🍰 Oil Pastel Mini Cakes — 21 Delicious Projects Under 15 Minutes

1. Welcome and Introduction : Hi, everyone. Welcome to my new class Oil Pistel Mini Cakes. In this class, you will learn to paint 21 delicious projects and 15 minutes. We have chocolate leased mini cake, cherry chocolate dough, mini macha bites, golden custard treats, watermelon slice cake, pomegranate pistasio laid cake, Blue maker on stack, cherry drizzle caramel cake, Kiwi Macha mini cake. Blueberry lavender slice, cherry chocolate slice, mint chocolate cake, blue and green layered cake, cherry disel delight, strawberry delight cake, Berry cream, mini cake, Golden Berry bliss cake, golden garden Delight, sunset raspberry slice, emerald strawberry bliss, and lastly, blueberry cream bowl. Hi, everyone. I am Michelle an artist from India. I create fun bignet friendly art classes where you can learn to paint and draw using simple techniques with oil pistils, watercolor, ink, and more. These are some of the food illustration classes that are related to this one. You can check this out, and you can find my more works on YouTube and Instagram. We will start our class with Basic oil pistel in which I will show you treater and little bit of layering and color. Then we will do some basic oil pistel techniques like blending, hatching. After that, we have basic seeps for our cakes and the slices, followed by leaves and berries, outlines and sketches. We'll be coloring the leaves, berries, and watermelon slice, followed by different kind of berries. And lastly, we have some extra elements that you can use, followed by 21 projects. So join me in this class, and let's paint some beautiful and delicious oil pastel mini cakes. 2. Class Project : For your class project, you will create your very own collection of oil pistel mini cakes. You can follow along step by step as we paint 21 colorful textured and delicious mini cakes illustration. These bite size projects are designed to help you practice blending, layering, preset control, hatching, gradient, and texture techniques while having fun and exploring your creativity. Your goals for the projects would be completing at least five to ten mini cakes using the techniques learned, experimenting with different color combination and decorations to make each cake your own. Don't worry about perfection. Focus on enjoying the process and exploring your pressonal style. When you are done, upload your artwork in the project gallery so everyone can admire your delicious cretons. You can see photos of your finished mini cakes, your practice seats, preserve planning, layering, exercise, et cetera. A short note about your favorite techniques or what you enjoyed the most. So these are all the 21 mini cakes that we'll be doing. And these are the practice sites that you can also upload and share. I hope you will learn something new and exciting and have fun painting these mini cakes. I'd love to hear your thoughts on this class. Please take a moment to leave a review and share your suggestions. Your feedbacks help me improve and create even better classes. Don't worry about perfection. Just enjoy the process, play with the colors, and have fun creating your own sweet collection of mini cakes. 3. List of Supplies : For this class, you will need basic supplies, a pencil, a eraser, a Sarner, oil pastels. Oil pastel, you can use any oil pastels you have. You can use the gallery, oil pastels, cre pass, oil pastels, or any other. I'll be using this cre pass I'll be using this expressionist oil pistil, and then we have got oil pistil paper. An paper of more than 160 GSM will do the work. In here, I'll be using this Moyo galleries oil pistil paper, and then we have got this additional things that you can use. Blending stems and tips to blend the colors. Then we have got tissue paper. You can use that too. Masking tape to secure the paper. And if you are going to do a little bit of scratching, this is the scratching tool that I'll be using. So that's all you need for this class. 4. Pressure and Layering : Welcome to this section, Oil pistil basics. Let's start with the preceed control. By precised control, I mean adjusting how hard or soft you praise your oil pistel on the paper to create different effects and color intensity. Here I'm using light presser. This is. This is medium presson and in here, high presser. For the light presser, use a gentle touch to apply a soft transparent layer of the color. For medium presser in here, apply steady even strokes for more solid color coverage. And here's the heavy presser, praise firmly to create rich opaque and vibrant color. These are the three ways in which we can create different effects and color intensity just by wearing the oil piece to presion. Now, let's create a few more examples using different color. With the presser, it's always mated to start light. We can always add presser later, but it's harder to soften thick layers once it's applied. And yeah, we garden with three different kinds of preser. Now, let's do the layering and simple coloring. Layering in Pi stel is the process of melding up multiple colors on top of each other to create depth, richness, and new tones. In here, I'll be showing you three different examples of the layering, and let's start with the first one. In here, I'm starting with a light presser with this yellow, and now I'm going in with this orange medium freezer. And in here, we have created a bit of orange color in the middle. This time, the same colors, I've changed the order and applied a bit of medium presser. Finally, the third one with a heavy preser. So by wearing the preser we are getting completely different kinds of layering. Based upon this just by wearing the present and different kind of layering, we'll be creating different projects and different kinds of seeding and texture. Then now let's do a little bit of color mixing. I'll be using the three primary color, the yellow, the blue, and the red, and I'll be mixing them to create different seeds of the color. This is the red one. So I'll be mixing them by layering. Mixing yellow and blue to get green, blue and red to get purple and red and yellow to get a bit of orange color. In here, as you can see, I'm applying medium preser and the reason in which the both circles are intersecting, we have got a little bit of green colors. And if you vary the preser and do multiple layers of the coloring, you will get a bit of gradient in between these two colors. Let's do the second one. Once again, medium preserG with this red or orange color in here. And as you can see, a little bit of orange color is formed in the middle section. The last one, this orange color and the yellow, and we have got a lights orange color in the middle. If you change the order of the layering, you will get a little bit of different seeds of the color, a different seed of green, purple, and the orange. And you can use this layering and a little bit of color mixing to create a beautiful gradient. So let's create a bit of gradient in here using various seeds of the yellows and orange starting with this lighter. Here I started with a lighter seed of the yellow, and as I am progressing, I'm adding a bit darker sets. In here, adding the orange. And now let's add a bit darker tone of the orange. So here we have got a kind of rough gradient in between all these colors. In the next section, we'll be diving into color mixing and color blending and in there, we'll be creating a bit more vibrant and more beautiful color mixing. Let's create another gradient. This time using greens. Here I've started with the lighter side of the green, and as I progress, I'll be making it a bit more darker and darker. Now going with a darker sad of this green, let's add another sad. So in here, I'm going with the olive. By gradient cretion, I mean creating a smooth, gradual transition from one color or one seed to another. In allil pistols. It is used to blend color seamlessly, for example, fading from dark chocolate brown to light pink on a small miniake or or in this case, from lighter side of blue to darker side of the blue that we can use for the upper section or to create a bit of sadose and a bit of lightning for some of the mini cakes. And with these, we are done with this section. I'll see you in the next one. 5. Oil Pastels Basics : Welcome to this section in here. I'll be showing you some of the basic all pastel techniques that we'll be using in our main project. The first one is blending. So by blending, I mean mixing two colors. This is how we are going to mix the color for our main project. In here, I decided to mix these two colors, the orange and the yellow. The first layer was the yellow, the second one, the orange, and then to blend it, I'm using the lighter sad of the color to do the blending. So we have got a beautiful gradient in between these two colors, the orange from yellow to orange. Let's do a few more. Once again, here I'm using yellow and the orange for all the oil pistol blending. I'll be primarily using or applying heavy pistil to do the blending. I'll be using the lighter side of the color to do the blending. So what I mean to say that using the lighter set and then a bit darker set. And then once again going back with a lighter set to apply a bit of heavy prison and do the blending or mixing of the color, instead of that, you can also use a bit of white to do the blending. Then we have also got the blending tools, the Q tip, the blending stem, and tissue paper, or you can also use cotton. You can also blend with your finger. And with this, we are done with our four demonstration of color mixing or blending. Now let's create a somewhat more smooth blending for the colors. Smooth blending comes out best if you're applying heavy presser here. As you can see, I use this yellow and use medium presser to create this one. And now let's create a smooth and uniform consistency for that. And in here, as you can see, I use this Tip to blend the color to get a smooth consistency. Now let's do the same for the yellow and the orange. Starting with the yellow for this side and let's do the orange on the other side, a little bit of blending of the colors in the middle. And now, applying heavy pressure with this Q tip to blend these two colors together to get a smooth and uniform consistency of the color, as well as a beautiful gradient in the middle. If you want to get this kind of uniform texture or consistency, you can proceed with this. Now let's do the same instead this time, instead of the red. And instead of the orange and the yellow, in here, I'm using orange and the red. Now let's do the blending, applying heavy prezzer with this Q tip to do the blending. You can use your finger to do the blending. You have got tissue paper, you can use blending stump. You can use cotton or you can also use cloth and apply heavy presser to get this kind of smooth blending. Let's do one more, a bit of three colors this time. Instead of two colors in here, I'm using three colors, lighter side of the blue, bit darker one and this one the black. Now let's do the blending. In here, the consistency of the color was a bit more different. So that's why in here, I was not able to get a smooth blending. So you another kind of smooth blending that you can get by using the tissue paper. So in here, I'm using this lighter side of the pink. Applying medium presser to create this one. And now let's fold our tissue paper like this and apply heavy presser with it to get smooth and uniform consistency of the pink. Mostly I so blending or mixing of color using heavy presser, but for our main project, I'll also be using a bit of medium presser and a bit of light presser and do the blending. Let's do one more in here. I'll be using three colors, starting with the pink, and I'm applying a medium presser. And now it's going with a bit darker set. So I'm going with this darker side of the red, applying a little bit of red on top of the pink that we just added. And after this, I'll be going with another darker seed, and I'll be using brown food that. If you want, you can create a large gradient, starting with white and ending with the black. So starting with the white, a bit of yellow, then a bit of red, orange, brown, bit of blue and green, that will be something that is something you can try. And now let's do the blending of the colors using the same tissue paper. Applying bit of medium presser in here. So if you apply medium presser, you will get this kind of non uniform blending, so you'll have to apply heavy presser in here. You can also do the same thing a little bit of blending or mixing the color for the outlines. I'll be using this also. So to create a bit of different kind of outline for some of the sections of the pudding cakes or slices, let's do one more. So using this turquoise green and the green to do the blending of theticul and this time, instead of using the Qtip, I'm using the blending stem since with the blending stem, you'll get more preceason and accuracy. And now let's do the blurring effect. I'll be sewing it two different colors and create the blurring effect. For this, I'll be using my finger. You can do the same thing with the tissue paper too, applying heavy pressure with it to blend it with the rest of the paper. The mid center region will be a bit darker as we move away from it, it will become a bit lighter and finally mixing with the background color. Here's another example with this red one. So this effect is called blurring effect. And if you want, you can use it in some of the project, but I won't be using that. Now let's do the outlining. So using a bit darker side of the color to outline a bit lighter side of the color. This is outlining, and for some of them, the cherries blueberries will be doing the outlining. You can do the outlining in the beginning or you can do the outlining at last. I'll using both outlining in the beginning and sometimes outlining at the later stages. And now here we have got overlaying, so adding darker side of the color on top of the lighter side to add details or add more definition to it. Primarily, I'll be using this for the leaves. On top of the lighter side of the leaves, I'll be going darker side of the green to add the mid drips in the wins and do a bit of outlining. Also, I'll be using it for adding more details or highlights for the berries. Next, here we have got hatching, simple straight parallel lines in particular direction and a bit more details to the hatching. We have got cross hatching. I'll be using hatching and the cross hatching to create a little bit of seeds for some of the projects. Here we have got a stippling, small dots. Dabbling a bit of larger stippling, or you can say a bit larger strokes. So this is dabbling. Primarily, I'll be using this stippling or dabbling for the strawberries, blueberries or other kind of berries or extra elements or details that we'll be using for our projects. Next, we here I've got scratching. I'm applying heavy pressure with this green to do the scratching. Scratching is a technique where you scrap the top layer of oil pastel to reveal the color underneath. In here, I'm not using two layers of the color, but I'm just showing you scratching using this scratching tool that I have got. Instead of this, you can use any other sat tool. So these were some of the basic techniques that you can use for your pistol paintings. The first one was the hatching that involves creating seeding and texture using series of parallel lines drawn closer together. Then we had the cross hatching, which is a variation of hatching where you draw overlapping sets of parallel lines at different angles to build up texture and value. Then we had this stippling, which is a sading technique created by making small tiny dots or tiny marks with the tip of the oil pistel to build up texture or depth and tone. In here, we have got dabbling, a painting technique where you tap or praise the pistol gently onto the paper to apply broken patches of color and texture. Here, the strokes is quite larger as compared to the stippling. And the last one was the scratching. And now, let me show you how creating the shadows and the highlights for our subject in the mean project. So we have got the spherical ball. Considering that the light is falling from the left side, the highlights will be on the left side as well as a little bit on the lower right side. So going with the white to add the highlights, applying heavy pressure with the white for the upper section and a little bit for the lower one. The upper highlight will be a bit larger and the lower one will be a bit smaller. And I added a little bit of sados on the other side, on the right side. And as to create a bit of darker region, you'll have to add a bit darker side of the color in here, a bit of darker side of the brown on the lower right side, which I did not do, but for our mon project, but for our main project, I'll be doing that. And with these, we are done with this section. I'll see you in the next one. 6. Basic Shapes: Welcome to this section in here, I'll be showing you different kind of saves that we'll be using for our main project five to six different saves for our mini cakes. I'll be starting with the basic pencil sketches, and then I'll be going with the wallpint paint to do the outlining and add a little bit of more details to it. You can use this kind of intersecting lines to use as the reference or the guidelines to create the mini cakes. Using the horizontal lines to determine the width of the eke and vertical lines to determine the length of the eke, as well as the intersecting lines. The middle portion will also help you to determine the length You can also use this kind of bit of slanted intersecting lines to create the outline for our mini cakes. So using this as the reference line from the center to determine the length of the cake and just extending the sides to create the remaining section of our mini cake. Let's do another example of this intersecting lines. This time it's slanted a little bit towards the right, encircling this to create the upper part of the cake and using the sides of this intersecting line to determine the length for this cake. For this mini cake, I decided to remove one section or one slice from it. So this is somewhat very simple. Divide the upper part of the cake into different section, and for the section in which you don't want to add the slice, you will have to draw this kind of somewhat of triangular see for the best and for the upper part to represent that sexon is missing or that slice has been taken off. Let's do a few more examples of different kind of mini cakes. In here, I decided to create somewhat of a rectangular C for our mini ****. Once again, here I'm using intersecting lines. This time, it's somewhat of rectangular C. Let's determine the length for this one. Now let's add the Bs for it. In here, we have got a single slice of the king. For the upper part, we have got somewhat of triangular C, and for the remaining section, we have got somewhat of rectangular C for the front and a little bit of curve rectangular C for the side. Standing with a triangular C for the top and this kind of rectangular C for the front. Let's do one more. So adding one more beside it, facing in the same direction, triangular C for the top, somewhat of curved triangular C for the top. Rectangular C for the front side, other side, in this case is not visible. With these we are done with the basic pencil skies for different kind of sees for the mini cakes. Let's make the outlines a little bit more clear and more crisper using this ballpoint pane I'll be adding two or three layers for the mini cakes. I'll be adding various elements on top of it, cherries, berries, leaves, sauces, drizzles, frosting, and other elements. So in here, I've increased the speed, and yeah, let's do the outlining for the remaining cakes. This kind of cake seems a little bit challenging, but it's quite easy to do. Here we have got the rectangular mini cake. Single slice of the cake. For the other side in here, a bit of curved rectangular seep. A set of two slices in here, triangular see for the top and rectangular sep for the side. And with these we are done with the outlining. Let's erase the pencil sketch. If you want to make adjustment and layers or if you want to create any other kinds of minikes feel free to do that. Let's divide the minikes into different layers, two, three, or four or as many layers as you want. For some of the ekes, I'll be creating shadows. For others, I'll be creating pieces, and for some of them, I won't be creating anything. If you want to add plate, spoons, you can do that. Or if you have any other ideas, feel free to say it in the discussion section. Let's add layers for this one. For our main project, I won't be using the ballpoint paint to do the outlining. If you want, you can use the colored pencil to make the outlines a bit more clear and more crisper. Or you can apply heavy presser with the oil pastels to make the outlines a bit more crisper and a bit more bolder. And with these we add with a very basic saves for our mini cake. I'll see you in the next one. 7. Pencil Sketching : Welcome to this section. This is an additional section. And here, I'll be showing you a different kind of leaves that you can create. Apart from that, I'll also be showing you the outlines and the sketches for baries, strawberries, watermelon, slices and black barries. Since our projects are going to be small, we'll be creating bit smaller versions of the leaf, but here are some of the different ways or different kind of leaves that you can create. Normally, I'll be using the very simple kind of leaf, the first one and the third one. Sometimes instead of a single leaves, I'll be adding two or three leaves. Let's create a few more leaves. As for the coloring of the greens, I'll be using different seeds of the green, primarily a lighter seed and a bit darker seed. I'll be starting with the lighter seeds of the green as the primary layer, and then on top of it, I'll be going with the darker side of the green to do the outlining, add the mid ribs and the beans, as well as the stems. And sometime I'll start with the darker side of the green to do the outlining and the mid ribs and distens and then go in with the lighter side of the green, completely feel the sides of the leave and blend a little bit of the lighter side of the green with the outline darker side of the green. And then once again, going back with the darker side of the green to redefine the outlines, at the mid ribs and the veins. And after that, I'll be going in with the white to add the highlights for the leaves also, make the details, the mid ribs and the veins a little bit more clear and more distinct. In these two weeks, I'll be doing the leaves. These are the different kinds of leave that you can use as additional aliment beside your cake, hot puddings, or slices of the cake. And we have got cherries here, very simple circular saves for the cherries. Apart from the cherries, I'll also be using blackberries, blueberries, strawberries, rasp berries, and then we have. And then we have slices of the watermelon, kiwi slices. And if you want to add any other kind of fruit or any other extra aliment, you can do that. We also have an additional section in which I'll be showing you different kind of jams or sauces that you can add on top or beside the cakes and the slices, how you can create almonds pistachio, and a few more element that you can add for your projects. So this is a very simplified triangular sat for the slices of the watermelon. Now let's make it a bit folder. So I'm going with this ballpoint paint to make the outlines a bit more leer and more crisper. And I'll be adding a bit more details like adding the mid ribs and the veins. Adding the ribs and the veins and making the leaves a little bit more jagged, adding the seeds for the watermelon slices and adding few more details to blueberries and the blackberries. In here, I've increased the speed. For our projects, I won't be doing the outlining with the pin. If you want, you can go in with the colored pencil to do the outlining, but mostly, I'll be using the dark cut seeds of the oil pastel to do the outlining. I'll be using this kind of leaves and the stem forward of the project. I won't be using this kind of leaves. But if you want, you can add this as an additional element for any of the project. Adding small tiny leaves. As you can see, I'm not strictly following the outline that I created with the pencil sketch, and I'll be doing the same for our main project, too. I won't be following the strict guidelines that I created with a pencil sketch. Feel free to make changes and adjustments as you see fit. And here's another kind of leaf that I won't be using at all. After this, we'll be doing the outlining for the cherries, the strawberries. We'll have two strawberries. I am not creating the pencil eskech for the leaves of the strawberries, but in here, I'll be using this small pint paint to create the leaves. Let's add the stems for the cherry, adding the stem for the second one. Now, let's do the strawberry in here, I'll be adding leaves on top of it, as well as a small stem. In here, we have got a cross section of the strawberry. I'll be using this kind of image as a reference to add color for the cross section of the strawberry. Let's do the blueberry in here. And lastly, watermelon slice. If you want to add any other additional element, you to do that. Ana we are almost done with outlining. After this, I'll be adding a little bit of more details in the form of midrib and the veins. Now, let's add the mid ribs and the veins. The mid rib is the poison that divides leaves into two different halves or two different section. And the veins and the veins are the lines that comes out from the mid rib. Primarily, I'll be adding four to five veins on each side. Let's add the vein for this one. Now, let's increase the speed a little bit. In other section, I'll be showing you how we'll be adding the color for the leaves, the stems, the blueberries, the strawberries, the cherries, and the watermelon slices. Let's erase the pencil marks, and we will be done with this section. If you want to make adjustment, feel free to do that. And with these, we are done with this section, leaves and the fruits. I'll see you in the next one. 8. Coloring for Leaves: Welcome to this section. In here, we'll be sketching more leaves and coloring them. I'll also be showing you how you can create green berries, cherries and lastly, a big slice of the watermelon. Let's start with the basic sketches for our leaves. So this is somewhat similar to the one we practice in our last do. I'll be sewing in two different kinds of leaves, and then I'll be coloring it. The coloring will be a little bit different. I'll also be using some tools to color it. But in our main project, I won't be using that. So this is just to show you how you can create other kinds of leaves if you are going to use tools or if you want to experiment a little bit further. Let's make this leave a little bit went. If you want to practice more, you can draw a few more leaves. Now let's move on to creating the outlines for our greenberries in cherries. In here, I'll be sawing you two different kinds of two different colour combinations of the greenberries, and three different colour combinations for the cherries. Here for all the marries, the watermelon slices and the leaves, I won't be adding that much details to it. I'll be keeping it a bit simpler. For our main project, I'll be using different kinds of color combinations as well as it will differ a little bit from this demonstration videos. Let's do the sketching for our last one, the Watermelon slice. We don't have any watermelon slice in any of our project, but we do have one of the mini cake themed after watermelon slice. And apart from that, you can also add few watermelon slices beside that or beside any other of the different projects that we have. And, we are done with physic outlining. If you want to add few more details, you can do that. Adding the stems for the cherries and small tiny leave. I'll be adding another cherry later on. But for now, let's do the outlining for all this. In here, I'm using this ballpoint paint to do the outlining for our main project. As I mentioned earlier, we won't be doing that. Also in here, I increase the speed of the menu. As we don't need to do the outlining for our product. We'll be primarily using the oil pistol to do the outline, but if you want to add a little bit more details to it, you can use colored pencil. Doing the outlining with the ballpoint paint won't work in our main project, since most of the seeds so the mini cakes that lb using will be of lighter sad. But if you are going to use a bit darker sets of the oil pistol, you can proceed with doing the outlines. In here, as I mentioned, Alvid showing you three cherries, so let's add another one. We hand this two. And finally, doing the outline for this large slice of watermelon. If you want, you can add few more elements, and now, let's do the coloring. In here, I'm starting with a lighter side of the green and primarily adding it near the midrib. So mid rib is the line that divides the leaves into two different section or do different parts, adding it alongside the mid ribs. Primarily, I'll be using two or three different shades of the green to do the coloring, mostly. Only two sads a bit darker and a bit lighter one. And as you can see, in here, I'm adding a bit darker side of the green. Going over the mid ribs, as well as adding it on the outlines of the leaves. And then I'll be blending it. You can use the blending tools to do the blending or you can just use the lighter set of the green to do the overlaying and then do the blending, or you can leave it as it is. So the choice is here. And in here, as I mentioned, this will be a little bit different. So I'm going with the Q tip to do the blending. In here, I'm doing a little bit of rough blending as I am trying to get a little bit of textured leaf. So as you can see, I'm not completely blending all the colors, but if you want, you can apply a bit more pressure with the QTip or any other tools that you are using to blend and do a complete blending of the colors. And let's do the coloring for the stems. As I mentioned, if you're going to use darker side of the color, then