Transcripts
1. Intro: Hi guys and welcome. My name is dollar now
script and I'm coming to you from sunny
Florida this week. I wasn't going to
publish this week is I have a really busy
week coming up. I have to travel back to
Manitoba for some medical tests. But I decided that I would do a really quick class
instead of doing nothing. You know me, I like to feel
every minute of every day. So in this class, you're gonna notice that some of the
techniques that we use are quite similar to
techniques that we use when we were doing
this, snow globes nomads. So if you enjoy that project, this one should come quite easy. We're going to be producing
just single water drops. And I'm going to show
you all the techniques you need in order
to get that done. Like I said, this is a
different format than most of my other classes because of course they're usually
about an hour long. And I specifically wanted
to keep this one short so I could get it
done for this week. So I hope I didn't
go too fast for you. If you haven't done so already, you can hit that follow
button up there. That way you'll be
informed of any of my classes as I released them. And I would encourage
you to also get your name out it
onto my website, mailing lists and
that such shop, dot dollar or a
dossier on that site, I feature a lot of my
artists resources. And if I have freebies mats
or anything coming out, I definitely will give you a short note from
that mailing list. So if you don't want to
miss anything at all, make sure your name is on that mailing list as well
as following me up here. So are you ready to get into it? All right. Let's get started.
2. Explanation and Starting the Background: Hi guys, welcome to lesson 1. And less than one here we're
just going to get started, would explain a little
bit about the process. And then we're going to work on our background real quick. Let's get started. Okay, guys, I wanted to bring
you this quick class today because I don't have a lot of
time for editing this week. I thought of this
project when I was doing the snow globe Santa. And it uses a lot of
the same principles. So we're going to be
able to use a lot of the same techniques
that we used in that class when we
were making the glass. Using this new
brush set that I've developed called pastel
brushes and blenders. And whatever brushes
I use today, I'll stick into a folder for you and add that to the
course materials. So basically what
you're going to see me do today is create this background which is
really strongly textural. And I'm going to be using
a really textured brush for that so that I don't really have too
many steps with it. And then we're going to
create all of these. And I'm going to show
you ways to create a master and make
some duplicates so that you can build the illustration
a lot more quickly. Now you can choose to do a different background
completely. You could actually do a
water drop on a leaf or a water drop on a flower or some different sort of a printed background that
you may already have. It's kinda fun sometimes to
take and add water drops to something that you already have existing
like a photograph. So those are a few ideas that
can apply when you get to the project section yourself and you're trying
to put it together. And we're going to be creating the background for this first. So let's go into the gallery. I'm going to create a document about 12
inches by eight inches. And pretty much all you have
to do here is decide on a color scheme and then
go for it with the brush. I was using a kinda blue
palette quite a year for you. This one here, you could
use something like this. Basically I'm going to be
sticking to the blues Today's. So I'll create a palette from my image and I'm going
to show you how to do that in case you
ever want to do it. I'm going to hit the
plus key on my palette. I'm going to create
a new one from a file because I have saved this finished illustration and I've got that in
my brushes folder, in my pastels set here. And here's the project. And that will have created
a pellet at the top here. The colors from
that illustration, I'm going to give you
that palette so that you have it for this
illustration work. So let's go back to that new
document that I created. And here I basically use, started with one of
the lighter blue. So let's start with
that blue right there. And I went in and grabbed
a square soft pastel. And this, with this one I've got actually a
built him texture. Now I'm going to make
my brush a lot bigger. I've got a bunch of
different textural brushes. And you can see that the texture is built right into them. Okay, so that's one of the
brushes I'll give you. And one of the things
I want to show you is that with a textured brush, whenever you get
it, you can affect the size of the pattern. Now, I've created some
sizable patterns as it is. So this one here has quite
a bit deeper of a green. But if you get a brush and it's a textured brush in
that grain doesn't seem quite textured enough for you to come back to
that past our wedge. You can go into
the green setting here and increase it yourself. So you can see here
the proportion based on the brush stroke. And once you're happy with that, then you can go in and just
start laying down your color. So I did mine quite roughly. I wasn't too particular about
how I created the blend. One of the things
that you can do with this palette here is to just pull it off and you can have it open to be working with it here. So I just increase that
texture a little bit again. So you can really see
the texture prominently. Now here you can choose
to just continue just by choosing different colors
to create a different blend. I'm kinda slightly
overlapping them so that you get some of these areas that
are a little bit darker. So that's one of the ways
you can do it just with your palette or if
you had that color. So if we have that one chosen
and we go to the colors, the color wheel there, you can also just move that color picker getting
darker and darker as you go. So it's a question of
whether you want to go darker and darker or whether you want to start moving into
the purples partway down. So I'm going to do
something like that. I'm not putting it
on very heavily. I'm going to move into
more of this sort of a purply blue and throw in
maybe some actual purples, purples with this one I think. And then of course
you can pull it in, add something dark
along the edges. And this is just one
idea for a background. Think about any surface that might have water drops on it. I've just created this
just to make it quick. Now if you don't like this
sort of software outside edge, which I don't really mind. But if you don't like it,
you can just take an enlarge your background a little bit so it fills up the space better. So now we've got a background,
we're ready to go. In the next lesson, I'm
gonna be showing you how I went about constructing
those water bubbles. All right. I'll see you there.
