Transcripts
1. Welcome to the Class: Have you ever noticed
a golden hour? It's the best part
during a sunset, especially when there are
trees in the entire landscape. In this class, we
are going to paint two beautiful paintings based on gouache sunset
using a simple, warm color palette and simple and easy painting
techniques to learn. Hey, everybody.
Myself, Rudick Patel. I'm a self taught
independent artist and an interior
designer by profession. I personally love to explore different art forms and styles and not stick to
one particular thing. So if you are joining
me, you'll find a variety of classes
that I create. Going to start by understanding all the art supplies that you will need for
the entire class. In case you do not want
to use a coaster and paint it on a watercolor
paper, it is completely fine. We are going to talk about the
brushes that you will need and a beautiful warm color
palette using wash colors. I'll be teaching you how you
can place your coaster onto the desk surface so that it will not move while
you are painting. We're going to start
with a basic sketch for reference using
a simple pencil. We're going to create a
beautiful sunset sky area using a warm color palette. There are going to be these
beautiful abstract clouds that we are going to paint
using easy brush techniques. Followed by some
beautiful elements like a ground area
with some texture, some beautiful trees as silouts, a fence element, and a
beautiful sun in the sky area. By the end of the
class, you'll have two beautiful sceneries
based on gouache painting. No need to worry
about the output, enjoy the process of creating. The class is absolutely
suited for beginners and also intermediate and advanced
level artists can try it. So without any delay, grab your art supplies and join
me on this creative journey.
2. Art Supplies: Hey, everybody. Now
let us talk about all the art supplies
that you will need for the entire class. No
need to worry at all. In case you're missing out on
any particular art supply, you'll find it very easily in
any nearby local art store, or you can go for any good
alternative, as well. So here I have a
simple glass holder, which is having a
lot of water in it, and it is completely
red right now, but we are definitely
going to use some clear water to mix the colors well and use
water wherever required. Then next up, I have a
simple color palette in which you can already
observe some colors. So make sure that your
color palette is having enough space in it to take
out multiple colors in it and mix them so that you can paint and mix the colors
in a comfortable manner. Then next up, I
have the coasters on which we are going to create
the entire class project. So these are basically MDF
coasters with size 4 " by 4 ". Now, in case you do not
want to paint on a coaster, you can take up the
entire class project on a watercolor paper as well. It is completely fine. So let me give you the details about
the watercolor paper as well. So these are the watercolor
papers that you can use. It is A six size and 200 GSM. You can experiment
with the size. It is absolutely
fine, but you can use a watercolor paper instead
of a coaster as well. So you can take up the
entire class project on a watercolor paper
if you want to. And in case you want
to paint on a coaster, that is also completely fine. Then comes the next art supply, which is a simple pencil
that we are going to use to draw basic sketch
before we start painting. Then let us talk about the
most important art supply, which is the brushes that
we are going to use. So for the entire class, you'll need three basic brushes. The first one is a flat
brush of size seven. The remaining two
are round brushes. One is of size four, another one is of size zero. So these are the
two round brushes, and the first one
was a flat brush. So these three brushes
you'll require to paint. Then I have a
simple tissue paper which you will
definitely need to dab your brushes to remove some excess amount of water
or color from your brush. It is always good to keep
a tissue paper nearby. Then next up, we have
a simple masking tape, which is basically a paper
tape that we are going to use to place our coaster
on the desk surface. And in case you're using
a watercolor paper, you can apply it on the borders. So it's a helpful art supply. Then comes the most
important art supply, which is the gauche colors
that we are going to use. The first one is crimson. Then we have medium yellow, aqua yellow, black and white. These are five
basic guach colors that you will need to take
up the class projects. So these are all the art
supplies that you will need. No need to worry at all in
case you are missing out on any particular art supply or you do not have the
exact same art supply. You can go for any
other good alternative. And let me repeat
you can take up the class projects on
watercolor paper as well. Now let us move
towards the next part.
