Transcripts
1. Welcome: Audio person like me
who enjoys watching sunsets through the swing
of the leaves, isn't mixed. Also think to watch the least swing along with the air like a lullaby for them. If so, this class is
perfect for you to explore and we're gonna
use in different ways, along with six different
combinations of Skies. It does always magical towards sad sunsets and sunrises
through the leaves. And this glass is
completely big enough, trendy where we can
explore watercolor medium. If you're new here I go by
the name abolish slavery on my Instagram handle
is visually art. You can reach out to me any dye. This glass is break down
into several steps. I will teach you step-by-step
how to paint these leaves. Also, we will learn different
combinations of Sky's. The six projects
are unique and I hope you will definitely
confident after this, I haven't seen you in the class.
2. Materials: In this lesson, we will discuss Alibaba domain details that
are required for this class. I have explained each
and every muddy. The paper I'm going to use is just beeper
with just 300 GSM, one for TLB and it doesn't
quarter breastfeed for the dimensions are sending me just white and benzene
and we just long. So I have divided it into
three parts as you can see. And I will be painting tools at sheets for
this entire class. And I hope you'll zero-point 6AM unmasking the body around and around one centimeter
masking dip in-between. So if you want with these
particular dimensions, you can cut it into
two different sheets. Or if you have a
different size of people coming to the colors. I'm using neighbor
palette sonic colors, or this is one of
my favorite sets. And so if you have
this, you can go ahead. Otherwise you can use
any of the colors. We'll be using black and
other different colors. I will be telling each color in particular
class, the project. In addition to this, I will be having tissues
which is very important for watercolors and a
few pasting sheets that they have from me verbally. So you have these based
on sheets, that's fine. Otherwise you'll
get mixed it with white gouache with
a distinct colors. If you don't know, have to mix the paint and she'd
see your band. If you go ahead and watch
one of my previous class, which has the legs fly
off where I have shown in color mixing and the
number of shares. This is my favorite
set of brushes, but don't worry, I'm not
going to use all of them. Since this is a very small area, I will be using a few brushes are so mulberry
shop size number for our size number to rent the
background sounds guidebook. And I have silver black
velvet collections or that I'll be using
size number four and size must sits mostly for the skies and
most of the blending Bye. It's a very small area, I would say is the most, you know, but I shot
as well for the lease. I don't want to take risk
by using Bank of Russia. Those low-level it
hasn't signed up, but still there's a
brushes and I have a glass of water
from my side and one glass of water on
the other side also. That glass dirty so I don't want to show it
to your data safe. I will meet you all
in the class project. See you there.
3. Techniques: In this class we will see all
the techniques that require yard to paint these
beautiful skies and leaves. I will take you through all
the techniques step-by-step. And we will see how to
correctly draw the clouds and the leaves and not have to make kind of
blends like you see. So it's very important
to get a hold of these techniques to perform better in your actual projects. I will take you through
all the process. So be patient and
don't skip this class. It does a very important lesson. The very important element
for this entire class. So I will take you through some basic techniques
of watercolors and you will be very
fun to paint these. After learning these techniques. First, I am digging a little
blue-collar and what, It's all good motions, I am dust are going, hey Ben, drawing clouds. Not required to read
the background here. It's fine just for the sake of understanding
the blending five, I am putting little bit of more water since I said we
have to do the blending. If we get the background
wet in watercolors, then there are chances
of automatic blending, so don't worry much about it. I am layering on top of deaths. I mean, not layering as such. A-b-o if I am putting a
little bit of violet color. But I do blend, just read it, does marching
with a little bit of blue. I born that cloud shape. A shape. That is why I am just giving
more of or not gotten there and I am trying to
clean brush and blend. In other side, we
will see how you should not do so it's
also very important to learn how it
should not be done. Instead of learning
how it has to be done. I haven't put much water
to the blue-collar Cloud and you'll see how harsh edges farmed, but it will be more
visibility once it is dry. By the time it dries. Let me take some green and
show you up to bank leaves. So I am just drawing
the central when Bard, since my brush has a
buddy, find the buzz, Well it doesn't but
easy for me to do this. I am dust drawing, leave kind of structures with
already some brush strokes. As you can see, the daylight or
small tip like this, just press the brush
and bracket off. Small peppers the
brush and I lived off. This is how the governance
leaders are looking. We see from a distance. So yes, you have
to go ahead with this technique and it will on your artworks,
very beautiful. And since our subject is just
the coal burning leaves, so it's really important, don't put such kind of blobs in the staffing
of the leaves. You lines has to be
ready correspond thin. This process is wrong, putting a blob of water that the point where it has joining, especially for this, leaves that we are going
to dry in our projects. If you absorb, you
went underneath, these leaves will be off such different kinds
and different shapes. So just go ahead and
enjoy the process. Some will be bending
with the aid, as you can see.
I'm drawing here. Most important part is when
you come at the agency, it has to be ready pin. I will show it to you
in Hawaii LA and I am trying to
demonstrate the hub. You have to drop bending leaves, as I just said. In a similar way, dust oppress
and adjusted the knees and a different angle
and you will get it similarly on the
other side as well. I know this looks like
over don't burn but it's not it looks similar. As you can sees. Some can be straight and
some can be bending. So it's desktop for you to play around with these
leaves because it's all about the aid
and it's all about the bad external
limb density of air. Leaves will swing back. And the edge has to
be very thin lines. Very thin lines. I'm just using the
tip of my brush. And if you're not having
this brush, your dust, I'll go ahead and use
the French size brush at the edge or the tip of these leaves because it
has to be ready pin. Tina, as you can see, he does delight
the brush strokes so that you wouldn't give
your project by loop. Pick BOD is not to be
done and it has to be the pin lines at the
top portion, especially. Now. I will just complete
this leaf part on the left and then
we will go ahead and see the demo of books mixed. You'll see just being formed over there on
the right side Cloud. So on the left side one
that's not the case. It is blending. It has to be a little more. So coming to the birds
that are different angles and the different directions
in which you can draw. So it shouldn't be just
a really small strokes. Small birds, beak birds. So this is how I
draw the birds where the free hand style and
they are small birds which are kind of shift a little bit detail
birds can also be there. And one of the projects we have drawn know a little
bit detail the birth, if not a yoga, not check my class on. Now let's apply off. We have fainted. The friend of buds of 15
different sky combinations. I hope you will definitely
love doors as well. And since this glass is an inspiration from
my previous class, and it will also be of the
same size of papers, small, small projects, or you will definitely love them
as well for sharp. Still land them on sleeping
a little bit of small bursts to help you better
understand how to make them. I'm ready random. And if you want, you can add BAD store
all of your paintings. If you're not comfortable, if you'll be like
you will ruin it, then just leave it. This is how we will
draw the pole gonna lead us in a similar fashion, but it will have a central beam. That's it. Right? You can see that difference exactly
how it has neatly blended and the one
has the buddy harsh, I just went just not
required for us. If the background is wet, blending will be
even more smoother. So if your paper is
getting dried or don't add color red for
the tow completely dry. And then maybe you can
go to your paper and I am doing some fancy
lettering brush. Please. Don't judge me unless okay, I'm good at it and I just want to
experiment a little bit. Now. You have to draw birds, ones. The background is
bright in this area. Maybe a little bit too wet. I will just drop
in color and see. So you can see it's bleeding. Oh, okay. Okay. It's not much
of any evidence. Maybe let me take through
some other players. I will. Okay. You didn't hear it. Does not bleeding adequately
wet some area and show you so that you will better
understand what I am telling. You have to wait
for your background to completely dry otherwise, as you can see, this
bleeding rate the bird. So this should not happen. So make sure your background
is completely dry before you do the leaves or
the buds to your sky, it does a very
important aspect to remember it and see lots of bleeds that
are happening, right? So we don't want this thing. Some bullets I'm still
trying to show you. I can get CCC, those bleeds or
Boeotia not happen and also this harsh lines
should not happen. Keep this in mind
and that's all for the technique section and
we do all in the projects. I am excited to
share with you all.
