TOP NOTCH Photo Manipulation Course for advertising a product | Adobe Photoshop | Nour Art | Skillshare
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TOP NOTCH Photo Manipulation Course for advertising a product | Adobe Photoshop

teacher avatar Nour Art, Digital artist, Youtuber

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      0 intro

      0:22

    • 2.

      1 The idea & The proper images

      1:58

    • 3.

      2 The Background

      1:09

    • 4.

      3 Adjusting the watch perspective

      2:44

    • 5.

      4 Putting the grass

      4:37

    • 6.

      5 The Running Track

      1:58

    • 7.

      6 Giving depth to the grass

      3:45

    • 8.

      7 Putting the man

      4:42

    • 9.

      8 Light and shadow

      2:41

    • 10.

      9 Fixing the skin tones

      1:15

    • 11.

      10 Product dodge & burn

      2:06

    • 12.

      11 Man dodge & burn

      2:34

    • 13.

      12 light trails & some effects

      2:27

    • 14.

      13 Adding the text

      1:49

    • 15.

      14 Final touches & Color grading

      4:22

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About This Class

In this course, I'll be sharing many useful techniques and best practices I have been using in my own work. This workshop is a very effective way to improve your Photo manipulation skills with an emphasis on working with type.

Here are the steps that we will follow:
From Idea to Finish Advanced Photoshop Manipulation

1- The idea & Finding proper images
2- The Background
3- Adjusting the watch perspective
4- Putting the grass
5- The running track
6- giving depth to the grass 7- Putting the man
8- light and shadow
9- Fixing the skin tones
10- Watch dodge & burn
11- Man dodge & burn
12- light trails
13- Adding the text
14- final touches & Color grading

For this class, basic familiarity with Adobe Photoshop is recommended.

And here are the files that we will use in this class:
https://drive.google.com/drive/folders/1mWQvgt0n0OxT11kyJTj1JqKUE_1L2-r6?usp=sharing

Meet Your Teacher

Teacher Profile Image

Nour Art

Digital artist, Youtuber

Teacher

Hi, I'm Nour. a passionate digital artist who cares most about creating awesome and epic visuals. I've also built my business around my YouTube channel "Nour Design" as an Instructor for advertising and social media designs. I'm also a dad to an awesome daughter. I've 7 years of experience in the field working with various clients and brands.

 


