How to improvise solos with guitar licks - intermediate

1. Welcome: Hello, my name is Gabriel Pulex Enter. They have a special course for you course belt guitar solos and improvisation. I'm going to teach you all step by step that I have been developed, studying practice, and teach music all over the world. I'll teach you some tricks about how to improvise guitar solos by ear. Color response technique that's really come in blues and rock and roll guitar shapes, pentatonic, minor, pentatonic, blues, Greek modes, and much more. And of course, we're going to teach you the, thetical and practical parts with a lot of exercise. Besides that, we will learn a lot of guitar guitar riffs and guitar solos as well. So it's going to be very important step by step process to develop your skills. I hope you enjoy my course to your auditor and let's prat. 2. How to transpose keys, scales and guitar shapes fast: Transpose a few keys in scales. I have a great shortcut for you about that. Let's think about, let's start with cat in scale, okay? The first pattern is right here if we want. The second pattern is going to be right here on the string number six, frat number eight. We just need to think about the second note of minor pentatonic. If we are in A, in the first note is going to be A. The first pattern is going to be, that's why we start right here in this A note. We just need to think about string number six. The second pattern is going to be the second notes. Penton, we cut number two, right? Because pentatonic five notes, K five notes. We need to think about the next note. That is, that's why our second shape, right? All right, note number three is going to be right here, D, y shape here in the. But let's suppose we, we want to transpose this key. We don't want to play in a, we just want to play, instead of playing the first pattern right here, we play where is note? Right here. Right here. That's why it's so important to memorize the fin pattern and not the frets second guitar shape in a pentatonic myscho should be in my second note, but we cut the second note. We need to think about the next note that is B flat. That's right, okay? And so on. You need to repeat this approach in every single itar shape you want to use. Pentatonic blues is the same thing. So pentonic blues. First pattern right here. Second pattern should be Were, right here. Oh, sorry, start on the second out of cape. Okay, You can pract this using any kind of key. A minor minor, C, D, any kind of key you want. In my advice for use this separate ten, 15 minutes of your day and Px. Playing this exercise, choose a random key and play all the notes. I think it's important to write down a piece of paper. The key first key, Write down all scale correctly with all the steps, the whole step and half steps, okay? And then you play on a threat boards, a great exercise. I repeat this exercise thousands of times in my music life, okay? If you are using major or minor scale that approach the same. If you think about a major scale, a major scale, you need starting ion mode shape. First shape of your major scale. If you want the second shape, that is the Daran shape, okay? But you still want Sound as a major key as Ion. Sound Okay, Ion measures the same. You need to think about the second note of your Or scale. That's what you play an right here. Start. Sound like hey, leisure. It's a little bit weird, isn't it? It's really hard to understand this concept. I understand. I have a very difficult moment learning this step by step, but takes time. Okay? Don't worry about that. You understand this. Let's say we want the pattern number three. Our pattern number three, but we want to Sound in a measure, we need to write down the measure scale and see what's not. Number three in this case is C sharp. We start our pattern number three, that is what? F sharp. So right here, we just need to follow, this is step by step, okay? Be careful because if you focus on your improvizatione, 35.7 of your scale, you are going to sound like a measure or a minus scale, okay? In this case, we are in a measure. If I focus in 1357 of a measure, I'm going to sound as a measure. Doesn't matter if you play right here, freezing guitar shape or a dar shape, I'm going to sound like a measure. But if I want to use the mode, all right, the sound of the Greek mode. I need to focus on the nodes of my scale. My Dorian frisan Lidian. Okay, let's say we are in this C sharp fri, we want to Sound F. We are going to play exactly the same guitar shape, the same pattern that we play in a measure. To sound like a measure, but we want to Sound fries. We don't want to sound like a measure. We need to think about the, the special notes of C sharp, frisionC, sharp, minor, minor scale. And the perfect, if that's what sharp when you start and finish our leak in one of these three notes. And of course use the spice note, that in this case infusion is flat juice. It's going to be right here in D. Okay, we are using the same guitar shape, but focus on other notes. This is the idea, okay? I'm going to create a leak in a measure using my friion pattern right here. Okay? Check this out. Starting in A and finish because number one in. Because note number five sounds really cool. I couldn't provide more really good, isn't it? I finished, not as, can sound like a measure scale, but now I want to use the same notes, but I want to sound like C sharp, F. I need to focus on the notes of C sharp and use my spice notes. Okay, Let's try to find a good guitaric. Cove is starting C sharp and finishing dignity. Spice note flat. Okay, Let's find more time starting minor and I finished my. As you can see, it sounds completely different. It