Demon & Guardian Masks: A 7-Day Pen & Ink Challenge

1. Welcome and Introduction : Hi, everyone, and welcome to my new class. Demon & Guardian Masks are seven day paint and ink challenge. In this class, you will learn how to create seven powerful haunting and beautifully detailed hot masks inspired by demons and Guardians. Each day we will work on one unique mask, exploring world expressions, dramatic hounts and striking character designs. These are all the seven projects, the seven masks of demons and the guardians that we'll be attempting in this class. We will begin the class with the basics, where I'll walk you through the supplies I'll be using and introduce essential pen and ink techniques such as hatching, cross-hatching and stippling and scribbling. I'll also show you how to build strong mask form using simple guidelines, making the drawing process easy and approachable. After that, we will move step by step into the seven main project, applying these techniques to create expressive masks. Most of the lessons are recorded in real time, so you can comfortably follow along at your own piece. This class is beginner friendly and even can join. You don't need fancy materials if you like. You can complete the entire class using just a single ballpoint pen. Hi, I am Michelle artist from India. This is my skill set profile. And these are some of the class that are related to it. If you want, you can check it down. You can find more of my work on my Instagram and YouTube. So join me in this exciting 70 challenge, and let's create something bold, dramatic and unformatable together. I'll also demonstrate with fine liner brass paints, sketch paints marker, so you can choose what works best for you. You are free to keep your mask monochrome or colorful depending on your style. So these are the three masks that you can do the coloring on your own. And then if you want to make it a little bit more vibrant and more colorful, you can also use the colored breast paint to do the coloring. And you can only use the simple paints that are available, the red, blue, plaque, and green to do the coloring. So you have got lots of option. So join me in this class, and let's create some awesome and terrifying masks. I'll be seeing you in the next video. 2. Class Project : For your class project, you can create the Seven Demon & Guardian Masks illustration, one for each day of the challenge. You can follow along with the daily license and recreate the same mask, or you are welcome to personalize them by changing the expression, horns, sips, texture, or pattern. You may use any tools you like. A simple ballpoint pen is more than enough, but you can also experiment with fine liners, breast paints, sketch pins or marker. Feel free to keep your work, monochrome or add bold colors if you prefer. Once you complete each day's mask, I encourage you to upload your progress in the project gallery. You can share your final artwork, practice sets, or even work in progress photos. Sharing your process helps inspire other students and keep the challenge for and interactive. And we have got three outlines for the mask that you can color on your own. So feel free to do a lot of experiment and feed some very beautiful and vibrant color for the three masks. Most importantly, have fun, and I'll be seeing in the next video. 3. Supplies and Testing the Pens: For this class, you will need pencil and erase to do the sketching. Then you can use fine liners to do the outlining and adding detailings. You can also use colored fine liners. So I have got this red, blue and green, fine liner from Sakura micron. I have also got the bras paints, where this bras paint from various brand. Then in here, I have got this colored ballpoint paints and masking tape to secure the paper. Apart from that, I'll also be using this colored bras paint to do the coloring for some of the project. Mostly, I'll be using this tombos bras paint for all the project for most of the project. You don't need this much supplies to do the project in this class. You can create all the project only using the blue, black, red and green colored paints, or you can only use the black and red to create most of the projects. In here, I'll be showing you how I can create different kinds of lines using different paints in the supplies that I have. So the first two, I use the Tomboprspin. And here, I'm using the Sakura micron to create simple lines like this. In here, we have got the colored sakuracron fine liners. The main advantage with the paints are you can create uniform and consistent lines with it. Then we have got the breast pins. The main advantage of the breast pins over the fine liner is that we can create varieties of line dynamic lines, lines of art thickness. I won't be using it, but if you want, you can use the breast pins too. Then I also have got the gel pins, normal gel pens. For one or two of the project, I'll be using it. The disadvantage with this normal gel pain is that it takes a little bit of time to get dry and there is a lot of chance that it might smerge a little bit. Apart from that, I also got this colored ballpoint paint. So for one of the project, I'll only be using the colored ballpoint paint to do the coloring. If you don't have this much supplies, you can use the normal available ballpoint paints of blue, red, green, and black colour to create most of the projects. So here I have got the stain colored ballpoint paints. As for the paper in here, I'm using 300 GSM watercolor paper. Instead of it, you can use any paper of more than 200 GSM. It will do the work. Apart from that, I'll also be using brass paints for one of the project. This is optional two. So these we have some of the supplies that we'll be using for this class, and I'll be seeing in the next video. 4. Ink and Pen Basics: Welcome to the basics in here. I'll be showing you how I'll be creating different kind of texture for the mask. Here I'll be showing you examples of hatching, cross-hatching, stippling, scribblings, and a few more basics that I'll be using for our projects. Mostly, I'll be using this kind of simple straight lines and sometimes a bit curved or broken lines to create the texture to add a little bit of detailing for the different sections of the mask. So these are hatching lines. Hatching is basically a type of shading technique created by drawing parallel lines close to each other. The spacing between the lines control the value. Closer lines will create darker areas like the second example, and the wider lines, the specing will create lighter tones, the first example. Apart from creating the kind of sading like the second one, you can also create seeding like this. For the upper part, I added lines that are a little bit far away. And as I add more layers, the lines are a bit more closer and there's creating sading effect. I'll be using this kind of simple hatching lines to create a little bit of sading if required for some of the sections. So these are some of the other variations of the hatching that I'll be using. Instead of creating the straight lines, you can also create this kind of slanted line. Then we have got this kind of bit broken hatching lines. Here's another example of uneven hatching lines. Apart from this, I'll also be creating a little bit of curved hatching lines, a combination of both curved hatching lines and curved broken hatching lines. So some of the sections like horns for the faces or for the eyes, I'll be using this kind of bit curved hatching lines or curve broken hatching lines. Here, as you can see in here, I use curved hatching lines. For this section, we have used broken hatching lines. So depending upon the requirement, we'll be using different kind of hatching lines. Next we have cross-hatching. So cross-hatching basically welds upon the hatching by adding another by adding additional layers of lines that crosses over the first side, each additional layer increases the darkness and depth. You can create this kind of vertical and horizontal line to create the cross-hatching. Then you can also create this kind of combination of vertical and slanted line. Then you can also do the seeding using this cross-hatching to make the original a little bit more darker, you can just add more layers of different hatching lines to make it a little bit darker. You can also create broken cross-hatching to add a little bit more characteristics to some of the sections. Generally, I won't be using the cross-hatching, but if you want, you can use it for some of the sections of the projects. Next, we have got this scribbling. Sorry, the lines are not that much visible in here since I used pink color, pink sakura micron to do the scribbling. Basically, scribbling is a loose and expressive shading technique using random overlapping lines. It's great to create rough texture. Are you using it a little bit of this to create a little bit of texture for some of the section of the cheeks. Next, we have stippling. Stippling basically uses small dots instead of line to build shading and texture. Areas with more dots are darker while fewer dots create lighter areas. So this is the example of lighter region. Since it is not that much visible in here, so I decided to create a little bit of denser region using stippling dots to create this kind of simple circular sea. So you can use this stippling dots to create any kind of seeds and add a little bit of more texture and more characteristics to the horns and the mask. Since this technique requires a lot of time, I won't be using it, but if you want to make the project a little bit more detailed, a bit more prominent, you can use stippling. You can also do the seeding using this. So here's an example of using stippling to create a little bit of sding as for the right in here, I'm adding few dots, and I have increased the spacing a little bit. The left side in here is a little bit darker since I added more dots in here. Stippling is an excellent technique to create very beautiful artwork, but since it takes a lot of time, I won't be using it that much. And with these, we are done with the basics hatching, cross-hatching, scribbling, and stippling. Here are some of the extras. You can also create this kind of patterns. You can create additional patterns and design for some of the section of the mask. Create simple patterns like this for some of the sections to add a little bit of more characteristics to the mask. Next, we have this kind of simple roll like pattern. This is called scaling. You can create other kind of scalings like this. In here, I just increase the length a little bit. Instead of creating this kind of curd scaling, you can also create a little bit more. You can also create a little bit of more pointed kind of scalings. You can experiment on your own. You can also incorporate this kind of simple wave like hatching lines for some of the sections. Next, we have curved lines. So for some of the section, I'll be creating this kind of bit broken curved lines. In here, I just saw a simple example of following the seep of the eyebrow. Here's another one, following the round seep of the eye. For some of the section, I'll be following CP and creating curb line along that C. Here's another example. So this do not turn out the way I ho, but for the nose, following the CP or design or pattern, if I created for the nose, I'll be creating a bit of curb lines following the design or pattern. For the mouth and a little bit below the nose, I'll also be using a little bit of curved line to add a little bit of more detailings to it. Then here's another example. So adding this kind of curve line following a seep of the mouth. So these are some of the basis that we'll be using for our projects. And with these we are done with this section, I'll be seeing you in the next video. 5. Guidelines for mask: Welcome to the second part of the demonstration video in here. I'll be showing you how you can easily create the simple seeps for the mask. For all the mask, I'll be using this simple guideline, starting with a straight line. With this straight line, I'll be determining the length of the mask and then dividing this straight line into three equal sections. And for the upper part, we'll be adding the eyes and the forehand for the middle portion, we'll be adding the nose and for the lower sections, I'll be going in with the mouth. And as required, I'll be extending the lower portion a little bit for the beard or moustache. So this is simple guideline that I'll be using for all the mask that I'll be creating in this class. Now, let's put this into use. So starting with a simple straight line, dividing into three different section, three equal different sections. And now encircling it with this oval s. For the upper section, we'll be adding the eyes, for the middle section, the cheeks, and the nose, and for the bottom section, we'll be adding the mouth. For the middle section, I'll be making it a little bit broader since I'll be creating a little bit of fluffier checks and for the bottom section, a little bit of larger mouth if required. In here, I'll be adding the horns I'll be creating this kind of bit curve or down C for all the embrows. I'll be making a little bit of variation for all the embrows, but somewhat it will remain the scene like this kind of bit curve C. For the eyes, I'll be creating this kind of eye socket. This will be seem to I'll be either creating elliptical or oval C for the eye socket. As for the nose, I'll be creating this kind of nose. You can make it a bit broader, bit bit longer, a bit smaller, bit crooked or with no nose too. Mostly, I'll be adding the nose a little bit above the intersecting lines. Or if required, I'll also be adding it a little bit middle of it to make the nose a little bit more rounder, a bit more grotesque. I'll be shifting the nose a little bit up towards the eyes so that the upper part of the nose will be touching the eyes or to make it a little bit longer, I'll be adding the nose a little bit just below the intersecting lines. As for the cheeks, as I was mentioning, I'll be extending the middle portion a little bit. So generally, I'll be creating this kind of bit rounder see for the cheeks. For the mouth, I'll be creating this kind of simple seep. I'll be making variation for the seep. The upper portion will be a little bit bigger. The lower portion will be a little bit smaller generally. And now, for the jaw, I'll be creating generally this kind of jaw. I'll also be making a little bit of variation with it. I'll be adding the larger franks at the top and smaller franks at the bottom. And for the insides, I'll also be adding small tips. You can create a square seep or you can also create triangular seep or canine see for the teeth. I won't be adding any tongues, but if you want, you can also add tongue for the insides of the mouth. So this is optional. I'm adding ad on all the three sides, the left chick, the right chick, and as for the bottom two. If you want, you can proceed with it. Now for the ear, I'll be adding the ear just beside the chick, and I'll be showing you three or four different variations of the ear that we'll be using in our project. I'll be creating a little bit more detailing for the upper part of the forehead, adding few lines or creating few patterns or designings. So this is how we'll be creating the various masks for this project. The main thing is that I'll be using the same difference lines, the vertical and horizontal lines to divide into different section. I'll be adding the eyes for the upper part for the checks, I'll be making the middle section a little bit broader. For the nose, either we'll be adding it above the intersecting lines or just below it. For the mouth, I'll be creating this kind of simpler see. The upper portion will be a little bit larger. The lower portion will be bit smaller. And now let me show you another example, vertical and horizontal lines dividing into three different equal sections. Now creating the rough outlines for the eyebrows and the eyes. For this one, I decided to create a little bit more broader field to eat, so a little bit of this kind of bit broader nose. For the cheeks, too, I'll be making a little bit more broader for this one, extending a line just below the eye socket to create the cheeks. If you don't want to create this kind of laff check, you can create a bit simpler version of the cheeks. I'll also be showing you that in one of the project. Now for the mouth, the upper portion is a bit larger and the lower portion bit smaller, creating fangs. Here if you want to experiment, you can create any kinds of fangs. For this one, I decided to create a bit larger one. Now, put the jaw. Let's add the ear for it. For this one, I decided to make the ear a bit larger. And instead of adding two horns on each side of its fehend I decided to create single horn in the middle. If you want, you can also add ears on both the sides. This is our third example for the mask. You have got the rough idea how you can create any kind of masks by following the simple steps, simple steps, the simple guidelines of vertical and horizontal lines. Now, I'll be showing you different kinds of horns that you can create. Mostly, I'll be using simple curved horns, but in here, I'll be showing you five different kinds of horn that you can use in your project. This is the simplest of the horn, simple bit curved triangular same. Here's the second horn. So this is a little bit smaller and bit broader. So Adding the outline for the bees, and in here I'm creating a little bit of hatching line to add texture for the horn. Here's the third one. For this one, I decided to make it a little bit curvier and add this kind of mid curvier seep to it. I won't be using this kind of horn for any of the mask, but if you want, you can proceed with it. Following the seep of the horn, I'll be adding these kind of bit curved lines to add a little bit of texture to it. As I mentioned for all the project, mostly, I'll be using the hatching lines to make it a little bit more darker or add a little bit more characteristics to it. You can use both cross-hatching. You can use both cross-hatching as well as a stippling. Here's another one, a broken horn. The upper part is missing. Let's create