3. Methods for Creating Contours: Hi guys, welcome to Lesson 2. So unless until here
I'm going to explain a few of the different
techniques that I use to make this kind of a job
easier. Let's get started. All right guys. So in this lesson we're going to start creating
the water bubbles. And I wanted to
just add over here my reference as well
so you can do this. I'm going to give you a
copy of my finished piece. And you can go in
and go to Canvas, go to the reference. When you turn on the reference, of course is just going
to show you what's on your document Currently. That's why it says
canvas over here. I'm going to switch to image. I'm going to import the image. I've already saved it
into my photo roll. So there it is there. And now we've got this
that we can kinda refer to when we're
drawing the bubbles. So you can have that as
a reference as well. And remember that
with a two fingers, you can enlarge what
you've got there. So decide on which one
you're using as inspiration. And like I said, you can move it around with a single finger or enlarge with a
two-finger gesture. So you can see here the basic construction
of this design. What we've got is a really
sharp and clean circle, and then it's filled and has a very deep kind
of a highlight. On this side. There's
definitely shadow around the perimeter
of the circle, so you get kind of that
feeling of dimension. And then this really bright
highlights that are again brought in to make it
look really shiny. Once that's completed,
then I also add a drop shadow on the
outside of the circle. So I'm doing a very basic sort of a shape for you here today. And you can definitely
elaborate on it just like everyone good with
the snow globe santa, the globe was part of the
project and everyone has kind of a different take
on it if you go and see the project in that class. All right, So what we'll
start with is this circle. So I'm going to go
a bit smaller here. And I can see by my background, I'm likely going to go
back in and make it a little bit more like the
original that I had there. But this way you can really see the texture on your screen. Great, So to make
my circle here, I want to add a new layer. I'm going to go
to a basic brush. I keep my Posca paint
marker here in my recent. Basically the posca is a monoline brush which you can also get in your
calligraphy sex. So that's built-in
rate in Procreate. And I am going to grab a kind of a whitish brush or
the lightest blue I have. So I'm just grabbing that one. You can definitely go in here and get the pure white
if you wanted to. I'm okay. Uh, grabbing just kind
of a lighter blue, you can even go into sort
of a medium tone like, like this one here
if you wanted to. And I'm going to draw
a nice big circle. Oops, I don't have
my mono line there. Do I know had my texture brush. So I'm going to draw my circle. Not much of a circle can
hold down my single finger. Let me do that again because
I want that end to overlap. So I'm going to
overlap single finger, mix it into an ellipse,
a perfect circle. And I'm just gonna show
you that again because when you make the circle
and you close it along, hold down your pencil there, you're getting a closed shape. You can see here it's
not exactly a circle. So that's why the
single finger on there. I'm sure that it
stays as a circle. And once you have the shape, you can go to Edit shape
here and then click on circle just to be absolutely
sure mine was fine. So at all worked out. So now what I want
to do is I'm going to start doing sort of fills that will work to make it
look like this water bubble. So what I need for definition of the dimension is to have kind of a buildup
from dark to light, at least on this side. And I think I'm going
to show you a bunch of different techniques for
kind of achieving that. For now what I'll do
is I'm going to fill this circle and then I'm sure that that
fueled nice and solid. Yes, it did. And then I'm going to
use my Ellipse Marquee. So I'm going to be selecting, but I'm going to be using the Ellipse to do the selecting. I would start way up
here in the corner and you'll see why in a second. As I draw, what I want is
to have some of the circle disappear so that I get this soft finish on the
inside of the bubble. But I'd still want to
have my solid edge here. I'm picking actually
what I'm gonna do is duplicate this first so that I always have that to help
me with my selection. So I've turned off the one, the back one, and I'm
on the top one here. And let's just, oops, let's just grab that ellipse. And we're going to kinda just
grab a big section of it. So you can see here I'm
leaving kind of a half-moon. And the next thing
I'm gonna do without selection is to feather it. Now, you can see that as I
start moving my feathering, making my number bigger, it's cutting into the selection
that was already there. So that's the area that
will be feathered. So I will now
three-finger swipe down. Oops. You have to turn off that
feather by clicking back on it. And I'm going to hit Cut.