3. Lets Place the Coaster: Hey, everybody. Now let
us place the coaster on the desk surface so that it will not move
while you're painting. So it's a very helpful
step whenever you are painting on a coaster
or any solid surface. You can observe I'm having
a simple MDF coaster, which is of size 4 " by 4 ". MDF basically stands for medium density fiber board on which coasters are
generally created. So in case you do not have a
coaster and you want to take up the project on a
watercolor paper, it is completely fine. I'll give you the details about the watercolor paper as well. So these are
watercolor papers of 200 JSM and the size is a six. You can take up the
project by using the watercolor papers
in rectangular form, or you can cut it into
a square as well. So basically, you have two
options you can take up on a coaster or you can take the project on
a watercolor paper. Now let me teach
you how you can use a simple masking tape to place the coaster
on the surface. So take a simple piece
of the masking tape. Now simply overlap
both the ends on each other so that it becomes
a double sided tape. Now you have stickiness
on both the sides. Now simply place the piece on
one corner of the coaster. Apply some pressure
using your fingers. Similarly, I'll be
taking one more piece. Take the ends and
overlap on each other. Now I'll be placing the second
piece on another corner. Now simply flip your
coaster and place it on the desk surface wherever
you're comfortable painting, apply some pressure using
your fingers or thumb. Now, the coaster will not move temporarily so that
while you are painting, you can paint in a
comfortable manner. And once you're done painting, you can remove the
coaster easily. Even the tapes will
get detached easily. So it's a very helpful step that you can use before
you start painting. Now let us move
towards the next part.
4. Painting 1 - Pine Trees: Hey, everybody, you're most welcome to the first painting, which I have named
as pine trees. So let us start
with a basic step, which is basic sketching. I'll be using a simple pencil to draw irregular horizon line, which basically separates the ground area and the skyline. And that's it. This
is the basic sketch. Now, we'll start with
the sky area first. So I'll be using
some yellow color. I have taken a little bit of yellow guash color
in my color palette. And if you want to
know the exact shade, it is medium yellow. Now I'll be using my flat
brush of size seven and take some good amount of
color in your brush and simply apply it
above the horizon line. Since the horizon
line is irregular, you have to be a little bit
careful and use the tip of your flat brush. No
need to hurry at all. Try to apply the paint in
a slow and steady manner. We are going to have
a nice yellow shade just above the horizon line. So that's why we are applying it with a lot of saturation, and I have not added
a lot of water in it. Now we will decrease the
saturation of the color. I'll be taking a little bit of white wash color in
the color palette. Now, again, we are going to use our same flat brush
of size seven. You can observe that I'm adding a little bit of yellow in it. Now simply apply the color above the first patch of
color that we applied. You will observe a little bit of difference between the
saturation of the color. Now, the more horizontal
strokes you'll apply using your flat brush,
the better blend you'll get. Now, there is going to
be a different color on the topmost portion, so we are going to
apply that as well. But before that, let us cover a little bit of area
using some white. So I'll be adding a little
bit more white color, and I'll be applying it
on the above portion. You'll observe a beautiful blend between both the colors as well. Now, in case you
find that your brush is moving a little bit
rough on the surface, you can add a little
bit of water. And on the topmost portion, we are going to have a
beautiful crimson shade. I'll clean my flat brush
of size seven in water. Take a little bit
of crimson red in your color palette and simply apply it on
the topmost portion. No need to hurry at all. You can observe the way I'm
applying the color. Make sure that there is no portion left on
the entire coaster. Now, I'll be taking a little bit of vermilion in
the color palette, and we are going to apply
it just below crimson red. It is not at all compulsory for you to use vermilion in case you want to apply crimson red in the entire portion. It
is completely fine. Now you'll observe a line of separation between
yellow and crimson red. Take a little bit
of white color, mix a little bit of
crimson red in it, and apply it in the
between portion. No need to hurry at all,
apply a nice patch, and the more horizontal strokes you'll apply using
your flat brush, the better blend you'll get
between both the shades. So you can observe a
beautiful gradient effect from yellow to crimson red
color that we have applied. Now, if you find
that white color is looking a little bit
more in the center portion, you can use a little bit of yellow color and apply it
again on the entire surface. It is absolutely
fine. And in case you find that your brush is having excess