4. Day 1: Hello everyone,
Welcome to our D1. On today's project, we are going to do a beautiful
sky background. We will go ahead and with the first part I will be
doing for today's class, and I will be covering
with a tissue paper, Soledad, Amy color and all will not spill onto
it for safety purposes. And this will be kind of
my setup for the day one. Make sure you also prepare
your RB bar in this way. If you have got it down, make sure you have saved it
down from all four sides. Alright, now we will go ahead and paint in
this first bar. And I am going ahead and
taking my size number for mop, brush, and clean water. It's very important to
wet the background. Without any blobs of water. Puddles of water
evenly does embarked on to water, the
background areas. So make sure yours
water is very even. And when you are
looking through light, it looks like some China's
then as you can see that as very important and
crucial step for watercolors to get that
effect of blending bottom, I think I will put the
colors on top of this. I'll be going ahead with my silver black velvet
round brush and the colors will be mostly blue. Some sheets of violet, maybe we will see. I will be taking
a shade of blue. Okay, this looks
like cobalt blue. I wanted to do darker sheets, so I took ultramarine blue
and this looks good for me. Other than this, we will
use some dark wildland, any kind of for purple shade. Let's see. I'm just dropping in the
color from randomly, mostly from the right side. And I will leave some
spaces as white so that it blends automatical leaves and the background
is already wet. You can see I am just going by dabbing motion and I am making little darker tone on the right
side, Gardner top corner. And now I am taking
the rose madder lake. She's going ahead and
dropping that too, along with the blue color. Now you can mix
different blues and use, so I am using board
settled in blue, ultramarine blue as well. I have taken a diluted version on the left side
because that side, we need a little blurry
effect and we'll be adding leaves a from
the left side, Gardner. I'm just pulling the
paint with my brush, the water that is already there and making the little tie, You bet I felt that as little
bit diet and maybe that's why dropping a light shades of blue randomly just going
in with your instincts. Don't stress yourself too much. Just play with the colors
and I'm short agree? Definitely going to turn out. Definitely. I just wanted to YOLO
washing of this solar. You need not exactly replicate
dust play with the skies and breezy artistic perspective that does better with you. I'm just here to help now I'm just mixing a little
bit off for my delete. She'd with ultramarine
blue to get the Jupiter. While the blue little bit
back color of the cloud, not Indigo exactly, but just to make some clouds
as you can see. So this is how generally we walk out
to pop up the clouds. Even when the background
is lighter or darker, violet a shade helps
in that a lot. I think I found some
water bubbles there, so I'm trying to remove them. Thus void. Draw some clouds like this with random motions. Some bigger, some
smaller clouds. Just drop it and leave the top. If you think you want
modern pens color, just go ahead and
repeat the process. Alright, we will
wait for this to dry completely and
then walk with them. This is how the
diversion is located. Our partners very NADH, but it's looking
went all so much. We'll be adding some
left-sided sulci for me. Alright, I have
used hairdryer and now I'm switching
to a smaller size, brush size number 0. I don't want to take any risk
of using bigger size brush. Do I have any fine tip? This is Abadi small
area like an A6 size, so I don't want to risk. I said before that I'll just drop in some
black colors from my palette to my
walking palette. Because since it's about button, my Bosch's very small, my brush was boilers
or that's why I'm taking lucky bit of watery
consistency year three, if I require or
thick consistency, then I will shift to the
tab, maybe in-between. So but this paint, we are going to walk
ahead on the leaf. Now I'm just going ahead and drawing the when
part of the leaf. So good for you. And then go ahead at the end, maybe since this
platform has an hock, she's dough balls and
books or Uganda ask, I'll go ahead and do as
it is convenient for you, whatever is convenient for you. So this is the central when
BAD that they have drawn on the B will be drawing
leaves at Dr. Boyd, as I have already demonstrated
in the technique section, depends on the angle
that you are reading. It. Depends on the
difference pictures on a different song, meiotic imagination snack t.
So it does don't hesitate. Band go over the floor IM shot that if you have watched
their techniques section, you are willing to rocket
without any doubt. I am just taking correcting the length of
the leaves and if you want, you can extend a little bit. The Reyn-Bardt also it's
completely up to you. As I also mentioned in
the fake neat spot, board decides needs to not
be reading some molar. It's not mandatory. It looked like in similar
but not exactly in the same direction because
obviously the leaf is bending, decided we'll look a
little different, right? So just don't hesitate. Banned all Googlebot,
the floor board. With your instincts. I always repeat an
email to my students that I wanted to see your
versions of this artwork. It's not mandatory to
replicate the exact same pain. This boy, Hey, than
milk bees leaves. One more important
thing I wanted to mention is never
hesitate to correct your length of the
lease if you feel it's not going in with the proportion dust or
gone ahead and gotten. No, nothing is wrong. Predictions are the mistakes, are the ones that help us learn. And the wall, as an artist
and as a person in the whole. So dust or don't hesitate, as you can see here. Now, I am extending
the length of the leaf because I have drawn the Gilbert
Picard leads at the top. So the proportion is not going. That's the reason. So just go ahead and just close your eyes. And not, of course, not in-between painting
this, but in general. And think of how the
leaves will be odd. See some pictures then you will understand the best way to
explore your own style, your comfort zone, what
you are comfortable, what do you are not comfortable? And that has harmed? You will explore your sense. As you see, I am drawing
that he pin lines at the bottom as the
leaf is about to end. Desk collecting some of the background and
foreground leaves and if required some background leaves Uganda you to paint little bit. And then if you observed towards the
right side of the leaf, it looks like there's a lot
of background you use just because we have used the
bending least technique. Bad I have shown
in the techniques, but that does better
is the reason it looks more bends and bossing heavy. And that moment this painting, his gap dirt, it's
looking like that. That is the benefit of
putting some bending needs, some striped leaves,
the mixture, the Hall effect as a whole. I just evaluated the pain than just trying to put
some background GIF. Just in case of UV light
by adding fuel for them. Actual subject then
some background on leave ready diluted wash. If you feel this is not looking at the
audience dust autos and the space is not there. Just skip this part. It's completely fine. The additional leave that I'm drawing right now
though diluted file, It's just that a just but I will draw from the masking
tape just for the proportion that
said we are bandwidth and we will just have
to wait for it to dry. And I will meet you all in
tomorrow's project ID band. Happy creating.
