, this is the anchor point. So I'm going to press 0 on the keyboard. And as you can see, these lines appear. And now what I'm gonna do is I'm going to drag this from this previous screen of the audio. And I'm going to draw this right here. So you can see we have this chunk of the audio. We select this part of the audio. And if you want to select the first part, all you have to do is just come to the starting point, press I on the keyboard. Now, to this point, the end point I have to press 0 on the keyboard. And now as you can see, these lines and pair from the starting point. So I'm going to select this from the previous screen, and I'm going to drag this audio right here. Now, as you can see, this is the order number one and this is the ordinal number two. You can also import your audio directly inferior light like this. So now I'm going to select this and I'm going to press Delete on the keyboard. Now here we have the audio effect that you can apply on your audio. We have the indexes, like we have the audio one track, and this is our bus drag. Now guys, if you click here, we have the sound library. You can also download a free collection of sound from the ventricles or website. So I will teach you how you can do that in later lecture. Right here we have the mike setting. Here we have the tracks. So if I play this audio, you can see this is our fourth drag. And if I press Alt on the keyboard and select this audio and drag this to the right side. And I'm going to drag this to the lower track. And if I play this audio, you can see we now have drag number two and drag number one. So this is the Adobe. And right here we have the track number one and number two. And you can also drag these to decide if I duplicate this right here. You can also select click here. Can you can also drag this to the left side. So now we have four tracks. We have Greg number 123.4. And this is both track. And I'm going to delete these tracks. And you can also right-click here. Really the Amtrak order you're going to drag just leave the deck. Now we have the only A1 drag guys right here. We have the more to add it or to cut the audio. And now it guys, this is the previous screen. So if you have a video, e.g. I'm going to drag this video right here. And if we go to the light, you can see we had this previous screen. You can also pay your audio and you can also preview your video. And you can also float the window if you want to and if you want to fix this window right here, you can also do that as click here and it will get to this point. This is the inspector of your audio. If you select your audio, you can see we have the same inspector that we have in this edit page. So guys, this is the introduction of the very light. 56. Fairlight: Modes: So now guys right here we have a lot more. So let me just turn this automation off, and now we have these moles. So first, we have the selection mode. You can select the cursor, you can select your audio and add some effects to your audio. If you want to zoom in your audio vertically and horizontally, you can also do that. We have the slider. You can vertically Zoom in your video. If you want to horizontally Zoom in your video, you can use this side. We have shortcut key for these sliders. If you want to zoom in your audio horizontally, you can press Alt hold. Now using your mouse scroll, you can horizontally Zoom in your audio and if you want a vertical is zooming the audio. You can press shift and now using the most or you can zoom in the audio vertically. Now guys, if you want to select a part of your video and wonder Jane that part, baby, you can also do that. You can select this mode, which is an instruction mode. And now I can select this part of my video. And now I can only change the dB of this part of my audio. This is how you can select a part of you ever do answer is D. Now click here and select the selection mode. Click here. And now guys, next we have the editor selection mode. Now if you want to listen to a part of your audio over and over again, you can also do that. First if you select this lecture mode and now play the audio. And if I stopped my audio, you can see the cursor is stove right here. But when I select this selection, edit selection mode. And now if I place my cursor right here and play the audio and stuff, as you can see, it now back to its original position. So this way you can listen to the audio over and over again and added that part of your audio. And now guys, if you want to cut a part of your video, you can use this reason mode, or you can use the shortcut key, which is b. So I can now come to this point like this selection mode and now press B. Now as you can see, guys, I split my audio now I have two different audio file. Next guys, we have the snapping mode. So whenever disconnect my audio drag from this track. You can see when I reconnect this drag, it can act like a magnet, like there is some magnetic field. But when you turn this off, snapping mode, now guys, we don't have that magnetic field. If you turn this on, you can easily connect these two parts. Next guy, we had the Link Selection. So now guys, right now, my audio is linked to this video. And if I go to the fill light and unlink my audio and now move this audio. You can see in the edit page my orders and are moved from this position to this position. I can now separately move my audio. You can also reconnect your audio from this link selection or from the light. They are the same. Now guys, if you want to add some flag to your audio, you can also do that. Just click it. And now we have these flags. You can double-click on the slides. You can change the color and add a node if you wanted to. If you want to remove these lag, you can just click here, select press Control. And now click this. Now I selected these two flags again. Now, press Delete, and now they are lead. Now, if you want to add a marker, you can also do that. I'm going to come to this point of my audio, select this leaky and now we have to Margaret, I can now double-click. Jane is color. Add an odd. Then select this marker. Select a color, add an odd, then n. Now we have to market. And if you want to remove these all marker, you can just click here this drop-down menu. And now it's like clear all, and they all lead. Now next we have the transient detection. So now if you have some mouse clicking in your audio, you can detect that this click here. And now we have this icon up here. You can just click here. And now we have these lines appear. Now. These lines represent the spikes in your audio. So if you want to edit something in your audio, you can also do they're added a part of your audio. You can also do this. And now I'm going to zoom in the audio and now press Alt. Click here on the db line. Now press Alt, click here, and now press Alt click here. And now we have three point. I can now only in fact this point of the audio. This way I can now only affecting only this part of my audio, but not the whole audio. So that these are the field like moles. 57. Fairlight: Timeline and Track: Now guys, here we have the Timeline option. Now for us, I'm going to zoom in my audio. Now if we click here, you can see we have this drag, now, we have the video drag. And now you can also genitive the ambition of the audio waveform. Now we have the navigation options, you can turn them on. And also if you want to announce neck guys, I have the fixed play Add. Now if I select this fixed playhead, now you can see the timeline is not fixed. I can now scroll through the timeline. And now guys, finally, we have the non-square routing. So if you select No scrolling, you can see now we have this layered. Now we have this difference scroller. If I select this, you can see now we have the audio and the video right here. And if I select this, you can see we have the audio and video right here. This is the video scroller and this is the audio. Now guys, finally, we have the Zoom presets. You can use these preset or you can use your customized scrolling, which is all for the horizontal scrolling. And the shift forward because clearly these are the timeline features and now we have the packages. So if you right-click your drag, you can see you can add a drag. You can convert this drag and this drag to mono. All can join this drag to stereo if you want do. Now if you want to change the color of this drag, you can also do that is click here, and now you can join the color of this thread as well. Now guys, if you right-click on your audio file, you can copy its attributes. So e.g. if I add a fat embolus, add distortion. In fact, if I want this effect, fly to another audio, I can now also do that. Just plays this right here, and now right-click and click on Copy. And now select the new audio, right-click and Paste Attributes. And now select this audio attribute, Apply. And now if we go to the Inspector, you can see in the effect we had the distortion and this is the origin audio. Now if you right-click on your audio file, you can analyze the audio level. I can now analyze the audio level. So this is my rubric. I can now normalize my audio. So if you click on this normalized audio level, you can select a level and select sample PIE program. And now you can target your level. And now if I normalize this, you can see I have now an increase my dv. Now if you want to remove an attribute, you can also do that. Just click here, right-click here, and now select, Remove attribute. Now Apply. And now you can see we don't have the effect in this audio. 58. Fairlight: Effects: Now guys, if you click here in the effect, you can see we have several audio effect. Now, if you want to add a fact, is very simple to do that. So I'm going to select this distortion effect, and now I'm going to apply this effect. Now as you can see, these are the property. You can select. These be set as well if you don't want to customize your effect. So e.g. I. Can now select these rows presents. Now if I play the audio press space, you can listen to the effect. You can add defect or you can disable effect by clicking on this icon. And now we don't have any effect. And if you click here, this is the order. You can also save it added in doing it on and off during the blade. So these are the different preset of this digital option. In fact, go to the inspectors like your order, you can also delete your effect or you can also customize your own facts from here. Or you can just click it. And now we have these controls. Now again, select the vocal channel. I can now select a preset or I can customize my effect if I wanted. We have different kinds of x. We have the reverb effect. This video. Let me just like this edge selection mode. And we have echo effect and swell. So Guide. So guys, this is how you can apply audio effect and customize your audio said in light. 59. Fairlight: Automation: Now guys, if you want to add an animation effect on this order, you can use a keyframe or you can usually feel like automation tool. So let me just show you how it's worked. So first you have to enable this automation. And now we have this 12.3 option available and we have the bus track as well. Write it. Now you have to enable the contours of this automation. And now you have to click here and enable e.g. in this order, I'm going to animate the band. I have to enable the pen if this is disabled and you have to enable it. And now you have to scroll down. And now we have this pen option. Now you have to double-click on the span and now I can left to right pan my audio. So let me just show you how it started. So first you have to enable this latch and enable effects. So e.g. in my case, I have to enable the pen. Now guys, what I'm going to do is I'm going to play my audio and I'm going to pan my audio from left to right. So guys, this is the audio that we are going to edit individually as well, fair light. And now I have to stop the audio. You have to play the audio while your audio is being played, you have to gain these effects. So now I have this line. So this is the left-to-right band. So guys, this is the audio that we are going to. Guys, I have this line that represents the pan of the audio from left to right. If this line is disabled for you, you have to enable it by plating on this track option. And now I'm using the band, so you have to click on the pen and I'm going to select the left, right back. And now we have this line. This line represent left to right pan. Now we have these two options. You can either use a pencil to draw a completely different line. So guys, this, I'm going to draw this pen line CD audio that we are going to edit individually as well. Fair light, as you can see, is now audio is now banning from left to right. Or you can use this selection if we want to select it and you can select a range and change it if you want to. Like this. Now we have this option which is say, follow edits, automation follows, added, somebody does guys, if this is disabled, now I'm going to select this. And now I have to click it. As you can see, the lines stay here. But if I reset this, now if I enable this which say auto mentioned follow, added it now follow my audio. As you can see, this line is now follow my audio. So that this is how you can use the automation tool in fair light to animate the effects on your audio. 60. Fairlight: Bus: So now guys, if we want to apply one effect to multiple audiences, you can also do that by using the bus strand. So let me just show you how you can do that. I'm going to duplicate this audio and I'm going to place this below this track. Now we have the track number one and track number two. And now what you need to do is just go to the fair light and click the bus format. Now you have to add a bus. So I'm going to add a bus and change it to mono. If you want to change it to stereotype, then you can also do that. And I'm going to rename this as effects. And I'm going to click on Okay. And now guys, if you click and drag here, you can see now we have the bus number one and bus number two. And now you have to scroll down and click on this plus icon and assign bus number 12. This effect bus, because the bus number one is the main bus track. So you have to assign this bus track in order to add the effect. So what I'm going to do guys, I'm going to double-click on the equalization, and I'm going to drag this point right here. Now close this window. And now I'm going to scroll down, and this is the audio number two. And I'm going to assign this equalization effect to this track. How you can do that just grows this bus and now click on the plus icon. And now as you can see, now we have the bus number one, which is the main bus. And now we have the effect, which is this bar. So I'm going to assign this drag the effect bus. And now I'm going to solo this track and now you can listen to the audio effect. So guys, this is the order that we are going. And now let me just play the solo audio guy. So this is the origin audio. So this is how you can assign different bus, two different racks. So now if I have multiple tracks and I can assign multiple orders, this pulse, so e.g. I'm going to close this and I'm going to assign the effects was to this track as well. As you can see, this is drag number one and deceit fact number two. Now if I play my audio, this is now Salovey reordered. You can see now the effect is now applied on this audio track. So this is how you can apply one effect to multiple Adios. 61. Fairlight: Soundlibrary: Now go to the sound library and click on this Download button. And it will take you to this website, Blackmagic Design. And now we have this registration form. You have to fill in the detail. Once you're done, guys click on Next. And now click on this. Check this I have read and now politically restrained download and it will automatically download this setup. Now as you can see, this is now downloading this sound library of the digital doll. And by the way, this is free. And now you have to expect this sound library. Now open the folder. Open this color EXE file extension. Now click on Next. General equation. If you want to click on Next, and now click on this, I accept the license, click on Next and click the Install. Now it is installing the sound library of the vendors over. Now click on Next and click on Finish, and we are done. Now guys, open the DaVinci Resolve 18 and go to the sound library. As you can see now we have the sound library to view this sounds. You have to click here, insert and die for star. And now as you can see, we had these massive sound library. So e.g. I'm going to select this, this effect. I can now drag this and drove this right here. Guys. You can change this effect if you want to. Go to the edit page. And now you can see we have this sound library effect. So this is how you can use the sound library of doing to resolve. 