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Level: Intermediate

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Transcripts

1. 0 intro : This video, we're going to learn how to create this advertising design from scratch. We will start with the basic idea, going to finding the proper images, and then going to make the background, putting the product, blending everything to be a cohesive final advertising design. So without wasting any more time, let's dig into business. 2. 1 The idea & The proper images: Okay. Let me tell you guys what we're going to do today. It's going to be like an advertising sue for Apple Watch. The main idea was that I want to show that Apple Watch will be your friend in your daily practicing, doing any kind of sport. I wanted to show the product. I want to put the focus on it, and at the same time, I want to show someone who is doing sport. That's why I made the watch this big because I want you to focus on the product itself. The same time, you can find this man running and the watch in his hand. And the text level up your life with small daily steps. This is plus one. And that's it, by. Okay. This was about the idea itself. Then started to find proper images for the design. So I just went to Shutterstock and right Apple Watch. And I got a ton of images in Shutterstock. It has a huge library as you can see right now. Okay. So I searched for proper images until I get this one because it has the angle that we want. It needs some tweaks, but it has a proper angle. It has a very, of course, a very high resolution, and the quality of the image and the lighting is great. Secondly, I searched for an image for this guy, and this was a little bit tricky because the angle is not something you see every day. This is like a top angle. Okay. So I just wrote men running top angle. Searched for the images until I found a proper image. I found this image, and it's very good. It has the angle that I want, and of course, has this shadow which we will use. These were the main two images, and I found some grass images, some texture for the track, and that's it. Let's jump into Photoshop and let's start making the design. 3. 2 The Background: Let's create a new file. Maybe let's choose something around 30002000. Something like this and then ps create. This is a good size. Let's start by creating the background. How can we do this? You will find all the images that I'm going to use in the link in the description so that you can follow along with me. This is the best way you can learn. Let's start by creating the background. I'll do this by creating a simple solid color adjustment layer, and it's going to be like a dark teal color, something like this maybe and then press. Then let's create another one. But this time it will be bright teal desaturated one. Something like this, press. Then press control I to invert its mask and using the soft round brush, I'm going to make one touch like this. Press control T, let's make it bigger, this will be the main background. Let's go to the images. 4. 3 Adjusting the watch perspective: Et's start by the image of the product. Let's open it into a new project. Using the select subject tool, I'm gonna select it like this. Boom, select it, and then create a mask, and right click convert it into a smart object because we want to work non destructively. Let's bring it into our composite. Ps and press control T, and then let's make it a little bit smaller, something like this. Maybe we can make it small like this because I want to tweak its prospective a little bit. I want it to look like it's more flat. I don't want it to look like this tilted. Want it to look like flat like this. How can we do this? We can do this by basically going to edit prospective. Then let's define the planes of the watch and the way we are going to define it is by simply imagining a box around the watch. Let's imagine like it has a box like this. This is the box that is containing the watch itself. We are going to define its planes to reshape it a little bit. I don't want to make it complicated for you. Follow my steps, go to edit perspective work, and let's make one plane like this, another one right here, and another one right here. Now, let's follow the lines of the watch itself. I want this line of the watch to be parallel to this line. Let's just tweak it like this. This one, and this one. This should be barrellel to this and this should be barrellel to this. Then let's go to wp from here and press wp. And now I can't weak this side to be more flat. Something like this, I don't want to change the perspective too much because the image will be distorted, of course, but this will be, I guess enough. Then let's press this right button and we're good to go. Here's before and here is subtle change, but it will help us in creating the effect that we want. Let's make it bigger, and let's put it maybe right here, it a little bit. 5. 4 Putting the grass: Very nice. Now let's go to the next part which is creating the grass. I'm going to do this by simply selecting this area of the watch and putting a grass texture inside. We will see this in a moment. But let's start by selecting this using the pen tool. I suppose that you know how to use the pen tool, so I'm going to skip this part and get back to you. Want you to focus on something. I don't want you to select this part. I just want you to start with this edge, the black part because this is going to make it more realistic. Let's select it and get back to you. All right. That's very nice. After making a selection using the pen tool, we will go to solid color and create a solid color with any color you want, just press. Now you have a shape with this shape that we painted using the pen tool. You can even edit it by the arrow tool because it's a shape basically, so I can just select this part and edit it as I want. That's very nice. Now let's go and bring the next image which is this grass image. I wanted to choose a picture that has these edges, sharp edges, as you can see right now. We are going to select this using the color