5. Day 2: Hello everyone. Welcome back to our date door. And today we are going to
paint our second the sky. We'll be doing with
base ten sheets. As I have mentioned
in the media. It'll be using this particular she does not there with you. You're bad Nagoya ahead and mix any yellow that is there in your color palette along
with white. White gouache. But if they're believe
white gouache, if you are having it. Go ahead, but I reusing
this banned by law. Now let us go ahead and
write our background and I think little bit color
as their mental caissons, it's a background reading. I will just go ahead, make sure that you are
waiting till the age. We are doing in a
similar fashion. Otherwise, make sure you
already know it thoroughly. Wendy, give up beer,
coat of water. It is very important for the skies to blend
all by themselves. We are almost done, but I have something
on my paper. I'm just doing a little
wipe but the tissue and since I have lost
my sheen on the paper, I am just applying a
thin coat off water again so that we can go ahead and walk with the
colors and the sky back down and then dive into
making are different. But when I leave now, but the time we can
also use one of the sheets instead of pasting sheets that
I mentioned leader, I'm dating my basis. She just going in a circular motions and dropping
some more of the clouds. Mostly I will do with
the associated only. So make sure you mix up
enough quantity off farm. Go ahead by the
blending technique that we have learned
with the shade of blue. I'll be using cobalt
blue here in this one, a little diagram, washing. So first I'll
continue doing this. I'm dabbing motion of fog
clouds with the base sushi. If you observe closely, I am leaving a lot of gaps in between where we will
do the blue sheet. If not the exact gaps, make sure you get
some similar gaps and go ahead and work with them. Dyadic color seeds
that will be in blue. I'm baking and
diluting it with water and just dropping in India areas where
we have left white. I am dropping this alert ban. The background is still wet. So if your background is, then you have to
leave at your paper and you have to be ready again for if you are doing that step. That's why I mentioned give
up clean water with them. Any thought or wash
so that it stays red. It will complete the
wet on wet layers. Dust, make sure you're
covering on the whitespaces. Now it might not
look so appealing, but once a grace, the Baba, make some cloud shapes if you want to little
bit here and there. Now I am just dabbing my brush, removing all the water. I'm just removing those
haze that are formed, that beads that
are formed to make it a very smooth blend. I will repeat this step for all the clouds that
we have been there. If you want to pull a little bit of based on
shading but the blue, just to make sure that harsh lines are not bear
like weeds kind off. And then begun ready diluted
paint, very metadata. Then just dabbing it in
that center portion little bit so that it
looks more vibrant, more depth, definition and all is given through
those clouds. So it looks more natural
if you do like that. Now we'll wait for
this to completely dry before moving forward. This is how the low band, I am taking my
little bit of black on my palette so that we can more hand with the leaves
that we are going to paint. We will be painting from
the other direction. I will be switching
to a smaller size, brush size number 0. I am just taking paint and we're not doing from the
right top or not, or just a little bit below. And from there we will start the NIF in a very
similar fashion. I am drawing the Venn. Dicey some bleed over there. I'm thinking I'll take a break for two
minutes and come back. This is the bride was
soon after two minutes. And now the goal, the paint around that area because it's a Mead
happened there. And I am going to
meet the v little bit because these are
some govern mistakes. It happens sometimes we feel it this way and it's not,
they'd actually ended. God read it over there. But the earlier you realize that since we realized while drying the VNet cell-free
were able to look at it. Not to make such mistakes sometimes cannot be so
easy to get to them. Now emulators going, hey Ben, the leaves by proportion it will be going in this
direction, bending one. And when they're nouns. I'm not sure whether
you can see it acts like the VM doing, but I think you will
get an idea of when I move my hand a little bit. I hope you will be able
to follow. Along with me. It's dust already VB0 is blowing at the
very high-intensity in this area of Fame. Not in the area actually. There we are painting,
but the difference are, you know, what they can see the photograph is of that kind. Maybe the capture is
done at that moment, so we have to bring that
move into this painting. That's why I am painting. Leaves at one bunch and then pulling it down a little
bit, some smaller, some bigger so
that the volume of the IV is in here. You can see that small. And just bend your
brush and just lift it out so that there's
the technique I'm using here. Elliptic needs about in the technique section in case you are feeling
difficult to just go back and practice the
techniques by once more so that it will be easy for you all to proceed on with your
actual pain, pain. As I also mentioned in
on day one project, if you're feeling that you
are leaves us too small, but the entire composition, you can happily go ahead and
extend it a little long. Either if it is the leaf
on it, if it is a vein, it's completely up to you
and as always see, it, the Xianfeng thing just boil hot for it and it will
definitely look weird. Disorders don't go by
what is being made here. And I'm just doing
some freehand strokes, just lifting it up so that I
get some background leaves. And as I mentioned,
that diamond does capture the way in such manipulating things
is like a blessing for me. Like sometimes when
I don't have time, this is my go-to to lose
our small paintings and wind up my day
and feel like, Oh, I have painted a beautiful
walk to the kind of also, these small paintings can act as a postcards
to give your grains. You can write some more. It'll show us your gun
rights on Greetings backside of it and you can happily post out
to your friends. That is how I mostly
use these mini, mini works like the birds glass or maybe the pump skills one, if you have gone through, we have painted five ice-creams and Bob's goes bad volume. Last samba or maybe
I'm just making sure that we are getting that
if it does that breeze, you can see all the leaves
are in different direction. I can say like fuzzy logic. And I'm continuing to
make the gardener bonds. I'm getting some dry
brush and supplying. There'll be kind of a bloody
ethics or launch party at all and continue with the
YE that you are having. And as I always say, make your own one on your own. That will definitely turn out beautiful venue or
net annual permits. Dimers that I'm in bed, we have to make
somebody pins drop. So I am just doing some
brush movements to me. Very thin strokes. Don't do as much for faster I'm doing if you are
not happy to edit those arcs thin strokes
and I'm also going backward and forward as
a background in stroke. So just do it slowly
at your own pace. Does door wall by
what you're seeing. Of course you are
seeing in a real time, but still it needs
a lot of practice. So I'm doing it after
the order of practice. And I am doing some leaves that are very rich
experience in a vein. So those kinds of leaves, or it's up to you to
add more dimension. And also if you want, you can add some birds
also in the latest stage. Indeed, we are done
with the leaf and this painting MTM me
to draw few words. So I go with some
small and big buds and free-hand style that I have demonstrated in the
technique section. I'm just drying
very similar birds that I have them on student
in the technique section, Betty, three hands
died on the top. I'm mostly going with the VC by open V-shaped back to Leanne, some one BCA by me. After making on the top, I liked doing some
on bottom also. I am making some on the masking tape that
it looks very not. I will continue doing
in the down part, some small birds,
some big bird sign. It's up to you if
you think birds are two months and this looks
like in birds painting, then don't paint
so many bugs and don't stop at Radio one Gustaf. It's completely flexible because it's your painting ultimately. Bought them. I have drawn very small,
small, small birds. We are almost done with
the painting of the two. That's it for the
project band I do all day three project by and
happy creating, building.