you can do the outlining with a queen if it makes your project a bit more easier. As you can see, I'm going over the outlines of the mid drops as well as adding the veins coming out of it. But for our main project, we'll be adding a bit more contrasting tones so that the mid drops in the veins will be clearly visible. Let's move on to the second one. Once again, I'll be doing somewhat of same thing that I did for the first one. Here I'm starting with this lighter set. Instead of this, you can also start with the darker side, doing the outlines, going over the mid ribs and the veins, and then going in with the lighter set to do a blending, blending the lighter set with the mid ribs and the outline darker sets of the greens. Primarily, I'll be using that kind of blending for our leaves in the project. But in here, as I mentioned, I'll be showing you a different kind of techniques for the leaves. And instead of using the darker green here, I'm using olive to do the outline to create this kind of gigant es for this leaf. As I mentioned, for our main project, we'll be using a bit more contrasting tones of the green. So that's why nourl with a darker tone is a bit easier and it's more clearly visible. We are done with the second one. If you want, you can do a little bit of blending. I was not satisfied with the first one, so I'm going back once again to add the mid drops in the means again, since it was not that visible in here, I'm using a bit more darker tone of the green. If you want to add more detailings to it, you can do that. Now let's do the coloring for the green berry. Here, too, I'll be using two different shades of the green to create that. In here, I'm starting with this mutrtne of the green for the outlines and a little bit for the insides. Now, let's go in with the peel yellow and feel the entire section with it. Here I'm applying a bit more presser with it to blend it with the insides, blending it completely with the outlines. And here, as you can see, I'm moving the all pistal and circular motin to get a better blending of the color. And this is just a very simple way in which you can create the green berries. For a one mint project, we'll be making it a bit more detailed. Now let's do the second one. Let's do the outlining with this darker tone of the green. And now for the lower section, I'm adding a little bit more going with this lighter section of the green. Here the contrast in between that two colors not that different. So it's blended beautifully. Adding the colours for the leaves. The leaves in here are not that detailed. Let's go over the stems and add a little bit of coloring for the leaves too. I'm adding it on the sides. If you want to do a little bit of blending, you can do that. Blending it a little bit with the lighter side of the green. Yeah, let's blend it a little bit more for the intersection. Let's create the leaves for the second one using the same combinations of the color that we used for the green bearing. Going over the outlines for this one. And now let's feel the inside with this lighter side of the green. So you will have eight to ten seeds of the green, feel free to use any combinations of the green, a bit lighter, a bit darker seed, and a mid tone. If you're going to use three or if you're going to only use two, you just use a lighter and darker side, adding the shadows for it. Let's create a bit darker shadow in here. And here, we are done with this. If you want to add a little bit more detailing to the shadows, you can add a little bit of greens to it. Let's do the cherries. So I'll be showing three different kind of coloring for the cherries for this first one. Here, as you can see, I have started with a yellow. This will be the lightest of all the cherries. The second will be a bit darker, and the third will be the darkest, overlying a bit of orange on top of it and surrounding it. Now going with the red, and let's cover the rest of the section with this. Surrounding the stem with this red. And if you want, you can go back with a bit of orange or yellow to do a little bit of blending. Like in here, I'm doing. Later on, I'll be adding a bit of highlights with the white. For now, let's blend the colors. And yeah, we are done with the lightest shade of the searing. Let's do a bit darker. Instead of the yellow, I use the orange as a first coloring. Now using the red and blending it with the orange, filling some other region with it. Now, I'll be going with a brown. If you have a bit darker side of the red, you can do that. But in here, I decided, why not let's use a bit of brown. So it will make the cherries a bit more interesting. And now, once again, going back with this red to blend it with the rest of the heri. And as you can see, I did not cover the entire lower section with the brown. If you want, you can do that. And with this we add with our chicken cherry, let's do the third one. For the third one, I'll be making it a bit more darker. Let's start with the brown. Adding the brown near the two cherries. So load exon completely with this darker side of the brown. Instead of the brown, I'll be using the red, a darker side of the red to blend it. Applying heavy present with this darker side of the red to blend it with a brown. Here we are doing a complete blending of the colors. And now for the upper section, I'll be using a bit lighter sad. In here, I'm going with this orange sd of the red. Let's do another layer of blending for the upper layer and a little bit for the lower one. And, we are done with three berries, three cherries. Let's add the coloring for the stems. In here, I'm just using this here, I'm just using chart to do the stems. In our main projects, I'll be using shades of green to create the leaves and the stems. Now let's create the shadows for it. So I'll be creating two individual shadows. The first one is with the slight seating surrounding the base of chars with this lighter side of the green. And now let's do a little bit of blending. If you want to create a bit more defined shadows, you can also add a little bit of red for the lower regions. And we are done with the cherie. I'll be adding a bit more details later on. For now, let's move on to the Watermelon slice. In here, I've started with orange, creating long streaks following the contour or the seep of this watermelon slice, and now going with another sid. In here, I'm using a bit darker side of the red, applying it on top of the orange for the upper and the lower sections. This is just a rough demonstration for the watermelon slice. For our project we'll be going in with the smooth blending. In here, I'm just roughly creating this. In here, I'm using the extended oil pistol to blend these two colors. So applying heavy passer with this extended to blend these two colors together to get a somewhat smoother blending. If you don't have this extender, you can use a lighter side of the pale yellow or even use a little bit of white to do the blending. Let's add a little bit more of this extender color for the lower section. Instead of this color combination of the oranges and the red, you can use any other two different sets of the reds or oranges to create the coloring for our watermelon slice. Let's do the remaining section, going in with the lighter side of the green, adding it just below it, and now I'll be going in with extended to blend it with the remaining section, the upper part. So applying a bit of medium preset to blend it. And now let's add the darker side. So going in with a bit darker side of the green, adding it just below the lighter side of the green, and doing a little bit of blending in between these two colors, the lighter and darker green. Extending this darker side of the green for the lower region or the base of this watermelon slice. Finally, going with the darker region of another darker side of the green a bit more darker and filling it for some of the empty spaces for the base. Finally, let's do the blending of all the green. In here, I'm using this QTIP to do the blending to create somewhat of a smooth coloring or gradient for the bees and the upper section. Instead of using this Q tip to do the blending, you can use the lighter side of the green, or you can use the extended to do the blending. With these, we are done with roughly coloring our watermelon slice. Now going with a bit darker side of the brown to create some semblance for the seeds. The seeds that I'm creating in here are not detailed or defined. But for our main project, I'll be using the black to create and defined for the seeds of the watermelon. Creating the sado for this watermelon slice, using the same brown to create a small sado. And now let's blend it to make it a bit more smoother. Also, as I mentioned, you can add a little bit of green to create a smooth gradient in between the main subject, the watermelon slice, and the sado. And with this, we are done with this watermelon slice. Now let's at the final detailing. So going with the white to add the highlights. You'll have to apply a bit of fraser with it to overlay on top of all these layers of the colors, small dots, small streaks to create the highlights. Let's add a lot of highlights for our watermelon slice, a little bit more detailing to the leaves. Going over the outlines of the midrib and the veins to make it a bit more detail. You can do the same thing for the outlines of the leaves. For this one, I decided to add a little bit less, and yeah, we are done with the whites. 9. Berries : Welcome to this section. And here, we'll be sketching and drawing strawberries, blueberries, blackberries, and rasperberries. Also, a cross section of a strawberry. This is going to be fun. Here, I've already started with the basic pencil outlines for the three strawberries that I'll be showing you in here. I'll be using various seds of the red and creating three different strawberries. One will be of lighter sad, the other the other the medium seed, and the last one will be of darker sad. And mostly I'll be using the stippling and dabbling. So in here, let's start with this medium one going in with the sad of the orange. I'm using this sad of the Onge as the primary layer. On top of this, I'll be going with a bit lighter sad and a bit darker sed. I'll be using the dart seeds to do the outlining and add a bit more details to it and also to create a bit of cados for the strawberries. I'm going for the rough texture for the strawberries, since this will be smaller, since this will be much smaller in our main projects. And now in here, I'm going with a bit darker side of the red, and let's do the same thing, a bit of stippling on top of this. Compared to the first layer, this is a little bit less, and apart from this, I'll be going with a bit more darker side of the red. So I primarily edit it on the lower left side and a bit for the center. And in here, I'm going with a bit darker side of the red or you can say it's somewhat brownish color. Let's define the center region for the strawberry, the middle part, and the lower regions. Using this to make the strawberries a bit more darker for the lower regions and for the outlining. So this is our first simple medium seed strawberry. Now let's create a bit lighter seed one. In here, I started with this darker side of the to do the outlining and the center part. Later on, I'll be creating two more strawberries. For that, I'll be adding the leaves on top of it. But for now, I won't be doing that. In here, I'm using the extender to create a little bit of light reason near the upper side as well as near the center. Also, adding this to make it a bit lighter for the fast strawberry that we created. So I'll be using yellow, white or a little bit of pale yellow to do the highlighting for the strawberries. Or you can also use the extender going with a bit lighter sad. Instead of using the red in here, I'm going with orange. You'll have to apply a bit of preset to overlay it on top of the extender or any other colour. Anya, we are done with this second one, adding a little bit of more orange to it. So this is our lighter seat of the strawberry. The final one, the third one with a bit darker set in here. So let's start with the outlining in here instead of using the red, I decided to go with a brown or maroon. So let's do the outlining for it, and then we'll be adding the colors for the insides. The strawberries in here are not that detailed or defined. If you want to create more detailed or defined strawberries, you can check my other class in which I created very detailed and very beautiful strawberries. You can check out the demonstration video for the strawberries in that class. For now, let's continue with the simpler version of the strawberries. Adding this darker side of the red for the lower regions. The region where the light is falling, I'll be keeping it a bit lighter and for the other side, I'll be trying to make it a bit more darker. Primarily, I'll be using two or three sets of the red. Apart from that, I'll also be using yellow or orange depending upon the kind of strawberry I'm going to great. If it's a bit lighter, then I'll be going with the oranges and yellows. For a bit darker ones, I'll be going with the reds and the browns. With these, we are done with our three strawberries. These are very simple ones. I did not create a detailed one since we'll be creating much smaller strawberries for our main projects. In here, I've already started with a basic seed for our blueberries. I'll be showing you three blue berries of different seeds of the colors. So let's start with the first one. In here, I'll be using the seds of lose bit of darker set and a bit lighter one using this darker side of the blue to do the outlining and central part of it, adding a little bit on the right side. This region will be a bit darker. That's why I used this in here. Now I'm going with this lighter side of the blue and once again, doing the step filling most of the insides of this blueberry with this lighter blue, and now I'm going in with this extender to blend these two colors a little bit. Instead of this extender, you can also use a little bit of gray or white to create a little bit of highlights for our blueberry in here. And with this, we are done with a lighter variation of our blue berry. For the second one, I decided to make it a bit darker one. So in here, I've started with black. Using this black to do the outlining, as well as adding a little bit for the insides, now going with a bit darker side of the blue to feel most of the regions inside this blue berry. Also, I'm overlaying this on top of the black, and finally going with a bit lighter side of the blue and overlaying this and overlaying this on top of both the colors and doing a partial blending of the color for this darker sd of blueberry in here. Now let's create our third one. For this, I decided to use purples going with this darker side of the blue to create the outline. Rough see for our blueberry, a bit for the center and a bit for the other side, the right side. Since this side is a bit darker, the light is falling from the right. So right side is a bit lighter and the left side is a bit darker. That's why I added a bit of darker seed for all the blueberries on the right side, the lower right side. And in here I added the purple. Now let's do a partial blending of the color using this extender. You can use the white or you can use a lighter side of the gray or lighter side of the blue will do the work too. And with this, we are done with our three demonstration for them blueberries. Let's create the sados. So I'm using this darker side of the purple to create the shadows for the blueberries. And in here, I created the shadows on the wrong side. The shadows would be on the right side. That was my mistake. And we are done with our blueberries. Let's do the black berries. So the blackberries will be somewhat similar to the strawberries. I'll be using the scene technique. Instead of the right, I'll be using los and the purples. Since both will be a bit smaller in our main project, that's why I did not decide to create much distinction in between them. In here, too, I'll be creating two sets of the blueberries. So this will be a bit lighter, and the other one, the one behind it will be a bit darker sad. So using this darker set of the blue to do the outlining a bit for the center, and adding a little bit more of this darker side of the blue for the inner region of this blueberry, this blackberry that we have in here. Now let's go in with a bit more darker set. So using this to add more details, so create a bit more outlined seed for this blackbrry that we have in here, primarily adding this on the right side, the bottom right side, as well as a little bit for the upper region two. So you can start with both the lighter set to do the outlining or the darker set. So whichever you feel comfortable with and finally, adding a little bit of purple to add more details to it. And with the paten with the lighter set of our blackberry, let's do the so let's do another blackberry. In here, I'm started with the black to do the outlining a bit for the center, and let's add a little bit for the lower right side. And now let's go in with the purple. Primarily, I'll be adding the purple and a little bit of blue for this one, using this darker side of the purple, using the stippling to feel the inner side with it. Also, I'm blending a little bit with a black, applying a bit of heavy preset to blend it with the black. A, we are done with the purple in here. If you want, you can go in with a white or a bit of extended to do the highlight and do a bit of partial blending, which I'm doing in here. So applying a bit of heavy pressure with this extended to blend these two colors to get somewhat of rough blending for this darker set of blackberry in here. We are done with this. Let's do another strawberry, a bit more defined one as compared to the other ones, starting with the brown to do the outlining. And now I'm going with this medium set of the red for the inside, using a stippling to fill the inside with this one. I forgot to add a bit of brown for the center region. I'll be doing that titer on what phone now let's continue with the stippling using this medium set of the red and filling the entire region with this leaving a little bit of white space for the highlights and doing a bit of partial blending it with a brown. Now, once again, going back with a brown to add a little bit more brown for this region to make it a bit more darker. Adding a little bit for the central region of this strawberry in here, adding a little bit of more red and blending it with a brown that we just added. And now let's add a little bit of highlights. Instead of using the extender, I'm going with the white this time to create proper highlights for it. Primarily, I'll be adding it on the upper side, applying heavy presser with this white to create this kind of highlights for our strawberry in here. So if you don't have the high extended color, you can use the white to create this kind of highlight for the strawberries. And with these, we are done with our fourth strawberry. Let's add a little bit more white for our blackberries in here and the blueberry too, primarily adding it on the upper left side to sew the highlights. Let's do the last strawberry in here, so I'll be adding the leaves on top of this strawberry starting with this darker side of the right to do the outlining for it. So this is the last full strawberry that I'm creating. Apart from this, I'll be creating one more strawberry, the cross section of the strawberry. Let's add a little bit more of this darker red for this lower region. Going with a bit of white to create a bit lighter tone for this strawberry for the upper part and a bit for the lower one. Overlaying this orange on top of this yellow that we just added. Once again, I'm using the stippling for this strawberry. If you want, you can proceed with the blending, but I won't be doing that, adding a bit more orange for the entire section, the middle section of this strawberry. And now let's make it a bit more darker. So going with this maroon or brown for the lower region as well as let's add it for the sides region two. A little bit of this brown. Let's blend it with the rest of the strawberry. So going with this red to do a little bit of partial blending with the brown. Now let's create the leaves for the upper section. I'm going with this darker side of the green. Creating rough seeds for the strawberry and for the spot, you'll have to apply a bit more presser since we have overlaid a lot of colors in here. Another side of the green, a bit more darker side. And let's add the steam for this one. Apart from this, I'll be adding a bit of white to create highlights for our leaves. And yeah, we are done with the first and the second layer for the leaves, adding a bit of white to create a bit of highlights and clear distinction between different leaves. With these, we are done with a leaf for our strawberry. We have got one last remaining strawberry in here. So let's do a cross section of the strawberry. If you want to add this for your mini project, free to do that. I won't be doing that, but if you want, you can proceed with that. This is not detailed too, since all the projects are mini cake. Starting with the outlining with a darker side of the rain. So you have got the rough idea how you can create any kind of strawberry, blueberry or blackberry. You can use this to also create the raspberberries. Quite simple. Use three or four sets of the ds. You have got orange. Also, you can also use browns, a bit of black to create a bit darker regions for the strawberries. Apart from that, you can use yellows, a bit of pink to, and we have got whites to do the highlights. Let's continue with this one. Using this extended to extend the color and bit of blending for the sides. In here, too, if you want to add bit of leaps, you can do that for the upper side. Applying a bit more through the blending in here using the extender. Let's make the region lower region a bit more defined. Adding a bit for the upper region two and for the central part two. If you want to do a little bit of more blending, you can do that. In here, I'm using once again, extend it to blend this region to subdue the color a little bit. The sides, the central part will be a bit darker, the remaining part will be a bit lighter, and we are done with this cross section of the strawberry. Let's add the cados for our strawberries. So in here, I'm using the brown. If you want, you can proceed with grease or any other color. In here, I'm using the green for this last one. And with these, we are done with this section, the berries. I'll see you in the next one. If you want to create more defined or detled strawberries, you can check out my other class in which I have created much more defined detailed strawberries, blueberries, and the leaves. So feel free to check that. 10. Chocolate Glazed Mini Cake : Welcome to the very first project. So this is the simplest of all the project. For this, I'll be using only three colour and a very simple cylindrical shape for the cake. So this is the top and we'll be making it a little bit larger or you can say we'll be making it a bit longer for the base. And yeah, this is the very simple seed for our first pudding cake. Here I'm using this brown colored paper. You can use any other colored paper, white, black, or any side. Here I'm using very small sized paper. It's a six. Since I'm using a single set of paper, ensure that your seat is secured or if you're using a sketch pad, then there is no need for that. Now we are done with a basic simple sketch. Let's start with. Let's start with adding that color. Here I'm starting with the darker side of the brown, Bundy brown for the top. And as for the rest, I'll be using a combination of naples yellow, and raw siana. Here, I'll be aiming for a smooth texture for both top and the base. For the top, I'll be adding somewhat chocolate like sauce or chocolate pudding, you can see, for the top, and the rest will be a combination of nipples yellow and raw sienna. And for both, I'll be using or applying heavy preset to get a smooth consistency of the colors. So first, let's draw out the guidelines in which I'll be feeling this and brown. Feel free to use any other color combinations. And yeah, let's fill this entire region with this ndike brown. And here I'm applying heavy presser with it to get a uniform and to get a uniform consistency of color for the top. Instead of this color combination, you can use any other color combinations, like you can use a color combination for red along with pink or with yellow or you can use white, along with blue or red jam. So yeah, feel free to experiment with different color combinations and see what you can create. Let's feel this entire region. And after finishing this, after filling this top resin, I'll be going back with the white or using the naples yellow to add the outlines or make the outlines a little bit more clear and crisper. So this is what I was saying to make the outline a bit more crisper and more sharper. And this also act as the highlighted poison reflecting a little bit of light. So if you prefer you can use the white or you can go in with the pale yellow to add this kind of highlight. And if you want, you can blend it a little bit with the van **** brown. If you want, you can blend it with the wendy brown a little bit to make it a little bit more consistent. Here, I am blending it a little bit to decrease the intensity of the nipples yellow and to merge it with the rest of the top. With the rest of the wendy brown of the top. Yeah, we are done with the top. Let's add the color for the rest. So here I'll be trying to create a gradient in between the nipples yellow and the raw siana So for the top, I'll be using a little bit of raw siana and at the bottom, I'll be using naples yellow, and in between them, I'll be creating a gradient, a gradient between the naples yellow and the raw siana I'm using this raw sienna below the top to create a little bit of darker reason, as well as to represent a bit of sados from the chocolate jam or chocolate sauce that is on top of this pudding cake. Let's add the nipples yellow. I have applied medium presser with the raw siana and here I am using high presser with the nipples yellow, and we'll be doing a complete blending of these two colors to get a beautiful gradient in between these two colors. Carefully add it inside the outline of this pudding cake. Carefully adding it in here, encircling the sauce or the chocolate jam that we have got on the top. If you prefer, instead of a single one, you can create two or three ones of different color combinations. That will be something amazing. And yeah, let's go let's go over the osiana once again till I am satisfied with the type of consistency and blending for this base. Adding a little bit of more highlights for the top. And with these, we are done with this coloring. Let's remove the excess oil pastill does. And if you want to make some adjustment at shadows or Bs, you can add it using a darker sets of the gray or brown, but I'm satisfied how it turned out. So this was our very simple and first project using only three colors, an **** brown, as yen, and naples yellow. Let's remove the masking tip, and I'll see you in the next project. 