Transcripts
1. Introduction: Hi, I'm Jake, and
this class will teach you how to create
dissolving color effect, which does not require
any external plugins. I used this exact effect while creating this
slideshow template, which is now available for sale on Video Hive and vado elements. This is how you know that the knowledge I
provide is up to date. You don't need any experience working in Adobe After effects. You can even download
the free trial version and it will work fine. I'll explain each step we will take to create this effect. Use your logo, text, or any shape to
get a unique look. I'll provide you with
all required knowledge so you can understand each setting and
make adjustments to make this effect look
exactly as you want. You can always write
your question in discussion section under
any of my classes. To get help from me, while
creating cool effects. I'm excited to see your projects after completing this class. I think it's the best way
to learn this software, while creating interesting
effects for fun. And to complete this class, our goal is to create this
dissolving color effect. I'll be happy to
see in my class as also your result after
following all the steps. So let's get started.
2. Creating Basic Animation: So I'm using Adobe
After Effects, 2024, but you can pretty much use any
version. It will work fine. Let me close this panel, and pretty much all panels, which you can see on my screen, you can enable it from
here from Window, for example, this
character panel, here, you can enable it. So let's create our
first composition. So we can click here
on your composition. Go to composition,
new composition or on this little icon here. So left mostly on it, and
let's call it your text. We will make it 1920 by 1080, which is fully ID, 30 frames per second and about
12 seconds long. Here's our frames, seconds,
minutes, and hours. So 12 seconds should be
fine and click a key. So in this composition, we can just drop our logo or our text for
this effect to work. So let's create our text. You can left mostly on
this horizontal type tool. And just left nose lick, hold and drag, lead this
and type your text. In my case, I'm
going to type MJ. Here in character panel, you can change to any
font which you like. In my case, as you can see, I'm using Monster At font. Let's also click on
this line panel. If you cannot see this panel, you can go to Window line
and enable it from here. And then just left
mostly here to align it horizontally
and vertically here. So here's our first text. So in our case, we want it
to be visible until 32nd, and then we want to
switch it to next text. So basically, we can just select this text layer and go to edit split layer or Control Shift D. So you can see
we've splitted this layer, and now we can just select the second one and left
most double click. And type wherever
word you want to use. Also, we will align it
horizontally and vertically. Basically, now we have
this this transition. Next step which we want to do, we want to have this
kind of animation. Let's create it. First of all, we want to create another
composition by clicking here, create a new composition. And let's call it text animation
because as you can see, we've created an
animation on our text. So let's call it here,
text animation and click OK. And as you can see, we've opened this
text animation, and now we can just left no
slick on this your text, hold, and drag in here and drop. So now for our animation, we would want to
use a new layer. So let's go to layer, new solid. Let's call it MT because we will use it as a met and click. Then we can go to Effects
and Presets panel. Left mostly here in
effects and presets panel, wait for it to load up, and we can just move
it to see it better. Once again, you can go to
Window and enable it from here, effects and presets and let's type here effect
called fractal noise. So here under noise and green, select fractal noise and
just drop it on matte layer. So here we want to
change a few settings. First of all, we want to
use other fractal type. Basically, as you can see,
we have a lot of examples, and you can just
run through them. But for this effect, I was using swirl type, so click here. The next thing which I want
to change is the contrast. Let's set it to 180, and I want to reduce the complexity because we
have a lot of little lines, and let's change this