amount of water in it, just simply dab it onto the tissue paper so that excess amount of water
will be removed. Now, let the background
dry for a while and let us paint some beautiful abstract
clouds in the sky area. So I'll be taking a little
bit of crimson red, and I'll be using my
round brush of size four. You can add a little
bit of yellow in it to decrease the
saturation of the color. Now you can observe
carefully the way I'm using the tip of my round brush. No
need to hurry at all. You have to paint the clouds in a very slow and
steady manner. Since clouds have a very
natural and organic shape, there is no specific
way of painting it. You'll apply the color
directly in a very random way. So we are just creating these
little horizontal strokes combining together to form a beautiful cloud
in the sky area. So if you observe carefully, I'm just adding these
horizontal strokes randomly. Now the reason behind using crimson red to paint
the clouds right now is it creates a beautiful contrast with
the yellow background color. Now slowly, I'll be applying a few more horizontal strokes on the topmost portion to create
a nice cluster of clouds. In case you're not that
much confident enough to paint the clouds directly
in your final painting. And you do not want to spoil your beautiful
gradient background. What you can do is you
can practice it on a rough scrape of
paper initially, and then you can come
towards your final painting. This will help you a lot to develop confidence
while painting, and the chances of making
mistakes will be very less. Now, let us paint
the ground area, so I'll be taking
a good amount of crimson red in the
color palette. Mix it well with water, try to have a good composition
of water and color, try to have less
amount of water and more color so that you have a nice, highly
saturated color. Now you can carefully observe the way I'm using the tip of my flat brush to apply just below the horizon line so
that I can paint carefully. I'll be applying the color in the entire remaining portion.
No need to hurry at all. Try to apply the paint
carefully so that you get a nice solid crimson red color applied in the entire surface. In case you find that your brush is having excess
amount of water in it, just simply dab it
onto the tissue paper. So I've applied the background
color for the ground area. Now simply you can apply some horizontal strokes
to get a clean blend. Now, apart from the
background color, we are going to create
a beautiful texture on the entire surface
of the ground area so that it looks a little
bit more aesthetic and it gives a nice
realistic effect, as well. So I'll be taking a little
bit of solid white color, mix it with a little
bit of yellow to decrease the saturation of solid white color a little bit. You can observe it in
the color palette. I'm using my round
brush of size four. You can add a little bit of
water to loosen the color up. Now, the background
is still wet and you'll get a beautiful blend
of the colors as well. I'm starting from
the topmost portion, creating these rough lines. No need to worry
about perfection or painting it in
the exact same way. You can create your own
texture and lines as well. So it's a random process, I'm just randomly
applying these lines to create a nice depth and
detail in the ground area. Now, when you apply a
nice solid white line on the topmost portion, you can add few more strokes to blend the color with the
background color a little bit. And you'll observe
that the saturation of solid white color will
decrease a little bit. Now, this happens because
you can easily regenerate the gouache colors by applying a little
bit of water in it. And since the color
is still wet, you'll able to get a
nice white texture on the entire surface. So as you can observe, I have added a nice texture on the bottom portion of the
entire ground area as well. We're almost done applying a beautiful texture
in case you find that your saturation of solid white colour is
a little bit less. You can apply a few more strokes on the topmost portion as well. So this is how we enhance
the entire ground area by enhancing the details and
giving it a nice texture. And the white color
basically creates a nice contrast with
the background color. Now let us move towards
the next element, which is painting a
beautiful pine tree. So I'll be taking some solid black color in the
color palette. We are going to add few
beautiful pine trees on the topmost portion
of the horizon line. Now, for that, we
are going to use our round brush of size zero. So it's also basically
a detailing brush. So I'll be adding
a little bit of water in solid black
color to loosen it up, but make sure that you
do not apply a lot of water that will decrease the saturation of
solid black color. Now, it's a very simple
and easy technique to paint a beautiful pine tree. You just have to create
a simple vertical line. Start applying
little strokes from the topmost portion using
the tip of your round brush. Try to apply very
less pressure on it. Now, as you move towards
the bottom area, you just have to simply increase the size of the
