Ink & Fur : Draw Lifelike Squirrel with Fine Liners | Meenakshi Muthuraman | Skillshare

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Ink & Fur : Draw Lifelike Squirrel with Fine Liners

teacher avatar Meenakshi Muthuraman, Artist and Illustrator

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      1:25

    • 2.

      Requirements

      2:02

    • 3.

      Explore Animal Anatomy

      0:38

    • 4.

      Warm Up

      1:31

    • 5.

      Step 1 - Drawing Animals using Shapes

      1:50

    • 6.

      Step 2 - Defining the Drawing

      2:07

    • 7.

      Shading the Head

      4:47

    • 8.

      Shading the Upper Body

      1:24

    • 9.

      Shading the Foreleg

      2:27

    • 10.

      Shading the Lower Body

      4:39

    • 11.

      Shading the Long Bushy Tail

      3:03

    • 12.

      Shading the Hindlegs

      3:52

    • 13.

      Final Touches

      2:19

    • 14.

      Class Project- Drawing a Squirrel Drinking water

      13:57

    • 15.

      Final Thoughts

      1:26

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About This Class

Are you fascinated by the charm and energy of squirrels? In this class, you'll learn how to bring these lively creatures to life on paper using fine liner pens! Whether you're a beginner or an experienced artist looking to refine your line work, this course will guide you through every step of the process.

What you will learn:

  • Choosing the right fine liner pens and materials

  • Understanding squirrel anatomy and proportions

  • Sketching techniques for dynamic poses

  • Inking with precision and adding textures like fur and shading

  • Creating depth and contrast with different line weights

    Through easy-to-follow lessons and practical exercises, you'll gain the confidence to illustrate squirrels with intricate details and expressive movement. By the end of the class, you'll have a beautifully inked squirrel drawing ready to showcase!

Requirements:

  • Fine liner Pens
  • Sketchbook 
  • Pencil, eraser and a scale

HAPPY SKETCHING :)

