Pebbles in 6 different techniques - A sea shore story in Water colors

1. Welcome all: Welcome you all to this brand new and amazing glass of fibers. So we'll be dealing with projects with different techniques are something which are very soothing to watch at the seashore. They are at the heart when you read the C and the cost of this C, they are something which are beautiful texts can be observed upon. You can also find along the streams and small canals as well. It will be so soothing and scenic to observe. Labels are the rocky kind of pebbles laying it on the side that hits the movement of the water. And amazing about this honed our splashes happening at that moment when it hits. You can also see a lot of pebbles stacking up on each other. I request you all do observe this photograph for a moment for the lights and shadows that we will be exploring in our class. I hope this exercise will help you so much. I am Alice really and I am an ad, this ad indicated on the PhD student. Currently I go by the Instagram handle Adelaide insuree. In this class, I go through all the techniques for you in detail while making the project done by tedious. I don't require to make these projects. It is completely beginner friendly and I'll take you through very slowly throughout the process. By explaining each and every step of making of these, you'll be learning a bunch for new techniques for sure in watercolors. Have to create different textures in the background. How to create different textures on the role of vitamin way to dry brush techniques of pores, the radiations and dry brush technique. How can you mix colors within the dry brush technique as some kind of difference flattering methods where we'll be exploring have to go with the flow and hands are broad or the painting that we're looking for. So I hope so far so good now how you all are with me and I am sure that you all are excited to explore all the projects with me in this class. I can't wait to welcome you all once again to this amazing, glad for this amazing watercolor month of July. So I hope you all join me and enjoy this world watercolor month and these beautiful paintings. Once again, I welcome you. On. Next section will be on my deviance and then we'll be diving into projects. 2. Material Final Upload: We really go through all the materials that are required to paint all these projects. So I will detail out all the materials in the dance so that you're not understanding what all I mean. The paper I am using that Anastasia is 300 GSM cold pressed paper. This is a handmade paper and it has a very rough grainy structure, which helps me to give that texture to the concept or the subject that we're looking at in this class. So I have taken this in A5 sizes. So this is the A4 size fats are made in file size sheets or you don't require so many. Alright, next comes the watercolors. I'll be using Netskope electron sonics, this yellow-colored a box set a. So it has most of the colors that I'm going to use for the project. And in addition to this, I have a few sheets that I have collected for myself, which includes our darker shade of blue and Payne's gray because pains phase nodded in this set to have a few basic shapes with me. So if you don't have to cheat, you can mix with my gosh and meet those sheets. So I'm in detail on all the colors for each of this section. Right? Now. As you might hear, is this side, we will use a solid and few of the projects and so this keep it aside. It is just normal table salt to give out due to predict stroke. Coming to the brushes. I will be mostly using my silver black velvet brush. Flat and mom brush border are waiting the background. So this lab brushes from Princeton and business. So of size number 64, I have sized them with zeros. So the jelly beans, if they acquire this, don't worry about the brands and the brushes right now, just follow the technique that will give you the McDonald's. And they have a plate on my site. So the ceramic plate and I have a separate section where I can use my conscious require. I have another kind of palette as well. So just rotate one plate which is available at your end and tissue role. So we've got having these shoes go with it, otherwise, you can use applaud as well. So it is up to you. But make sure you have some immediately next to you. Scotch tape and the glass important actually two glasses of water and I require and that's it. This is a smaller sample project which I have experimented before starting this class. And you can see how beautifully the texture and everything is seen. So I'll see you in the projects. 