complexity to one. And as you can see, we have this more liquid
ish kind of look. And let's also change the scale. So let's go to transform
and here in scale. Let's change it to a lot bigger, so it will cover our letters, maybe something like 277. And finally, I would want
to add a bit of animation. We can animate by
using evolution, we can just leftmost click
here and hold and drag it. So as you can see, we can get this kind of cool animation. But we can also hold Alt key
on keyboard, as you can see, I'm holding Alt and
left moose click on this stopwatch
alongside of evolution. Leftmost click
while holding Alt, it will allow us to
write expression. Basically, we want to type
here time, multiply by 70. And just anywhere,
you just lick here. With this expression, it will change this value as
we've dragged it. As you can see, it
just goes along. If you will press
zero on numpad, we can preview this by
increasing this number, we can make this
animation go faster. In our case, 70 looks good. And basically what we want to do is to animate this brightness. So it will go from something
really bright like this, total white color to
really dark like this. So basically, as you
can see, it already makes this really
nice transition. So let's increase this
to complete white, but don't go overboard. I just find this moment
where it's just about here, it transitions to white. So in my case, it's 101, but in your case, it
could be different if you used a bit
different values here. So let's create a keyframe. Just make sure that
your time cursor here is the beginning
is 0 seconds, and let most click
on this stopwatch alongside the brightness. So now we've create
our first keyframe. To see it, you can just select it and press U and keyboard. It will show us only this
keyframe. So what is keyframe? Key frame is basically
a point in time, which remembers the value
of certain property. So in our case, this keyframe remembers this point in time, which is 0 seconds. It remembers this value of
this property brightness. So if I will scroll through, just like to third
second as you can see, we are a third second, and we can change this value. Let's set it to
something really dark so we will get to this black color. Once again, we want just to have this edge when it goes
to completely dark. So don't go overboard like -500. Let's go something like this. Maybe even little things,
it will be fine to have. But if you want to
have cleaner look, you can go even lower. So something like this should
work fine or just go to black if you want to
completely cover your text. And later here at 6 seconds, we can go back to this
value of first keyframe. Basically, we can just
select it and press Control C to copy
and Control V paste. What we've done, we've created three keyframes with
different values. And here we can see we have brightness
with values of 100. Here we have -140, and here once again 100. Now after effects
will try to go from this value to this value
just by scrolling through. As you can see,
this value changes, and this is basically
how animation works inside of
Adobe after effects. We just saving these
values in form of keyframes and it goes from one value to
other through time. Now we're going to
press zero nupt, we can see this animation. So now we can use
this layer as a Mt. Basically what means that we can use the brightness
to reveal our text. If you are using older
version of Adbfex, you would want to click here to see this track mat and
here choose Luma Mt. But since we are using
the most newer one, now we need to leftmost
lick on this pick web, leftmost lick and hold
and jet to this Mt. Just make sure to
use this one and not this one because
this one is right one. Also, we need to click on
this icon to change this from alpha met to luma
mat. Let me click on it. As you can see, now we are using not the Alpha of this layer, but the luma, which basically
means the brightness. As you remember, here, if I'm going to
enable this layer, here is super bright and then it goes to dark and
to bright again. So now if I'm going to
disable this layer, you can see that now
our text goes to fully bright and then to
dark, and bright again. And we have this
really nice animation of the changing of our text. Okay, in the next
video, I'm going to show you how we can add a bit of color and make this transition a lot cooler. See you
in the next video.