does not look that I'm playing in using the same notes that I was using before. Okay. But this is the idea. That's why modes sounds so different, so weird. Sometimes we start to study modes and we do, we don't like the sound, we don't like our editor leaks. We don't like the examples. It's just ours. Just because the modes are not common to our ears. Okay. Sounds really weird and different, but takes time to involve your ears. But it's not a problem if you don't like modes, okay? It's just another type of scale. Sometimes if you listen a lot, rock and roll music or blues, we just use pentatonic and measure and minor. Sometimes our ears enjoy the sound of pentatonic and measure and minor scale. But if you start your listener, jazz fusion, something different, right? You start to listen Dorian, a Frisian, and Milia, okay? But you need to pract, Take a scale. You can choose any kind of scale if you want, Okay? Try for example, Let's say measure. Start right here, isn't it not? We can play onion, but I want to play the second guitar shape. That is going to be Dorian. I could play right here in the second note of my scale. Try to do this step by step, okay? This thinking process, engineering process of thinking about the notes and scale is going to help you a lot. But the next step should be, okay. I'm playing here, it sounds like C major scale. But if I play this, do and want to sound like do, what type of notes should they play? Each your focals and shift my mind to do 13.5 of do this spicy notes. That is what? That's the major six. So try to do this type of exercise. I think it's going to help you a lot and prove a lot of your skills. 3. How major, minor and greek modes works: Let's talk about Greek modes and major minus scales. We just need to think about the seven guitar shapes, Okay? Stop this part of the to print this screen. Create a poster in glue on wall. Okay? This is going to be very important. You need to memorize this information. All these guitar shapes following the fingers. Okay? They are very important as well. We just need to think about the seven guitar ships. Okay? If you want to sell a major, we're going to start in a union mode. Let's say we are in a measure, we need to find the A note on a string in the play the Ion. Okay? We want to play this ion mode, this measure. Sound But in this position of your fret board, we need to think in the second notes of a measure cave. This case is going to be B, so we need to play the second mode. A, right here, Okay? If you want to play the third mode on your fret board is going to be right here. If you want to sound as a measure, we just need to start in C sharp Friesian, okay? And so you just need to think about it step by step, okay? And you can repeat this process in any kind of key you want. This example is measure, but you can be measured. And so what ions number one do? Number two, F number three, legion number four. So if you want to play minor scale, what type of scale will start? Ion. Ion is measure. We need to think about number six, pattern number six, shape number six. It's ion, okay? So ions right here is number. We are in a minor, okay? In this case, in this next example is going to be a minor. Okay? If I want to play right here, Sound as a minor right here in the second part of my fret board. And need to think about the second note. That's what, after our tape we'll play this block. And Gt starting in B. All right, our second shape in minor key, if we want to keep playing, we have C right here. That is Ion. We have our D right here. That is what. After ion, we have an modes shape of chose sound as a minor, would you have the minor sound? Okay. It's really weird and difficult to understand this process, isn't it? Takes time. Okay. It's not easy thing to do, but if you practice, you're going to match everything. The important thing is it's just not necessary to play and learn the scales digit shapes. You need to start in Fen Glik with the right nodes. If we are in a minor and we want to sound like a minor, we need to play the minor notes 13.5 and sometimes not number seven to sound like a minor. Okay, This approach is going to be very important because now I'm going to talk about the Greek notes. All the Greek modes Frisian mix, and all of them have a spice, not a note that we are going to add as special notes. We have 135 of our scale, but we still have the special spice notes. Let's take as an example, our Kt common. And really nice works really good in rock, pop music, funk music cases. Really, first of all, let's say we are playing in Do okay. We need to find note on the string number six, that's right here, and play the Doha. We need to use these notes. One is what? Three is five is F sharp. And finally, our spicy note is going to be what? It's going to be note number six. Measure six, it's right here short. Okay. Store and finish my king. One of these three is four. Notes are going to sound like Doria. Check this out. Co, isn't it? Start in. Stop a little biting shorts. My note number six, finishing play. It is no finishing note. My mind, as you can see, it works in some lot of Doria. But if I use the same guitar shape. Think about my measure key. What is the key? That is our second, our second pattern. If you think in all the engineering process, you're going to see that a measure is the key we want the key we are talking about. A measure is the number one. The number just going to be okay. I'm going to use the same guitar shape, but focus on different nodes. In this case, we're going to focus in 13.5 of a measure. Some like a measure for example. Let's say this is a major garlic starting a fishing. Let's find more time going