3. Colour Splash: Hello everyone. Welcome to the D1. Though, I will start with telling about the hallway down my paper. So I just don't make me better. And that would be taping down at for this for this project. So we are not having side borders. So I'm using the entire paid. So in this way I will save down all my four sides and the same gender as well. As you can see. Now I'll flip my paper bag. I stuck it to them. So you can use a cardboard as well if you want. But this, we don't have any such exercises where we need to alter the cardboard in direction and let the water flow so you can just go ahead and step into your table. Alright. I'm just changing my colors so that I can be prepared for the process and make sure you have an eraser. And if answer now we'll go ahead and start sketching. So you'll be making three to four pebbles from bigger size to smaller size. A very simple sketch. Just don't stress out yourself or you have to make it exactly the same betas. Go ahead and make it the way you want it to look like this door. Make sure that the sizes are different. Sizes and shapes. You are about to complete our sketch. It's almost done. So just as a precautionary step, make sure you erase them so that the grip fight on the pencil outline is not being spread when you're applying water or water. So I made sure I do this step of erasing and making them lighter. It will be visible to your naked eye shot. And I can also see in the spleen mass of now, we will go ahead and start wetting the background. I'll just open the site and keep on my side. I need to keep on reading. As you have seen. Well, the colors were already mentioned in the starting. Now, just go ahead and read the paper thoroughly. Don't bother about the sketch. No need to leave any space for the sketch. Just go ahead and wet the entire background with the water. We will work out in layers. So don't worry on wetting your paper even on the sketch that we have asked me, right? Make sure you're not putting any blobs of water. Make sure it is evenly spread and then shine. Hold on young people. And we are almost done with repairing lot of papers. This comes as a part of preparing our paper right now, but I will take a shade of blue, most preferably deep blue. So I am taking a bit of teal blue and already the background is wet. I have taken a very light shades so we can directly go ahead and apply on it as well. But different strokes. So make sure you are starting at the edges of your paper. What unbearable you find those pebbles. Just make sure you just put a little lighter shade on top of that pebble. Just pick up the color, applying with different tones and then intensities. So if you're not a beginner, you might have already been abroad in applying these ways for the beginners, Just don't worry and go with the flow just since the background is already wet, then this drop in some color in between and just with some part of joint motions, you'll just have more spread the color. Make sure you're not spreading in that paper because we need some ocher shade for the bottom part of our seashore as well, right. Now let us take some of those sheets so it can be whatever it is available at the other end. You can just avoid ahead and apply it onto the bottom part representing the sand in your PC to ensure we have a sandy area, the water area, right. So to present that we are putting this yellow sheet and the bottom to the present in the sandbox or just use the same technique and printed along with different tone values that it looks bright and vibrant after drying. So one important thing which everyone of you has to keep in mind is that watercolors dry, lighter shade, that whatever you are putting on the people. So keeping that in mind, you have to make sure that the tone or the color, intensity, that doable thing is Vinci. Now just go ahead and drop some water. Using your brush as I'm doing, this really gives some beautiful background effect. So this is some new pink that you are learning in this class, as the name says. So this project colorful splash. So we're slashing some water on top of this background off sky, sea lion and the short. Just go ahead and continue with this process. This renewal fee, like stopping this topic and this is how it looks. Once it is completely dry. You can see those blooms and textures that has formed in the background, which will give a very beautiful look to our final outcome. And still I'm arranging my palette once again so that it is convenient for me to mix up. Go ahead with the feathers. So if you arrange the draw before you can connect it, like how I'm doing it right now. So as I said, in the materials, so I'm going to use mop brush. Size number two from the straw because it's convenient and easy for me to spread for a larger portion. And I am mixing two colors, which are sap green and green deep from White Nights on a sheet. So to get a beautiful shade of green and I'm diluting it with water because I need the transparency add values to be captured while painting this drops. So just go ahead and mix on your palette. You can see how much diluted consistency I have taken. And since we're painting on top of this guy, does dawn border if your sky has made it into the pebbles, just go ahead. And now in this painting we are taking light as falling from the left hand side or right side area of alveoli. Little darker. So far that I'm adding a little bit darker tone, which is a deep green, showing variations. And now and just start dabbing in pure darker green sheets are a few areas to depict the texture. So this process is continuous throughout the project. We will do layers upon layers and use various techniques to depict that texture. So desktop does the process, even if it is not coming exactly the same way, this being just don't give up, as I always say, just don't give up and thus the process and complete it. And definitely the output is pointing to the new. So now I'm taking a little but all burnt umber to give a darker tones here and there. And again, using the dabbing technique, I'm just dropping in few colors here and there, which will be blown by itself and Palmer different texture. So one