Transcripts
1. Welcome to Free Expressionism!: Hi there, I'm Christopher Clark and welcome to my
painting course, free expressionism painting
like you just don't care. The first course of this that
I've ever done was kind of an experiment based on a fun conversation I had
with a friend of mine. Really wanted to get back into painting and was really timid about it and it didn't really know how to approach
it and how to start. And we just have so
many inhibitions when it comes to making art. I thought I'd make a fun
video to just try to shed all that and just let
yourself play and have fun, and let all your emotions and thoughts and ideas come out and organically just get them onto the surface with, with paint. And it's very like it gets all
your stuff off your chest. I guess I'll run
through the ones that I just happened to do. I did this lovely little flower seen this autumn
little tree here. And these were all done
very spontaneously. Just, just found
some fun images that I thought it was just said what I wanted to
say at the moment, this sort of nighttime
cloudy moonscape thing. Then this evening, sunset. These are just all done on crummy paper with
crummy acrylic paint. It's very accessible and
cheap and easy for you to jump right in first-class, I've taught in acrylic. Usually I teach in
oils and I teach a little more
calculated fine art, traditional sort of
impressionism stuff. But this is a lot more
spontaneous and free and use cheap acrylics so you can just put a
pile of paint on there. Who cares? These
old crummy brushes. So you can just smear and don't worry about if you ruin a brush. Dunk them in a bucket of water on the side
so they don't die, but don't worry about it. You use crummy materials. A couple of times,
I'll use a piece of plastic to smear paint on there. I use my fingers a lot. I use the backside of the brush. You can use anything.
I use a palette knife. You can use literally anything
I'm looking around for. I've used paper towels Before.
I have a spray bottle. You can do all
kinds of fun stuff. I fling paint on there. It's really just
whatever comes to you might you might use some tools that I've
never used before. That's really up to you. And use whatever service, don't use anything expensive. Because you really just
want this to be liberating. You're not going
to ruin anything. That you're not going to ruin, whatever you're working on. You're going to
just play with it. Use cheap disposable
stuff, use cardboard use. I used a watercolor, like a watercolor block with
four crummy warped page, two pages left in it that
I found in the corner. Might've ended up in the trash. So it doesn't matter
what you paint on. This is really a fun
exercise like doodling. Let yourself be a kid and
just smear paint around. It's really fun. Wear clothes you
don't care about. The first painting, I wore a really nice blue
shirt that I'm like, oh, this was a mistake and
I change it to this one. Then do a place where
you can make a mess. Hopefully you have an area. You can really just
be uninhibited. There is no, there's
nobody watching you. These paintings aren't for sale. No one's gonna see them. There's very private. And you don't have
to post them online. You don't have to
show them to anybody, which sets you free to
do whatever you want. There's not a right or
wrong way to do it. Every painting is gonna be beautiful because it's gonna be a reflection of you
on the surface. So it's really
just your journey. It's your thoughts
and experiences. And you can hopefully take the images that I've used as just an idea and use your own and just sort
of go from there. This is really a
stepping stone for you. Maybe it can be irregular
therapeutic, meditative thing. I hope. So. With that, we'll
get started with our first painting and we'll
go to the easel right now.
2. Painting 1: Flowers: Today we're going
to have some fun. This painting we're
gonna do today is not about making a
finished painting. It's not about trying
to copy the picture. It's not about anything you preconceived before
about what painting is. This is really about
expressing and just getting whatever emotions or inhibitions or anything out and onto the canvas so
you can look at it. We're gonna be very cathartic
today and just have fun paramount for this exercise
practice for this little, little playground we're
gonna have today is that this painting
is not for sale. This is you saying
this to yourself? This painting is not for sale. No one will ever
see this painting. This is just you and
this little moment. This is like your
mirror right here. We're going to show ourselves on the mirror and it's just
between you and me. The painting this is you
talk into your painting. It doesn't matter. I've got
all my favorite colors out. It doesn't matter
what kind of paint to use I'm using acrylic today, which is different for me
for a painting course, because I liked the
fact that it will dry quickly and we
can play with it. We're gonna try that. These are all my favorite acrylic colors. I do have them sort of set
out in a little color wheel, which I like because I
know where they all are. So you organism how you want, or you can sort of mimic this. Yellows, orange, red, blue, green, and the whites over here. Then the reference
that we're using, it can be any reference that
you like that It's just fun. This was a picture
of a friends garden that I took that was
just pretty one morning. I just found it in, pull it
up here and hey, why not? But the reference is
just a guide today, we're not trying to copy this and making a beautiful
finished painting. We're just going to let
whatever comes out, come out. We've got a little spray
bottle of water here. Every periodically you just sort of give you your
paints a little spritz. It keeps them wet because
acrylic dries really fast and the paints will skin over and they just
get harder to use. So I've just got a couple
of tubs of water over here. Some old yogurt container
wherever the **** this was. I'm gonna start with a
big old giant brush. We're gonna use big brushes. We're not going to get
little minute details today. This is not about a
detailed painting. This is about just moving the paint and
having a good time. You might get messy. I probably wore the
wrong shirt for this. I like the shirt.