range. Let's go to select and color range. Let's choose this white background. Maybe we can increase or decrease the fuzziness, something like this, and then press then we can simply create a mask. Oops press control item invert the mask, and we are good to go. So let's right click, convert it into a smart object, and let's bring it to our composites. Let's make it smaller because we want the texture to be realistic. For example, if I just keep it like this, create a clipping mask, this doesn't look realistic because the texture till our brain that this is huge in relationship with the man size that we will put later. We want to make this small something like maybe something like this. Will be okay. That's very nice. And let's make a clipping mask by pressing Alt and pressing between the two layers or right click, create a clipping mask. So let's put it right here. And the next step, maybe you can increase the size of the Canvas because when I'm zooming in, the resolution is not the best. So I press Alt Control I, and let's make this f 5,000. If your PC is not powerful enough, you can just keep it as it was, ok? This is good when I zoom in. We have some details. The next step is that I'm going to duplicate this to fill the whole area. I'm just pressing out and dragging it and putting it right here. But the main problem is that we have some edges that doesn't look good right here. We can simply erase it using a mask and any grass or plants brushes, something like this. I'm just going to paint over these edges. Maybe you can use the soft ended brush, any brush just to blend the edges, and now we are good to go. Let's see here as before, and here is after that is very nice. Let's tick another copy and put it right here and another final one to put it right here. That's very nice. Next we can select all these images and just press out and duplicate them, put them right here and another duplicate to put it right here. Simple as that, we have now the grass. Of course, it's not 100% realistic yet, but it's well in the next sections. 6. 5 The Running Track: That's very nice. Now, let's bring the track. For the track, I'll use this image, test the texture of the track, then press. But let's deganize, put everything in a group. Let's name this grass. Let's name this the watch. That's very nice. Let's hide this for a moment and let's select the rectangle tool to create the track. I'm going to create like track like this, just a simple rectangle, and then press control T rotate it, make it something like this, maybe make it smaller or taller, something like this, and then press control and try to manipulate these points to get the shape of the track. Something like this. Then let's put this here and this one. I want to make sure that this line is barale to this line. This line is ara to this line. Let's see, I guess this needs to be longer. Something I guess like this, let's see. That's cool. Next part is to bring this beyond the texture, and then let's create like clipping mask. Something like this, and we are good to go. We have now the track. But the main problem now is we don't have dimension. It looks like it is a flat surface. We need some parts to get out of the product because we want to make the illusion of the depths in the design. We will start with the track because we will tweak the texture, somehow like this, something like this. 7. 6 Giving depth to the grass: And then let's go to this image and we can bring it and put it right here. Let's press control T. Let's make it smaller, the same size as this grass. But this time, I will press control to tweak its orientation like this. Let's make it a bit smaller by pressing and pressing into one of the corners, and let's put it maybe right here. L et's just erase these edges, press shift to erase it. Something like this will be okay. Maybe you can soften the edges using any grass or any plants brush. So this is not bad. Let's just duplicate it and put it right here. Maybe we can rotate it a little bit to match the perspective. We will do the same steps into this edge. I will just select these two layers, press t and drag to duplicate them, and then press control t to reshape it. Press control and go to the corner. Let's just try to match shape with the shape of the angle, the watch itself. Then we can bring these two layers, press out and bring them here. Let's change the angle a little bit to match the angle of the watch. I guess you got the point. I'll just make the same steps again to the other parts and get back to you. That's very nice. Of course, you can take your time to get the best results, but I guess this is good for now. Let's just go to the next step which is painting some lines into the track to get the feeling of a track, of course. I'll do this using the line tool. I'll just draw a line like this. Let's give it the struck a color and with no fell. Let's increase the size to something like 20 or 18 pixels, and then put it above everything. That's very nice. Can now note that it is not realistic because it's complete white. We want to remove some parts from this to give it the sense of painting in the track itself. We will do this using blend F. I'll double click into the layer and go to the underlying slider from here and remove some parts from the shadow parts from the track. Something like this, maybe press to split the cursor, and now let's make it something like this. Now, I guess this is much more realistic. That's very nice. Can then duplicate this by pressing out and dragging it and put it right here. Maybe we need to change its shape, so let's press A to bring the arrow tool and then let's change it like this. That's nice. 8. 