62. Fairlight: Edit Audio: Now guys, I'm going to show you how you can edit your audio in fair light by using the techniques that we discussed earlier. So first, I'm going to normalize my audio. So you have to right-click on your audio and click on this normalized order level. Now guys, I'm changing the target level two minus six. So you have to click on this normalize. As you can see, the order is in our normalized. Now the next step is to remove noise. If we come to this point and you can listen to the noise, the background in this audio. So you have to go to the Effect as such for noise reduction. And now I'm going to apply this effect. And I'm going to select this re, remember, and I'm going to check this. Listen to noise only that way. Now. Play the noise only. Now as you go and listen to the audio, we have some ways. So I am going to select these three, rumble, rumble and his. We are going to add it. So Guide, now, move the noise almost. So Guide. Now, next step is guys, is I'm going to go to the Dynamics and I'm going to enable the compressor. So guys, this is the audio that, and I'm going to end the textual -25 and reassure to this issue. Now I'm going to add a limiter as well. To -17, so -15. You can also select these templates if you want to guide. This is the order that we are going to edit. Now guys, the final step is to go to the equalization. What I'm going to drag this highlighted and I'm going to double-click on the equalization. And if you want to add your preset, you can also do that. So e.g. if I add this mobile sound guy in the equalization, I can now add these vectors. Click on the plus icon, Create New. Now I'm going to name this preset phones down, and I'm going to click on this. Okay, now as you can see, we have this phone sounds. You can also save your preset if you want to. And in this case, I'm going to reset this equalization effect and I'm going to play my audio. So guys, this is your guide. And you have to drag this point upward, the distortion wind, and then you have to bring it back. So let me just show you what I mean. So guys, this is the audio that we are going to add it. In doing so, it will soften your sound of your audio. And I'm going to drag this point up as well. Listen to the distortion in my audio, and then I'm going to bring it down. So guys, this is the audio that we are going to edit in dwindled as all fair light guide. This is the audio that we are going to guide. This is the audio that we are going to edit in doing tutors, all fair light and we are done. It is as simple as that. So this is how you can edit your audio and let me just duplicate this audio, plays this right here, and I'm going to reset this and only apply the normalization so we can listen to the audio clearly. Now if I solo this track, now you can listen. This is the origin rational guy. This is the audio that we are going to add it indented as welfare line. As you can see, we have the background noise and the order is not that good. Now let me just solo this track and you can listen to this bank. So guys, this is the audio that we are going to added indented as all fair light. As you can listen to the audio, guys, we don't have the background noise. Background noise is almost zero, and we improve the audio. This is how you can edit your audio in dangerous or say light. 63. Deliver Page: Introduction: So now I have this video in my edit page timeline. Now I'm going to export this video. So to export this video, we have a page called delivered it. Now select the liver page. And in the delivery obeyed first we have Render Settings. You can either select the custom settings if you want to, if you want to export for you to, then you can select the YouTube. And then if you want to export for Vimeo or Twitter or the Dropbox, then you can select your respective settings. So now I'm going to select my export settings. And in the export settings first we have the filename. So if you want to rename this file, then you can also do that. I'm going to rename this as desk number one. And now I'm going to select its location. And now in here in the video you can see we have the format. You can change its format as well. And you can chain is codec as well. Now, down here guys, we have the resolution, you can customize your resolution. And inequality. I have now selected automatic, but you can also change this to high, medium, low or the list. Now we have this advanced settings, and in here we have the subtitle settings. So if you have a subsidiary in your timeline, then you can export them from here. Now to export a video, you have to add this to a render queue. This is the Render view, and right now we have no jobs in Q. So I'm going to add this to our render queue. Now as you can see, it added this to the render queue. Now we have this previous screen right here. And down here we have cliffs that we have in our timeline. So right now I have only one clip. So that is why it is show me this one clip. But if I split this clip and go to the river bed, you can see now we have two clips. Now I'm going to Control Z to undo my action. And now in delivered a bit, as you can see, we have the entire timeline or you can export this inner and outer range. So e.g. if I come to this point and press ion keyboard and come to this bone and press on the keyboard. And now as you can see, we now set in and out range for this video. And now if we go to deliver bed, you can see we have this inner and outer end. If we export this video, the only part that are in and outreach and we'll export. So now I'm going to rename this to test2 N Out range. So it will be our inner and outer end video. So I'm going to add this to our Render Queue. But if you want to export the entire diamond and then you can select the entire timeline. If you want to. E.g. add at the end like this, you can select your end from here. Then you can select inner and outer end. But if you want to add the entire timeline, then you can render your entire timeline like this. Now I'm going to add subtitle. Duplicate these. Now rename this to subtitle, will see these two to n, the first one to one. And now we have subdata number 12.3. Now in delivery played, if you want to export this data, then you have to go to the subtitle settings and check the exports subtitle index for SAP data setting, you can either export this as a separate file or you can burn into the video the substituents. So I'm going to select burned into the video. And now I'm going to rename these to test number three. No add to render queue. Now as you can see, you guys, we have three jobs. You can add multiple jobs. You can add multiple timeline from here. And now, if you want to update a job, if you want to change something in your render, you can also do that. Just click here. And now as you can see, we have three options. You can either cancel this action, you can update this job, e.g. if I change its name to subtitle, I can now update here. And as you can see, it now update my toe. And if you want to click here, if you want to add this as a new job, then you can also do that. So e.g. I'm going to rename this to test number four and I'm going to add as a new job and it will add this, add any job. So if you want to cancel this job, then you can select this cross icon and it will cancel there. So now guys, I have three tools. So if you want to export them all, all you have to do is just select the first one and now press Shift and select the last one, and it will select all the jobs. And now click on this render all. Now guys, all it will do is now render. So I can now right-click it and now go to Open file location. And we will take me to this location. So we have desk number one. We have task number two, which is in and out. And as you can see, this is 14 second long video duration, and this is the whole video. 33 s. Now we have desk number three which is substituted. As you can see, we have substantial number one. We have two, N right here, we have three. Now in render page, you can also turn off the preview of the render video. So e.g. if I click here and clear the renders. And now I can add this to render queue. And now if I render this video, you can see it is now rendered my video. And it is also show me the preview of this tender. But stop this right here. And now below this. But if you don't want the preview of your rendered, then you can click here. And in update during can set this to off. And now if I add these to Render Queue, replace this. And now render all you can see we don't have a preview of this render. But if you wanted to preview, then go to the update during the handles and set this to minimal. Now guys, right here, you can minimize your cliffs. And from here you can minimize your render settings. And in here guys, you can also minimize your render queue as well. This is the introduction of the delivered page. 64. Deliver Page: Multiple Export: So guys, if you want to render multivariate timeline, render multiple projects, then you can also do that in a little bit. So e.g. I'm going to add a diamond and drag this video right here, and add another diamond and drag this video right here. And now in the deliberate, I can now switch to Thailand number two and number one. Now in diamond number three, I can name these two timeline number three add to Render Queue. Now in diamond number two, we have the dial-in number two video. I can now change this to normal Thailand number two. Now we have diamond at number one. Let's rename this to one. As you can see, I have three dogs in my render queue, but if you want to add multiple products, we do right here, then you can also do that. So I'm going to select the file and select the project manager. And I'm going to select this data into training and individual training. I can rename this to four video and now add this to render queue. But before I'm going to delete this, and now I'm going to add this to render queue. Now as you can see, we have job number one. Now, if I click here and you can see we have show all projects, then it will show me the products render. So as you can see, I have several products. And right here you can refresh. And now guys, you can also show dog details. So right now, as you can see, we have their details as well. So now I can uncheck this. And now you can also clear dander. So it will clear all that jobs that are already landed. So if I click on this layer demanded, now show me that your data are not random. So now these are all the projects render queue. And now I can clear or if I want to. So now what I'm going to do guys, I'm going to go to my Project Manager and select my project. And as you can see, we have all the products. So you can also export multiple projects, file, multiple timelines, or even multiple clips as well. And you guys, if you want to only view this project jobs, then you can click here and now check this once again, show all projects. And now it will show you only this product DO. So right now we have only three dose. So guys, this is how you can export multiple timelines or even projects. 65. Deliver Page: Transparent: Guys, as you can see, I have this green screen video in my timeline and in the Fusion page, item over is green-screen using the old dog here. If I want to use this video in my other projects, then you have to use this attack here from the starting point. But guys, if you don't want to go this year and save this without this background, then you can also do that. Let me show you what I mean by that. So go to the edit page and as you can see, we have this without green-screen video. I cut out a base green region. And now let's go to the liver page and indeed liver bed go to the Custom Export. And in the video, select the individual clips, check this individual glyphs. Now in the format, you have to change its format to QuickTime. And in the code that you have to change this to be an HR, the second one, and then the type to be an XHR edge q. Now you also have Gu Jack export Alpha. And now I'm going to rename this and now add to Render View. And now I'm going to render this. Now it will render this video without its background. Now, go to its location, and now we have this voodoo. And if I go to the edit page and I remove this video, and I can now drag a background. And now let's import this video in the edit page. And you can see we don't have a background in this voodoo. And there you go. We don't have any green screen background or any background in this video. Using this trade, You can save you a lot of time and you can save your elements using this transitory. And now guys, I have another video right here. And if I go to the color page and select the masking window, and in the masking window, I cut out this video. So let me show you how I cut out this video. I'm going to reset this node, and I'm going to do reset all the grids. Now in the masculine, I'm going to select this curve tool. And now I'm going to mask out the subject from the video. Now I'm going to set a keyframe right here. And now using the arrow key in my keyboard As the left key. And I'm going to place it right here. And as you can see, we have this keyframe. Now come to the starting point of this video and set this mask right here. And set this right here. And now if I play this video, you can see we have this mosque keyframe animation. Now the mask will move along with our subject. And I'm using the left key, left arrow key on my keyboard. And I'm just manually dragging my subject like this. So now we have this cutout subject from the video. And now I can add an alpha output and connect this to our mask. And now if I go to the adequate, you can see we got out our subject. Now go to the deliverables and interior page. We have this exact same changes that we made before. So I'm going to bike element and I'm going to add this to render queue. And now let's render this. Now in extraversion we have this bike element. And if I go to the edit page, and now if I drag a background, delete this video. Now I can drag this and drop this on top of this layer. And now we can see we don't have any background. So guys, using this drug, you can save your videos or elements without any background and you can reuse them in your projects. 66. Deliver Page: Audio Only: So now guys, I have this widow in my edit bay timeline. And if you want to export this video audio only, then you can also do that in a little bit. So go to the riverbed, an indelible. You can also uncheck this video Export and go to the audio. Or you can just in Render Settings, select audio only. And it will uncheck this export video. And now guys, in the audio you have to Jane is format to waive or MP4. If you select the weak form, then it will save this as a video. So e.g. if I like the QuickTime and Jane this to audio. And now if I add these to render queue and under these, and now it's saved, it's audio as a video. So if I go to circulation, as you can see, we have this MOV file, which is a video file. And if I want to save this as an audio only, then you have to change its format to wave. And now if I change this name, add rendered you. Now I can render this as audio only. If I go to insert picture, you can see we have this Wave extension, reduce the audio extension. Now guys, you can also select a drug that you want to export. So e.g. in the edit page, I can now, using the Alt key, I can now duplicate this audio. And I can now place these in different tracks. Now we have three tracks. So e.g. I'm going to Jane is going to reverse. I can reverse this audio. And for the audio three, I can now change in speech. E.g. I'm going to do change. It span two left side. This is the left side band. This is inverse audio and this is the original audio. So now if I go to the deliver page and indeed deliver bad guys in output drag, you can either select bus one stadio. So if you select bus one scenario, then it will export all the tracks in one audio file. And if you select timeline tracks, then you have to give attract name. So e.g. if I gave it trick number one, then it will export this tag. If I gave this to track number two, then it will export this tag. And for the three, it will export these three tracks. And in all timeline drags, it will export all these drag. So I'm going to select these three, and I'm going to show you all the results. So clear the render and all the diamonds tracks. I'm going to name these two. All timeline add to render queue. And now for this, I'm going to set these two. And this will export the reverse audio only, which is the second drag. I'm going to set this to second Bragg, which is diamond track. Now this, it will merge these three audio file in one audio file and export them. So I'm going to name these two, bus one. And now let's export. Now select all these and X4 them all. Now we have this file. This is all timeline drag, which is this. It will export all these drag in a separate file. So as you can see, we have file number 1234. The second job, if I click here, you can see we have the tool drag, which is ranked number two. It is worse. So we have this reverse audio file. And for the first one, if I click the dawn, say if I click here on the Update, you can see we have the third one. And now we have this bus one, and it will merge all the video in one track. So if I play this, you can see guys can zoom in and we have all the audio track in one track. This is how you can export your audio only in delivered page. 67. Advanced: Paint tool: So guys, infusion rate, we have a fad called paint effect that is very easy and useful. So I have this video right here. And first I'm going to turn off the fact and turn this to single screen. Can now set for paint effect. Now add this paint B and D. Now as you can see, I have this effect and we have these tools appear right here, an inspector you can see we have the property of the spring effect. Now on the previous screen you can see we have this brush tool. If you want to increase the size of this brush, you can use this slider or you can press Control and click, left-click on your previous screen and you can drag this to the right side, will increase the size or do the left side to decrease the size of your brush. You can even slide your mouse cursor upward or downward to increase the size of the brush as well. Now if we want to increase or decrease its softness of the brush, you can use this slider. If you want to change the shape of the brush, you can select your brush from here. Now guys, as you can see, we have different mode in this pen tool. And you can select these more from here. So I'm going to select this multi stock, and this will work frame-by-frame. So if you want to draw frame-by-frame animation, then you can use this production. So I'm going to decrease the size and I'm going to draw on this. I'm just drying our rough stroke around this fee. Now if I play this video, you can see we have this stroke and emission. Now if you want to add a glow on this drug and emission, then you can also do that. So I'm going to add this background node. Let's just disconnect this node. And I'm going to connect this background nor to this paint tool. And now I'm going to add a glow effect and then