Maybe I'll try to not get an apron on, but okay. So let's get started
just going to dip my brush and some water. This painting has
read, I'm sorry, it has purply flowers and lavender flowers
and white flowers. That's great. Null
for the moment. I'm just like, You know
what, I liked the color red. I'm gonna go get some. This isn't even a Canvas. This is a piece of
watercolor paper that I found in the corner. And I'm just going to
fling some on there. I hope it doesn't
fly off though. Maybe secure it down real good. I'm not I'm not really I'm just flying in and
having a good time. This today is about
having a good time. I got some on there. Maybe it is a little
darker down here. I'll get some darker something. Maybe you can smush
however you want to do it. You can even dip,
dip the pain and the water and do a little
bit of this little flick, a little fling just for fun. This is why, as we mentioned, do this in a place that's
that you can make a mess. Just dip it in there. This is some big old cheap
brush from Home Depot. I can wash it out. I like orange too. I like reds and oranges. So I'm gonna put
some orange up here. Whatever colors you like. I am glancing at my reference
now and then I'm like, Oh, maybe it's a little
lighter up here, I guess. Hey, we'll add some
lighter color. I don't know why this has gone. I'm just having fun. Maybe it's a little
lighter there. Great. Maybe there is
some green down here. Let's throw some green and
push the brush to the side. Here we go with we're losing
the painting already. Maybe you can get a more
secured Canvas or something, but do something cheap like
this is just cheap paper. I didn't care where it was. Maybe more. Maybe we will tape it
down again real quick. I can find my tape. It
doesn't fly off the thing. But literally this can be any any old crummy
paper you found, any crummy Canvas, a piece of cardboard. It doesn't matter. Today is not about making. Again, we're not making a
finished painting here. We're just having fun. We're just letting it all out. There we go. Hey, we'll do this. I like this. You did just touch the brush in water and you can
go womb and really. Or maybe get some paint here. I see I already got
some on my shirt. Gets him here and we get
it watery and just fling. Do that and make the sound. And this is all about just
having fun and getting it out. Maybe there's just a
bunch of big brushes. These are cheap old
bristle brushes. You can use whatever you want. I might reach over and
grab something later. Yeah, this is today. This is not about making a finished piece that somebody will see
and judge you on. And you have to sell
it and you have to have that that pressure. I can put the flowers
wherever I want. I liked, I liked just
like this purple color. It's beautiful. Maybe it gets a
little lighter here. I'll grab some
white and some red. Just like really
let the paint fly. No one's ever going to see this. That frees you up,
that's liberating. Don't post this online. Don't ever show it to anyone. The fact that you don't
have the pressure or if someone else is
going to see this, you know, a gallery or your followers, screw
your followers. Today is about you, today is about this is
what I feel inside. I've been personally needed
to do this for awhile. This is a little
cathartic for me too. I was explaining this to someone very dear friend of mine who wanted to get into
painting again. She was like I just feel so pressured about what it's gonna look like and what
people are gonna think. And I have to make
a finished painting and as someone going
to want to buy it, I'm like, I was just
talking to her about, you know what, forget
all that crap. You need to just paint for you. Here's some yellow
and these trees up here, I don't
know what I'm doing. Like I see, Here's a
little bit right here too. This could look like
total garbage in the end, but who cares this is for you. You can, just, when you're done, you stare at it and see all your favorite colors and
all your big brushstrokes. And you're just getting it
all out into the world. Into your world, not the world. Because again, no one's
going to see this. The fact that you don't
have that pressure. If someone else needing
to see what you're doing, no one's standing
over your shoulder. No one's judging you. You don't to worry about
how many likes you get. You're not worried about
offending your followers. Like, Oh my God, take the
pressure off yourself and just paint and have
a good time for you. And maybe there's
some sky up here. Look how much paint I'm using this these blobs of paint or
just like I'm going crazy. I like this beautiful sky. I don't know where
this is going on. Like there's a little
sky right there. Hey, let's do I just loved this. Here's another fun thing. Get your brush, get
some wet paint here. And take your nice wet brush. A stiff bristle brush
works best for this. Take a back of another one. And I'm doing this, I'm letting the Brussels,
Brussels flip past. You can use your finger, which
just makes an extra mass, but you can just use the
back of another brush. You can really get
some paint on there. And then hey, when you run this, Haidt is clean off the brush. We're having fun here, just
flinging paint around. Very different than anything
else I've ever done. But something that people
don't really talk about, it's necessary sometimes just to get it out. I kind of liked it. It's maybe the whole thing
is just sky up here. I don't know. There's there's trees and say I'm
not looking at that, I'm just looking at color. I don't know, Back to my
big giant brush here. Let me make some
beautiful green. Maybe in here
there's some green. I'm just really moving. Just keep the brush moving. Don't stop and think too long. It's kind of like what do they call those stream-of-consciousness
writing where you decide, I don't know, just
write anything random, random thought that
comes to your mind. Just get it out. Don't judge, don't overthink it. Don't stop. Just move and
just have fun and play. C, I'm talking and doing this, so it's a little
distracting for me. The experience is
little different. You might have an easier time because it's just you and your quiet or you put on your
favorite music or whatever. I'm having to explain
what I'm doing. Sometimes I have
to stop and think. But anyway, let's let's see here I like there's some needs to be some more dark purply
greens down here. I'm not using any medium. It's just big piles
of acrylic paint. And honestly, at this
stage it's wet enough. Where it is still moves
around quite a bit. It hasn't dried yet. Sometimes it's dries
and I can I can put more water in it. I just water. That's
all I'm using. You can use medium
if you want, but I'm not currently. Maybe these, maybe these flowers need
to have a little more flowery in them.
Maybe a little more. Pop them out. And you've run out
of paint, just reach over and grab more. I've got another thing
of it over here. Spend 20 minutes on this. If that 15 minutes, like it's really
just to tell you, maybe you run out of
breath until you're like, wow, and you can stop and
look and see what you did. But I don't know what I'm doing. I like red, I want more red. I know the flowers in
the picture or purple, but I actually, I used
on the red, I need more. You can use cheap
paints for this. That way you don't have to
worry about using a lot. Go back, spritz them. Just keep them keep them fresh. What was I doing? I do keep my paints
in a water bucket. Let you know just what does this this was just because acrylic will
dry your brushes out. So keeping in here when
you're not using them, so they don't dry
out and get ruined. I just cleaned my
brush on the wall. I do have that luxury. Thankfully. I want more
red and these flowers, look at the size of
the brush I'm using. I mean, what is
this? This is a ten, but I wasn't looking
at the number. I just like, I want a big
fat cool brush right now. Now there's some like, I like there's a light,
maybe I'll use some. This is just another handful
of old crummy brushes. You look, I'm getting
messy already. That's okay. Maybe there's just some white
pretty flowers right here. I like that. Oops. I painted on top of
my other flower, Oh no, big deal. I like, I want more
of this sky color. Let's go back to that. This is just white and
some blue or something. This is another fun.
Let's do this again. This is get some water on here, and I have a separate thing of water in case this
turns into total sludge. Yeah, this is a fun thing. Get some water on your brush, just mix some very watery paint. See it's very watery. And
take another brush handle. And just like push, you
get some splatters. Those are really fun.