11. Cherry Chocolate Duo: Welcome to the second project. So this is somewhat continuation of the first project, somewhat seam pudding cake or you can say small cheesecake with brown or chocolate sauce or jam on top. Instead of single one, we are sketching out two guidelines, so there will be two pudding cake for this simple project, and on top of that, we'll be having two cherries, one on each. And I'll be using somewhat seam colour combinations of browns and the nipples yellow and Sianas a little bit of variant seed of the browns and yellow. So yeah, this will be another easy one. The new thing is the cherries. The cherry is somewhat same that we practice in the tutorial or demonstration video. These are the simple seeps, somewhat cylindrical seeps, and let's add the circles for the cherries. Single cherries, if you prefer, you can add multiple one, or you can add leaves too. And with these, we are done with a very basic pencil sketch. Now let's add the colors. I'll be using as I mentioned, I'll be using the somewhat same colors, the browns and the yellows. So once again, here I'm starting with the andyke brown, like I used for the earlier project. And the paper since the color of the paper is somewhat different, completely different, so the outcome will be different, too. So yeah, let's add the colors starting with the top. For now, here, I'm applying somewhat medium preser later on, I'll be applying heavy presser to get a smooth and uniform consistency. Feel free to use any other colored paper. Here I'm using black. So if you compare it with the first project, you will see that different color behave different with the type of the paper or the color of the paper. So here, this men dike brown is somewhat darker as compared to the one we did for the first project. No, I was not satisfied with it, so I tried to make it a little bit lighter. So here, I'm going in with the brown color. So this top will be combination of two colors, the bendye and the brown. Here I'm applying heavy pressure with it to blend it completely. So n **** brown and the brown for the top. And as I was mentioning about the colored paper and the color, it would be advisable for you to have a spare or rough sheet of the paper, the same colored paper that you'll be using to draw your project on and try your colours out first on that rough sheet of paper and then apply it on the main project or main paper that you will be going to use. Try to maintain a crisp edge or outline for the top. And if you're not able to do that, we'll be using lighter shades of the colors to create the highlights and a little bit of reflection too. If you are able, then try to create somewhat this kind of outlines for the top. And if not, we'll be adding a little bit of darker and lighter tones to create the outlines. And with these we are done with the first one, let's do the scene for the second one. Here too, we'll be applying heavy preset to get a smooth and uniform blending of the colors. If you want to make it a bit more interesting, you can use a darker side of the brown to so that the cake that is behind this first one is a bit darker inside as it lies behind it. To do that, you can use a little bit or a darker variation of the brown, or on top of this brown, you can use or add a little bit more Vandyk brown to make it a little bit of darker side. Carefully encircling the cherry with this brown. And, yeah, we are done with this brown for the second slice. If you're not satisfied with it, add a little bit of more brown, but here I am. So let's remove the excess oil pastel dust, and let's add the color for the cherries and the rest of the slice. So here I'm going with the yellow ocher. For the last project, I used as iana, but here since the paper is of black color, I decided to go with this yellow ocher. If you want, you can use the same color combinations as the first project, or you can experiment with completely different sets of the color. Carefully adding it just below the brown. And let's move on to the second slice. The second cake that is doing the same in here, carefully adding it below the brown. And apart from this, I'll be using naples yellow, and as for the cherries, I'll be using vermilion or in a little bit of crimson, and for the stem, I'll be using olive green. And with this, we are done with the yellow ocher. Now let's go in with this naples yellow. So I'll be doing the same thing that we did for the first project, blending the yellow ocher along with this naples yellow. But here I decided to create a little bit of texture, so I'll be doing somewhat of partial blending. I'll be applying heavy pressure, but for the rest, I'll be trying to create somewhat of rough texture. Carefully adding it below the brown and yeah, carefully encircle it. Avoid smudging of the color or overlaying of the sniple yellow on top of the brown and the nde brown from the top. Here, as you can see, the paper has a little bit of more texture as compared to the earlier one. So the kind of texture that we are eating in here is somewhat rough as compared to the first one. So that's what I was saying that I'll try to get a bit of rough texture. This is not completely rough texture. It's somewhat smooth but not completely smooth. So you get it What I mean, I'm not able to convey it properly. Let's move on to the second one. First encircling the top and then blending it with the yellow ocher and completely filling it inside the outlines. Here, too, I'll be not adding the bases or the sadosO I'll not be using the bases and the sados for most of the project. If you prefer, you can use dark shades of the browns or grays to create the sados or the Bs or you can use or you can use or create plates or other accessories. We are done with the nipples allow. Let's do the cherries. Here I use the andyke brown. Now, this andyke brown will create a little bit of darker regions for the chili. Now I'm going with the armilion y. So you can use any variations or seeds of the reds and the browns to create the cherries. So these are just simple cherries, three or four colors at most, or you can create it using only two colors too. So completely filling this vermilion hue for the insides and blending it with the van **** brown from the earlier. Now, let's make it a little bit lighter. So I'll be creating regions of a bit lighter set and a bit of darker set. The andyke brown will act as the darker regions, and this orange and a bit of crimson that I'll be using will act as lighter regions. So primarily adding it near the outlines and a little bit for the top. And if you prefer, you can use a little bit of whites or yellows to create a bit of more lighter regions. But here I'm satisfied with this orange. Now, let's add a little bit of crimson. So this will create a bit more variation in between the browns and the ds of the cherries. The goal here is to create a bit of contrast in between the browns and the rides for the cherries so as not to confuse in between the cherries and the top. Adding a bit of more orange. So you get what I mean to say to try to create a little bit of clear and crisp outlines in between both the cherries and the brown. And here, it is not that much clear, so I decided that I'll be adding a little bit of light colour to create the outlines and add highlights as well as reflections. Before doing that, let's go in with this green, the olive green to go over the stems. If you prefer, you can use other combinations, too. But yeah, I am done with the greens, a bit of more orange to blend it with the greens. Now, let's add a little bit of highlights with the white. Also, I'll be using this white to create the outlines and to create a distinction in between the n dike brown and the brown of the top and the rest of the cherries. I see white, it's nipples yellow, a bit of this nipples yellow for the highlights and the outlines for the top two. Adding it on the other sides, let's add a little bit for the basis of this top two. And yeah, we are done with the nipples yellow. If you want, you can go in when. If you want, you can go back with the brown to blend this nipples yellow a little bit with the rest of the top. And we are done with the second simple project. Let's remove the masking tape, and I'll see you in the next project with three slices or three simple pudding cakes. So for that, we'll be adding three different berries, cherries, blueberries, green berries. And that will be an interesting one and fun to paint. So happy painting, and I'll see you in the next project. 12. Mini Mocha Bites: Welcome to the third project. This is somewhat similar to the first and second one. So we'll be having the top and the second layer. So two layers, and for this two, we'll be having berries. So three different berries for each individual mini cake. I'll have blue berries, cherries, and green berries. So simple cylindrical see for the mini cakes, I'll be sketching out three mini cakes for this one, and I'll be using varieties of color as compared to the last two in which I use only two or three colors for the cakes. Here, I'll be using the same two or three colors for the cake, but we'll be adding varieties of color in the form of the berries. So I'll be using black, ultramarine blue, pale blue and gray for the blue berries. Then we have got Sepia and pale orange for the bottom layer of the mini cake, and we have 1 million and crimson. For the cherries and last green turquoise green and yellow green for the green berries. So this will be fun to paint. It will take a bit much more time as compared to the first and second one, since we have a lot to color, and if you want, you can make adjustment, change the color. Instead of creating one, you can create. Instead of creating three, you can only create one or instead of this three, you can even create four or five with raspberries and blue berries, too. So a total of five, that will be interesting. And yeah, we are done with the basic pencil outlines for the seep of the three mini cakes. So this will be the top. The top layer of these three cakes will be a combination of white with gray and the bottom layer or the rest of the cake will be pale orange and CPA. Make adjustment as you see it. And here I'm using black paper. Feel free to use any other colored paper. And as I mentioned, if you are using colored paper, try your colors on a rough seed and then apply on your main project, so as to confirm the kind of color and texture that you'll be getting from that colored paper. And now let's start coloring. So first, I am going with the black. With this black Alvey doing the outlining for the blueberries and a little bit of for the inside, it will create the darker region for the simple circular see with the black, and we'll be blending it with ultramarinne blue and the pale yellow and the pale blue. Also, you can use it for the cherries to make it a bit darker and same goes for the Green berries, but for the green berries, I would advise you to use darker sides of the green. So I'll be blending this black with the pale blue and the ultramarine blue to get a somewhat of gradient in between this color as well as to create a bit of texture. So rough blending. Let's apply a bit of heavy presser with it and do a partial blending here. So this is our first layer, and as you can see, I have not done a good blending, but when I'll be applying this pale blue on top of this ultramarine blue and the black, I'll be doing somewhat of proper blending. So once again, applying a bit of heavy presser to do a partial blending in here. And as you can see, I'm using a stippling technique, not proper blending, and you have to go back and forth till you are satisfied with the consistency or the color you are hoping to get for the lovers. This is the second layer of the coloring. I'll be adding a little bit of white to add reflection in the high light. For now, I'm going with a green for the top. So I'll be adding a little bit of green and doing the outlines with it, and on top of it, I'll be adding white. So a little bit of more green near the blue berries to create a bit of darker regions. And now let's define the outline region for the top. So the top and this small layer, we'll be using white and blending it a smooth blending of the two colors grey along with the white and applying heavy pretzel with it. Since this black paper has a little bit more texture, we'll be getting a rough texture no matter how smooth we blend. But still, I'll be applying heavy pretzel to get somewhat of a smooth blending with these two colors. And we are done with the white, going back with the green once again to add the outlinings and adding it a little bit for the lower region. And with these, we are done with a simple top. So for all the other two tops, we'll be using the same color combination in the same manner. Before doing that, let's complete this first mini cake that we have. Adding random dots of this sepia. So here we'll be using stippling technique and a little bit of partial blending to create a rough texture for this mini cake. You are free to use other color combinations like the raw Siana and the naples yellow that we used earlier. Now going in with the pale orange and doing a partial blending or stippling, we'll be covering all the Sepia with it and creating these random strokes to cover it and being careful around the bottom of the top and being careful while adding it near the top section. As you can see, I was aiming for the rough texture, and this is the kind of texture that I was aiming for. And I'm blending this color a little bit more for the lower regions. And with these, we are done with our very simple first mini cake. Let's do the second one. For this cherry, I'm starting with the white, and now let's add a little bit of green for the top. Here, for this one, as compared to the second project, I'll be trying to create the cherries in a later scene. So I used white as the primary layering for it. Now going back with the white to add it for the top, applying somewhat heavy presa with it, to blend it with the grease from the earlier. And with these, we are done with the white for the top for the second slice or second mini ke. Let's go in with the ds. Here I'm going with the vermilion for the cherry. You are free to use any other color combinations of the red and yellows. But here, I'll be using the vermilion and a crimson. So completely overlaying it on top of the white that we added earlier. Now, a darker side of the red. Here I'm using crimson red. Feel free to use. And other sets, you can even use burnt Siana to make it a bit darker. But here we are aiming for the lighter sets, particularly adding it on one side. Now, going with the white to add highlights, tiny white dots so the reflection of the light for the blueberries and the cherries. Moving on to the rest of the second mini cake, the same color combination, CP and pale orange, random dots with the CPA, and going back with the pale orange and creating random strokes for the rest of this. If you want to make it a little bit more different, you can use different color combinations for the cakes, like for the blueberries, you can use, blues for the cherries you can use, combinations of the red, and for the green berries, you can use combinations of the greens. Here, once again, I'm creating a little bit lighter venison of the mars. I started with a white to create the first layer. And here I added the gray to do the outlining and a little bit of darker regions. Going back once again with the white, and let's blend these two colors. Adding it carefully near the green berries that we have got in here. And here, let's color the greenbry. For this, I'll be using turquoise green and the yellow green. Feel free to use other color combinations. If you want to make it a bit more darker, you can use darker greens. You can use varieties of greens or even red, yellow, white, whatever you feel. And we're done with the turquoise green here, I'm adding the yellow green on top of the turquoise green. I added turquoise green on the left side to make it a bit darker. I use this yellow green to completely overlay on top of the turquoise screen. Going back once again with this turquoise green to add a bit more dark seed on the right side, and later on, I'll be adding white to add the highlights. For now, let's complete the rest of the cake. Adding the random dots with the sepia and going back with the pale orange ones again to completely overlay it on top of the sepia and doing a partial blending of the color for our third and the final mini cake. Once again, I won't be adding any shadows or mas. If you prefer, you can add those. And yeah, let's completely fill this entire region with this pale orange. If you're not satisfied with it, you can add a little bit of more colors to it. Here I'm going back once again with a turquoise creen to add the stems and the leaves for the cherries. If you want, you can add the leaves and the stems for the other two berries, but I won't be adding it. I only decided to add it for the cherries. The choice is yours. And if you don't want, you don't have to add it. You can keep the three berries as it is a bit of brown or sepia to sow a little bit of dark region for the bottom of the cherry. Add more colour wherever you think it's required. I made the first slice a bit lighter instead, and the other two a bit darker as to so that they lie behind this first one. With these, we are done with our three mini cakes. I'll see you in the next project. 13. Golden Custard Treats: Welcome to the fourth project. This is also similar to the first string. So the first fourth project are somewhat similar, very simple mini cakes, and this two has three mini cakes, just like the third one. But the position or the orientation of this are different. We'll have one in the front and the other two will lie behind it. Also, instead of single layers, we'll have two or three layers for it. This mini cake will be of lighter seeds. I'll be using seeds of yellows and orange, and on top of this, I'll be adding two or three a pair of leaves for each individual mini cakes that we have. Let's continue with sketching out the outlines for our three simple cakes. Feel free to make adjustment and change the positions of the mini cakes that we have in here instead of somewhat same or similar sizes. You can play with the sizes, make someone big, some one small, or you can do a half section or cut the mini cakes in various sections. The choice is yours. And yeah, I think we are done with the simple sieves. If you want, you can make adjustment. Here the third mini cake is a little bit larger. The choice is yours. Lightly raising the pencil marks. After that, we'll be starting with the cake. For that, I'll be using yellow orange, deep yellow, naples yellow, and a bit of pale orange. As for the leaves, I'll be using deep green and yellow green. And the other colours that I'll be using will be yellow ocho burnt siana and a little bit of rose green. So let's start. Here I'm starting with the yellow orange. For the last two projects, we created the mini cake individually, but for this one. But for this one, we'll be jumping from one to another since we'll be using the same color combination. So let's go over the outlines with this yellow orange and yeah, I'm applying somewhat of medium presser and going over the circular outline of the top of the mini cakes and adding a little bit of it for the insides. Medium presser with it, and let's add the top top layer. If you want to make it a bigger or smaller, the choice is yours. I decided to make it a bit broader, and, yeah, we are done with this one. Let's go in with another color. For that, I'll be going in with a deep yellow, a darker side of the yellow. Oh, before that, I decided to add a little bit for this layer too. I'll be using this to create a bit of darker region as well as it will be used to create a gradient in between the deep yellow and nipples yellow later on. So deep yellow, the second color for our mini cakes. And yeah, I'll be applying heavy presser with it to get somewhat of uniform consistency and smooth blending. So first, I'll be doing it for the top and then for the other layer, you are free to use other color combinations. You can add the jams in the sauce like we did for our first project. You can add Bries like we did for our second and the third project. The choice is yours. But here, I'll only be adding pairs of leaves two leaves for each individual mini cakes. And this first, second, third and fourth project are somewhat similar and very simple. After this, we'll be adding more element to our cakes and adding more layers. So we'll be making it a bit harder and more fun and interesting. So yeah, we are done with it. If you want, you can add a little bit of more colour if you're not satisfied with it, if you prefer you can go with the rough texture instead of the smooth texture, and you can do the outlining using a darker seat as we did earlier with our other project. Like going in with that darker seat of the yellow or CPA or boundena so a clear distinction in between the top and the layer below it. So here, as you can see, I'm trying to get a somewhat of distinction in between the top and the layer. You can use this color too, but choice is yours and we are done with the top. Now, let's do the rest. For the middle layer, I'll be using naples yellow, and for the bottom, I'll be trying to create an ingredient in between the yellows and the brown, removing the excess oil pistle dust. Always remove the excess oil pistle dust so as to avoid smudging of the color. If you want to avoid further smudging, place a tissue paper under your palm to avoid it. Now here, I'm going with the naples yellow for this middle layer. Once again, I am aiming for the smooth textion and uniform consistency. If you prefer, you can create random strokes like we did for the second and the third one. So the choice is yours. This layer will be a bit broader, so bit larger than the side as compared to the first and the bottom layer. Here, as you can see, I have created it of somewhat same size as the top layer, but later on, I'll be adding more naples yellow, along with the seeds of the yellow to create somewhat of gradient in between this middle layer and the base. And yeah, we are done with this naples yellow for all the three mini cakes. Adding it here fully near the top of this first one. Okay, it's getting a bit confusing. So the first mini cake will be on the left. The second is at the front, and this is the third one that is in the right side. Now, let's go in with the pale orange. I'll be using this to create the gradient in between the big layer and this middle layer. So this is of somewhat same lighter weight as that of the Nipus yellow. That's why I use it to create the gradient. If you want, you can use white too. Adding it just below the nipples yellow. Once again, here I'm applying a bit of heavy preser and you can clearly see I'm blending a bit of a little bit, very tiny bit of it with the nipples yellow near the top. And let's do a partial blending of the two colors, the nipples yellow in the pale orange. Now, going with the yellow occur a bit darker side to greet the gradient for the base layer. The choice is instead of this peel ocher, you can use awiana Let's continue with the yellow ocher for now, adding it just below the pale orange and we'll be doing the blending later on. But for now, let's add a small layer of this yellow ocher for the third layer or you can see the base layer. And as you can clearly see it's of somewhat same consistency as that of the top. The top we created using the yellow orange in the deep yellow. We'll be creating a bit of difference with the top and this third layer by doing a gradient. By creating a gradient here, I'm going back with a pale orange and doing a blending. So blending it with a pale orange and naples yellow on the top to create a somewhat of gradient. Here, you'll have to apply heavy freezer and go back and forth till you're satisfied with the consistency and the kind of blending or the gradient that you are aiming for. Going with the burnt channel to create a bit darker region for the bees, bun Siena for the bees the last layer, and we'll be doing the gradient accretion by doing a better blending by doing the blending of the colors, the yellow ocher, the peel, orange, and the naples yellow, a gradient between all these four colors. Here you can see that I am adding a small layer of it comparatively smaller than that of the yellow ochre, and it has a little bit more intensity as compared to the yellow ochre. Let's decrease in intensity a bit going in with this yellow ocher and blending it. Applying heavy pressure with this yellow ocher to blend it with this burnt sienna. If you prefer you can use the pale orange to do the blending. But I am going with this and continuing with this yellow ocher for the blending. And yeah, we are done with it. If you want if you want to big the edges a bit sharper, you can go back with the colors to create sharper edges. Like here, I'm doing with this yellow orange or you can use a little bit of deep yellow to create proper outlines and distinction in between the three mini cakes. Now, let's do the leaves. For this, I'll be using the green deep green and yellow green. With this deep green albd creating the outlines, simple and basic saves for the leaves, and we'll be using the other lighter side of the green, yellow green to blend it with a deep green. So I'll be blending the outlines and the mid drips. The mid drips is the straight line that divides the leaf into two sections. And yeah, we are done with this deep green. So I'll be going with a lighter sad, the yellow green. If you want, you can use any other shades of the green to create the leaves. The choice is your. You don't have to even add the leaves. Here, too, I'll be applying heavy presser with yellow green to completely blend it with a deep green. Completely blending with the outlines and the mid rib. As you can see, the intensity of this deep green as compared to this yellow green is high. That's why, even after doing the complete blending, you can clearly see the mid drips and the outlines. That it's completely distinct from the yellow green that we are adding right now. Using this yellow green to make the leaves a bit sharper and more crispy. And here, we are done with this yellow green. Let's remove the oil pistol dust and going back once again with a deep green to add more detail to the leaves in form of mid drips, you can do the outlining to go over the seep of the leaf once again with the deep green. But I'm satisfied with it. Now, going in with the white to create a bit of highlights and add the mid drips and the veins. So you'll have to apply a bit of presser since we are overlaying this white as the third or fourth color. And we are done with our very simple pairs of leaf. Now for the base, here I'm using the burned Siana No, it's not burnt sienna, but it's similar to burnt sienna, but this is rose gray, and I'm just going to completely fill this base with it. If you want, you can use blurring effect or you can blend this color with the tissue paper or the clothe. The choice is yours. So after finishing it, so, yeah, let's continue with it. You'll have to be a bit careful while adding it near the base of the mini cakes. And after this, we'll be done with our third project, the fourth project, and the end of simple mini cakes that we have for this class. After this, we'll move to a different one square watermelon mini cake. And with this, we are done with the foot project, and I'll see you with a watermelon cake. Happy painting. 14. Watermelon Slice Cake : Welcome to the fifth project. So for this one, we have something interesting, rectangular mini cake. For this, we'll be creating the gradient, axime coloring as that of the watermelon. So this is our mini watermelon cake, starting with a rectangular see for the top, and we'll be creating two more rectangles, one for the side, and one for the front. So this will be layered, but instead of creating distinct clay, we'll be creating the gradient for the bees using seeds of the green, and as for the top, we'll be creating the same colors or using the same colors as that of the watermelon. And we will even add the seeds on top. So, let's continue with the sketch. Very simple easy sketch a rectangular box for this mini slice of cake. And yeah, we are done with this. If you want, you can make it a bit softer or smaller or instead of this rectangular soup, you can go with the square seep. So feel free to experiment with various seeps in the sizes for this rectangular piece of mini cake, watermelon them mini cake, and I'll be only using five colors if I'm not counting the white that I'll be using four highlights and a little bit for the middle to create the gradient in between the reds and the greens. The seeds of the red that I'll be using for the top will crimson and vermilion hue. As for the base or the bottom, I'll be using sads of green, sads of green, deep green, green, and sepia sepia to create the seeds. So let's start with the top. So I'll be using the crimson and vermilion hue for the top. And here I'm starting with the crimson. So for both the layers, the top and the rest of this mini cake, we are aiming for smooth texture. So I'll be applying heavy presser here. I'll be trying to create the cake in this pattern. I'll be trying to add the colors in this manner that the inside of this cake inside of this top will be a bit lighter in seed, and the outside will be a bit darker. So crimson is the darker side of the red that I'll be using and vermilion, you'll be the lighter side. Let's do the outlining for the sides with this darker side, the crimson. If you want to create even darker outlines, you can use the burnt sienna orbit of darker brown or andyke brown. So yeah, feel free to use any other colors. And here I'm using light colored paper. So if you're using other colored paper, please check it on your rough sheet of paper before using the color on your mean project. With this, we are done with the crimson for the darker and sidoy regions for the top of the mini cake. Now, going in with a vermilion hue. Here I'll be applying heavy presser and do a complete blending, blending with consistency and uniformity to get a smooth consistency of the color for the smooth texture for the top of this mini cake. Apart from this rectangular seep, for this mini cake, you can also add another seep like that of the watermelon slice or you can even add watermelon slice in front or add back. Let's completely fill this top with this vermilion hue and I'm applying a bit heavy presser to get this smooth blending. So since I'm applying a lot of heavy presser, you can see a lot of oil pretel dust is accumulated. So I'll be removing it with a brush to avoid smudging of the color, and to avoid further smudging or to prevent it, you can use tissue paper under your palm to avoid. Also one more way to avoid smudging of the color is to start from the top and slowly and gradually moving towards the bottom. In that way, you will avoid smudging of the colors from your palm. And yeah, we are done with this side, too. Since I applied a lot of preserve with this vermilion hue, the crimson that we added earlier is not that much visible. If you want, you can go back with the crimson to add another layer on the sides or at the same places where we added earlier, or you can go in with the darker sides of the brown, going back once again with the vermilion to give a definite and defined s for the outlines for the top of this mini cake with these we are done with the top for now. Later on, I'll be adding more details. But for now, let's do the greens. For the Bs, here, I'll be starting from the Bs and then I'll be moving upward, adding white for the middle to create the gradient in between the rights and the greens. So starting with this deep green to define the outline on top of this deep green, I'll be adding green and a little bit of sepia. Sepia for the seeds, not for the base. Let's add another layer or another line of this deep green for the base. Here I've applied medium preserve with it. But when I'll be using another sd of the green, I'll be applying heavy preser to blend with it to create a beautiful gradient in between the greens for the base of this mini cake. Et's go in with another side of the green, the light green or simply green. Here I'm using this shade of the green, feel free to use other shades of the green, and to create even more beautiful gradient, you can use three greens, darker, middle, and lighter shades. I'm using this green, and I am leaving a little bit of space between the deep green and the green. I'll be filling the white in between it to create a gradient in between them. Also, as I mentioned earlier, instead of using the white, you can use another lighter side of the green in between to create the gradient. Now, let's add the white in between these two sets of the green to create the gradient. Here I'm applying heavy pressure with it. Right now I'm adding this white in circular motion to get a better blending of the color. Now let's overlay it on top of both the greens, the deep green and the green to do a beautiful blending to create the gradient of the greens. We're done with the white for the base, we'll be adding this white on top too and we'll be blending this white with the green. First, starting with blending this green with the white and later on, I'll be adding another layer of white below the red. With these we are done with this layer now. The blending is not that uniform, so going back with the white and applying heavy freezer and going over all the colors once again. This is the way that I'll be creating the gradient in between the top and the rest the base, red, white, and two seeds of the green. So this is somewhat similar to the gradient that we have in the real watermelon slices. So that's what we are aiming for for this fifth project. Let's move on to the other side, doing the same, applying heavy pressure with it to get a good blending of the colors. Here, the aim is to get a smooth and uniform consistency of the color to get a smooth texture. If you want, you can experiment with a texture using a stippling or strokes to create rough texture for it. Going back with the deep green to make the bees a bit more darker, to increase the intensity of the bees, a little bit. And I'll have to blend it once again, so going in with the white and adding it on top of it and doing the blending once again. So we'll have to go back and forth till we are satisfied with the coloring. And yeah, let's remove the excess oil pistil dust and add final details. If you're not satisfied how your mini cake turned out, add more colours, add more layers. Now here I'm going in with the CPA to create small saps in the sp of tear drops for the seeds, 14 to 20 or as many as you prefer, tear drop seeps and we'll be adding a little bit of white to add highlight or you can see reflection. To make it more realistic or more interesting, you can add darker side of the brown or a bit of black on one side of the seeds to create a little bit of contrast between the brown of the seed and the black and white that we'll be adding to create the highlight. Adding the white on one side, tiny small dot for the highlight or you can see reflection from the seeds that we have got on top of this mini cake. Here I have not paid that much attention to the crispiness of the outlines and the edges. If you prefer, you can go back with the white to cre definite and crisp outlines for the top and the sides. So if you want that, you can do that, but I'm satisfied how it turned out. And since this is the fifth project, I decided to keep it simple and easy. And, we are done with this fifth project. I'll see you in the next one. The next two will also laid mini cakes and we'll be adding more details to the layers and making it a bit more defined and detailed. I decided to add base for it, so I'm using the CPA. You can use other color. Instead of creating the base, you can go in with the seeds of the green along with the green to create the sadosO you can add plate below it. The choice is yours. And like some of the other project, you don't even have to add the base or the shadows. Feel free to skip this part, and I'll see you in the next project. 