3. Adding Colors: Okay, so now we've made this
animation of transition, and let's go to the cool part where we can add some colors. This time we need
to go to Project. And we want to create
another composition here. Let's click on this icon
here and let's call it a dissolve color
and click Okay. In this composition, we want
to drop our text animation. Let's select our text
animation and drop it in here. To make this animation
look a lot better, we can add effects
like roughen edges, type here and effects and
presets, rough and edges. I'm going to close these
panels so you can see beta. Here effects and presets, you can just type
it roughen edges. Mostly on it and dragon
drop on our text animation. And here we want to
make some twigs, so it will look better. First thing I want to change
is to change the border, which basically means how much I want to shring down our text. So in my case, I've
used value of 14.2, but you can play around with
this value as you like. And basically, I want to
make the scale a lot bigger, which make this
line look smoother. So in my case, once
again, I've used 310. But you can play around with
this value to see what you like as the transition to
this effect, as you can see. So let's go with 310, and you can just change it
later if you would want. As also how much you want to introduce of this effect
with this border. So as you can see, I'm shaking down a lot and here
a lot smaller. So in my case, it was 14.2. Also, I want to reduce
the edge sharpness because I want to have a bit
of fade in these colors. Edge sharpness set to zero. And now you can see
we have faded image, which really will help us
a lot with the coloring. But first, we don't
want to have it just transparent tagle
transparency grid. We can see that this
white Animation is transparent and basically,
we can see through. So to fix this, we want
to go to effects and presets and type here
solid composite, like Mosl and dragon drop here, and let's add not white
color, but black. So now if I'm going
to click here, you can see that we don't
have any transparency. Basically, we have this
animation on black background, which is exactly what we
want because next thing which we are going to use
is the Colama effect. And the color arm
effect creates a lot of these colors and it goes from
values of white to black. So this is why we want to
have the black background. Let's enable it and
here output cycle. We can play around
with these colors, which basically makes
the whole effect. So first of all, I want to
move this reddish color here, and I want to start
with the black one. So to create another color here, you can just left mostly here and change it to
black and click Okay. We can just basically align
it here and just at the top, so it will still have
black background. And now we have a
lot of these colors. And basically, here you can play around as much as you want, because here you have full creativity of the colors which you would want to use. In my original example, you can see that I
didn't use this purple, pinkish color, so I'm going to just left mostly
and drag it out. As you can see, when
I'm jugging out, I'm left most licking, holding, and jugging out. It removes this color
from this color palette. And these colors,
pretty much I've used except of the green color. I also didn't want to
see a lot of green. I just remove this color, but transition will still
be here, so don't worry. You'll have a bit
of greenish color, but it will be not so prominent, which is exactly what
I wanted in my effect. Let's move these colors around. In my case, I moved it, so I would see a lot
of reddish color and also here more of the bluish and reduce this transition with
the green color because I really wanted to have the transition
between blue and red. Something like this placement
of the colors work fine. But you can always play
around and change and add any other colors to see
what you like best. The opposite of these colors, we would want to do
with the word class. Because I think it's pretty
cool when it starts from these reddish colors and then
ends in different colors. So I'm going to show this part a bit later on the word class. So let's continue
with our effect. One cool thing which you would
want to use curves effect. So let's go to effects and
presets and type here curves, Litmos lick and we can place
it above all of our effects. Just before rough and effect. So what allows us to do is to play around where you want
to see this transition. It will add a bit more
control of how it looks. So let me show you what I mean. You can just change here
and channel to Alpha. If you will reduce this
Alpha just like this, you can see that you can alter the look of
this transition. By basically playing around
with this Alpha curve, you can really find
what you like best. My advice is to clip
it just like this. Then press zero nape it and see how it looks and if
you like how it looks, and just play around
with this curve. This curse effect is
something to keep in mind if you would want to alter the
look of this transition. In my case, I'm going
to leave it as it is, as I've told you
just a bit earlier, I would want to make this
class appear in another color, so it would not be
the same animation. Going to red. What
we can do is to cut it here because we know that this animation starts
from third second. Let's select this text
animation and go to edit, split layer or Control Shift D. We can move it
to the left a bit, so it will start sooner
because we don't want to wait too much time for
the second word to appear. We can almost want
to overlap a bit, so it would look a
bit more interesting. Now as you can see, it doesn't
blend into each other. It just starts from black. So to fix this issue, you can just simply
select this top one and make sure to
see this mode tab. If you cannot see this mode, you can just left mostly on the tuggle switches and click it until you
see these mods. And what we want to do is
to change to screen or add. Basically, screen makes
a blend smoother. Now as you can see, with this overlapping
of these two layers, we can see how this disappears, and this class one
appears just after. So it's a lot more dynamic
and it looks much more interesting instead of waiting whole second for this to appear. And here we can choose
this class one, and we can go to our Clarama
effect and output cycle, we would want to
change these colors. Basically, we want to flip
it in this color palette. So what we can do is just
simply drag this one, here, this one, here and this we
can also switch like this. So as you can see this is
how you can really fast and easily change the
colors and flip it around. And now as you can see, we have this transition
from reddish color, and the class appears from blue, which looks really nice. Let's press zero Nampet to see
how it looks. Okay, great. We have our transition, but as you can
see, we don't have original color of our text. In the next video, I'm
going to show you how you can see the original color. In our case, it's white, and also we will add a bit
of distortion so it will not just be dissolving
effect without any movement. I would look much more dynamic. See you
in the next video.
