Transcripts
1. Course Description3 1: Hello, everyone, and welcome
to this wonderful course. The course is dedicated
to felleral subjects because followers are beautiful
and after each lesson, you will succeed in making a beautiful flower
or feleral subject. The aim is also to
ensure that you practice the very
basic techniques of watercolor painting
several times. Ich lesson is designed to
be less than 10 minutes or just a few minutes so that you can easily accomplish each task. Basic techniques such as
vet Ovet or vet invet or splashing techniques are repeated now and then
for several times. That's make you and
me sure that you have a solid understanding
and experience of those techniques with no
or less perior knowledge, you will succeed in doing
those beautiful paintings. Also, if you have some prior knowledge
and you want to know more about
federal subjects, or you want to make a solid basin foundation for more advanced levels of
particular painting, I strongly suggest you
to take this course. This course is part
of a series of very simple federal
painting subjects and is designed to be
a separate course, could be part of
a year course for those who are interested
in exercises. So I highly encourage you to accomplish each
course separately. And if you are interested, also, I suggest you to
take other courses. This is magic, and I've
been busy doing painting, drawing, and also giving art courses for more
than two decades. So I know what makes the students successful
in their artistic career. This way, you would be that what you are going to
learn is what you want. Each lesson is
designed carefully. That you will learn
something new or you will repeat a
very basic technique. Once again, so that
you and I will be sure that have the solid
understanding of that technique. There's no need to
care about techniques. We will repeat them several times and also I will highlight the most important tips
several times during the course so that you will
understand them very well. During past two decades, I've tried this
techniques several times, so you can be sure that without any prior knowledge or
less prior knowledge, you can do and succeed in these courses and
in these subjects. After each lesson, you will have a very beautiful painting so that you can
keep it frame it, put it on your table
or you can gift it to a friend as a present
from your heart. I hope you and I would have a very wonderful journey and quality time
with each other. Let's get started.
2. Tulips: Now that we are familiar
with different techniques, we're going to practice
them more in action. For this lesson, I am trying to combine dry wet and wet
vet with each other. I would say you would
find it amazing. For this lesson, I've
chosen a simple flower. We start from a
pale cadmium orange that is between orange and red. I start from outer part of each ti petrol inwards
towards the center. Basically, my color
is as in as T, let me say, so it is not
very ti, it's not very in. It's like a T. As you can see, I usually pay attention
to outer part of each shape and then easily die the inner part
or color the inner part. It is important to rhyme with
the form basically because it conveys the form bedfm. For the second layer, that is ton wet or wet invet. I use slightly a thicker color. This time it must be like a coffee or creamy coffee so that it doesn't
disperse too much. As you can see, once again, I rhyme with the form. Now I choose a slightly
smaller barrage for the very delicate parts. I use a number two
or number three usually for smaller parts. For this painting, I am using a number two round
brush and darker. Almost creamy color is used
for these delicate parts. It could be brown, it could be purple or black. All of them are in harmony
with the previous colors. I use brown color here. Now it's time for the stem part. I use number one or number
two run brush for this part. I mean, you have to
choose the right brush. As you can see, once again, I try to rhyme
with the forms and try not to mix colors with
each other because if I do, they mix and they
disperse into each other. Take it easy if they
mix, it's okay. As you can see, I'm
using a very dark green for the stems and
try to do it in one sto, but it doesn't matter if you
didn't do it, it's okay. Now it is time for the leaves. And as you can see, once again, I try to rhyme with the
form that's important. This time, I'm using a thinner
color with more water. It's important to prepare all
of your colors in advance. It's important to prepare all your colors in
advance for this lesson. We need three different colors, almost a t in orange color. A Ticker like coffee, red color, and also a creamy I mean, very creamy brown color. Also, we need two
other green colors. One of them must be tick
like green and dark. You can mix green with
black or green with brown or with even
red to make it dark. We try to keep it very. Don't mix extra water to
it and too water to it, and the other one
must be very pale and also green color
for the leaves. Now it's time for
some attractiveness. I use about my Tin cadmium red and also tin green color to splash some dots
here and there. It's up to you. I have
found it amazing. I found it more
attractive and more fun. I do it usually, but it is
up to you to do that or not. I think it's now finished. Everything is right perfect. You can try it in different
forms in different colors. It's a matter of
fun and creativity, so you can do it in your style. I hope you have enjoyed this wonderful painting and
see you in the next last pm.