6. Day 3: Hello everyone,
Welcome back to D3. And today we will be painting this portion of the
seed that I have stayed down in this layout
that I'm doing for this class. First, we'll go ahead by taking the background that
tidily with water. Make sure you read your
background completely. There are some small
blue-collar dot right bottom. Let's find some base two
sheets that I'm going to use to be the blue
and the pink sheets. It's a completely fine. Since the base soon she'd will cover up that background color. I am doing cross-matching like in the vertical direction and the horizontal
direction as well. And the gallows, this blue color pasture landed based Elisa
already mentioned. And you can actually mix any of the blues and
get a blue sheet. This week we'll be painting in this particular
rod work off our D3. As I said, no blue can
be mixed from any of the blues with white
Gaussian random mix, a lighter shade of red that
you have in your palette with white gouache and
you will get this sheet. Alright, now I'll
go ahead and take all the pink she'd based on
one and drop some clouds. Just go with the floor. Since this will be
the background sky, don't worry too much if it is not coming exactly the same. Just going Tom and dabbing motions
and glow motions and you will definitely get it and leave some spaces like how I'm
leaving or what they are. Because in those phases we
will go ahead with Avaz, blue gosh, and makeup, beautiful scale of it. Alright, we're almost
done with the pink shape. And in the restaurant, I mean, go ahead with the blue colors. I'm just speaking. Using the
same circular motion and filling it in all
the whitespaces that they have leftover there. Also make sure that
you're connecting these blue if it looks
good at the other end. So I feel like connecting
them and making it as a one big cloud moving
from dark blue dollar. So in generally we will
see blue and white spaces. In the same way. The pink and blue or whatever. It can be connected, it can be mixture of
both of these colors, as you can see in-between
there bleeding a lot. So I just made a little
bit bigger cloud passing along through all these pink shade of this guy in the
bottom right area, began pulling it
up and pulling it little bit towards the
pink so that there is some kind of muddy color
that is formed and scholars already born for the sky actually because when Door
different colors are passing, elite them then BC see both
the sheets and some mixture of sheets so that
element is being brought and it will look
beautiful once it is dry. Dust stood, bake something
that you did paint and go on some portions of the
bank of clouds as well. Not all the portions, but you'll feel it as required
and the beta value of p, You have to blend in that color. Maybe we can go one layer of pink on top of
this if required, wear pink needs to be seen very evident so that you
can do that way also. I'm just taking pink and
putting this middle area and the top portion you can see more pinky. We didn't leave. So these two areas will give more pink thorn in
our entire painting, although few parts of
it will be governed by the leaves that we
are going to draw soon. This is going ahead and
upping the leaf on top of this you can see how
beautiful Ethiopian Galea as a bulb DHAP and how beautiful
leaders blended together. This is what we are
looking forward, foreign and it does come out
already evident than that, like the mixture of these
colors and blending and that Intense drama of the
clauses captured, which is very happy
with the Bing, Bing, I am at prison. I'm just taking my thin brush after begging some
paint onto my palette. I prefer Tim brush. And for this painting it is
especially very thin brushes required because there is a background and the
foreground three, and my entire area is dry. It only some rights
I went beyond that. So give me me drawing
from the left side. The background leaf
is at a distance so we can see the
leaves as very thin. So we should be very
careful while doing this painting extracted
Fullen though, since we have already
learned in Week technique section as well as we have practiced do two
of the paintings. I am hoping that
all of you will be confident to paint this one in a little very thin strokes
and make sure you're using the lady less size
brush like size 0 or size one so that you will get those strokes
and we didn't lead. You can see I am
drying bed e-mail, pin leaves, come back to
them before IT projects. Just go ahead and paint it out. I'm pretty sure
that it is going to be beautiful and awesome. Continue doing it. And it will take little
Buddha amount of time because this is kind
of little b deal since we have each number. Third day I am
breaking down though. Intensity more than I
am bringing that lumen. But the more detailed elements nearby so that you won't feel intimidating at
this stop, it said, alright, we have painted
on the one side, we have to extend a vein
to the maximum that we are going to add
the V01 ending. It has to be even
more pins draws. So we have to know
the other side also. And you can see that they affect both the leaf like listening. You can actually feel
it's more movement. I'm potential, you're going
to feel it though, V CMV, how I'm feeling and
experiencing violent painting this, I saw dust. Everyone to check some
of the references, I'd be odd and FADH Amy, such a simple paintings and now go-ahead and he would play
after completing this class, I am pretty sure
you will definitely fall in love with this
minimalistic painting. And some leaves are
some mountane bunny, simple elements like a board, one or two elements. And this guy, I'm sure you will definitely fall in love
with this style of painting and you will eat
of them for short once. If you'll complete this class and all the six projects are different than you can learn, different blending
techniques and how slowly you have pair
approach to eat subject. So I'm pretty sure you
will drop at the odd mass. Well motto Leaders, projects, but Amy others had
similar paintings. My day, one more minute, maybe one or 1.5 minute
time to complete this leaf. And on top of this, we had on the leaf which
is on the friend portion. Bathroom will be covering
the little portion of it. Maybe o in that area if you
have seen on the top portion, I have left for details. I did not give so
much of details. That's because we
are going to have a full grown leaf that is happening through which
we are seeing this leap. There's so beautifully
hanging in the background. That's, it's very thin that
I mentioned in the sad thing was we have to be
very careful in this particular painting
and the sky look. So Amiga and be Skype, we don't want this boiler. I'm just sit on
my brush here and there to build some intensity. And we are done till here. And on the top we'll
have another leaf, as we already mentioned, are now be going
ahead and blue that this has a little
bit thick leaves while you're getting
used the technique, you can press your brush and use that technique and
it'll be helpful. It will be very thick leaves, as you already
mentioned earlier, because it's a full-blown
and we are seeing this leaf through the foreground leaf
that we are going to drop. So this is how you can depict subjects that unfold
without that background. So you can see how pic
I'm drawing this one. By combating the size
of the same subject. We can say that we