They are very expressive. Maybe we'll do that with the
red to where was my red one? I'll get some water
and I'm making a total mess on my palate. That's okay. I want some of this red color and I will change my
shirt before I do the next piece because I do like the shirt and I don't
want necessarily get completely covered in paint. I did it because it has a
color to put my microphone. I I mean, I'm an
artist, I guess. Every shirt I own is
covered in paint. People see me like, what's
that on your shirt? Am I really you have
to ask me that. You know what Let's do
orange. Orange is fun. Get some watery, nice
and it drips whatever. Who cares, this is fun. This is the handle that I was
using to flip paint. What have we been going for? 15 minutes so far. And it's already
just a beautiful, fun, messy pile of me. And that's what
this needs to be. This is a messy pile of you that no one else is judging
and no one is seeing. No one who's critiquing
or commenting or you're not trying
to impress anybody. It's just you playing. You need to give yourself
permission to display. Sometimes it's not work, it's not a masterpiece. It's not being judged. Nobody's gonna see it. Nobody cares. You
don't even care. It's just fun. That's what I think we
don't do enough of. I like these beautiful
cool yellows. I'm just going to make
a bunch of those. And those are barely
in the picture, but I liked them a lot. We're really not carrying paint
like you just don't care. What does this look like? I don't care. I'm
just having fun. I love these more paint than
I've used in a long time, even in my serious work. So it is kind of
refreshing actually. And no one's ever
going to buy this. Just for you. If you're looking
in the mirror right now, whatever comes out is
going to be beautiful. Because wherever you have
inside here is beautiful. And we have a
terrible definition of that word in our society. And you had fun and you enjoyed it and they're
all your favorite colors. And you used a picture of your favorite thing as a reference or you just
did an edit your head, then that is
beautiful, that's you. And that's what you need to spend time within a fund with. I think I want more
of a bright sky. I want I want that
brighter color up here. It starts to get dry
pretty quick so I can go over it decently fast. There was I don't know. Occasionally I'll glance
over at my reference. It is just a guide, it is just a reference. Don't read into it too much. As if like, you have
to stick to that. There's a big old
blob of paint there. I'm going to leave
that right there. I see. It's like it's like it fell over and it kinda is
drooping there, but it's fun. There's like big hunks. Just don't even think about it. You don't have to
smash this to death. You can really just let
go and have a good time. Then. Maybe if you just once you
sort of stop and slow down, you're like maybe that's when you're finished and
you can just sort of sit back and look at
what you did and relax and just enjoy
every little moment. Oh my God. This is very cathartic for me. Even I don't paint like this. I, I teach
impressionism painting and I'm very loose and brushy, but not like this. Even this is good as a
professional for me to just reset. Just have fun and let it all out and just make
a freaking mess. Oh my God, you're like a kid, like you don't care. It's really fun to
be able to do that and give yourself
permission to do that. Here's I think we can
call this one finished. If I want to later, I can
go back and play with it. You can do this forever. Just keep piling
paint on if you want. Or if you just like you said, all you needed to say
right now and you're like That feeling is out and
you can look at it. Maybe, maybe you are done. That's your choice,
it's your decision. It doesn't matter. No one's going to see it anyway. You can throw it away.
You could burn it. You could put it
in the closet and pull it out next week
and look at it and go, wow, that's how I was feeling. Or we could go and do another
one and compare them. This is really your own little like your free
therapy right here. The cheapest therapist
you've ever had. So anyway, maybe we'll, we'll call this one down
and maybe I'll clean up and start a new one and we'll
play with something else. Cleanup, take a break,
get a, get a drink, walk around, and we'll see you back here in a couple of seconds and
we'll try it again.
3. Painting 2: Autumn Tree: We're ready for our pile of
you number two, if you will. I changed my shirt
and something. I don't care about as much. I get a little paint
here and there. I thought this time we do a tree that I saw once
in a park in autumn, I love autumn, I love orange. All the autumn colors. So I'm going to just start
with my big giant brush here. Get it wet. And I
don't know, yellow. Yellow, Here's another
beautiful yellow color. No idea. And maybe we'll throw some brown autonomy business. And I like doing that too. Just throwing some
stuff on there. I don't know. Smush it. Smash it with your
fingers if you want, wherever you want to do. I don't know that it
gets darker over here. And it's there's some
greens in there too. I'm just playing. Maybe I'll use another
brush. I love. Orange, one of my
favorite colors. This is sort of this tree shape. I'm not even thinking
about like is this a tree? What does it see, these colors? And I get excited and I loved that Midas pile
that on my paint. I pilot on my brush. There you go. Here's
something fun. Here is a piece of
plastic from a rapper, Not like $0.50, but
like a package. So you don't have
to use a brush. I'm just going to do this. It's still very wet. It'll actually do this. It'll actually work
in a few minutes. This will be probably
too dry to do this with, but that's fun. I'll put this aside and
do that again later. There is some fun blues. I loved these rich blue skies. I'm going to just really
have fun with those. Maybe I want those more
green, more bright. And I just love these colors, so I'm just going to have fun and fling them on here
and wherever they end up. I'm just using, I'm
using a lot of paint. I'm using a big brush. This is a big old fat, old crummy brush that I
probably would've thrown away a while ago, but I didn't. And I'm glad because now it's helping me
with my catharsis, which is really what
we're doing here. There's some reds in here. If you see a color, just
grab it and go for it. This isn't about the, I don't think so hard. Honestly. We are using a reference
just to give yourself a little nudge because
sometimes that's what you need. Here's a ground I guess. I don't know. Maybe there's a floor or to have some kind a little
bit of a trunk. You can use a palette
knife to just to push this paint around. This isn't even a
Canvas I'm using. This is a watercolor block that I've found that
probably would've ended up in the trash. This is a big old giant, cheap palette knife that
I got somewhere. I don't know. Maybe those shadows
look at that. Yeah, just just really
smear it. It's kinda fun. You know what? I liked
this palette knife, I'm going to keep using it. I'm gonna put some yellow. Want to put these brushes down? That's kind of fun. I just love all these colors and I'm gonna
really run with it. Just grab them and
thrombin and play with them and enjoy them. Like again, this is like This is what kind of day
I was feeling I needed I needed some bright colors
in my life because maybe maybe you're going through a really rough
time and you need, you just need to see
this in front of you. Maybe this isn't
inside you at all, but you really wish it was. So that's why you do this. Like art is about that. It's about this expression. It's not about making it
look like the picture. That's for another time. This is about having fun and
creating and expressing. And again, this painting
is not for sale. No one will see this painting. This is yours, this is
you and the mirror. Just by yourself having fun. You're allowed to play. I want some more of
this bright fun. I just love these bright greens. And maybe over here is more
like this. Bright blue. Just smashing. There's a couple in
here in the middle. I'll just maybe take it
and maybe I'm angry. I don't know. And I'll get the outside this, I'll get the palette knife wet. I'm just dipping it
in the water here. And I'll just mix it whenever, wherever colors on there. Maybe I'll even take it
and let it drip down. I'm just putting some water on the palette knife and
I'm letting it drip. You're like a kid. Let yourself be like a kid and just play. We'll mix some water in here. You can be as spontaneous