And you can see I've been left with baited edge
on the one side. Now on this side here I want
to airbrush it possibly, or show you a
different technique for doing that
kind of soft edge. And believe me, there's a 100 different
ways of doing this. This was just one
of the ways that I wanted to show you
and the other way, so I'm going to
undo this other way that you can do this is to use that circle as a means
to make your selections. So I'm going to turn
off that other one. I don't need that at the moment. I'm going to hit my automatic selection here and I'm dragging
here on the outside. If I drag too much, it'll include the circle, but I really just want to select this area here and
then hit Invert. Alternately, when I
could have done is to select the actual
circle by dragging. So that's another method. And what I'm gonna do
as a new layer here, Let's hide the template
kind of a layer. And in this case we're going to grab a really soft airbrush. And I'm taking this one
that's marked softer brush, you can take a medium blend would probably work pretty good, but I find that
the soft blend is, or the soft airbrush as the
best one is soft all over. So in this case, what we could
do is take and just start springing our airbrush along the edge to start
giving that contour. So this might be the easiest
way would be to use this. You can go nicely big with your brush and you can
see that the point of my stylus is actually on
the outside of the circle. But you can see how
that's a nice way to add that little bit of
darkness around the edge. So we'll go around
the whole edge. We're probably going
to adjust a lot of this when we start doing the white and the
lighter colors. And I think we can
save that till the next lesson. So
I'll see you there.
4. Adding Some of the White Contouring: Hi guys, welcome to lesson 3. In lesson 3 here
we're going to add to that dimension.
Let's get started. All right, so in this lesson here we're going to be
doing our highlights. So I'm going to switch back
to my circular color picker. And you can make the inside itself bigger
just with a double swipe. So you can get that just your
gradient kind of circle. And that's what I find really helpful for something like this. So I will move this
closer to the whites. Actually, I'll bring it right to the engineer, which
will make it white. And we're going to start
airbrushing some of our circle, the white highlights
on our circle. So now I'm going a little
bit inside my circle. I'm not aiming out here so
much as being a radial side. And I've got my brush
nice and large. I think on this side I'm
going to go quite white. On this side I'm
going to still work out or work out my blues. So we started with
approximately that shade there. So I just sampled from there. So that's approximately
right for that, I can then start spring
in some of my blue. And as I move closer
to the white, as you can see that
I'm getting sort of a gradual buildup of the
color from dark to light. Probably a lot of this will end up kinda taking out of here. And I'm going to start
adding just a little bit of blue over on this side. So I'm doing it quite
softly as you can see. And already you're really
seeing the dimension here. And I think now that
I've done that, I've lightened edge of mine. So I'm going to go back
in and go quite a bit darker and just run my brush, my airbrush just along the
outside edge again here. You can make your brush smaller and go in even a
little bit darker. And you know, I did five
or six water bubbles for this particular layout, for the cover shot that you saw, my title slides, and
every one of them was a little bit different in the way I did this
kinda shading. So that's something that
you want to do as well. Now I'm thinking
that I could erase away some of this
and I know I can use the eraser as a
soft airbrush as well. So if you hold pressure on
your brush and it didn't work, I'm not sure why mine
does not seem to work to do that must be
something in my settings. So I'm going to just
choose the airbrush, but my airbrushing
here, soft airbrush. Now my eraser, it will be
a soft airbrush as well. And I can go in and erase
away anything that I see. Kind of taking away
from that sort of transparent look that
you want for a bubble. So really in the
middle part here, I'm keeping it quite transparent
so you'd be able to see through to the
background texture. And in the next lesson, what we're going to do
is start adding a bit of texture and a little bit of these white strong highlights. All right, so I'll see
you in that lesson.