3. Three loose wet in wet flowers: We are going to practice
different things in this lesson. For this beautiful painting, I'm going to use vt splashing, and also water
aspirating technique. I prove the paper
slightly with water a spray and then start
from the red flower. Going to keep it really
simple and benefit from economy in brush struck and it is really,
really important. I start from yellow, pure yellow color and
to follow the forms, I usually start from outer
part inward or vice versa from the center of each petal toward the outer part of it to
rhyme with the form. It is really important
to rhyme with the forms. It makes it more believable
because in fact, painting is an
illusion of reality. For the second flower, I'm using a darker red color
and for the third one. I'm going to add slightly some orange
color to my red color, so I'm using a orangeish red
color for the third one. For the leaves, also, I'm going
to follow the same rules. I start from outer part, inward or from inner part, outward and keep
it really simple. Try to have an economy in brush works and it's really
important to get used to so I'm going to ask you to do this exercise for several times several times repeated
several times. You can use a smaller brush for the stems or just use
tip of your brush. Depends on how expert you are or how familar
you are with your brush. Basically, we have done
the majority of painting, and now it is time for
splashing technique. Splashing is about, splashing
some colors here and there, and I'm going to use
the same colors I use for painting to do
the splashing technique. I splash some
orange dts here and there and some green
dts here and there. It is almost finished. You can stop here or you can go further and spray some
water on the painting. I'm spraying some pure
water onto the painting. It will cause spreading colors will flow
slightly and also you can benefit tilting your board, so that colors flow down, or you can also tilt it so that colors go toward the upper part of the upper
part of the painting, and it makes a really
beautiful effect. I hope you have
enjoyed this painting. I ask you to repeat
it for several times to get used to all the
techniques that we shared here.
4. Exotic Stylish Rose: Hello, everyone. For
today's painting. I'm going to paint a stylized, beautiful, simple
watercolor painting. The colors are very
simple two shades of red orangish red, like *** red, and also rose red. You can also call it
purple or purplish red. K. And two shades of blue. One could be prose blue or cobalt blue or
ultramarine blue, and the other one
would be a turquoise, like a mixture of
green and blue. So two shades of blue like a
mixture of violet and blue, and the other one would be a
mixture of green and blue. And the process is
really, really simple. There's no special technique. And just, The only thing that I must insist on is that prepare your colors
before starting your painting. For two days painting, I've used ecolin that
are sort of ink colors. You can use the same or prepare
your colors with any sort of watercolor like two
watercolors or tablets or pills. And the rest is simply coloring. I try to keep some white
areas between petals, but it's up to you. The only other thing that I have to mention is that it
would be great if you try to keep your brush strokes in rhyme with the
forms that you are going to paint them like forms of the petals or
forms of the leaves. I try to keep some white
areas here and there, but it is not very important. If you could save those
areas, it would be great. If you are not able, so it will be great. The matter is jing your time, the only thing that matters
is injuring your time. I try to keep my brush strokes in rhyme with the petals and with forms
that I'm going to paint them. Basically here as you can see, I paint from the outer part of each shape
towards the center, and try to keep some white
areas here and there. Our flower is almost
finished and now using a smaller brush size and a
darker color purpsh red. I'm going to paint the
inner layer of the petals. Just as you can see,
I'm trying to keep it simple and use the less possible brush
strokes for this painting. As you can see in the
background, Bars are chirping. I welcome them but
they're not here. The second layer of the
petals is almost finished. Now it's time to add extra details to the stem
and also to the leves. I change my brush, can wash your brush. I instantly changed my brush and using a number
two round brush, I the stems, the colors
are really simple, a mixture of red or megenta, with the previous blue color. As usual, I pay much more attention to outer part of each
and every shape, including the leaves and also the inhal part
of the flower. Also, I try to rhyme
my brush strokes with the form so that
could save my time, and you can trust
me that if you have enough economy in brush struck, the results would be amazing. Okay, Now it's time
to let the painting. I usually welcome the