with this as you want. Just try out different things. Because you're just playing
like a kid in the sandbox. You know, you didn't care what
you did or what you made. You just had a good time. You made your own
little stories. You didn't care what
you're doing until your mom called
the N for dinner. Until then you were in
your own little world. Like Bob Ross says, good above, I got
them right here. Good old Bob. He says,
this is your world. You are the creator. This is, you can find freedom and expression here. Well,
that's what we're doing. Thanks Bob. You're welcome. Godless and happy painting
my friend Bob has done. I don't know. Maybe there's some more. I'm just going to
grab a random brush here, maybe the same, or are these light colors on the ground here or something? This is very spontaneous. Don't overthink it, just if you see a color you
loved, just grab it. Hey, maybe there's
some purples in here. I don't know. Maybe
maybe not so dark, but maybe there's some purple
leanness happening here. Well, let's do the, let's do the old water brush
flinging thing. With maybe this fun,
beautiful purple color. We just made. Whatever you got inside you. Whatever is coming
out here, it is you. And it is beautiful already. You don't need to try
to make it beautiful. You don't need to overthink it. It's inside and it's been
waiting to come out. And now you get a finally
throw it out and look at it. Just celebrate it and
celebrate yourself. Because this is about you. And this is about you're using whatever your took a little snapshot or you're doing this just from
memory, you're having fun. This was whatever
you were feeling at the moment. And that's okay. You give yourself permission
to be okay with that. You just have fun with it. I like these greens. Maybe we'll do some more of
that flunky green stuff. Maybe it's not
going to overthink. It sees that it's hard to not. Sometimes you let
yourself get too into it. I want some water. This is just water and cheap
acrylic paint. I do oils a lot. Mainly. I do incorporate acrylics as
an underpainting sometimes. But a lot of times it is
just oil gonna smack. Sometimes you just want to, you can delicately just do this. Let's say you're in
that kind of mood. I'm going to go through all
the different moods here. You don't have to do
all these in your painting, maybe just today. You mix your beautiful
color and you're just you're just like, I just feel like I
love this brushstroke. I love that brushstroke
and I love this color, this beautiful green,
the soft, dark green. These are the little leaves that are still
hanging on to summer. We all told me all this. Hanging onto summer with every last ounce
of energy we got. Winters beautiful, but it means, I'm sorry, Autumns beautiful, but it means Winter is coming. Not Game of Thrones
style, but in real life. Maybe it's just like, I just
want to keep that summer. This is you today.
And that's okay. I'm just like, I'm
just enjoying this. I just I'm not I haven't looked at
my reference in a few minutes and that's okay. Then maybe we'll
do I don't know. I'm really liking
where this is going. Maybe I do want this to look
a little more like a DRI. I'm just going to
grab whatever make something sort of a tree, I guess there's a trunk, right? Again, the reference
is really just for a nudge to guide you
in the right direction. Because sentiment as
you sit in front of that devastating white
canvas and you just freeze. I don't know what to do. Well, maybe the maybe the picture is like this was a little moment
that I enjoyed yesterday walking in the park or this is a sunset I saw once years ago and I will have phones and take a
picture, you save it. I would suggest keeping
the reference simple. Maybe we'll play with doing a more complicated one because it's really not
about the reference. The reference was just to
give you a little push, it a little inspiration. But then really this is still just your fun creativity
happening here. This isn't about, this
isn't about the picture. This isn't about making a
beautiful painting at all. This is about the big pile
of you that you're enjoying, spending and put it on
your favorite music. And really just let
yourself have a good time. What do I want more of? I really like these
light yellows and maybe I will
use a brush now. You know what, I
want to use this. I brought back my wrapper. I'm going to fold it over
and use a clean part. I'm just going to
dip it in here. Let me just dip the classic. Not only does it save this
from going into a landfill. Now it's part of your art.
I'll take some orange. I liked the orange. That's pretty I don't care. It came from me, so yes, it's pretty it's beautiful. Whatever you got inside
you is beautiful. You have to give yourself
permission to acknowledge that. I want some more of this
beautiful sky color. Maybe it even comes over here. And on this side I like
that it's a little more of this more purply blue couple of little chunks showing
through here and there. This is a lot of
breathing. A lot. You're exercising demons or autumn trees or whatever you have inside you that
you need to get out. That's exactly what this is for. This is to get things out and have them in front of you so you can actually look at them. You can process them
and then just go back and you just
put your face right up to it and just look at all these beautiful
little moments inside here that this is
like your subconscious, like just scrambled up. But you can actually
study it now. Maybe you can see the things
you've been struggling with for so long and just
just let it out, man. It just I can see the tangles of things in my brain that I've been trying
to figure out. It's very, this is
why you do this for yourself and nobody else.
This is hard for me. I'm opening up this
all to you guys. This is me you guys
are all seeing. But this is important. I have to show this. Somebody just having a
conversation with me recently, just communicated this desire
to start painting again, but she was so
scared, I don't know. I'm afraid it's not
gonna look good. I can't show it to anybody. I was just talking with
her about it and I was explaining this process that
just really just came to me. Why don't you just try this? And she was like that
sounds like so much fun. And I'm like, You know
what, I need to share this. I need to try it myself because I've never
done this before. This is literally the first time I've done this for these videos. And it's really fun and
wow, it's cathartic. I liked the flaky paint.
That's really fun. I'm gonna get some fund yellows and inflict some color on here. Maybe I'll wash that
out occasionally, you can wash your
brush if you really need some clean color. I just got a bunch of
green on there awhile. Green and orange
and there we go. That is like the craziest. Call the owner even
call it an autumn tree because that's not
really what you're doing. This is a big pile of me that you're all
getting to see right here. Then when you feel like
you're slowing down, maybe you said all
you need to say and you've maybe you just sit
there and cry in front of it, you know, because
you're like, Oh, finally, that's all out. It's very therapeutic. This is free therapy. Man. Maybe this
one has finished. Maybe when you've
you've just calm down. You just maybe a
little more peaceful than you were 15 minutes ago. Isn't that worth it? Just
doesn't have a great time. Just filling in color and loving every little
leaf on this tree and every little pile of
color and experiencing the transition that we see
from summer to autumn, assuming gonna be winter, like we're used to
experience that right now. And in 15 minutes, we just became one with
this beautiful tree. I don't remember. This tree was I hope it's I'm sure
it's still there, but I wish it well,
whatever it's doing, because we just
shared a fun little moment here and that's what was really special. Great. Maybe. I'll clean this up again. You just spray it down with
water and just scrape it off with a palette knife
or with a eraser. Really easy and
clean your brushes, clean your water and tear
this off and do another one. If you use a piece of cardboard, use a piece of thick paper. Thin paper will
just disintegrate. Unless that's kind
of fun for you. Tape a piece of paper
to a piece of wood. It doesn't really matter
what you paint on. It really can be anything
because this is just an extra. Don't use expensive canvases. Don't use anything that costs money that you were
afraid to ruin. Just ruined it, man, totally just ruined it.