4. Dynamic Animation: Okay, so let's introduce our
original colors to this. Let's select this first one. We can even select it and
press Enter on keyboard, and let's call it JK. We know this our first word. Maybe let's call it
MJ color because we know that on this layer,
we have our colors. And second one, let's also
press Enter on keyboard, and let's type a class color. Now we can just duplicate this
MJ color, press Control D, and also press Enter and
let's type here MJ original. Now we don't need to have
all of these effects, so we can just select this
curse effect, delete it, select the solid composite, press delete on keyboard, and also this Calama selected
and press delete also. Now we can see our
original color, but it still doesn't
really get together. So to fix this, we want to use some different
values to this border, and we would want to
change the edge sharpness, because for now, as you can see, we don't have any
sharpness to this. So let's fix these issues. So first of all, we would want to start from the beginning. We can change this
border to one. Basically, it will remove all of our distortion on the edges. We can left most lick alongside with this MCic original layer. We will see only
this, as you can see, we've removed any
distortion on the edges, so we would have our clean look. Let's create a keyframe for border and also for
sharpness because we want to change these values so it would look
a bit different. And at 1 second about here, we want to apply a
bit of distortion. Let's set it to 14.2, which basically the
same value which we used here MJ color. But this time we would want to add a lot more of sharpness. We would have this
really nice edge to know how much of the sharpness you would
want to apply, you can just unsolu this layer, so you would see how it blends. Also we would want to have
these color layers below. And we want to select
both of them and move it to the right because we want them to start a bit later because we want to have this transition
a bit later. Let me show you how
it looks without it. We have this really
nice animation, and here a bit later, we want to introduce
these colors. So play around how
farther apart you want to have these colors for this
transition to look nice. So in my case, it's
about 16 frames. We have really nice
transition from white colors, which is original
colors of our text. To these nice dissolving colors. Also, you can see
this little jump where these colors
pop up on our screen, and it's easy fix. You can just select
this Gic color and press T. And let's just
make a little fade. So let's create a
keyframe for the opacity. And here at the beginning,
we can set it to zero. So basically, it will just
fade in with the colors. And we can select both
of these keyframes and press F nine to make this
animation a bit smoother. So now you can see
just introduce some colors just before
this transition. And we can make this a bit slower by spreading
these keyframes apart. So now we have this really
nice smooth transition. So let's press zero apt
to see this transition. So if we will select
our MJ original, we can press on keyboard
and see these keyframes. Make sure to place your time cursor on top
of these keyframes. And to see if your time
cursor is on top of them, it's when these keyframes
laid up blew here. So as you can see here,
it doesn't laid up, and if you will place on top, you can see that they let up. So it's important because if you would want to change
these values, it's great to be on top of these keyframes
because in other case, you will create
another keyframe. It's not what we want, so let's press Control
Z to undo the step. And if you would want
to change, for example, this and sharpness
and play around, you can change it and see how faded this animation and
this color could be. So it's up to you
if you would want to tweak this effect
a little further. In my case, I would want
to have it pretty sharp. So this is why I went with
really sharp look like 0.78. Okay, so we've done it
for this first MC word, and the same we want to do with the second one, which is class. So let's select this word and press Control
D to duplicate, and also let's set it above. Once again, we would want to
delete all of these effects. The quickest way
will be to select it and go to effect and remove all. So we would delete
all of the effects. And to not repeat
all of this process, we can just simply go to this MGC original and
copy the roughen edges. Just press and show
C to copy and go to this class and set this time course to the
beginning of this animation. As you can see from
this, it starts. And press Cancel
V. It's important to paste it here because it will place these keyframes also from this point where you've
set it your time cursor. So for example, if I am
going to press ConchLV here, as you can see it pasted here. And in our case, we want to have it just at the beginning, so make sure to set it here
at the beginning and press Consol V. Can select both of these layers
and press U to see the keyframes and then press F nine also for
this model animation. Now we need to make sure
that this also times well. Let's move it a bit
further this one. These original colors will introduce themselves
a bit later. We can also select this class