one more horn. Here's another one, the last one. So this is card on the other side. These are the few examples of the horn that you can use in the project. Mostly, I'll be using the first and the second kind of horn. And for one of the project, I'll also be using the broken horn. Example at the top that I sawed you with a single horn. I won't be using it, but if you want to proceed with that, you can also add single horn for some of the projects. Here's a rough demonstration for simple ears that I'll be using for some of the mask. You are free to make adjustment to the p and the size of the ears. Mostly, I'll be using the first and the second kind of ears. I'll be adding a little bit more details to it, but the overall IP will be remaining the s. We'll be adding a little bit of details for the inside. I'll also be adding earrings for some of the ears. Feel free to experiment and create other kinds of variation for the ears. And lastly, let me show you how I'll be creating simple teeth fangs for the insides of the mouth. Simple curved fangs like this for the insides of the mouth. Mostly, I'll be creating this kind of bit normal teeth for the insides. If you want, you can also create canine teeth or triangular seep teeth to make it a little bit more terrifying. Now for the bottom section, mostly, I'll be creating the fangs curd inside and simple teeth like this. Mostly for the insights, I'll be completely filling it with the black. So this is how I'll mostly creating the mouth for the masks. For the insights, as I mentioned, I'll be completely filling the black. The upper portion will be a bit larger and the lower portion bit smaller. If you want, you can also do the outlining for this simple mass and the simple elements that I have shown you. So here's how it turned out when I did the outlining. I added a little bit of texture for the horns, a little bit of texture for the fangs and the teeth. And with these and then with this section, I'll be seeing in the first project 6. Horned Guardian Mask: Welcome to the first project Horned Guardian Mask. This is the simplest, shortest and easiest project of all, starting with the straight line for the reference. As I saw you in my demonstration, we knew I'll be dividing this into three equal parts. Let's divide it into three equal parts. After dividing this into three goal parts, we'll be encircling it with an oval shape. Instead of oval sep, if you want, you can also use circular seep or bit of elongated elliptical seam. So depending upon the kind of face you are trying to make, you can just create that kind of seen. We'll be making adjustment to the oval sap later on. But for now, just continuing on with this oval sap for the remaining section of its face. Especially for this middle section, I'll be making it a little bit broader for the cheeks and the ear. And as for the lower section, if required, I'll be extending it a little bit for its jaw line. And with these we are done with a rough see. Let's start adding details, starting with the horn. So creating this kind of small elliptical see for the horn, I'll be creating your horns in here. Instead of this, if you want, you can change the placements of the horn. Here, I'll be creating this kind of bit large curve horn. Instead of this, if you want, you can create other kinds of horns. You can also create broken horns. You can make it a bit more thicker, bit more broader or more smaller or a bit more larger, as you prefer. Let's divide it into different sections for its eyes, nose, and the mouth. For its eyebrow, I'll be creating half crescent moon like safe. Creating this kind of CC for the eyebrows. We have got this kind of crescent seed eyebrows for our horn mask. Here, too, if you want to make changes and adjustment to the saves of eyebrows, you can do that extending the eyebrows to the horn. With this, we are done with a rough C for our eyebrows. Now for the eye socket, I'll be creating this kind of elliptical C. For all the eyes for our mask, we'll be creating this kind of C for the eye socket. I'll be keeping all the eye sockets spit large for all the demons and the guardians masks. Here, if you want to make it a bit more larger, you can do that, or you can also make it a bit smaller. On both the sides of the eye socket, I'll be adding more lines to make it a little bit more distinct. Now let's add the nose. So depending upon the project, either I'll be adding the nose just below the intersecting lines or just above it, and we'll be trying to create a bit of broader nose instead of the broader nose. If you want, you can make tiny nose, but I'll be making the nose bit broader so that I can make the cheeks bit more larger and bit more broader, as well as the mouth a bit larger. And I'm creating this kind of cheek a bit more broader cheek for horn mask in here. And instead of this kind of cheek, if you want, you can just keep it bit simpler and just follow the outlines that we have created the oval se and you can just keep the chicks inside it. But as I mentioned for all the chicks, I'll be making them a bit broader like this. And with these, we are done with both the chicks. Now, let's do the mouth, creating this kind of s for the mouth, a little bit curved in here. So now let's create the large extended teeth, the fang for our demon mask. And as I was mentioning, if required, I'll be extending the lower side of the mask, so extending it a little bit to accompany its jaw. And with this, we are done with the rough C for this mask. Let's add a little bit of more detailing wherever required. I forgot to add the ears, so creating this kind of ear, a little bit elf like ear, a bit pointed ear for the mask. You can create any kind of ear, and if you don't want, you don't have to even add the ears. For the upper side, I'm making it a little bit curved and a bit pointed and for the remaining. And for the remaining section, I'm dividing into three different parts like this. For the jaw in here, I'll be making it a little bit curved and adding this kind of spiral pattern. If you want, you can also add the beard in here like this on both sides, too. If you want, you can add beard or here. This is just a tough example. I won't be adding it. I'll be just skipping this project quite simple. Adding a little bit more detailing for the eyebrows and the upper part of its head. And in here, I'll be adding here. So I'll be using the black to add the here on both sides of the head. This is optimal, if you don't what, you don't have to do this, adding the circular C for the eyes. And with this, we are done with the pencil sketch for this Gargan mask. If you want to make changes in adjustment, you can do that. I'll be doing the outlining like this. So let's start doing the outlining. Here I'm using this tambo. Breast pint, do the outlining, you can use normal wallpint pin, you can use fine liner or whatever supplies you have. I'll be doing the outlining, just going over the pencil outlines, as well as adding a little bit of detailing in form of hatchings and a few more details. And I'll also be making changes if required for some of the sections. So if you don't have to stick with the outlines that you have created, feel free to make changes and adjustments as you see fit. For the eyebrows, the crescent step eyebrows that we have created. So let's go over the outline of it. So for this project, I won't be adding any colors. If you want, you can do the coloring on your own. I'll be keeping it quite simple and only doing the outlining in here. Going over the outline for its here. That's what the accessories. If you want, you can add a little bit of rings alongside the horn. You can also add earrings. I'll be adding the earrings. I have not created the earrings in the pencil sketch, but for the outlining in here with the brastbin, I'll be adding the earrings, going over the outline for its ear. And as I was mentioning, this beside the eye socket, adding a little bit of more lines to make it a little bit more broader. For all the nose, I'll be making it quite broader like this. Making it a little bit more rounded like this for the upper part of the nose. And yeah, with this, we add her with the nose. Now, let's do the outlining for its cheek. So we have got this kind of bit curved and bit fluffy check for our Guardian mask. Later on, I'll be adding a few more lines, a bit more thicker and broader lines for some of the sections to make it a little bit more distinct. In here, on both the sides of the eyebrows, extending this line connecting this connecting the eyebrows to the cheek like this. With this, we are done with the upper part. Now let's do the remaining section. We have got the mouth, starting with the outlining the fangs. In here, I upgraded this kind of quite large fang. Instead of this. If you want, you can make it a bit smaller. Now, let's do the outline for its lips. In the pencil sketch section, I did not add on teeth inside its mouth, but in here, I'll be adding the teeth, simple rectangular see for the teeth. So with this, we are done with outlining the mouth. Now let's add small teeth like this. Instead of this kind of teeth, if you want, you can add a little bit of canine like see, bit triangular and sour teeth. Also, if you want, you can peel the entire section, the insides of the mouth with a black And yeah, with this, we are done with the mouth, the fangs, and the teeth. Let's do the remaining section, the jaw of our Guardian mask, adding this kind of circular or spiral pattern for its jaw. And as I was mentioning, the bead and the hairs that I showed you earlier with the pencil sketch, if you want you can add more lines. If you want you can do the outlining for those two, I want doing it. Let's colour the eyes with the black. And with this, we are done with the rough outlining. Let's add more lines to make it a little bit more distinct to add a little bit more depth to it. Here, following the curved sweep of the horn and adding this kind of hatching lines, bit of broken curved hatching lines. If you don't want, you can just keep it simple as it is. You can use colored bras pan or ink to do the coloring or you can just follow along with me and do a little bit of hatching to add a little bit more volume to this Guardian mask. Moving on to the cheks adding this kind of curved crescency for its cheek, adding it just beside the nose to. So just by wearing the thickness of the lines in here, you can add more volumes and a bit of more depth to this Guardian mask. Adding a bit more lines just beside the eyebrow on both sides of the eyebrows in here, the upper part, extending the eye socket a little bit on both sides. Now, let's do the outline for the ES that we create in. And for the ear, as I was mentioning, I'll be adding two earrings, one on each ear. This is the simple s for the ear, adding a little bit of detailing for the inside of the ear, where the thickness of the lines a little bit, make it a little bit dynamic. By dynamic, I mean wearing the thickness of the lines a little bit. Try to do the same thing for the second ear, the same kind of pattern that we created for the first one. And now, as I was mentioning, making it a little bit more dynamic, wearing the thickness of the lines for some of the sections, making it a bit more thicker, adding a little bit more detailing for the ear. And finally, creating this kind of simple C for the earring. Adding the earring on the second ear. And with these, we are done with the ear for our Gargan mass. You can keep it simple as it is, or you can just follow along with me and add a little bit more detailing for the nose. I decided to add this kind of bit curved line in here for the lower section and kind of bit triangular C for the upper part. The fangs, adding a little bit of hatching lines, but curve hatching lines. With these, we add with the fangs. And finally, let's add a little bit more coloring, a bit more hatching lines for the hair. So before doing that, let's erase the pencil marks, and then I'll be adding more lines for the hair. Lightly erase the pencil marks. I see that the breast pan or the ink that you have used has dried up. Otherwise, the colors might smudge. While you will get smudging of the colours on the paper, removing the erasers dust. Now adding another circle for the eyes. Adding the hair. So once again, doing a little bit of curved hatching, following the curved seep of the head and yeah, filling the entire section with lots of lines. Doing the same thing on the side too. And put the edges of the hair line just above the eyebrows that we have created, I'll be doing a little bit of sading. Also make the upper part a little bit more darker by adding a few more lines, a bit of sading for this region, too. In here, a little bit of more siding, just above the Christians eyebrows that we have created. And with these, we are done with the outlining for our first project horn Guardian Mask. And I hope you enjoyed it. And I'll be seeing you in the next project. 7. Horned Crimson Demon: Welcome to the second project Hunt Crimson Demon Mask. So let's start with the straight line using this straight line to determine the length for our mask. So you can always wearing the length of the mask just by wearing the straight line. Now, dividing this straight line into three different sections. Depending upon the requirement, I'll be wearing the sides of this different section a little bit, creating a bit of oval seat for the face of our mask. So these are just simple guidelines. I'll be making changes as required, especially for the middle Saxon, I'll be making the cheeks of the demon mask a little bit more broader. And with these, we are done with a rough oval see for the face of our demon mask now. Let's start with the horn with a rough sketch for the placement of the horns. In here, I'll be making the horns a little bit distinct from its head. So creating this kind of bit thicker s for the horn. Et's do a rough outline for the eyebrows for our mask. So this kind of bed cove see for the eyebrows. For most of the projects, mostly I'll be creating bit curve C for the eyebrows and bit of large oval C for the eye socket. So these are optional. If you want to make changes in adjustment to the eyebrows, you can do that. Creating this kind of C, a bit large somewhat of oval C or you can say elliptical C for the eye for the eye socket for our mask. I'll be adding a little bit more detail to it later on when we'll be doing the outline. But for now, just create this kind of bit simpler C for the eye sockets. Now for the nose, adding the nose a little bit above the intersecting lines, as I mentioned, depending upon the project we are creating, I'll be wearing the placement of the nose. For most of the nose, I'll be making it a bit more fluffy, a bit more broader like this. For this one, I'll be creating some kind of patterns and design for the nose. If you want to make the nose a little bit more crooked, bit more uglier, you can do that. With this, we are done with a rough guideline for the nose. Let's do the remaining sex in the cheeks. As I was mentioning, I'll be making it a bit more broader, creating this kind of fluffy checks for the mask. And finally, let's do the rough outline for its mouth. In here, I'll be dividing the mouth into two different sections. We have got inner mouth and the outer mouth. On both sides of the outer mouth, we'll be adding lots of red. And for the remaining section, I'll be using black and white. The triangular saps will be the outer section of the mouth and this sap and this sap will be the inner section of its mouth, creating rough outline for the pangs inside its mouth. Like the earlier project, if you want, you can extend the pangs a little bit more or you can make it quite large. So as you see fin, you can make adjustment and changes. Making the seeds a little bit more cowed in here to accompany its jaw. And here, too, let's extend the fest a little bit to accompany its jaw and so that's why I'm extending it a little bit like this. In here, the jaw become a bit more broader as compared to the checks. So extending the cheeks a little bit more. Now, moving on to the horn. So for this horn, I decide to make it quite broken like this. Moving on to the second one. Simple horn like this. For this horn, I'll be adding accessories in the form of rings. The rings on this side. On the other side, too, if you want, you can add the rings, making the feat a bit more broader, extending the line from the horn to its chin. And as for the nose, I'll be adding more pattern, as I mentioned, but for the upper section two, I'll be adding this kind of simple designs and patterns. Now let's create its ear. In here, I decided to create a bit of this kind of ear. If you want, you can create pointy ears or you can create bit curved or small ears. But here I decided to create this kind of bit sharp ear. And if you don't want to create the ears, you can just keep it simple mask like this, or you can follow along with me and create this kind of ear. Here, I won't be adding any accessories for the ear. If you want you can do that. For this project, I'll be using only the blacks and the reds to do the coloring for this mask. Instead of that, if you want, you can use other colours to do the coloring for it. With these, we are done with a rough see for the mask. I'm making some adjustments wherever it's required, making some of the rings a bit more broader, bit more thicker or making it bit smaller if required. Here, too, if you want, you can add this kind of beard just below its jaw. This is optional. I won't be doing it, but if you want, you can do that. Adding a little bit of more detail for its ear, dividing into different sections. Mostly, we'll be using hatching lines to do the coloring for this one. You can create any kind of designs in the pattern for its ear, its mouth, and its sees. With these, we are done with the rough outline for the mask. Let's likely erase it. Ensure that a small section of it would remain visible so that we can use it to do the outlining. Apart from this, I'll also be sewing one more Crimson Demon Mask later on. That will be a bonus project, a mask that I sowed in the introduction venue. For now, let's do the coloring in here. I'm using