strokes that you're making. So it basically creates the entire structure
of the pine tree. You have to carefully observe the way I'm moving
my round brush. So I'm creating these
little strokes to form these beautiful branches
of the entire pine tree. Now, as I'm moving
towards the bottom area, I'll slowly increase the size of the strokes that I'm making. The entire process of painting
a pine tree is really very much satisfying and you'll definitely enjoy
the entire process. In case you're not that much confident enough to paint
the pine tree directly towards your final
painting and you do not want to spoil your
beautiful background, what you can do is you can take a rough scrape of paper or a practicing art journal in which you practice
on a regular basis. You can simply practice the entire pine
tree on that first, and then you can come
towards your final painting. This will help you a lot to develop confidence
while painting, and the chances of making
mistakes will be very less. So we are done painting
a huge pine tree. Now, apart from that,
we are going to add few more pine trees on the above surface
of the horizon line to make it look like
an entire forest. It's a very simple
and easy step. As you observed, we created
a beautiful pine tree. Similarly, you have to
add few more pine trees. But this time, we
are going to have variation in size and shape, and you're free to explore
and experiment, as well. You can create the pine trees according to your
convenience, as well. I'll be adding the
vertical lines which decides the position
of the pine trees. Now simply repeat the same steps to add these little strokes from the topmost portion and just increasing the strokes as you move towards
the bottom area. So it basically creates the entire structure
of the pine tree. Now, this time, we
have a beautiful variation in the
right hands side. So there are different sizes of the pine trees
that I'm creating. You can be a little bit careful
near the horizon line so that you do not move
your solid black color inside the entire portion. So as you can observe, we have painted all the pine
trees carefully. You can make sure that
there is no space left in between the
entire solid black color. In case there is
any portion left, you can reapply the color
in that particular area. I'll be adding few
solid black strokes in the ground area as well to create some
nice shadow effect. So I'm using my same
round brush of size zero. You can simply add the strokes just below the white strokes and few above the white strokes to create a nice shadow effect. In case you find that moving your brush is
a little bit rough, you can add a little bit of water in it to
loosen the color up. And in case you find that there is excess amount of
water in your brush, just simply dab it
onto the tissue paper. You can observe the way we
have created a nice depth by creating this nice shadow effect using some solid black color. Now, let us move towards
the next element, which is painting a
beautiful bridge silo and between the pine trees. So I'll be using my round
brush of size zero, create a simple horizontal line in between the pine trees. Now, we are going to attach it using vertical lines together. You have to be very much
careful and try to have a lot of patience while you're painting this
particular element. Try to use the tip of your
round brush and apply very less pressure on it to get these beautiful
thin strokes. So it's basically
a nice bridge silo which creates some nice aesthetics in the
entire painting. Now, once you entirely attach the bridge
with the pine trees, you just have to create a
few more strokes to enhance the pine trees so that the bridge looks the part
of the entire forest. No need to hurry at all,
try to paint with a lot of patience and no need to make
your hand very much stiff. Try to keep it very
much loose and free so that you can create some
nice natural strokes. Also, no need to worry
about painting it in the exact same
way I have painted. You're free to explore
and experiment. You can create your
own composition of the entire sellout as well. Now comes the last element
of the entire painting, which is my personal favorite, which is adding a beautiful
sun in the sky area. Take some solid white colour, use your round
brush of size zero, and simply paint a circular
shape in the sky area. No need to hurry at all. Paint
it with a lot of patience. Try to keep your hand
very much loose and free, and create a beautiful, solid white, circular shape. You can observe a
beautiful contrast between the background color and the sun that
we have painted. Now, we'll add few details and finish the entire painting. So I'll just add
few more strokes in the huge pine tree that
we painted initially, and you can add these
little branches. The more branches you'll add, your pine tree will
look more in detail. Uh And we are done with the entire painting. Let me take you a
little bit closer so that you can observe
all the details carefully. You can observe the way we
have combined minimal elements together to form this
beautiful gouache sunset. I hope that you enjoyed creating this
particular painting. Now let us move towards
the next painting. And.