color and press Enter to rename it as original
let's see how it looks. And also we can make the same thing with
the transition for this class color as we did
here with the opacity. So once it will almost
finish its transition, we can just create a
keyframe for class color. On the opacity, just press
T to see the opacity. And a bit later, maybe
here. Let's set it to zero. So it will remove all
of these colors from the shot then select it and press at nine to make
this transition smoother. Let's select this class
original composition and press U on keyboard. We would want to use them a bit later and maybe with
different values. First thing we want to do to
flip these keyframes around. We can select all of them and write mostly on
one of them and go to keyframe assistant and
time revers keyframes. Basically, it swaps them around. Now it starts at 14 and
this edge sharpness, which is really sharp. And then it goes to
the smoother part. So let's make sure that it
happens later because we just want to make this transition
happened a lot later, maybe even later here. And a bit later, so
we would not see any weird transition
moments like this. So if you can see
something like this, you just need to make
these key frames stay closer together like this
and move it to the right, so it will happen later until you'll fix all unwanted parts, and it should look
something like this. As you can see, we still have
this kind of issue here, so just move it a
bit to the right, and now we have this
really clean transition. So let's press zero net
to see how it looks. So as you can see, now we have this really nice transition, but let's also fix here. We can just squish it from right end to
the left like this, we would have this
really nice transition. So we can squish it
as much as you want to get the cleaner
transition here. And also, I would
want to add a bit of movement to entire
this composition. So first thing which I want
to add is to go to layer, new adjustment layer,
and we need to go to FX and preset and type
here turbulence display. Select it and drop it on
this adjustment layer. As you can see, it already
added a bit of displacement, which is exactly what we want. But we want to control it. The size of it. Basically,
if you will go smaller, we have the little wave
is exactly what we want. In my case, I've used
something like 48, but feel free to play around with this value
to see what you like. And second thing which
you want to use is this amount because
with this amount, we will change where to
apply this displace. In our case, at the beginning, we don't want to have
any displacement. So here at the
beginning, let's set it to zero and make sure that your time cursor is here at the beginning and
create a keyframe. Then we can press you on
keyboard to see our keyframe. And here where it has this
transition point at 32nd, we want to increase
this amount to 38, which is pretty high if
you will scroll through. You can see that
with this amount, we distorted our image. But as you can see,
we don't really apply any animation to it. It just distorted a bit
and doesn't really move. So to add a bit of movement, you would need to change
this evolution as we did before in fractal
noise effect. As you can see by
changing this evolution, it will add or movement
to entire word, which is exactly what you want. And as we did before, we need to hold old key on keyboard and left mostly
on this evolution. Let's type here time, multiply 150. Click Enter. Now we have also a bit
of movement on the edge, as you can see, it really have this nice movement on
the edges as well. So if I'm going to
disable this layer, you can see that it
holds still and we don't have really any movement
on the clean edges. So let me show you like this. Oh so you can see we don't
really have any movement, and if we will enable
this adjustment layer, you can see that it
starts to wiggle, which makes it look
a lot more organic. So here we also will have
this effect on the word class because this adjustment layer works to everything
which is below it. And also, we want to slow down
this animation at the end. So basically, here
at the six second, we want to set this
amount to zero, which basically will set
this effect to chill mode. So let's select this keyframe at the middle and pressF nine. So basically, it will start first and then
slower till the end. And here also, we have a bit of wiggle and
it will settle in. So let's press zero net
to see how it looks. So now as you can see we
have this a little of wiggle and it looks a
lot more interesting. So if you would want to
have a bit more distortion, you can go to this keyframe, which is at the middle and
add a bit more distortion. As you can see cream
cup like four times, so it will be crazy,
just like this. But it's something
to keep in mind. As you can guess, in
my original example, I've used a lot smaller value
like 38 to keep it settle, but you can still see
this really nice motion. And in the next video, I'm going to show
you how you can add a bit more interesting
movement to it, and also I want to show
you how you can add a bit of these nice lens flares, which are generated
from the word itself. So basically, if you
would change the word, it will be generated from your word or your logo.