beautiful thing about watercolors is you cannot do picked out with, and everyone's output can only be exact. So now we will not paint the immediate one because the beads will happen. So we will above one. So which is the third one? So this is one more basic step that will follow throughout the class. So far this IMRT give a little bit off wireless sheet of inches violet light. Going ahead. You can drop into violet light inside this as well to give it some texture and depth. And you can play with the colors. Sky is the limit of course, and if you want, you can add some yellows as well. It's completely up to you how you want to look your project to be. Here, I'm taking in depth on blue. So you can take any data that is available at your lens and the boy handle for this. So go ahead and take enough quantity with a diluted version on your palette. And we can actually make some color as well to get some body shape instead of blue. So you can go ahead and mix some burnt sienna to get some different shape. And I'm putting down diluted shade or what did just make sure on the left side of the pebble it should lie to somebody and say, you're going to add some darker shades like once you know what Dumbo paint the walls. Black, initiate through, intensify the depth of the particular pebble you up being displayed. Play with the diluted versions and the intense version. Just play with the colors. If you're wonderful. Show bond CNum1, just put burnt sienna more if you want to show no more blue more on top of this wet on wet. So this is how we explore the subject and the subject is very fun and colorful. Actually. I took some reddish shade and I have applied on top of it when I proton shape. League rows actually just still play with the colors whichever way you want to pick up and just mean. So. Now we have completed two pebbles and it's time to paint the code one, so the bottom part is lethal, diluted, all dried already so we can work. I want to add a little bit of teal on to this first pebble that we have painted. So I'm just going ahead and adding a few diluted versions of the to get the texture. As I said, top portion is already dried so I'm not touching that part and I'm working towards the bottom portion on me. You can go ahead and add a bit of opcode or yellows, but just be careful while adding yellows, make sure your brushes completely picking them. So this gives a bit of vibrancy to the rock that we are painting. Alright, desktop. But at the time you can see how beautifully the balloons are happening with the T yellows and greens. So that is exactly how you will have V1. Now what I'm doing is I'm giving a lethal effect at this age, like the water is just touching that pebble with a damp brush. I'm just running it or worsens, the bottom part is already wet. You can see how nicely the bloom has happened at a subtle bloom has happened. And then add a bit of a harder just fonts. So you just have them using a walker or using the desktop. So just go ahead and do this step. But this is a beautiful effect that we can create with dust and water. Contact of water. Of course, veins are there as a medium because otherwise it won't do that. Also there I am, but I'd be sure that you can notice the balloons that are happening at all these places. Now by pink RV cannot ship above board. The second one, I will be taking a bit of blue shade again, which is also blue. And just before going to the second one, just add some texture to the second, the third variable, which is the second one that we have painted. So compared to the green one, it looks extra less so I have taken blue. You can use ultramarine blue as well. And stroke has been just to do some dabbing technique to provide some external to that. Oh, here comes the fun part. So I am just taking all the water and making the brush and making some extent with the brush. So this is some kind of a fun, again, omega1 texture. So as I mentioned in the start, making textures and different differently throughout the class. So we have done with water splattering, dabbing, and now this is a little bit of lifting technique. You can see just playing with the brush and just lifting up a few places if you want, you can just lift up some color with your brush as well. If you want to make some extra. It's completely about your perception and how we want it to be. Right now, we're finally on to the second one. So on the fourth one is again a little smaller ones. So now we will take the second one. I am taking the madder lake red does so it is a shade of red and violet make soy if they're not having this color, you can mix it. But if you have any shade of pink, dark pink, you can go ahead, dilute it. So we are following the same steps throughout. Just a light color and the first pen on top of darker tones to get tonal values. Capturing shadows, capturing the effect of light, orange to it. Give some differentiate. And then the left side, I am applying that again, leaving some gaps as possible. And on towards the right side, we'll apply one and then add on top of an inch. Just don't hesitate to pick up the color again and again. You can see I'm picking up very light color and then walking and walking on it again and again and again. So this is all, you will understand. Your subject. Subject, both in watercolors is all about working on layers. So once you put the background color, you'll