to start in C sharp, as you can see. Start right here and fight here C sharp. And I'm practicing this with you because I want to proof that sometimes we use the same notes, the same scales, the same patterns, but we sound completely different, okay? And this is very important, not just about playing guitar shakes. It's important to choose the right notes to sound correctly, okay? Remember about the struck. You can use this step by step with any kind of scale you want, all right? It's not easy. I agree with you. That's not easy. It takes time to learn, but this course is in charge. So you can watch and reward this lesson over and over again. Please practice type of exercise. Choose a key, chose scale, for example, measure, measure. Stop right here on your mode, right here, fred, number ten. What type of shape you play? Play the shape right here, okay? And if you want to play my sound measure Sound right here. What type of scale I need to play? What type of pattern? You just need to count pattern number two. That is what do play my do right here, if I want to play right here. What type of pattern? Pattern number three, F, we need to start my Friionhp and so on. This type of exercise is going to be great for you. After you memorize all the guitar shapes, you need to start to think about the notes. Put a backing track, a random backing track, and choose a key. Of course, St, choose the right notes. Don't worry to play fast. Okay. Try to focus on your notes to find the right and correct notes if you want to. Sound do I need to focus on the notes of U plus the spice note? That is our major six. If you want to sound like frisioneed, focus on what? 13.5 every single time, right? And this spice notes of frisions flat you in one type of exercise is going to be good for you. And I practice a lot of this. And going to develop your skills really real fast. 4. How to create awesome guitar licks: A trick that I used since it was in college, I think it was before, before my Mills College degree. It's about 135.7 of scales, okay? If I have scale, let's say a minor scale, I'm going to start and finish my Leks in 135 or seven of my minor scale. If I change the key, I just follow the same pattern, the same idea, the same step by step. I use this because 99% of the case and works really well. Check this out. Let's say I have this guitar Le, isn't it? A simple guitar linkage as provided. And I start in a finish. A is number one of a minor scale, and C is number three of a minor scale. Let's say I have a similar guitar lick, but I start in number two. Okay, so in finish my guitar leak in number four. In the case of a minor sounds a little bit weird, isn't it? Let's play more time, Let's strategy something more creative. No, it does not work. As you can see, you stick on this step by step. Follow my kind of rule, right? Just to sound cool. Just sound nice. It's easy to talk but Discu play, right? Discu put this step by step in pre. So my shortcut for you guys is take the guitar ships, you know, and try to memorize notes. Number one of the scale, we are in a minor pentatonic scale. More. Number one, the root notes of your scale. If you count this type of exercise, great to memorize notes on the front board. If you count, you're going to see that we have here. Here, here, okay. Create your legs. Start and finish on these notes. Let's say co, isn't it? Let's try more time. Finish in the second step is trump memorize the third of your, so in this case is A. So the third is going to be C. We have here in here, okay? Start and finish in C, isn't it? The next step is number five. In number seven, of course, okay? It's not easy. Takes time and takes a lot of time and bras, and patience and discipline, okay, To memorize and understand all these concepts. But you need to, this is the easiest way to learn and play guitar, okay? So stick with my shortcut and brag lot. You need to do this with every single guitar shape on the fret board, in any kind of key you want to prat and develop skills. 5. How the pros use call & response: This nice technique we call color response. And it's really come in blues. But we can find style rock and roll, metal, jazz style. Bib King used to play a lot. It is really simple to understand. You just need to imagine dialogue, two people talking with each other. Okay, let's say I have a call or a question. Hey, are you? So let's say, let's stick with the example. This could be your answer, your question. I mean, question, sorry. Fine, I'm fine. Okay. Something like that. So you should put everything together. Thank you. Sorry, I'm not singing and talking in pitch because sure is not so good. But I think you understand the idea, right? You need to create Uct all legs. The call and the response question and the answer. Okay, This is the idea. Try to imagine something on your mind. Try to create a dialogue. If you would like to write, write the dialogue and create the guitar for. This sounds really cool. You can always create your guitar solo and improvise with this approach going to play a little bit. Check this out. Could be question, and the response could be something like this. All right? Something like that. As you can see, sounds logical. Really nice. Takes time to practice this, to develop this cue and sounds natural, so you need to pract, take care. Nice backing track on Youtube and Brags a lot, okay? 6. How to improvise solos by ears: ** improvise guitar solos by ears. Sometimes we want to play a song, we want to improvise or we have a session, we don't know what is the key of the song. Sometimes really hard to find a keys, and especially if you are playing some jazz or fusion. But I have a trait for you. Listen