That's where this is for. Maybe I'll find, maybe
I'll find a darker image, something that maybe
you're feeling a little somber and you need
to get that out. So maybe we'll try something
with something like that. Next. We'll take a break, clean up, and I will see you back
here in a few minutes.
4. Painting 3: Moonlight: Okay, So here's if
you're feeling a little more somber today, you need a little
more quiet or more blue, a little more dark. I had this great little
moon seen here to do. You can start. Here's a
quick little fun thing, just because at the blue doesn't mean you just
start with blue. I like this Alizarin
crimson color. And I might just
start with that. You can start with whatever
colors make you happy. I can even take my palette
knife and swish it around. This is just watercolor papers. Again, just an old pad
that I found somewhere. Maybe it has green
toward the edges. Already. I'm thinking like, oh, I would prefer my moon
to be somewhere else. I'm gonna move it where I want it because this is about me. While I'm down here doing
some darks, just do this. I like this blue color. Maybe my moon was going
to be right there. I'll take this again. Maybe here's like, oh,
there's water. Look at that. Maybe these are the clouds. I'm doing this fast to
sort of get it moving. But you can take all
the time you need to. You can take all day to do this. You can just really relax. Again. It's not about making a nice, pretty finished,
careful painting. But if you were just in the
mood to paint slowly and carefully and you're just
having fun, That's great. Do whatever you need to do. I thought about using my piece of plastic.
This is the same one. It's still got some paint on it. But I wanted to do
maybe my moon is here. Maybe here's the reflection. This is a little more
specific of a scene. So that might attempt to you to be more specific
with your reference. Do whatever you want to do. But again, I'm not
trying to finish just painting in any
kind of nice way. This is just me screwing around, letting loose and having fun. I don't know. I'm seeing some
of these blues somewhere. We'll get it a little
wet or dry or brush. Maybe. Maybe it's a little lighter. Just like sort of smack
and the paint on there. That's what I'm in the
mood for right now. Maybe a little more of that. Little fun reflect
these stuff, see that? That can be you right now. You don't have to have any. This is where you can
experiment to it. Maybe, maybe you are trying
to make good things and you can experiment with stuff. I want us some nice
purply dark stuff here. I do like some of these clouds that I want to, let
me try to put it in. Because again, this
painting is not for sale. No one will ever
see this painting. This painting isn't going
to get posted online. No one's watching you do this
unless that's your choice. But I would recommend doing
these alone for awhile. Because it's really crucial
that you just don't have the expectations of somebody waiting
for you to finish. A gallery waiting on
this or a person judging your this is for you
and for you alone. I love these dark purple colors. This is, this is what this
painting is about right now. Somber, quiet. Maybe I'll see more of
that over here too. And this purple is great. I'll see more of that. Negative. I don't know why this is
going this could look like total crap and that's that's, that's not really even accurate. It's, it's beautiful. Don't judge it by
our art standards because then you're
just going to get frustrated and stop
and overthink it. And like, oh, maybe I need
to mix this color, right? And I don't know. Like, that's not what
this was about at all. No judgment. No. No other viewers other than you. This is about your
somber feeling, your own quiet time
with yourself. Maybe. I do like that somebody's
clouds have some here. It will just take some
of this stuff here. Like you can see a little
bit of this happening here. And I'm going to smash
this with my finger. Because why not? It is
acrylic which dries fast, but it is wet enough
right now where it will still do fun things. Still smushed around. Some of it's dry,
some of it's wet. It's kind of unpredictable. This is pretty
haphazard. That's okay. Maybe finally it's
time to put a nice, this is where my
moon is going to go. Some spark leaves if
that's what you like. Here. Ready? I'll do
my favorite thing. Some water and some paint. I can go sideways like
this and go over here. I want white. Just pure white. Get paint everywhere.
Just for you. I can smush this stuff
around. Look at that water. I don't even know
if that's water or not, but it's beautiful. I love it. This is, this is exactly how
you're feeling right now. And it needs to come out or
it'll just eat you alive. We all do on way too
much all the time. I'm just going to dip
my finger in this pane. Again, you're just a
kid playing right now. This is you have the
permission to play. You need to give yourself that permission because
no one else does. Everyone else's so serious and you have to do
all things perfect. And if you're an artist, you have to produce, you have to keep your customers happy and
you have to post regularly online and so you don't
lose your followers and God just once in a
while can just shut up, tell the whole world is shut up. And let me just
play and have fun. That's really, really important. I like this green too. I don't know why I've
abandoned by brushes, but hey, that's
what this is about. I'm just going to
get my finger wet. Like some green on
the sides here. Maybe some of this purple and some of these
clouds is kinda fun. Clearly, I've used several
different random tools. Traditional ones, brushes,
piece of plastic. Someone was telling
me that they've made a brush out of rubber
bands all tied to a stick. I'm like, That sounds fun. I didn't have time to do
that before this class, but that does sound
like a lot of fun. I have stopped looking at
my reference because again, it's not a reference because I'm not trying to make a
finished painting. It's just an idea. It was just kind of a mood that captured me for that moment and I needed it to just
guide me a little bit. Sometimes that's all you
need. You just didn't need a little little guide.