15. Pomegranate Pistachio Layered Cake : Welcome to the sixth project. So this is yet another layered cake, layered mini cake. For this one, I'll be creating one, two, three, four, five. For this one, I'll be creating five layers, and this is pistachio and Pomegranate five layered mini cake. So simple seep, simple cylindrical seep. So let's start with the oval seep for the top and we'll be adding two lines for the sides, and then we'll be adding the bees. As for the coloring, I'll be using seeds of green for the pistachio, seeds of red, for the pomegranates, and bit of yellow seeds of yellow, you can see, for the middle layers or you can say the pistachios for the middle layer. And for the top, I'll be using the combinations of white and gray. For some of the layers, we are aiming for the smooth texture, and for the others, we are aiming for the rough texture. So this will be a combination of both texture, the rough, and the smooth. So for this, we'll be applying Haby and medium presser to create those different kind of the texture. Now let's create the layers. Feel free to add or remove the numbers of layers we have. For this, we'll be having two yellow layers, one green layer to represent pistachio colored, and one bright layer to represent the pomegranate seeds layer. The width of most of the leaves are somewhat seam. Only the base layer is somewhat broader or bigger. So if you want, you can make it on the same size or same bit. Now let's remove the pencil sketch, not completely removing but lightning it, and we will move on to coloring it. Very simple colors. And as for the pistachios and the Pomeranian seeds, they are very simple and easy to create. And if you want to make it a bit more detail or add more lements cherries, marries, jam, feel free to do that. And you can also change the color combinations, Sam and sizes. Let's start with the top. The combinations of grease and the white. Also for another two project, we'll be doing a lot of overlaying, starting with the green to do the outlines for the top and a little bit of green for some of the darker regions are to represent some of the sadoy regions that have a bit of darker colors to it. A bit of gray for the insides too. And as I mentioned earlier, I'll be using white to do a complete blending and get a smooth texture for the top. So going in with the white and applying heavy presser with it to completely green for the top and for the side. So apply heavy presser with it to blend it and get a smooth and uniform consistency for the top. And yeah, we are aiming for the smooth texture for the top. And for most of the layers, I'll be aiming for the rough texture. Let's move on to the side and apply heavy presser with the white to get a smooth blending. As you can see, the grey from the earlier is somewhat visible and it's creating a little bit of contrast or you can say a bit of sadose or darker regions for the places where we added more gray. No let's remove the axis. Oil be still dust. Let's add colors for the layer. For this, I'll be starting with the seeds of the yellows. So we'll have a layer of yellow, then a green, once again, yellow, and the bottom layer will be of the red. So here I'm starting with a yellow ocher. Along with this yellow ochre, I'll be using nipple yellow, somewhat same color combination that we used for the second project, the one with cherries on the top. Start with this yellow ocher, random dot You can add the random dots more closer to each other to make it a bit more darker or denser. And if you add them a bit farther apart, they will be less denser or lighter inside. So in the beginning, I created only four layer, as I mentioned but as I mentioned earlier, we'll be creating five layer. So let's add a few more layers going in with a pencil to sketch out the rough guidelines for all the layers that we'll be having. If you want to make further changes, feel free to adjust the width and the length of the layers that we have in here. So this top is the first layer, then we have yellow, green, yellow, once again, and then the red and bottom. So let's remove the rethus dust, and let's continue with the naples yellow. Oh before doing that, let's add the yellow ocher for this third layer. So I'm making things a little bit confusing. So white is our first layer, then yellow, our second layer, third will be the green, the fourth will be the yellow once again, and the fifth will be the red. So yeah. The first is white. The second is the combination of yellow ochre and the nipple yellow that I'm adding right now, random strokes and closer to each other to create the rough texture for this layer, the second layer. The same we did for our first and the second and the third project, rough texture and yeah, partial blending of the colors, the yellow occurs and the naples yellow. Now, let's do the same for this third layer. This is the fourth layer. So yeah, random strokes on top of this yellow occur to do a partial blending. And as you can clearly see, we can see the visibility of yellow occur behind or below this layer of naples yellow. So that's what I'm aiming for, and that's what we will get with this rough texture. And with these, we are done with the two layers. Now let's go in with the greens. So for the greens, I'll be using a bit of lighter seed and a medium seed, the yellow green and olive. If you want, you can use. If you prefer, you can use other sades of the green, but I'll be sticking with the yellow green and olive. So let's start with the yellow green here, I'm creating a bit of random dots, not random, but the sides the seep of the pizzas you for the top. Let's move on to the layers, the middle layer in here. So this yellow green for the base or the bottom of this middle layer, and on top of this yellow green, I'll be going with the olive. So yeah, same kind of rough texture. So let's go in with the olive and apply somewhat medium pres with it to get a rough texture. So yeah, let's add this olive on top of this yellow green. And a little bit for the pistachio too. So here I'm starting with this olive, adding it on one side of the pistachio on top of the yellow green. And now let's create more random dots with it, overlaying it on top of the yellow greens. And this is to create a bit of darker regions. And on top of this, I'll be going back once again with the yellow green for the rough texture. Yeah, let's add the yellow green, completely filling this entire layer with it and overlaying it on top of the olive and the yellow green from the earlier to get the rough texture that we are aiming for this middle layer, not the middle layer, but the third layer. If you want to make it a bit lighter and seed, you can add a little bit of white in the same manner, small random strokes to make it a bit lighter. Now we have only got the pomegranate seeds and the base layer. So for this, I'll be using combinations of red and crimsons. So let's start with this red. Overlaying this red on top of the white for the top, overlaying this red on top and creating random dots, random small seeds for the pomegranate seeds for the top. And now let's add the red for the base. A bit larger random strokes for the Bs and a lighter seed No, not a lighter but a bit darker seed the crimson. So here, I'll be adding the crimson on one side of the pomegranate seeds on the top, small dots, small tiny dots on one side, and later on, I'll be adding a little bit of white to add the highlights. And now let's overlay it on top of the red. Here I did a bit of mistake. I should have started with a crimson and on top of that, I should we have added the red since the red is of lighter seed. So to rectify it, I added later on the rose green, a bit of darker sd. We should start with the darker seed first and then add the lighter seed on top of it so that the darker set will be visible if we are aiming for the rough texture. Oh, yeah, let's go back with the d a little bit more to get somewhat of smooth blending, not smooth, but better than partial blending for this base layer. And yeah, with this, we are done with this project. So that's what I thought in the beginning, but later on I added it. Stick with me, and I'll keep all my all pists in the box and remove the and later on, I'll come back once again to add the rose green for the base. So here I am once again adding the rose green for the base to make it a bit more interesting. And yeah, let's create a bit of more contrast for the bees, a bit of darker seeds, and here I'm applying somewhat more preser to blend it parsley with the crimsons and the red. And as you can see, just by adding this contrasting color, the bees has become more interesting and more vibrant. And with these, we are done with the rise. Let's add a little bit of raise. Let's add a little bit of rose gray for the top two on top of the crimson that we added earlier. And yeah, we are done with the pomegranate seeds and the pistachio a five layered, simple project, simple mini cake. I'll see you in the next project with another multi layered cake Mini cake. 16. Blue Macaron Stack: Welcome to the seventh project. So for this one, you have got yet another mini cake. This will be three colored and five layered, just like the last one. But for this, I'll be using a set of vibrant colors, greens, blues, and a bit of yellows. And on top of it, I'll be adding two leaves. So yeah, let's start with towing out the skitch for this one. So this will be a little bit different from all the other. The top and the middle and the bottom layer will be a bit broader or you can say a bit bigger, and the second and the fourth one will be a bit smaller, just like this, as you can see the top and this middle layer is somewhat broader in thickness, and the seam will be for the base layer, a bit broader and being. If you want to make adjustment, you are free to do that. And I made a little bit of mistakes since I want to be able to fit this using this proposon. So let's erase it, and let's redo it. So continuing with the seep Just for the colors, I'll be using turquoise green and the green for the leaves. Then we have emerald green and seran blue for the top, the middle, and the base layer, and for the second last layer, we'll have nipples yellow and raw sienna, the same color combination that we used for our second project. So yeah, this is going to be an interesting project. Let's just sketch out the guideline for the final base layer. If you're not comfortable drawing it directly, you can use the ruler or scale, or you can use reference lines. So two intersecting lines to draw the top and then an vertical line to determine the length and two parallel lines determine the width of the mini cake. And with these, we are done with our rough sketch. Let's lighten it and we will move on to coloring. Lightly erasing it. And here I am using this green colored paper. Feel free to use any other paper. So here I am starting with the turquoise green. You are free to use other variations or seeds of the greens. Here I'll be using turquoise green and simple green. So far we have covered six project. This is the 71, and you can see it's the one third. So we have got 14 more project. The other 14 project will be a little bit more different and bit harder since we'll be adding more details and more layers, not more layers, but we'll be trying to create much more gradient and beautiful color vibrant coloring for our project. Instead of single berries or double berries, we'll be adding more. So yeah, let's continue with the turquoise green. So the two leaves that I said, you are free to add green berries or other baries if you prefer blueberries or black berry will be much suitable. And yeah, we are done with the outlines and the mid drips and the veins with this darker side of the green, the turquoise green. Now going with a lighter sad, here we have got the simple green. I'll be applying heavy presser with it to blend it with the turquoise green and do a complete blending of the colors. Here I'm aiming for a smooth texture. Later on, I'll be going in with the darker side of the green or perhaps white to add the mid drops and the veins once again. Apply heavy presser with it to get a smooth and uniform consistency throughout the two leaves and use it to create crisp and sharp outlines for the leaf. If you prefer you can use the colored pencil. Now, going back once again with the turquoise green to redefine the outlines and making a bit more defined since the two shades of the green is somewhat of the same consistency. That's why when I added this turquoise green on top of the green, the mid drips and the veins are not that much clearly distinctb. So later on, I'll be going in with the white to add the mid drips in the veins. Let's do the layers. So as I mentioned, I'll be using the vibrant colors here. I have got emerald green and this will be cerulean blue, the two colors that I'll be using for the top one, the two colors that I'll be using for the top layer, the middle and the bottom one. Here I have started with the cerulean blue. So this is the darker side of the two colors, the emerald green and the cerulean blue. And let's do the outlining and a little bit for the left side since that side will be a bit darker. So I'll be creating regions of lightness and bit darkness. Now, let's overlay this emerald green on top of the cerulean blue and completely fill the top section with it. Here I'm applying heavy presser with it since I'm in for smooth and uniform consistency to get a smooth texture for our fibate mini cake in here. Carefully filling it inside the outlined region for this top, we are done with this emerald green for the top. As you can see please as you can see, it's a bit darker near the leaves since we added a bit of cerulean blue in there now. Let's do the first layer. Going back once again with the cerule blue to do the outlining and I'll be adding a little bit of the cerulean blue to make this side a bit darker. Here I'm applying bit of heavy pressure with it and you can see that with this, I'm also creating a little bit of distinct outline in between the top and this first layer. Going in with this emerald green and applying heavy presser to blend it to blend it with the cerulean blue and completely filling this first layer. Since I applied heavy presser with it, a lot of oil beast dust has been generated. So let's clean this up and we will proceed to the other layers. So as I mentioned earlier in the beginning that we'll be using the color combinations of naples yellow, and raw sienna, just like we did in our second project. But instead of combining the two colors, the naples yellow and the asiena together, I'll be using them separately. For the second layer, for the second layer, I'll only be using the naples yellow and for the fourth layer, only the owiana. So here, once again, I'm applying Habi Blazer with this nipples yellow to get a smooth consistency for the smooth texture for this second layer. If you prefer, you can use another darker side of the yellow to create a bit of distinction in between the layers to make it a bit darker near the top as well as the third layer. But I decided, why not? Let's only use single color for the second and the fourth layer. And we are done with this. And with this, we are done with the second layer. Let's add the middle layer, the same color combinations, the cerulean blue for outlining and a little bit for the inside, and then lv adding the emerald green. So yeah, let's carefully add it below this naples yellow and do the outlining. And now, let's add the cerulean blue. Once again, apply heavy pressera with it to blend it completely with the outlines and a little bit of cerulean blue that we added on the left side. And yeah, let's gradually fill this layer and move towards the right to completely fill this third layer. And we are almost done with this middle layer. For the fourth layer, I'll only be using raiana if you prefer, you can use other color combinations, you can use or create rough texture using seeds of the green to match it with the leaves on the top. Also, as I mentioned earlier, you can add berries. The green berries will do the work. And yeah, let's proceed with the rosiana. And once again, here I'm applying heavy presser with it to get a smooth consistency and uniformity of this color for the fourth layer. Avoid blending or mixing of this raw siana with this silvien blue from the third layer. And yeah, we are almost done with this raw sciena. As I mentioned earlier, you can use as I mentioned earlier, you can use other dark seeds to create a bit of more variety to the layers, a bit darker on the top and a bit darker at the bottom two, and the middle sexon will be of lighter seed. So yeah, feel free to experiment with other color combinations to make it a bit more interesting. And finally, let's do the final layer, the same color combinations. Here I have already created the outlines. Let's add a little bit more cerulean blue for this final layer since it is at the bottom, so it will be a bit more darker. Completely fill this entire section with this Meral green. Apply heavy presser with it and blend it with the outlined cerulean blue and a little bit more cerulean blue that we added on the left and a bit on the right. And with these, we are done with basic coloring for all the layers. If you prefer you can add more details or more color if you're not satisfied with it. Going in with the white to add the mid ribs and the veins, overlaying it on top of the greens, apply a bit of heavy pressure with it to overlay it on top of the leaves. And with these, we are done with our seventh project. And I'll see you in the next project with two cherries and another simple but more defined mini cake. So yeah, happy painting. 17. Cherry Drizzle Caramel Cake: Welcome to the eat project. So this is going to be a simple one, simple but more defined and more detail. It will take less than 10 minutes around seven or 8 minutes. This is somewhat similar to the second project that we did to mini cakes with single cherry on top. But instead of a single cherry, we'll have two defined and more detailed cherries and we'll be using a bit different sets of the color. For the second one, we use darker seeds of the yellows and lighter shades for the bees. But here, I'll be doing exactly opposite lighter sets of the yellow for the top and darker seeds for the rest. Let's sketch out the second cherry. If you prefer, you can add even one more. So three cherries. Here, I'll not be adding the leaves, but if you prefer free to add leaves or make more changes or adjustments as you see fit. Let's slide in the pencil marks a little bit. This will be very simple as I'll only be using five colors. Dark rose, vermilion for the cherries, then we have yellow, orange, yellow, and yellow ocher for the rest and a little bit of white to add tiny dots for the highlight for our cherries. So yeah, let's start with the cherries. So for this, I'll be using dark rose and vermilion hue, the dark rose will be creating the darker sides and vermilion you, the lighter sads. So I'll be using the dark rose to do the outlining and a little bit for the inside. And vermilion to overlay it on top of it and do a complete blending of colors. Here I've already started with this dark rose, doing a little bit of outlining and adding a little bit more dark rose on the lower left side, as well as a bit more on the second cherry that lies behind this first one. This region will be a bit darker. That's why I added a bit more dark rose in here. And now let's continue with this vermilion hue. You are free to use other seats of the red since here I'm trying to create a bit darker sets for the cherries, that's why I use this color combinations and applying heavy pressure with this vermilion you to completely blend with the dark rose. If you want to create a bit more darker sets, you can use the browns with the red, and for the lighter sets, you can use yellows with orange in the red. Let's apply a bit more present and do a complete blending of these two colors to create a bit of gradient in between the dark rose and the 1 million hue in here. Going back with the dark rose to define the outlines a little bit more and create a little bit more darker regions. And with these, we are done with the cherries for now, if you want, you can add more details, make the outlines more crispier. But I'll be leaving it as it is. For now, later on, I'll be adding the highlights and reflections. Let's do the top of this mini cake. So here, I'll be using the yellow orange and yellow. I'll be using this yellow orange to create the darker regions. Doing the outlines, adding a little bit more of this yellow orange near or below the cherries that we have. The aim for this yellow orange, as I mentioned earlier, is to create the Sato regions or the darker regions since I'll be laying yellow on top of it, so this yellow orange will create the darker regions and will act as the outlines, perfect and crisp outlines. So yeah, continue with this one. And let's add a little bit more for these regions to make it more distinct and a bit more darker. And we are done with this yellow orange, I applied medium presser with it. If you prefer, you can even apply heavy presser since we'll be doing a complete blending, so it does not matter that much now. Continuing on with this yellow, you're fully adding it mil the cherries and applying heavy presser to blend it with the yellow orange. As you can clearly see the regions where I added more yellow orange a bit darker in the seed. So that's what my goal was. Let's completely fill this outline region with this yellow. And for our next three project, we'll have kiwis, more strawberries, and even blueberries. So we'll be adding more detail and defined fruits on top or below or or inside the mini cakes that we have, and we'll have a lot of fun creating those exciting and vibrant fruits. We are almost done with this yellow for the top and yeah, apply heavy presser to overlay it on top of the yellow orange and do a complete blending for the smooth texture. And we are done with half of the mini cake, let's do the rest. So here I'm going with this dark rose. I'll be using this dark rose to create the outlines as well as a bit darker regions below this yellow and yellow orange color combinations and a bit more of this dark rose for the base. Now, let's add the yellow Oker. The darker set that I was mentioning. So yeah, I'll be overlaying it on top of the dark rose and we'll do a complete blending of the colors. Once again, I am aiming for the smooth texture, so uniform and consistent blending by applying heavy presser. You are free to use other color combinations. You can even create you can even create textured layer like two or three layers, the middle layer will be of the red color, combination of dark reds and light reds or combination of dark sides of the red and light side of the red, or you can use dark red along with a pink or a skin down. So that will be interesting. And on the beast, you can even add few more cherries or leaves. So you are free to add an experiment various element for this simple project simple project. And we are almost done with this yellow ochre. Try to create a crisp and definite outlines. Let's add the stems for the two cherries. So I'm using the same yellow ocher. If you prefer, you can go in with the greens, but I decided why not? Let's stick with only five colors and add more yellow ochers or other seeds of the yellow wherever you think it's required. We are done with this yellow ocher. Now, let's add a little bit of tiny highlights with the white left a little bit of white for the left side and add more color wherever you think it's required. And with these, we are done with our very simple mini cake with two cherries. If you prefer, you can go in and add sadous or bees or other elements, since this is a very simple and small project. So I'll see you in the next video. 