5. Creating Varied and Brightest Highlights: Hi guys, welcome to lesson 4. So slowly, but surely we're, we're developing this
whole water drop. Let's continue. So in this lesson I
want to definitely add a lot of this highlighting. And I will do that
in a couple of different ways just
so you can see a couple of methods
for getting that done. Now, some of these highlights
can have soft edges. So in a case like that, you might want to just use your airbrush in pure white
and get it quite small. Experimental little bit to see. Now in this case, in order to be sure I'm on my pure white, I double-clicked
on that white area and it brought me right to
street, 100 percent white. And you can see this highlight
is a little bit light, but I'm still on
that soft airbrush. So when I press harder
with the airbrush, you see how it is
not quite as soft. So that's something
to experiment with. And that's just the resident
brush in Procreate. So here I'm going to
go back to pure way. Somehow I switched. So here I'm going to
just kinda sprayed on some soft edge highlights. So there are quite a
bit softer than what we're gonna do on
the other side here. Now, you can tell that
the light source, in this case, instead
of coming, let say, from an app's upper corner
or having a cast shadow this way that what happens
with a water drop is because it is
three-dimensional like this. Light will create shadow
sometimes all the way around. So we've got this kind
of shadow happening to make that contour look good. And, you know, here in
there I'm going to add just a couple of
brightest areas. I'm making this one a little
bit different than this one. So you can see that just
an alternative method for doing highlights on
this side now I want to make them a little
bit hard edge. So you could do
that by spraying or pushing a lot harder
on your stylus. It's a soft edge, but then it gets kind of harder because we're
pressing harder. So that's one way of making
a fairly hard edge circle. Or you could, now we're still selected and protecting
this outside area. But what we could do is use the Elliptical Marquee
again and this time poll, I'm going to do this
on a new layer two. So going to add a new layer and another large circle is not going to be positioned
exactly where I want it, which is why I have
it on another layer. I'm going to use the
power of the selection, so the Elliptical Marquee to make a nice hard
edge highlights. So here I am spraying kind of same way as I did
the other time where it was either right on
the line or just kind of on this side of the line. When I turn off my marquee
and start moving it around, you're going to see that
nice hard edge there. So I'm building up
and making it a lot deeper of a white along
the edge of that marquee. You can reduce the size of your brush to make
kind of highlights. And I'm bringing
those right up to the edge so that you'll see what that hard edge
highlight looks like. So at this point, once I
go back and select it, I'm going to deselect
the selection. Then I've got this
other nice highlights. And because it's on
a different layer, I can move it around. I could also make it bigger or change the shape of
it if I wanted to. But I think that
one works out good. Maybe we'll use
that one down here. And I think I'm still
going to go back and make a hard and
brighter one here. So another way to
do that would be to use a hard-edged brush. So let's go to somebody who's my tapered
pen pressure brush. I'm going to make a new layer. And on this new layer here now, I can use that hard edge brush to make some bright highlights, so that's a light blue. Let's go into the pure white. And that's made some really
nice bright highlights too. So in the next lesson, what
I want to do is show you a little bit more ideas for getting some really
nice bright highlights. I'll see you there.
6. Finishing Up the Water Drop: Hi guys, welcome to lesson 5. So this is pretty much yet, I think we've done a lot
of the highlighting and contouring that makes us look
really three-dimensional. And I also want
to explain to you some really fast
ways to duplicate this and make some changes.