Maybe we will do. I'm just going to literally
abandoned the brushes and it's kind of a nice
tactile experience. It's like writing. If you've ever bought
a journal and write in it with pen and ink in your
hand or pencil or whatever. But like not typing, not writing a blog that
people are gonna read, you're actually just writing
on paper with your hands. That is a really beautiful
organic experience. And there's something to, that. People don't really get to
experience much anymore. This is kind of a really
enjoying this actually. It's making some great textures that I actually couldn't get with a brush and my little
fingerprints everywhere. So it's like this is
like my little moment. This is like a proves that
it was me that I was here. If some forensic
person analyze this, they were like,
yeah, we picked up his fingerprints all
over the painting. That's mine. No one can take that. And kind of just liking this. These are just cheap
acrylic paints. You could use oils for this, but they're just a lot
more expensive often. You might be too
hesitant to use them. You want to just be
free and uninhibited. This is what it is
about, is getting rid of inhibitions and
not being worried about using too much paint
because it's expensive and someone's going to yellow cells the
best of these days, I better make yellow paintings. It's not about any
of this stuff. Cheap acrylic paint, its
use your favorite colors. Put a big pile on there so you can just use it and be free and
not worry about it. It's not expensive. Use random tools and
old crummy brushes. Don't ever throw out brushes. I've got buckets of
brushes that I just keep for random occasions
like this because you never know when
you're going to need some kind of fun brush. I like that pink. I'm slowing down because I'm, I'm talking and explaining. When you're doing this, you can do it whatever
pace you want. I encourage sort of a stream
of consciousness pace. If you're just taking
your own time and doing this at your own leisure, you can take all
the time you need. Or if you have the desire to
just crank through it and just fling paint, do it. That is what this
exercise is for. Those are fun. Yes. So I'm slowing
down and talking. So I'm thinking about a
lot of other concepts while I'm sharing this
process with you. But this can be when you're
quiet and you're at home, or do this in the park if you see a pretty tree and you
bring your stuff out with you, whatever, whatever
is comfortable, put on your favorite music. And just don't think
about anything else. Really, just have fun and let yourself go like
I've never painted like this before and
it's really fun. I'm just letting myself loose. Sometimes you kind of
slowly. I don't want to have been 12 minutes since I
started this painting, but sometimes that's
all it takes. Kind of slowing down. So I'm like, I think this
is all I have to say. This is, this is me and my little dark,
somber moon moment, but it's also lovely
and inspiring turmoil and it's a storm brewing. But it's like this
hopeful full moon that's lighting the way so many messages that
you're sending to yourself that had just
been sitting up here, locked away because people don't let you create like this. You usually have to create with a deadline in a
result and followers, you know, sales and all
these things in mind. But this is not that, this is just fun. Just playing and look what
you look like. You can make. You get to look in the mirror
maybe for the first time in a long time and no one's there to tell
you anything about it. You are, whatever you're
looking at is beautiful. You've had this beauty
locked away inside you. Now. Now you get to confront it. And you get to admit, yes, I am beautiful. I just proved it to myself. And that's pretty
moving experience. Let it all out. I'm really
enjoying this painting. I know it's very moving and an exciting and
coming at the same time. That was fun. What should we do next? I'll think of something. Clean up here. Always keep your, keep your paints
every ten minutes to sort of get a little spritz. And if you need to clean
up, Here's a quick little little to-do on that since you've
got a few minutes. I tried to keep my videos
to about 20 minutes. Even if they're
one long painting. I just got it wet. Just
take a big palette knife. You can scrape it up, scrape it off into the thing. Or if you have a scraper,
the paint scraper, like if you buy at Home
Depot or something, you can scrape all
this stuff up. Scrape around your wet paint and don't dip your fingers
in it like I just did. Because you can do
a bunch of these. Get a bunch of old crummy paper. I, I've heard you use newsprint that it disintegrates
during the process. But hey, maybe that's
part of the fun, maybe that's part
of the message. Use a cardboard. Any old saved pieces of
cardboard could totally work. Don't use expensive things at all that are going
to inhibit you from just having fun and
doing whatever you want. Nothing worse than having a
really big, expensive canvas. It's here and it's big
and blank and terrifying. The cheaper it is
the better because then you won't care
about ruining it. And then you won't ruin it. You'll make something
beautiful out of it. That's honestly how
you paint anyway. Because whatever you do, you're never gonna ruin it. It's yours. Perfect. That worry is just you blocking your own. You're getting in your own way. So here's a way to get
out of your own way. And maybe you can
carry this process into a proper finished painting that you do want
the world to see. It's educational
in several ways. We'll clean up my brushes
and do my water again, and we'll do another one.
5. Painting 4: Sunset: Okay, We've got a
fun bright sunset, maybe to cheer things up a
little bit since we just did a more somber moonscape one. This is not the most
gorgeous reference picture ever in the world
is just a picture I snapped of a beautiful sunset with my phone while
I was driving, which I don't recommend, but I did it anyway and
I do it all the time. Anyway. I'm just going to
start overthinking it. Get my big old giant brush here. You're gonna think I'm crazy. But I'm gonna start
with purple because I like purple and I am crazy. That's why I'm doing
this self therapy that I can therapy IES myself. Have some fun. Again, it doesn't matter
what you start with. Maybe I'll start to bring this, bring this out a little bit. It might be a little
muddy at first. That's alright. Little dry. And it'll, it'll
get what you watch. You'll be surprised at how
pretty this might get. Maybe I'll take some I'm going to start to lighten it up in the center or wherever, wherever my sunset is gonna be. Maybe here's some orange. Again, this is also your
place where you can play and take
chances with things that you might not normally do on painting that you were
planning on finishing. You have this plan for His perfect masterpiece
that you're gonna do. You probably won't take
chances like this, which is a shame
because it's when you can sometimes make your
most brilliant decisions. I was just sort of taken some pinks and
oranges and stuff and pushing them out
from the center with a big old giant,
huge palette knife. It was like the Bob Ross
palette knife kind of shape. I'm going to keep
going with that. Maybe I'll use a smaller
brush. I don't know. Maybe it's like right here. Here's my son said
he sort of thing. I'm sure at all anyone could
ever say these were good. Which is a terrible metric
to judge this exercise with. I'm sure some of you were
like looking at us like, Yeah, but Chris, you're
a professional artist. Of course yours is gonna
be beautiful years. You're gonna be
better than mine. And that's not what
this is about at all. That's a completely irrelevant
metric for this exercise. This isn't about making a beautiful finished
painting at all. Because we're not
judging it like that. It will be a beautiful
painting and it will be an experience. It's more of the
act of doing it. Then, then having some kind of beautiful finished product. By fine art terms, it's beautiful because
it's your own expression. So yes, of course
yours will be amazing, yours will be fantastic and you can just sit and enjoy it. Let's see here. I don't think too hard. Again. Maybe there's