normal gel pen to start with the horn. For the lower section of the horn, we'll be doing a lot of shading. So using the hatching lines to the sading to make this region a bit more darker. For now, just using this kind of broken lines to the outline for the horns. Later on, we'll be making the outlines a bit more thicker. For most of the section of the horns, I'll be using this kind of broken hatching lines like this wearing the length of the hatching lines like this to create this kind of texture. As for the ring in here, the three rings that I have created in here, I'm using black to do the outlining for it. You don't have to do this. If you want to keep it simple, you can just create the horn. You don't have to also create the broken horn. Instead of the broken horn, you can create the simple horn, adding this kind of hatching lines to add a little bit of more texture for the rings in here. Going back with the red gelpin and doing the outline and going over the outline for the remaining section of this broken horn, making this ringing a bit more darker. Now, let's do the hatching lines for the remaining section. Adding a little bit more line just below the ring. Moving onto the second horn, later on, I'll be coming back for the lower section of the horns and adding more lines. Starting with the broken lines to go over the outline for the horn. I usually start with a broken lines to add a little bit more taxin and give it a bit more organic fen for the outlining. Instead of this, if you want you can create uniform lines to do the outlining. This region, adding a little bit of curved hatching lines, I decided to make the side a little bit more darker. Simple plain hatching lines, but broken hatching lines following the curve sweep of the horn for the entire section of this one. Instead of using black and red for this one, you can only use black. That will be interesting too. Instead of using the paints to do the coloring and the ins to do the coloring, you can use watercolor or gauze if you want. Doing a little bit of hatching like this. If you want, you can also do a little bit of seeding along with the hatching. Moving on to the eyebrows, outline of the eyebrows that we have created. And here I decided to extend the eyebrows a little bit, so feel free to make changes and adjusting as you see fin. Making the eyebrows a little bit more curvier for the upper part. Let's define the width of the eyebrows in here. Once again, I'm using a bit of broken lines to determine the width of this eyebrows, doing the same thing for this one. Now, let's make the upper part of the eyebrows a little bit more boozier. So creating this kind of hatching lines to make it look a little bit more textured. Let's feel the remaining section. So using scribbling to feel the insides with it. Instead of this, if you want, you can do the siding or hatching or you can create a spiral pattern following the canton, the cut sip of the eyebrows and feeling it with it. Or if you want to fill it completely with the red, you can use the red ink colour to do that. But here I decided to create this kind of rough texture using the scribbling lines to fill the entire section for the eyebrows. Apart from this, I'll also be using this kind of scribbling lines to do the coloring for some section of the mouth, as well as a little bit for the cheeks and a bit for the ear. If you don't like this, you can create other kind of pattern design or you can simply keep it as it does extending the eyebrows a little bit on more the sides. Now in here, as I was mentioning, I'll be creating simple patterns, so I decided to create this kind of so I decided to create this kind of rectangular seen creating a bit of curved triangular seep in here for the upper part. I'll also be using a little bit of black to feel the insides later on. And with this, we are done with the eyebrows. Let's do the upper part, the head of the mask that we have created. Like the earlier project, we'll be using the curd hatching line to fill the entire section with it. I'll be creating some kind of a spiral like pattern just following the sep of the horn and then filling the entire section with it. My spiral pattern, I mean, like this, following the seep of the horn, doing this kind of hatching lines, parallel broken hatching lines to feel entire section. Instead of this, if you want, you can cover the entire section with the black. You can also do a little bit of sading to make some of the regions a bit more darker, especially near the horn and a little bit above and a little bit just above the eyebrows. Adding it carefully in between the eyebrow. Moving onto the other side, I'll be adding the lines for the middle section later on. I'll also be extending a little bit of the curved lines for the region below its eye socket and the eyes on the other side, not the other side, but on both the sides. Simple hatching lines following the curve set of the horn. I'll also be doing the outline for the eyebrows with the black later on to make it clear and bit more distinct from the remaining section. Et's do the outline for its eyes. Here I decided to extend the eyes a little bit and making it a little bit more pointed. Doing the outline for the upper part to making this a bit more thicker. For some of the regions, we'll be making the lines a bit more thicker to make it look a bit more bolder and a bit more distinct. Making this region a little bit more curved by dividing into different section, a bit small triangular steep and this kind of oval Iving small eyeballs. For the insides, I'll be using red later on. Making this region a bit more bolder bit more darker. Now, for the sides beside the eye. In here, I'll be adding the spiral pattern just like the upper part. Before doing that, let's do the outlining for the other parts. It's cheeks and the nose, using red to do the outlining for the nose. Here, too, I'm making a little bit of adjustment. You don't have to stick with the pencil outlines that you have created. Feel free to make changes and adjustment as required, making the sides a bit more darker. If you want, you can also extend a part of the nose to its eyes. You can make it a bit more grotesque by making it a bit more broader. Or apart from that, you can also make the nostrils quite larger to make it look more uglier and bit more grotesque. For the nose here, I'll be creating this kind of star pattern. Instead of this, if you want, you can keep it quite simple and create simple nose. Here, for the one side, I'll be using lots of red and for the other side a little bit of black. For the sides of the eyes, the triangular seem, adding a little bit of red, doing the same thing for the insides, completely failing it with the red. Let's do the rough outlining for that cheek. Make the cheeks a bit more rounded, bit more curfan doing the same thing on the other side. For the outline section of the cheeks, I'll be adding lots of red and doing a little bit of staining. And for the remaining section, we'll be doing the curb hatching lines. Creating a little bit more outlining for the pattern that we'll be doing for the nose. We'll be feeling the insides like this with the red, leaving a little bit of space in between the outline and then feeling the remaining section with lots of red. I'm doing this only on the one side. If you want, you can do this on the other side too to make it look a bit more symmetric. Instead of this, you can also use black to do the coloring, or you can keep it simple as it is. Make the outlines of the nose bit more distinct by going over the outlines and making it a bit more bolder. Just overlaying it and making it a bit more wilder. Here's another outline. So these are the regions that I'll be doing a little bit of sading to make it look a little bit more thicker. Doing the outline for the other side too. Making this bit more curb. Doing a little bit of shading to make it more darker. Instead of this, if you want, you can completely fill the entire section with the red, the outline section that we have created or otherwise, you can just follow along with me and do a little bit of sading like this. I'm not creating a gradient, just doing a uniform shading for the entire region, the entire outlined regions that we have created. So this is a combination of both scribbling and sding to make this region bit more darker. The reason that I'm making this bit more darker is to create a clear distinction between different section of the mask and to draw the attention a little bit more for this middle section. Now for the remaining section, doing this kind of curved broken hatching to feel the remaining section with us. Simple plain curved hatching lines for the remaining section on both sides of the cheeks. Moving on to the other side, doing the same thing, simple broken curve hatching lines. Instead of this, you can also use the cross-hatching that will make it a little bit more interesting and add a little bit more texture. Now for the remaining section, following the curved tip of the nose and doing a little bit of hatching and doing a little bit of curve hatching like this. Now, for the sins, as I was mentioning, doing this kind of spiral pattern, following the curved sweep of the cheek. Moving on to the other side, doing the same thing, outlining the cheek. Let's do this kind of curved hatching lines for the remaining section. A in here, I did not add another line, so following the canto and adding more lines, For the remaining section in here, I decided to fill this entire region with the black, doing the outlining for this rectangular s, feeling a little bit of black for the inside. Let's make the outline of the noses a little bit more distinct and adding a little bit more detailing in form of the small hatching lines. Adding more lines for the remaining section of the nose and upper part just beside its eyebrows. Let's do a little bit of more outlining for its nose. This project is divided into two different parts. This is the first part, and I'll only be doing up to here and in the next part, we'll be completing it. And with this, we are done with the first part of this project, and I'll be seeing in the next part where we'll be completing this one. 8. Teeths and Fangs: Welcome to the second part of the Horned Crimson Demon, continuing on where we left off, making the outlines a little bit more curved and a bit more jagged. Let's do the remaining section. In here, I decided to start with the ear, doing the outline with the black. For the E two, we'll be using both the colors and simply doing hatching lines. In here, I won't be using the broken hatching lines with the black. For the red, I'll be using a little bit of it, but mostly, I'll be using simple curved hatching lines. Here, if you want to add accessories in the form of earrings, you can do that, making the lower section of the ears a bit more curved. And with this, we are done with outlining for the ears. Let's do the outlining for the cheeks, going over the red outlines. So adding it in here too. And I decided to divide into different section, adding few more lines, adding few more lines, two lines just below the outline section. I'll be dividing the ears into four or five sections. For three secons I'll be using the black and for the remaining two, I'll be using the red. Instead of doing this, you can create any other kind of patterns and the design. In here, I'm using red, and here, I'll be doing a bit of curved hatching lines, the same kind of hatching lines that we did for the upper part of the cheeks, making it a little bit more darker, doing the same thing on the other side too, following the curve sip of the ear and completely filling the entire region with this kind of bit curve, broken or somewhat of hatching or siding lines Now moving into the remaining section, the lower part of the ear, a little bit of hatching lines in here. Now extending it and changing the directions a little bit, doing the same thing on the other side. For the remaining sections in here, the lower part, I'll be adding the red, and for the upper part, I'll be using the black. So these are simple and taint pattern and designs for the ear. If you want, you can make adjustment. Instead of using the hatching lines, you can also use the cross-hatching lines. If you want to make some regions bit darker, you can do the sading or you can also do the scribbling. Later on, I'll be adding more lines for the part with the black. For now, let's add a little bit more detailing for the nose, making the sides of the nose a little bit more distinct by doing the outlining with the black. Now, let's do the outline for its teeth and mouth, starting with the fangs, large ranks that we have created. If you want you can extend it a little bit more and make it more larger. For all the teeth on the fngs I'll be using a little bit of setting like this, a little bit of hatching lines to give it a little bit more depth and volume. In here, I'm creating this simple and rectangular C for the teeth. Instead of this, if you want, you can create canine see, but triangular see for the pointed and jagged teeth. For the lower part of its mount, I decided to make it a bit more broader. Create the teeth. We have created the fangs. Simple plain tips like we did for the upper part. Make the edges a little bit more curvier by adding more lines to it. This will be the inner part of the mouth and we'll be completely filling my insides with the black. And for this section, a extended porton ofs mouth, I'll be completely filling it with the red. Making the outlines a bit more distinct. And for the lower part, too, I'll be using the red. So now let's feel the entire section with this red. So using small hatching lines and doing sding to fill the entire section. Instead of this, you can feel it uniformly like when for the eyes. In here, I decided to keep a little bit of texture. That's why I am doing this kind of hatching and siding to feel this region. Now, extending the sides a little bit more by adding more curved lines. And now for the lower section, creating the outline with the red and we'll filling the entire section just like we did for the sides of the mouth. If you want, you can make it a bit more broader or you can use black instead of the red. Simply filling the entire section with the red. And just below it, I'll be using more curved lines to create the jaw for this mask. In a and soning I'll be making this part. The lower part of the horns a bit more darker, so adding more lines to make it bit more darker. And yeah, with this, we are done with the red. Doing a little bit of setting for the ears to make it bit more distinct. And yeah, with this, we are done with the red. Now let's do the outlining for its chant and then we will be done with the second project. Let's divide into two different section and then we'll be filling the entire section with this kind of simple hatching lines. For the entire section Astin or the jaw, I'll be adding this kind of simple hatching lines, curved hatching lines. Here I'm creating a bit of broken and bit more dynamic lines to add a little bit more volume to it. This is optional. If you don't want to create this kind of jaw, you can create other kind of jaw. You can also create the beard just like I saw you in the lier pencil sketch. And with this, we are done with the jaws. If you want, you can add the bean. For the remaining section, puts in, doing simple hatching lines. Moving on to the left one, doing the same thing, simple hatching line following the seep of the ear. And with this, we are done with this. And now let's do the outlining for the eyebrows to make it look more bolder bit more distinct from the remaining section. For the outlining, I'm making it look a little bit more jagged like this. And with this, we are done with the second project. I hope you enjoyed it. I had fun painting this one, and a, I'll be seeing you in the next project, the third one. 9. Stormborn Demon Mask: Welcome to the third project, Stormborn Demon Mask. This is one of my favorite from this class. For this, we'll be using normal ballpoint paint. I'll be using colored, normal ballpoint paint for this one, starting with the straight line to use this as the guideline, the guideline for the length of the mask. You can always wear the seat and the sizes of the mask just by wearing the length, the vertical length, and the horizontal length. Let's divide into three equal section. For this, I'll be using four or five different colored wallpoint pen. If you don't have that many colored wallpoint pen, you can only use the simple blue, black and red colour to do the coloring. Making this middle section a little bit broader for the cheeks. Let's do the outlining for the remaining section. With this, we are done with the s for the feast. Now, let's create the horn. In here for this one, I'll be creating bit smaller horns. Instead of creating this kind of bit smaller horns, if you want, you can make the horns a bit larger. And here, as you can see, I made this right horn a bit larger. The left one is quite small. If you want to make them both of same size, you can do that. Let's do the rough outlining for its eye socket, eyebrows, and the nose. For this one too, I'll be making this kind of bed curved s for the eyebrow. You are free to create any kind of sets and designs for the eyebrows. On top of the eyebrows, I'll be creating this kind of spiral design. I'll be using yellow to do the coloring. Now let's create the eyes, creating the eye socket for the mask. For this one, too, I'm creating a bit larger eye socket. If you want, you can make the eyes quite smaller, or you can also make the eyes a bit more farther apart. Rough outlining for its nose. For this one, since I decided to make it quite large, I'm adding the nose bit below the intersecting lines and the nose is quite large. Extending the nose a little bit towards the eyes and creating this kind of simple pattern for the nose. Define the sep of the cheeks a little bit more, making the lower side of the cheek a little bit more broader. So by broader, I mean a bit more curvy for the lower section. And with these, we are done with upper part. Now, let's create a rough outline for its mouth. This will be its