Meet Your Teacher

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Meenakshi Muthuraman

Artist and Illustrator

Teacher
Level: Beginner

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Transcripts

1. Introduction: Hello. My name is Menakhi. I'm an artist and an illustrator. I love to draw and paint. I work on acrylics, watercolors and pen drawings. I welcome you all to my class. In this class, we will embark on a creative journey to discover the art of drawing animals. To be specific, we will be concentrating on drawing squirrel. We will explore various techniques and styles to help you capture the beauty and essence of drawing animals in your artwork. I have designed this class for beginners, so we will start with the basics. We will begin with simple shapes and lines to warm up. Then I will show pictures of our subject animals squirrel and talk about their distinctive features, since observation is crucial for drawing. We will also discuss how to draw animals using a reference photo. Then I will teach you to draw the squirrel, breaking it down into simple steps, demonstrating each step on my sketchbook, like drawing the fur and encouraging students to follow along. Whether you are a budding artist or just curious about the world of drawing, my drawing class is the perfect place to ignite your passion and unleash your creativity. If you think this class is for you, let's meet in the next lesson. 2. Requirements: Let's take a look on the requirements for the glass. Let's first talk about the sketchbook. You can use absolutely any sketchbook or paper of your choice. I love to use Strathmore sketchbook for my pen drawings. The papers are very thick and it has a beautiful texture. But as for my drawing experience, I would say using a better drawing paper doesn't make your drawing better. So instead of investing a lot on art supplies, you can just use a normal sketchbook of your choice. Any drawing paper, more than 100 GSN would be fine. You will need a pencil and an eraser to draw the outline of the animals. Of course, you will need drawing pens to draw the animals. So I'll be using pigma micron from Sakura. Coming to the Pigma Microns, let's talk about the different sizes of pens. You will need a smallest pen, oh five of pigma micron to make tiny details like the far. For this quill, I used oh five of pigma micron to draw the far. The next size would be 01. This is slightly bigger than the previous pen. The next size would be 02, which I would call as a medium sized pen. So you can use either 01 or oh two to make the highlights on the squirrel. The next size would be 05. This is somewhat a bigger pen. I use this pen to create bolt marks on my drawing. For example, I used 05 to make the whiskers on the squirrel. So that's all about the materials, grab your supplies, and let's get started. 3. Explore Animal Anatomy: Subject today we will be concentrating on is a squirrel. Let's do a quick observation on our subject. The small head of the squirrel has two large eyes and two large ears. They also have a tiny nose and whiskers. Coming to the body, they have furry skin between the front and the rare legs. They have the front legs and the hind legs with claws, which are used for climbing. The tails are the most attractive part of the squirrel. Their tails are super fluffy and bushy, which I used to keep them warm while sleeping. So that's all about the subject. Let's do the sketching in the next lesson. 4. Warm Up: We are going to do a quick warm up before we start to draw the squirrel. Take your sharpened pencil and a drawing paper and start to draw circles. Warm up exercises before drawing are crucial because it loosens your hand muscles and improves your hand and eye coordination. I'm just making loose circles on my paper. You can also make circles of different sizes, maybe a smaller or a bigger one. Sit straight, keep your hand loose, and draw the circles. Now you can make some lines and drawing straight lines on the circle up and down, up and down. Keep your hand loose. You can also make horizontal lines, slanting lines, keeping your hand loose, draw the lines. You can also practice some curves. Doing warm up exercises leads to create more confident and accurate lines and shapes. You can also try making horizontal curves. Practice this and from the next lesson, let's concentrate on the squirrel drawing. 5. Step 1 - Drawing Animals using Shapes: I have attached the reference photo below the video. You can download it because we are going to use it for drawing. What I'm going to do now is I'm just going to observe this squirrel and put it on my paper using simple shapes. Starting from the head, I find the head to be somewhat in a triangular shape. I'm drawing a small dent for the nose and the mouth. I'm making a small line for the ears and the other part of the head. I'm drawing a small circle which are cornered on either side for the eyes. Well, I'm not getting into the details. I'm just putting the shapes. That's it. I'm drawing a big ear which is facing towards us. The other ear is behind, so it is not visible. I find the upper body to be somewhat in a rectangular shape, a rectangle with curves. Then I'm going to draw the four legs. I'm making a couple of curves for that. Just observe the photo and put on the paper whatever you see. For the lower body, I'm going to make a big oval shape. And a small curve on the body for the legs. I'm drawing a couple of big curves for the tail. As I said before, the squirrel has fluffy tail for balancing and also to keep them warm. The claws are not visible in the reference, so it can just draw with me. I start by drawing a couple of lines, a small curve on the front for the claws. 