18. Kiwi Matcha Mini Cake : Welcome to our ninth project, so this is yet another simple one, but this will be interesting one since we have got Kiwi slices in here. Because of the high brightness, the pencil outlines are not that clear, so that's why I have attached this final outline of the Kiwi slice in here. So very simple cylindrical see for our mini cake, single slice of the kiwi for the top, and later on, we'll be adding two more slices of the kiwis for our main mini cake at the base layer. So we have got two layers, one at the top, and the rest. So for this one, we have got two layers. And this is the only project in which I only use four colors. So I'm not counting the white and the black, so I'll be only using the three sides of the green, the green, yellow green, and olive. And then we have got gray and then I have got there that I'll be using along with the white and a bit of black for the seeds of the kiwi. So only four colors. And yeah, let's color it. So here I'm starting with this green. So I'll be using this to create a bit of darker regions or the skin of the kiwi. So yeah, let's start with this. Going over the outline of the kiwi with this green. So here I've applied heavy pressure with it. But later on, I'll be applying more pressure with the light seats of the green and the white to create a gradient between the greens and the white. Now let's continue with this lighter seat of the green, yellow green. So I'll be adding this yellow green on top of this green, and I'm leaving a little bit of space in between where I'll be adding the white to create the gradient in between these two greens. Here applying heavy pressure with it and overlaying it on top of the green and filling it in between the two greens the green and the yellow green. Let's create a beautiful gradient in between these two colors. The rest of the empty spaces of this kiwi will be filled with this white. We have got white, the sads of the green and darker green. So this is the kind of gradient that I was aiming for and add the color from the bottom of the kiwi towards the center so as to create somewhat of texture, to create somewhat of a texture from the base to the center of this kiwi slice. And this is very simple. Primary layer for our kiwi, we'll be adding seeds and bit of more colors if required later on. So yeah, let's add the tiny seeds. Ten to 12 tiny seeds, using black or you can use sads of the brown, darker shades of the brown. So this is our very simple kiwi on the top, what this means slice. Let's light in the rest of the pencil sketch, and we will color it. For the top, I'll be using the combinations of the green along with the olive. I'll be using the olive for most of the section, but I'll be using the green to create a bit of darker regions. So here I'm going with the green. Using this green to create the outlines for most of the section of the top and the side, I'll I'm using this green to create a bit of darker regions or you can see a bit of sados not sados but darker regions on this left side. I am supposing that the light is falling from the right, so this region on this side will be a bit darker. To make it more detail, you can add a little bit of green below the Kiwi slice so that it casts its shadow, and that region is a bit more darker. And now let's go in with the olive. Here I'll be applying heavy pressure with it and do a complete blending of the green with this olive. Carefully adding it near this kiwi slice, and let's do a complete blending of these two colors, the green from the outlines and this olive. Aim for the smooth texture. So apply heavy pressure with this olive to get a smooth consistency and uniform blending of the olive with the green. And with this, we are done with the top. Try to create a crisp outlines. Let's add the olive for the side. For this region, apply a bit more presser to blend it with the green. And yeah, let's move towards the right and completely fill this side. Here, as you can see, I left a little bit of space that will act as the outline or you can see a bit of reflection. So the white of the peeper is visible. Instead of this, you can use white, add it on top of it. But I prefer to use the whites of the paper to create the outlines like this. And with these, we are done with the top. Let's do the rest. So as I mentioned earlier, two more kiwi slices that is embedded or that is present inside this mini cake. If you prefer you can change the seep and the size of the kiwi slices, the orientation of the kiwi slices, also, if you prefer, you don't have to even add the Kiwi slices for this base. And we are done with this basic pencil sketch for the Kiwi slices. Let's fill the rest of this layer first, and then we will add the c for the Kiwi slices. So here I'm going with the grey. So let's add the gray applying medium pressure with this green and parsley filling this layer with it. And I'll be adding white on top of it later on and blending it to get a smooth consistency. Before doing that, let's do the outlining for our kiwi so as to avoid blending of the whites with the grays and the greens. So here I'll use the green to do the outlining. Go with this yellow green. We'll be creating the olive slices the same way we created the first one bit of space in between the greens. Now going in with the white, applying heavy pressure with it to do the blending. Blending this green with the yellow green. Create beautiful gradient between these two colors and extend white to the center of the kiwi slices. So we have got white, then bit of light green, more green and dark green. So this is the kind of gradient we are aiming for our Kiwi slices. Let's do the same for this one. If you blend the color in circular motion, you will get a better blending. So that's why I use this circular motin to blend the colors. And yeah, like the first one, try to extend the dark greens toward the center to create a bit of texture towards the center, and we are done with this white. Let's remove the oil pastel dust to avoid smudging of the colors. I'll be adding the seeds later on, but before that. But before doing that, let's complete this layer, going in with the white, apply heavy pressure with it to blend it with the grey, avoid blending it or merging it by mistake with the greens and green on the top. So you'll have to be bit causes. I added the green earlier, since if I have overlaid the green on top of the white I would not be able to create this dark or this detail green for the KiV slices. That's why I used the greens earlier. But if you are comfortable, you can create the white and the grey combination first and then add the greens on top of it. So basically, you'll be doing overlaying of the colors, but it will be a bit challenging since we are aiming for smooth texture and two or three colors on top of the smooth texture is a bit challenging. I'm removing the masking tape right now since I'll be adding the base, so I'll be using the gree to add the base. If you prefer you can use the combinations of the green and the cree to create sados. And here I am creating rough texture for the base. Applying medium presser with it to create the base. We are done with this cree for the base. Only thing remaining is to add the seeds. And add more colour wherever you think it's required to finish this ninth project. Tiny little see for our two iwi slices that is present in this base layer. And yeah, we are done with this. I'll see you in the next project where we have a square mini cake. Happy painting, and I'll see you in the next project. 19. Blueberry Lavender Slice : Welcome to the taint project. So this is something special. So for this one, we have got a square seed mini cake. So the theme is blueberries. So I'll be using sads of blues and the purple to create this one, two blueberries at the top, along with two leaves, and this is going to be multi layered and multi colored. There will be five layer, and I'll be using six to seven colors for this one. Here, too, I'll be aiming for the smooth texture for most of the layers, and the sizes of the layer will be somewhat different. The first and the second layer will be somewhat bigger and the other remaining three will be somewhat smaller comparatively smaller. Let's continue with our sketching. These are our first and second layer that are of comparatbly more thickness and the other three, the remaining three will be of less thickness. Let's add the outline for the last layer. And yeah, we are done with this. If you want to make adjustment or add few more aliment, feel free to do that. And you can also change your shape instead of this square one, you can go with a rectangular circular seat. The choice is yours. And feel free to make genius adjustment, and we are this very simple pencil sketch. Now let's color it. Here I'm starting with the black. So going over the outline, this black will act as the darker seed. I'll be creating the blue berries in somewhat darker sets. So a combinations of black and darker sets of the blue and a little bit of purple. So we are done with this black for the outlining and a bit for the center. So this region, the left side will be a bit darker. Now, let's add other colors. So here I'm starting with the Prusin a dark side of the blue. Feel free to use other sites or other color combinations of the blue to create the blue barries. Here I'm plying medium preserve with it and overlaying a little bit of it on top of the black as well as surrounding it. Primarily adding this protein blue on one side. And now let's go in with the lighter side. So for this, I'll be using this for this, I'll be using this light purple. Overlaying this light purple on top of both the Prussian blue and the black and we'll be doing a complete blending of the color. I'll be aiming for a somewhat smooth texture. So applying heavy presser with it to blend it completely with the black and the Prusine blue. Now moving on to the second blueberry that we have gotten here, doing the same, applying heavy presser with it, blending the blues and the black along with the outline black. The outline we created with the black. So I'm blending that too with this light purple. And we are done with it. If you want, you can go back to make the outlines a bit more crisper. Let's do the top. So this top will be the combination of both Prusine blue and the light purple, the same color that we use for the blueberries. Here, I am going over the outline as well as adding a little bit of this Prusine blue on the sides to make that side a bit more darker. Let's do the outlining for the sides, a bit of this Prusine blue on the sides to make it a bit darker. And now, let's add a little bit of this Prusine blue below the blue berries to make that region a bit darker. Going back with the light purple for this top, I'll be applying heavy pressure with it since we are aiming for smooth consistency, smooth textion, so completely filling this entire top and the side with this light purple. Added carefully near the blueberries. And as you can clearly see the blending that we are getting from this Bruisin blue and the light purple on the sides and below the blueberries, it's somewhat darker, the kind of blending that we are aiming for to so that this region is a bit darker insane. Carefully adding it on the other side. And between the two blueberries, and we are done with the top. Let's add the light purple for both the sets. On top of these two blueberries, I'll be adding two leaves. If you want, you can add other elements like jam, sauce or a single cherry or raspberry. The choice is yours, and you don't have to stick with the same color combination, feel free to experiment with other colour combinations. And we are done with this light purple for both the sides and for the top. And you can see the outline that we created with the Pisin blue is clearly visible and is distinct. Adding a little bit more light purple wherever it's required, and we are done with the top. If you want to make it a bit more crisper and more clear, you can go back with the Prusin blue to do it once again. Later on, I'll be adding a little bit of white to add highlights and do the outlining a little bit more. But for now, let's go in with the sepia. So I'll be using this Sepia for our second layer and fourth layer. Sepia along with the p orange. So random dots with the sepia, and I'll be covering this random dots with the p orange later on. Adding the CPF for both the sides. And now let's continue with a pale orange. Here, if you prefer you can add the rough texture, but I'll be going in with a smooth texture. So I'll be applying a bit more or heavy pressure with it to do somewhat of complete or partial blending in here with this Since the consistency of this pale orange is somewhat high. So the CPI behind it is not that much keyer, but you can see that the presence of somewhat brown below this layer or inside this layer. If you want, you can use other color combinations like prussian blue, along with the pink or white to follow the theme of the purples and the blue. So in that way, you will be only using the sets of blues and the purple. The whole mini cake will be of that color combinations. Yeah, we are done with this. Let's do the third one. So for this one, only sepia. Applying a heavy pressure with this to create a smooth texture and adding it on the other side too. Now, let's move on to the fourth layer, pale orange for this. If you want, you can add a bit of sepia, but I'll be leaving it as it is. And for the bottom layer, only light purple. If you want, you can go in with the Pusan blue to create a bit more darker sets for this bottom layer, but I'll be leaving it as it is, as I'll be adding base later on. A bit defined base for this mini cake. Going in with the CPI on second to blend it a little bit with the pale orange on the top and the pale orange at the bottom. Let's make this bottom layer a little bit more defined and have a somewhat clear and distinct outline. With these, we are done with a slight purple for the base. Now, let's do the greens. There are two leaves. For this, I'll be using the color combinations of turquoise green and olive. If you prefer, you can use other color combinations. But here, I'm starting with this turquoise green or of outline for the seep of the leaf, two leaves, not that much defined, but simple leaves, along with the mid drips and the veins. Now let's go in with the lighter set. Here I'll be using this seed of the olive. If you want, you can use simple green or yellow green, but I'll be using the olive for this one. O. If applying heavy pressure with this olive to do a complete blending with the turquoise screen, blending the mid drips and the veins along with the outlined turquoise screen. Since the intensity of the turquoise green is much more, so you can clearly see somewhat visible mid drips and the veins as well as the outlines. Going back once again with the turquoise screen to redo the seep as well as mid ribs and the outlines. And we are done with our simple leaves now going in with the white to add the highlights, adding the highlights for our blueberries. Now let's do the same for our leaves, mid ribs and the veins for the leaf, and let's add a little bit of highlight for our mini cake. So simple small lines, straight lines for the sides to make it a bit more sharper and we are done with the white. Now, let's add the base. So this time, I decided to create somewhat more defined base. So this region will be a bit darker, so that's why I'm adding the CPR in here. Apart from the CPA, I'll be going in with the white, and I'll be applying heavy presser with the white to get a smooth consistency for our base. So let's add a little bit more CPF. How about we completely cover this region with the SPF and on top of it, I'll be adding the white. So that side was a little bit high, so I decided to make this side a bit high, too. So yeah. And we are done with this Cipia now going in with the white and applying heavy pressure with it to get a smooth blending of the colours for our base. If you prefer you can create only the sados but I decided I decided, why not? Let's go with this color combination to create somewhat different kind of bees. Till now, we have only created rough bases and no sados at all. So this is kind of piece that you can create using or applying heavy presser with two or three color combinations. And here, I'm going over once again with the white to make the blending somewhat more uniform and consistent. A bit of purple was covered by the white, so adding a bit of more purple. Let's do the same for this fourth layer, adding a little bit of more pale orange and add more color wherever you think it's required. So this region was not that satisfactory, so I decided to cover some of the CPA with a pale orange. And with these, we are done with about two blueberries, square miniki and I'll see you in the next project with cherries, three cherries and happy painting. 20. Cherry Chocolate Slice: Welcome to the 11th Project. For this, I already sketched out the outline for our mini cake. So this is yet another simple one. The additional thing for this project is three cherries on the top, three simple cherries. If you prefer, you can add the stems in the leaf, but I'll be leaving it as it is. Instead of considering this as cherries, you can consider this as chocolate balls or you can create three different kind of berries, red berries, green berries, and blue barries. The choice in the interpretation of the three balls is yours, and on top of that, I'll be adding the chocolate sauce or you can say jam. Now let's add the color. For this, I'll be only using five colors, very simple one. So let's start with the dark rose for the cherries. I'll be using dark rose, burn Siena, raw sienna, naples yellow, and a bit of a Nike brown. So dark rose to create a bit darker regions for our cherries, particularly adding it on the left side. So this side will be a bit darker. If you want to make it with lighter, you can use other color combination. I decided to make the sap of the slice a bit bigger to accompany the three cherries on the top. And now let's continue. So for this, I am going in. Now let's go in with this burnt siana. You are free to use other color combinations for coloring the cherries. For dark sets, you can use browns and dark sets of the red. For medium sets, you can use reds and orange, and for lighter seats, you can go and for the lighter seats, you can go with the yellows and red. Adding bunt Siena on top of this dark rose, as well as doing a partial blending of the colors. Here I'm applying high pressure with it to do the blending and get somewhat of smooth texture for it. Add this burnt chan for the third and the last cherry that we have got in here, try to define the outlines and make the outlines a bit crisper and sar with the colour that you are using. And with these, we are done with this dark rose and the burnt sienna for our three cherries. If you prefer, you can go in with another darker sets of the red to make it a bit more darker. But here I'm satisfied with it. I'm adding a little bit of more dark rose on the other sides to make the three cherries a bit more distinct from each other. And later on, I'll be using white to add highlight as well as so the separation in between the three cherries. Now, let's continue with the raw sienna for the top. For the top, I'll only be using this burnt ciana. As on top of it, I'll be adding chocolate sauce or chocolate jam. If you want, you can add another color beside this raw iana just below the cherries or on the sides to make some of the places a bit darker to soothe the sados and a bit of reflection of the light. But since I'll be covering most of this rawiana I decided not to use any other sides of the brown or the yellows. So yeah, let's continue with it. Applying heavy presser with this raw siana to get a smooth texture for our top, and I'll be adding the same rosiana on the sides too. Here, too, I'm applying heavy presser with it, and let's completely fill this side with this rosiana. And for the rest of the cake, I'll be using nipples allow and a bit of red. And as for the chocolate sauce or jam, I'll be using n Dike brown along with white to add highlights or so of flaxon. Let's define the seep and make it a bit crisper and more straight lined with this rosiana and with these, we are done with the top. Let's color the rest of the slice for this. I'll be using asiana and a bit of dark rose. So here I upgraded random strokes with the osiana now I'm going with this dark rose and once again, random dots overlaying some of it on top of the asiana. But, yeah. And with these, we are done with this random strokes. Now I'll be using this nipples yellow. So if you prefer you can go in with a rough texture or smooth texture, the choice is your, but I'll be but for this one, I'll be going in with somewhat of medium texture. Not that much is good but much but not that much rough too. So somewhat in between the two, applying somewhat medium pressure with it and doing a complete overlaying on top of both the colors. As you can clearly see that the regions that I have covered with this naples yellow, the acyan and the dark rose that lies beneath it is somewhat visible and is creating somewhat very beautiful gradient. You can clearly see that something is visible or is present inside this layer. If you want, you can only use strokes to create the rough texture, but here I'll be completely filling this entire layer with this kind of layering. We have got only a little bit of it left, and with this, we are done with the naples yellow. Let's add a little bit of this naple yellow to create a bit of reflexion for the cherries. On top of it, I'll be also adding the white to make the highlights or reflexion bit more clear. So going in with the white and applying it of high pressure to add the highlight. And with these, we are done with our very simple sketch for our mini cake or mini slides of the cake. And let's add the chocolate sauce or chocolate ge on top of it. For this, I'll be using mostly by Nike brown or you can use any other sets of the brown to create the chocolate sauce or the jam. And instead of the color combinations of the brown, you can use other color combinations like that of the red brown or even black. But if you will be using light sets, then it would be very difficult as we have got too many layers of the colors and the light colors have a little bit of less pigmentation, and it would be very hard to overlay it on top of this many layers. So here I'm creating the soup for our chocolate sauce and feel free to experiment with the seep and the sides of this kind of jam. And I'll be having two large droplets of the chocolate jam on both the sides, one on the right and one on the left. Here I'm applying heavy presser with it to overeat on top of all the other colors that we have got in here. And here, too, I'll be aiming for the smooth texture to create somewhat of shiny reflection for our chocolate jam. Let's make it a bit thicker and broader. And as you can see, it's a bit challenging to add it on top of the layers of color in here, especially in here, since we have got lots of color, dark rose, asiana and Niples yellow. So you'll have to apply a bit of presser, and yeah, let's continue with adding more details and making it more broader and more defined. So with this, we are done with our very simple chocolate jam. Let's add a bit of white to add reflections and the highlights. Here, too, I'm applying heavy presser with the white to overlay it on top of the van **** brown. And with this, we are done with it. Add add more colors wherever you think it's required to add more details, make it a bit darker or make it a bit lighter. And with this, we are done with our 11th project. I'll see you in the next project where we'll have more layered cake, but that will be a bit more defined, more details, and more highlights. So yeah, I'll see you in the next project with three or four laid chocolate cake, chocolate mini cake, and happy painting. 21. Mint Chocolate Cake: Welcome to the Tower project. So this is yet another simple one, but we'll be adding more details and making it a bit more defined and refined. So unlike the other mini cakes that we have got, the cylindrical shape in here is a bit different. We have got a more broader base for it, so the length of the stake will be somewhat small, but the width of it is somewhat more. Yeah, this is the kind of cake that we are creating in here. So this is our four layered chocolate cake. For this, I'll be using browns and the greens, two leaves on the top, and we'll have brown and we'll have chocolate on top and for the bees. And for the middle, we'll have green and melt of naples yellow. So for this, I'll be starting with the leaves, and then I'll be going in the top and the bottom layer. And after that, we'll be feeling the rest of the middle layers. Two greens, a darker side and the lighter side of the green here I have already started with a deep green. Apart from this, I'll be using the lighter side of the green, yellow green. Feel free to use other color combinations of the green, and we are done with the deep green for our outlining. Let's go in with the lighter seed the yellow green. You can even add green berries besides the leaves or chocolate balls. So, feel free to experiment, add various element and play with the seep in the sides. Let's add this yellow green on top of the deep greens, and here I'm applying heavy presser with it to completely blend it with the deep green, the outlines, the bed robes, and the beans. So moving on to the secondly, applying heavy pressure to blend it with a deep green. Since the intensity of both these colors are somewhat seam, so the deep green from so the deep green that we used earlier is not that much clearly visible, but you can see a little bit of the deep green that we added for the mid ribs. So the veins are not that clear, but the mid rips is clearly visible. Let's make the outline a bit more defined. So going back with the deep green to make the outlines more clear and sharp Apart from these two greens, I'll be adding a little bit of white to make the outlines a bit more clear. So going in with the white, adding it over the mid ups and the veins here, I'll have to apply a bit of high present since we use high pressure with the other two layers of the colors. Add a bit more white on the edges to make the outlines a bit more sharper and defined. And with these, we are done with our two simple leaves. And now going back once again with a deep green to make the leaves a bit more defined as I was not set in fight with the outlines that I created with the white. If you're satisfied, there is no need to add any other color. And with these, we are done with our two leaves. Now let's add the chocolate. So the top and the bottom will be of brown color. So here I'm going in with a rose cream. For this project, I only use four colors the deep green, yellow green, rose green, and naples yellow. I am not counting white as I use white and black to add a bit of reflection. Carefully adding this rose gray and encircling it around the two leaves that we have got in here. Let's go over the outline to define the area in which I'll be adding this rose grey, adding the rose grey in between the leaves. And here, too, I'm aiming for the smooth texture. So applying heavy person with it to get a smooth consistency of the color. If you want to create a bit of darker regions, you can go in with the darker sites of the brown light brown or **** brown, add it on the sides and just below the leaves to create a bit of sados. But I'll only be using this simple colour, the rose green for the top, the first layer, and for the bottom. Let's add the first layering with this rose gray, using it to create the outline for it. Now, let's completely fill this entire region with this rose gray. I'm leaving a little bit of gray from the paper to be visible as it will act as the outline. Don't worry, if you have covered it later on, I'll be going in with the white to create the outlines and so a little bit of reflection with the white. And with these, we are done with the top and first lay. Let's do the second layer. For this, I'll be using the same color combinations, the deep green and the yellow green. And let's see what we can create with it a bit of deep green, random strokes with deep green. And now let's go back with the yellow green, applying heavy presser with it, and let's completely fill this entire region, entire second layer of this mini cake with this yellow green. As you can see, the region where we added deep green is completely different from the other regions, and we have got some kind of pattern or texture. So yeah, it turned out beautifully. Add more color wherever you think it's required, and we are done with our second layer. Let's do the third layer. For this, I choose a lighter side of the color, nipples yellow. So only naples yellow. If you want, you can go in with the rose gray and create random strokes to create some kind of texture that we created with the deep green and the yellow green for our second layer. But I decided to use only the light seed the naples yellow, and here too, I'll be applying heavy presser with it to get a smooth consistency and a smooth layer. Smooth third layer for our mini cake. Adding it carefully below the green layer, we don't want the naples yellow to get mixed with greens, so add it carefully. And with these, we are done with the naples yellow. Add more if you think it's required, but we are done with this. And for the final layer, the rose grey. Here, too, I'm playing heavy presser, and let's completely fill this mixed layer with it. As I mentioned, this is yet another simple one, but it is more defined and more detailed. And with these, we are done with our five blayerd chocolate cake. So I'll see you in the next project with another green them mini cake and happy painting. Oh, I forgot to add the highlights, so let's go in with the white to create a bit of outlines, add highlights and sew reflections. Tiny streaks of the white to create a little bit of highlights and sew reflections. And with these, we are done with our 12 project. If you want, you can add more colors, but I'm done with it. You can also add bees or shadows. And I'll see you in the next project. H 22. Blue and Green Layered Cake : Welcome to the 13th Project. For this, we have got multi layered and multi colored slice of the cake. This is similar to the pudding cake. In here, the main theme is blue and green. In here, we have got multiple leaps and three green berries. The upper section and one of the middle sexion will be in different combinations of blues and the greens. And apart from that, the other three layers will be combinations of different shades of the green. Here, as you can see, I have already started with the basic pencil skit, very simple seed, just like one of the pudding cakes that we need earlier. Now let's slightly erase the pencil marks. This is going to be five or six layered cake. I'll be using blue green, pale green, olive green, olive, iden ye, turquoise green, yellow green, and Sepiam. So we have got this many colors. As you can see, mostly these are greens and a few browns. So let's start with the first one, the blue green. Here, I'm using this blue green for the upper section. So greating this kind of strings for the entire upper section. As you can see, I'm not curling the entire upper part, but just creating this kind of contour hatchings or this kind of lines for the upper section and the first layer. Instead of using these greens and the blue, you are free to make your choices. You can use any other color theme for this project. And now I'm going in with this pale green. So completely filling the entire section with this. Here, as you can see, I'm applying heavy prize with it to get a smooth blending for the entire section. And just by blending these two colors, the blue green and the pale green. The color we obtain here is more akin to the blue as compared to the green. So this is the upper part, the first layering of this pudding cake, the green pudding cake. Now let's move on to the other side. Once again, apply heavy pressure with it to feel the entire section. We are doing a complete blending in here. As you'll see even after doing complete blending, the streaks that we created with the blue green is quite visible. Since the intensity of the blue green was so high, that's fine. The streaks that we created is easily visible, and that's what we were aiming for. Now let's go in with other seats of the green. Here, I'll be using olive greens and olive. So first, let's go in with a darker one, the olive green. Put this second layer, we have got this olive green, creating this kind of small strokes throughout this second layer. As you can see for the lower regions, I added a little bit more. Now I'll be going with a lighter set, the olive, and we'll be doing stippling, another layer of stippling, while totally overlaying it on top of the olive green. Let's do our second layer with this olive. So once again, overlaying it on top of the olive green and doing a somewhat of partial blending in here. Before doing that, let's define the outline section for the second layer. Now let's feel the entire region with this olive. You? As I mentioned in you, you are free to use any other color combinations. And, we are done with the second layer. I'll be blending it a little bit with the upper layer too. Add more color wherever you think it's required, and I think we are done with this second layer. And now let's move on to the third layer. In here, I'll be using. We read in you a bit of turquoise green. Apart from that we'll also have yellow green in the CPA. CPA I'll be using for the background, not the background, but for the surface on which this keq is present. So this