splash technique, but it is up to you. I believe that it
will add some value to the pure white background. I hope you have enjoyed this wonderful painting and it's time to let
dry and frame it. See you in the next video. Send
5. Big stylized red rose: Hello, hello, today's painting. And so is another
stylized rose flower. In fact, two stylized flowers, and the color combination
is really simple. I've technique. And you don't need
to care too much about the technique because
just following the steps, you would understand everything. And the color combination
is basically two shades of red and two shades of green. I mean, a right red
and a dark red and also a usual green like sap green or whatever green
you have on your palette, and a darker green that would be a mixture of black
and your green. As the flowers are too big, one of them is really huge. For today's painting,
I am going to use a half inch flat brush, or you can use a white size like big size number 11 or number ten round brush
to make it much easier. The only thing that you need to pay attention to it is that your brush size be in rhyme with the size of the shape that you are going to
paint it or color it. The first layer would be
really really simple and just just feeling the shapes
would be more than enough. Just try to keep the
layers yet wet so that the colors blend naturally
and there wouldn't be any boundary or
visible boundary. While this layer is silt, I would add extra de. Now it's time to rapidly
paint the second floor. The only thing that you
need to pay attention is that you have to pay attention to outer
part of the shapes. I do it very quickly
because of the experience. For you, it may take
slightly more time, but it would be really simple. For the second flower, I use a smaller like
number four flat brush. While the basic or the
first layer is silvet, and using a smaller
brush size like number four or number
five flat brush. We can also use the round brush. I color some other petals so that it makes an illusion
of forms or depth. Basically, I'm using
the darker color or darker layer to add extra
details to our flower. The only thing that you have
to pay attention to it, as I already mentioned
is that you have to rind your brush strokes
with the underneath forms, and Here those forms
are the petals. And that is really
important like a key to have a
believable painting. Sometimes I use slightly, slightly brighter colors here and there to make variations, and this is only mixing extra pigments with your previous or prepared
wash. That's it. We've done all we needed
to do with the clovers. A. Now it's time to
paint the leaves. I use number four flat brush
and simply color the leaves. For the in part, I simply
just feel the shape. For the details, you can choose a number two or number
three round brush, or if you have gained
enough experience, you can use the small size
or medium size flat brush. It's all about you, your choice, and
your experience. While I'm painting, they leaves, I choose darker or lighter green colors to make variations
and make it more attractive. That's it for this painting. I hope you have enjoyed it. I believe that it's
finished by the way. As I am doing, you can do the same and add background to your painting
to paint this background. You need a tinge of red or green or just
a tinge of black, and the rest would be water. And as usual, I enjoy
splashing colors. So I dip my brush into
the wash that I've prepared and splash those
colors onto my paper. Just remove the tapes and let
it dry and just frame it. I believe that you
have enjoyed as much as I enjoyed
from this painting. See you in the next video.
6. Orange flower: Today's painting also is
really simple and amazing. The palette is the limited. We are going to use
just a few colors. You can also finish it
using only two colors. I mean just yellow and
red, and that's all. Or you can also add
green to your palette. Basically, we're going to use technique and also a
splashing technique. We usually use the same
techniques over and over. The colors are simple
like normal yellow, normal red, and if
you are interested, you can also use green. I start from the outer
part of the shapes. Towards the center. I already colored the inner
part of the flaver, and it is totally lid
and to save the time. When I paint just a
portion of the falver, and it is still. I use a smaller brush and pick some red color and mix
the colors. On the paper. It is called wet in wet and as the colors are not too watery, the result is almost
controlled and the red color will
not spread that much. If you use colored inks, and then they are
called also ecolin. If you use echin or watery
wash or watery color. Then when you use
vet in technique, the colors mix with each other and spread
into each other. But if you are going to use less watery colors
or like colors, even if you use the
vetting technique, the colors won't spread