mouth, creating this kind of somewhat of x like seep for the mouth. For this one, I'll be gritting two large canine and then lots of small simple teeth. You can always vary the seeps and the size of the mouth, the number of the teeth and the sides and the sieves. Creating these kind of large franks for the teeth. Here, too, I'll be using yellow to do the coloring, a combination of yellow, a little bit of orange, and a little bit of black. Let's create the teeth for the bottom part. And here I decided to create this two large one, and the other will be quite small. With this, we are done with the rough outlining for its face. Now let's extend it a little bit to accompany the mouth that we have created. So extending the lower portion of this mask to accompany its mouth. For this two, I decided to create a bit more defined and bit large curves for its chin or you can say the jaw. Napper part, the side of the head is quite smaller, so I decided to make it bit more broader, extending it on both the sides. And with these, we are done with simple features for the peace. Now we'll be creating the ears. I'll be creating this kind of bit pointed ears. Making the lower part bit more downer and a bit more curvian adding the ear on the right side. You can always vary the seats in the sizes as well as designs and the patterns for the ears and all the other things that we are adding for this mask. And yeah, with this, we are done with a simple pencil sketch for this stone bond demon mask. Let's slightly ease it, and then I'll be directly using the colored wallpoint paint to do the coloring. Instead of this, you can always use the fine liner or the ras pint to do the outlining and use other colours, simple black and white or simple black, along with the red and the blue to do the coloring. Now let's do the coloring. So this upper part is not that visible, but in here, I'm using yellow. So I'm directly using the yellow to do the coloring, completely filling the entire section with this, using this yellow. Using this yellow to do the hatching and a little bit of seating, the upper part and the lower part will be quite darker and the remaining section will be a bit lighter. Make the outlines a bit more distinct by adding more lines over there. And if it is a little bit challenging for you, you can start with black to do the outlining first and then add the color. Let's do the same in here, too. This horn a little bit smaller than the right one. Simple hatching lines and a little bit of sading to make this a little bit darker. For this bus in here, I'm trying to create this kind of bit rough textia for the entire section. Make the upper part and the lower part quite darker by adding more lines. Add the yellow for the other regions in here for the sea in between its eyebrows. And now for the spiral pattern just above its eyebrows. Here I'm adding more lines to make it white more darker. Now for the eyebrows, adding lots of yellow lines to make it quite darker. Apart from the ellos, I'll also be using orange and a little bit of pink tune. And with these we are in the yellow for the eyebrows, making the lower part a little bit more darker. In here, I'm going with the orange. Primarily, I'll be using this orange to do a little bit of outlining as well as do a little bit of sading for the upper part and the lower part. Using it to do the outlining. And now, doing a little bit of curved hatching. Small lines of varied length in here. Make the lower vision alphabet more darker. Now moving on to the right horn, doing the same thing, doing a little bit of hatching for the lower part, doing the same thing for the upper part too, using this orange to do the outlining a little bit, make the outlining a bit more distinct. Now for the eyebrows, for the eyebrows in here, I'll be primarily adding this orange for the lower regions, as well as using this orange to do a little bit of outlining, doing the same thing on this left eyebrow, a little bit for the lower region and a little bit on this side, a little bit of hatching along the side. Now for the spiral pattern, a little bit of orange. For this gem like seep in here, a little bit of orange for the lower section. And with this, we are done with the orange and the yellow for the top. Now, let's do the coloring for the upper part. In here, I'm using this light blue. For most of the upper part, I'll be using a combination of this sky blue, a little bit of dark blue and black. Let's do the outlining first, outlining the eyebrows, the spiral patterns, and other things. And then we'll be filling the entire section with this blue. Adding the blow in between the spiral pattern. Doing the same thing in here, too, outlining the spiral pattern with this blue, adding the outlining for this region, too. And now let's feel the entire region with this blue. I'll be doing the same kind of hatching that I did for the horn for small lines like this to feel the entire region. Instead of using the blue color, you can use other colour as you see fit. You can use green, that will be interesting too. I'll be keeping the length of the lines a little bit like this and filling the entire region with it. If you want, you can also do a little bit of seating with the blue. I'll be doing a small amount of setting with the blue, but mostly I'll be using the dark blue or the normal blue colored wallpoint paint and do the seating later on. Surrounding the two horns with the small hatching lines. And now let's follow the contour of the horns and the remaining section of its head to fill the entire section with this light blue colored. You'll have to admit causes while adding it near the yellow. We don't want the two colors to mix. Otherwise, it will create somewhat of greenish color, and we don't want that. Now I'll be filling the entire region with this. Just extending the blue lines that I had created and yeah, a little bit of overlying of one layer on top of the other. You can vary the length of the lines a little bit. Instead of using this kind of met hatching, you can also use the scribbling. For some of the reasons that are quite lighter, add more lines, following the contour of this curve, see that we have created adding the lines in that manner. And with this, we are done with the upper part. Now for the remaining section, just above mouth, I'll be completely filling it with the blue. I'll also be using a little bit of yellow and the red later on. But for now, let's do the outlining for the eyes and a little bit of outlining for its nose. Going over the outline of the pattern that we created for its nose. Instead of this kind of pattern, if you want, you can make changes and adjustment and create other pattern. Now carefully filling the entire region with this blue. Follow the contour of the lines and try to fill it in that manner. Going over the outline for the cheeks. Outlining the checks on this side, the right side. Now let's feel the color in here. This beside its eyes, this beside it eye socket, adding it on the other side too. And I'll be filling the entire region in here, both the checks with the blue, but before doing that, let's do outlining for its here. For the year, I'll be using combination of blue, dark blue, yellow, and a little bit of red, doing the outlining for the second year. Now, let's fill the entire region with the blue. In here, I've increased the speed a little bit since this is your repetitive process, and this is going to take a little bit of time. If you want to follow along with me, you can just pause the video or you can reduce its spin. Adding the blue lines for the patterns that we have created. And yeah, continuing on with adding the hatching lines for the entire section. For the remaining white section, I'll be using a little bit of black and a little bit of dark blue to do the coloring, making the outline of the nose a little bit more darker with more lines and adding a little bit of lines, just low its nose. And here, I've decreased the skin doing the outlining for its speech and the mouth. Using this blue to do the outlining, later on, I'll be using red and the orange to do the coloring, but for now, just using this blue to do the outlining. This is optional if you don't put, you can use the yellow orange and the red to do the outlining later on. Moving on to its ear. So for the ear, I'll be creating this kind of simple pattern or you can say simple design. For this region that I have created in here, I'll be using yellow and a little bit of red or orange. And otherwise, I'll be feeling the remaining section, the upper part of the ear with the blue like this. For the lower part of the EA two, I'll be creating a bit of curb crescent moon. For the lower part of the ear, I'll also be using yellows and the red to create a little bit of crescent, crescent moon like, creating of outline for the yellow s and then filling the entire region with the blue. Now for the lower part of the ear, creating this kind of crescent boon see. Now let's cover the entire region with the blue, following the rough conto of the crescent hound seep that we have created and filling the entire region with this blue. Moving on to the right ear and doing the same thing, following the seep of the crescent houn sep that we have created and adding the lines in that manner, fill the entire region, the lower part of the ear. And we'll be only doing up to here. This project is divided into two parts. This is the first part. And in the second part, we'll be adding a little bit more detailing and doing the remaining section, the lower part of its space. Three, two, 10. Mouth : Welcome to the second part of this project, Stormborn Demon Mask. Continue on where we left off. In here, I'm using normal blue colored wallpoint pin to do the coloring. I'm using this to do a little bit of sadingF some of the reasons, are we making a little bit darker? So overlaying this blue on top of the light blue that we used earlier. We'll be primarily using this to create a little bit of darker region just beside the horns, a little bit above its eyebrows, a little bit beside its cheeks and a little bit alongside its nose and ear. And here, I added a little bit of this blue just beside its ear to make it a little bit more darker just beside its cheek. And for this region, too, for the present moonlight s that we have created, to create a clear distinction between different parts of the ears that we have created using this blue color to add a little bit of sanding. Also using this blue to do the outlining for the ear that we have created. Now extending this blue a little bit for this middle region to make it a little bit more darker. Just by using this blue and doing a little bit of sading, you can see the clear distinction that we have created in between the two ears. This ear looks a bit more crisper and a bit more defined. We'll be doing the same thing for the other ear. But before doing that, let's do a little bit of sading for the face, the upper part of its face. Adding a little bit of blue in between the spiral pattern and just above the eyebrow that we have created. Small hatching lines and added care fully, we don't want it to mix with the yellows. Now for this region in between the horn and a little bit above its eyebrow, filling the entire region with this dark blue, In here, just beside the horn that we have created. Let's create a little bit of darker region by doing a little bit of sading with a little bit of hatching and using the hatching lines to do a little bit of sading just by decreasing the intensity of the lines a little bit. The region near the horns will be a bit more darker with more lines, and as we move away from it, I'll be decreasing its intensity by adding fewer lines. For this region in between both the eyebrows, a little bit of sading with this low. Let's do the same thing on this other side, starting with a little bit of sading in here. So the region near the horn will be quite darker, adding more lines in here, and as we move away from it, I'll be decreasing the intensity. Doing the same thing in here between the eyebrow and the spiral pattern, a little bit of sading to sew a little bit of shadows and a little bit of darker region in here. Moving back to the horns and doing another layer of hatching lines to create a little bit of sading for this region in between the spiral pattern and the square seed that we have created in the middle, a little bit of seeding and a little bit of hatching. Primarily, what I'm doing I'm using hatching to do a little bit of seeding. The region where I want to sew a little bit more dark, I am adding more lines, and as we move away from it, I'm just decreasing the number of lines that I'm adding thus reducing its intensity. In here, just above its eyebrow and between the horn, I had not added that many lines since I am trying to make this region a bit lighter and the other side, the left side is quite darker. So on that side, I added more lines. Doing the same thing for a ski. A little bit of seeding on the same regions that we did. So a little bit of hatching and seeding on the middle section, a little bit for the upper part and a little bit for the lower section as well as doing the outlining using this blue. If you want to make it a bit more darker, you can do the cross-hatching. Now, let's do the colour for. So using this blue to do the outlining first. Just beside its eye socket and in between the ear, a little bit of blue to make this rein bit more darker. Using this blue to redefine the outlines a little bit more, going over the eye socket that we have created and making it quite more darker and bit more bolder. Go over the outlines with this blue, adding more lines to make it bit more darker. I'll be adding more blues for the cheeks and the nose a little bit later on. For now, let's do the coloring for its eye. For the eye in here, I'm starting with this pink color. If you don't have the pink color, you can use the red. Apart from the pink in here for its eye, I'll also be using orange in the red. For the edges of the eye socket, I added more pink, and as we move away from it, I'm decreasing its intensity and making the lines a bit more thinner, doing the same thing on the side, the right eye socket. Making it a bit more bold for the upper part. Yeah, with this, we are done with the lower section. Now moving on to the upper section. For this curve region, I'm adding more lines to make it bit more bolder, add more lines for the curved section. And with this, we are done with the pink. In here, I'm using black to create the is for the eyes, creating this kind of semicircular C for the eye, and I'll be completely filling it with the black, filling the entire section with the black. To make it a bit more darker, you can do a cross-hatching, doing the same thing for this other eye. And, yeah, with this, we are done with the eye. Using a little bit of black to define the see the pattern that we have created for the nose, using this black to do a little bit of outlining as well as a little bit of sading Let's make the seep of the nose a little bit more distinct and bit more darker. For the white regions that we have in between the different pattern I have created in here, I'll be completely filling in with the black. Simple hatching lines and do a little bit of sading to make some of the regions quite darker. Oh Now extending the black lines for the entire nose, going over the outlines of the blue that we did for the nose and making it a bit more darker by adding black on top of it. The sides of the nostrils, adding a little bit more lines on the left side to make it quite darker. Now just Milots eye. I'll be adding a little bit more lines. As we did for the second project, adding lots of line for the sides of the cheek on both sides of the cheeks, I'll be doing a little bit of sating like this. For the edges, I'll be adding more lines to make it quite darker, and as we move away from it, I'll be decreasing the number of the lines, thus reducing intensity. Doing the same thing in here just beside the nose. As we move away from it, just decrease the intensity by decreasing the number of the lines. Make the outline of the cheek a little bit more distinct, doing the same thing in here, a little bit of sading with the black. Cover the entire region in here with the black. Let's do a little bit of more seeding in here for some of the reasons to make it a bit more darker. And with this, we are done with most of the upper part. I'll be coming back later on with more blue and the yellows. But for now, let's do the coloring for its mouth. And here I'm using orange. On top of the orange, I'm adding a little bit of red, adding the red in between the blue and the orange. Go let's make it a little bit more thicker, so adding a little bit more red in here. Now for the fangs, I'll be using yellow, but before doing that, I'm using black to do the outlining, since earlier I used blue to do the outlining. If I add yellow on top of it, it will become green, so I don't want that. So using black to do the outlining for the fangs and the teeth. A little bit of setting in here, just for the upper part of the fangs. Now let's do the coloring for the remaining section for the lower part, and then I'll be going in with the yellow for the fangs. For the lower part of its mouth, in here, once again, I'm using orange. For the middle section, I added a little bit of more orange. Now going with the red, adding the red on top of the orange, adding this red a little bit on top of the orange and Ava wet And with these, we are done with the red four now. Going back once again with the black to do the outlining for the teeth that we have created. Instead of this kind of teeth, if you want, you can create fangs like teeth bit more triangular or canine teeth. Dividing it into more sections. Let's create the outline for the teeth for the upper part too. Let's divide into different sections. Make the edges of the teeth a little bit curvier to make it look more realistic. And if you want to add a little bit more detailings, you can do a little bit of hatching for the upper part of the teeth treat with small broken lines to do the hatching for the upper section if you want to do that. Now for the inside of the