5. Painting 2 - Giant Tree: Hey, me, buddy. You're most welcome to the second painting, which I have named
as giant tree. So let us start with
a basic sketch. I'll be using a simple pencil to start with a horizon line. So it's not a complete
horizontal line. I'm having a little bit
of level difference. We are starting from
the left hand portion, slowly moving towards
the right hand side. You can increase the altitude towards the right hand side. Now apart from the landscape, we are going to have a nice building structure
which is going to have a little bit of fence in
it. So you can add it. It is absolutely fine.
If you do not draw it, you can add it directly
with your paint as well. Now, we're going to have
a giant tree so you can decide the position
according to your convenience. So this is the basic
sketch that is required. Now, let us start
with the first color, which is going to
be medium yellow. I'll be taking it in
my color palette. Now take a little bit of water. No need to take a lot of water, try to have less amount
of water and more color. Now using our flat
brush of size seven, we are going to apply the color just above the horizon line. So it is going to
be a beautiful, dense sunset, which
is based on a golden. That's why we are going to
have a nice yellowish shade just above the horizon line.
No need to hurry at all. Make sure that you apply
the color in a good manner, and there is no space left
on the entire coaster. Now, to make the saturation of yellow color a
little bit less, you can take some white color
from the color palette and add it just about the yellow
color that we applied. In case you find that your
color is a little bit dry, you can add a little
bit of water in it. Now slowly, I'm moving towards the top area as you can observe. Now, there is going to
be a different shade on the topmost portion, so that's why we are applying the yellow color in
half portion only. You can add a little
bit of white to create this beautiful
variation in the sky area. The more horizontal
strokes you'll apply, the better blend of
the colors you'll get. So now we are done
applying the yellow color. We are going to
take some crimson red in the color palette. I'll be using my same
flat brush of size seven, add a little bit of water in it. Now simply start
applying the color on the topmost portion,
as you can observe. Now slowly move towards
the bottom area. No need to hurry at all, make sure that you apply
the color well. Now slowly, I'll be moving
towards the bottom area, mixing some yellow and
crimson red together. Now, if you observe carefully, there is a line of separation
between both the colors. You're going to blend
them together to create a beautiful
gradient effect. Now to do that, clean
your flat brush in water, add a little bit of white in it, and simply apply these horizontal strokes
between both the colors. You can dab your brush onto the tissue paper to make
the brush a little bit dry. I'll take a little bit of yellow color in the color palette, again, take it in your flat brush and apply
these strokes again. You'll observe that both the
colors blend well together. The more horizontal
strokes you'll apply, the better
blend you'll get. So as you can observe,
we are done with this beautiful gradient
background in the sky area. I hope that you
got an exact idea. Now let us paint some beautiful abstract clouds in the sky area. I'll be taking some crimson red. I have mixed it with
a little bit of yellow to decrease
its saturation. I'll be creating these
little horizontal strokes, combining together to form a beautiful cluster of
clouds in the sky area. It's a very satisfying step that you will definitely enjoy. You just have to take your
round brush of size four. Create these little
horizontal strokes. Now, while you are creating these little horizontal strokes, what you have to keep
in mind is that you use the tip of your brush and apply
very less pressure on it. Whenever you're painting
these little strokes, always try to keep your hand
very much loose and free. And as you all know,
that clouds generally have a very natural
and organic shape. So there is no specific
way of painting them. You can just randomly apply these strokes in your
own way as well. So no need to worry
about perfection or painting it in the exact same
way I'm painting right now. I'll be adding few clouds in
the bottom portion as well. You can observe the
way I have created few cluster of clouds
in the sky area. You can also observe
the way it is creating a beautiful contrast
with the yellow background. Now, in order to create
some more depth and detail in the sky area
with the clouds element, we can take some solid white color from
the color palette, add a little bit of water in it, mix it with a little bit
of crimson red, as well. Now you can apply it just below the strokes that
we already apply. You'll observe that it creates a beautiful variation in