just need to Robert, I just bought this from dy. So backers does somebody
is being captured in this particular
painting and I hope you all understood
what I'm trying to tell. Me can just only see a bath
of leaves solely doors I am drawing and back to ready Friesian going
along with the air. So I'm just following that and
making some intent leaves. Or If you're doing, I am doing born it again so that I want to show a bunch of four. Or I can see it's
a bunch of leaves. Me, that strings are
attached to each leaf. And we are almost done. Deleting small leaves combative, or that it will give a
nice composition for us. And I see some black dot
on my paper and I looked at some color holds
or at least so I'm trying to cover it
up with my finger. I think we have to go ahead and draw a bird to cover
that black bar. I'm always ready minute, but sin, let's buy a book. I am going ahead and, or drawing us in
billboard that I have them on stated in
the techniques spot also one big bud
that I have been on stated it's a
very similar board. Actually the same board
I'm trying to draw. This is how I
change my plans and my approach to the
painting or the reference. And actually reference the
leaves and all in than there is no bird and only when the sky is
little bit different. But that is how I bring
down and, you know, getting door painting
and that is how I approach some references
and break it down so that it is convenient
to paint and it is easy to explain based on situation like Javier I've seen just now. So it all depends on
the situation also, because it's watercolors and
it's very tough to read. It wasn't back. We have to go with alternate
deals and then sharp, it is a learning for everyone offers and everything is going to be your
beautiful at the end. I'm happy with this note. I think we have already
completed painting there, but I just read for it to dry. This is the dried. In the next lesson. It is
a very small lesson read, I will pay bill all three of
these to get the final look.
7. Tape Peel 1: I will just fill
everything in this class. It's a very tiny,
tiny, tiny listen. Carefully remove apes and then we good to go and see
how it will look as a whole. So first I went ahead and they must dos
and don't be banned. I am moving the one that I have stuck to the AIM just
so I'm carefully removing it so that
I won't end up hitting my big but yes, I got them all most
and since it's already dried and I have given amount of time for it to dry, so it's easy for me to be land doesn't 100% B2B
world breast paper and the distance from
its artist ran and also not be so much. I can show you with the
quality of the paper and that's it here we have the, find the slope of this one, these BER, very good for you. You can cut them and
use as a postcards. And these three have their unique styles or I hope
while you're loved next, see you all in the for tomorrow.
8. Day 4: Hello everyone, Welcome
back to our default. You might be wondering
why I have kept this here and I have already taped know Nevada all
the three projects and I just kept it on
top often dust to bluff. It's not bluffing
actively work on the yes. It's very important for me to cover and upload our tissue. I'll be putting it for
the next two projects. I should actually
cover both of them. I will be covering up a tissue and placing my palette
so that it will be convenient for
me to walk along golf or the project,
the fourth project. In this particular project, I will be using three leaves and we will be seeing how we
have to do the leaves. Actually not using, I'll
be drawing, branding. I'll be mostly going with
the base style sheets in this particular set Bas
three projects or so. I have kept you off my Based on sheets side of mine side of me. And I also have light
gauze and water brushes, everything ready if you don't have based on sheets just DO. You can now go ahead and actually mix it up with
some white gouache, any of the color and then
you'll be good to go. We have drawn some of them. I blend skier base
still one kind off. And so we'll be doing some
pistol and vibrant mixes. So I will be annealing model because she'd
ambulate lighter shades, investors are faster ball. I'll go ahead and
write my background. So make sure you read your background are thoroughly
enough, amount of time. It deservedly important
step band up, since we'll be using three shades and blending
it all together, it is very important for us to make sure that
our background is so until we complete though all the Skype parts and it's a very small portion I
know by being there, by going to take
so much of pain, but it's still a Ghiberti
enough amount of time so that we don't get Harsha just like I have discussed boy
in the techniques, but I always keep a tissue on my left
side handy to correct any mistakes would be
under to dab my brush just so you all to try to make
them habits Marie had full. And in this project may be using the pink and yellow shade, the base gels and I'll
be needing orbital for blue sheet that I'll be
just checking which blue. If you have indigo yoga
now go ahead and use in the ballpark and stripping the Giphy Law little
more vibrant color. So I'll be checking this blue
color and see what it is. So it doesn't handle for
the shape that we have here and I will be using
it as always, you're not having the
organic dust storm mix them enough flaw only in blue with green and then you
will get it not sap green, the darker greens
or that you regard. There are four wires sheath. Right? I am going ahead
with my girls color row-based or shade
of pink based on shared with our circular motion. So I am just doing a few
clouds are so B will do some clouds prominently
that will be visible. It'll be a background if
they're already manual data or if it is not really
exactly how I'm doing. Don't worry much
because essence, it's three leaves and the artwork spaces
very small activity. It's a very small
piece of artwork. So it's okay if this
guy is not very exact, but it's always good to
practice the same rate, but not exactly put some incorporate your
own thinking, also. Get some kind of
candies, k's bed. And now I will be
going ahead with my yellow bear still in
some of the polices. And as I said, we be using diluted dot of boys
in other places. Install, blending with the pink and forming a little bit
of a different sheets. So it's all good A-star. Go ahead and walk on. These are Destiel. Make them
mix up my dad few areas. Make sure that the
yellow is dominant, then lead few areas, make sure that the
pink is dominant, that back much is enough and that there's a technique
I'm using here. There are two approach
to our skies and this is a one-off it to enhance
the clouds, lighter clouds. So actually the background
sky is blue color one. But if report the
blue color first, it will be difficult for us
to keep well based on sheets. That's why I've kept
up instantiates first and then going
ahead with the blue dawn, this is a kind of reverse
working with the clouds and I'm diluting my turquoise to the extreme that is
satisfactory to me. You can see there's a very
watery consistency wise. Or teal color is
very vibrant one and it will dominate the rest of the kind
of peacock blue color. Just go ahead and make sure
you have diluted or denounce. Also, brush little bit onto the basal part that
we have a blade so that It blends nicely and fall
mod thorn or cloudy shade, but it does a little bit muddy. But to look good for once it is drained because the volume and the perspective by mention everything has been