will be the third layer that radiant. In here, instead of creating stippling, I'll be creating this kind of line line that passes through this entire region of this third layer. And on top of this'm going in with the pale green, the same pale green that we use for the first layer. In here, we'll be getting somewhat of same color that of the first layer. So applying heavy pressure with this to blend this large streak of this we already knew that we just added. Applying presert to blend it completely with this viridian. So instead of this viridian, you could have also used the blue green. The result would have been somewhat similar. And now for the next layer, I'll be going in with this turquoise green. Before doing that, let's remove the excess oil pastels douse And if you're not that confident, you can use the pencil sketch. So you can divide the whole pudding kick or any kick or the slices into different section with a lighter pencil sketch, and then and use that as a reference to add the color for different sections. And in here, I'm going with this turquoise green. The hue of this color is much similar to the blue green or the valid hu, but a bit different, not completely same. And with the yellow green, we'll be getting a completely different kind of color combination. The one we did with the first one and the third layer with the blue green and the pale green with the viridian hue and the pale green. So it will be completely different from those two. So in here, I'll be using this yellow green. So going over this layer with this yellow green and doing the stippling, we are doing a partial overlaying of the color for parcel blending of these two colors. As you can see, I added a little bit of more turquoise green for the lower section of this layer. And now let's do the remaining section with this yellow green. M. And below this layer, I'll be once again using the colour combinations of olive olive green and the olive. But before doing that, let's blend this layer a little bit with this turquoise green and yellow greens. In here, I use the pale yellow to do a little bit of blending. And now for this lower layer, as I mentioned, as I mentioned, the combinations of olive. And in here, I use the olive green. Now I'm going in with the olive. Let's do the partial blending of these two color using the stippling technique. Gradually filling the entire section with this. Apart from creating this layer, I'm also blending this olive a little bit with the other two colors that are coy green and the yellow green of the upper section. Before proceeding to that, let's blend the upper layer, the first and second layer a little bit with this olive. And now let's do our bottom layer. So in here, I'm using the darker side of the green. So here we are going in with this, we read in hue. Completely filling the entire section, creating a base for this pudding cake, using this. Now let's blend it a little bit with this olive green. In here, I'm using darker tone of the olive and blending it partially with this viridian. And with this we turn with a color combination for this pudding cake. Now I'll be creating the base for it, the green berries, as well as the leaves. Using the Varitan used to create the outlines for the leaves, a total of four leaves two on each side. You can create any other kinds of leaves or these are optional. If you don't want, you don't have to do this. And now I'm going with the yellow green to fill the entire section, completely filling the insides with it. Also blending the outlines of this read in you a little bit with this yellow green. In here, too, as sequenc I am applying heavy presser to get somewhat of smooth blending for the entire section of these leaves. Adding few more strokes of this yellow green wherever it's required. And now once again going with the darker tone of the green. In here, I'll be doing the leaves. In here, I'll be adding more details to the leaves, creating the mid ribs, the veins, and redefining the outlines, applying heavy pressure with it to overlay it on top of the color combination of the yellow green and the other dark green that we just created. And let's add the mid ribs and the veins. If you want, you can create the jagged leaf edges. And yeah, we are done with this. And now let's create the greenbrries. So I'll be creating two on the right side and one on the left side. The two on the right side will be a bit smaller. The one on the left will be a little bit bigger. In here, as you can see, I'm filling the entire section with this yellow green for this bigger berry on the left side, and we'll be doing the same thing, a darker side of the green to create the outlines and a little bit of detailing for the insides and then filling it with the lighter side of the green. And completely blending the two colours. Apart from that, if you want, you can go back once again with a darker side to create the outlines a bit more crispier and more defined. And yeah, we are done with the coloring for the insides of the green berries. Now let's unmask 13 project. And I'll be using a bit of CPR to add the best for it. If you want, you can create the sados for it or if you want, or if you don't want, you can just leave it as it is in here. I'm going with the CPN and applying medium pressure to fill, and I'm applying medium presser with it to fill the entire region, the entire bees with this CPR. And with these, we are done with our 13 project. I'll see you in the next one. 23. Cherry Drizzle Delight : Welcome to this 14th project. In here, we have got a small frosted cake with a cream pink top, red, rigal and a cherry ascent with leaves. So this is the sponge cake, and this is going to be interesting. This is one of my favorite one. And in here, I'm using this intersecting lines to draw out the guideline for this entire upper section of this sponge cake. In here, this slice of the cake will be missing one portion of it. So one slice has been taken away. And now let's do the outlining for the bees. This section is missing in here. The missing slice of this sponge cake was a little bit bigger, so I decided to make it a bit smaller. Choosing the length of the side to determine the length of the middle section of this slice of the cake. And now let's create the bees for this zing section. If you want, you can also create the missing section. The missing section of the cake is placed beside it, but I won't be doing that, but if you want to proceed with that, feel free to do that. And with these, we are done with the basic pencil sketch for this. If you want to make few adjustment, feel free to do that. In here, we'll be using lots of color of various seeds. I'll be using CPA, yellow ocher, salmon pink, brown, nipples, yellow, crimson, vermilion, y, turquoise green, and lastly, yellow green. I'll also be using a bit of white to add a bit of highlights. If you want to make changes to the saves in the side, just feel free to do that. Instead of cutting out this slice from this front side, you can also do it from the other sides. Let's do the coloring here. I'll be starting with the SEPIa. I'll be adding the colors in layer. With a CPA I'll be doing the outlining, the upper part and the lower part. After outlining the upper and the lower section of this with a CPA, I'll be going in with the yellow cher and do the sides. After colouring the sides and doing the outlining, we will move on to the upper section and we'll be using the salmon pink with a little bit of brown. In here, I'm continuing one with a CPR to create the outline. So this will be the base of the cut off portion. Let's do the outlining for the sides. As you can see in here, I'm applying a bit of low presser. And here we are doing another outlining. Applying bit of medium presser in here. Now, let's fill the entire section with this. In here, I'm applying a bit of medium presser to feel the entirety of this. Instead of the sepia, if you want, you can also use burnt sienna or another side of the brown to create somewhat of chocolatey crust. Let's do the coloring for the side. For the mix, I'll be adding the colors later on. For now, I'll be going with a yellow ocher for the sides. Add more CPA wherever you think it's required. And now in here, I'm going to use this yellow ocher. For the sides, too, I'll be going with a bit of rough texture. So for the side, I'll be using this yellow ocher, along with a little bit of CPA, I'll be using a bit of dabbling and a bit of stippling. I'll be creating some random strokes with the CPI first, and then I'll be going in with the yellow ocher to overlay it on top of the CPR. So this is the kind of random strokes that I was talking about, oosing the CPA to create this random strokes. Let's do the coloring for the base, too. Once again, here I'm applying a bit of medium presser for this lower section. Now let's colour the sides. So using this yellow occur and completely overlaying this on top of the CPA that we just ended, carefully adding it just below the outlines the outlines we created with the CPR. And here we are aiming for somewhat of partial blending so that we'll get kind of rough texture and also the visibility of the CPA underneath it is somewhat clear. Moving onto the other side, doing the same a bit of partial blending to get a kind of rough texture as well as a little bit of CPR should be visible. As I mentioned, if you want to create a bit of cross edges or outlines, you can use the colored pencil to do that. Instead of this kind of rough texture, if you want the smooth texture, you'll have to just apply a bit of more presser. Let's make some of the regions of the heights a little bit darker. So adding a little bit of CPA with low presser especially on the upper side and on the sides. Overlaying this a little bit on both the sides. And we are done with the sides. If you want, you can add more colours to it, but I think I am satisfied with it, how it turned out. Let's do the upper one for this l be, starting with the salmon. I'll be using the crimson and vermilion hue to create the jam or the sauce on the top later on. But for now, let's fill the entire section with this salmon pink. Oh in here, I'm trying to achieve somewhat of smooth consistency, so I'm applying a bit of heavy presser in here. Also avoid merging the color with the CP of the outlines. You'll have to be causes and try to maintain a CP of the cutoff section or the cut off section of the slice. As you can see, I'm carefully going over the contour of the outline section. And, we are almost done with this. For now, we are done with the upper section. Let's make the sides a little bit more defined. Now I'll be adding the color for the inside. Now for the insides or the layer of this miniake, I'll be using this brown along with a little bit of naples yellow. Instead of the naples yellow, you can also use the salmon pink. In here, I create a little bit of larger strokes or dabbling with this brown color. And now, I'll be using this naples yellow to create a somewhat of lighter texture, somewhat of lighter seed for the inside or the layer of this mini cake. So in here, once again, I'm applying a bit of heavy freezer. And the color for this inside of the cake is somewhat similar to the salmon pink, but a little bit different too. It's a bit lighter and see. So let's do another side too. Bit causes around the outline or the as redefining the bees a little bit with the CPA and let's make the edges a little bit more crisper, very small and thin streak of the brown. And we are done with primary coloring. Let's make the outlines a little bit more crisp and defined. So in here I'm using the ocher to redefine the edges and the sides. If you want, you can go back once again with the CPA to make the edges a little bit more sharper and more crisper. Now let's create a digal the sauce or the jam on the top. In here, I'll be using this crimson and a little bit of vermilion. I'm using this crimson to create the outline for that digal on the top and a little bit on the sides, and I'll be doing two or three layering of it, and then I'll be going in with the vermilion hue. Start with a little bit of mild preser and gradually increase this presser. Since we have used a lot of preser for the initial layer with the salmon, you'll have to apply a bit more preser so that it will be properly overlaid on top of the oil pista layers. Make this regal a little bit more broader. The bottom secon or the droplet at the base would be a little bit bigger. Now let's do one more layering of crimson on top. And with this we are done with a primary layering for the drizzle. Now, in here, I'm going in with this armlon you. If you want to make it a bit more lighter, you can use a bit of pinkish color or yellowish color, or if you want to make it a bit darker, you can use brown s maroon. In here, I'm trying to create somewhat of middle color using this vermilion, easily adding it on near the edges and for the bottom section. Here too, you'll have to apply a bit of tracer to overlay it on top of this so many layers of the colors. And now let's add the highlights. In here, I'm using white to add the highlights, feting small and large streaks of the white throughout the entire section of this dgel on the top of this mini cake. And, we are done with this. If you want to add few more details to it, feel free to do that. Let's do the remaining section for this mini cake. In here, I've already started with in here, I've already started with the turquoise green, creating the outlines for the two leaves in here. Apart from these two leaves, I'll also be adding two more leaves on the left side. If you want you can add more leaves, you can add few cherries too or raspbrries, blueberries, green berries or few chocolate pomegranate seeds. You have got lots of choice to choose from. If you want to do that, feel free to add additional aliment. In here, I added the yellow green for the insides. O Let's make the outlines a little bit more defined. So going back once again with the turquoise green. In here, I'm using this white to add a little bit of highlight and make the mid drips and the beans a bit more clear and more crisper. Let's create another set of the leaves the same color. Instead of doing only the outline in here, I just use this turquoise green as the primary layer for the leaves. Let's make it a bit lighter. Here I'm going with the yellow green and overlaying it on top of this turquoise green, as well as making the size of the leaf a little bit bigger. So going over the outlines with this. Redefining the outlines a little bit with a turquoise green and now going in with the white to add the mid ribs and the veins to make it a bit more crisper and more detail. And with these, we are done with this project. I'll see you in the next one. 24. Strawberry Delight Cake : Come to the 15th project Strawberry Delight Cake. So from here on the project will become a little bit challenging. We'll be creating much more vibrant colors, adding more elements to it, and have a lot of fun. In here, I've already started with intersecting lines to create a rough outline for the seep of this mini cake, Strawberry Delight Cake in here. Let's encircle the upper section to determine the upper part of this mini cake, doing the same for the lower part too. So this will be the side of the cake. Encircling the other side. We'll be having frosting. On top of the frosting, we'll be having a strawberry and on the base, too, on the left hand side, we'll be having another strawberry. I won't be adding the leaves for the strawberries, but there will be a single leaf beside the strawberry on the top. So this is the second strawberry in here. I'll be adding the leaves later on, but for now, we are done with a very simple sketch. If you want to make some changes, feel free to do that. Erasing the intersecting lines so that the site will be a bit more clear. This is going to be a multi colored project. We'll have deep yellow, vermilion hue and crimson, a little bit of white for the strawberries. Apart from that, I'll also be using rose green, green, naples yellow, Brilliant hue, and yellow green. So we have got seven or eight colors in total for this. You can also use different colors. Let's make the outline a little bit more clear. So this is our final outline. Let's slide in the pencil sketch, and then we will start and then we will do the coloring. I'll be starting with the white for the strawberries. Removing the eraser dust with this large use, and now let's do the color, starting with the white for the upper section of the strawberry, a little bit of green was stuck to my oil pastels stick. So ensure that there is no color on the tip of your oil pastels. You can use the cloth or tissue paper to remove it. Here I'm going with a deep yellow overlaying a little bit of this deep yellow on top of the white as well as encircling the white a little bit with it. Apart from the deep yellow, as I mentioned, I'll be using milion hue, a lighter side of the red and crimson, a darker side of the red for the strawberries. If you want to create a bit darker seed for the strawberries, instead of this vermilion and the crimson, you can use maroons and the browns and then a little bit of orange color, at a bit of darker orange color. Let's go in with the vermilion hue. Let's define the seep of this strawberry a little bit using this vermilion hue. A little bit of oil pastels dust was accumulated, removing it and creating this kind of a small circular or semicircular seeps with this vermilion hue to define the seep of the strawberry as well as overlying it partially on top of the yellow and the white from the earlier. Entirely covering the outlined section with this vermilion hue. So as you can see the regions where we added the deep yellow and the white is a little bit lighter. Let's make the sap a little bit more defined. And now I'll be going with this bit darker side of the red crimson. I'll be overlaying this crimson primarily on the lower regions as well as for the sides of the strawberry to make it a bit more darker and to make the outlines a little bit more crisper. Once again, in here, I'm also creating the same kind of strokes that I did with the Mrvllian hue. And finally, to make it a bit more darker, here I'm using this rose gray. Instead of this rose gray, you can use brown. You can use maroon or any other darker sets up the right or brown color. So rose gray primarily on the lower section and a bit on the left side where we'll be adding the leaves to so that the shadow is casted by the leaf. You'll have to apply a bit more preset to overlay on top of the many layers of the color. And with these, we are done with our strawberry. I'll be adding a little bit of highlights with the white later on. But for now, let's do the coloring for the frosting, starting with the gray. Instead of creating this white and grayish color of frosting, you can use any other color combination. You can use pink and you can use pink and white. You can use green and white or any other colour combination. And in here, I'm going with the white and applying heavy press to blend it completely with the gray. As you can see, I'm leaving the outline that I create it with a gray untouched, so not untouched, but blending only a little bit of the outlines with the white, not completely covering or overlaying it so that the outline will remain clear and create a clear distinction between the strawberries, the frosting, and the rest of the cake. And with this, we are done with the frosting for this cake. Let's do the remaining part. Starting with this deep yellow to make this region a little bit lighter. In here, I'll be using the vermilion and the crison the upper part of this mini cake is covered in drizzle. So using this vermilion, you and a little bit of crimson if required or a rose green to make it a bit more darker for some of the regions. Carefully surrounding the frosting with this vermilion hue. In here, I'm aiming for somewhat of smooth textion. If you want rough texture, you will have to apply a bit of medium resin. And I'll be leaving a little bit of a space for the edges, the curved edges for this cake. And instead of that, you can also use white to create the edges later on. But in here, I'm trying to create this kind of edge for the upper section. Continuing on with coloring the remaining portion of this drizzle for this side. For the lower section or the lower part of this drizzle, I'll be using a little bit of white to add a little bit of high light. For now, let's feel the remaining section. Apply a bit of heavy presser to get somewhat of smooth blending. And, we are done with this. Let's make this soap a little bit more crispier and more defined. If you want to create a little bit of streaks or a little bit of jam on riddle droppings, you can proceed with that. The same kind of riddles that we added for our last project. And now for the remaining section of this mini cake, I'll be using a combination of rose green and naples yellow, using this rose green to create this random strokes throughout the remaining section of this mini cake. And now let's go in with this naples yellow to completely feel this entire region. Here, for this section, I'll be aiming for a little bit of rougher texture, a kind of rougher texture in which we can see the presence of rose gray naples yellow. Applying a little bit of medium pressure and a bit of heavy presser so that we can get that kind of texture for this entire section, the remaining section of this mini cake. You'll have to bit courses around the lower section. And yeah, let's continue with the remaining section, going over the outlines of the strawberry and then filling the rest of the species with this naplesalo. In here, I'll be creating another strawberry. If you want to create a cross section of the strawberry, you can do that, but I'll be creating a complete strawberry. I won't be adding the leaves, but if you want, you can do the leaves too. Instead of a single strawberry, you can do multiple ones. You can also create cherries instead of the strawberry. And we are done with this lower section. Let's do the coloring for our cherry. The same color combination, starting with the white, the area which will be the lightest for the strawberry, going with a deep yellow, overlaying it on top of the yellow as well as surrounding it. And in here, I'm going with a vermilion hue creating the same kind of semicircular arcs to completely cover this. Adding a little bit more vermilion hue. Now going with the crimson, primarily adding it for the lower regions. In this case, primarily on the bottom right side. Let's make it a bit more darker. So going in with this rose gray, you will have to apply a bit more preset to overlay this on top of all the other colors. If you want to make it a bit more bolder and more darker, you can use a bit darker sad of the brown to create the outlines for the strawberries. And with these, we are done with our second strawberry. Let's do the leaves. A single leaf on the top. Starting with the viridian, you create the outlines, the mid ribs and the veins for this single leaf. And now here I'm going with this yellow green. I'll be filling the entire section of this leaf with this yellow green. Instead of the single leaf, you can create multiple ones. Feeling the entire section of this viridian hue outline leaf with this yellow green, applying a bit of heavy pressure to blend the two colors together. Since the intensity of the iden is comparatively high, you can still see the mid drips and the veins that we created. But to make it more crisper and more defined, going back once again with the viridian hue to do the outlining and the mid drips and the veins. Adding a little bit more rose cree for the lower section of this strawberry. And now let's create the bees for this one. Instead of the bees, you can create the sadosO you can leave it as it is. In here, I'm using this cree to create a smaller bees for this one. Even on this stage, if you want to add few cherries, you can do that. You'll have to apply a bit more pizza. You can add you can add one or two cherries on the upper part just beside the strawberries, using a bit darker tone of darker seeds of the color. Now let's add the final touches using this white to add a little bit of highlights. Now, let's add a little bit of white to make the riddle a little bit more shining, especially on the sides. Now adding it on the lower part of this ridgel a small single streaks of the white. Now let's make our leaves a bit more detailed and more defined. And with these, we are done with this project. I'll see you in the next one. 25. Berry Cream Mini Cake: Welcome to the 16th project Berry Cream Mini Cake. This is yet another simple one. It won't take much time, less than 10 minutes. Let's start with a basic outline for our mini cake. Primarily, we'll be using only six colours for the main subject, the rust berries and the black berries, and the two layers of the cake. Apart from that, we'll be using two seeds of the green for the leaves on the top. If you want to add shadows or the base, you can do that, but I won't be doing that in this project. So this is the very basic see for our mini cake. Let's do the outline for the blackberries and the raspberry, somewhat circular see for both, somewhat of circular seed for both the berries, and yeah. This is our rough sketch. Let's light in the pencil marks and we will just dive into coloring this project. Removing the easive dust. For the blackberries, I'll be using Prusin blue and light purple, a little bit of white to add the highlights. For the raspberries, I'll be using crimson and the scarlet and once again, a little bit of white for the highlights for the cake, and the two lads, I'll be using the yellow, scarlet, crimson, light purple, and Prusin blue. So all the major colors that I'll be using for the berries, I'll be using for the cake, too. So let's start with the prussin blue for our blackberry in here. I'll be creating the same kind of texture. The same kind of semicircular arc that we used for our other projects. So completely filling the entire circular region with this kind of small texture pattern. For the insides of it, I'll be filling the light purple. So this is a little bit different from the one we practice in the demonstration video. We get done with the first layering for our blackberry. Now let's go in with this light purple. If you want to use any other color combination or if you want to make it a bit more different, you can use two or three seeds of the purples and the blues to make the raspberries and the blueberries a little bit more exciting. But here, I'll be keeping the things a little bit simpler. So going with the slight purple and filling and filling some of the empty specs that we created with the Plucan blue, I won't be covering the entire section with it. In here, I'm applying a bit of medium to high presser to overlay it on top of the prucan blue and do a little bit of partial blending. I'll be going in with the white to add a little bit of highlights for our blackberry later on, but for now, let's do the raspberry. The raspberry that I'll be creating will be exactly the same as the blackberry. I'll be just using different color combinations in here, crimson and the scarlet. Here, I've already started with a crimson to create the same kind of somewhat of semicircular arc for the entire circular region of this rasmery Now let's go in with another seed, a bit of scarlet. And as I was mentioning. And as I was mentioning, if you want to make it a bit more exciting, you can use a bit lighter seed for this case. For the raspberberry, in here, you can use a bit of pinkish color or a bit of yellowish color to create a little bit of more highlights. And as for the blackberry, you can use a little bit of sky blue or turquoise blue, and we turn with a scarlet. And with this, we are done with the primary coloring for our raspberries and the blackberries. Now, we'll be going with the white to add a little bit of highlights, adding and creating tiny strokes of the white throughout the entire section of this blackberry and the berries. You'll have to apply a bit of heavy presser with this white to overlay on top of all the colors, the Prussian blue, the light purple, and, and for the raspberry, crimson, and the scarlet. And with these, we are done with our barries. Let's do the remaining section of our mini cake. In here, I'm starting with the salmon pink, carefully surrounding both the berries, the blackberry and the raspberry with this salmon pink. And on top of this, I'll be going with the yellow. I use this salmon pink as the color of the peper is somewhat similar to another sd, the yellow that I'll be using. So to make the yellow a bit more clear and distinct, that's why I use this salmon pink as the primary layer. Now, here I'm going with the yellow and overlaying it on top of the salmon pink that we just added, I'm applying a bit of heavy preset to overlay it on top of it and do a complete blending of the two colours to get somewhat of smooth and uniform consistency for this upper part. Let's do the remaining two layers. In here, I'm starting with this crimson, creating this random stroke throughout the entire region, entire upper region or the upper part of it. Now, once again, going back with the salmon pink and completely filling the entire region with it. Here, I'm creating a bit of larger stroke and overlaying it on top of the crimson that we just added. Let's cover the entire section. Here, as you can see, we are aiming for somewhat of a rough texture. You can clearly see the visibility of the crimson that we just added, and this is the kind of texture we are aiming for. Instead of this, if you want to create somewhat of layered cake, you can proceed with that, too. So you can create a bit of crimson and yellowish layer, then we have red layer then Once again, crimson and yellowish layer followed by blue layer or you can do any other kind of layering. With this, we are done with the first layer, let's do the second one, using this prucian blue, creating random strokes throughout this bottom part. Once again, going in with this salmon pink and completely filling the entire region with it. The same kind of blending, the partial blending that we did for the first part, the same kind of the blending that we did for the upper layer. So here applying a little