the entire clouds as well. Now using the same color, we can apply it on the
topmost portion as well where we have this
crimson red shade. It will create a
beautiful contrast with these white clouds as well. No need to hurry at
all. Take your time and paint it with
a lot of patience. You can observe the way
I'm moving my round brush. So we are done painting the
clouds in the sky area. Now let us paint
the ground area. So I'll be taking
some crimson red from the color palette
using my same brush, which is a flat
brush of size seven. Take a little bit of color
in your color palette in case you find that
your color is finished. Now just mix the color
well with water. Try to have less amount
of water and more color. Now simply use the tip of your flat brush to apply
it on the outline, and then you can use
the entire surface of the brush to apply
in the Billa portion. While you're applying the color, in case you find that there is excess amount of
water in your brush, just simply dab it onto the tissue paper to remove
excess amount of water. So as you can observe,
we have applied a nice, highly saturated crimson red color in the entire ground area. You can apply these
horizontal strokes to get a clean blend. Now I'll be using my round
brush of size four again. You can observe
that I have added a little bit of crimson
red in white color. Now using this brush, we are going to
apply a nice texture in the entire surface. The background
color is still wet, so you'll be able to blend these strokes a little bit
with the background color, and it creates a nice texture
in the entire surface. There is no specific way
of applying these strokes. You can randomly apply it
according to your convenience. So no need to worry
about perfection or creating or painting it
in the exact same way. You'll observe that I'm
just randomly applying these strokes and trying to blend it with the
background color. So as you can observe, we have created these beautiful
white strokes, which creates some nice depth and texture in the
entire ground area. You can use a little bit of
more solid white colour on the topmost portion to enhance it a little bit and create
some more contrast. Whenever you're
adding any texture in your painting while you're
working with gouache colors, make sure that you have less amount of water
in your brush. In case you find that your brush is having excess
amount of water in it, just simply dab it
onto the tissue paper, and you'll get a nice,
highly saturated color. Now, these white strokes
basically creates a beautiful contrast with the background color
that we applied. I'll add a little bit of water to just loosen
the color up and get a clean blend in the bottom portion where I'm adding these additional strokes. So I hope that you
got an exact idea of how you have to create
a beautiful ground area. Now let us paint some silos to enhance the entire painting. Take some solid black color
in your color palette. I'll be using my round
brush of size four again and add a little bit of
water in your black color. Try to have less amount
of water and more color. Now you'll observe that
I'm randomly creating this solid black patch just
above the horizon line, keeping some space in between. Now, right now we
are just applying it randomly to create this
solid black patch, which is the bush of an entire giant tree that
we are trying to create. Don't worry. Right now, the tree might look a
little bit irregular, but we'll add these
little strokes on the outline to make it look beautiful as an entire sellout. So the entire step of creating this beautiful tree is going
to be really interesting. You'll definitely enjoy
the entire process. You just have to use the tip of your round brush and create these little strokes
combining together to form a beautiful outline
for the entire giant tree. There is no specific
way of painting it. You can do it according
to your convenience, and you can create an
entire composition according to your
convenience, as well. You're free to explore
and experiment with the size and shape of the
entire tree, as well. So right now, I have created this beautiful
solid black patch, and I have created
its outline by adding these little strokes,
but that is not it. We are going to add few
more bushes, as well. Now, once we are done with the entire foliage of the tree, try to connect these
beautiful branches coming from the entire bush
towards the ground area. No need to hurry at all,
take your time and try to paint this particular thing
in a very careful manner. Try to keep your brush
very much loose and free. No need to make your
hand very much stiff. Also apply very less pressure
on your brush and try to use the tip of your round brush to get
these little thin strokes. You just have to combine
these strokes together and just try to keep it
with one single trunk. So this basically creates