that much into each other. For this painting, I am using a normal not too much battery, not too much dry color. For the base layer. I mean for the yellow layer, and then using a smaller brush, I add some red color to the
outer part of each petal. They mix, but not that much. For the meddle part, also I'm going to use the same techniques
and same process. I add base yellow layer and for the first half, and for the second half. I'm going to use red color. They will mix naturally. I mean, when you are
using the same brush over brush over the base layer, they will mix naturally. As you see, I'm going to use a smaller brush
for the inner part. It is number two bruh, number two round brush. And with a slightly darker, less watery red color, I am going to add some
extra fine details to the center of the flower. In my opinion, it
is almost finished. You can splash some
drops here and there, or you can leave it as it was. This is my taste. I think that adding
some points here and there will add to your
paintings visual interest, and it's at Yes. I think that in this
stage, it is finished. But you can also
spray some water on the drops that we already
splashed here and there, or you can leave it as it was. I think this is finished, but it's a matter of taste. You can add a stem and also
leaves to this flower. You can add leaves with
the same red color, same yellow color,
or as I am gen, you can use green color. It makes it like natural
colors and nature colors. But if you use brown
orange or red, it would be more abstract. But because the
colors are adjacent, Also, it would be
also interesting. It's a matter of taste. You can repeat the same painting for several times with different
combination of colors. It is all about experiencing and learning
from each experience. I usually welcome the incidents and water color is
all about incidents. Sometimes you control
the incidents, sometimes you yell and
let's see what happens. I'm going to paint
and add leaves and the base layer is dried off. You can do the drawing, or if you feel you're
confident enough, you can do it while
it is still wet. It's up to you, I am
going to paint the leaves very stylish and very simple and using a number
two round brush, that is good for adding details. I am going to add the
stems and also the leaves. As the base layer is slightly
and has some dampness. The color the green color will mix slightly
to the bin layer, and the borders of the leaves are slightly blared and
I like this effect. If you dry off your brush
and then using that bruh. Touch the paper while the
colors are yet watery and we t, you can pick the
colors from the paper. I'm going to use this technique, and I think that our
painting is finished. Now it's time to let it
dry off and frame it. I hope you have enjoyed
this painting as well.
7. Colorful cloves: For today's painting, I'm
going to use only one color, but with different thickness. As you know, when the colors are prepared and pre
mixed with water, we call them wash, so we are going to use two different of the same red color. One of them has more water. The other one has less water. There's less water and th. And the technique is wet in wet, and you will see that
when we are using a ticker color on the wet paper, the dispersion is limited and just the borders are
somehow blurred. So I pre the paper
with a large brush. And simply start coloring. The only tip that I have to
share here is prevent rubbing the paper because the texture
of the paper will change, and you will feel like there are some
spots here and there, and the texture of the paper will define the quality
of the final result. Prevent other rubbing. Slightly the paper. And then add some colors to the lower part of the
painting and once again, mix this layer with a large
brush size or just slightly tilt your board so that the colors mix
with the background. Now it's time to
add the details. I use a small number two or number two run rush
usually for the details. The only thing that I
have to share here is that your brush strucks must rhyme with the form of the petals and the
flowers or stems. It's very important and crucial. Keep it simple, but try to rhyme the brush strucks with
the form of the petals. So basically, we're
trying to test or do different tests on the technique so that you can master
it because it is really, really intuitive, and
the result is amazing. You will find it very beautiful technique
for almost any painting. At least for the feral subjects,
it's really beautiful. As you can see, while our paper is slightly
going to be dried, while the colors that I'm
using is slightly thicker. The dispersion is much less, and the only thing that
would be blurry is the outer part of the
shapes, and nothing else. You can call it
somehow controlled way of vettim technique. H I usually welcome
the splash technique. Here is no exception. I try to keep it simple
as much as possible. It is called also
economy of brush stroke. A painting is finished, so it's time to let it
dry and the frame it. I hope you have
enjoyed this wonderful p. See you on the next lesson.