captured or dimensionless and the depth or the drama in the clouds
as being captured. When's our lightest shades
off my bees being farmed, I'm just making sure that my edges are dark
enough on and off. Once we are done
with this step off, applying color weekend,
just a bladder, just like we have done in one
of our previous projects. So just take a clean
brush and just read. It is a mixing and
Uganda's don't blow a little bit like I'm doing right now just to add some
drama up to your dog walker. So I am just GO TO guy do so. However all yours water is flowing or your
artwork is storming out, It's completely up to you. So just go ahead
with the behavior of your paper and the reason we're done with this tie in a moment. I feel to add some
strokes like that. Dust or to cave or
continuity and sky. And this is what we have made and we will
wait for this to completely dry and get back
to painting the leaves by this is how it is
looking one to this grade, as I've mentioned in some areas, we have highlighted
pink and intermedius. Yellower does
looking so gorgeous and we have been
done the left side, right side, and from
the top two leaves. So I think it's the time
to paint from bottom or maybe all from the
right side gardeners, I will be making the means fast and since we are making
it so on the left side, there are chances that my painting is being
governed by my hand. But just bear with me
for this project because it has happened in many
places, much older time, but I hope that you
will get what am doing once I remove
my hand from dead, I'm pretty sure you will
be able to follow through. I'm just still making the means. Now. These are the two
means by the leaves that I have made and they'll be
making one more on the top. Not bending so much of anything but towards
the top itself. And this capture the breezes are very heavy, so the leaves, so much as exacted sake in this play
around over the leaves and I have thorn bush few things out there
to get my stroke. I'm just stopping ahead
with the lease bar, smaller strokes on the
top as a thumb rule as discussed in the
technique section. I'm not able to see just a
boss whenever you see it. And I hope you will
be able to follow through legal ahead and make on the top portion it has to be very small strokes and the top nice compared to the bottom tool which we'll be
painting laid down. Just start trying
correct according to your paper or the way your artwork is daunting and go with the flow
as they always say, and it will definitely
done beautiful. That is how I have my
explored the watercolors and has become one of
my favorite mediums. Of course, there are
other mediums I do walk with and I also loved
Mandela's part. This has been already
relaxing medium for me, as I've mentioned in the
previous projects as well, that while painting
such a small paintings, a quick end with the hairdryer
and buy myself a handy. I feel sometimes it's a debtor boutique and
also a good process. Now Bobby will be shifting
onto our second leaf, even at the start
and the partner find the adjusted Mika
already thin leaves. I'm trying my best so that you understand how
my strokes are ongoing. But I think the camera and good is wrong and I just
realized while editing, while I'm preparing for
this are chirping this. I didn't realize that much, but I felt I abandoned mistake. But I hope you'll understand. Ahead with the project
then also forgive me at this spot evidence
making trouble for you. As you can now see, I have made, made of lines in the
starting easier, like the top bond or delete. Now going ahead with one
direction or the bottom, that addiction and
addiction I have, I'll be making later so you can see the leaves are very fuzzy and it's going to be a
very busy or capture. Even in the top portion, It's like that few of
the leaves are very breezy and legs scattered. The kind of effect
we are giving. You may have made
such a beautiful sky, but it is important to capture the essence of
those scenery that is going, the drama that is growing. So unless and until the
sky is made my day, we won't get that
scene of breathiness and that movement capture. And as you can see, I'm doing that motion of
the board kind of a leaf. As I have demonstrated
in techniques by these leaves are bending
leaves are the ones that capture most of the aid or
the movement of the leaves. And they will give
a lot of beauty to the afterlife painting
and that will all agreed. What is actually happening in that situation of the captured, all the artists wanted
to showcase through this will be captured with such kind off
for fine details. And I hope this technique and knowledge will
help you while you are painting or any other friends are in any other painting
or from your mind, it is very important
to understand why we are painting
the leaves in the symptomatic students
so that they do help other artworks
when you plan to do so. I think that is my
single motive that I am. I always see Explorer. But some of the
reference pictures that you'll apply these techniques, even though the
defense might be calm, but you can create
some kind of drama. And the movement are like
how we're doing yours, or just explore the techniques
that are being discussed. And you will definitely
love this medium. Fall in love with this
medium again and again. Leave upward portion,
very tiny, tiny strokes. Us all just go
ahead and do them. And I will be speaking
along with some bricks. I hope the music is also good and you are enjoying
my painting. We have our completed one
side of the leaf spot and we are on to the last portion of the
painting while most, and I think this is
no leaping thing that took a little time
exceeding like 15 minutes, but just a two to
three minutes or more. If you want to give less
detail through your leaves, that new master of completed
it though even moderate. This leaves a
little time because we have to bring that drama
and some tiny leaves that, some large leaves,
as you can see here, the following ones and ones. And so that is why
this is taking a little time just as slowly
work up on a layer by layer. And you will understand how beautifully it
will definitely turn out the bending lease from the other side,
as you can see. And that is clearly captured by the strokes that
we are giving. If you're not confident, strokes or desktop,
take a Basel. And these techniques, so she'd that do have
done techniques. So once again, I'm not all the techniques,
maybe the strokes. You can just give a
little practice on another sheet of paper
and then come back and complete the painting
because we'll have that scaling mind are
running in a bad don't like, Okay, what is my sky is boy, in water if I wouldn't paint the exact same sky mixed time. So just stay wide. That
kind of feeling just go ahead and breath
business strokes on is how the water just
coming, just enjoy. No, ignorance is bliss, but sometimes you will
feel bad about it, but still ignore them
estates and I enjoyed the beauty of what you have been did with the knowledge
that you have gained. The leaves on the top. If your leaves look okay, then just leave it
and I have felt some kind of hard money gap. That's why I have did
it the week, weekly. Wait for this to dry. It is dry. You can see those pink
and yellow popping up and I meet you
all and tomorrow. Glass state the old
man, Have a good thing.