to the song. Do not think about scale, okay, Just try to find the hot notes, the notes that fits on the song, on this back and track in the session. It's funny, but this really works. If you don't think about scale, just the notes. You can find a few notes that works. And we show all your knowledge about scales, guitar patterns, and shapes. You can't figure it out. All right? I'm going to put a backing track on you to be a random backing track. Okay, I'm going to do this exercise. Let's go, I have no idea what's the key of this backing track. Okay, let's listen to the song and try to find a demo fits. Let's try a C sharp. No, it's not a work. Let's try D's. Not so good, but not too bad, right? Let's try E. This sounds a little bit better. We might have a notes on this scale. Let's try a sharp. No, definitely not, right? You can see we have a few pages. Sharp does not work, let's say. Oh, works really good. It's one of the most important notes. 135 or seven note, right? So let's try. This works. In this part of the song, it's a little bit, we have a little bit of spice in this. No, but sometimes it works, sometimes not. Let's try. It works really good. Let's think here, let's pause. A song fits at a little bit. It's not the most important notes that listen to my ears, okay? We are not thinking about scapes, Remember about that. We're just using our ears and try to see if the notes really good to our imposition, if it fits on your song works really good. Could be 1357 scale. A works really good as well. Okay, the same approach could be 1357 of our scale shot does not work. Does not work. We need to stick with A, B, and C. If we think about the three nodes. Could be a minor, is number one is flat three. Or we think about number one should be number six. Major six could be a sidorium or a minor. Let's try to trupervise a little bit and see if it's work or not. Okay, so let's go Dara. No, definitely it's not Dara. Let's try a minor. It's a minor. Is a minor. So as you can see, this approach is simple and nice to breaks, right? It is really fun. We don't think about scales, we just try to figure out what notes fit on your song, backing track, or an Sasha. It's really nice. After you have three nodes, you try to figure out what type of scale could be, okay? You eliminate the options. Sometimes we have two options, a minor or does not work. As you can see, I think probably this song was created in a minor. I don't have the name of the song here, I don't have the name of the backing track, not even the key key. I don't know who recorded this backing track, it just put on Youtube, but it looks like a minor works. Try to do this step by step with other examples. Put some kind of backing track or some kind of songs you enjoyed listening in trying improvide, find a few notes that works using this approach. All right? It's a great exercise. 7. Now it's time to learn guitar licks guitar lick shapes of pentatonic scale: Time to learn a few guitar licks. And my short cut for you guys is the first one is play douttortion. Okay? It's really easy to sound nice and with a good occurrence on an instrument if you put a good sttion, a very high game, okay? It's going to be easy to play tapi, sweep, hammer around, and pull off, but when you turn off this distortion become a nightmare, okay? So when you practice this step by step, please cling guitar. If you really enjoying effects, put a verbal layer course, but do not use distortion. Okay, Second step is every time you play guitar leg, try to figure out what type of guitar shape you are playing. Okay, It's important to analyze these guitar legs, thinking about the shapes. They are important as well. And trick number three is neverze these guitar shapes, at least the essential part of the guitar shape. This next lesson will be important to you to create a guitar shaped database on your brain. When you need to improvise, you're playing a G and or compose a guitar solo. You access this database and try to figure out what type of guitar links that I memorize works in this part of the song. Okay, you can put the entire guitar link or just a few parts, The sense part, the most important part of the guitar. I will help you to develop this guitar database. It's going to be important, it's going to make everything easier for you when you improvise. Let's go. This lick is in a minor pentatonic and I play three patterns. Patterns number 51 or the most important thing is thinking in a pattern of two strings. So I play exactly the same thing three times. I play this first F three times, okay? Part right here. I play on the string number 1.2 right here. 3.4 in here, 5.6 if you think in pentatonic minor scale. And the scales as well, you can observe that we have a few patterns that is always the same, okay? A group of strings. It's going to sound the same because it's the same notes. G, you can find right here the same thing. G. The same thing right here on the string 5.6 This type of technique is very common in rock, metal, and blues. For example, Zach Wild, he is a great guitar player. He played with Oz Osborne. He has a great band called Black Lives Aside. He plays this kind of guitar very fast. Steve, do the same thing, slash from grounds and rods do the same thing, it's very cam here is to play 108 on the string number 110. On string number two. In your last note, you come back ten, okay? So you can play with a pull off to eight in the second string, same thing to eight, however, come back to ten. Okay? The second part, you play the same thing. However, right here in the first pattern, Yercaletumber 75 of string number three, F number 75. Once again, however, on the swing number four