8. Loose wet in wet blossoms: Hello everyone. Today's
painting also is another beautiful loose
in watercolor painting. I've chosen a very simple
yet attractive subject, and the color
combination is also really simple including
only two colors, pure red and pure black. Also we try splashing
on surface. We try to understand
the the wash is very watery or creamy. What would be the
result or difference. To a start, I use a big
brush to damp the paper. Now it's time to splash a few drops of red
color here and there, and then we simply can
tilt or just blow on the paper or tilt
the paper so that the colors mix to each other
and also mix with the water. Now we have a background. You can add more
splashes here and there, and now it's time
to start coloring the blossoms slowly and also
using a thicker red paint. As the color is thicker
and has less water, the disperse is less compared
to the previous layer. And now it is time
to add a tinge of black to the previous
layer so that they blend to each other and so
it's time to paint the stroke. Now, as my palette
is slightly tilted, the colors will move very slowly towards the basically
because of the gravity. Now it's time to add
more extra details. I use a finer number two number. You can use a number
two or number three or even number one run brush for
small details like stems, and I use pure black. This is the result after drawing and I would say that this is really,
really beautiful. As you can see, the result is unpredictable and
very intuitive. Yet the drawing is visible
and this defines the shapes. This combination of
very detailed drawing and also very loose
painting is really, really amazing and attractive. I hope you have enjoyed this
wonderful painting as I did.
9. Yellow flower: D. Hello, everyone. This is another day and we're going to do another
beautiful painting. For today's painting, I've a really beautiful and
simple yellow flower, sort of stylized, and the techniques are
very simple including on p and also we on. They're really
simple and you don't need to care about techniques. As I usually repeat the techniques in each
and every lesson. You can also simply just follow the steps and don't care
about the techniques. The coloring is really
simple, including yellow, orange, red, and a mixture of green and blue that
makes a darker green. Let's get started. For two day's lesson, I'm going to use a
small round number two or number three brush. And the coloring is
really really simple. I start from the middle
or center of the flower, and the color is
basically orange and when I paint the center of the flower and when
it is yet and still, I add some darker parts
using a darker red color. As the First layer is still
we t, they blend naturally. You can put it dry, or as I do, you can start other part
of the flower so that the center first flower
gets completely dry. So I continue
painting and coloring the inner part of
the other flower that could be considered
as a blossom. As my brush is small, I can paint the
details carefully. Also when it is s, I add some darker colors to emphasize on the
center of this flower. Now the first flower
is completely dry and I am able to
continue painting. I load some yellow
wash. And as you know, wash in fact, is the
colors that are pre mixed. Ah. When I say wash, I mean pre mixed
or prepared color. I load some yellow wash. It must be like coffee or milk. It mustn't be too much water
or too in or too thick, it must be like coffee or
tea, something in between. As usual, I pay much more attention to the outer part of
each and every shape, but the inner parts is easier. You can use also a bigger brush size like
I've used number four, round brush, you can
choose number four, number five or number
six round brush. For details, I use
a smaller brush, my number two brush, and add while the first
layer of the color, I mean the yellow
layer is still. I add the details
using a darker color. Here, I'm using a
orangish red color, and I just add a tinge of that darker color to the
almost center of each petal. They mix naturally because
the first layer is still wet. Also this is called wet in wet. Simply t in vet is technic. Keep continue coloring. And while the first
layer is still wet, you can add the darker brownish
or reddish orangish color to the first layer. And they naturally blend to each other because the
first layer is still wet. Now it's time to color the other blossom or
the other flower. And I would say that
it's wise to keep the first flower to be
dried completely if you think that you have not
enough confidence to control. Now it's time to let
the whole flowers be completely dry and then
start painting the leaves. And so we can do that by putting it aside for a few
minutes or using a hair dryer. As usual, I use a round brush. Here I am using a number
four round brush, and as usual, I pay more attention to outer
part of the leaves shape. And the inner part is simply just coloring
or feeling the shape. Also with the same brush, or you can also choose
a smaller size brush. I draw the stem and add more details to
the second flower. Using the same mixture, that is a mixture
of green and blue. You can choose a usual green
and add some darker blue like purse blue or ultramarine to make
this dark bluish green. I paint the second leaf. As usual, I pay much more attention to
outer part of the forms. For the inner parts, I just try to feel the shape. This is my way and
I suggest you to do the coloring in the same way. Our painting is almost finished. But I personally
am interested in splashing and splashing
is really simple. Splash technique
is fairly simple. You just need to dip your brush into the ash that is
prepared and just sp the colors on your paper
by hitting the bruh on your hand or some other brushes that it for this painting. I would say that this
is almost finished. I hope you have enjoyed
this beautiful painting. Now it is time to frame
it and, congratulation.
Painting Yeganegi, Art is joyful!