connect this paint tool to the glow effect. And then I'm going to add a merge node and connect this marginal between the main nodes. Now connect the glow to the merge node, and now select the merge node. And inner play mode. You can change this to screen. And now we have this glow animation. Now you can customize your glow like this. If I go to the Edit enforced timeline, I have created this effect. In this way you can add a glow on this row. I'm going to delete this node for now. And I'm going to reset my pen tool. And the next mode is guys, the blown multi row. So I'm going to go to the Edit and add it I'm in and I'm going to drag this page right here. Now if we go to the VPN page, Let's add paint tool. And now I'm going to select this stroke. And now what it does guys, it work frame-by-frame. So if I zoom in, increase the size, and select this area. If you want to select an area, you have to press Alt and then click. Now it's like this area, as you can see, the growth is now logged in. And now if I draw a, you can see it now. Clone this area and this area on this side. And now if I press right D on the keyboard, right arrow key, you can see the Cologne disappear. So if you want a permanent loan, then you can use these shapes. So we have this shape, we have the Polish shape, we have the ellipse, and we have the rectangle shape. So I'm going to select this shape. And I'm going to reset the pen tool. And I'm going to select this shape. And I'm going to do, now I'm going to select this area. And now what I'm going to do guys, is I'm going to change the center and play this right here. And I'm going to increase the softness as well. Now if I play this video, you can see we have this permanent loan on the video. Guys, you can use this shape if you want to add a fact like this. Now I'm going to reset my effect. Now guys, we have this stroke and I'm going to go to the edit and add another timeline. And I'm going to drag this footage right here. And let's select this part of the video and now go to the page. Now to explain this trove brush, I'm going to add a planet record. And I'm going to drag this part of the subject face. Now let's press this leg forward. Now if your dagger Drake longer than usual, then you can press frame-by-frame manually. Now, as you can see, we have this tracking data. Now, the next step is to obtain the tracker to hybrid and change the motion type two. If in. Now I'm going to create planet transform, and now let's delete this planet tracker. Now we have the transform of this tracker. Now guys, the next step is to add a pin tool. And the next brush is this drawbridge. So I'm going to select this stroke. And I'm going to do let's just this. Now guys, if you notice, this drug will stay on your screen forever. But this drug is work on frame-by-frame, but this drug work on the whole video. So as you can see, I draw this drawing and it stayed on the whole video. Now guys, my next step is to disconnect this plane tool, add a background, connect this to paint. Add a glow effect. Now, add a merge node. Connect this to the main node, and I'm going to connect the glow to the banner transform and now connect these two merge node. Now if I play this video, you can see we have this effect. To fix this, you have to select the merge node and gender mode to screen. Now to fix this problem, you have to add a transform node right here. And now I'm going to select this and Jane this right about here. Now if I play this video, you can see this drug is now stay on the screen. Now let me just reset this. Select the stroke. And I'm going to change the color of the stroke. And let's now if we play this video, you can see we have this effect. So this is how you can use this stroke mode in the paint tool. Now let's go back to the main timeline. Now guys, the next ellipse polyline, I'm going to select this. And I'm going to draw this. Now if we play this through there, you can see stay on the screen. And now you can go to this stroke and you can animate the stroke line if you want to add a keyframe, go ahead. And then you can animate it's like this. Now if I go back play the video, you can see we have this stroke. So you can use this stroke like this. Now let's reset the paint tool, like the pen tool. So I'm going to select this. You can draw a shape. And I'm going to just cut out this part of the video and play this right. Now, guys, as you can see, we have 12.3 shape on the screen. Now, if you want to move these individually, then you can move these shifts. We have the form on as well. But if you want to move these shapes together, then you have to group these shapes. So I'm going to select these shapes. And now I'm going to click on this plane group. Now as you can see, we can move these shapes together. This is how you can use these shapes. Now reset this pen tool, and I'll select the Pen tool. Now in the inspector, if the setting of the pain disappeared, then you have to delete this. And you have to add the pen tool again. Now guys, if you add a stroke, e.g. and if you want to stroke, then you can use this eraser mode. And now you can create this talk as well. This is how you can use this pen tool in diffusion page. 68. Advanced: Text Layout Animation: Now guys, I'm going to drag this text plus inadequate timeline and let's go to the Fusion page. If you select your text and go to the layout, you can see we have this type. You can change the type, e.g. if I join these two paths, I can now create a bot like this. And the text will follow if I animated. So if you animate the position of the bell, you can see we can animate the text. In this way. I'm going to just add a keyframe. Let's go to the this room and let's increase the pollution on the pad. Now if I play this video, you can see we have this animation. Now you can go to the settings and add a Motion Blur, and you can decrease the shutter angle. Now, if I play this, you can see we have this animation. You can even draw them or if you wanted to. So I can now draw like this, but let's go to the keyframe. And you can all do this line. Select all the keyframe, clicking Shape box, and you can increase the box if you want to make the longer duration of the animation. Now if I go to the edit page, you can see we have this animation. Now in diffusion way, you can also add a glow. Now if we go to the edit page, you can see we have this effect. You can increase the glow size, increases glow. And now we have these decks effect. Now let's move this. And now we have this text effect. You can change the name or even change the color if you want to. Now guys, I'm going to drag this logo right here. And let's go to the video page and I'm going to add a text less writing. Now select the text, go to the layout and change the type Bu. But now I'm going to dry bot. And you can add this type of animation that I'm about to sodium. Now I dress all the logo. Now, let's add it x. So first I'm going to just add these lines. Let's copy and paste these lines. Now if we go to the layout and add a keyframe, go to this frame. And Jane, but you can see we have this animation. You can add these type of animation and you can even loop this animation if you want to. So if I go to the spline, select the text, select this position, and let's load this. Now we have this type of vector. Now if we go to these headings and we can even add a motion blur if you want to. There's gene the shutter. And let's add a glow. Now let's change the color of the decks. And there we go. Now we have this type of animation. You can using the text layout, you can make these type of animation. Now, let's delete this and go back to the main decks. And now let's go to the Fusion page and I'm going to reset the texts, less disconnect the low end, place this right here. Now I'm going to type. Let's reset this. Now let's type question mark. And now let's go to the layout. And I'm going to this time Jane the type to circle. And I'm going to decrease the size, decrease the width right about there. And let's dive more question mark to fill the circle. Now if we go to the transform and transform in the rotation, you can make these type of animation. So if I add a keyframe and add this animation. Now if I play this video, you can see we have this type of animation. Let's increase the duration of the animation. Now if I add the glow and go to the edit bay, you can see we have this animation. Let's change the color as well. Now if we try a different symbol, then you can have different type of animation effect like this. And if I type this, you can see we have this type of animation. Now I'm going to reset this. Now guys, if we go to Thailand or one you can see I have created this animation. So if I select my text and type question marks, and if I play this video, you can see we have this type of animation. If you want to get this type of animation, then you have to go to the figure based slack your texts. And then you have to go to the Transform, change the x rotation to this value while relation to this value. And then you have to just animate there's adoration. And then you will get this type of animation using guys, the layout and the transform. You can create these type of animation. Now guys, if you want to add a symbol highlight animation, then you can also do that. We'll go to the generators and add this paper right here. And now let's go to the titles and add this text. Plus. Now I'm going to change the texts. And Jane the form to this. And let's duplicate this text. Now let's change the color of the upper latex. And let's go to the shading and go to number for, check this. And Janie level toward and Jane the color to this value. Now I'm going to increase the size of the decks. And let's copy the value and go to the above text layer. Go to this text, and let's place the size. Now we have this text. Now guys, to animate the highlighted text. You have to it to grow. And then you have to read this right here. Now let's go to the Settings, go to the groping, and add a keyframe right here. And let's go few frames ahead. And I'm going to scroll right about. Now. Let's go to the keyframe and place this key frame right here. Now we have this type of highlight x. Now you can even smooth this animation if you want to. So I'm going to select these decks. Now we have this highlight x. Now you can also animate these generators. So select the generators, go to the genetic settings and I'm going to decrease the grain, increase the lift. You can use a gamma, increase the contrast, increase or decrease the brightness just a little bit. And I'm going to animate this chapter. So you have to click here and it will take you to diffusion. And now you have to select the paper generator. And this time I'm going to add a keyframe. Go for you. For him, I had an animated texture. Now increase the gain degrees and lift, recreate the Gamma, increase the contrast. And let's be the burner just a little bit. Now to animate this paper, you have to go to this line. Click here. And now you have to change this to step out or stepping. Now we have this type of animation. Now I'm going to select these keyframes. And I'm going to decrease the adoration. Now let's click here again, and let's loop this animation. Now if we go to the edit bay, you can see we have this type of highlight X animation. You can also create these types of tax highlight animation. This is how you can use this text plus n different way and create different texts. Animation, intervention resolve. 69. Advanced: Plugin: So guys, if you don't like to animate anything individually, then you can use plugin. So if I open the effects, you can see I have this master ALEKS tech. And if I click here, you can see I have this magic animate, we do. So if you Google master Alex magic animate V2 and scroll down, you have to open this website to download this free plugin. Now to get this, you have to type zero and you have to click on Get now. And it will download the free plugin. Now guys, you all you have to do, Let's dive and email address. And then you have to type in nickname. Now click on this, check out. Now. Now if you click on View Content and you have to click on this Download, and nowadays now download the plugin. Now guys do install the plug-in. You have to double-click on this file. And now click on Install. And it will install your plugin. Now I'm going to select text plus right here. And now, if you open the effects, you have to select Master ALEKS tech. And you have to drag this and drove this right here. Now if you go to the Effects, you can see I have this fusion and I have this magic animate to how you can use this effect. If you scroll down, you can see I have these controls. So if I open wipe control and if I check on this end, you can see I have the now the animation on this custom title. And if I check on these out, you can see now I have the outer animation. If you want to customize this animation, you can use this slider. So e.g. I. Can change the angle. So I'm going to come to this keyframe and now I can change the angle of this wiping control. Now, it wiped from the low. As you can see, it is the wiping angle. And if you want to animate the y value, we have to change this angle. Right about here. Now if I play this video, can see I have is in y and I have this wipeout. You can also customize your curve. Now if you want to add some more generally to the stack, then you can also do that. So e.g. if I want to add some motion blur, then I can do that. So you have to come to this point and now I'm going to increase in Motion Blur. And I'm going to decrease the shutter angle right about here. Now if I play this, who do? You can see I have now this wiping animation. And I have now divided by our animation with motion blur. Now guys, we have some other controls as well. So you can e.g. I'm going to add some animation. Now you can see I have now this dominant emission. And if I click on this checkout, you can see I have now zoom out animation. Now you can also animate your media. So I'm going to just drag this background right here. And I'm going to do drag these elements. And I'm going to drag myself right. Now. What I'm going to do is I'm going to drag this all myself. And I'm going to drag this on these elements. Now I'm going to go to the Effects. And now let's check the end wiping. Now if I play my video, you can see now we have this effect. I'm going to do just increase the playback. And now you can see I have this animation. And now let's animate this as well. So I'm going to do this. Check in the zoom effect. Now you can see we have the zoom effect. We have this animation. You can also apply this animation. 2d media as well. Now I'm going to add some motion blur and less degrees shutter angle. Now select the above layer. Add motion blur degrees shutter angle. Right about. Now. You can also join this in and outs. So I'm going to select the element and I'm going to decrease the speed. Now we're going to also join the angle. You can also zoom in yourself. Zoom the media, or you can also gain will issue. Now I'm going to select myself and I'm going to increase the speed right about here. Now you can see we have this animation. Now guys, I'm going to add an old animation, so Let's add the I and j and angle as well. Now I'm going to render this voodoo, and I'm going to show you that. Now guys, we have the reserves. So this is the Render video of the magic animals. We do. 70. Advanced: Emitters: Now guys, you're going to create interesting effects using the ohmmeter node infusion. So I'm going to drag this picture right here. So let's go to the Fusion page. And I'm going to add x plus. And I'm going to type my name in text lists. Now I'm going to drag this emitter node, and I'm going to drag this random node as well. Now let's connect these two. And now you have to connect this back to the emitter node. And if does not connect, then you have to select the amateur node, go to style and change the style to bitmap. Now you can see we have this input and now I can connect the text plus to the amateur node. Now guys, if I play this video, you can see we don't have anything. So you have to add a merge node. Let's connect this merge node, and let's connect the render through the merge node. Now you can see we have these texts are meters. Now you have to select the amateur, go to the contours and decrease the number. I'm going to decrease to 0.5. And now if I play this video, you can see we have these texts particle. Now I'm going to also add a velocity as well. So I'm going to read this velocity and I'm going to increase the velocity variance as well. Now if we play this, you can see we have this effect. Less degree these laws deal. Let's change the angle as well. Now guys, if I play this video, you can see we have these texts particle. Now guys, what do you need to do is just go to this style to improve the effect of the texts emitter. Go to the polygon tool and change the color. I'm going to change the color to this color value. Now you can see we have the size control as well. So first, I'm going to increase the size of the text. And I'm going to create this size variance. It will randomly size, increase and decrease the size of the text limiter. Now guys, if you see we have the size of our life graph as well. So I'm going to just draw a graph and then I'm going to explain to you this graph what it does to your texts and meter. Now guys, if I play this video, you can see the texts in this emitter starting from a smaller size and then they eventually become the larger size. This graph effect, these emitters side. So it start from the smaller size and then it will increase the size of these texts meter. This is how this graph works. Now if we wanted to degrees inside, then you can also do that. Now I'm going to open the fade control and I'm going to fade in and fade out the decks as well. The tech start from the fade in and fade out. Now if I play this, you can see we have these texts and meter. Now let's open the bladder control