understand, okay, you're the right side and the shadow. So I have to put this mixture, okay, so the site, it has to be light here. I can put more texture. So that is how you will walk. So I'm adding a little bit of yellow deep holes on this vibrant color so that it forms a nice opposite shade and right, because on green also we have a little bit of yellow, so it will look good way once you've seen all true. So this is also important. You have to imagine yourself. Look all through how my output may be. Basic idea or not. You can visualize them that painting, of course, because watermelons, when it's born, just enjoy the process and it will definitely come up with a beautiful. They keep on adjusting so that the left part looks lighter. Come back to those right back. Alright, now is the time I think we have to move on to a bovine. So the color I'll be choosing is orange. So I have taken a bit of orange and I'm diluting it. You can take a complementary colors. Maybe any blue, ultramarine, blue as well. Make some different shade out of it instead of using such vibrant orange on the top. Especially because if you see that we have used a bit of muddy, muddy sheets for all things. So it wouldn't be for border in terms of composition if you use very bright orange on the top, you have to also see that already this painting floors or experiences a lot of colors already. So putting such a bright color on the top doesn't give so much loops. So that's where I have called diluted orange and blue. More of oranges visible because the intermediate store this already. So this is how I've worked on my color compositions and I. This explanation helped you all and working on yours as I'm playing in the same way, using the colors that are left on the palette of Payne's gray or burnt umber you can use for shadows will not write what sites. That's an important thing. Don't forget to add the texture on the two that we have painted right now, like how we have done for the two before. Alright, Now there is one more thing pending, which is adding the shadows. You can see that there are shadows on the rightward side that is dark, but still we need to have more shadows to the pixel libel switch towards my silver black velvet size number six or four brush and I'm taking ivory black, all the darker shades. So I'm this mixing whatever is there on the palette, I will take Payne's gray and the darker shades. Want sienna, burnt umber. Maybe you can take the lake red, violet. So based on whichever variable you are painting, you know the base color of that. So maybe for the second one, the base color is mostly madder lake or violet. So I'll mix that with the blacks and try to get a darker shade off it and apply it on the right word bottom side where the families are touching the other, but you just didn't need not apply it very vibrant. You can just run your brush very shallowly on the grenade part of it so that the texture beneath it is visible. I've been showing you exactly how to do that, though. I just tried to make some colors. As you can see, bleeding, muddy, muddy colors. I'm just dropping in some places, making sure it is at the age of the bottom. And you can see how beautifully this turning out. So just don't apply it and the edge just dropping in view any loss and Debussy, in some areas it was not working. That you can walk in that way how I'm working for the green one, just spread it out with your tip of the brush. Don't just put the complete bulge area of the brush and just paint that will make you lose that texture that we have painted underneath. So we don't want that, right. I hope this is clear the spot and you will maintain all you'll keep this in mind while painting other classes or other papers in this class itself. Also, we need to add some shadow towards the bottom and the entire shadow of the ROC area towards the left side, the bottom area. So just go ahead and continue with the flow of adding shadows and make sure that no dark, sorry, no harsh edges forming. As you can see, I am making them like boobies that alleges that each and every step. So this is the shadow part of the entire Bible slow, so you can just add a diluted version if you feel it is very darker, you can just start dabbling with your tissue or spread along the area so that it turns out to be a proper shadows, very subtle one and make sure that no harsh, it just our fault. It is very, very important. So does continue walking on it unless and until you are satisfied that the spark, this will take at least two to three minutes sometimes to get it correct. So just don't worry and boy head but no flow. And I am doing a little bit splattered on the sand bar and we are almost coming to an end of this project. So on the sand also, if you splatter little bit, entire sand does not yellow, right? You can see some black particles. So that's where I did a very small splatter. And I'm adding all the shadows. So wherever the pebbles would, the pebbles are touching and those pods, you will have. The shadows. So he are mostly designed with the black and the one down but a little bit so that it is not so everyday, but the shadows there. So we have omega. And make sure you're not touching the left side buds on the levels where the light is falling because it's very important to capture. This also applies to get the painting output as very beautiful one. I'm going with the final layer