9. Day 5: Hello everyone, Welcome
to the D5 and duty we will be painting
by vibrance guy, which includes a little bit by the dark blues and the
violets and blues. I be using different
shades of all wildland, the dark and the
light blue eyelid, Bowman xin or the darkest
shade you can see my admitting it is looking very good and bigger out
whether it is violet or not, you can see here it
dissolve for you earlier. Violet colors are there
onto the sheets or violet. It wasn't towards the pinky
sheet of violet that I be using if you're
having this ballot. So you've been figured
out that according to the police of the
scholar Android. So I'll be using
another color when I go ahead and read the beeper just became
for lighting good spirit of being found done before
painting is spreading. So if you feel that this
is a difficult to worry, you just got put into the different sheets and
mixed oil paintings. You are willing to give to someone who has a
postcards, right? I hope you all are
going to do that. I am writing my own title. It was I wanted to stay longer
until I complete my sky. So boy, bent your
background tautology, which is already
important step and also make sure you
do cross-matching. What Dickens strokes as well as though hot dog, I think that seems completed and IV taking my a
size number six, silver black velvet round brush, I'm going ahead and
read already went. So I always prefer
using size animalistic. For violet. There is one more nonpolar
violet and I will be using in the later
stage of this bending. So I am just going
ahead and key. As you can see how
Weidmann today is. I am loving this, but even for different
sheets we willing deaths. You can see how
nicely the bleed is already happening
and you can see the shame on the paper as well. Now, this recording, this is the grand Vernon she
that I'll be using, but before that we be using
little darker shade of violet than going on top
of it, add some pieces. We needed to put off clouds and a little bit on top and on. So it's always, so go ahead and they'll play with
these three sheets. Mostly a, b is ticking door these three sheets in the
lighter and the darker version. So we'll just go ahead and
play with him as you wish. I am also putting some mixture of worn-out
is dead on my palette, just randomly dropping
so that once it is dry, I get some pigment
and Babylonians, EU-ADR said that going
to look very beautiful, if any of them I
learned that is left on your ballot from the
before painting, you can just above
that minimum value. While it here and applying
all through the bottom, is he on the thought he
had already darker dawns and the bottom BAR going
to have a little dawns. Upon this, we will be forming some beautiful flowers
which will end up, sorry, I just mixed up
quinacridone sheet and you can go ahead with Ross minor leagues **** saw
that as the phobic sheet. You can go ahead with
not having this sheet. He was a little bit of
violet in your reading. You will get the sheet
and just dropping in land of clouds as you
didn't see your mind. No, you must have been
from fees and high angle. How I make the clouds
and play around. My God dropping some
darker violet on the top to give already
while humanness clouds. And as you can see, I'm
making it a bit darker. Just spreading it up and making some clouds form up
on top of a band. We are almost done. I'm just randomly dabbing
my brush with them. It's a while it, so
that I get some clouds. Jaron Dare to Lead Dunbar die if you
think you weren't white. Some more clouds,
you can just dab your brush. More colors. You can just dab bamboo out. Normally, the brush shine
though, Dustin some color. Just by pressing in some points, you will get such
mutant white spaces between done now
form the clouds. We will wait for this to dry. Now. This is how motion
look as you can see, that is a lighter tone in the bottom and DR.
Dawna boom, Your Honor. And then a lot of clouds
popping up there. I have lost a bit of color,
had this board down. Don't know how he was, be careful while doing
so may Mondays to as absorbed liquid
watercolor in that and we will just stuff I'm
doing just by doing some long, smaller than in all. I think this isn't an element in this particular project when
we added our learning how to correct mistakes that happened because this is
unavoidable and inevitable. Sometimes. How much
gain we have taken, there will be some SDV
better than me popping up. And that's why
you've been just go ahead and do this
smoothening. Good thing. Seeing I am just taking very, very small amount of
water and just a, just, a just, and now
with a mop brush, I am trying to smooth out of it so that it
looks as it loud. You can just make it long as Cloud instead of making
it ready spoke about, there are a lot of
notes on the top. If this also becomes
more and more Cloud, it will be more beautiful right? Now I'm just making some more
black out DOF to walk on. In this particular painting. Just eat some black
paint out and be ready. Right now in this alerted and water adapted off
with time it happens. Dollar links. Now in this slide we drawing
veins from the top and said, go ahead and start drawing it. In the previous one,
we have made three from the right side, but he drew from the
top and Sylvia making software streaming the veins
like the center of the leaf, leaves we are going to meet. The first one will be like this. You can just go ahead
and paint along. And then we will draw
the V-naught plus I get one before going ahead
and drawing lower leaves. All right, Now Bobby, dr. Drying the leaf spot and this is already thin brush
that may have begun, but just size members
zeroes above that. You must be expecting
there to be ready paid lines or the US in this particular
run and yes, just have some patients have
a cup of coffee or tea, whatever you paint
along with me. If you feel this is
a little bit hairy. They got time-consuming,
just pause on that. They could support
beyond beverage, then go ahead and continue
with the process. It will take little time
because we are in ten brush, but just stay with me
and this is going deep. Done ready? Beautiful. First shot. We are almost done with
the one side of the leaf. And now, boy, Hey, bad. Nadar does say, if you want any Piccadilly you
saw on the motion, then you can go ahead and drop
one or two on the bottom, makes sure they
are asked her tiny as submitted because
that is really important and it needs to recap journalism repeating in
each and every project. And the bottom of the leaf, it needs to be really tiny
asthma tiny as possible. If you have any doubt
or feeling confused, just go ahead and refer back to any of the techniques class or in your pictures that
you have or visa Copan, at least by the clarity. Extending. It does speed fee
to do that bond. And we will now work with the
jump on to the second leaf. And this also has to be
done in the similarly been, I've been trying to be as much of grip as possible in this one because I have done the
first one that is fully so that you get the hang of it. And also I will be fighting with my palette and this one for sure because I haven't getting the
strokes little different. So yes. Go ahead and complete it. I'll be with you all
slew you can just TO follow the OB how I'm
doing in painting. I just don't. If
you use depending upon how you will
imagine this painting. So you can see in the bottom
you are a little bit density has increased and accordingly I am but acting on the top also. So you will just have
to make sure that it is looking like up in proportion. And it is looking really
is a few elements that one has to keep in mind when you are drawing something
out of your mind. But sometimes imaginations OB will feel confused by Dustin, Steve, just the process
and just go ahead. If you feel you on leaf
is not an abrupt motion, discoid and got it. And nothing makes sure in outer fringes
those pen lines are visible so that it used more value and the
New York composition. And we are almost done here. And I'm going to end this painting here and
wait for it to dry. This is how it is going to look once it is completely dry it, and I'm loving this effect. It looks like a night sky and the leaves hanging
from the trees. And tomorrow we
will come back and paint our last day
in this series. See you all tomorrow.