7 Putting the man: Now it's time to bring the main character to the design. Let's bring the image this man, open it into a new project, and I will select it using the object selection tool. It's basic selection. Just press on it, and that's the nice. Let's create a mask. And we can do another thing. Cross Control J to duplicate this layer because we will need it later to take the shadow from the image. I will just convert the top image into smart object, but the bottom one, I'll not do anything. This is the background, and this is the man. That's very nice. Let's bring the two images into the design. Put it right here, and then let's put it above everything and make a group. First Control G let's name this Mt. Foss Control T, right click, flip horizontal. Let's make it smaller, something like this. P. How we can extract the shadow from this image. It's basically by turning the blending mode of this layer into multiply. But now we have the shadow, but we have other weird colors as well. We can get rid of these parts by pressing control, and then trying to manipulate the levels until we are only having the shadow. Something like this, press. Another thing we can do is b is to desaturate the color of the shadow because it has some blue colors and just press control and desaturate something like this. I guess this is better then press. I guess we need to play around with the levels again. Try to get the best results. Something like this. Press control L to bring the levels as a Very nice, there's some weird part right here. We can remove it by turning the blending mood of the layer into normal, and then we can just clone stem this part. Then change the blending mood again to multiply. That is very nice. Now, we have the man, we have its shadow, and we are good to go. Et's bring right here. That's very nice. Maybe we can bring the plus one text right here. Let's just type plus one, something like this, and the font is called proxima Nova. Change its color into white, press control T, M it smaller and let's just tweak its shape because we want it to look like it is on the ground. Let's bigger, and then press, and we can do the same effect we did into these lines using the blend if sliders. Something like this would be okay. That is very nice. Next, we will change the colors of his shirt. I don't like this red color. It doesn't look good with the color of the track. I will change it into blue. How can we do this is by simply creating a hue saturation adjustment layer, create a clipping mask. Choose this buttons, licked these reds, and then let's change its color to somehow blue desaturated color. Something like this, never mind about changing the skin color because we will mask it. It something like this, maybe we can increase the size, the reds. That's very nice. Then we can press control I, and then we can use the brush to paint over the red parts all. Next weekend, let's make everything bigger. Something like this because we want to focus on the message itself. I guess something like this. 9. 8 Light and shadow: R That's very nice. Now everything is in place. But it is completely flat. The colors are not good. The skin tones are not the best. There is no dodging and burning. The form is not the best. We will do the effects that will make the design pop, and we will start with the background. I will just create another layer, and empty one and then using the soft rounded brush, I will make it something maybe like this, and then change its blending mode into overly. Press control T, and let's bring it behind the man. Something like this, and we can change the position of this one until we are satisfied. Maybe we can make it That's very nice. Secondly, as you can already tell, there are some sharp shadows right here. The source of light is in the front top, and it's casting some shadows. These parts will be lit, will be bright, and these parts will be in shadows. We will do this using curves. Let's go to the grass part and then create a curves adjustment layer and let's make it dark like this. Maybe we can put this above the track. Well, yeah here, and then make it dark like this, and then press control I. Maybe we can create a selection around these parts and using the soft rounded brush, I will paint some shadows over these areas. Let's make it bigger. Some soft shadows like this will look nice. That's very nice, Let's create the same thing, but using another curve was brightening these parts. Create a curve, press control, then let's create a mask using the same selection and using a soft round brush, I'll just paint some lights let's paint some lights like this. This is not bad. These lights and the shadows are very extreme, so let's just decrease its opacity, let's see as before and here is 10. 9 Fixing the skin tones: After. That's very nice. The next step is to correct the skin tones. The colors of the man doesn't look good. So let's just go to the man and we can correct it using selective color. Let's create a selective color adjustment layer, create a clipping mask to the man, and selecting the reds. I will just add some, some maybe greens, which is the opposite of Magenta, and some yellows would help. Maybe we can make him. Brighter, then let's go to the yellows. Let's do the same thing, add some reds, and maybe here, some magenta and some yellows. We want basically the skin tones to be rich, to have some color. Maybe here we can decrease the brightness of a little bit. That's very nice. Zoom ad, let's see, here is before and here is after, it's now way better. 11. 10 Product dodge & burn: So the next step is to create dodging and burning to the product itself to make it pop more. If you don't know what's dodging and burning. I've explained it into another video, you will find it in in the description. But it's basically making the dark parts dar, making the bright parts brighter, to make the image look more three D. That's it. I'll do this into the watch using also the curves. Let's create curves adjustment layer. This one we will use to burn and press control I, of course, create a clipping mask, and another one to dodge it. Another one like this. Create a clipping mask, press control. Using the soft rounded brush, I will just paint over these areas. The areas that should be dark. Some parts like this, try to be subtle, don't over do it. Something like this will be k. Let's see here before burning and here's after. Let's go to the dodging part, let's make a brush bigger and Let's give a touch here per shift and give it another touch right here. Maybe we can make it smaller. One touch here, another one here. Let's fade the edges, and we can paint over this here as well. And maybe on chair. Basically, we are trying to make the image of the product pop more because it's the main focal point, something like this. Let's see here as before, here is after before and after. That's very nice, I was very flat, but now we have more depth. 