and come back to seven, okay? Have pattern number two, pattern number three, pattern number one, and the last pattern, so F number five on the string number five. And frag number three on the string number five. Okay? 35, string number six. So let's play very slowly. One more time, play with me now. Stand to play fast. 8. Pentatonic lick shape 1: The next leak is important to think about the pentatonic shape, okay? Every time you play a leak, think about the shape. If you are using a pentatonic leak, think about what type of pentatonic I'm use, what type of shape pattern I'm use. If you're playing maybe a Greek mode, think about the digital shapes, okay? It's important to see and understand this concept on your hand. This step, step process when you play the lake. But let's go this part right here, we are going to play a minor pentatonic. Minor pentatonic, okay? So three and pull off to zero, okay? Open string. So everything on the string number one. We're going to play the same thing however, on the string number two and open string, okay? In this case, string number 22 and open string, in this example, string number three, okay? So here's the first part one more time, very simple, right? So you're going to play this two times, and after this you're going to play 2.0 with a pull off on a string number three. Exactly why you play a few bars before. So you're going to play this two times. So the first part two times. Two times. The last part of the reef. Alright, This is the main melody. So let's play everything together very slowly. However, during the second time, you're going to play a little bit different, check this out instead of two and pull off to the open string. So we're going to play a kind of slide, slide to three, come back to two and open string number three. All right? So you can play first thing number two or number three. It's up to you. So let's play everything together very slowly. This guitar F is going to sound very nice if you play fast, and you can improvise this leak in every single song that the key is minor or major. 9. Pentatonic lick shape 1 and 2: First pattern and second pattern, when I play this kind of slide right here, I play F. That is my root note. So number one, from my minor pentatonic scale, G flat or F sharp. This note is not in my minor pentatonic scale nor even in my, in my minor scale. If you play minor, G flat is not in the scale. Okay. That's why I call this leak, kind of outside guitar leak. So I play everything on the string number two, F number six, slide to seven and come back to six. Okay? So my advice on this part is, play with your finger number three, it's going to make everything easier for you, so I pull off to 461 more time in four, okay? So repeat in the last part you play 35, so everything on a string number 33.4 okay? And the rhythm is pretty simple. So one time, one time, pause, play everything once again. And the 3.5, okay. This leaks very is a great leak for beginners to pract slide and pull off and hammer ons. So now I'm going to play one more time, very slowly. Prac with me one more time. Let's play fast. Just remember when you play this slide right here, six to seven. Come back to six, play. You can play with a pull off. Okay, so six to seven, sorry. Six to four. Or you can play, or you can pick both notes. So if I pick both notes, it's gonna sound like this. Whoops. Okay. It's not so different, but it's up to you. 10. Pentatonic lick shape 5: Let's take a close look to this very nice leak. And we are going to apply shape number five of any minor pentatonic scale. In this case we can play here as well. The same guitar shape shape number is the last note of our pentatonic scale, 1235. So this note is, you can play from G on string number six, fret number three, or string number six, fret number 15. Okay? It's the same guitar shape. Remember about that pentatonic scale? We have just five notes, so one, flat 345 and flat seven. And each note you have a shape. So shape number one, note number one, shape number two, note number two, and so on. All right, so I'm going to play this leak here because it's going to be easier to explain. All right, to teach you all step by step. But you can play the same group of notes right here as well. All right? So check this out. We're going to play this first part four times, okay? So it's 53. Pull off right five on the string number two, all right. Sport is really simple. You can play everything with your finger number 3.1 or you can change 3.2 I think it's going to be easy if you play like this with your finger 3.2 The last part is the note that is fret five on the string. Numb one. All right? So it's going to sound like this. All right? This look is easy to play. It's very easy to play slowly, but really challenging to play fast like this. So it's a very nice exercise. Of course, you can, uh, take this leak and change the last note to have a new leak. For example, you can put D right here, let me see. You can play a pull off very fast, or you can take the first porn and complete with another leak, the other parts of your shape, okay? So take this as advice, okay, learn the guitar leak, okay? And try to change and add more steps. For example, you can take this leak and complete guitar shape number one, shape number five and shape number one. Okay? One more time. So shape number 51.2 Okay? So you can complete guitar like with other ideas. All right, but first of all, learn this step by step. Okay? Let's play on more time very slowly. Okay, so the four. Now it's time to speed up the four. 11. Dorian lick: This kind of like is in Dorian. Dorian. So, but I can think of it as an outside lake 'cause I play two notes