See you in the next video.
5. Creating Lens Flares: Okay, so let's add a bit
of movement to this and also let's create a
bit of lens flares, which will add a
bit more life to it because for now it
looks really nice, but it looks a bit empty. So let's go to project and click here to create
a new composition, let's call it final composition. Click K. In this composition, we will drag and drop
our dissolve color, and let's add a bit of movement. Now in this composition, let's go to dissolve color here. Basically, I want to
introduce some animation. So you would see a bit of Zoom
animation to these words. So let's connect this MJ color to this MJ regional
using this PC web, not this one, but this one. To see this parent link, which we would want to use, you might need to click here to Toggle S wishes to
see these P webs. And let's this
MGic color to this MG original and also
this class color to this class original. What it does, basically it makes whatever we will
do with these originals. It also will apply
to our colors. For example, we would
want to change the scale, and as you can see the colors
follows also with this. This is exactly what we want. Now when we've connected
all of these layers, MG to MGic and class to class, you can select this MG original and press As on keyboard
to see the scale. Here at the beginning,
we want to create a keyframe and let's
change this value at the beginning at 0 seconds to something smaller,
maybe like 70. Basically, it's from which
scale you want it to start here where it's
completely disappeared, almost completely disappeared,
maybe even later, we can set it to 100%, which is original value. Now, if I'm going to
press zero Numpad, you can see that we have
this really nice animation and the same thing we want
to do with this class. Select this class and
press S on keyboard. Here at the beginning,
maybe let's start from 80 and create a keyframe and
here where we can see fully. We can set it to 100. Let's press zero Upd
to see how it looks. It looks pretty well,
but here I don't want to start the MJ work
it moving so fast. Let's change this value to 80. So now we have a bit
less of the movement, and it looks a lot smoother. So what is cool about
this that you can always go to your text and
change to any other word. Like, I don't know. Let's
change to simple word text. And you can see that
effect is applied to our original text
which we using here. Same goes if you will
use here a logo. So I'm going to revert
it to the less text, B pressing Contos now we have this really
nice zoom in effect. So let's select
this dissolve color and press Control D to duplicate and let's set
it this to add or screen. As you can see it already
blended together. But what we want to do
with this lower part, we can select it and press
Enter on keyboard and let's call it ns
flares or just flare. As you can see, we will use for our flare the same
composition as our animation. Let's press on keyboard and change the scale a lot bigger, maybe like 300 semity
so you can see we are using the same colors
which we've used on our dissolve animation, which basically
means if you would want to change any colors here, from MG color, and
you will go here and change maybe like
to another blue color. You'll see that
here in final comp, it also will change it,
which is pretty cool. But in my case, I don't want
to use any other colors, so I'm going to press CinchLZ. The cool part is that it's
all connected, and basically, if you would want to
reuse this template, you can just simply
change only the text, and it will work
perfectly together. But as you can see, it doesn't
really blend this much together because we want to
get rid of this white part. We want to use
only these colors. Select this flare
and go to layer, precompose or Control Shift C. Now let's call it flare clean. And maybe let's change this to move all
attributes and click Okay. So basically, if
I'm going to open this in this new composition
which we've created, we will remove this white part. And to do this, we can
just simply select this composition and press Control D. And then
using this track Mat, once again, click on the
staggle switches to see track Mat and select it and
pick up like this. If you are using older version, you would want to use