like there's sort of this bluish color for
some clouds, maybe. Giant brush. I switched hands because my hand
gets tired. Sometimes. The paint, this is acrylic
but it is still a little wet and it might just mix
with what you're doing. This is definitely
a more of a soft. You can see this
is my last piece of watercolor paper on this pad. So it's bulging out. No worries there. Wherever. Maybe
there's a little bit of it gets lighter
toward the edges here. This is more of a
gentle color to peace. Maybe. Maybe right in the center, right where I want it. Maybe my son. The
last little light of the day poking through. Maybe I'll take a
different palette knife. This is just a regular one. And maybe I'll just
come and smash. Painting is about
smoking a lot of times anyway. I don't know. Maybe we'll do like a
street or whatever. I mean, I'm just
going to literally take some dark
anything dark colors and maybe this is where your
plastic can come in handy. My wrapper, Here's my
fittest, right here. This is where I'm going to
make, Let's put this away. I actually want to use
my piece of plastic. Maybe I'll share some
of these with a finger. You have two hands using both. Why not? Yeah, I'm making I
don't know, a foreground. I guess. I'm also making a
tremendous mess, but that's kind of fun. I'm just really enjoying myself
and playing and smashing. Who knows, maybe doing
this, you'll discover a new technique that you've
never thought of before. That will take your painting
to a whole new level. You can use it in a more
deliberate fashion. We'll set that aside. Maybe all pretend there's like trees or something
here. I don't know. This doesn't look
anything like the picture clearly, but it's really fun. I'm having a good time. You make a mess, so no big deal. You just wash up afterward. I love this flattery thing. I'm gonna do that. Just mix them wet, really wet color, splatter, some glow ease onto my son area. Maybe there's some orange. Orange is my favorite color. Yellows, oranges. I like the Ottoman color
palette in general. That autumn painting
was especially fun for me, the one
we did earlier. Maybe some of these. Do you like this? I don't know. You'll catch some other
pieces of wet paint. Maybe I want some red and
it's maybe more like a pink. Maybe this pink up here. I mean, this isn't
happening in my picture. I've actually stopped
looking at it. I'll glance at it once
in a while from kinda like hot in for an
idea or something. But that's not really
where I'm going. And this is looking
fine already. Maybe I maybe I want
to gently take a piece of napkin or something and just like just gently
brush my opinion, maybe this is what
you're feeling today. You're not feeling the rush. I have to do this
a little faster. So that's a video you can watch and it's not
like an hour-long. You can take all
the time you want. You can just do this for the
whole day and just blend and play and let your mind wander. Just think of maybe you'll
have a cool revelation about life flight while you're
doing this exercise. Some more finger stuff. Maybe I'll take sometimes
you can take the stick, the handle on your brush
and just like pick up some paint and make all
this chunky things, little, little tiny
scratching things happen. Little bit of orange. I don't know what's
happening here. Sounds like a fun idea. This looks more
like a landscape or something like a BCCI scene
or something. I don't know. Again, you can see if
you can compare the two. You can see where I started. Like they're generally
the same idea, but I am not trying
to make it look like that picture at all. That departed very quickly. It's a very loose idea of it. But I'm just having fun.
I wouldn't call this. There's no cars or
houses or clouds, or really it's just
colors and shapes. And there's nothing that I'm
supposed to do with this. It's just me having fun. Maybe I, maybe I will
take a little tiny bit. Maybe I can just enjoy
this for a second. Watch you can just slow
down and maybe I'll just do some little little cloudy bits. I don't know what I'm doing. I'm going to let in, as
Bob Ross would say it. The Brush Dance and
play and have fun. Clouds are about the
freezing and nature. Bob Ross. I'm just enjoying this
little sunlight moment. Then maybe we'll do some orange. These are all my
favorite colors. Just cheap paint on
a cheap surface. It could've been cardboard. I don't know where
I'm going because we're painting like
we just don't care. That is very liberating. I don't care what
this looks like. I'm having fun. You feel something I felt like I wanted a little more
light right here. I don't know why,
but just do it. Let yourself give yourself
permission to be spontaneous. Throw yo brushes in a year and paint like
you just don't care. You can play with this
all day if you want, or you can be done after
ten or 15 minutes. Whenever whenever you're
feeling it's been out, you can finally just
stop and look at it and appreciate this beauty that was just in your head that
now you get to look at. And this was just a
random moment that was inspirational for me
driving around my neighborhood. I just saw a beautiful
sunset one day. I can't quite get in
there at the very bottom. I'll get that. I guess I could just leave it. I don't know. I just wanted
to fill it in, but maybe not. If this was just
a random moment. If I snap with my phone,
that was a pretty sunset. We all see pretty sensitive. We all see things that
are beautiful to us or just evoke emotion. Just take a picture
and use it as a guide. Just a little place to start. Just to funnel you. Just a little push
to get you moving. And don't hold yourself to
the picture very much at all. It's very loose and very free. But sometimes it helps
to have something to start with some easy picture. For this, I do recommend easy simple landscapes or
subject matter, you know, trying to do a
person or an animal, or that might be because
those are technically more, it can be more challenging
and you might hold yourself to be more
detectably accurate. If it's a portrait or a girl
making us really sad face. You could play with that. Sure, That can be
really exciting. But just be aware that it's not going to look
photorealistic at all. And that's okay. This doesn't this is way better than
the stupid picture I took. I would weigh more hanging on my wall then I would hang that. This is far more interesting
and exciting for me because it's my emotion that really drove
this whole thing. Photorealism is that's
what the cameras for. The camera captures. Photo realism. You're there to show
us your emotions. So even in your, in your regular paintings, I want to see what you feel. I want to see this. I don't want to see
an exact replica of the picture you took once. I don't understand
why some artists value that as a skill. I don't understand it at all. It's very technically
challenging, sure, but kind of boring. Honestly. I'm just playing now. I'm using my finger
because it's fun. There's all kinds of
textures in here, like paint that didn't catch and paint they got smooshed
and scratched. You can let this
dry and hit it with sandpaper like just
play and you know why? Because this painting
is not for sale. Because no one is going
to see this painting. You're not going
to post it online. Because as soon as you do that, as soon as you think, oh, this would make a great post. And that changes everything
about how you approach this. You suddenly are
trying to paint for your audience and your
followers and not for yourself. As soon as you think, oh,
someone might buy this. As soon as you think that that changes everything that you do and use second-guessing
yourself in your planning and you're
trying to perfect it, and then you're painting for somebody else and not for you. That's not what
this exercise is. For. The benefit of this really only happens when you're just
like, I don't care. I don't care. This is fun and this is for me. My mirror isn't for
the world to see. This is my mirror for me. Then that's how you
need to approach this. I recommend. That's what the purpose of
this exercise really is. You get it all out.