6. Step 2 - Defining the Drawing: I'm now going to make the drawing more defined. I make a small circle for the eye of the squirm. I'm leaving some portion white and coloring the rest for the eye. I'm just trying to gather some details. As the year is turned, you can see a curve on the ear, so I'm trying to draw the curve on my paper. Coming to the nose part, I'm making a dt for the nose. And then down comes the mouth for which I'm drawing a curb. Then I define the neck of the squirrel, a little bit of far in between the sections for the four legs, which is visible, I'm drawing the digits, which are the fingers. I'm just making four lines for that. Drawing the digits are quite simple than you can imagine. You just draw the lines and make it curved on the top. I'm going to draw as if the squirrel is holding a nut or something. I just mist affirm the other foreleg, which is behind, which is on the other side. So it is quite simple. You just draw another line to indicate the other foreleg. Finally, you can just get rid of the unwanted guidelines and make the drawing more refined. On the tail part, I'm erasing the lower section and I'm giving a small curve on the bottom, as it is in the reference. From the next lesson, let's start to shade the squidle part by part, starting from the head, then the upper body, for leg, hind leg, and the tail. 7. Shading the Head: To do the shading, the first step is to observe the direction of the hair. We are going to shade the head first. So if you observe the head part, the direction of the f is upwards. Keeping that in mind, let's do the shading. I'm using an eraser to lighten the sketch. I'm using my smallest pen or 05 of pigma micron. It works great for drawing head and f. I'm drawing the far along the direction we observed in the reference. So how do I draw the far by drawing loose, thin and small hair like structures, you know, like a line or a curve along the direction we saw in the reference. So I'm just drawing these tiny little lines all along the outline. We're just concentrating on the head section now. As you come down to the nose and the mouth path, instead of making hair like structures, as we did before, you can make contours, you know, just like lines instead of making fur. If you observe the reference, the direction of the fur is changing on the neck part. So the direction of the line is also changed on the drawing. For the eyes, I first make the outline using my same drawing pen. You can also use a bigger sized pen if you want to. I'm drawing a circle inside, and I'm leaving a few section white and covering the rest with black. Down the neck, the squirrel has a lot of fur, so I'm drawing some bigger hair like structures. I'm making few dots for the whiskers. As you can see, a small section around the eyes highlighted in the reference. So I'm trying to bring that to my drawing. So how do I do that? I'm drawing small hairs around the eye, and these tiny hairs around the eye go along the direction of the eye itself. And on the ears also, I'm drawing hairs which are facing upwards as it is in the reference. Down the ears also, I'm making some far So what I'm doing is I'm just observing the direction of the hair section by section, and I'm trying to draw that on my paper. This part of the year has less shadows, so I'm drawing less lines to give a three dimensional look for the drawing. I'm just drawing more lines around the eyes to give a realistic look. If you observe the reference, the fur on the body of the squirrel is long and fluffy than the head part. But on the head of the squirrel, the hairs are tiny. So that's why we are drawing small hairs on the head. I'm drawing some more hair around the eyes to enhance the drawing. In the mouth part, as you can see, it is a little bit dark. So I'm trying to do that on my paper by adding more lines. As we come down, you can see the direction of the hair is getting changed, so slowly, I'm changing the direction of the hair as I draw down the head. I'm making the mouth part more darker by adding more tiny lines. So just keep adding more lines if you want the drawing to be more detailed. In the next lesson, we will start to shade the upper body of the squirrel. 8. Shading the Upper Body: When we observe the reference, the far is facing towards different direction along the upper body. First, it is facing straight and slowly it is coming downwards. On the start, the f is smaller, and as you move towards the center, the far is long and fluffy. So I'm starting by drawing small hairs, and then I draw somewhat bigger hairs. Between the head and the neck, I'm adding more hairs for highlighting it to give a more three dimensional look. I'm changing the direction of the far as I move towards the four legs. In the next lesson, we will share the four legs. 9. Shading the Foreleg: On the fore legs, also, the direction of the fur is changing. It is downwards and slowly moving towards the side. So I first shade the outline. I start by drawing the hairs, observing the reference. The hairs are facing downwards on the lower part of the foreleg. So I'm drawing some lines which are facing down. I'm changing to a closer shot for a better view. I'm also filling the rest of the upper body with lines. Then I'm using tus to draw the digits on the foreleg. Contours are nothing but drawing the outline using simple lines. So that's how you draw the digits. Quite simple, right. Then I'm drawing some lines to give a realistic look. Now I draw the nut, which the squirrel is holding. Again, I'm using ants to draw the nut. I'm drawing more lines in between the sections to give more realistic three dimensional look. In the next section, we will share the lower body of the squirrel. 10. Shading the Lower Body: As you can see, the fur is changing its direction along the leg of the squirrel. So by observing its direction, I'm drawing the hairs. Also, on the lower body of the squirrel, the hairs are long, so I'm drawing longer lines than before. As we did in the previous lesson, I'm drawing more hairs in between the sections. I'm drawing more lines between the upper body and the lower body. I'm drawing more hairs above the leg for contrast. You have to be a little bit careful while doing this because the hair is changing its direction here a lot from the left to right. And I start to fill the other areas of the lower body as well. I start by drawing the hairs on the outline. And Once you do the outline, fill the inside with hair parsley. Coming to the legs, I carefully observe the reference and draw the hair according to the reference. At this point, you have to be careful because the fur is going to change its direction along the leg. You can always turn your drawing book and make yourself comfortable. The process is quite time consuming, but the result is going to be super good. In real time, it took me around 1.5 hours to complete the squirrel. You need patience to draw this, but, you know, the result is going to be super awesome. Follow the same steps in complete shading the leg of the squirrel. Once you fill the lower body, let's add contrast by adding more fur. But the question is, where do we need to add more lines? On the top part of the leg and near the tail on the bottom, I'm going to add more hair for contrast. Also, I'm going to add more fur to the top part of the lower body over the outline. A, I'm adding more lines between the lower body and upper body. I just keep adding more fur. On the bottom part, near the tail, also, I'm adding more lines for contrast. Also on the bottom, the lines are long, so know that before you draw. In the next lesson, we will share the tail of the squirrel. 