this Luma met inverted. In newer version of
IW after effects, you can just simply drag it
and connect it like this. Then we need to change this
from alpha met to Luma met. And also we want to invert
it because we want to use all the colors from this one and subtract all the luma
parts from this one. As you can see, we basically removed all the bright
spots like white color, which is exactly what we
want because we extracting only the colors of
our animation and now we will be able to blow this out and to get really
nice lens flares. Let's go back to final comp. Here now as you can
see it blends a lot better and to blend
it a bit nicer, we can go to effects and presets and type
here Gaussian blur, left most lick on this and
drop it on flare clean. Let's increase this
value to link 233, and also we would want
to use a curse effect. So with the curse effect, just select it and
drag it drop here. We can just move this just about this line to
intersect with this square. Basically, it will make
a lot contrast here and get these colors to really
nice saturated look. We can even select
this flare clean and press as on keyboard and
make it a bit bigger. So these flares will
be a lot bigger. Maybe we can play
around with this curve. Now we can see a bit
more of our flares. With this curve, we can just really tweak it a bit to
see exactly as we want. Also, we can split this layer, select it, and go to Edit, split layer, consult Shift D, and let's move it
a bit to the left. We will start introducing
the next flare a bit sooner. Which is really looks nice. You can even press Control D to duplicate and we can write most liquid and go
to transform and flip horizontal and
also write most liquid, go to transform and flip vertical and move this a
bit later, just like this. We would have a bit more of
these flares if you want. But don't forget
to select all of these layers and change
this mode to add, they will blend together
and look a bit more nicer. And you can just basically
move around them. You can even select one
of them and go to time, try and stretch and change
this stretch factor to 200, which makes it slower
and click Okay. So basically, one of the flares will be a lot
slower than others. So the movement will be a bit different between these flares, which also could
look pretty nice. So let's cut it to this moment. Basically, the same you can
do with this first one. You can also go to
time time factor, let's set it to 200. So these flares will
be also a bit slower. So it would look a bit nicer. Let's press zero numbe to see the final effect. Let's
see how it looks. Basically, this is
the call effect, which we've created and now you know you can create
the same effect. You can just go to, Import file, and
input your logo. Let's import any other logo and go to your text
and drop it here. Let's disable these texts, and I'm going to go and apply some fill effect to make
this logo just white. And let's go to final
come to see how it looks. As you can see, now it looks
great even with the logo. Basically, you can just
use any of your logos, maybe make it smaller, so it will look a bit nicer. Feel free to follow me
here on skill share. I have a lot of classes on VFX, it's also on free AI tools, new classes this month, you can see in this section and also fundamentals of
do after effects, complex VFX, logo animation, inter resolve animation
and even more. I really recommend you to watch this class
because it takes only 12 minutes and you'll get really powerful
result at the end. As also you can click here
on Seymore and you can see even more classes
on VFX if you'd like. Also, leave a positive
review because it really helps a lot with
creating new classes. Basically, you can
click here on reviews. Leave your review. It
really helps a lot. As also you can ask questions
here in discussion step and make sure to click
here on projects and resources and
submit your project. As you can see, I'm
reviewing all of them and I can give you
a feedback if you want. Feel free to submit
to your project. I'll be happy to
see your results. Follow me here on Skillshare, and I'll see you
in my next class. Thank you for watching.
M Jake, Lets Create VFX & Cool Stuff Together