10. Day 6: Hello everyone, Welcome back to our D6 entity is going to build our last
painting in this series. And I love using a
beautiful lilac sheet. If you're not having this sheet, you'll mix your violet or any Portland she'd with
your white Gaussian. And you will get this sheet and maybe using some yellows,
lime, yellow, orange, yellow random, she'd go
ahead with any kind of yellow shade and we'd be willing to read one does pose shot. I will just go ahead
with our thumb rule, which is wetting the
background paper tyrosine. So makes sure knew what
your background tonally. And it is really very, very important for our
sky or the background. Do Steve went pink? I have dropped
water accidentally. I'll just turn the other side and start continuing
the process. If you aren't doing
in a small postcards, of course, this precaution
is not required. So it's a very small way. It, as they always see in
this particular class. Just go ahead and just enjoy the process they
didn't do maximum of end of bean minutes maintain. So it shouldn't be
a wedding wouldn't break from the archaic
depletion yours. Alright, gone to New
are doing though we think of the background
and it is complete. You can sustain for a while. Now, go ahead and
drop in the lilac. She'd be making a
beautiful loud, loud in the same area. It's going, hey, then
follow through me an enormous shadow that this
calling legitimate on Bill. I somehow ball and
couldn't notice. The gun palpate this point. Does still go ahead and make these amazing sky
along with me and I will be helping you throughout
and just be with me. And as I am doing a TR, definitely this is going
to be our favorite diet. You're gonna experiments guys. And this really did
also trust the most, if I am dy yielding a
little bit and mixing list, but she'd sorts
non-mandatory to mix, But I just feel like they're darker and lighter combinations are required in a painting. That's how I do a little
bit of mix and match. And I'm just dropping in a
few places and might be for this kind of semi
dies feeds review, I think I should
have applied more. Let's see. Now, I'm taking or the lamina Louis
not required under law, I'm digging not
the darker side of their longer than
monomer yellow sheet. I'm going to apply
it on top of it. It hasn't been Joe
Greene, but that's okay. Just apply on top of PPO, like how I'm doing. So it's the sun's setting. Kind of where that yellow
changes there on our sky. I'm just blending into the lilac so that it's
not much evidence. The yellow is not shot with
childbirth, not child pages. Gordon, Moore and Luanda learn
unless you are satisfied because the bottom one is a basis Xin added acid
with white gouache, which is the opaque color. It's important whereas
those standards is a low of one
that opaque color. That's why we have put
as much as required, something they just
saw that that gives you a new form Medina
in diode painting. You'll go ahead and
take any of the blue. So I be taking on or not. You can also order if you
have any lighter shade know, before cobalt blue, you
can go ahead and use it. I actually have a Zoom blue
and I have diluted it so much as you can see you begin
families either blue paint, I am valued so much. If I do apply in all
the whitespaces. In ketones are made by
mixing it with them. If you put a father sheets
are the same color. Dr. consistency. Just go ahead so it looks more natural and nothing
is watercolors dry, lighter, so it's
always good to have. But I don't know
what Ana reversed so that we get the desired output that we're looking forward. Go ahead and blend in. They just don't make it look
very shocked by it just because the clouds and
resulting meaning that mine, it don't make it just a dyed to smoothen it out
with a pinch of water. A little bit of water
Destin bam brushes fine. A few pleases. I am just adding more
of lilac where I taught the blue and
dump needed it. So it's up to you if you're painting is good
enough for you and your wash and just go with your instincts and
don't do this step. So as Lizzie meet your painting, as you're inducing
Harvard comes to you, if you are painting
looks more just a stop and I just do my artwork. Portland cement, dried. So I just tried to be
within bit more relaxed. That's it. Why this to
dry before painting. By this is how it looks once it has completely
dried and we can see how beautifully the ILO has
blended the two layers on the yellow one has gone
a little bit on Monday she but Bob dog. Now I have taken little
bit of black onto my palette and we'll
be going ahead and drawing the Soviet be
joined to leaves from the left, the main dangling little bit on the top because I think that is a hot edge and I wanted
to cover that loud enough, either live or just a little
bit visible, completed off. And then we come to
that to its object. A central part of the East. That means that I
am drawing board. A little smaller one. I don't want to go govern
without because it does come with just one tiny, tiny leaf. I don't want to cover
the Cloud completely. Go ahead and paint out the leaves as we have done
in all the other projects. Make sure you think of
a situation where there isn't flowing and does
go ahead and flame it, the download that and how we have bleeding out of
previous projects like Indeed forward and
D3 wasn't moving on. It's often in this one we have
that liberty because it's an evening sky and
blowing yarn and there, so just go in and they enjoy painting the
leaves at your own bees. No longer in the
second one, I do. I just Yara sides
of the leaves based on the composition of
the entire painting. Dusky for one thing in my dough, not the main focus
of this painting, which is the central flower
with the yellow paint. So not too much, but if you wanted to add
boards and all you can add once the painting
is convenient. And of course I am going
to add button this guy. It's going to be missed. So obviously, even see what's in this guy doing such
evening sense it today. So I don't want to miss
that element in our brain. We are done with this painting. Just make sure that you
make the composition utilizing always see
very thin strokes and I am using the same numbers as civil backwards
with brush because that is my go-to size is very
small and then centimeters. So I need to take it off
my brush sizes, of course, I end up drawing a little bit of my hand is itching and
forcing license to him. Draw words. God, that is said, because reverted
the mnemonics guys, I am this Dada and drying buds a little bit
smaller pin on picker, so it's a combination
of everything. Okay. He and I have ruined
the spot and we have to plan up to cover this because
it's the final layer. We can't do it from the scratch. Now, New York ideas
shouldn't blow up on the hub to cover this slide. Got one offsets idea
to cover it up. So if you haven't done it, please ignore this board and go with the book that
you are drawing. So I am putting a master plan
of covering this up with something that we have already painted in
a previous project. So I'm trying my best. It looked beautiful. Let's see how this
will end up now. Okay, I am solvus source
so busy in collecting and so that it looks more polar. This big part, it is a kind
of very near to your camera. You have to imagine a scenario that's duties and
I'm going ahead. Mistakes do happen,
mistakes do happen how whatever you dig and here
is the live example. Up, do you have to
correct your mistakes? It's also important to
learn from your mistakes. And I feel I'm not satisfied and still trying to
do something to it. But only thing I wanted
to say repeatedly is mistakes do happen and
some odd, unavoidable. Try your best to get the best out of your
painting and just be satisfied with the process with the knowledge
you have learned out. It does. A dry painting is
also about to complete. Maybe consider this
as a hummingbird, which is having a
very long beak. And that is how I
satisfied myself from this painting and the rest of
the painting looks budgets. For me, the cloud in the
sky is more prominent in this one I feel like
I have taught you already knew sky, at least. And that's it. We are done with this painting
in my paper is almost dry, but I'll meet you in the
next section where I will be very far all of these
three projects together.
Bala Eswari, Eswari Art