and let's increase the blood variance. Now you can see we have with blood types in the texts a meter. Now if I play this video, you can see we have this effect. Now let's go to your control and let's increase the number variants. Now I'm going to join the lifespan to 50. So now we have this text effect. So you can easily create these type of vector using the emitter. And you can also customize your animation as well using these angles. So if I angle, you can see now we have this animation. If I change this angle, you can see we now have this type of animation. Now we have the wider range of these texts later as well. You can also increase the blur, but it will take longer to render. I'm going to add a graph of this blur as well. And I'm going to change this to 0.040. Now if I play this video, you can see now guys, we have this type of animation. You can also join this blurred as well. So I'm going to join these 20.03. And now you can see we have this blur less than these 20.01. Now let's play this video. Now we have this text effect. Now if you want to add a glow, then you can also do that. So I'm going to search for glow. And now let's add the glow right here. Now you can see we have the glow on the text as well. So you can also increase the size of the glow and increases you want to nine for places where you can see we have this interesting texts of metre effect. Now let's turn to the video and then I'll show you the result. So now guys, this is the Render desert of these texts and meter. Now you can see we have the globe, we have the blur, and we have the amazing texted, brilliant annotation of the ammeter as well. So this is how you can create these effective taxi meter as well. Now guys, if you want to effect a part of your video using a meter, then you can also do that. So I have another example. So I'm going to create a timeline. So now guys, I'm going to drag this background right here. And now, greg, this PNG tree right above this layer. Now let's go to the front page. And now I'm going to drag this emitter node and now drag this random loan right here. Now let's connect them into the Render and now select your emitter node. Go to style and change the style to bitmap, region and gender region to bitmap. And now as soon as I select the bitmap, you can see we have this additional input. So now I'm going to connect this. Press Alt. Let go to the region bitmap. I'm going to select these leaves, drag them right here, and now press one on the keyboard. You can see we have this PNG. And now I'm going to connect this to the meter. Now let's add a merge node. Let's connect this mono domain nodes, and let's connect the render to do merge node. Now if I set this to a single screen, play the video, the video you can see the meter is not only affecting the tree, because we said the region of this emitter and give the tree that region. Now what do we need to do is just affecting the branches of the tree. So affecting only the branches. You have to drag this mad control press Shift and drove them in-between the media one and omega node of the region. Now you have to place them right? Now, I'm going to select this polygon, and I'm going to select only this part of the tree so that the live bond effect this part of the tree. So now if I connected this press Alt, select the garbage man. You can see the leave is now affecting only the branches. So now if I play my video, you can see the leaves is now affecting only in the branches. So now your final step is to select the emitter, go to the controls to set this to 200. Now let's go to this tile. Go to the color, and I'm going to match the color of the leaves. This is fine. Now let's go to the size. And I'm going to draw a graph like this. Let's play this right here. Now if I play this video, you can see we have this animation. Now I'm going to also increase the size. Go to the food, add a fade in and add a fade out just a little bit. Now if we play this video, you can see we have this animation. Let's decrease the fade-in. Now let's increase the timescale to 1.3. Now let's go to the style and in the size, I'm going to increase the size billions. So it will randomly make them bigger or smaller. So now we have this vector. So guys, this is how you can use this emitter in different way and create different animals inside. 71. Advanced: Merge Node: So now guys, I'm going to show you how you can use a module in different way and create amazing animation. So I'm going to drag this picture and drop this in-between main node. And now let's place this right here. Now guys, I'm going to beg this polygon mask and let's connect this mass to the media. To now I'm going to mask out the DaVincis all logo. Now let's select the merge node, go to the settings, and I'm going to add motion blur as well. Now, let's animate this logo. So I'm going to add a key frame of the center. Let's go feel free in my head. And now let's animate this like this. So now if I play this video, you can see you guys, we have this animation, but it's a little bit slower. But don't worry, we will fit this. So now I'm going to select these three node and make them in a group, put them in a group. Now you can see we have this group, and now I'm going to copy this group. And I'm going to place this group right here. Now let's connect this group, this group, this group. So now we have four group. So now I'm going to connect this to the main nodes. And now let's open this group. Select this merge node, set to dual screen. Press one on the keyboard. Make this window a little bit bigger. And now I'm going to disconnect this ellipse. And now I'm going to do select this ellipse. And now let's mask out the obvious logo. Now let's connect these two media to. Now you can see we have these 2 " logo and we have this obvious logo. Now if I play this video, you can see we have the same animation on the obvious logo. So you have to select the marginal. Said this, add a keyframe. And now go to View Frame add right about here. And now I'm going to animate this. Now if I play this video, you can see we have this animation. I'm going to add a motion blur as well. Now we are done. Let's open this group. Disconnect the Ellipse, select this marginal press F9 on the keyboard. And now this time I'm going to delete this ellipse and reset my marginal. And now I'm going to drag this polygon. I'm going to cut out this photo of yellow. I'm just making a rough selection to explain to you guys how you can create these types of animations using the merge node. And now let's connect this polygon to the media out. And now you can see we have logo. Now let's select the merge node, go to the frame number zero, add a keyframe. Now let's animate this right about here. Now let's go to the settings, add a motion blur as well. Now you can see we have this animation. Now we have the final group. So open this group, the merge node, and disconnect the ellipse, delete the Ellipse, select the best one on the keyboard. So we have this view, and now I'm going to drag this polygon and I'm going to cut out myself. So as I mentioned earlier, I'm just making a rough selection to explain to you how you can create this effect. Now let's connect this polygon to the media. And now let's animate myself. Now I'm going to add a keyframe. Go a few frames ahead, and I'm going to play this right here. Now let's go to the settings, add a motion blur as well. Now you can see we have this animation, set this to a single screen. Now let's open the spline and this is where all the magic circle. So let's select group number one, select Keyframe, make them smooth, make them worse. And now click this check box and I'm going to just decrease the duration of these keyframe. Now you can see we have this animation. So now I'm going to uncheck this group jacket, the group number one. And now I'm going to select these keyframes, make them smooth, make them diverse. Select this shape box. And now let's decrease the duration of this animation. Now I inject this group, jack this group. And I will do the same for the rest of the group. Now let's hide this. Now I'm going to open group number to go to the merge node and I'm going to do degrees shutter angle of this obvious logo. Now we have this animation. Now the final step is to select this picture. Now select the merge node, nucleus, the blend mode to zero. Go to the frame number. Go to this point of the video. And now let's add a keyframe. And let's increase the blend mode to 100's. Now let's go to the spline. Uncheck this much, select these, make them smooth. And now we have this animation. Now you can select all the animation. Select this shape box, and you can also increase the duration of this animation. Together. This is how you can use this modular and create this animation. Now guys, you can also achieve this effect using these medical goal node. So let's go to the edit page. And I have created this effect indifferent animation. So you can see I have used the marginal by open this, you can see I use the marginal and created this style animation. So we have the OBS logo. We have da Vinci resolve. Now we have photophobia, now we have myself and the bedroom as well. So you can see you can do this type of animation using the module. Now if I go to the edit page, add a timeline. And now let's drag the background. Go to this page. And now I can drag this picture right here. And now let's drag this med control and add a merge node as well. So I'm going to connect this marginal. Now I'm going to connect these two merge node. And let's connect this media to the Mac control. Now I'm going to select this polygon, select this ellipse, sorry, and press Alt, and select the garbage mat. Now in what these mask, now I'm going to cut out the DaVincis or logo. Now let's copy this, paste this right here. Let's connect this to the main nodes. And now let's connect this picture, the main control. And now I can select this, press one on the keyboard is connect this mask. Now I can mask out this obvious logo. Now let's connect this obvious logo. Now you can see we have obvious logo and there we have to dissolve over. So you can use the map control if you want to. But if you don't want to use the mitochondrial, then you can use the previous method. Now I'm going to create another timeline. Let's drag the background. If you're facing this problem, we feel veto keeps previewing in the edit bay, then you have to reset your dimensions all and that will fix this problem. Now let's go to the VPN page. Now let's add this to a single screen, and now let's drag these logos. And now let's connect these logo to the main node. Now you can also animate using the marginal on your previous screen. Select the merge node, go to the frame number zero, add a keyframe incentive value. Now you can see we have these options appear as soon as I click add a keyframe in the center. So now we have three main options right here we have this Insert and modify. We have the dry pan and we have the clickable so forth. I'm going to select this, Insert and modify, add a keyframe. Now, if I play my video, you can see I can now animate this logo, animate my media, all my previous screen while my video is being blue. So now if I go to the spline, I can smooth these keyframe. I can now be iteration of this animation as well. And now I can go to the settings of the marginal, add a motion blur as well. So as you can see, we have this beautiful animation. Now let's reset the multitude. Now I'm going to select dry band. And if I add a keyframe, you can see it only select these, insert and modify. So you have to go to the frame number zero, add a keyframe, and then select them all. So now if I select draw event and I'll play the video, click here. Now I can animate this logo. Now let's go to the settings, add a keyframe, decrease the shutter angle. And now we have this beautiful animation. You can animate your media on previous screen. Now let me reset this. Now you can add a keyframe anywhere you want. So e.g. if I want to add a keyframe right here, I can now go to the marginal and add a keyframe, select a mode. Now play my video. Now I can anyway. So you don't have to go to the frame number zero to any major stuff. Now let's reset this. Add a keyframe. Now we have the final image. Click Append. I'm going to just play my video and I'm going to draw like this. Now you can see we have this animation. Now if I go to this line, I can now make these keyframes mode. And I can even add motion blur. This is how you can use the merge node in different way and create amazing animation. Infusion page. 72. Advanced: Edit Graphics: So now guys, I'm going to show you how you can add it and any major graphics into venture results. So I have this logo, and now I'm going to drag this logo. And now let's go to the here. And now I'm going to add a transform node. And now I'm going to animate this. So let's go to the frame number zero, add a keyframe. Let's place this right here. Now let's go ahead and now let's animate this right about here. Go feel free my head. Now, let's set the center to its original position if it is 0.5. Now if I play this video, you can see we have this animation. And now let's go to the spline. Check this transform. Select all these keyframes, make them smooth. Let's select the shape box, and now let's decrease the duration of this animation. Now we need to add an auto animation. So let's go to the contours of this transom and now add a keyframe. So if you give him doesn't work. So you have to go to the spline, uncheck this check box. And now if I add this key frame, you can see the keyframe is now added. And now let's go a few frames ahead. Bring it right about here. Now. Let's remain this disappear right about here. Now let's go to this line. Select this keyframe, make them smooth. And now I'm going to make the length of these keywords sugar. Now we have to add a motion blur as well. So let's go to the settings of this transform and now check the motion blur. Now we have this animation. Now if I go to the editor page, you can see we have this animation. Now, if you want to add a shining effect to this logo, then you can also do that. It's very simple. Let's go to the Fusion page. And now let's drag this brightness and contrast. And now let's increase the n degrees lift. Increase this gain. The contrast increase by Don Jane brightness. And now we're good to go. Now we need to add a polygon mask. And now I'm going to mask this area of this logo. Now let's connect this mask. And now let's increase the soft edge just a little bit. Now we need to animate this polygon mass. So let's go to this frame. And now let's add a keyframe incentive value. Let's play this right here. Now go few frames ahead. And now let's bring this right about here. Neither blade this will, you can see the shining effects is now a little bit faster, so we have to go to the keyframe. Now let's open the polygon. And now I'm going to select the polygon. And now let's play this right. Now. Let's increase the duration of this keyframe. So press Control, click here, and now select the keyframe and play this right here. Now if I go to this applying, uncheck all the keyframes except for polygon. Zoom out, select the polygon. Iframe, make them smooth. And now I'm going to set the loop. Now if I play this video, you can see we have this effect. Now, let's select this polygon mask, and now let's add a motion blur. Now guys, let's go to this line. And now let's uncheck the inset loop. And now let's add a shape box. And now let's increase the duration of these keyframe. The knife, blade, if you can see we have less deviated a little bit. That's fine. So now let's select all the keyframe and I'll set them low. Now we're good to go. Now guys, if you want to improve this animation a little bit further, so you have to duplicate this logo. Now place this above layer and playlists below this year. Now let's degree the view and now disabled this layer, go to the Collaborate. Now let's increase the color over. Now let's go to the edit page. Unable this layer. Now I'm going to play this a little bit above this year. So now we have this type of valuation. Now guys, if I go to Diane number one, you can see I have created this animation. Now I created this animation as well. So if you want to improve this animation, you can also add glow to the effects. Add a decimal clip. And now let's go to Open FX and add a camera shake. Now let's go to the effects. Decrease the motion scale in Greece, the motion blur. Now we are done. Let's go to this point. Lobe, this preview, and now we have this animation. Uncheck the snapping tool. And now let's play this right about here. Now we are good to go. Now if I play this video, you can see we have this animation. This is how you can add it in any media graphics individually dissolve. 