mouth, in here, I'm using brat pin to fill the entire section with the black. Instead of using the black, you can also use the red to do the coloring. In here, I'll increase the speed to do the coloring for the inside of the mouth. If you want to have the same kind of texture as the remaining section, you can use the black ballpoint paint to do the coloring. And now we are done with the black for the inside of the mouth, and I reduce the speed to the normal. Now for the remaining sections mouth, I'll be using a combination of orange and the red. We'll be doing the same kind of hatching lines that we did for the other part, the upper part with the blue, filling the entire section with this orange. This is going to take a little bit of time. Apart from this orange, I'll also be using lots of rain now with the lower section, the jaw or the chin or the raymond mask that we have created, filling the entire region with this orange. So for this project, I named it Stormborn Demon Mask. Or if you have given other name to your project, let me know in the comment section. And with this, we are done with this side. Let's do the same thing on the other side. A little bit of more setting in here to make this region bit more darker. And with this, we are done with the orange. And on top of this, I'll be going with the rain. Going with the rain, I'm not going to cover the entire section, but most of the section with the orange will be covered by this rain. Instead of using this red, you can use pink, too, or you can just keep it simple as it is with a simple orange color. As compared to the orange current that we used earlier, I'll be decreasing the number of the lines, thus reducing the intensity of the red a little bit. And as you can see, just by overlaying this red on top of the orange, it's looking a bit more vibrant and a bit more darker. For the bottom region in here, I'll be getting this kind of s for its chin or the jaw. This kind of bit curved seam. Make the lower region bit more darker by adding more lines. Yeah, this kind of simple curve C for the chin of this demon mass, doing the same thing on the other side tube. And with this, we are done with a combination of the orange and the red. Adding a little bit of red for the lower part. Doing the same thing on this side, too, a little bit of red. And for the crescent moon like see that we have created for the bottom part of the ear, a little bit of red for the edges, adding the red on this second ear, a little bit for the upper part too. And with this, we are done with the red and the orange combination. Now going back with the yellow to feel the remaining section, starting with the ear. Now moving on to the lower part, the crescent moon like sep that we created, adding it for this one, too. Once again, creating this kind of crescent **** like scene. Adding the yellow on the other side too, the eyes, adding a layer of yellow on top of the black that we used earlier, doing the same thing in here too. If you want, you can cover the entire region of the white of the nose with a yellow. I won't be doing it. Now in here, I'm going with the blue to fill the remaining section of the nose with the blue. For the middle region in here, the circular part, I'm adding a little bit more blue. I'll be making this region quite more darker by using more darker side of the blue and a little bit of black later on. Now going with a darker side of the blue, adding it just beside the crescent moon like seed that we created with a yellow. Using this to do the outlining for the yellow see. Doing a little bit of seeding and hatching for the lower part of the nose, making this region, the region in between the nose and above its mouth a little bit more darker with this bloom. Make this side, the left side a little bit more darker by adding more lines too so that this region a bit more and dark, the light is falling from the right, so this region is quite dark. Doing a little bit more sading with this. So overlaying a little bit of blue on top of the black that we used earlier for the sading, extending the blue a little bit towards the black on the other side. With these, we are done with the blue. Now, once again, going back with the black for the eye. Doing the outlining for the yellow that we used earlier. Finally, using yellow for the fangs that we have created for the teeth. So adding the colour in the same men that we used for the horns, adding it for the second fang that we have on the right side. And with this, we are done with the third project. I hope you enjoyed this. I had a lot of fun painting this one, and this is one of my favorites from this class. And yeah, I'll be seeing you in the next project. 11. Sunfire Inferno Mask: Welcome to the fourth project Sunfire Inferno Mask. For this one, I'll be using breast paint to do the coloring, and this is going to be the most vibrant and colorful project of this class. And if you don't want to use the breast pain, you can use the colored wall wine pin or normal jail pins, or you can just keep it simple and monochrome using only black to do the coloring. So this is all optional. In here, I've already started with the straight line for the height of the mask, and I have divided into three different equal section. And right now, I'm just creating the oval sea for the seep of the mask. This mask is going to be a little bit different from all the masks we have created so far. We'll be creating flam like appearance on both the sides of the mask as well as for the bottom section too. It's going to be quite fun and interesting, making this section, the upper part a little bit curved. Let's do the rough outlining for the eyebrows. In here, I have created this kind of simple C for the eyebrow. So you can consider this to be the S of an orange slice. And yeah, this is a simple C for the eyebrow. You can make adjustment to the S in the sizes. In here, in this middle section in between both the eyebrows, I'll be creating simple pattern. And as for the horn for this demon mass, it will be a little bit different. I'll be adding rings on both sides of the horn. Five or six yellow colored rings, and the horns will be coming out of it. Sketching out the rough guideline for the horn. So far, we have created somewhat similar kind of horn if you want to make changes to the seam and the sizes of the horn feel feed into that. Very simple outline for the horns. And the polygonal seep that we have just added beside the horns on both the sides, we'll be converting it into rings later on when we'll be doing the outlining. And here I'm creating simple outline for the eye socket for this mask. Now let's move on to creating the nose. For this one, I'll be creating a bit smaller and broader nose. Instead of that, if you want, you can create a bit larger and crooked nose or pointed nose. In here, the sides of the nose are touching the eye socket, a bit more broader and a bit more flafier nose. Now for the cheeks. In here, for the Demon mask, the cheeks are quite smaller. By smaller, I mean, the width of the cheeks are not that much as compared to the earlier project. If you want to make it a bit more broader, you can do that. For this one, I decided to make the mouth quite larger. So this kind of bit larger see for the mouth, creating the fangs coming out of its mouth. So this is a little bit bend fangs. Instead of this, if you want, you can create other kind of fangs and other kind of teeth. Extending the lower part a little bit, I'll be creating multiple rows of teeth for the inside. For the bottom section on the lower part of the mouth, I won't be adding any fangs or canine. If you want, you can add large fangs or triangular fangs in here. Now, let's create a rough outline for the film like appearance. So we'll be creating this kind of mean lines mean like appearance on both the sides as well as for the bottom. And just beside and below the horn, a small portion of the ear will be visible. Adding the ear on this side, if you want to make the ear bit larger, you can do that. So this is the rough simple sketch for the demons mask. I name this project Sunfire Inferno Mask if you have any other ideas or suggestions or if you have used other name for the painting that you are creating, feel free to see her in the discussion section. And let's do the outlining. Once again, in here, I'm using Tomo Bras paint to do the outlining. I'll be doing the outlining, as well as adding more details to it. And if required, I'll be making the changes to the pencil skies that we did. You don't have to stick with the pencil skies that you did. Feel free to make changes and adjustment as you see for it. For the section, which I'm not that much confident, I'll be using somewhat of broken lines or bit lighter princ to do the outlining in those sections like in here for the eyebrows I did. In here, the upper part of the horns, as I mentioned, I'll be converting this into set of rings. So we have got this kind of rings on both sides of the horn. Now, let's go over the outline for the horn. Doing the same thing in here, the other horn extending it a little bit to make it a bit more broader, adding it just beside the eyebrow. Now, let's do the outlining for the eyes. For some of the sections, I'll be creating somewhat of dynamic lines by wearing the thickness of the line. The section where I want to draw that tension or to make that section a bit more bolder or a bit more darker, I'll be adding more lines to make it a bit more prominent. Going over the outlines for the nose. A little bit of this kind of parallel lines to sew wrinkles present in the middle of the eyes in between both the eyebrows. This is going to be our simple nose. I'll be adding a few more lines later on. But for now, simple nose like this. If you want to add designs or pattern, you can do that. Let's do the outlining for the fangs that we have in here. If you want to make cleanness, you can still do it going over the outline for the mouth. Outlining the second fang. Now for the remaining section of the nose and the mouth, are we trying to create a bit clear distinction by making this line a bit more broader and a bit more thicker later on. Making the mouth a little bit more curvier the upper part of it. Simple outline for the mouth of this inferno demon mask. Now for the insides of the mouth, I'll be adding lots of tea, and instead of creating all the teeth together, I'll be leaving a little bit of space in between. I'm creating this kind of simple square like C for the teeth. Instead of this, if you want to make it a little bit more interesting, you can create canine like teeth or triangular C for the teeth. The bottom section of its mouth, the large lip in here. And now let's do the outlining for the cheeks. So this is a simple sketch for the face now. Moving on to doing the outlining for the ear, creating this kind of pointed ear. Moving onto the left side, doing the same thing, a bit of pointed ear. With these, we are done with a very simple outlining for most of the section of the piece. Now we'll be adding more lines to add more details and also making the sum of the lines a bit more thinker and a bit more bolder. In here, for the middle section, I forgot to do the outlining, put the pattern on the design. Simple pattern like this. Now let's make the eyes a bit more deal. Creating this kind of bit more thicker lines. Adding small circular dot for the eyes on top of this. Beside this, I'll be adding yellows and another outline with the black later on. Making the nose a little bit more thicker. Doing the same thing for the cheeks, making the outlines a bit more thicker. The upper part of the mouth a bit more thicker, adding more lines, doing the same thing for this section in here, making it quite thicker by adding more lines and giving it a little bit more volume. For the fangs and the horns, I'll be doing a little bit of hatching lines, a bit of broken hatching lines to add a little bit of texture to it. But in here, I just did a little bit more outlining to make it bit more darker. Adding the kind of bit broken lines following the curved sweep of the eye. Making some of the section of the mouth a little bit more bolder and a bit more darker. In here, I'll be using combinations of blue, red and orange to do the coloring for the face. For the horns, I'll be using occur for the rings, I'll be using yellow. For the insides of the mouth, I'll be going with the black. And as I was mentioning, using a little bit of hatching, broken lines to add a little bit of texture for the fangs, and doing the same thing for the horns in here, a bit of broken lines following the court sip of the horn that we have created. If you want to make it a little bit more darker, you can also use a little bit of cross-hatching to do it. Yeah, with this, we are done with both the horns and the fins. If you want to add a little bit of texture for each individual teeth, you can do that, adding two more designs like this for the pattern in here. For the eyebrows, adding a little bit more texture in the form of this kind of broken line. Now I'll only be making some of the section a little bit more bolder and a bit more darker. So just follow along with me. And if you want to make changes adjustment or add other aliments or accessories, you can do that. Let's slightly erase the pencil marks. So as I was mentioning, mostly I'll be using orange and red color for the coloring for the face. For the mouth, I'll be using a combination of red, blues and the orange. For the flame like mean, I'll be using yellows and the orange. Let's do the coloring. So in here, I'm using bras pin starting with the top. So carefully filling this orange in between the empty spaces in here. Instead of this breast pain, if you want, you can use watercolor gauze, sketch pin, acrylic colored pencil, or whatever supply you have, or you can just keep it simple as it is and use only the black paint to do the stippling, hatching and create a little bit of texture. Here fully filling it just beside the rings that we have created on both the sides. Now moving on to the nose. What I'll be doing in here is filling the nose, both the sides of the cheeks and the ears with this orange. And then later on, I'll be going with the red to add a little bit of more coloring to it on the sides. Adding the coloring for the ears. Completely filling the insides of the ear. Insert that the ink that you are using. The ink pin or the breast pin that you are using is waterproof. Otherwise, the two colors might merge later on, or the colors might get merged. Feel the insights for the nose. Completely filling the insides with this orange. With this, we are done with the upper part. For the lower part, now, let's do the same thing, filling the insides of this outline section in here for its mound. For the upper part, I'll be using the blue. And with this, we are done with the orange for now for the rings in here, I'm using yellow. So completely filling sides with it. Now using yellow to create the main. In here, I'm not starting with the outline, starting with a yellow colored breast pain to create this kind of man. So flame like appearance for both the sides, as well as I'll also be using this for the bottom section of its mouth, just below its chain to create this kind of flame like appearance or you can see lines like man. And apart from this, I'll also be using a little bit of orange. And finally, I'll be using the black to do the outlining. In this way, I'll be able to create somewhat of organic feel to this flame like appearance that we are creating on the sides. Instead of this, if you are not comfortable, you can start with outlining first and then feel the color insides. But with directly using the color to do the coloring in here, you will get a little bit more freedom and you can create the flame like appearance and the man in any way or any direction you feel. For the bottom section in here, I'm making the flames a little bit more rounder and a bit more curvier. Instead of it, if you want, you can make it a bit more pointed and bit more edgy like the other two sides. And yeah, with this, we are done with the yellow. Now for the ebbs in here, I'm using the green. So using the lighter side of the green to do the coloring, apart from it, I'll also be using a bit darker side of the green. So with these we are done with a green for both the eyebrows. Going with darker side of the green, since the light green that we used earlier has not dried up properly, so the two colors will mix a little bit and create somewhat of gradient. And you can also see a little bit of the green that is visible since I did not cover the entire section with a dark green. Going in with the orange to add a little bit of more retailing for the rings, just alongside the outline section adding a little bit of orange. Instead of this, if you want to you can also use ochre and moving on to the flames, the main like appearance that we created, adding this orange particularly on one side. Instead of doing that, you can also add the orange in the middle or the other way, you can use the orange to do the outlining. In here for the bottom section, I'm adding the orange for the middle section of this film like appearance that we have created for our mask. Adding the orange on the other side. The same thing that we did on the left side. Instead of using the orange, you can use red or ocher or any other lighter seed of the color, adding it particularly on the one side. And yeah, with these, we are done with the orange. In here, I'm going with the red. So I'll be adding the red, particularly on the outline section, a little bit beside and above it like this to create a little bit of siding and to make it a little bit more vibrant and interesting. Adding it particularly near the outline section in here, just above the eyebrows, a little bit beside the rings or the nose in here, just beside the outline section to make them a little bit more clear, a bit more distinct. Side of the cheek it a little bit away from the outline section. For the bottom section, a little bit around the curved section. And in here, extending the red a little bit for the cheek in here. And yeah, with this, we are done with the red. Now for the eyes in here, I'm