bit more preset to a somewhat of blending. Here I'm applying a little bit of less presser as compared to the upper part, but since the consistency of this prucan blue is a bit thicker, so that's why it's spreading a little bit more as compared to the crimson that we just used. And with these we are done with the bottom part or the bottom layer of this mini cake. If you want to make some adjustment or changes, if you want to add middle layer to it, you can do that. You'll have to apply a bit of heavy pressure with it. So you can add a middle layer of red in the middle and then a blue layer at the base or you can do just opposite blue layer in the middle and the red layer at the bottom. You can leave the project as it is, or you can proceed with me to add few leaves on the top. I'll be using deep green and yellow green to add toe leaves on the upper part of this mini cake. Using this deep green to create the outline for our leaves, these leaves are somewhat larger. If you want to create smaller leaves, you can proceed with that too. Adding the mid drips and the veins coming out from the skin. And now let's make it a bit lighter. So going with this yellow green. I'll be completely covering the entire section with this. As I'll be blending this yellow green with a deep green that we just added. Now adding this yellow green for the entire section of the leave. Here I'm applying bit of heavy preset to blend it completely with the deep green, the outlines, the mid drips, the veins. Let's do the second leaf, applying heavy pressure with the yellow grain to blend it with the remaining section for this leaf. And now let's make the leaves a little bit more defined. Going back once again with a deep green to make the outlines a little bit more crisper and more detail and adding the mid drips and the veins again. So adding the mid rips and now let's add the veins coming out of it. Now I'll be going with a little bit more white to add a little bit more detailings and a bit of highlight for our mid drips and the veins for our leaf. And yeah, with this, we add with this project. If you want to add a little bit more detailings to it, add more colors to it, feel free to do that. If you want to add more marries, you can still do it. You'll have to apply a bit of heavy plazer to do the overlaying in here, but you can do that. This project also turned out pretty well, so I'll see you in the next one. 26. Golden Berry Bliss Cake: Welcome to the 17th project, Golden Berry Bliss Cake. So this is a little bit complex and will take a little bit more time. Let's start with the basic pencil skit, somewhat of circular see for the top. So in here for this golden Berry Blaise cake, we have a vibrant and textured dessert that radiates warm and sweetness. This project features a two layering mini cake. The bottom layer is in rich seeds of rose pink and berry tones, while the top layer glows with golden yellow and honey hues, creating a delicious contrast. This is going to be a lot of fun. On top, we'll have a cluster of bright berries, a juicy pink grasp berry and a deep blue berry, which adds fresh and lively touch to the upper part of this mini cake. And then we'll be adding green leaves detailed with subtle sading and in texture to add a little bit of natural pop of color for this composition. So this will be our blueberry and the rasperberry. Here's another blueberry at the bottom section, and this is the portion that has been taken off from this mini cake. If you find it a little bit difficult to do this, you don't have to do it. And this is our very basic pencil sketch for it. We'll be adding the leaves later on. In here for this lower level, we'll have to raspberries embedded in this layer. So only a little portion of it will be somewhat visible. And now let's lighten the pencil sketch. Instead of the raspberries and the blueberries, you can add cherries, strawberries or any other kind of the berries. Let's lighten the pencil sketch, and then we'll move on to adding the colours for it. Let's remove the oil pastel dust. We will start with the raspberries using crimson, dark rose, and pink, and as for the blueberries, I'll be using Putin blue and cobalt blue. For the leaves, I'll be using blue green and green, and as for the remaining sections, I'll be using salmon pink, deep yellow, vermilion hue, and a little bit of white for highlights and a little bit of detailing. Let's start with this crimson color for our rasperberry. Let's create the same kind of circular or somewhat semi circular arcs that we use for our strawberries and the raspberries in our earlier projects. Instead of this, you can create the same kind of raspberries that we practice in the demonstration vino. So the middle portion will be a little bit darker. Now for the dark tone, I'll be using this dark rose. And for the lighter tone, I'll be going in with the pink. For now, let's continue with the darker tone N dark rose. So in here I'm creating a little bit of smaller strokes and applying it for the center reason and a little bit for the reason closer to it. Let's go in with the lighter set. So using the pink. Instead of this pink, you can use any other lighter sets of the colors like naples yellow or light yellow, a little bit of white too. So if you don't have this, you can use any other colours of lighter sad. In here, I'm filling some of the empty specs that I created with the crimsons not completely covering it, but only for a small section of it. I'm applying a little bit of heavy preset to do a bit of partial blending. And with this, we done with our first rasp. If you want, you can add a little bit more detailing. You can meet one side a little bit more darker. Now let's do our blueberry. So here I'm starting with this black to do the outlining. Instead of using this black to do the outlining, you can use any other sets of the dark brown or dark or dark blues. Let's continue with this Prussian blue, primarily adding this on one side and a little bit for the center. And you'll have to apply a bit of heavy pacer for this since we'll be doing a lot of blending for our blueberries. Using a little bit of a stippling and overlaying on top of the black, particularly on the one side. And now let's go in with a lighter side. In here, I'll be using Kobe blue. You have got the rough idea how you can easily create any kind of berries, either raspberries, blue berries, strawberries, cherries, or even green berries. Two or three different seeds of the colors, a bit lighter seeds and a bit darker seed, and then we have a bit middle side of the color. In here, apply a little bit of presser with this cobelt blue to get somewhat of partial blending in between this cobelt blue, the Prussian blue, and the black of the outline. We'll be adding the highlights for it later on. But for now, we are done with this raspberry and the blue berries for the top. Now for the upper layer of this minike, I'll be going in with this marmion hue, I'll be adding a little bit of random strokes throughout the upper section and the side with this. Also, I'll be doing the outline for this section, the section that is missing, applying a little bit of medium presser with this to do the outline and adding random strokes for the upper and the side part of this mini cake. Let's define this section a little bit more clearly. Let's do the outlining for this remaining section. So here we have outlined the upper part and the side with this vermilion hue. Now, let's do the coloring. So this time, I'll be going in with bit lighter set, and here, I'll be using deep yellow. So completely filling the entire section, the upper part, and the side with this. And in here, I'll be applying a bit of heavy preset to do a blending of these two colors, the orange and the vermilion hue and this deep yellow. Overlaying this on top of the entire vermilion hue and applying heavy precty do the blending to somewhat to get somewhat of smooth blending and uniform consistency throughout the entire section. And with this, we are done with this section, the missing section. If you want to make it a little bit more defined and detail, you can use a little bit of orchard to make this region a little bit more darker, particularly on the left side. Carefully surrounding both the berries on the top, the raspberry and the bluebrry gradually moving towards the right and let's surround it, and let's surround the blueberry with this deep yellow. As you can see, the vermilion hue that we just used earlier is somewhat visible even after doing heavy blending. So this is kind of the texture that I was aiming for. So we have got somewhat of different seeds of the color for this upper part. We'll be doing something like this for the second layer, too. Let's remove the axis all piece till dust. And if you want to make this a little bit more crisper and bolder, you can go in with the colored pencil to do the outlining. In here, once again, I'm going back with the vermilion to add a little bit more detailing to the outline section and a little bit of seeding for some of the regions. Going back once again with a deep yellow to blend the vermilion a little bit more and to get a little bit more uniform and consistent blending for this region, applying thick layer of deep yellow for some of the regions to get a little bit more smoother blending. And yeah, we are done with this upper layer. Now, let's do the remaining section. So first, I'll be doing the two raspbebrries that are present for this lower level. Only a small portion of this will be visible, and that visibility will be not that much clear. So we'll have poor visibility of these two rasp berries. Instead of this rasperbry you can go in with the blue to create the resemblance of the blueberries, or you can do both. The raspberries and the blueberries for this second layer. In here I'm adding a little bit of pink to make it a bit more lighter. Applying a little bit of more presser with this pink to overlay it on top of this. And we are done with this very simple and basic raspberry berries for this middle layer. Now in here, I'm going in with this dark rose and applying a little bit of less presser, creating this kind of simpler seeds throughout this entire region for the second layer. And on top of this, I'll be going with the salmon pink and applying heavy presser and doing a little bit of a stippling technique to create this second layer. So we'll be applying a little bit of heavy presser with the salmon pink to overlay it on top of the dark rose that we just added, and I'll also be trying to maintain the s and I'll also be trying to maintain the seep of the portion that is missing for this cake. So in here, I'm starting with a missing portion. This region will be a little bit darker, and we'll be trying to maintain a little bit of outlined potion using this salmon pink and the dark rose that we just used earlier. And here we are surrounding the two raspiberries that are present in this layer. So we are surrounding this as well as doing a partial blending of the colour. Salmon pink of this layer and the crimson and the pink from the raspibry carefully adding the colours and blending it for this raspi belly too. So partial blending of the colors. And we are overlaying this completely on top of the deep rose that we added earlier. Also try to maintain the straight C for this mini cake. So as you can see, for this region that is missing, I added a little bit of more present, and that region is a little bit more detailed and defined. With these, we are done with this second layer. For the bottom layer, I'll be using a bit darker tone, so going with this degrade and let's create more random strokes for the entire lower region. Using this stippling and adding the stippling strokes more closer to each other. And with these, we are done with this dark rose. If you want you can make this bottom if you want, you can make this bottom layer or the base a little bit more thicker. And now let's blend it and subdue this color a little bit. So using the salmon pink to blend it with the upper layer and subduing its intensity a little bit by overlaying this salmon pink on top of it. So it's somewhat of the same color as that of the raspi berry, the two raspi berry in this middle layer. Now let's do the other blue berry that we have in here. So starting with the black to do the outlining. Now going in with this prussian blue, overlaying it on top of the black as well as doing a partial blending, particularly on the left side. Finally, going with the covet blue, applying heavy press to do a partial blending with the black and the prussian blue. And with this, we add with two blue berries and a single rasp berry on top. We'll be adding the leaves and highlights using the white. Before the leaf, I'm starting with this blue green, creating the outlines, the mid drips, and the veins with this blue green. Instead of the single leaf, you can do multiple ones. Let's add one more leaf on the top. You don't have to add this kind of leaf. You can add any different kind of leaf. You can add stems to the raspberries and the blueberries too. Let's add the veins coming out of the mid drips. And let's go in with a lighter set, the green. Covering the entire section of both the leaves with this green, also applying heavy presser with this green to blend it with the blue green. In here, the intensity of the both colours are somewhat sm. So I'll be going in with the white later on to make the mid drops and the veins a little bit more defined and more detailed. Adding this green for the second leaf in here. Let's make this heap a little bit more larger. And with this, we are done with this green, going back once again with the blue green to make the leaves a little bit more details, adding the mid rips and the veins. And with these, we are done with basic coloring for our leaves. Now, let's make it a bit more defined and detailed. So using white to go over the mid drips and the veins to make it a bit more highlighted and a bit more detailed. Now let's add the white for the remaining section, adding a little bit of highlights for our blueberries and prespbrries also for one side of this mini cake for the upper side. I'm adding the white for the upper part of this mini cake, also for the sides of this missing part. And with these, we are done with this project. If you want to add more details, more highlights, feel free to do that. If you want you can add the bees or you can create the cads for it. But I'm satisfied with how it turned out and it turned out pretty well. So I'll see you in the next project. 27. Golden Garden Delight : Welcome to our 18th project Golden Garden Delight. This is the largest project of all. It will take the most time around 16 to 18 minutes. Let's start with the basic. Very simple see for this mini cake. This will be multi layered and multi colored, and we'll be having lots of lments on top, blueberries, blackberries and raspberries. We'll be using lots of colour, crimson and light rose for our raspberries, Prusine blue and comal blue for our blackberries, ultra ultramarine blue and light purple for the blackberries. Then for the rest of the king, we'll be using Spa, pink, deep yellow, yellow ochre, and naples yellow. This is our very simple scene. If you want to make chiese, feel free to do that. This will be four layered cake. I'll be adding two raspiberries, three blackberries, and five blueberries. Apart from this, if you want, you can add other elements like strawberries, cherries, greenbrries. Now let's lighten the pencil marks. In here, I decrease the lightness a little bit as the pencil sketch was not visible because of the light, so I reduce the brightness. Now let's add the outlining for our raspberries, blueberries and the blackberries. We'll be having two raspberries on each side, three blackberries beside them, and few small blueberries, a total of five blueberries in the middle. You can add more berries. And if you want, you don't have to add the berries. And with these, we are done with our very simple outlining for our berries on the top. I'll be using the same kind of taxial or somewhat of semicircular arc to create the berries, raspberries and the black berries. Now, let's lightly vase it, and then we will move on to adding the color. I'll be starting with the crimson and the light roll, the same kind of raspberry that we created for our earlier last two projects. Now, let's do this, starting with this crimson. And as I mentioned earlier, you are free to use other color combinations. In here, I'm keeping things simple. That's why I am using only two sets. If you want to make it a little bit more detail and defined, you can use three sets. Going in with this dart s, the crimson to define the outline, as well as creating this kind of see for the entire section of this rasp berry. In here, we have the second raspberry doing the same thing. This kind of semicircular ark for the entire section of the rasp berries. Are we making the center a little bit more darker later on for now, let's create the see for it, making this one a little bit bigger. I'll be applying heavy pressure with this slight rose and overlaying it on top of the crimson that we just added, as well as filling some of the insides. I won't be covering the entire section. I won't be covering the entire section. I'll be leaving some of the white of the people to be visible. Et's go with this light rose and applying heavy crest with it to overlay it on top of the crimson and feeling the insides of some of the semicircular seeds that we have in here. Instead of this light rose, you can use light pink. You can use nipples yellow too, and also you can go in with the extended to extend this crimson a little bit and then go in with the white. I'll be going in with the white later on to add a little bit of more highlights for our berries for now. But for now, let's continue with this light rose. And with this, we are done with our raspberries. So let's do our blueberries. In here, I'm starting with this black to do the outlining for it, a total of five blueberries in here. You can increase the numbers of the blueberries or if you want, you can even decrease the numbers. Let's create one more beside this raspberry. Very simple seems for our blueberries, if you want, you can add a little bit of blacks for inside to make one side or one reason a little bit darker. And in here, I'll be going with this pros and blue. Creating tiny streaks of creating tiny streaks with this Prusine blue on one side of the blueberries. And also, I'm blending a little bit of this Busan blue with outline black. Now for the lighter set in here, I'll be using this cobalt blue. So instead of this cobalt blue, you can use any other shades of the blues, a lighter sad. Let's do the blending with this cobalt blue, and I'll be covering the entire section of this blue berries with it. In here, I'm applying heavy preset to blend it with the outlined black, the protein blue that we just added. We are trying to make the left side a little bit darker. The right side will be a bit lighter. Applying heavy preset to do somewhat of partial blending for the entire section of this we'll be creating highlights in the form of large strokes with the white later on. But for now, let's add the coloring for our last remaining blueberries, beside this Asper berry. Applying heavy pressure with it. And yeah, with this, we are done with our five blueberries. And now let's do our black berries. For this, I'll be using this ultramarine blue and light purple. But in here, the ultramarine blue and the slight purple will be sufficient as it will be somewhat different from the blueberries that we just created and not of the same color consistency. Once again, in here, I created the same kind of texture that we use for Berries and the blueberries in our earlier videos. Et's add another one in here. Beside this one, and I'll be adding one more on the right side. Creating this kind of tiny strokes for this entire section of this black berry. I am not adding any leaves for it. If you want, you can add the leaves too. You can also add gals. Creating our last blackberry in here. And with these, we are done with ultramarine blue as the primary coloring for our blackberries. Let's go in with the lighted seed. In here, the light purple, and I'll be doing the same thing that I did with the light rose, applying heavy pressure to overlay on top of the ultramarine blue, filling some of the inside spot as well as leaving a little bit of the white s piece of the paper to be visible. Starting with the center one, applying a bit of heavy pressure to overlay it on top of the ultramarine blue and doing a little bit of and doing a little bit of psy blending with this. Create somewhat of circular strokes with this. Now let's move on to the one at the back. For the blueberries, raspberries and the blackberries, I'm not making them a bit darker or creating bits of defined highlights and sides. But if you want to do that, you can just go in with bit another darker seed. For the raspberries, you can go in for the raspberries, you can go in with the maroon and add it on one side to make that side a bit darker. For the blueberries, you can use a bit more black. And as for the blackberries, you can go in with the Prussian blue to make one side more darker. If you want to do that, feel free to proceed with that. In here, I'm going with the CPR to create the center for the raspberries and the black berries. Tiny strokes with this for the center, and we'll be blending it a little bit, and we'll be blending it a little bit to decrease its intensity. So overlaying the crimson on top of this CPA that we just added for our raspberries. And with these, we are done with this raspberries. Now going with the white to add teeny tiny highlights for our blue berries. I'm applying heavy pressure with it to overlay it on top of all the colors. Two single dots to create the highlights. Now, let's do the highlighting for our raspberries and the blue berries. You'll have to insert that your oil pastels stick is clear and the white, you will get reds on the blues and blues on the reds. So that's what I'm doing cleaning a tip of the oil pistel so that the color won't be transferred from one berry to the other bearing. And yeah, we are done with the highlighting. If you want, you can add a little bit more white. I was not satisfied how the raspberry turned out, so I decided to add a little bit more coloring to it. So I'll be using this pink a bit darker seen as compared to the light rose and overlaying it on top of some of the section of this raspberry. In here, once again, I'm applying a bit of heavy preset to overlay it on top of that. Adding a few more strokes, and, yeah, we are done with our raspberry. Now, let's continue with the remaining section of this mini cake in here. I'll be starting with this deep yellow. The upper part will be deep yellow and a little bit of red. So Let's do the outlining for our berries, and then we'll be adding more details to it. In here, I'm applying heavy pressers so that we can get somewhat of a smooth and uniform consistency for the upper part. You will have to add a little bit of yellow for the middle section too in between the blueberries. Adding carefully in between the blueberries and the blackberries. We don't want the blending of the colors in here, adding it between these blueberries, a little bit of yellow for the other side too. Let's define the outline for this upper part. Tiny strokes to fill the small spaces. Et's try to get somewhat of smooth blending for this entire section. The top was a little bit of crowded, so that's why I did not add in any other color. But for this side, I'll be going with a little bit of ocher to make it a little bit more defined and create a bit of gradient. In here, I'm using a deep yellow to do the outlining, and then I'll be going with this darker tone, the yellow ocher and adding it for the sides. This yellow ocher. Instead of this yellow ocher, you can also use a bit of lighter set of the orange or bit of maroon. That will be interesting too. But I'll be going with this yellow ochre. So for the sides, adding a little bit of yellow ochre, and here I'm applying a bit of low presser, adding it just below the outline section. Let's blend the two colors together. In here, I'm applying heavy presser with this deep yellow to blend it completely with the yellow ocher and after doing this blending, you will be able to see that some of the regions on the side will be a bit more darker as compared to the rest of the regions. The regions where we added the yellow ocher to make it a bit more darker. Let's blend it properly in here. Applying a little bit of heavy pressure to do the blending for the edges. Let's make the seeps a little bit more straight and defined. And yeah, with this, we are done with our top section. Let's do the remaining two or three layers. For this, I'll be using the blues and the reds and nipples yellow to do the blending. In here, I'm going with a blue, creating random strokes. For one layers, we'll be using the blues, for another one, we'll be using the reds. Let's increase the number of strokes a little bit, and this will be the outlining for it. So this will be our second layer. Now let's go in with this naples yellow. This is a bit lighter tone of the yellow and we'll be doing somewhat of partial blending, not partial blending, but more than partial blending, entirely covering this blue and trying to achieve somewhat of texture that is in between smooth and rough, not completely smooth or neither completely rough. As you can see in here, I'm applying heavy presser to overlay on top of the blue gradually moving towards the right. And I'm also blending this naples yellow a little bit the deep yellow of the top layer. And here we are getting this kind of somewhat of smooth and bit rough blending. So that's what we were aiming for. You can clearly see the visibility of some of the blues that is present below this nipples yellow and we'll be doing the same thing for the other layer in which I'll be using the id, as well as a little bit of the pink. In here, I'm going with this crimson. In here, I'm continuing with this crimson for the second layer. The strokes that I'm adding are comparatively bit larger than the blue one now. Let's go with this naples yellow once again and blending it. You am applying heavy pressure with it to do the blending. And as you can see, of the red because of the intensity of the red and how it's spreading, the combination of this naples yellow and this crimson has turned out somewhat of pinkish color. But still, you can see the visibility of this crimson below this layer. And the outline that we created with the blue is still visible. So we have got the second and the third layer. Let's add the base layer for it. For the base layer, I'll be using sepia and a little bit of naples yellow. For this, I'll be using the purple and a little bit of sepia, using the sepia to draw out the outline for the base of this mini cake and filling a little bit of Sepia with medium preserve for the entire section. End up continuing on with the nipples yellow for the entire section, the entire section of the base. And once again, we are applying heavy pressure to blend it properly with the third layer and this base layer, completely overlaying this nipples yellow on top of the sepia. Let's do a little bit of mon blending in between the third and this base layer. Applying a bit of more preset to blend it properly with this. We are done with this. If you want, you can add few more details to it. You can add results, you can add leaves and you can also create the base or the cados for it, but I'm satisfied how it turned out, so I'll see you in the next project. 