73. Advanced: Expression: Now guys, I'm going to show you how you can use expression infusion rate. So I'm going to add a magnifying glass effect in Fujian using the expression. So let's drag this transform node and play this right here. Now let's drag this ellipse and connect this ellipse to this transform node. Now select the transform node and increase the size. Now as you can see, if I select the ellipse, now again, move this ellipse around. But guys, you can tell the resume does not work correctly because the transform node is zone from the center, but not from the center of this ellipse. So we have to connect the center of this leaf to this transform node. So we have to select the transform node. Now I'm going to pin this transform node, so it stays right here. Now select the ellipse. As you can see, this is the ellipse and this is the transform node. Now I'm going to connect this pivot to the center of this ellipse. So you have to right-click on the PivotTable, click on this expression. You can see we have this plus symbol right here. Now I'm going to click here, drag this point and now connect this to the center. And now let go. And now as you can see, it connects the center of this transform pivot to the ellipse. Now if I move my ellipse, you can see now we have the accurate zoom effect. Now guys, to improve this effect, I'm going to add a magnifying glass. So this effect is inspired from the William Justin that create YouTube tutorial for DaVinci Resolve. So now I'm going to drag this picture. Let's connect this picture with our main nodes. Now let's play this right here. Now I'm going to add a transform node. Now let's connect this transform node. And now let's press one on the keyboard. Select the mode, press F9 on the keyboard. And now I'm going to place this right here. Lastly, just decreases room right about here. And now let's select the transform. Now I'm going to unpin this transform of the lifts, and now I'm going to select the transform tool. Now, let's increase the size. Place this right about here. Maybe zoom out a little bit. Now we're good to go. Now if I move this ellipse, you can see we have to connect this ellipse to the magnifying glass to move the magnifying glass along with the ellipse. So we have to click here, make it pin ellipse. So now guys, we have to select the merge node. Right-click on the center, go to the expression. And now we have to connect this center, the center of the ellipse. Now you can see it connect with the ellipse. So now we have to select the transform and just place this below the ellipse, right about here. Now if I select the Ellipse, move the leaves, you can see the magnifying glass is move along with the ellipse. Now if you want to animate this magnifying glass, then you can also do that. I'm going to just add a keyframe. Select the olives, go to the controls and in the center, add a keyframe. Now guys, as soon as I add a center keyframe, you can see we have these tools as well. So you can use this tool if you want to, but I'm going to just manually animate this magnifying glass. Let's go a few frames. I add layers, this right here. Now we have this effect. Now you can also, if I click here, let's add this to a single screen. Now if I select this key frame, you can also smooth this key frame if you want to. Now let's let these two as well. So as you can see, we have this effect, so we have to just go to the spline object, the Ellipse, select all the keyframe, make them smooth. Now you can also select these keyframes, select this shape box and increase the shear box. Now guys select the merge node, go to the center, and now let's add a Motion Blur. You can see we have this effect. We added a motion blur so it improved the animation of the magnifying glass. Now if you want to improve this furthermore, so I'm going to just add a brightness node and I'm going to add a merge node as well. So let's connect these media one to the brightness. And now let's chat. This is dual screen press one on the keyboard. So we have this brightness view. And now let's unpin this ellipse. I'm going to do degrees again and decrease the lift right about here. And degrades the damages cellular debris. Now I'm going to connect this banner to the merge node. And now I'm going to disconnect this transform, and I'm going to connect this transform, the merge node. And now let's connect the marginal do the merge node. So guys, if I play this video, you can see we don't have that brightness and contrast background underneath the n magnifying glass. So to achieve that, you have to connect this ellipse to the merge node. And now we have this magnifying glass effect. Now guys, we can improve this effect a bit more so we can just added and effect plays this between these two merge node. And now let's change the size. Plays this right here, increase the size just a little bit. And now let's change the type to Dan to. And now I can increase or decrease trend of this dataset. So now we have to move these identified along with the ellipse. So we have to select the Ellipse. Select the effect. Right-click on the center of the effect, on the expression. Click on this plus symbol, drag this to the center of the ellipse. Now if I play this video, you can see we have this effect. So one more thing, guys. I have to tell you if your dent in fact does not work, if your picture blink or your picture disappear, so you have to just disconnect the mask. Play this video. You will get this result. Then you have to reconnect your lives. And then guys, it will work fine. You can also play with the settings of dent vector if you want to. And also you can change the picture. So e.g. if I drag this picture, let's disconnect this picture, connect this to transform, and connect this to the brightness. So now we have this picture. You can also join the magnifying glass picture if you want to. So we have this picture. Let's disconnect this picture. And let's select, connect this to the Transform. Select the transform. And let's zoom out. Now we're good to go. Now you can see we have this magnifying glass so that this is how you can use the expression AND gate. This beautiful magnifying glass vet, individually resolved. By the way, this effect is inspired from the villi and Justin from YouTube channel. 74. Advanced: Audio Waveform: So now guys, I'm going to show you how you can create stunning audio wave from using the audio wave form plugin. So first of all, let's go to the Effects and drag this vision composition. Now let's go to the Fusion page. So now we have to add a media and so we have to search for audio waveform. So guys, if you do not install this audio waveform plugin, then you have to visit my fusion plugging lecture in order to install this audio waveform. So let's add this media in all audio waveform, LAX connect these two media. Now as soon as I connect these two media out, you can see we have this display. So it says Please load audio files. So we have to load an audio file. So in order to load an audio file, you have to select the audio waveform and now click on this browse better. Now let's select an audio file. Open this file. Now you can see we have audio wave form. Now we can also improve this waveform. Furthermore, you can decrease its amplitude scale increases the sample start, increase or decrease. Zoom in and zoom out, increase. Or you can decrease the resolution. You can select the waveform visuals, e.g. if you click this and zoom in, you can see we have this videos. Now we have this, and now we have this. Now we can also go to the spectrum. And now if I click on this spectrum, you can see we have the display. You can change the appearance 2 bar to smooth, smooth field and two needles. If you go to the contours clicker, you can see we have different visuals. So guys, you can play around with these settings as well if you want to. But for now guys, we're not going to create a spectrum. We are going to create a stunning audio waveform. So I'm going to reset this. Now let's load the file again. Now let's click here, select this. I'm going to zoom in the audio, and now let's recreate the amplitude. And now you can also use this proxy to zoom in and zoom on furthermore, if you want. So now you can see we have this audio waveform. So now I'm going to select the layout and I'm going to change the color of the waveform. This is fine, and I'm going to add a glow effect. Let's connect this glow effect. And let's increase the size and increase the glow amount right about here. Now if we go to the debate guys, you can see we have this audio waveform, but we're not done yet guys. So we have to go to the figure page. And now I'm going to place these nodes, right? And now let's go to the Effects. Go to the templates. Now guys, in den periods in particle folder, you can add these events. So e.g. you can add blown leaf effect, just add images. And let's connect the final auditing mature. And now you can see we have these glowing effect is blowing leaves effect. So I'm going to zoom in. And if you go to the settings, you can add a motion blur. Now let's go to the edit bay. You can see we have this fact. You can change, you can apply these particles. I'm going to just delete these. Now I'm going to do select matrix vertical, and now let's zoom in, bernanke this matrix to the marginal. So as you can see, we have this mess on the screen. So we have to select the matrix degree, the density. And we have glue in depth. And let's increase the render height and width. Let's decrease the density bit more. Now we're good to go. So you can also change the color of this matrix. So we have to double-click on this metrics, select the text folder, open this text folder, and now you can change its color. From here. I'm going to change this color to this. Now let's click on this. Okay. Now guys, we are done here, so we have to go to the edit page. So now guys, I'm going to drag that same file that would give the audio wave from flooding. And I'm going to drag that file right here. Let's drag this file right here. Now again, increase the duration of this vector. And as you can tell you guys, if I play this video, you can see we have that same model will form on the screen. And in this track as well. If I play this right, we don't have that two years. And we don't have the audio in here in this portion. And now we have this portion audio, and we have this audio. Now we play this audio. So now the next step is to add a glow again on this fusion competition. But in any place where I will drag this row of this. If you go to the Effects turn off, you can see we have this shining effect. So we have to increase the spread a little bit. And now we're good to go now guys, if you want to change the color of the audio waveform. So you have to select all, you have to go to the color page. Select this. And now you can change the color. So I'm going to, I add these options. And now let's go to the glory of God, the USU. And now I can change the color. This is fine. So now let's go to that eBay and go to the fusion. And now I'm going to select the matrix. And now let's change the color of this MAT gets to this color. Now let's go to the edit page. You have to select your color. Now, this is fine. Navigated this audio waveform. Now guys, the next step is we can create a new compound clip. Let's create a compound glyph. Now I'm going to add a new effect called zoom blur effect. And let's go to the effects, increase the amount and now increase the central exclusion. Right about now, let's decrease the amount. Now we're good to go. Now I'm going to add another effect called light rays effect. Now let's go to the Effects. Go to the lighter is vect, and increase the length. And then to use the softness just a little bit. Now you can tell we have this beautiful audio wave form is that now you can add a camera effect, camera shake. Now let's go to the camera shake, nucleus, emotion scale, degree the screen as well. And it is motion blur of this camera. Now we have this audio waveform. So I'm going to render this audio waveform and then I will show you the result of this render. Now as we have the render. So guys, this is the audio that we are going to add it into, into dissolve very light. Now you can change the audio waveform, which rendition if you want to have to go back to here and compulsion, let's click here. Now let's go back to opening timeline. In composition. You can change the visual of the waveform as well if you want to. So I can now select this audio waveform, and now I can change the audio waveform. Now if we go back, you can see we have this fact. So you can play around with the settings, all the audio waveform. So I have this example as well. You can change the color of the matrix and change the color of this audio waveform. So guys, I have this example where I add more methods to the scene. So you can create these types of vector using this method. This is how you can create the stunning audio wave form using the audio wave form plugin. 75. Advanced: Custom Tool: So now guys, I'm going to show you how you can use costume to integer. So I have this PNG and I'm going to drag this right. Now. Let's go to the front page. And now I'm going to first add a transform node. And now I'm going to add a custom tool. So you don't need to connect this costume to node, to our main nodes. So I'm going to play this right here. And now if we select the transform node, if I right-click on the center and add an expression in y position. I'm going to type this no-name custom tool. You have to type the exact same name that we have right here. So I have the C capital, D Capital, and I have type C and T capital in here. Now I'm going to type this position which is number in one. So I'm going to type exactly the same name. So I'm going to just add a dot. Now, number one. Now if we select the custom tool, you can see I can now change the position of y center of the transform using this custom tool slider. Now I can right-click and go to the Modify. And now I can add a shape to this position. Basically this is how the costume tool works. So I'm going to reset this custom tool. Now let's reset the transform. Now if you select the custom tool or you can also hide this point. If you go back to configure. Now if we go back to condo, you can see we don't have these points. And you can also rename This is number. But if you rename these number, that won't work. So I recommend don't change the name. So now guys, I'm going to animate this picture mode using the custom tool. So let's first disconnect this transform node, place this right in. Now I'm going to drag this polygon mask and I'm going to cut out the mouth. Now let's invert this. And now let's connect these two media. Now I'm going to copy these nodes and now I'm going to base these and Alrighty, Now let's connect these node. Now let's rearrange them like this. Now if I select the polygon, uncheck the invert, and uncheck the Show View Controllers. And I'm going to adjust the border of this mask. Now we're good to go. Now let's connect the transform node to this node. Now let's look at the transform node. Right-click on the center, add an expression in via pollution because we need to. If I right-click here, remove the expression. So I'm going to animate this mode. So first I'm going to just adjust this mask right here. Now let's reset the transform and now add an expression in y position. So I'm going to type custom tool one, door number one. Now let's go back to custom tool. And now I'm going to right-click in custom tool, go to the Modify with and I'm going to add audio waveform. So if you do not install audio wave form plugin, then you have to visit my infusion plug-in lecture where I teach how you can install this plugin. So I'm going to click and select this. And now we have the modifier. Now let's go to the Modify. And now I can load and audio file. And as soon as I load an audio file, you can see we have this mouth animation. So now I'm going to go back to our first frame where we don't have any audio wave form. I'm going to just adjust this amplitude offset. Let's zoom in and I'm going to animate this, all that, adjust this offset right about here. Now if we play this video, you can see we have this position error. So I'm going to just Jane my amplitude scale right about here. Now as you can see, we have this animation. Now let's go back to the edit page. And now I'm going to drag the same audio file that we add in our custom tool. Now this is the audio file. Now I'm going to increase the duration of this video. And now guys, if I play this video, so guys, this is the audio that we are going to edit individually as all feel light. Now if we see we have this gap right here. So I'm going to select the mask. Let's hide this. And now let's increase the border just a little bit. Now if we go back to edit page, you can see, guys, this is the audio that we are going to add it individually is all fair light. Now guys, if we delete these nodes, lastly, this nose as well. Now I'm going to play this video, I'm going to disconnect this. Let's connect this to the media out. And I'm going to add a transform. Let's select the custom tool. Please add this correctly KX modifier with audio waveform. And I'm going to load this file. And if you go back to Tools, go back to transform, and we can add an expression in Zoom as well. So I'm going to now you can see we have this zoom in with audio waveform. So you can also select this zooming. So if we go back to custom tool, go to the modifier. You can also. So now if I play this video, you can see we have this Zoom audio waveform effect. You can also add these expression in any value. So you can also add in angle e.g. I'm gonna do now copy this value. Now let's remove the expression. Let's add an inspection in angle. Now you can see we have this animation. This is how you can use a custom tool infusion rate. 76. Advanced: Camera 3D: Now guys, I'm going to show you how you can use camera 2D infusion rate. So I'm going to drag text plus. Now I'm going to disconnect this node. And now let's duplicate this to time. Now we have three texts plus, I'm going to rename this to one, rename this to two, and this 23. Now guys, to work with camera 3D, we have to drag an image planned city. You can drag this from here. You can set for this name. So I can now drag this time because we have three text. So I'm going to connect this to this one, connect this to this one. And now these two, this one. Now guys, we have to drag and marginal. But as you can see, we have 3D plants, so we have to drag an image 3D. I can now drag this much 3D. If you drag a simple merge, then that will won't work. So if I connect this image 3D planner to this mode, you can see it does not going to. But if I connect this to 3D mode, you can see it easily connected. So I can now connect these nodes. Let's delete this mode, no symbol. Now guys, we have to drag a camera three, so let's drag this camera. Now let's connect this camera to merge two d. Now if I select this mid plus one on the keyboard, you can see we have this view. And if I press two on the keyboard, you can see we don't have anything now guys, we have to drag it