11. Shading the Long Bushy Tail: The fur on the squirrel's tail spreads over all the directions. To draw the tail, I'm using a bigger pen 05 of pigma micron. One mistake I see the beginners do is that they just draw long curves, you know, for the entire tail, which is not required because it looks artificial. So what you have to do is that you just need to draw small lines section by section, layer by layer, like what I'm doing now. I take one layer at a time, one draw at a time. I complete that and I move to the next section. Coming to the direction of these lines, the lines on the center are straight, and the lines on the left are towards the left, and the lines on the right are towards the right. So this is how it is for the lower section of the tail. Coming to the upper section of the tail, the tail is curved towards the right. So the lines are also curved towards the right. I also draw a few strands on the other side for a realistic look. Then as we did before, I'm taking section by section and I'm completing the entire white area with far. On the right side of the tail, the far is facing towards the right. So I draw the strands which are facing towards the right. You can add contrast after you fill the entire white space with FA. So right now, I'm just concentrating to fill the empty space. Now that we have filled the empty space, I'm going to add contrast by adding more hair or more fur to the left side of the tail. I'm just adding more curved lines towards the left. As you can see, we have created good contrast by darkening the left side of the tail. In the next lesson, we will do the hind legs and some background and finish this drawing. 12. Shading the Hindlegs: For the legs, I'm using three of pigma micron. I start by giving the outline. I'm using a thicker pen to give some thick strokes on the bottom part of the squirrel. I just make some simple curves for the digits which are on the other side. Then I add some details to the clause. Then I'm switching on to my smallest pen 005 and making small tiny halac structures on the legs. I'm going to draw as if the squirrel is standing on a branch. So for that, I'm drawing a couple of lines. I'm also drawing a small branch for the stem. Accurate straight lines are not recommended for branches or stem because it gives an artificial look. So what you had to do is you had to give some ups and downs to the lines for a realistic branch or a realistic stem. One tip I would give for beginner artists is that you have to sketch instead of drawing. Drawing is a more controlled process than sketching. So you can make use of contours, ups and downs, some pens for realistic look. For the stem, I thought of doing some shading so that the drawing would be more realistic. What I'm doing is I'll just sketch some irregular patterns on the stem for representing the shadows and the highlights. This might look somewhat difficult for beginner artists, but I'm telling you, just make some irregular patterns on the top part of the stem and the bottom part of the stem to indicate the shadows and just leave the center part of the stem as such. That's it. We are doing this shading to indicate the light and the shadows. Once you're satisfied with the shading, let's move on to draw some leaves on the branches. So I'm just making some small leaf like structures on the branches. The next lesson, we will do some final touches to the drawing and complete it. 13. Final Touches: We are now going to do some highlighting and finish this project. For this, you can grab a medium sized pen. I'm using 02 of pigma micron. I am highlighting over the outline of the squirrel. When you use a bigger sized pen, your drawing is going to pop up. So what I'm doing is I'm making some fur, which is nothing but hair like structures along the outline of the squirrel and between the sections to enhance the drawing. I'm also making some highlights on the areas where the shadows fall on the ford leg. I also make some highlights between the upper body and the lower body. Just now while looking at the drawing, I found out that I missed a draw the other foreleg, which is on the other side. So I'm just making the other fore leg as well. A if you want your drawing to be more detailed, you can always add more fur. We are almost done. We're going to do the whiskers and complete the drawing. For the whiskers, use the biggest pen you have. I'm using 08 of pigma micron. I'm drawing few lines for the whiskers, few lines on the other side, and few lines on the front. With this, we have completed our basic squirrel drawing. 14. Class Project- Drawing a Squirrel Drinking water: Your class project is to observe the reference and draw a squirrel. In this lesson, I'm going to help you with that. We're not going to get into the details, but I'm just going to give a gist on how to do that. You can find the reference photo below the video. You can either download it or you can choose your own reference photo and do your own drawing. As we did for the previous drawing, I start by making the basic sketch. I made a plus sign for drawing the head for the placement of the eyes and the nose. I'm drawing a few curves to indicate where the squirrel is drinking water. It is a container or whatsoever it is. I don't know. I make a small circle inside it for the placement of the eye. The other eye of the squirrel is not visible completely. So by carefully observing the reference, I draw the other eye as well. You can leave some portion white and color the rest black. And I also make the nose, a small curve for the nose and the mouth. Then I draw the ears of the squirrel. For the year which is on the front, you can see some texture or whatever it is. And I also do the other year which is on the other side, which is not fully