12. 11 Man dodge & burn: We'll do the same thing into the main image. So let's do the same process again. I guess we can speed up the process of this part because it's actually the same thing. There is the result of burning before and after, and now let's go to the dodging. Let's do the same thing trying to give the man. That's very nice. Let's see. Here is before, Dodging and burning, it's kind of flat and here is after. Of course, when you take more time in dodging and burning and giving attention to the smallest details, you will get better results, but for the sake of this tu, we'll just keep it like this. 13. 12 light trails & some effects: That's very nice. The next step is we are going to bring these light trails and then change its blending mode into screen, and I'll put it behind everything. Let's put it behind the watch into the background part. So firstly, change its color. I'll press control U, and then it's press colorize. Let's choose some color, something like this. Maybe change, increase the saturation, k, and then press control L to remove the edges from it. Something like this would be okay. S then press control t, and now we can tweak its shape. I want it to look like it's coming out of the track, it's just something that looks good. That's it. Doesn't have some logical meaning or something. We can as well bring this overlay. I guess we have used this before to the orange juice video, I guess. Let's just put it right here, change its blending with it to screen, press control L to remove the bright parts like this, and then press control U to change its color to desaturate it. Something this will be okay. Then we can lower the opacity and then create a mask and mask everything, put some texture into this area. That's it. I don't want it to be too much. That's enough for me. The next part, we can bring some clouds, maybe using clouds overlay, but for now, I'll just use Clouds brush. You can find any Clouds brush in the internet or something like this will be k with the white color. Just a subtle touch. We can put it right here. Subtle touch and reduce its opacity. Something like this. 14. 13 Adding the text: Now let's go to the next part, which is the text, which is level up your life. Bigger. For this, I will use BBA font. It is a very good font for these bunchy tag lines, and let's make it bigger. Like this, Let's change this text, and let's make it smaller to match the same size. For this, I will use another font, maybe the same proxima one, like this font. For this, remove this old caps part. Let's make this smaller, something like this. That's very nice. Maybe we can make this regular. That's very nice. I like how it looks right now, but I think if we tweak its perspective will be better. Let's bring all the ticks to the top and then maybe we can duplicate it, right click, convert it into a smart object and hide the bottom one and press control t. Let's start tweaking its perspective to match the perspective of the watch. This will blend it into a better way with the design. Maybe something like this. I guess will be. Then make it bigger and we can then put it right here. That's awesome. I like outlooks right now. That's bad. 15. 14 Final touches & Color grading: The final step is to create color grading. So Let's start by creating a new selective color maybe. Let's start with selective color, and let's try to give it a good look. Let's increase the red into the red and maybe some greens and maybe some yellows. Let's make this brighter. Something like this, Let's go to the gen, the yellows. Let's increase also the reds. Maybe increase the greens a little bit and the yellows. Maybe we can make this a little bit darker. Let's go to the greens. Let's try to make them more sanish and brighter by removing the magenta and maybe yellowish. Let's go to the cyans and let's see, increasing the cyans. What about increasing the greens? Let's just leave it as it was, and just a touch of blue. Make it brighter. That's. Let's then go to the whites. Let's try to add maybe touch of cyan and green. Yeah, this greens looks amazing. My touch of yellow. Nice and let's make it brighter. Look at this. Let's go I guess this is good. I don't want to play a lot with colors. This is really nice. The final step is to create a glue bloom effect around the highlights. I'll do this creating a new layer, it's a blending mood and screen, and using the soft rounded brush, I'll just pick some colors. Maybe from here, decrease the flow of the brush. Then just paint some glow effect. This art, for example, it's too much. Zoom out when you create these glow effects, maybe here as well. I just pick one color and paint over this. I just maybe this is giving us a great Effect. Let's pick color from here and another glob effect. Here, some touches right here. This is too much. Try not to exaggerate this effect because we can easily exaggerate in this effect or me at least. Here as well. This is giving it some maybe the big something like this. Finally, we can reduce the opacity. One final thing is we can simply create a vignetting effect around the edges, something like this, press control I, and then ing the soft brush make the edges. Yeah. That's it. Here is the final result. Here is before and here is after. All right. If you got to this point, I want to congratulate you because you want to learn something. The next step, if you didn't already, you should apply it yourself. Don't just watch it. You need to practice it yourself. Try making the same idea with different images. Maybe. This will help you increase your skills a lot. Thank you, guys. See you in the next classes, please.