28. Sunset Raspberry Slice: Welcome to the 19th Project Sunset Raspberry Slice. So this is somewhat easier as compared to the last one. And in here, I'll only be using five colors, crimson, rose green, scarlet, and pink for the raspberry. And for the remaining section of the cake, I'll be using a combination of this color along with a little bit of yellow orange. Let's do the outlining for the upper part. So the last three projects, this 19, the 20th, and the 21st will be in this way. So the cakes will be a bit broader and we'll be adding lots of stuff on top of it. We have got raspberries for this one. For the next one, we'll be adding lots of strawberries and jam, and for the last one, we'll be going with lots of blueberries. Instead of only using a single element like in here, raspberries, you can add multiple ones like the last one. So besides this raspberries, you can add cherries, blueberries, greenbrries, strawberries, and other elements. And we are done with the basic see, the top of this mini cake, and let's ease it lightly. Then I'll proceeding with adding the coloring for it. For this project, we'll be adding lots of raspberries. So to create a clear distinction in between the different raspberry berries, we'll be using four sets of the colors. I'll be making some regions a bit darker and other regions a bit lighter. So crimson, rose grey, scarlet, and pink. For this project, I created a total of nine raspberries on top. Instead of this, you can create single one or multiple ones. You can increase the number or decrease it. So this will be the raspberries that I'll be adding colors too. And I won't be adding the leaves. If you want, you can add the leaves too. You have got the leaves, jams, drizzles, and other aliments. So we are done with a basic pencil sketch, let's lighten it, and then we will be adding the color. Here, I'll be starting with the crimson. As for the darker seats for our raspberries, we'll be using crimson and rose gray and for the lighter sets, and for the lighter sets, I'll be using scarlet and pink. Let's continue with this crimson. Creating the same kind of pattern in here, a little bit of circular, a little bit of semicircular arc for the entire regions. Here, I'm starting with this darker tone, and then I'll be making it a bit more lighter. And for some of the regions, especially near the outlines and near the center, I'll be making it a bit darker using the rose gray. Add the crimson for all the raspberries in here. Don't have to be causes in here if all the raspberries seems similar or it's not that distinct because later on we'll be making the distinction more clear using the darker sites. Continuing on with this crimson for the remaining raspberries. Instead of coloring all the raspberries with this four color combination, you can make it a little bit more interesting. It will take a bit of time, but you can start with a bit lighter. So it's of the raspberries using yellows and the whites and then using the darker tones, and then you can create a few middle tone raspberries using oranges and rides. And lastly, you can create a bit darker tone ones using maroons, red, and rose grays. In that way, you can create a varieties of raspberries, and that will be much more interesting. In here, since all the projects are under 15 minutes, I'm not experimenting or creating that kind of much more detail much more detailed raspberries, but if you want, feel free to experiment and create some varieties in the raspimerys. Adding the crimson for the last raspberry in here. Like one of the earlier project, you can also add frosting on top of it that will make this project a little bit more interesting. Now, the dark eto. The rose green. Instead of this rose gray, you can use other colors like a bit of dark brown, you can use chocolate brown and you can also use a bit of black too. Using this rose gray for the center part, as well as a little bit for the lower regions. Right now, I'm just adding it for the center region, applying a bit of heavy presetto overlaid on top of the crimson. It's not that clear right now, but when we'll be adding the other layers of the colour, the scarlet and the pink, it will become more clear. So scarlet to make this a little bit more lighter. Adding the scarlet on top of the crimson and a little bit of blending with the rose gray apply heavy pressure with this to overlay it on top of the crimson, we are not going to completely cover it. Just only a little amount of this scarlet on top of this crimson. Leave a little bit of white of the paper to be visible. And we haven't got five more to add this scarlet too. Moving on to the aspmaryes on the other side. Adding the scarlet for this to As you can see, there is no clear distinction between all the raspberries that we have created in here. Let's make the distinction a bit more clear. So using this rose gray to go over the outlines, especially over the upper sections, make it a little bit more clear and more distinct. Go over the outlines a little bit and making it a bit more bolder. Et's add for the remaining two, a little bit of this rose gray. You'll have to apply a bit of search to do the outlining in here since we have two layers of colors that we have already applied. I'm also increasing the size of some raspberry while doing this outlining. Now, to make it more distinct, I'm going with this pink. So I'll be making some of the regions of the raspberries a bit more lighter, that will create a more clear distinction between different raspberries. So the central part or the upper part of the raspberries, I'll be making them a bit more lighter. So apply heavy pressure with this pink and overlay on certain sections of the raspberries to make it a bit more lighter. Instead of this pink, you can also use naples, yellow or white. As you can see, I'm applying heavy presser with this pink, and a little bit of resemblance of light seed has been created in here. And finally, going with the white to make it a bit more lighter. Once again, you'll have to apply more presser to overlay it on top of the four layerings of the color. The distinction between each individual raspberry is somewhat more clear. To make it even more clear, you can use a little bit of brown or once again go back with rose green. But I think we are done with this. Let's continue with the remaining section. So for the top and the first layer, I'll be using this yellow orange here fully filling the entire section, the upper part of this, with this yellow orange, you will have to bit cuss around the outlines of the raspberries that we created. We don't want the blending of the colors in here to create somewhat of gradient. Carefully added in bed with all the raspberries, and as you can see here I'm applying a bit of heavy preser so that we can get somewhat of smooth and uniform blending. Also for the edges, I'll be leaving a little bit of white of the peper to be visible. Yeah, we are almost done with this upper section. If you want to make the outlines a bit more crisper and more clear, you can go in with the colored pencil. And yeah, we are done with this upper part. Do the remaining section, the first layer of this mini cake. Using this yellow or to define the outline section for this first layer. Now let's completely feel this entire region. Once again, I'm applying heavy presser to get somewhat of smooth blending of uniform consistency for this first layer. Also, if you want to create a little bit of seeding, you can use a bit of rose gray or crimson for the upper side as well as for both sides, just like we did in the earlier project. And as you can see, in here, I have left a little bit of space for the edges. A little bit of white of the paper is still visible. Let's extend this size a little bit. Yeah, we are done with this yellow orange for the first layer. For the second layer, we have got a combination of two colors, crimson and a little bit of pink. In here, I am started. In here, I have already started with this crimson and creating random stippling or random strokes throughout this entire region, going in with the pink. Once again, here I'm doing the stippling, overlaying this on top of this crimson and doing a bit of parcel blending. In here, we are aiming for a bit of rough texture. Completely overlying this pink on top of the crimson and also blending it a little bit with a yellow orange of the top layer. Instead of this medium tone, you can use a bit lighter tone, you can use the salmon pink or you can go in with nipples yellow. Continuing on with our remaining section. We have to feel only a little bit of the second layer, and then we will move on to the third base layer. Apply heavy presser with this pink and blend it a little bit with the yellow orange. Let's define the outline for this layer a little bit with this pink. And this side was a little bit crooked, so adding a little bit more yellow orange in here to make it a little bit more rounder. You can always use the colored pencil to make the outlines a bit more clear and more distinct. And finally, for the Best layer in here, I'm going in the rose grey. In here, I'm applying medium freezer. Instead of this kind of rough texture, if you want smooth textin, you can apply heavy pressure with it. And also, to make it a little bit more interesting, you can go with a bit darker side of the brown and add it just below it. And yeah, we are done with this. Let's make some of the raspberries a little bit more defined and a bit more outline. In here I'm not creating bees or sados if you want, you can do that. Add more colours wherever you think it's required, you can add a little bit of white for more highlighting, you can go in with a bit of pink, too. And with this, we are done with our 19 project. I'll see you in the next one. 29. Emerald Strawberry Bliss: Welcome to our 20 project Emerald Strawberry bless. This is somewhat similar to the last project we did. Let's start with the outlining in here. Since I'm using this black cret paper, I'm using this pink clot. I'm using this pink coloured pencil to do the outlining. And on top of this, I'll be adding a total of eight strawberries. This strawberries will be somewhat similar to what we practice in the demonstration video. Below that, we'll be creating jam, green jam or emerald colored jam. And as for the remaining section of the cake, we'll be aiming for a bit of rough texture. Let's talk about the colors that we'll be using. For the strawberries, we'll be using pale orange, scarlet, crimson, and sepia. As for the leaves of the strawberries, I'll be going in with the viridian hue and yellow green. And for the remaining section for the cake, I'll be using vermilion and for the jam or the sauce on top, I'll be going in with the green gray. Let's add the strawberries on the top. Instead of this many strawberries, you can decrease the number of the strawberries. You can also add few other kinds of berries to make this a little bit more vibrant and more colorful. You can add few blue berries or few black berries. With these, we are done with the strawberries outlined and the remaining section. Now let's do the outlining for our jam or sauce. Emerald green jam that we'll be adding in here. For the base of this, we'll be creating two or three droplets of this jam. You are done with a pencil outlining. Let's add the colours. I'll be starting with the pale orange. In here, I'm using the pale orange as the primary layer for the strawberry since I am using this black colored paper. And if I directly start with its and the browns, then it won't be that much visible or that much bright. So that's why I'll be starting with the pale orange as the primary layering for our strawberry. Instead of this pale orange, you can also use white or nipples yellow or light yellow that will work too. Covering most of the sections of the strawberries with this pale orange in here I'm applying somewhat of medium freezer, and I'm creating this kind of somewhat semicircular arcs. And on top of it, we adding the colors the same way that we use that we use in our demonstration venue. Filling this pale orange for the entire section of the strawberries. And if you're not using this black colored paper, you don't have to do the primary layering with this pale orange. You can directly start with the scarlet, the crimson and the Cepas. Three or four colors for our strawberries, starting with a bit lighter seed, the porson or the part that will be the porton or the part that is reflecting the light will be a bit lighter in seed. We have got white, yellow, nipples, yellow food. And then we'll be overlying or surrounding it with a bit of yellow. Then orange followed by crimson red or vermilion hue and a little bit of darker seed rose gray or brown to do the outlining. We have created a lot of strawberries, so you can easily create any kind of strawberries of any seeds and any siges. And instead of this whole strawberries, you can also add few cross section of the strawberries. Anya, we are done with this peel orange. Let's proceed with the scarlet. So once again, all the strawberries will be of same color and same seed. If you want to create a little bit of more variation, you can make some strawberries a bit lighter seed, others a bit medium, and the final one's a bit darker. So overlaying this is scarlet on top of the peel, orange, creating this kind of stippling technique, creating this kind of textured pattern. I'm not covering the entire section of the peel, orange with this. I'm leaving a little bit of black of the peeper and a little bit of peel orange to be visible. You'll have to apply a bit more presser to overlay on top of this pale orange. And for all the remaining layers, we'll have to apply a bit more presser since we are using three or four colors. Layering is important in here, and to do that, you'll have to apply a bit more presel. Instead of this kind of strawberry with a rough texture or pattern, you can go in with a complete smooth blending. That will be interesting too. You can check out my other class in which I have created the strawberries in that manner. And with these, we are done with the scarlet. Now, I'll be going with a bit darker to crimson, in this case. I'll be overlaying this crimson for some of the sections. As you can see, it's a bit more darker as compared to the scarlet, and I'm primarily adding it for the outlined section and a little bit for the lower sections. In here, too, I'm creating some kind of scribbling like texte for the strawberries. So let's do this for the remaining strawberries, defining the outlines and adding a little bit of smaller strokes for some of the regions of the strawberries with this crimson. For some of the section of the strawberries, I have not added the colors. In those places, I'll be adding the leaves. Leave some of these pieces empty in between the strawberries so that you can easily add the leaves. For the leaves too, we'll have to apply a bit of heavy praises since we have got lots of layerings of the oil pistil in here. And, we are done with the crimson. Let's go in with a bit more dark at side. So SPIA in this case. You have got rose green. You can use brown and you can also use black to do the outlining and make the strawberries a bit more darker. Primarily adding this sepia on one side and creating a bit smaller strokes. Let's do this for the remaining strawberries, and we are done with this sepia. I'll be adding a few more strokes later on, but for now, let's do the leaves. And after that, we'll be coming back to our strawberries to add a little bit more highlights, more detailings For the greens, I'm starting with a darker tone, and on top of it, I'll be overlaying yellow green to make it a little bit more contrasting. Creating four to six leaves on top of the strawberries. It's not visible in here because of the black colored of the pepper, but when we'll be adding the yellow green on top of it, it will become more visible and more clear. Apart from that, we'll also be adding a little bit of white to create a bit of more highlight and to make the seep of the leaves more visible. And with this, we are done with a viridian hum for our primary layering for the leaves now, let's go in with this yellow green. Applying a heavy presser with this yellow green and overlaying it on top of the viridan hue. With this overlaying, I'm also doing a partial blending of the two colors. You can clearly see the visibility in the presence of the Vitin hue. But with the addition of this yellow green, the leaves has become a little bit more brighter and bit more clear and crisper. You'll have to apply a bit of heavy presser to overlay on top of all these layerings of the colors. As usual, if you want to make the leaves sees a little bit more detailed and define, you can go in with the colored pencil to make it more crisper. In here, I'm going back with the viridian hue to add a little bit more detailing or a little bit of seedings to one side of the leaf. And yeah, we add thee with the leaves. I'll be adding the white later on. But for now, in here, I'm using the CPA to make the side of the strawberries a little bit more distinct and a little bit more darker, primarily on the upper left side. We'll be coming back to the strawberries and the leaves later on with the white to add the highlights and a little bit more detailing. But for now, let's continue with the vermilion. Using this vermilion to do the outlining for the strawberries. In here, apart from this vermilion, as I said, I'll be using green gray. I'm using this vermilis as the primary layering to make the green gray a little bit of emerald like color. A little bit of vermilion for the lower section of this jam, emerald green jam. And I'm not completely covering the entire section, only a little bit with light freezer. On top of this, we'll be going with a green gray and applying heavy freezer. Instead of this green gray and vermilion combination for the jam on the sauce, you can use any other color combinations. You can go with the olives and the lighter sites of the green that will be interesting too. You can use white and yellow. You can use pink and red. Any color combination will work fine. Let's go over the upper section of this mini cake, and then we will be adding this gray green for the remaining section, adding a little bit for some of the middle portion of the strawberries. I'm applying somewhat of medium prison, but later on, I'll be applying heavy plast to do a complete blending of these two colors that we mean and the green gray. With the addition of the vermilion as the primary layer, you can still see the visibility of the vermilion a little bit and it is also creating a little bit of reddish stone to this green gray. That's why we use that's why I use the vermilion as the primary layer. And now, let's supply heavy pressure with the screen gray to fill the entire region. Even after filling the entire region with the screen gray, you can clearly see the visibility or the presence of the vermilion below it. And as for the ages, I am leaving a little bit of the people to be seen. Let's add the cult for the remaining section with the screen gray. You can clearly see some of the paper that is visible for our edge. That's what we were aiming for. Later on, I'll be adding a little bit of white to do the highlights and make the rounder seep of this mini cake more visible. For now, we are done with this green grave for our jam. Now, in here, I'm going with the white to add a little bit of highlights. So primarily adding this on the left side, small streaks of the white. And as I was mentioning for the edge, a little bit of this white to define the outline to define the outline for this edge. Let's add a little bit of highlights for our strawberries. Applying heavy pressure with this white to create the small tiny streaks for upper sections of the strawberry. We are done with the white for now. Any. Now let's do the remaining coloring. In here, I'm using this crimson. For the base layer of this cake, we'll be using a combination of this red along with a little bit of pale or in here, we are aiming for a rough textire. If you want a smooth textion, you can proceed with that, too, but I'll be using this color combination to get somewhat of rough texture. Using the stippling and creating this kind of random straws to completely cover this section, overlaying this naples yellow on top of this red. You'll have to be a bit cautious and careful around this emerald green jam that we just added. Instead of adding this jam earlier on, you can do the coloring for the layers first and then proceed with this jam. We have got only a little bit of this. Now continuing on with this section, carefully adding it in here. So if you made any mistake, you can go back once again with a gray green to do the coloring. Let's add it for this remaining section. And we are done with this remaining section of the skin, using the white to add a little bit more details to our leaves of the strawberries, single streaks on one side of the leaves on top of the viridan hue and the greens that we just used earlier for our leaves. I'm adding it for each individual leaf of the strawberry. And with these, we are done with our 20 projects. I hope you enjoyed this painting and had fun with this. I'll see you in the next one, the last project of this class. A 30. Blueberry Cream Bowl: Welcome to the last project of this class, low bearing Cream bow. So this is the last project, and in here, we have got lots of low bearing. We have a frosting on top, and the rest of the section is quite easy. Let's start with the outlining. Same kind of simple seeps for the top of this mini cake. Yeah, let's do the outlining for the rest of the section. And let's talk about the colors that we'll be using. Primarily, I'll be using six colors Prussian blue, seruan blue, cobalt blue, dark gray, blue, green, and green. Apart from this, we'll be using blacks and white too. I'll be starting with the black to do the outline for our blueberries. And then I'll be using the color combinations of Prussian blue, the cerulean blue and cobalt blue for the blueberries. We have lots of blueberries at the top and few at the bottom, two or three at the bottom. And this is our very simple sketch for our mini cake. Now let's do the sketches for our blueberries at the top. Apart from the blueberries, I'll also be adding four leaves, two on the top, and two at the bottom. I'll be using blue, green and the green for the leaves. For the top, I'll be using dark gray and the white to create a little bit of creamy texture. And for the rest of the layer, I'll be using blue along with the white. We'll be using stippling for the rest of the cat to get somewhat of rough texture. And for the top, we'll be going in for smooth texture. If you want, you can add more lowberries or you can also decrease the numbers of the blueberries. Let's add the blueberries at the base. So two blueberries in here along with the two leaves and one more blueberry on the other side. Let's remove this masking tape. Let's remove this muskin tape so that I can add the leaf. I'll be adding one more blueberry at the base on the right side. Adding the second leaf in here. We are done with a very basic pencil sketch for it. Now let's do the outlining. As I mentioned, I'm starting with the black to do the outlining. To make this a little bit more colorful and vibrant, you can add few other berries like cherries, strawberries, raspberries, or you can do a whole combination of all the berries for this one. So you have got greenbrries, cherries, blueberries, blackberries, greenberries, strawberries. And, yeah, we have got lots of berries that you can add on top of this. Also, to make it a bit more interesting, you can add a little bit of gil on top of this. Blueberries, you can add sauce for the frosting section and you can create different layers instead of a single layer. Now let's add a little bit of black for the insides of each individual blueberry. Small streaks of the black for each individual blueberry in here. Let's do the same for the blueberries at the base, starting with doing the outlining and then adding a little bit of blacks for the insides. And as I was mentioning, one more blueberry on this side. If you want, you can add multiple ones, but I am satisfied with the three blueberries at the base. Now for the rest of the coloring, I'll be starting with this perusin blue. Applying a little bit of prussian blue just below the black streak and blending a little bit with the black. Small streak of this prucin blue, a parcele blending with the outline black and a little bit of black at the center. Adding this prussian blue for each individual blueberries. I now let's add the protein blue for the blue berries at the base. Let's make some of the streaks a little bit bigger. And yeah, we are done with this protein blue. Now going with lighter side of the blue, serle blue in this case. Apart from the erleian blue, I'll also be using a medium tone of the blue, cobalt blue. But for now, let's add the erlean blue. On the other side, I'm adding this erlean blue. Also, I'm blending a little bit, or you can say partial blending of the cerulean blue with the black. You can clearly see how contrasting these two colors are, the combinations of the Protein blues and the black and this cerulean blue. And to balance it, I'll be going in with the COVID blue later on. And I'll also be using the white to add the highlights for now. Let's continue with the cerulean blue on the other side of each individual blue berries in here. We have got only a few more blueberries, and let's add this for the last one. Applying a bit of heavy pressure with the in blue for this last blue bery. And in here, I decided to fill almost all the empty spaces with this in blue. So adding a little bit of more siren blue for each individual blueberry for the top, applying a bit of heavy pressure to do partile blending. And now let's add the sillon blue for the bees, applying a bit of heavy pressure to do partsile blending. Finally, going with a coment blue, a medium tone. So I'll be overlaying this on top of the three colors, the black, the Prussian blue, and this cerulean blue. So let's add this cobalt blue. I'm doing a little bit of stippling on top of all these three colors and doing a bit of partial blending using this cobalt blue. In here, I have created a bit of medium tones for our blue berries. If you want to make it a bit more darker, you can only use the darker sites of the blues and the black. Now, let's do the highlighting. So going in with this white to add highlights, one or two streaks of the white to add the highlights. Now, let's add the highlight for the blueberries at the base. And with this, we are done with the white for the highlights. Now I'm going in with the black to redefine the outlines of some of the blueberries. Since we applied a lot of heavy pressure with the other colors, some of the black portion of the black outlines has been covered. So I'm redefining the outlines with this. Let's do the remaining color. Going in with this dark gray. In here, I'm surrounding all the blueberries with it, and then I'll be adding a little bit of this dark gray for the top part and the sides. You know, I'm applying medium presser with this. Now let's do the outlining for the side with this dark gray. And now let's add a little bit of the dark gray streaks for the entire section of the side. With this, we are done with a gray. Now, let's go in with the white. Once again, here I'm applying heavy presser with it. In here, I'm aiming for smooth and uniform consistency of the color. So apply heavy presser with this white to blend it completely with a dark gray, gradually moving towards the right with this white. If you want to add a little bit more gradient, you can add a little bit of more gray on top of it later on. And with this, we are done with the white for the side, moving on to the top. In here, you'll have to admit causes we don't want the white to mix with the black and the blues, so carefully adding it in between the blue berries. And as you can see, I'm leaving a little bit of a space for the edge. So the black of the peepers would be a little bit visible to create the clear and distinct edge for this top and the side. Let's define the curved seed for this top with this white. Adding another layer of white to make it a little bit more smooth and uniform. And with this, we are done with the top with the white. If you want, you can add a little bit more gray and create a little bit of sadingO you can also create a little bit of gradient with this white and the grain. Now, let's do the remaining section of the cake in here. Once again, I'm using this Brucin blue and creating random streaks throughout this remaining section of the cake. Small random strokes throughout the entire region of this Instead of this, you can use any other seats of the blue or if you want, you can choose and if you want, you can choose any different colour too. Now, let's do the remaining section. In here, I'm using the white once again. And in here, we are aiming for somewhat of rough texture. Overlaying this white on top of this Prusin blue, and let's cover the entire section with this. In here, you can clearly see the presence of the Prussian blue just below this white. Since the intensity and the pigmentation of the Prussian blue is much higher, it's spreading quite beautifully with this white. Carefully surrounding the blue wherein here with this white. Let's do the outlining for the leaf with this white and then fill the rest of this piece with this color combination of the white and the Prussian blue. If you want, you can do a little bit of blending with the top layer and the remaining section with this white. So in here, I'm doing a little bit of blending in between the top layer and the remaining section of this mini cake. We are almost done with the cake. After this, I'll be going with the greens, the blue green and the green to add the leaves. If you want, you can use Pucum blue to create another Base for this mini cake, but I think it's looking pretty well. Now, let's add the leaves. So in here, I'm starting with the blue green. Let's create the outline for the leaves, the mid drips, and then I'll be going with the green. Adding the veins for the leaves. And now let's do the outlining for another pair of leaves on the top, adding the mid drips and the veins. And we are done with this blue green. I'll be coming back once again with a blue green to redefine the edges, the mid rips, and the veins, and doing the outline. But for now, let's go in with the green. Apply Havy preserve with this since we are aiming for somewhat of smooth consistency for the leaves too, we'll be using this screen to blend with the outline that we just created with the blue green. Carefully adding this green near the blue merries and now let's add the green for the upper two leaves. Apply heavy preset to blend it with a blue green. Since the intensity of both the colours are somewhat similar and the background is black, so there is not that much clear distinction in here. So I'll be going with the white to add the mid rapes and the veins. And with these, we are done with the green, going back with the blue green to redefine the seeds and re add the mid rips and the veins. Let's do the same for the two leaves in here, defining the outline and adding the mid rips and the veins. And with this, we are done with the leaves. Now, going in with the white to add a little bit of more detailing in the form of mid drips and the veins, overlaying this white on top of the blue green and recreating the mid rips and the veins. Adding a little bit of more highlight for some of the blueberries. And with this, we are done with our last project. I hope you enjoyed this. I had fun painting this, so I'll see you in the last video, the conclusion. 31. Conclusion : Thank you so much for joining me in this oil pastel mini cakes class. I hope you had as much fun creating these sweets, colorful mini cakes as I did sharing them with you. Throughout this class, we explore 21 delicious project from golden custard treats and cherry chocolate devotes to our golden Bry bliss cake. All under 15 minutes. We have practiced sketching, blending, layering, and using colors to bring these mini cakes to life with texture and personality. Whether you are a beginner discovering oil pistol for the first time or an intermediate artist refining your skill, I hope these projects help you gain confidence and inspire creativity in your art journey. Now it's your turn. I'd love to see your mini cakes and your unique color choices. You can also share your practice seats for berries, leaves, and cake layers. If you enjoyed this class, please consider leaving a review or feedback. Your thoughts truly help me improve and inspire others to join our creative community. Thank you again for painting along with me. Keep experimenting, stay inspired and have fun. I'll see you in the next class. I