Let's get started. As far as the highlights
go, I think this one could definitely
be a lot bigger. So because I've still got that tapered pen
pressure brush selected, I'm just going to go and enlarge when you are
drawing a curve with this, if you do hold your pen
down at the annual, see that an arc has
been created and you can go in and edit the arc. So I also do Edit Shape now, I could adjust to get it to
perfectly match the outside. And basically that's
what you're doing, is as you're doing
these highlights, you want to make sure
that you're absolutely matching the outside
contours of your circle. Otherwise it's going to just
look a little bit weird. Okay, So that one's done. Make sure I've got that
white still selected. I'm going to do another
arc and adjusted. Let's just fill this one. And if you want to get
really sharp ends to it, instead of struggling
and trying to do it with your actual pen eraser at this point and
erase your lines. Now this with the soft air
brush is actually kind of a nice eraser because it makes
it fade out a little bit. So you could do that, or you could get that brush smaller to do a nice
hard kind of a finish. And you can split
these highlights and they still look great. That's exactly how
I got that look. Now here, I did an arc again, I'm with my eraser so
that I'm able to get that really sharp edge barrack
and just erase this off. Because I've got that
on its own layer. Then of course I can adjust, move it to where I want. The only other thing that I'd like to do here is group all of this to make it easier for me to duplicate and make
other bubbles. And I think I can just
eliminate these at this point. So I'm going to hit
Delete on both of those. I also want to add a little
bit of texture to my circle. So what I'm gonna do here is I'm going to select this one here. So I'm going to use the
automatic selection. And now, because the inside
is all faded out like that, you can see that
my selection would actually include some of that unless I went quite a
bit lower on this threshold. So we know it's not
going to even work. I'm going to go back
and I'm going to keep those two are at
least one of them. So I can undo until I see
my layer come up there. I only double-clicked until
I, without this point. So I kept checking back on my layers palette here to make sure that I
had one of these. I can delete one and keep one. But let's use it for
the selection instead. So I'm going to use the automatic selection
selects for that. I'm just getting the outside here and I'm going to invert it because what I want to
affect is a circle, the exact match to the
bubble that I had. I'm going to create a layer
and I'm going to do it right here inside this grouping. Because what I want to do is add just a little bit
of a texture to it. And let's turn off
that blue layer again. And in my pastel brush sets, I've actually created a whole
bunch of textures here. So if I wanted to kind of
match the green that I had, other kind of grab this
pastel paper green. And right now I've got
a really light blue. So let's just try that. I've enlarged here
so that you can kinda see as I'm
painting and you can see I'm only going to be
painting within the circle and I'm going to be doing
it on a separate layer. So I'll be able to reduce
the opacity or whatever. I'm going to slightly increase the green on my
own illustration. I probably wouldn't
have done that, but I just want to be
able to have you see, like I want you to note the texture and I'm not
adding a bunch of it, but I just want it to
look realistically like the bubble is on top
of this textured paper. So I'm adding a little
bit of texture. I can reduce the opacity of it or change the blending
mode as I see fit. I think right now
I'm going to keep it on normal and I'm going to
reduce the opacity of it. So there's just a
slight texture on it. I think that, that makes
it look more like it's working with this
background here. Now I've mentioned before that I might want to go in and change that background and make it look a little bit less textured. That's also up to you. At this point though,
what I wanted to show you is that you've got all of this in one layer so
you'll be able to easily duplicate it to
make other bubbles. So I'm going to go into
this layer here and I'm going to shut off my reference. So I have more screen
area to play with. And I'm going to go
back to a blending, kind of a pastel brush. So you can see here I'm definitely eliminating
some texture. And that's okay because I'm also leaving a lot of texture. So as we go through and work
my way towards the purple, so as I'm working
my way darker here, I'm also going to be moving a little bit more
towards the purple. So as I am. Darkening this background. And you can see with
the less texture, it kinda makes it look
a little bit shinier. I don't know what I'm trying to emulate there with
that background. Doesn't matter. It's just an
experiment in learning how the brushes work of
the textures and all that. So sometimes it's just fun
to do this kind of art where you're playing
and you're not necessarily going to
use it for anything. Yet for clear, that's a word. You how easily could you
make that background into some sort of a beach scene? So I think I'm pretty good here. I've got my little
background change to what I want and I've got one
of my bubbles done. So what I could do here now, I can move this anywhere
because it's its own grouping. I can resize it. If you want to make sure that you're constraining the sizing, make sure you hit uniform
here to do your resizing. And I'm wondering at this point whether it might
just be easier to add my shadow around the circle. I should have kept my reference
here so you can see it. Let's do that. I'll look back at the reference is still going to be there. Remember we were going to