under 3D enabled to connect to media out. So I'm going to drag this render 3D. Let's connect this much ready to render. And now let's connect this random SVD to media out. Now as you can see, we don't have anything in our output. So I'm going to select this camera now, diag this behind like this. Now you can see we have D3 number. Now I'm going to select this first one, place this right here. And I'm going to change its color as well. Now let's select the second one. Place this right here. Now I'm going to change its color as well. Now for the final one, I'm going to change its color to red, maybe green. Now let's play this right here. Now, if we select my 3D and you can press Alt and using your middle mouse or scroll. And you can select your image planner. And you can place these texts plus repletion them if you want to. I can now select the third one. Now let's play this right here. Now you can see these are in 3D space. So I can now animate them using my camera. And now I can show you how you can use this camera. So I'm going to select the camera 3D. Now. Go to the control visibility and now Jack focal length. Now as you can see, we have this green window. Now guys, if you want to focus on number one, then you have to drag this window, the number one place. So let's join the focal length from here. And now let's drag the camera right here. Right about. Now I'm going to increase or decrease the angle view right about here. Now let's go to the render 3D. Now you have to change the render type to OpenGL lender and you have to go to the accumulation effects and now unable accumulation effects. Now I'm going to change this to ten and these 20.02. Now guys, as you can see, the number one is now in focus. But if I play this window to them, number three or number three, then you will see the number three will in-focus and these two will out-of-focus. So now I'm going to change this to number three. Now as you can see, the number three is now in-focus. This window is question over the focus of this camera. This is how basically camera three words. So if you want to animate this vocal and then you can also do there. So you can also add a keyframe, go a few frames ahead. You can drag this on number one. Now guys, if I play this, you can see the vocal is changing from number three to number one. So basically this is how a camera works. Now guys, I'm going to select my camera to 3D and I'm going to reset this camera. Writing. Let's go to render. And I'm going to uncheck this Annabel accumulation effects for now. Now guys, I'm going to drag a background right here. Let's drag another image, planets. Judy, let's connect this. Disconnect these debts. Now I'm going to drag this image playlists right here and connect this to this one. And let's connect this, this one as well. Now as you can see, we add these images. So now I'm going to select my image liner, reset this. Now I'm going to select this, go to the transform, and I can now change the scale. Right about here. Let's go with this value. Now we add these three images, these four with background. So now I'm going to select my background node. I'm going to connect these two marginal. And now let's select the image blends really. And I'm going to increase the size. Now let's place this right here, because this is the background. Let's zoom in. And I'm going to place this right here. Now I'm going to select this one. Let's play this right here. Now, this is the final one, so I'm going to drag this in center right about here. Let's select this one, and now let's try this. Right. Now I'm going to place my camera. Now you can animate these pollution like this, or you can animate the position like this, or you can just zoom out like this. Now I'm going to select the render. Now an embolic formulation settings. Now if you're looking to increase the quality, then it will take longer to render your video. So I'm going to just add this ten and I'm going to join these two for now. This is fine. Now guys, I'm going to select my camera 3D. And I'm going to enable the focal length. And now let's jane focal length. So if you love Oakland is taking too much too loud so you have to go to the lender, then disable the accumulation setting. Then you can also easily change the focal length of your camera. Now, let's drag this camera right here. And now let's zoom all these objects. Now we're going to, now guys, I'm going to animate the position of this camera. So let's go to select the camera first, go to the transform. And now we had these transition. You can animate the position like this one. Or you can animate the position like this. So now guys, I'm going to animate this acquisition. So let's add a keyframe. Go a few frames ahead. And now, let's, now let's place this right here. Now guys, you can see we have this animation. Now let's go to the spline. Check this, select all the keyframes, move them. Now let's go to the controls. Go to the render 3D, and now enables accommodation settings. Now as if I played this cursor and play this video, you can see we have this animation. So focusing now shifting from this to our background. Now you can also go to the settings enable the motion blur. And now if I play this video, now we have this animation. So you can create easily these types of animations using the camera TV. Like an alginate deletion of the camera right about here. Now if I play this video, as you can see, we have this animation. Guys, I have this project right here. So as you can see, we have 12345 media in, and I connected this. If I select this button or press one on the keyboard and select this, you can see this is the grass. And I collaborated this class using the color correction. And as you can see, guys will have these in mind is connected with the image bland 3D. And these are going to get to maturity. We have camera render 3D and we have medial. And now guys, I'm going to show you the result of this render. Now guys, I'm going to open this video. As you can see, I just shifted my focal length. I just animated my focal lens using the keyframe. You can also animate the position of your camera and you can achieve this type of result. As you can see, this is the same project that we have in years. Now, guys, I have this product, as you can see, guys, I have this video right here. I got this video, and now we have this media NIC card, this video using this rectangle mask. Then I connect these two attract year removed my green screen, then I crop this using this grub node and then this connect to image planets ability. You can use this auto, you can use this customized growth. Then it is connected to the image plane 3D, and then it is connected to my 3D. And then we have this reserves. As you can see, the brand image, this is our background image, and this is our subject. Now if I play this, you can see you can also use a video in image brand 3D. Now guys, we are in a debate, so I'm going to double-click on this video and I'm going to press I on the keyboard and press on the keyboard. And now we have this part of pseudo. So let's go to the failure rate, and I'm going to drag this video. Let's reset our image planner. And I'm going to connect this to our image planets. As you can see, this is a screen recording of the ventricles. So we're going to animate the focal length and we are creating a 3D screen recording. I'm going to place this right here. Now let's go to awesome or this image planner. Now let's rotate this image right here. As you can see, we are creating a 3D screen recording. So you can also animate the position if you want to, or you can just animate the focal length. I'm going to select my camera, this camera right in. And I'm going to animate the focal length. So select the camera 3D and go to Render first. Uncheck the motion blur, and uncheck the accumulation settings. Because if you enable this accumulation settings, then we have the focal lens blur and it will take longer to load your video in previous games. So I'm going to just uncheck this accumulation settings. And now let's select the camera. Add a keyframe. As you can see, this is the position animation, so we have to delete all these keyframes. Let's go to this one Transform. Click here. Go to this frame. And now I'm going to go to the contours, add a keyframe, go a few frames ahead. And now I can change the focal length. To right about here. Now guys, if I play this video, go to it and the first enable the combination settings. You can see we have this most similar. Now as you can see, this is the focus area and this is the blood area. If I play this video, you can see the focus is now shifting from this area to this area. You can also create this type of video if you want to. And you can also animate the position if you want to. So you don't need to change the position of the camera. You have to just select your image planner. And I'm going to go to the render. Let's uncheck the accommodation second. Now let's animated beliefs. So let's add a keyframe and transition and x. And I'm going to go feel free my head. Now I'm going to change this to this area. Now if we go to the first frame, go to the spline. Select all the keyframe, make them smooth. And now let's check the render nebula composition settings. Now if I play this video, you can see guys, we have this beautiful animation. You can create these types of animations. You can also go to the Render and enable the motion blur if we wanted to. Now guys, let's play this video. And now you can see machine learning animation. So guys, I have this another example. As you can see, I only changed the position of this image planner and I didn't change the focal length of this camera. We have another example. As you can see, I just animated the focal length of the camera. The focus is now shifting from this area to this area. To get this type of view, you have to select your image planner and then you will have to rotate. Here is position. So let's go to the render. On Jack motion blur on Jack, accumulation settings, we get the false render preview. So if you rotate your screen recording image planner, you will get this type of wizard. Now we will get this type of alert. So now if I go to this frame, Let's move this keyframe. Now let's play this right here. And now you can see we will get this type of there. So we have to chain the camera and play this camera right here. Now let's go to render and I'm going to unable accumulation settings. So now as you can see, this area is now in focus. And if you go to the frame number one, you will see this area is now unfocused. You will get this type ordered if you rotate your image planner. So that this is how you can use the camera 3D infusion bit. 77. Advanced: Green Screen: Now guys, I'm going to show you how you can place your subject in a different background and create different environment. So I'm going to drag this page right here in adequate, and let's just delete the audio. Now let's go to the Fusion page. And I'm going to drag, drag here. Let's connect this. Now I'm going to select this color picker, and I'm going to select a color. This is good. Now let's go to the image. And now I'm going to set this to a single screen. Now I am going to, now let's go to the mat. And you can play around with the contact unexplained. And the Gamma. You have to play around with these lighter in order to get inaccurately it's being cut out. Now I think we are good to go. Now, let's go to the edit page. Select your footage. And now I'm going to crop this area. Now guys, I'm going to play this right here and I'm going to drag a background. So this is our bedroom. So first I'm going to do this, increase the size of this background. Now I'm going to search for noise plus noise. Go to the Open FX, and now we have this fast noise. Let's drag this on our background. And now let's go to the Effects. And now JND preset to do smoke. Now let's decrease the brightness, increase the contrast. And I'm going to change this to soft light. Now if I play this video, you can see we have this smoke effect in our bedroom. Now you can also change the color of the smoke. I'm going to join these two. This locally. And you can also enable the Open FX engender direction of this smoke if you wanted to. Now you can change the scale of this mug if you want to. Now guys, we have to color correct our subject to match without background. So I'm going to select the color page. Let's hide the glyphs and timeline. Now guys, we have this green screen right here. Now guys, if you want to hide this layer, hide the background. You have to click on this layer, unmix. And now we have only our subject, but if you want to enable the background, so you have to click here. And now we have the background. Now the first step is to decrease the gamma, decreases lift to match with the shadow of the background. And I'm going to do degrees. Again as we're right about. Now, increase the contrast. Now, let's increase the M1 just a little bit. Right here. Now if I play this video, you can see we have this wizard. So we have Algebra friends right here. So let's go to the Fiji invade. And now let's fit this. So go to the pre-med and just increase the bedroom. Good action. Let's go to the mat and less ingredients. Now we're good to go. Now guys, the fringes is moved. Now guys, we have this result right here. So the next step is to select the footage and make a new compound live. Now guys, I'm going to drag the slider is effect onto this footage. And now let's go to the effects and increase length. Increase the softness. And we use the brand-new just. Now guys, if I play this video, you can see we have this interesting effect. Now you can also drag the slider effect right here. And you can also open this. Let's select this. And now open is in timeline. Now you have to select this background and you can also change the position of this background as well. So it stays behind our subject. Now if I play this, you can see we have this interesting light rays effect. Now to match with the background, you have to drag a glow effect as well. And I'm going to show you why I'm telling you to add a glow effect. If I spread this glow and increase the saturation, you will see the subject no match with the background. You can also drag it past noise effects again on the main compound leaf. Let's add this domestic. And let's Jane is to add color dose. Now let's, now let's go to the global brand. I'm going to write about it. Now finally, I'm going to drag the camera shake. Let's decrease the motion. Speed. Now guys, we have this result. Now guys, if your GAN, the subject color grading, you can also create an entirely new video. So if I go to the, our compound, leave and go to the color page, now you can see we have this object, so I'm going to decrease the gain degrees my gamma liquids and lift. Just increase the gain right about here. Now if I go to the edit page, go to the timeline, you can see we have different results. You can manipulate this green screen in different ways. Now I'm going to show you another example. So I'm going to create a new Timeline. Now let's copy this Ls space, this right here. Now let's go to the color page, and now let's reset this node. Go to the edit page, and I'm going to drag this background right here. Now let's zoom this background, enable Dynamic Zoom. And I'm gonna change this to ease in. The background is now zoom out. So we have to zoom in the subject that I'm going to just set this to easy out. And let's swipe this. Now you can see this object is now zooming and the background is now zoom out. Now let's go to the color page. And the first step is to measure the shadow of the vector. So I'm going to Jane my lift. And I'm going to add this color. Now, this is before and this is after. You can see we just jane the left and we have this result. Now I'm going to increase my contrast. And I'm going to use again just a little bit. Now guys, let's go to the editor page and I'm going to make a new compound leaf. Now let's add a lighter is effect. Increase the length, increases softness, and degrees of brightness. Now if I play this video, you can see we have this result. Now let's go to the color page. Now I'm going to create this photo, so I'm going to select my color. And I'm going to have this qualifier on. So you can select this qualifier from here on preview window. And now let's select this point. And I'm going to drag this point to this side. Right here. Now you can see we have this amazing result. Now you have to calibrate this footage. So I'm going to increase the contrast. In these degrees, again, it is a lift and now increase my gamma gain. This is before, this is after. You can also change the saturation if you want to. Now you can also add a node. Go to the effects. And you can also drag a glow effect. Sped the glow effect. You can increase or decrease the saturation if you want to. And I'm going to do degrees my gamma, gamma. Again just a little bit. Now in our node, I'm going to decrease my gain as well. Right about it. Now if I go to the edit bay guys, you can see we have this desert. You can manipulate this green screen and play this indifferent background and Creative Furniture. I'm going to show you my other examples. So let's open the first timeline. So as you can see, I have this background. So if I open timeline number two, you can see I have created this guide if you want, this result. So you have to go to the page. You have to please the lift all the way down. Now you have two degrees of gamma as well. And if it is the offset. Now you can see we have this result. You can also guys go to Timeline. And you can also increase or degree at least sold threshold. Now we have this desert. So this is how I created this background. I also blurred background. So let's go to that row and let's drag a box blur. Right about. Now if I go to this seminar, you can see this is our final answer. So this is how I created these green screen effect. Now I'm going to show you my other example as well. So this is another version of the green screen. So I blend my bedroom at a bookstore and I just increase this a little bit. Now guys, I have this version as well. To get this result, you have to open this in timeline. Now let's select this object, go to the color bridge. And in the clip I'm going to select my subject. And you can see I decrease my gain and degrees my offset and lift. And we are done. And I add a little ribbing on the subject to S So we get this result. So if I go to the edit bay guys, you can see I add a lighter is effect. Then I add a camera shake, and then I add a fast noise effect. Then you will get this if you want to. Now if I go to the diamond and number eight, you can see I have different version with the same procedure that we did in diamond number two. Now if I go to dial-in number nine, you can see I just end this background green screen. In fact, I just add a glow effect and add a fast noise effect. You can select your for autonomy. All you can select the river or water phase to get this distortion effect. You can also go to the color page and increase the contrast. And you will get this as again, this is amazing because the background lighting is affecting my face as well. Knife and go to the edit bay Goldstein and number eight, you can see I have virgin. So you can create different version with only one green skin and create different background effect. Now guys, I have another example as well. Now we have this version. I have this version, and I have this version as well. For this vaginitis Jane, my color grading. So this is how you can create an advanced peeling skin effect individually resort. 