that is not in my scale. So C sharp or D flat. A diminished fifth. Okay? G sharp or flat? That is A flat. Sounds very nice because I play those notes very fast. If I stop my leak in one of those outside notes going to sound very weird. My first note is slide three to five. Okay, on the string number two. D two is my most important note in G. Dan is a major six. My number three on string number 25 to six, string number three. Come back to the string number 25, string number 36 on string number 45, on string number four. This last note is, so we're going to play very slowly. Slide 35 on the swing number 36 on the swing number 4.5, on the string number four, okay? Hold over time. Keep those same fingers, okay? It's going to make everything easy for you. So a little bit fast. This type of K is going to sound very nice if you play very fast. I record this leak in kind of arrangement that I did when I play Fly to the Moon. I almost forgot the name of the Sun. Fly to the Moon from Frank Snare. Okay, and I play the parting. And I play this guitar leg right here. Sound Very nice words. He no words. Baby kiss me. Film. 12. Phyrgian lick: 34 starting notes. Okay? So 14 on string 51,214.15 on string number four. Okay? I play with my finger, 12.3 Okay? So I repeat the same pattern Okay? Twice, but this time I do not stop. Got string number 3.12. On string number three. Okay. 12 notes. All right. This looks very nice. Sounds a lot of frision just because I stop F notes. In my last notice you saw a flatter. If we think in is going to sound perfectly. I can see this guitar looks not easy, but I think if you pre carefully you will play this correctly. Let's go to the next lesson. 13. Locrian lick: Next leg is not going to be easy, but you need to pay attention and try to focus on the guitar shape, okay? Stretch. Remember the patterns of the guitar shape? 34. I start my leg right here with a band. I have step in nine to ten, right to F. F is very important because slide five of you need to focus in F to sound like a Locrian. Have step 79.7 and come back to nine. Everything on the string number three. Okay, Then with your pink finger, okay, on the string number three, come back to seven. Sorry, come back to 97.9 on string number four. Okay, we need to finish this leak in B. All right, So it's very nice if you play fast 34 or instead of play band, you can play a slide as well. It's going to work perfectly. And of course guys, you can improvise on the guitar as well. All right, take this idea and add a few ****** flat flat seven or the other nodes of B lock. Just remember, you need to follow the pattern, okay? And the pattern is very similar to ion mode. However, we start from here, from B note instead of a. 14. Pentatonic blues shape 2 lick: 34, shape number two of our pentatonic blue scale. Just remember, pentatonic minor scale is this one. And blues, you are going to add our sharp four or our flat five, All right? So if you play the pentatonic blue second shape shape number two, you are going to find our blues note right here. Here, here. Then you can play here as well. Okay, radical guitar shape. You're going to play eight to ten with hammer on everything on the string number two, okay? On string number one, come back to ten. However, on string number two, come back to eight. On the string number one, play 8.10 one more time. On the string number two, you are going to play eight on the string number 110. String number one, slide 11. That's our blues. Not come back to ten, play 8.10 Okay? I think I talked too fast. I'm going to explain one more time a little bit though, okay? So have the first part, that's this one. So hammer on 8108, but instead of coming back to ten, you play eight on the string number two. All right? 101 more time. Okay? After this part, let's play one more time, okay? After this part is everything on the string number two, Sorry. Everything on the string number one. Sorry about that. All right. So you're going to play eight on the string number 110, slide 11, come back to ten. Okay? When I say slide, you just pick 10.11 ten with just one single pick like this. Okay? All right, eight, and the last note is ten. All right, ten is a node. It's important to end our guitar leg with one of the most important nodes. All right, so let's play one more time, very slowly. 34. Let's play a little bit faster, right? 34. And of course you can provide this guitar lick as well, so you can take this idea and create your own leaks. So that's the last lesson of our guitar leaks session. And if it now it's time to create your own little leaks. So the please do this exercise. Use your creativity, imagination, yourlogy on scales, all step by step that you're already learning. And create a few guitar licks. Try to choose a key scale, a pattern, and force this guitar lick process. Think about this one trick and five trick that I have been teaching. It's very important to Px. Let's go to the next session. 