using a little bit of ocher, the outline that we in overlaying a little bit of ocher in here beside the black iris that we created, encircling it with this ochre for the fangs, a little bit of ochre for both the fangs as well as for the teeth we have created. Adding a little bit of coker for the bottom teeth. And now let's feel the insides. So filling the inside of the mouth with the black. Instead of using the black, you can use the red, and that will make it a little bit more terrifying. Feel free to use other colour, too, if you want. Or you can keep it simple as it is white colored mouth. And with this we are done with the inside of the mouth. Adding a little bit of red for the outline of the eyes in here, create bit smaller. Us the stroke to do the outlining in here. Using the red to do the outlining on one side just beside the nose for the eyes. Now for the mouth. Mostly, I'll be using the blues, but in here I added a little bit of red just below the teeth. In here, I'm going with the darker side of the blue. So filling the outline section for the mouth with this blue. Instead of this, you can use other colors. You can use orange, you can use red. You can also use green. Carefully adding the colour, we don't want the blue to mix with the orange or the yellows. Now, let's do the coloring for the upper part. With these, we are done with the blue for the mouth. Now for the horns in here, using the same color the con that we used for the fangs, not covering the entire section, just a little bit over hatching lines that we did earlier. Instead of this, you can also use the grid to do the coloring. And with this, we are done with the horn and the franks and the teeth. Going back with the breast pin, you do the outlining for the claims that we have created. Simple outlining, and I'll be doing the outlining for all the mains and the flames that we have created. Since this is going to be a repetitive process and will take a little bit of time in here, I have increased the speed a little bit. If you want to follow along with me, you can just reduce the speed or you can just pause the video. Instead of using black to do the outlining, you can also use red. That will be interesting too. Put some of the section, if you want to draw a little bit more atencion, you can make the outline of that section a bit more darker. For the inside, the middle section of the flames in here, for the bottom section, adding a little bit of broken lines for the middle section, moving on to the other side, doing the same thing. And as you can see, I'm making the lines a little bit more curvier to add a little bit more organic touch to it. And yeah, with these, we are done with the outlining, adding a little bit more detail for the inside of the face. Small lines like this. Put the center in here, using the blue colour to do the coloring. And with this, we are done with this fourth project. I hope you enjoyed this. This was very fun to paint the Sunfire Inferno Mask. And yeah, I'll be seeing in the next project, the fifth one. 12. Silent Fang Guardian Mask: Welcome to the fifth project, Silent fine Gargan. The next two project this fifth and the sixth one, I'll only be creating the simple outline for the mask and you have got the option, you can do the coloring on your own. In here, I've already started with the straight line for the length of the mask and now let's divide into three equal section. Somewhat of equal section. If you want to extend it a little bit to make it a bit more larger, you can do that. Now creating a little bit of ovals for the fees of the mask. For this mask, I'll be creating the largest fang of all, also the largest ear. I'll also be adding the accessories in the form of earring for the ears. And apart from that, I'll also be adding a little bit of more detailing for its head and the eyebrows. The eyebrows will be somewhat similar to the fifth project that we did. In here, I made the lower portion of its mask a little bit smaller, but later on, I'll be extending it a little bit. I just made it like this if you want to add just the length of the middle section, you can do that. Now, let's create the horns, a bit large and a bit more curfer horns for this. Instead of this, if you want you can create other kind of horns, you can create broken horns or instead of two horns, you can also create one horn that I showed you in the practice. As I mentioned earlier, I'll only be doing the outlining after the pencil sketch. I won't be adding texture or detailing or neither are we doing any hatching or cross searching. So these two projects depends upon you how you're going to do the coloring or you can just skip it simple paint and ink illustration. Moving on to doing the outlining for the eyebrows, the scene, curtsy for the eyebrows that we have created so far. The eyebrows will be somewhat similar to the last project that we did a little bit of bossier eyebrow in here. For the upper part of its head, I'll be creating a little bit of simple designs, creating a little bit of this kind of design for the middle section in between both the eyebrows and I'll mix running it to its head to create simple design later on. For now, let's do a rough outlining for the eye socket. The same kind of eye socket that we have created so far. I'll only be making a little bit of changes and adjustment to it, but it will remain somewhat similar to all the eyes that we have created so far. If you want to make it a little bit more different, you can do that. Extending this middle portion a little bit. And yeah, now we'll be creating simple nose. In here, I'll be creating a bit more broader and a bit more grotesque nose. In here, I have shifted the second knife a little bit above. And now let's create the nose. As I mentioned, this is going to be a little bit more broader a bit more grotesque. If you want to make changes and addin you can do that. I'll also be making the nose, touching both the eye sockets on both the sides, making the nostrils a little bit more larger. Now creating the sides of the nose, touching the eye sockets. And with this we are done with a grotesque nose. Now for the cheek. In here, since the nose is quite broader and it's somewhat more closer to the eyes, so the checks won't be that much bigger. So creating this kind of simple outlining for the cheeks, a little bit fluffier on the sides and a bit more curvier, doing the same thing on the side too. If you want to make the cheeks a bit more broader and a bit more larger, you will have to just adjust the nose a little bit. H. Let's do the outlining for the mouth. So the mouth will be a little bit different from the other mouth we have created. Instead of it, if you want to keep it similar, you can do that. You can just create simple C for the mouth and then add the fangs and the teeth inside it. Now, let's do the insights for the mouth. The curve rough see for the mouth and inside it, I'll be adding two large large and curvy fangs. If you are going to color it using the colored ballpoint paint or sketch paint or you can use watercolor or gloss, please see your project in the project section. I won't be extending the piece in here since it's not required. If you want to add the bead or the mostest you can do that. I won't be doing it. So this will be the simple chin or the jaw line for this mask. Now let's create the ear. As I mentioned, I'll be creating a bit large ear. It will be extending up to its chin. Instead of this, if you want to make the ears bit smaller, you can do that. But in here, as I mentioned, I'll be creating a large ear. I'll also be adding lots of earrings. My lots, I mean, four or five. This will be our ear. The lower part, the lobe of the ear will be like this. Try to create somewhat of symmetrical ear on both sides. In here, it became a little bit more broader, so I'll be making adjustment when I'll be doing the outlining with the breast pain. And yeah, we are done with the rough outlining for the ears, adding the eyeballs for the signs, and as was masonin extending this to create a simple design, simple pattern or design for the forehead. Creating very large fangs, large and curvy fans for this mask. Instead of this, if you want you can create smaller fangs. But as mentioned in the name, this is silent fang Garcin mask, it has to have large fangs like this. Here's another set of small fangs. For the bottom section, for the bottom part of the teeth in here, we also have two fangs like this. And for the remaining section, we have got the small teeth like this. Here, too if you want, you can make it a little bit pointed by creating it in triangular C. And yeah, with this, we are done with a rough outlining. I'll be adding more details when I'll be doing the outlining. Let's do the outline. In here, I'm using Tombos breast paint to do the outlining. Instead of this, you can use the sakura micron, fine liner, or you can use the other supplies that you have or whatever you feel comfortable with, starting with the hot to do the outlining. To make it a little bit more interesting, you can create the organic line just by wearing the thickness of some of the lines. But mostly in here, I'll be creating the simple lines to do the outlining. You have the choice to do the coloring in any way or any fasten you prefer. Doing the outlining for its eyebrows. For the upper part of the eyebrows, I'll be trying to create a little bit of bushier texture by doing a little bit of hatching using small lines. Instead of this, if you want, you can treat other kind of appearance or other outlines for the eyebrows. The simple pattern or the design. I'll be adding a little bit of texture in form of simple curved lines for the upper part of its forehead. I'm creating a little bit more distinction in between the horns, its forehead and the remaining section. If you want, you can add the rings here. The texture I was talking about a little bit of more curved lines in here for the upper part of its forehead. If you want, you can also create lots of wrinkles for the upper part. You can also add a single horn in the middle or you can add a thou dye in the middle. That will be interesting. Simple pattern or design like this in the middle. This is optimal. If you don't want, you don't have to do this. A as we are done with the upper part, the forehead. Now let's do the outline for the eyes. In here, I'm just going over the outlines that I have created. I'll also be adding a little bit of more detailings. I'll be making some of the section and a little bit more darker. Sides of the eye sockets in here, making it quite darker. I'll also be extending it a little bit, extending it on both the sides. Now let's create the eyeballs. You don't have plastic with outlines that you have created, feel free to make changes in adjustment to the pencils that you have created, creating the iris surrounding the pupil. Adding another lines in here for both the sides. Now for the middle section in here, a little bit of lines to sew some wrinkles in the middle. Now, let's do the outlining for our nose. A bit more. Dot a bit more fluffier nose that we have created. If you want to make it a bit thinner or a bit smaller, you can do it. But in here, I'll be sticking with the outlines that I created for the nose. Now, moving on to the chicks. We have got bit smaller chicks in here. And instead of making this little bit curvier like this, if you want to keep it plain and simple, you can just extend it following the seep of the following the earlier soap that we created for the oval seep, p the mask. Adding a little bit of detailing like this beside the eye socket and a little bit of lines like this on both the sides of the curvier part of the chicks. Making the nostrils a little bit darker by adding it by adding the black inside it. And yeah, with this, we are done with the nose and the upper part. If you want to add more detailings, you can do it. Doing the outlining for the fangs that we have created, large and curved fangs. If you want to make it smaller, you can do it. Also, if you want you can make the fangs a little bit straighter, or you can make the fangs like the dracula stee that will be interesting too. For that, you'll have to create large canines. Going over the outlines for the mouth, the insides of the mouth, here we have created this bit curvier lines for the insides. Now for the other side, the upper part of the mouth, let's do the outlining for its first and then we'll be adding the remaining teeth and the fangs for the insides. Here, too, if you want to add a little bit more detailing, you can divide it into more sections. You can also add large lips or if you want to experiment a little bit, you can also add large grotesque tongue coming out from its mouth, adding the fangs inside its mouth and small tees. Doing the same thing in here, starting with the fangs and now three small tips in the middle. Going over the outline for it or the jaw. And with this, we are done with our main features for its feet. Let's do the outlining for its ears and adding that teals. So for this sign, the upper part, I'll be adding two earrings on both the sides. Simple earring like this in here for the bottom section. Adding more rings for the upper side as I was mentioning. In here, I've just created simple earring. Instead of it, if you want, you can create more details earrings, doing the same thing for the second ear, going over the outlines. And in here, if you want, you can add the earrings for the bottom section. I won't be doing it, but if you want, you can do that. For this upper section, I'll be adding two earrings, just like wedded for the other ear, the ear on the left. Now let's add a little bit of detailing for the inside. I won't be adding my nude details, just simple plain lines like this for the detail for the ears, adding it on the side too. Let's add one more line to make it bit more detail. With these, we are done with a simple outlining for the mask. I decided to add the coloring for the insides of the eyes, leaving a little bit of white piece for the highlight. If you want, you can also add the blacks for the insides of the mouth, or you can use the red for the inside. And with this, we are done with a simple outlining for this Silent Fang Guardian Mask. If you want to add more details, if you want to add more texture or pattern or design, you can do that. But I'm satisfied with it, how it turned out. So if you're going to colour it using any materials that you have, feel free to see the project in the project section. Now, insure that the color has dried up the ink that you have used to the ballpoint pen, and then lightly erase the pencil marks. I hope you enjoyed this Silent Fang Guardian Mask, and I'll be seeing you in the next project with another simple sketch. 13. Laughing Demon Mask: Welcome to the sixth project, Laughing Demon Mask. For this project too, I'll only be doing the sketching and outlining. You can colour it in any way as you see fit. In here, I've already started with a simple straight line to determine the length for the mask. So this will be somewhat of medium size. Let's divide into three equal sections. For this one, I decided to make it a little bit more broader compared to the other projects. So we'll have somewhat same ratio for the length and the width. Let's do the outlining for it. So somewhat of ovals for the face of this mask. You can always experiment with the length and the width of the mask. To make it a bit more longer, you can just make the two horizontal lines that we are adding, you can just keep it somewhat close to each other for the middle section. In that way you can make it a bit larger. And to make it a little bit broader, just increase the length of the horizontal line. For this one, I'll be giving you two examples in which you can create multiple horns for this one. In here, I decided to make the four header a little bit like this, a bit of a square like s, and I'll be giving you two example of creating different kind of horn. So in this pencil sketch, I'll be adding four horns, but for the outlining with a fine liner or the breastban, I'll be only doing the outlining for the two horns. So this is the first set of the horn, a bit long and bit more curvier horn. So for any of the project till now, we have not created any horns like this. So if you want to proceed with this, you can create the horns in this manner. Bit long and bit more curvier horn like this. And apart from this, I'll also be showing you one another set of horn that I'll be adding in middle, not middle, just a little bit just beside the center. So here's another set of small horns that is coming from the forehend. So it's your choice. If you want, you can keep both sets of the horns and do the coloring, or you can just keep one, the larger horns or the smaller one. Now in here, if you want, you can create hairs like this. So we have got partisan in the middle and a little bit of hair will present on both the sides. This is optimal. If you don't want, you don't have to do this. And you can always increase or decrease the width of the horns in here, as you can see, I decrease the width a little bit. Let's do the outlining for the eyebrows, eyes, nose, and the mouth. In here, I decided to make the eyebrows a little bit more defined and a little bit more curvier. So let's create the outlines. I'm using the here line as a reference and just using it to create the outline for the eyebrows. Same kind of eye socket that we have created so far, simple oval saps for the eye sockets. Now, adding a little bit more detailing for the eye socket. Adding the nose just above the intersecting lines in here. So this is somewhat of medium size for the nose. If you want, you can make it a bit more broader or a bit more smaller or you can also elongate it a little bit. Now for the mouth, for this one, I decided to extend both the sides of the mouth to the eye socket. For our earlier project, I extended the nose to the eyes, but in here, I decided to extend the mouth. If you want, you can do either of those, you can extend the nose or you can extend the mouth or you can just simply create cheeks like we have created so far for all the projects, adding the fangs. So for this, I decided to create two