visible. To draw the body of the squirrel, you can try to grab some information by observing the reference. Like this year is touching the body of the squirrel, and the length of the body is somewhat more than the length of the head. So keeping all these points in my mind, I draw the body of the squirrel. I'm drawing the four legs, as well. It is holding the pot where it is drinking the water. For that, you can just make four cylindrical shaped structures which are pointed on the edges. Finally, I draw the long bushy tail which is on the other side. The drawing might look complicated for beginners, but it just takes some practice to get it right. At this point, you can get rid of the unwanted guidelines and make the drawing ready for the shading process. As we discussed in the previous project, the head part of the squirrel has tiny hairs when compared to the body. So for the head, I'm going to use very small lines to do the shading. I'm shading the nose part, as well. I draw the eyes. I make small curved lines for the head, and I move on to draw the years of the squirrel. Since this year is on the other side, I thought of giving a lot of shading for contrast. A little bit more shading on the bottom part of the year. On the other year, I'm shading on the center. Et's move on to do the shading on the face of the squirrel. As we did on the previous drawing, the golden rule for shading is that observing the direction of the far. If you take a closer look on the center part, the fur is facing upwards. And on the left, the fur is facing towards the left and on the right, the fr is facing towards the right. I'm doing some highlights as it is in the reference around the eye using smaller hair like structures. As I come down the head of the squiddl, I'm reducing the number of hc structures drawn. Meanwhile, I'm drawing lots of tiny lines around the eye for highlighting it as it is in the reference. Gradually, I move on to shade the body of the squirrel. As always, I start drawing the fur on the outline. Carefully you observe the direction of the far on your reference and try to produce it on the paper. You might think, Oh, my God, this looks very complicated. I cannot do it. But I'm telling you the drawing is very much simple than you can imagine. We just observe the reference and we draw it on the paper. When I myself was a beginner artist, I always wondered, Oh, my God, how these people draw these wonderful kind of drawings, it's kind of impossible. But you know what, perfection comes with practice. The first time drawing may not look perfect, but when you draw for the second time, it would be better than the first time. And when you draw for the third time, it would be better than the second time. So it comes with practice. It is not like magic, you know? So what I would advise you is that don't be afraid to take your pen. So, coming back to the drawing, I just observe the reference and draw the fur on the squidtle. I start by drawing the far sparsely evenly distributed, and then I add more fur to the areas where I think more fur is needed. You can always turn your sketchbook and make yourselves comfortable. I add Mofi on the body behind the head for shadows. On the other side of the body, I add some far for contrast. Some more highlights near the outline. Now that we are done with the body, let's move on to shade the tail of the squirrel, which is the most fun and interesting part. As we did in the previous drawing, I'm going to take section by section or layer by layer, and I'm going to draw the tail part of the squirrel. You can always observe the reference for the direction of these lines. First, I make far on the outline of the tail and I fill the inside later. Now we got one layer of hair on the tail. I'm going to add one more layer of fur above this to make it attractive, as we did before, I'm going row by row. I'm darkening the bottom area of the tail. I'm making some highlights on the fore leg and also on the years. I'm switching on to my medium sized pen to do the highlights on the squirrel. As we did in the previous drawing, I'm adding highlights over the outline and between the section and also on the areas where we have a lot of shadows. A Now I'm switching on to the biggest pin I have 08 of pigma micron. I'm drawing the pot where the squirrels drinking water. I'm making some shading. I use 08 again to draw the whiskers on the squirrel. For the whiskers, I'm drawing slightly curved lines which are towards the other side. I'm making them somewhat darker so that it is visible. I'm going to draw the water and finish this drawing. For the water, I'm drawing curved pattern. These are to represent the ripples on the water. These circles are going to be closer on the point where the squirrel is drinking water, and these circles are spreaded away on the other side. One more tip is that you need not draw a complete circle. Broken lines would be fine. Finally, I'm going to draw the other four leg, which is on the other side. So I'm using a bigger sized pen, and I directly throw them on white paper. 15. Final Thoughts: As we wrap up our animal drawing adventure, let's take a moment to celebrate the creativity and effort each of you has put into your artwork today. We have explored the fascinating world of animals, learning about their unique features while bringing them to life on paper. Coming to your class project, your project is divided into three sections. The first section is to practice the squirrel we learned in the class. This makes you fundamentally strong in drawing animals. The second part of your project is to draw a squirrel using a reference photo. In the class, I have shared with you a lot of tips to draw animals using reference photo. This will boost your confidence and your drawing skills. There are thousands of photos available on the Internet. You can make use of that. The final part of your project is to share the artwork you have drawn. I would love to see your animal drawings. Also, I request all of you to share your feedback on my class. It helps me create better classes in the future. If you have any doubts in any part of the class, feel free to ask me. I will get back to you as soon as possible. Let's carry forward the passion and inspiration from today's lesson into your future projects. And the next time, happy drawing. Bye bye. Thanks a lot for taking my class again.