15. Let's learn guitar solos - Red hot chili peppers - Charlie: Time to play a few guitar solos. Yeah, I separate. Very, very nice solos for you. I think at least to me it's important to have a few solos on your fingers, right? At least to help us become more melodic to create and give us a little bit of expiration. We're improvise and create guitar legs. Let's go first, two notes is going to be in the fret number 7.5 on the string number three. So after this you have eight on the string number four. Come back to five on the string number three, okay? So after this string number 487.5 all right? Okay. You're gonna play this a few times, so be careful because during the second time before you come back to the same riff, you play fret number 81 more time, okay? So check this out first time, second time eight, and come back. Alright? So be careful with that. After this you have, it's a double band. You that number ten on the string number three. When you play this band, one whole step band. You need to pick number two, number eight. All right. After this, you play 81 more time on the string number two, come back to ten, pull off to seven, and come back to your band. After play this a few times, you're going to play the band in the F number 11 on the string number two. So be careful with this tuning, okay? This is very important and you have this kind of melody. Eight on string number 210 on the string number three. Come back to ten and bend one more time. Let's play this whole session. Come back and play the same thing. After this, you have a new guitar, so you need to fall on the pattern number three, minor pentatonic scale. In this example, G minor pentatonic scale. Fret number eight on the string number two. F number 10.7 number three in this part right here, you have a few Tus, okay? Band pull off, pull off Al right after this, string number five at number 10.8. On the string number four. All right, so let's play this session. In the last part of the solo, you have a few pull offs once and again, and this time we will play on the string number five. So 1028 on the string number 52 times ten. On the string number 6.10, on the string number five. Ben pentatonic pattern number three. And a last guitar, Al, right after this part, he plays the same thing that we play in the beginning six times. And after this, 3.5 on the string number four. All right, this part. Be careful because during the second and fourth time you need to play Fred number eight. 16. How to play - The Strokes - Juicebox : This guitar solo is not one of the easiest one, but you need to Px, and I think it's going to be important to develop speed accuracy and help you improvise and create more guitar solos. Let's go, this is the first part and you're going to play 1,512.12 15 on a string number 312.12, on a string number 2.1 And you need to play like this, like Carpagia. Try to play with your pinky. Okay? You can play like this as well, but we'll sound a little bit weird. Okay, So you play 1234. All right, Next part is 14.12 on string number 314, on string number four, you play this Music interval right here. So it's 12. 12 on string number 3.2 all right? So once again, very slowly, 34 and go 12, 14, 14. I like to play with my finger number 3.4 All right? And you play 17 on a string number two and play like a life. Okay, So one more time, this is the first part. Next part sounds really difficult, right? But it's not so difficult. First of all, we need to understand this guitar right here. So play 1010, and you need to play this 1010 on the string number two. On the string number one, with your finger number two. My device on this part is respect the fingers. All right? Try to play with the same fingers I'm playing. Okay? So 101,012.9, on the string number three. So okay. Now on string number two, fret number 11.10 fingers number 3.2 Okay? So once again, and the last part is 12.9 on the string number, exactly what we play a few notes before. Okay, So okay, this is the first part. It's important to understand this guitar because the rest of the solid is almost the same. As you can see, the second guitar is almost the same. However, instead of playing 1010, you play 9.99 on the string number 1.9, string number three, with our fingers number 21. Okay, so first guitar, 1010. Second 99. Whoops, 99. And the last part of the guitar is the same thing. Okay, guitar number three. Almost the same thing as well. However, you play with our finger number four. You're pink, fret number 13 on string number two, and fret number nine on the string number three. The last part is 12, instead of 13, 12. If you get lost, try to watch the beginning of this solon once and again. Okay, You need to understand this first guitar lick before you learn the other parts. Okay, so we're going to play one more time. First cutter leak, second 19,939.2 12.9 Okay, you're going to play this one more time but when you finish the 99, the second part you play like this. So as you can see on the tablet tour, you have bar number 11. Okay? F number 89810. Okay? So once again, try to play this with alternate picking or hammer and pull off eight once again, and nine, okay? This is the first part of the bar number 11. Second part of the bar number 11 is it's the same guitar, however. 12, 14, 121,512.14 Okay. This part I'd like to play with my finger number 1213. Okay. I think it's easier to play this fast here. The last part is you can play two Elve on a string number 115 on string number 22. Elf on a string number 215 on a string number 314 on a tree. Two Eve on a tree. And last note is 14 on string number four. Okay. This guitar leks very fast. 17. Aerosmith - Pink: First part is the first note is 12. Hammer on to 13 and come back to 12, okay? So on the string number two, after this, you'll play 12. On a string number three, you're going to repeat the same pattern right here, one step, all right? So F number ten. After this, you have a slide on a string number 37 to nine and play number 82 times on the string number one. So next part is fret number everything on the string number two, okay? So fret number eight. A band, one whole step band in the fret number ten. Come back to 810.8 So you can play with a slide as well, so it's going to sound very nice. You have almost the same pattern we play before. In this case, we are going to play on the string number three, so seven to eight. Come back to seven and play eight