of shadows in this bottom area, so it will be a little bit darker, but once it is dry and it will turn out good, Just don't worry and just dab your brush if you feel you are applying more water or more color because these are already dried and B can't afford putting more water on this part, I just wouldn't form and it won't look good. So make sure you are not using very diluted paint if you observe in the stabbing, I have put a lot of water, but these areas I'm putting a lot of color, a lot of water, but still it, it is depicting the shadows, right? So once the paper is about to dry and all, you should not put more water on it. It will spoil the entire painting output that we're looking for. If you want, you can add some textures in the last minute, so it's completely up to you. Play with your painting. It looks almost complete, but still, if you want to add something in view areas, just go ahead and do it without any hesitation. Like as you can see, I thought of adding even more darker shadows. I feel fine. So I just went ahead and added them. So we need splattering. What can we see in sort of defect that seem deeply need some splatters in the background notes. So just go ahead with whatever paint on your palette, you can just go ahead and paint many light and mild spatters. We don't want them to be very open this flatter on the rocks also just don't bother about the subject on purpose. You can just splattered all along, but very mild splatters and diluted. So let us do a beautiful look. Alright, this is almost done. We can now know how much I was plotting we want to do first. And I am abroad not stopping myself in splattering and it's high time I should stop and just dab at some areas like that to depict the stand, but it's completely fine. So we'll wait for this to completely dry and have a final look before winding up this class. So this is how it looks once it is completely dried and it has turned out good fully with a lot of extra us you can see from all the four rocks and you can depict the light as well. And I hope you enjoyed throughout this process of painting by bells. So this is our first class project of colorful splash or colors Flash movie, and I'll see you in the second project. I hope you all enjoy this Watercolor Month with the scenes. 4. Pastel Drama: Welcome to the second project, and today we'll be using Garvey style sheets to make a beautiful peppers so far. So we'll go ahead and sketch them out. So starting with the bottom of the guests, and you can completely value all shapes and sizes and you'll see your tires. So this boy, hey, then bring some drama in your bevel. So as you can see in some places you can see this kind of standing out. So they might not be a complete balanced, but still they will balance out. So we are trying some sort of that end of pebbles today's project. So I have drawn these small pebble outlines and we are done with our rough sketch. Just go ahead and is easily on top of it because we don't want the graphite to blend in with water and create different sheets on other people. So this is a very important step and you should go through, but outset, I think they will be adding some light shades and light will be falling, so we'll go through it in the process. So I'll take you through slowly with all the colors you must have seen already in the standing. Now just go ahead and video backgrounds thoroughly parallelly means varied how religions don't miss it out at any point of reading your paper. Spend enough, amount of time to wet your paper because it is very much important to ensure that your payment stays long until unless you complete your bending. So sometimes what happens? You want to go another Leo and still the background is the trade off. So then you are unable to make it, hey, make sure there's enough water on your paper. Otherwise, you will have to go via the weighting technique and the upper challenging to beginners. So sometimes you may end up going in your Roebuck so better just beforehand, but tell people how to live so that it will stay wet for a longer duration. All right, I'm almost done with the background and now we'll go ahead and take the color and put it in the backbone so the Skype, but I am taking a mint shade. If you're not having the sheet, you can just know boy hand by mixing green with white gouache. And you will get this shape. Don't worry for the exact sheets. And as this project sees, it is mostly based on colors. So if you're not having babies still follows with you just go ahead and mix those colors using white gouache as the colors are already mentioned in the introduction part. Before coming into the project, you can just mix them in Hebrew so that you can find along with them. So I am using different tones and intensities and just playing with the sky, just go with your infusion and let the colors do its magic is required. You can go on a second layer also, and then we will go ahead with other colors. Just apply this mint color thoroughly in all the places. So leaving the pebbles file. If you are feeling tricky to use the same brush, touch kind of ages, you can switch your brush as well and go ahead and doing this process. Does don't worry in changing the philosophy and using different types of brushes than what I am using. You'll just have to explore that technique in your own way. So just hang on to their technique. You can