an entire huge giant tree. You'll definitely enjoy
this particular step, and in case you do
not want to paint it directly towards
your final painting, and you do not want to spoil
your beautiful background, what you can do is
you can practice the entire tree on a rough
scrape of paper initially, and then you can come
towards your final painting. This will help you a lot to develop confidence
while painting, and the chances of making
mistakes will be very less. Now I want to increase the
foliage of the entire tree. So that's why I'm going to add few more little strokes
on the right hand side. You can observe carefully that I'm using the same
solid black color. No need to hurry at
all. Take your time and try to paint carefully. You can observe the way
I'm moving my round brush. So I hope that you
got an exact idea of how you have to paint
this beautiful giant tree. Now, apart from this,
we are going to have few little bushes on the
ground line as well. So I'm adding a little bush in the bottom portion
of the entire tree. It is a simple
solid black patch. Just try to have little strokes
on the topmost portion. Now, similarly,
we'll add few bushes on the topmost portion
of the horizon line. You just have to connect these little strokes
combining together. Now, there can be variation in the size and shape
of the bushes. It is absolutely fine that
you explore and experiment. It is not at all compulsory
for you to paint in the exact same way
I'm painting right now. Now I'll add few little bushes on the left hand
portion as well. These steps are absolutely same. You just have to create these little bushes combining
these little strokes. Once you are done
with the outline, just fill in solid black
color in the inner portion. Now, once we are done
painting the bushes, there is this
beautiful deck area, which is a nice
building structure with a fence element on
the topmost portion. So we are going to paint the entire structure with
solid black color only. Take some good amount of black color from the color palette. Use the tip of your
round brush carefully, since it's a very small
portion to paint. Once you have applied
a solid black patch on the entire
building structure, we are going to
add vertical lines on the topmost portion. No need to hurry at all. Try to paint with a lot of patients. So once we have completed
the building structure, I'll use the tip of
my round brush again. And I'll create these
little vertical lines which are connecting with the building structure in
the bottom portion. Try to apply very less
pressure on your brush. Now, once we are done
with the vertical lines, we are going to connect it
with a single horizontal line. I'll be using my round
brush of size zero and just try to create a nice
thin horizontal stroke. No need to hurry at all, take some good amount of color, apply very less
pressure on your brush, and simply create a single
horizontal strokes, which is connected with
all the vertical lines. And this is how we create a beautiful fence element
for the entire painting. Now I'll take a little bit of black color from the
color palette again, and we're going to
create a nice depth in the ground area by creating
these shadow effect. So for that, I'm using
the same black color, and I'm applying these strokes just below the white strokes. Now comes the last
final element, which is painting the sun. So take your round
brush of size zero, take some solid white color
from the color palette. Now simply create
a circular shape in the sky area where we have this beautiful
yellow shade. While you're painting the sun, try to keep your brush
very much loose and free and try to create a
beautiful circular shape. So we are done with
the last element and the entire painting. I hope that you enjoyed creating this particular project and
got to learn something new. So, these were the two paintings based on golden hour sunset. Now let us move towards
the class conclusion.
6. Class Conclusion: Hey, everybody. So you're most welcome to the
class conclusion. I hope that you enjoyed the entire class and got to learn something
new and creative. While I was creating
this particular class, I made any number of mistakes, and that is something
that I always tell my students never to be
afraid of making mistakes. It is really great
if you maintain an art journal to practice
on a regular basis. This basically improvises
your sketching, inking, and painting skills. I would be really
excited to see all of your class projects
into the project gallery, so do not forget to add them
into the project gallery. It would be really great if you leave a review for
the entire class as it encourages me a lot and my class can reach many
more students like you. At the end, I would like to say, keep learning, keep practicing. Thank you so much for joining the class and happy painting.
Rutvik Patel, Artist and Instructor