sets of fang, larger fang on both the upper and the lower part of the mouth. And for the insides, I'll be creating simple smaller teeth. You can always create large canine or triangular seeps for the teeth. In here, I did not extend it the lower portion. If you want, you can elongate it a little bit and add beads and moustache and other facial sir. So I created this kind of see for the jaw or the chin. Now let's add a little bit more detail for the facial feature. The region just below the horn, as well as adding the cheeks. So cervea checks like this. Now, connecting the cheeks to the jaw. This is a simple outlining for the fecal feature. I'll be adding the ears later on. This is optional, but if you want to create this kind of earring, for the last project, I'll be creating this kind of earning. And now let's do the outlining for the ear. I won't be doing the outlining for the earrings like this. But I'll be adding one earring for the left ear. Creating simple seep for the ear. Try to make the seep of the ear symmetrical for both the sides. And yeah, with this, we have done with a simple outlining for the ears, adding that teeth inside the mouth. Adding it in here, too, now adding the pupils and ri. I'll also be adding a little bit more detailing when I'll be doing the outlining for the insides of the eyes, a little bit for the nose and a mouth. And as I was mentioning, I'll be creating this kind of simple pattern or design for the eyebrow, a little bit of detailing for the insides of the ear. And let's add one more line for the ear on both the sides. And yeah, with these, we are done with a simple sketching. Let's do the outlining. In here for this one, I am using the sakura micron fine liner. This is 0.5 millimeter thick. Let's do the outline. For this, I decided to do the outlining for these two horns in the middle. If you want, you can do the outlining for the larger horns or you can do the outlining for all the four horns. Like the earlier one, I'll only be doing the outlining as well as making some of the section a little bit more darker and a little bit of texture if required. Otherwise, I won't be doing any hatching or cross-hatching or creating texture or pattern. For the regions that you are not that confident or you are going to create pattern or texture, you can just create this kind of bit broken lines. And later on when you'll be doing the coloring, you can just do the uniform outlining. As I mentioned, if you want, you can do the outlining for the other horn that we have created. I won't be doing it. And also for the here that I have created, I won't be doing the outlining. If you want, you can do the outlining for the here too. In here, I'm doing the outlining for the eyebrow. And instead of this kind of wavy pattern and design that I have created in here, if you want, you can create other kind of pattern or design. I'm creating this kind of simple designing for the eyebrows. If you want you can create the Bussier eyebrow like we did for the earlier projects, doing the outlining for the second one. You don't have to stick with the pencil outlining that you have created. You can make adjustment and changes as you see fit. I'll also be adding this kind of crescent boon like seep on both the sides of the eyebrow. Simple seep like this. Now, let's do the outlining for the remaining section. Doing the outlining for the eyes. On both the sides of this oval eye socket that we have created, I'll be adding two more lines like this, adding it on this side, too, and now adding it just beside here. For the middle section in here in between the two eyes, I'll be creating simple design. Later on, I'll be doing it. But for now, let's do the outlining in here. Let's do the outlining for the nose. You can change the seep in the sizes of the nose, adding a little bit of black for the nostrils. Extending the lines in here a little bit. For some of the section, as I mentioned, I'll be making it a little bit more bolder than darker. So I'll be adding this kind of thicker lines pecly near the outline region as well as near the eyebrows, a little bit for the eyes, a little bit for the cheeks, and a lot for the ears. Moving on to knowing the outline for the mouth. Et's do the outlining for the fangs first, and then we'll be doing the outlining for the remaining section of the mouth. For the insides of the mouth, I'll be completely filling into the black. Instead of the black, you can use red, too. Moving on to the lower section. Now for the insides. We have got two more fangs in here. Instead for the simple teeth, you can create this kind of smaller fangs for the insides of the mouth, or you can just follow along with me and create this kind of simple, small teeth. And yeah, with these we are done for the insides of the mouth, the teeth, the fangs, and the outlining. Let's do the outlining for the cheeks on both the sides, making it a little bit more curvier on this side. Moving on to the remaining section, the chin and the jaw line. And with this, we are done with the outlining for the feas Instead of using the fine liner, if you will be using rust pin or sketch pin, the process will become a little bit more easier to make this kind of bit thicker and bit broader lines. Now I'll be adding this kind of thicker and molder lines for some of the regions to make it a little bit more highlighted. Adding it on both the sides of the mouth. Now filling the insides with the black doing the same thing in here. Instead of filling it with the black, you can use other colour to do the coloring later on. Now for the ice, filling it completely with the black, leaving a little bit of white spese for the highlight. Completely filling it with the black, leaving a little bit of white. Making the other sides a little bit more darker. Before that, I decided to do a little bit of designing for this middle section in between both the eyes. Simple pattern like this. This is optional. If you don't want, you can just keep it simple as it is. And yeah, I won't be adding more detailings for the nose. Extending the lines from the nose a little bit for the cheeks. Now moving on to this lower part in here, adding this kind of simple lines on both the sides and and feeling the insides with the black, adding it in here too. Now, for the lines that we created earlier, completely filling in with the black on both sides. You can clearly see in here just by wearing the line thickness, the mask looks a little bit more lively and a little bit more defined. For the horns in here, doing a little bit of hatching. For the insides of the horn, I'll be adding a little bit of taxon in the form of hatching lines. This is optimal. If you don't want to do this, you can just keep it simple as it is. But in here, I decided to do a little bit of simple hatching. I'll also be making the outlines of the horns a little bit more distinct by going over the outlines and making it a little bit darker. I also decided to create this kind of simple design on both the sides of its forehead. Now, let's do the outlining for the ears. For most of the section of the ear, I'll be trying to create a little bit of more bolder lines, bolder outlines. For one of the ear, the left ear, I'll also be adding a single earring. Now for the insides, the outlines wedded, I'll be making it a little bit more bolder and a bit more darker. The three lines, the three curved lines that we have created. Now let's do the same thing for the remaining two curved lines that we have for the insides of the ear. The third and the final curved line that we have in here, making it a little bit more bolden and a bit more darker on the upper and the lower part. Adding the earring in here. Simple circular earring. If you want you can also add the earring on the other ear, I decided to make this region a little bit more darker, so a little bit more black in here, just below its chin. And with this, we are done with this section. Now, I decided to add a little bit more texture for the fangs, so simple hatching lines for all the four fangs that we have created. You can also add lines for the smaller teeth. And with this, we are done with the fangs. Let's slightly erase it, and I'll be adding a little bit more detail for some of the regions. Or if you're satisfied with it, how it turned out, you can just keep it as it is and do the coloring or adding more details on your own. Insure that the ink has dried up and then do the erasing to avoid the smudging of the ink. Now, let's feel the insights of the mouth with them black. In here, I'm increased the speed since this is going to take a little bit of time. And yeah, let's completely feel the insights with this black. Instead of this black, you can also use red. Now, these are the additional detailing that I'm doing. If you don't want, you can just keep it as it is. I'll be making some of the sets a little bit more darker, a bit more bolder. You can just follow along with me or you can just keep it as it is. And as I was mentioning, let's make the horns a little bit more darker. This going over the outlines to make it a bit more distinct. Doing the same thing for this side, the second horn. Doing the outlining for the lower portion of the horn. And in here in between the two eyebrows, I decided to create this kind of simple wheel like sea. Let's make it a little bit more darker. Extending this a little bit. Making this lower section a little bit more dark. Now for the outline some of the regions of the ear, I'll be creating this kind of dynamic line just by wearing the thickness a little bit. For some of the sections, I'll be making it quite darker for the others. Only a single or simple plain line will do the work doing exactly the same thing that we did for the left ear in here, for the right ear, making some of the section of the lines bit bolder, adding it in here to the left ear. If you want, you can also make the outline of the cheeks a little bit more bolder and a bit darker. I decided to make the lower section of the mouth a little bit more darker. And with this, we are done with the sixth project. I'll be seeing you in the next project. 14. Celestial Spirit Mask: Welcome to the seventh and the final project, Celestial Spirit Mask. Let's start with the vertical line for the length of the mask. For this one, I'll be using multiple supplies. I'll be using black ink. I'll also be using colored wallpoint pin, and apart from that, I'll also be using a few gel pens. So this is going to be multi colored project. You can use whatever supplies you have. You can convert it into monochrome by only using black. And if you don't have many colored wallpoint paint, you can only use the normal blue, black and red colour to do the coloring. So far, we have divided this particle line into three separate sections, and now let's create the oval C for the C for the mask. For this one, I'll be creating a little bit of different kind of earring. Here if you want to experiment, you can change the ratio of the length to the width and create other kind of mask mask with more width or more length as you see fit. Now, in here, I'll be creating the horns. Let's do a rough outlining for the horns. So far, we have only created the horns on the sides. In here, if you can create the horn in the middle too. So a total of three horns. If you want to add one in the middle. Simple curved horn like this. Here, if you want, you can add the rings like we did for the third project. For this one, I'll be creating a little bit of patterns and design for the forehead, and for the eyes, I'll be using reds and the black. For the checks, I'll be using multiple colors. I'll be using red, greens and the blues, and for the mouth, I'll be using combinations of reds and the blue. For the nose, a combination of a little bit of black and red. But I mean to say that you don't need that many colored paint. You only need simple paints like blue, black, red and green that are easily available. Like earlier project in here, I have created the eyebrows and this kind of oval s for the eyes. If you want to make changes and adjustment to the Cp of the eyes or the eyebrow, you can do that you can create or you can create any kind of pattern or designs for the eyebrows and for the eyes, too. Now let's create the nose. For this one, I decided to make the nose a little bit decent. But if you want, you can make the nouns bit grotesque, a bit more fluffier, a bit broader, a bit smaller, bit crooked. So you have got lots of options to choose from. You can just follow along with me and create this kind of simpler nose for this mask. Now let's create the rough outlining for the mouth. In here, I'll have to extend the lower section a little bit to accompany the mouth. So before treating the remaining section of the mouth, I decided to do a little bit of outlining for the ears. Here, I'll be creating a little bit larger ear. Larger ear like this. Try to create the ears a little bit more symmetrical to each other. In here, I'll be creating a little bit of different kind of earring. If you want, you can create simple circular earrings. For the eyes, I'll be using multiple colors. In here, I'll be using red, and I'll be dividing the checks into three different sections. Just follow along with me and create this kind of bit crescenc for the remaining section of its cheeks. Now, let's do the remaining section for its mouth. So as I mentioned, we'll have to extend the lower porton a little bit to accompany its mouth. Till here, I'll be adding the mouth and I'll be creating this kind of simple seep for the mouth. Instead of this kind of sp, you can create any other kind of see. You don't have pustic with the outline that I'm creating in here, feel free to make changes in adjustment as you see fit. Now extending the face to accompany its mouth. So I'll be making it a little bit larger, following the curd shape of the mouth and creating the jaw like this. Here, if you want, you can create beard like this at the bottom. And yeah, this is the rough outlining for our mask. Now let's add a little bit of detailing, starting with the fang. For this one, I decided to go with the smaller fangs, adding a little bit of smaller fangs in here too. For the center of the ear, I'll be adding small threads coming out from its ear like this, at the earrings like this. So I'll be using red to do the coloring in here. This is option. If you don't want to do this, you can just keep it simple. And yeah, we are done with a simple outlining for our mask. Let's do the outline. In here, I'm using the Tombosprs paint to do the outlining. Instead of starting with that ras pine to do the outlining, you can simply start with the ballpoint paints or the colored paint to do the coloring, or you can just follow along with me and do the outlining. In here, for this project, I have increased the speed a little bit. So if you want to follow along with me, you can pause the video or you can just reduce the speed. Outlining the eyebrows and the eyes. Now let's do the outlining for the nose, a little bit of black for the insights of the nose, creating this kind of currency for the nose, and I'll be creating this kind of simple design for the nose. I'll be using a combination of red and the black for the insides now for its mouth. So it will be divided into two or three different sections For the upper part, I'll be using wills and for the remaining, I'll be using red, doing the outlining for its ear. In here for the middle section, I'll be adding red to create small thread coming out of it. Let's do the same thing for the second ear. Leaving a little bit of space for the earrings, now, going over the outline for the cheek and dividing into different sections. This will be the part of the eye, so I'll be adding red later on in here. And for the cheek, I'll be using a combinations of green, red, and glue. For the mouth, adding another layer. For this layer, I'll be using red. Now going over the remaining section for the mouth and doing the outlining, adding more layers in here. Let's do the outlining for the fangs. Small fangs like this, creating small teeth inside the mouth. If you want to extend the side of the fangs, you can do that. For the insides, I'll be going in with the black later on. Now moving on to the earrings, creating this kind of simple see, simple rectangular sep for the earrings, adding the eyes for the eyes I'll be using both blacks and the reds. In here, I'll be creating this kind of wet curve and using by using hatching lines. And yeah. With this, we are done with a simple outlining. Instead that the ink has dried up and lightly erase it. Now let's do the coloring. In here, I'm using gray color. This is optional. So I went to sew a little bit of white and green underneath the coloring that we'll be doing later on. So I'll be creating this kind of simple pattern and design. You can consider it to be a primary layer on top of it. We'll be adding more layers with the different colored paints. And yeah, I'm creating this kind of bit simpler pattern and designs. If you don't have, you don't have to do this, or if you want to follow along with me, you can also use the pencil to do a little bit of setting and then proceed with the colored paint to do the coloring. Adding a little bit for the insides of the eye, a little bit in here too, a little bit for the lower section of the cheek. So mostly, I'll be adding it just beside the outlines. The regions where I want to sew a little bit of green underneath the layers of the color, and for most of the sexon I'll be leaving it as it is the white color of the people. I won't be covering the entire section with the colored ink, so some of the whites and the greens will be visible. That's why I'm using the grey in here. Adding a little bit in here for the beard section. Let's add a little bit for the upper part of the horns. In here, I decide to make this region a little bit more uniform, so extending the colors a little bit. And yeah, with this, we are done with the gray now going in with the blacking. So in here, I'm using the bras pin. So this is Ziurataki's bras pin, and I'll be adding the blacks for most of the regions, and I'll be creating simple patterns and designs using this. So simple pattern like this using