78. Advanced: Edit Picture: Now guys, I'm going to show you how you can take this picture and convert this into this amazing masterpiece. And by the way, this is all done individually. So as you can see, we have multiple nodes. Now let's go to the edit page. And I have this tiny number two, and you can see we have this fresh picture. So I'm going to zoom in this picture. And let's play this right here. Let's zoom out a little bit. Now guys, we are in garbage and the first step is to go to the masking window. And I'm going to select the circular mask. Degrees is offset all the way to zero. And I'm going to lenses on my eyes. Let's play this right here. And now I'm going to add another muscle select on this circle. And now we have this mass, so degrees is absurd, always zero. Now I'm going to play this on my other eyes. Right here. Nine, if we turn off this masking with low dose, you can see we have cut out these eyes. Now you can click on this icon to see your masking it as well. So now guys, in the next step is to go to the color Whopper. Now guys, I'm going to increase my gain, increase my gamma, and increase my lift. Now we have this white eyes. I'm going to add a color. So let's add this curve. Now let's go to the masking window, select the first mask. And I'm going to turn off these controls and I'm going to just increase the softness. Write about it. Now select your second mask and increase the softness as well. Now you can also add this color right here. Now I'm going to make the circle, so I'll just leave it. And now we are done. Now guys, let's create a node. And now in this node we are going to blend our background. So I'm going to select the masculine windows like this mask. And I'm going to cut out my subject. Now we are done. Now guys, we have to invert this mass. Now let's go to the Effects and search for Box Blur, and now drag this onto this background. Now I'm going to increase the number of introduction to three. And I'm going to also make the edges of right about here. Now, this is before and this is after. Now let's create another node. Now guys, in this node, I'm going to add it in flexion of these blue eyes. So let's go to the masking window. Select this mask. And I'm going to mask out this area. And I'm going to add another curve Miles. And I'm going to add hello right here. Now let's add glow. Add another curve mask. And I'm going to select this area. And now we're done. Now I'm going to increase my gain. And I'm going to increase Office of these mass. And if I turn off these controls, you can see we have this effect. So I'm going to make this a little bit soft. And I'm going to increase again. And I'm going to add this color. Now I'm going to select the mask and maybe solve this. So it'd blend with our face. And now we're, now I'm going to select this mask as well. Let's make it a little bit. So now Viet. Now I'm going to also enable the controls. And I'm going to also drag these. So we get delight. The subject knows as well. Let's just not mask this area. Now we are good to go. Now guys, I'm going to create another node. Let's place this right here. Now guys, in this node, I'm going to select the masking Window. Let's go to the curve mask and I'm going to mask out the subject phase. Now guys, we are making the people to focus on the subject faced not with the background. So we're going to delve this background. We're going to degrees again of this background. So let's invert this mask. Again. Let's go to the curve like this and drag this right here. And I'm going to add contrast. Now. I'm going to add this bluish color as well on our bedroom. And I'm going to make masks software. Now if I turn off these control, you can see we have achieved this effect. Now Guys, our next step is to right-click on this node and we have to add an outside nor. Now this node will affect the face, so we have to increase the contrast. And let's go to the curve. And I'm going to hi econ class versus right about it. Now let's select this mask. Go to the bar window. And let's make this a little bit softer as well, right about it. Now let's select this node and we have to adjust the contrast. And now I'm going to add immediate 50. And now as you can see guys, we achieve, this is a, this is before and this is what we achieved. Yet. Now we are done. Now guys, I'm going to create another node. And this node guys, I'm going to just increase my mate and it is all the way to 100. So we get this type of FDR effect in arbitrary. Now guys, I'm going to add a final node. And let's play this right here. And now guys, in this final node, I'm going to increase my contrast. And I'm going to the pivot to be the contrast a little bit right about here. Now guys, I'm going to collect, read this for this. So I'm going to take my offset and I'm going to lay this right here. Lens does gamma. And now let's take sodium gaining gain. Now let's take the gamma. And now guys, I'm gonna do Jane my lift to this color. Now let's decrease the lift right here. And now let's go to the log. And I'm going to add this color. And now we are done. Now you can also go to the color or a bar, add another node. And you can also change the color of this space as well if you want to make it more green or make it more red. And you can also join the background color as well. Now we have this guy, this is how you can edit it, this picture. Now, if I go to this picture, you can see I just join my color grading. So you can follow this step. So you can follow these value to get this result. And energetic guys, I add these value as well. Again, my dark to zero, -0.03 and y value to 0.06. And that's it. Now I can select this and Jane this to this side. Now let's go to this. And now I can join this. So where you can create different versions of this picture, all you have to do is just change the color grading of the picture. Now guys, you can also go back to the reflections, light glow around the eyes. And you can also change its color if you want to. So I can change its color to yellow. And now you can see we have different vibes. Now guys, e.g. if you want to copy this effect, you can also do that. So you don't need to change the offset to this position. You can also copy the value. So e.g. if I want to Jane my offset blue values so I can now copy this value. Now let's go to our main timeline. I can now paste this value. Now let's click here. And now you can see we have this result. So this is how you can copy the value in your color wheels and in your area as well. 79. Advanced: Masking: So now guys, I'm going to show you how you can use the color obeyed masking widow and create different effects. So first I have this picture number two and I have this picture number one. Our first step is to guys go to the video transition, scroll down at the end, and drag this burn away transition. Now we have this transition. Now I'm going to change its angle. And I'm going to chart all the way to zero. Now guys, we have to go to the color page and go to the glyphs like this above picture of a bike. And I'm going to go to the masking window. Let's select this mask, mask tool and I'm going to mask out this byte. Now guys, we are done now our next step is to right-click here, add an LFO good and connect Di Salvo to this blue. Now we have this background image as well. So we have to adjust the mask. So this is the background, like really, so I have to remove this as well. So we have to expand the mask. So let's expand this mask right here. And this is the background by glide, so we have to get rid of it as well. Now let's turn off these controls. And I'm going to increase the softness. And now we're good to go. Now guys, let's go to the edit page. And now guys, if I play this, you can see we have this transition effect. Now all you have to read as in broader transition. Now guys keep it in mind. You have to add a transition before masking out this white, otherwise it won't work. I tried myself and it did not work. So now I have to increase the button. And you can also change the hue. You want to fly again. Now, jane this to this color. Now I'm going to increase the brightness, increase the glow. And I'm going to join the glows red as well. Now if I play this video, you can see we have this transition. Now. You can also play around with the slider. You can also change the scale. Now guys, I'm going to Tim this. Now let's right-click here. Create a new compound glyph. Increase the size. Added Dynamic Zoom. So I have this. If your allergen is way too fast, you have to open this in demand and you have to increase the transition duration. Now if I play this through there, you can see we have the transition. Now I'm going to add a glow effect. And I'm going to do also increase the saturation degrees, the gamma in Greece. Again. Let's read this. Now let's go to the color page, and I'm going to, first we have to go to the VM page. Now let's go to the Effects, go to templates. Templates. I'm going to drag this matrix, this right here. Now I'm going to add a merge node, or we can just Shift click here. And now it added, now we have two degrees of density. Increase the depth, change the width, and the height as well. Now let's go to the edit page and you can see we have this result. Now let's go to the garbage and I'm going to Add this color. Let's increase the contrast a little bit. The lift and lets them, I know I'm going to do this is before, this is after. Now guys, this is the final result. So guys, if I play this video, you can see we had this amazing transition. So this is how I created this transition. If you want to get this kind of result, all you have to do is just open this and you have to an increase in duration, and that's it. And you also change the color of this example. I'm going to change. You do more like this color. Now we are good to go. If you want to know how I created this effect, I can just show you that. So if I open this in timeline, you can see we have this version as well. I just increase. So go to the Collaborate and Greece. This might entail. And now we have this wizard. Now as you can see, we have improved default it. Now guys, we're very open in dominant Number one. You can see we have created in this ****** is valid. So now if I open this in timeline, you can see we have this, I have to picture this picture number two and distribute ten number one. And that's how I created this transition. Now guys, if you want to know how I created this transition, is symbol to create. So all you have to do is just, I'm going to copy this picture and now go to the main timeline. Let's create a new Timeline, phases which are right here. And let's go to the gallery page. And I'm going to reset this node less reset all the nodes. Now guys, the first step is to go to the color page and go to the masking window. And let's come to this point. Select the curve mask. And I'm going to mask out the subject. Now guys, we have to add a keyframe. And we have to adjust this mask right here. Now guys, if you want to add and smooth animation, all you have to do just go frame by frame. Or you can just go to the first frame. Place this right here. And now if I play this, you can see we had this animation. Now, the mask will automatically track the subject. And we have to manually adjusted just a little bit. Now guys, we are done. And now guys, we have to add an alpha output. And let's connect this. And now we have this result. Now I can just just this mask. Let's just increase the inside. Let's just turn off this control so we can see it better. And now we're good to go. All you have to do with just manually adjust these mosque. Now we are done noise. Now let's go to the edit page. And let's copy this footage. Let's paste this right here. Now we are done, guys. This is how I created this transition. Now guys, let's go to the power window, masking window, and let's add a circular mask degrees its softness all the way to zero, increase the size and add another circular mask is softness all the way to zero. Now guys, if you want to. First I'm going to click here, and as you can see, this is the mask number one. And if I place this right here, this is mask number two. But if you want to cut out this mask, you have to display this mask inside our first mask, and you have to click on this icon. If I click on this icon, you can see this mask cutting out our previous mask. So now I'm going to use this technique and I'm going to create a shock wave effect. And now guys, I'm going to select my first mask, and I'm going to select this mask that are inside our mask and I'm going to resize all the way this door size. Now guys, I'm going to select this mask and let's place this right here. Now guys, we are going to animate this mask. So we have to just add a keyframe in corrector, go to this keyframe. And now we have to come to this frame. And now I can increase the size of this mask. If we go back, we have to decrease the size of this month. So we have to type zero. And now I'm going to select this mask. And I'm going to increase the size of this mask. Right here. Let's select our previous mask and increase the size. And we have to select this mask and increase the size, right about it. Now guys, if we go back, you can see we have this animation. So we have to animate this mask as well. So I'm going to animate this. And now if I play this, you can see we had this mask animation. Now guys, we have to select all these keyframe. And now guys, I'm going to manually adjust this animation. As you can see, we have this circular animation. Now let's turn off this preview control so you can see what is happening right here. So as you can see guys, we have this circular animation. Now our next step is to go to the Effects and guys search for fast noise effect. Now I'm going to drag this effect. Let's click here and I'm going to heat waves. Let's change this to river. Legend is to waterfall. Yeah, this is fine. Now let's select the mask, increase the softness like this mask, and increase its softness. Now you can see we have this animation. Now let's select all these mask. And now we have this animation. Now you can also select all these keyframes, right-click on them and less Jane them to dynamic iframe. You can also play around with these settings as well. You can also add a shockwave effect. You can also add a camera shake effect when our lives started. So I can just go to the Effect. Add an adjustment layer, go to the Open FX, add a camera shake effect, increase the speed. And just play this where our soccer star. And you can also add a camera shake. Let's use the motion. Let's ingredients, food ingredient motion blur. Increase emotional scale as well. So you get the idea. So you can get this type of effect using the masking glow. Now guys, in this version, I created this shock wave effect using the layer node and I switched there are input. So as you can see, you can switch their input. So you can connect these two here and these two here. Or you can just switch the input, connect these two below one, and connect this to be above one. And in the final node, guys, I just color correct. All my footage and infinite guys inadequate. I just add a camera shake. Now we have this fact. Now if we go to the Collaborate, select this. As you can see, we have this animation. So this is a circular muscular window animation using the keyframe. As you can see, we have these keyframe. And if you open this keyframe, you can see we have the circular window. We have circled one or two right here. So this is how you can use a masking window and create different effects individually as well. 80. Advanced: Modifier: So now guys, I'm going to show you how you can use the friction modifier and create amazing texts Yvette. So as you can see, I have these texts effect as well. So I have several example that I will show you at the end. Guys, you will find out how you can create these types of tax effect as well, so forth guys, I'm going to create this, this animation. So forth guys, I'm going to type hello. Let's change the color. And let's increase the size as well. Now guys, let's go to the Fusion page and false guys, I'm going to add a simple glow effect. Let's increase the size just a little bit. Now let's select the template. And if you right-click on this type x and you can select the forward. Now we have this Modifier Tab. Turn on. Now select