That's lovely. Because you finally
get to see yourself maybe for the first time ever. I think that might be all, all the catharsis I can
handle for one day. Do big ones, do great giant
ones with a huge brush. If you have, if you
have the room and the space to make a
mess and whatever, you'd do, a little tiny
ones if you just like, you'd like to noodle and scratch and if that's your style, do whatever you're happy with. This is a nice, easy, demonstrable, quick version and it's actually still really fun. And I can get all
kinds of textures and fun things in here
that are happening. Okay. Well, thanks for sharing
this therapy moment with me. I'll come back and show all the paintings
that we did today. And we'll talk about
them and have a little more fun
moment exploring. You guys get to see
my head right now. That's vulnerable for me, but I hope you guys
are enjoying it. So anyway, we'll come
back in a second and we'll review all of
our piles of me.
6. Summary: Okay, We'll go through all the fun painting
exercises we did today. Here's the first one that
we did was a picture of some flowers from a friend's
garden that just sort of let loose and play
with the colors and had a good time and let
all those colors out from inside and got really got a good
chance to experience. I'll hold it up and
turn it a little bit. This is just acrylic on, this is just watercolor
paper that I just found a block of in the corner that
was just kind of in a pile. This was fun, very spontaneous.
Don't overthink it. Very stream of conscious. You see a color,
just go for it and throw it on there and
you use a lot of paint. Really have fun with it. Here's that one.
The next one we did was a fun autumn tree that was from just a picture that I had snapped at my phone
walking through a park one day during,
during autumn. I love all the yellows
and oranges and I really enjoyed those
are my favorite colors, Autumns, my favorite season. It was kind of fun
metaphorically to play with the concept of the transition between
summer, autumn. And you can see there's
still some green hanging on there is the
portrait he is trying to hang on to the nice
bright warm months of summer flowing into the beautiful autumn
transition as it's starting to settle down and set alone for a
long cold winter nap. I think we've all felt
that transition before. And it was kind of fun
to experience that in paint and think about that
and just let the colors fly. I really just slather
the color on here. I'm going to adjust it so that's myosin clear in the camera here. I'll include images of
these in the piece. And again, don't
use my painting as a reference to copy from. And don't try to reference
the picture to copy from. It's really just an idea. Yours will be so much
different because you were you and I'm me and we just do
different things naturally. So you don't try to do these, they just come out
and wherever you are. It happens to come
out and that's how it is and it's
gonna be amazing, should be really exciting. Then if you wanted to take
it a little more somber, we did this piece, moon mood and nighttime
sort of seascape. You wanted something
a little more calm. Mine at it actually
ended up being quite vibrant and crazy coexist. I do have to make these quick
so that this can be an, a video that you can
watch in a sitting. And I'm painting fast, but feel free to stop it and
re-watch it and pause it. And it has many
times as you want, you have that luxury. You can take hours on
this and just meditate. Just let the colors come
out of you and just think about your life
and let all the, all the problems that
you're having and let them come out onto
the canvas and spend, spend some time and
really get to know the scene and yourself through
every single brushstroke. Let this be your
mirror where you finally get to look at
yourself and all your, all your crazy wild things
are gentle, soft moments. All those things are happening. You get to look at it now. So there's that one. And then finally we
did just to end it, this is a nice ending note. We did a nice sunset. This was not a
great photo at all. This was just a picture
I took with my phone. You probably all got millions of better or better than
when I just did for this. But again, it's not about
the quality of the image. It was about the
feeling that you felt when you were there. The photo sort of
helps remind you. It helps give you a little nudge to guide you in a direction, but you can depart from it as much as you want,
as early as you want. This is a very
loose rendition of that image because
it was just a guide. Really. It's about getting the act of actually moving the brush
and the canvas and just slinging paint down
without any inhibitions or any anyone telling you what you should
or shouldn't do. You're not trying to
do a painting style. You could say this is
very impressionist, but that's not what I'm doing. I'm not painting a style. I'm just being free. I was considering it's sort
of a free expressionism because you're really
just letting your, letting your at your
soul sort of guide your brush and paint
your picture that way. You're doing it very
unintentionally. Painting like you
just don't care. When you have these circuit
and sit and look at him and really just mall through your own thoughts as it
can be very meditative. And whatever you make is
going to be beautiful. It's gonna be unique. No one's ever going to have painted anything like
what you just did. You're the first one
in the history of the universe to paint the
scene just like this. Remember that? Because that's like you hear the first-person first
arrangement of molecules and thoughts and experiences that
have been exactly like you. These paintings are
kind of a reflection of that year chaos and your beauty, and your doubts and your
fears and your triumphs. It's all here. Could be very cathartic
and you can just breathe and really enjoy it. I hope that was enjoyable. Just play around with it. You know, I had to
say, don't post these online for me to critique. That's the first time
I've asked that to happen because that's
not what this is about. This is there's no critique for this. Keep them for yourself. You can do whatever
you want if you love these and you
want to give them away as gifts, that's fine. If you do like it and someone
wants to buy one, great. If you want to post them
online, great, but really, really don't think
about that when you're making them just
play and have fun. And then when you're
done throwing a pile, throw me in the corner and
don't look at him for a week, then come back and see
which ones maybe you love. Maybe that'll inspire
you to make a new, to make another painting that you've never painted before. Maybe it'll inspire you. I loved this moment
with this row is, and how it's like twisting
and exploding with red color. And you might do a
whole new approach to painting florals
or whatever it could, it could unlock a lot
of stuff for you. Anyway. I'll go through these
again real quick. The rows, the autumn tree. These are all 12 by 16s. Just on just crummy paper. I might even do an unlike, just do it on cardboard or something
just to show you that it doesn't matter what it's on
because it's gonna be fun. And then the sunset. So thank
you so much for joining me. This has been a very
cathartic experience, therapeutic and all that stuff. So I hope you've
learned a lot about yourself and about your art
and about all these things. And I always just
been really fun and relaxing and enjoying. Happy painting. Do a bunch of these
and have a good time. Thank you so much
for joining me. I'm Christopher Clark and happy painting and I'll
see you next time.