this black ink. In here, you can see the visibility of both grey and white a little bit. So that's what I was aiming for with the grey and the white of the paper. Instead of this, you can create any other kind of design or pattern as you see fit. Put some of the grey space in here, I'll be leaving it completely blank like this, and later on, I'll be using other colours, the red, blue and the green to do the coloring. This is optional if you want, you can cover the entire section with the black or you can create your own designs and pattern. Or instead of using black, you can use other colors to do the coloring. You can keep it simple as it is with either completely gray colored or completely white of the paper. Moving on to the eyebrows. Go over the outlines and then in here, I'll be dividing into different sections. For the top of the eyebrows, I'll be using both reds and blues later on. So creating the outlines for the region in which I'll be adding the colors later on, moving back to its head and yeah, in here too, I'll be creating simple patterns. You'll have to causes to feel the color for the smaller regions. Instead of using the breastpin, you can use the normal breastpin fine liner, ballpoint pain or you can use skitchpin. You can also use the gauze or water color to do the coloring for the blacks. Now creating this kind of simple pattern in here for this region. And in here for the remaining section, I'll be completely filling it with the black. In here, I decided to create three more lines so simple pattern like this. In here, I'll be using blue greens if required. Otherwise, I'll be leaving it as it is. Now let's move on to the remaining section of its face, putting it beside and below the horns on both the sides. Now, I'll be filling the entire sexon in here for the nose. The white saxon in here that we have, I'll be completely filling it with the black. If you want, you can create patterns and designs in here too. Carefully filling the black for this white region. To make this process a little bit faster, you can use the watercolor brushes to make this bit more quicker. And when this we are with this middle region. Now, for the section, this billowed nose, I'll be completely filling it with the black and a little bit of the black for the cheeks and a little bit and a little bit just besides its eye creating small thin streak with a black for the cheeks. But but As I was mentioning this region, completely filling into the black. Carefully filling this region with the black. And as I mentioned, you can always use other colour to do the coloring in here or you can keep it simple as it is a combination of both green and the white. And yeah, with this, we are done with this region now, let's do the coloring for the inside of the mouth. In here, instead of using the black to do the coloring for the inside of the mouth, you can use the red to do the coloring. I'll be coming back to do the coloring for the mouth later on, but for now I decided to do the coloring for the ear, and I'll be creating a little bit of simple pattern for the insides in here. Now moving on to the other ear, the left ear, going over the outlines and making it a little bit more broader. Let's feel the insides of the mouth. In here, I was not able to record the coloring on the other elements in here, but you can see what I did. I use red, blue, and the greens for the upper section. I did a little bit of hatching to do the coloring for the upper part. For the eyes, beside the iris, I added a little bit of red. For the lower section of the eyes, once again, I use the red gel pen to do the coloring and I use hatching lines to create this kind of coloring. For the two sections of the chicks, I use greens in the blues. Here too, I use hatching lines to feel the entire section. For the mouth and here, I use blue for the upper part and a little bit of red on both sides for the upper part. And for the lower side, I use blue. Here, too, I use the hatching lines to do the coloring. For the earrings that I have created, I use blues and green. For the upper part, I use the blue. I divided it into three different section and using hatching lines to do the coloring. And for the thread light thing that is coming out from there it's here, I use red, and here too, I use the hatching lines. I'm just creating this kind of simple pattern for the nose. I'll also be using a little bit of red to do the coloring. In here, I'm using the brass pin Tombos brass paint to create this kind of simple designs. You can just pause the video and do the coloring on your own or you can just follow along with me and do the coloring later on. In here, I'm making the outlines of the eyes a little bit more detailed and a bit more prominent. Now moving to its horn in here, I'll be doing the hatching. I'll be filling most of the region for its horn with stippling lines, a little bit of broken curb hatching lines. Apart from this, I'll also be using a little bit of red for the upper and the lower part of the horn. This is optional. Instead of this, you can keep it simple as it is, or you can use other colours to the coloring for the horn. To make it a little bit more darker, you can also use hatching, cross-hatching, a little bit of stippling too to make it a little bit more darker and give it a little bit more volume. Doing the same thing for this horn. And with these, we are done with a simple hatching lines. For the teeth and the fangs, I decided to create this kind of simpler lines. Adding another layer of hatching lines in here to make it a little bit more darker by using the hatching lines to do a little bit of siding, extending it a little bit. Let's do the same thing on the other side, the left horn, adding another layer of hatching lines and using it to do a little bit of siding to make this lower part a little bit more darker. I'll be doing the same thing for the upper part too. For that, I'll also be using red, creating this kind of simple pattern for the here and here. For the inside, I'll be using red, going in with the red, adding a little bit of coloring for the nose, the pattern that we created earlier. So for some of those sections, I'll be filling it with the red. If you want, you can cover the entire section with the red, or you can use the combinations of red, blues, and the greens filling the reds just above the nostrils, a little bit of red, a little bit of red in here too, the lower part of the nose. And as I was using this d for the horn, so doing another layer of hatching to do a little bit of siding for the lower part. So simple hatching lines like this, doing the same thing in here for the other side, simple hatching lines extending it a little bit more as compared to the earlier hatching lines that we ended with the black. For this region, the white region in here, completely filling it with the red, extending the red a little bit on the side too. This region in here, just below the blue, filling the red for the inside. Now, these are all additional elements that I'm adding, so you can add the colors wherever you think it's required or wherever you want to add it filling the entire region of the mouth with this using hatching lines to do the coloring with the red. And with these, we are done with the coloring for the mouth. As I was mentioning for the horn, using this ray to do a little bit of more hatching, moving on to the other horn and creating this kind of simple hatching lines, simple curved hatching lines. And yeah, with this, we are done with the seventh and the final project. I hope you enjoyed painting this and I'll be seeing you in the next video. 15. Another Crimson Demon Mask : Welcome to the bonus video. So this is another variation of the Crimson Demon Mask. So we have got cars Demon mask. Starting with a simple vertical and horizontal line to stretch out the guideline for the mask. For this one, since it was a little bit larger, I decided to remove some of the portions, the repetitive portions. And yeah, so this is under 14 or 15 minutes. Now let's do the C for the face, creating oval C for the face. For this one, too, I'll only be using red and a black. Instead of this color combination, if you want, you can use red and blue, you can use black and blue or you can use green and red. The middle portion will be a little bit broader. For this one, I'll also be creating the bead at the bottom. And with this, we are done with a rough C. Now let's add the horn. So this one, the left horn will be small and bit broken one, and the right horn will be simple. Bit broken horns in here. A simple horn on the right side. Here instead of two horn, if you want, you can add a single horn in the middle. Now, let's do the outlining for the eyebrows, the eyes, the nose, and the mouth. For this one, I decided to create spasly curved eyebrows like this. Creating a bit of spiral pattern for the insides of the eyebrow. In here creating this kind of simple polygonal C. Now for the eyes. This kind of oval s for the eyes. I'll be adding the letter portion of the eyes a little bit later on. Now, for the nose in here and I desired to create a bit simpler variation of the nose. I'll also be creating this kind of simple design that I use for one of the earlier projects. So this kind of simple pattern on design for the nose. In here, I'm creating a bit simpler version of the nose. If you want, you can make it a little bit broader or any other variations of the nose as you see fit. Let's move on to the mouth and the cheeks. Extending the line from the eye to create the cheek, extending the line on the other side too. Now let's create the mouth. The mouth will be somewhat similar to the second project we did. In here, I decided to create a bit smaller verson for the fangs. If you want, you can make it a little bit larger and bit more curvier. Adding the fangs and the teeth for the lower section of the mouth, here to another set of fangs and smaller teeth for the inside. As usual for the insides of the mouth, I'll be going with the black and completely feeling it. And on the sides, I'll be extending it a little bit for the upper portion just beside the fangs. And in this region, I'll be adding the red. I'll be using the hatching lines to fill the insights with the red, extending the fees a little bit to a company's job. I'll be creating the same kind of usual jobs that we have created so far. Now let's create the ears, somewhat of same kind of ear that we have created for the second one. If you want to make changes and adjustment to the ears, you can do that. I'll be dividing the ears into three or four different sections, and I'll be using both red and then black to do the coloring. For the upper and the bottom sections, I'll be using blacks. For the middle section, I'll be using red. This is the simple seats for the ear that I've created. I won't be adding any earrings or accessories, but if you want, you can do that. Adding a small section just beside the horn to make it a little bit more detail. So this is a simple outlining for the mask. In here, I was not able to record the earlier process, but I know that you can create this kind of simple texture on your own. In here, I'm using tomos breast pin and red gelpin. For the upper section, I use straight, a little bit of hatching and seeding for the horns. And for the forehead, I use spiral hatching lines and follow the seep of the horn to fill the entire section of the forehead. For the eyebrows, I use red once again and used a bit smaller hatching lines to fill the entire section. For the gem like seam in the middle, I use the red hatching lines. For the eyes, I did the outlining with the black to make it a little bit more darker, and for the insides, I used the black. As for the nose, I added a little bit of rain on one side and created this kind of bit crescent moon legs for the other side. I also did a little bit of outline with the bottom section of the nose. As for the cheeks, as you can see, I only use the red. The upper portion or you can see the outlined section, I used a lot of hatching lines to make it a little bit more darker. And for the remaining section, I used bit of broken hatching lines. Then for the beat, just mellows nose, I used a lot of hatching lines to make that region a bit more darker. I added a little bit of red for the lower section of the mouth, too. Right now, I'm just adding the simple kind of hatching lines for the ear. As I mentioned, I'll be divided into different sections, the upper and the lower portion. I use the black to do the hatching lines. For the middle section, I'll be using the red gelpin and for the inside too, I'll be going in with the red. Now, doing the same thing for the second year, starting with the simple hatching lines, following the curve seep of the ear, adding the same kind of hatching lines a bit more curvier see in here for the bottom section. You can also use other color to do the coloring or the hatching lines if you want. Adding the curved hatching lines for the remaining section in here. And yeah, with this, we are done with this one, doing a little bit of outlining for the eyebrow in here. Moving on to the fangs, starting with doing the outlining for the teeth and the fangs for the insides. Here, too, if you want to do a little bit of hatching lines to add a little bit of texture for the fangs and the teeth, you can do that. Making the outlines a little bit more distinct by going over it and making it a little bit more thicker. So extending the lines in here. Let's do the outlining for the remaining section. Adding the outlining for this seat of the fangs. And now let's do the outlining for the teeth. So the teeth in here is a little bit different. I'm making them a little bit of this kind of see. If you want, you can create normal teats like we used earlier, dividing the site porton into different section. For the insides in here, the larger portion, I'll be adding the ts and for the other two sides, I'll be leaving it white as it is. Now for the job in here, I'll be leaving a little bit of space white, and for the remaining section, I'll be using the hatching lines. So this portion will be in white and in here, let's do a little bit of hatching lines to fill this entire section. And just below it. I'll also be leaving a little bit of white. Before doing that, let's do the outline. This portion will be in white, but remaining section, let's fill it with the hatching lines. Try to make the sees a little bit symmetrical in here. Now let's go over the outline for the jaw and I'll be completely filling the entire section with the hatching lines. I'll be dividing the hatching lines into two different sections. This will be the first section with this bit more curvier hatching lines following the curved seep of the chin or the mouth. Doing the same thing in here, following the seep of the chin. Now for the remaining section, another set of hatching lines. If you want to do a little bit of sading to make the regions a little bit darker, you can do that. I'll be adding a little bit more black for the upper and the lower ports and later on. For now, let's do the hatching lines for the remaining section of its mouth. Adding the hatching lines in here on the side too. Completely filling the entire region with this kind of hatching lines. A little bit of seeding for the upper region. Yeah, let's make it a little bit more darker in here by adding more lines. In here, as I was mentioning, I'll be creating this kind of bear. This is Oon. If you don't want to create this kind of facial here or the bean, you can just leave it as it is. Or you can also use red to do the coloring in here or create this kind of lines with the red. Making it a little bit more darker by adding more lines for it. Now for the sides in here, I'm using red and completely filling in sides in different in different section by doing hatching. Now for the ears, the same kind of hatching to fill the entire region. This quotes on the white section, I wouldn't be doing any coloring, but if you want, you can do the coloring, you can create pattern or design for the insides. Filling the entire sexion in here with this red. Adding the red in here too, moving on to the second here and we'll be doing the same thing, hatching lines to fill the entire section. Extending it. Now, let's feel the crescent moonlight sap that we have created in here. And with this, we are done with the ear. Now, let's feel the insights of the mouth. Removing some of the smudged marks in here. Now, feeling the insights with the black in here, I have increased the speed a little bit. After doing this, I'll be adding final details, doing a little bit of siding, a little bit of hatching. So this is in a normal spin, as I was mentioning, making the upper and the lower region of the sides a little bit more darker by adding more lines or completely filling it with the black as you prefer. Adding it for the bottom section. Now for this region in here, making it a little bit more darker, completely filling it with the black. And yeah, with this, we are done with this final project, the bonus project. If you want to make changes in adjustment to it or add more elements to do more coloring, you can do that. But I'm satisfied with it, how it turned out. And yeah, I'll be seeing in the last video. 16. Conclusion : Congratulations on completing the Demon Gargin mask, a seven day pen and ink challenge. Whether you finished one mask or completed all seven, you said, we're really proud of yourself for sewing up and creating every day. Throughout this class, we explored foundational ink techniques like hatching, cross-hatching, stippling, and scribbling, and use them to build expressive dramatic mask designs. I hope this challenge helped you gain confidence with pen and ink and inspired you to experiment with bold lines and texture. If you have not already, please remember to upload your class project. I'd love to see your demons and Guardian mask, practice sets and creative variation. And if you enjoyed the class, leave a review or feedback. It really helps me improve and create more classes like this. Thank you so much for joining me on this creative journey. Keep drawing, keep experimenting, and I hope to see you again in my next class.