add this dark shadow here. So I'm thinking,
let's do that right now before I move this around so that this circle can still
be used for my Selecting. So what I've done to create
the circle or to create that dark shadow is used the
circle again for selecting, in this case, I'm not
going to hit Invert because this is the area
that I want to work with. I'm going to add a new layer. I'm gonna move this one above, but that way, this one
stays in the group. And here we want to
go to pure black. And again, we can use
either a soft passed out or we can use medical uses, big softy or I could have
used also the airbrush IGAD. So if you don't
have a brush that works well, I'll
give you this one. But if you don't have
one that you like, then of course you
can use the airbrush. So this time I'm drawing kind
of like I'm on my circle and I'll just little bit of that just coming through
on the outside, see how that creates
that outer shadow. You can decide how far you
want that shadow to go. Usually it's only
kind of a small area, kinda feathering it
out a little bit. As you can see here. You can do that with the
airbrush or you can do that initial drawing
of it and go into your Gaussian blur here. For caution. Caution. I don't know which
way it's pronounced. I've heard it both ways. So here I'm just dragging. And as I drag you can
see that I'm softening that shadow so that that
doesn't really nice spread. So maybe I'll leave that, but then I'll still go back with my broad you a nice
harder edge there. So we're giving, we're getting
that nice soft shadow, but we're also getting
that soft edge. And I'm thinking that maybe what I'll experiment with his time is doing a soft shadow
kind of all round. So I'll do that with
caution blurred. And then I'm just going to
go through and erase some of the areas that I don't want. Shadow. And that kinda gives me more of a kind of an all-around
shadow of really, really subtly as I'm
erasing a lot of it away. And then I'm going
to go back in and go really heard in this area. And remember you can
still drag to create a hard but perfectly
curved line. So if you get the line right, but it's a little bit too harsh. You can also go in
and erase it off. And then I'm going to leave
excited in mind that at all. So add anymore block
that you want here. And then the good
thing about this, as we included it right
into this group here. So now when we duplicate the group to make
a smaller bubble, we've got that shadow
already in there. So that's the long and the short of making these
bubbles, you guys, because really once
you've got this master, you can create duplicates of it. And to make it look more realistic, having
several bubbles, I would not keep the
same highlights, so I would go in and
make adjustments. Actually make like to
do it on this one. Close that reference again. And now this one here, I will, maybe what I'll
do is I'll select that harsh shadow there. And I will use the Gaussian blur to just
soften a little bit and maybe use the airbrush for the big softy to just change the way this
highlight looks. You can also use the
airbrush to erase. And you can definitely
change the amount of breaks in that line and the shape of all of these little
highlight pieces. One of the best things
you can do with a project like this is to just observe what other artists have done with their
highlights and shadows. And I'm sure that if
you were to google it, you would find a lot of reference for something
like this water drop. I've seen it many times before. I taught this technique in school using Photoshop
or Illustrator. So this is something
that you can definitely find a lot
of reference about. So definitely go to town, draw yourself a bunch
of these bubbles and blow me away with the
projects that you create. I'd love to see it. Remember to go ahead and
duplicate your entire set. And then you can easily use these bubbles over and over
in the different sizes. Okay? All right, so that
wraps up this quick class for today and I hope
to see you next week. Bye for now.
7. Conclusion and Wrap Up: Well thanks guys for
hanging out with me in this very short class. And I hope that
you enjoyed it and have something really
cool to show for it. I'd love to see your projects. Please post them here. If you ever have questions. Don't be afraid of adding a question in
the discussion area. The good thing about
the discussion area is then we can have
kind of a dialogue. And I must say I really
enjoyed doing that. So don't hesitate for a second. Thanks again for some of those wonderful reviews
you left me last week. That turned out to be a
really popular class. So would you, I
never know what is going to be popular
and what is it. So I'm glad that, that
resonated with a lot of you. I hope the feedback has
been super-helpful. Now remember if you haven't
done so already to hit the Follow button or to Azure named mailing lists
so that you get information as quickly
as I put it out there. I may be taking some time off. I will bring you up to
speed on that shortly. I also am working on
my school of art. So in that school of art, I plan to still have
my weekly clauses which I will post
here on Skillshare. But I also want to do some
really cute short classes that can help fill the
rest of your week. So please do get added to that mailing list so
that you'll learn more about the School of Art as I get more and more operational. So I hope you like this little short format
because I'm going to be doing a little bit more
of this in the future. Thanks so much for
hanging out with me today and don't
forget to check out my sights on Pinterest and societies six as
well as ASL.com. Take care and I'll
see you next time. Bye bye.
Delores Naskrent, Creative Explorer