on the string number four, okay? We're going to repeat this one whole step in the frat number five, okay? Play 61 more time. We slide 28. So next part is, it's a slide, 8-10 on the string number 48, on the string number 3.1 whole step band. However, instead of play up, I play down. Okay, on the frat number ten. In the frat number ten, on the string number three, come back to 810.8 So all right, next part is the same pattern we played before. However, in this case, we play right here in the fret number nine. Okay? As you can see on the tablet tour, it's almost the same thing. The next F is we have a slide, 10-2 even string number 5.10 and even string number four. After this part, you play a band. A band going down one more time. Okay? So right instead of play up, you play down 1,012.10 everything on the string number three. Okay? But you're going to play the last part one more time. The last part we have a few slides, so just a heads up, This last part you're going to play on the string number 3.1 Okay? First slide is nine to 11 on the string number three. And play ten on the string number one. All right. So my device is follow my fingers, play with the same fingers that I'm playing. All right. Next part, 11 to 12. On the string number three and string number one after this one whole step, okay? One whole step ahead. 12, 14, 14. String number one after this, One whole step ahead, one more time. 14 to 16. And play 15 on string number one. After this, I have step so 16 to 17, string number 317 on the string number one. All right, so we have first, second, third, fourth, and fifth slide after you can end this guitar solo with a few bands. 18. Smashing Pumpkins - Tarantula : First part. So as you can see, we have a very fast slide on the string number one, F number five. On the string number 1212, on the string number one, okay? And you're going to repeat these five times, 2345. All right? You can see I play strings number one twice, okay? After I play my life and twice. Okay? So I'm going to repeat these five times. One to 345. Okay? Very fast. After this. String number 21,010.11 As you can see, ten is three times. All right? And during the second time, just four times. All right? And the next part is string number one, F number 1917, 15, number two. Same thing in the last note is 17 on string number three. The next part is even string number three. After this true even string number two, come back to string number three and play 11 come back to true even string number 2.9 on string number three in the last two, string number 210.11 going to play this road session, all right? It's very easy. And the last part is string number two is open string, okay? And I play everything on string number 2,108.7 All right. And I have a very fast tar leak, so 10871, more time, hammer on 8-7 So go to nine, come back to 797, string number 39 on string number three, Come back to seven. Play nine on string number four. In the last note is seven on string number 51. More time. Very slowly. And now I'm going to play the entire solo, but very slowly play with me. Okay, he. 19. The Strokes - Under cover of darkness and good bye: First thing, finger number one, frat number nine on the string number three. Finger number three, frat number 11 on the string number two. And if you pink frat number 12, we need to play this pattern two times. So after 11 on string number two, after 119, string number 3.11, string number three, first time, Second time, 11911, okay? And repeat 11.12 string number two. All right? We're going to play very slowly after this. You play 11 string number three, even swing number 2.12, okay? You repeat almost the same pattern in 11.11 swing number three, all right? And to come back to the first pattern, you play 11 and come back to nine, okay? So first pattern, second pattern 11, come back after this. Instead of goes to pattern number two, you play number eight and you have our page eight on the string number 311, string number two, F number nine on the string number 1.7, on the string number one. You can play 12 on the string number two. It's the same notes. Okay? Next you play 15, slide 17, goes to 60. Okay? 12, slide seven. Everything on the string number two. Okay? You can, instead of play with slide, you can play with a band as well, but it will be much more difficult to t. Okay. Next part. You play 12 on the string number 21,112.11 on the string number one. Okay? Come back to seven, slided to chew 12. Play 11, string number 1.9, on string number two, all right? So after this, your play on string number two, fret number 11.12 string number one, fret number 9.11 all right? Simple like that. After this part, you have a new or K to come back to the first part, all right? F number nine on the string number one. And you need to play a very nice pull off, okay, On the string number two. So it's 1,211.9 You pick just one time, okay? So play 11 on the string number three and come back to the first riff. They're going to play this session very slowly. Check this out. After you play this main F one more time. You play eight on the string number 3.6, on the string number three. This is the last lesson of our course. I hope you enjoy and remember that Cos course is your. So you can watch over and over again, discount. It's not easy, it's really hard to develop all those skills, right? Pre, prek, lot, okay? And try to learn all the guitar legs or the solos or the tricks and step by step I'm trying to teach. Okay? That takes time, patience and prack. I hope you enjoy in police. Check my profile. I have several nice sures for you to help you go to the next step. Okay? Thank you so much. Yeah. See you my next course. Bye bye.