the Modify tab and we have to add a delay. When will we add a size animation? Then it will effect the first character, then it will effect the second, the third, and so on. So let's set it to single screen. And let's go to the transform. Let's go to this size. And I'm going to add a keyframe. And let's dive 00. Go a few frames ahead. And I'm going to type 1.31, 0.3. Now let's dive 1.1. Now we have this simple bouncy animation. So as you can see, the size will affect the first character, the second and third. Now you can also add an auto animation as well. So I'm going to add a keyframe here. Go view frame add 1.31, 0.3. And now let's go feel free my head with 0.0. Now we have this animation. Now I'm going to go to the symbol Dos and I'm going to add motion blur. And in modifier guys, I'm going to go to the supply and check this template, select all the keyframe, make them smooth. Now guys, you can also do one more thing is to add a keyframe and bigger value. So if you notice guys, when I increase the acceleration, you can see nothing is happened to our texts. So these value only affect your text when you add a keyframe. So e.g. if I add a keyframe here and change the rotation, you can see now it is effecting the texts. But when I remove the keyframe increase is slider. You can see it won't effect your tax. So you have to add a keyframe and then you have a G and D value. Now guys, I'm going to animate this add rotation. So let's add a keyframe here. Now let's go to this line and uncheck these, select this, add a rotation keyframe. And now I'm going to make them rewards. Now we know guys, you will get this type of tax and you can see it over and it gets triggered. And now let's animate the outer animation as well. So I'm going to add a keyframe and its evolution. And I'm going to change its position to this as well. So now we have this animation and we have this out animation. Now you can go to this applying. Check all the keyframes, select all the keyframe, make them smooth. That's how I created this animation using the modified. Now guys, I'm going to show you another example. So e.g. if you want to get this bouncy tax effect, then you can also achieve this texts web. So let's duplicate this text effect. And let's go to the VPN page. And let's click here. It will remove the keyframe. And now we don't have any animation. Now I'm going to type bouncy, LSU and it's gotta do more light. Yellow. Now guys, let's right-click here and select the follower. Now let's go to the Modify, and I'm going to add 1.3 delay. And I'm going to select my transform. And let's animate the size. So first let's type zero. Now 1.31 point ie. One point. Now let's add our animation as well. So at 1.1 point and then 00. So now we have this bouncy animation. Simple guy, Let's go to the supply and check these. Select, make them smooth and NJ box, I'm going to lower their direction. Let's take this again, go to the keyframe. And I'm going to select this keyframe, and let's place them right here. So we have this mode, our animation as well. Now guys, to achieve the bounce effect, a pair from this area, you have to add a keyframe in pivot x. And then we have this part one options. Now you can change its rotation to. And now when I play this, you can see we have this bouncy animation. So that's how we created that bouncy animation. Now guys, if we go to the timeline number one, if you want to get this type of bouncy out animation, then you will have to go to the VM pH. And now select the template, go to the Modify. And in part guys, you can just add a keyframe here. And you can rotate that rotation like this. Let's move the keyframe. Now we have this out animation as well. Now I'm going to select the tools, go to the settings, and I'm going to increase the quality in motion blur and degree shutter angle alpha like this. Now guys, we have this animation. So that's how I created that animals share. That's how I create that animation. Now if I go to Thailand mobile, you can see we have this simple bouncy animation appearing from this area and disciplining from this area as well. So for this animation, I just animate the accesses. So let's go to number three envision page, select the template modified, but I'm going to type 00. And let's move all the keyframes. Now I'm going to change the x rotation. Now you can see guys, we have this animation. So that's how I created that animation. Now guys, if we go to dial in number one, you can see dial-in number two, you can see we have this text animation as well. So to get this animation, you have to duplicate your decks. And now I'm going to change this to tax effect. And let's change its color to this. And now let's go to the vision page, select the template, go to the modifier, and transform. Go to the path. And let's reset this value. We will get this smooth animation. Now for this animation guys, let's go to the modifier. Let's go to the follower. Remove this keyframe. And let's remove these key frame as well. Now guys, I only move the keyframe of size x. Now you will get this animation if you remove the sides, the x key frame. Now guys, we have to go to the set a keyframe individ x in, but I'm going to change this to -334.7, 0.9. Now if I play this video guy, you can see we have this amazing texts animation. So that's how I created that animation. So you can copy these value as well. Now guys, in folder, I'm going to, if I go to the edit page, go down and buy one, you can see I have the hue animation as well. So let's go to the diner number three, and this is our main text, so I'm going to change it to bold and infusion pain guys. I'm going to Add a color corrector before the glow, and I'm going to set a keyframe in hue value. Let's go a few frames ahead and I'm going to increase the hue pollution. Now let's go to the spline. Uncheck this template. So we have the only new iframes make them smooth and I'm going to make set them too low. So now if I play this video guy, you can see we have this amazing tax effect, you animation. Now, let's go to the edit page and I'm going to show you other examples as well. So let's move this timeline. Let's add a new one. And I have this animation. For this animation guys, I only animate my Transform and Transform. I animate the y position. So as you can see, I have this animation. So I only animate the Y position. So as you can see, the position y is not only changing incentive. Now to get this look, you have to change the font style to this, change the color to this value. Now you have to go to the shading and then you will have to copy this ****. Then you will have this text effect. Now I only add in five and outline of this text effect. And now you have this result. Now let's go to the edit page. And in power being, let's go to the text. So if you don't have a PowerPoint, then you have to enable it. From here, go to the View and Show Barbie. And you can also save these texts in barbering as well. So e.g. I. Have created this text. If I can now drag this and drop this in here, I can now Jane its name to hello to. Now if I create a new timeline, drag this area. So as you can see guys, you can reuse these texts in your future product as well. Guy, Let's go to the bar when an index guys, I also have several example as well. So I'm going to drag these are the sample. And then I'll show you one by one how I created these examples. Now let's let this go to the Edit and select, Delete. Guess it will be deleted all the gap. Now guys, you know how to create this text effect, this text effect, this one. And for this text effect guys, Let's just play this right here. For this text effect guys, I only add an outline and animate my hue like we did in this text effect. Now for this text, right guys, I'm going to select this, go to the fusion, and select this, go to the modifier. And I just animate the Y position. And that's it. You don't need to add anything extra. You have to animate the wire size and transform in modifier, and then you will get this. Now this is version number two of our hue animation texts for this tax rate either change the modifier bought X rotation. So you can change its rotation. You can play this right here now it appeared from above. And if I come to the spine, general tension you can see will now appear from the bottom. You can play around with these audition guys and you will get different type of Texas. So e.g. if I Jane viralization and that rotation as well, you can see we have this fast animation. And if I lower my Z rotation, you can see we have this smooth animation. You can play around with these Rhodesia. Now guys, in the final, we add these two text box. I'm going to delete these debts. And now let's focus on these two texts. We have texture onscreen one-by-one, and we have this haha and activate. So guys, for this text effect, we have to duplicate this text effect. Now guys, let's go to the Fusion page. Select the template, remove this keyframe. Now I'm going to right-click on my type text and I'm going to select director level styling. Now we have this Modifier tab turn on. Now let's go to the Modify tab. And now guys, I'm going to right-click on my previous screen and in the oxygen, whereas you can enable or disable this checker underline. You can also show guides. So we have this guy. Now let's go back to Tools. And I'm going to set my v anchor to talk, and I'm going to set my edge angle to left. Now I'm going to play this right. Now Let's type. My name is Now guys, we have this text effect. Now let's go to the Modify tab and you can select a character. So e.g. I. Can select my data from previous gain. You can Jane only its size, its color, and its font style as well. Now guys, if I select my name, now you can see we have the transform of this particular fuzzy Adam did my name and I have this feeling, and I have these settings as well. So we have this individual texts plus headings for individual deck so you can increase the size. You can change is tracking as well. And you can change the font style as well. So I'm going to change this to white. Maybe this color. Now I'm going to select my is and I'm going to change this to white. Now let's Jane, it's formed as well. And now we have finally the edit. So I'm going to change its color to this value. And I'm going to increase the size. Let's be just x, right? Guys, you can also select the text, go to the shading and you're going to add the shading as well. I can now enable the shading. Let's go to position this right here. Let's let the xylem the name unable to shooting. And I can add an outline. Let's change the outline color. White. And let's degree the thickness. And let's let the first one. Now guys, you can also decreases to 0%. And now we have this outline tax effect. So if I go to the tool and let's go to the Properties, I can know Jane Doe dine, and I can change the color to this color. Now let's go to the edit page and you can see we have this text. Now all you have to do is just animate is right on. So we have to come to the fourth frame, add a keyframe, set them to zero. And now let's go a few frames ahead. I can see my name is Dan, I'm good. I love. Now let's go to the keyframe. And I'm going to come to this point. And let's select all the keyframe and place them right here. Now let's go to the help page and make them smooth. Now guys, if you want a popup text, then you have to change the keyframe to step out or stepping. So I'm going to join this step out. Now you can see my name is William did. I love to add it? So that's how I create that animation. Now if I go to the adequate, go to Thailand number five, you can see I read these texts show on screen one by one so that the animation, now guys, for this animation guys, at the end, I add a lighter is effect and infusion rate. I just animate its position in transform of y axis. I change the center position of y, add a motion blur. And now we have this animation. This is how you can create this animation. And now for the final guys, I'm going to add a text plus. And now let's go to the VM paid. If you right-click here, you guys, you can see we have some other options as well. So e.g. you can select the time code. And if I play this video, you can see we have this timer on. So duration of this text is for second. You can add a timer as well if you want to. Let's come to this point. You can also increase the start offset audit. We'll just start offset as well. So let's reset this. And now let's go to the Tools. And you can also, if you want to add only seconds, then you can also do that. So now I have only the second. Now this one, and now we have this second. Or if you want to add only the second count, then you can also do that. So now we have 123. So now let's move the keyframe. Let's reset this value as well. Now if I right-click here, go to the set timer. You can see you can set a timer as well. So let's go to the modifier. You can chain a minute. You can change settings as well. So you can animate this position as well. So if I click here, go a few frames ahead. I can now animate this second. You can see we have this second animation. You guys, this is how you can use a modifier infusion period. 81. CONCLUSION: Now guys, if you want to add any type of voodoo individual, then you can do that. So I have this example for the sound effect. I use a website called mixed kid, and you can search for sound effect and you can download some free sound in here. Now guys, let's move on to another example. Now guys, you can also edit complex video individually. Or if I play this video, you can see we have this animation. Now, this is the cutoff from the video. I screenshot my video. So as you can see, these are 18 screenshot and I use this website called move vD. And I remove my picture background one by one, and then I make a sequence inventory dissolve. You can download this picture from a and it will automatically remove your background. So for this particular video, I remove frame-by-frame background from these 18 screenshot, and I just drove them into engineers all. And now we have this sequence. As you can see, I'm doubling from here to here. Now guys, to creating this scene, I create this glean from scratch individually. So I'm going to show you how I created. So let's open this in timeline. And now as you can see first, I'm going to disable some layer. Now as you can see, this is our background. And now we have this moon. I said the moon to add a light effect as well. And I said the moon to screen. Now I made my subject inadequate. From this position to this, Let's enable the transform. And now you can see I animate my pollution. Pollution. As you can see, I animate my version. If I select this, you can see I animate my position. And I add a building, and then I add these two buildings as well. Now, if you go to the color page, let's hire this. Hide the diamond knife, I select my subject. You can see I calculated my subject as well. So this is before and this is after. Now I also calibrate this building as well. So this is before and this is after. I just mask out the upper area and I lowered their gain of the lower area. As you can see, this is lower, yeah, so I lowered again. And for this building, I did exactly that same thing. Now if we go to the edit page, guys, and in the final guys, I add light rays effect. At the camera shake and add a fastener is effective. And I set the blend. Hello, Well blend to 0.294. So that's why we have this smoke and mission. Now I have created the second version of this as well. So if I come to this timeline, Let's go to the front page and let's enable equally. Let's go to the compound leaf. And now let's go to the glib. And I'm going to select this clip. As you can see, I transform. They added awesome animation. Now guys, if I play this example, now let's go to the beach and I'm going to select this key. Now as you can see, I animate myself. I animate the position of this character using the transform and in settings, in transform, I add a motion blur. Now let's go to the edit page and I'm going to disable these layers. So first we have this layer. I add a bookseller. Let me just select this. And now I add a box blur. And now we have the second which is the billings. So let's go to the color page and I just mask out this area. Let's just unable the power window. And I mask out this area. And I lowered the and gain the Gamma, the lift and offset. Then we have the shadow. And I add and outside of this node, and I change the color to this value. So we have this shiny effect. And I did this thing to this building as well. And I add myself behind these buildings. So in the end guys, I add an adjustment layer and add a phosphorous effect. And Jane is opacity to one. And Gene decomposed to soft light. And you can change these settings as well if you want to do. Now let's go to the main timeline. And as you can see, we have this final result. In the final result I add the lightest effect. You can copy these settings as well if you want to. I add a glow effect and I add a fake camera shake. Now guys, if I select this compound live, go to the FIN bit, select this character. You can see I lower and lower is offset and lift. To match with the background. You have to match with the shadow of your background enabled to merge your collector with the background. So now let's look at it. But when I've done the reading off, you can see it looks so fake. Now if I go to the edit page, go to the main timeline, go to the color page. You can see. Let's hide this clip. And let's drag this right here. Now guys, in this node, I calculated my fate. So in firstNode IgA and again to this value and Gamma to this value. And I add this color board for now guys in the second node, IgM to IgG or reuse of dark. Now guys, in the final node, I just changed my contrast GAN, my pain and temperature and energy are guys, IgA in the light. Now, this is the final result. Now guys, you can edit any type of video interviews all the only thing is stopping you is your imagination.