go with any color, any brush that you are going to use and doesn't go. Right. And I think I'm almost done with this shade and we'll add a few well-known to Palo. So because it looks very same throughout for me. So I'm just blending it view AT. Since this is not so much transferring color, this project will look a little bright compared to other projects. So keep that in mind. And just to wash off all the paint from your brush before picking up the next color. And the color I'm picking up here is a beak so you can mix it with yellow and white. Gosh, I'm just putting that span. The motor realism attached to the background. So we have not yet been started doing the pebbles. So for any subject that a little bit background, really ground or foreground or the result horror is in lines. So these are few things you have to capture some picture that you are referring to. The next color I'm taking his celestial blue. So this, you can mix it with cobalt blue and white, gosh, the lightest blue maybe you can say so. I'm just putting view waves and blending at the bottom pebble age or to form a natural shadow by itself after drying. So coming back to what I'm saying about the horizon lines. So when I'm drawing the blue part, it is a kind of horizon line for us. And above that is our sky area below that is. See you on the sandy part that we are looking at. So these are few things that they'll help you look at broad subjects in different ways. And I just change the brush and the time to blend it all in so that there are no very hard it just alright, so remember these thumb rules and it will help you lay down and Maine do yourself from a subject. And yoga is one more beautiful deep actually in this, I have actually is For surrounding area. I can say. So. I'm just giving it that before using hairdryer vibe, it was sometimes more water is made on the surroundings. Even though while using hair red, it will blow up onto the painting. There are cases that I have faced, the white that I'm just cleaning up with a very thin layer of tissue which is absorbing all of this. And now we will set it for completely dry and then come back to paint the petals. All right, this is how the dried version looks and it is completely dried. And you can see that I'm using extrude on the sky and on the seashore as well. Now, once you're done painting the pebbles and the first color that I'm picking up as a mother when she does so you can make any kind of darkest shades of maroon or brown with whitewash. And you will get this shape so you can make so number one, number two actually enforced I applied a very light shade over here on top of it. I will go with a very intense or Leo's. Just keep in mind the light and shadow effect that we have talked in the first class. It is very elaborated and try to apply them in all the projects. Since, Hey, students sheets. So we don't need to go so many layers because it will dry dark anyway compared to other projects. So just a boy, Hey, with one layer, good enough amount of layer if you want to add the layers, don't worry and don't hesitate at all. Just go on and you can see how much darker I'm adding. I'm just playing with the fellows and allowing them to blend by themselves. Just, I request you to concentrate on the brush movements so that you will get the hang of them with what movement, what kind of texture will be the output? That is the biggest takeaway I'm dropping here and there are a few water droplets because that is the horizon. And I want to show like the water is hitting that area. So that's where it gets dropped into water drops so that it will blend bytes. And the second color I took it as a shade of violet and mixed with the wife gosh, so very little amount of violet and more amount of white because you have to put to me the shape. If you have this sheet available, just go ahead and use it. Black darkness storms on this left butt and I'm diluting this metal sheets that I have used for the before Babylon just start trying to put the darpa doors. So in our first project we have used are different, different shades. Darker shade, so for black as well as the one Dumbo. But in this project we are going to mix and match the colors above and below pebble and make those shadows. And if required at the end, you can have a catch-all brown, which is a maroon in this case, to enhance the shadow effect. So since you have understood this process, now, we will go on repeating the same for all there before bubbles. So just pick different colors and I am picking us and let's do blue here now. So I'm just still building up that color, leaving some gaps and few areas so that it does not looking very full because we need some gaps. And you can bring variation using different colors also, if you want to use the multiple colors in the same family, you can just go ahead and do that. We asked. If you observe for the rest of that is happening with the celestial blue and relax. That's okay, Let it be, we can figure it out with the shadows and I feel the maroon one is becoming lighter. So I will add a few more drove color or pigment to it so that it gives the output of what I am sorry, designing for. Alright, and even a beautifully lag, so then the edges properly blended into it. So you have got the hang of it, right? So that is a bead that is happening so too strong but with very less amount of water and more of color, I'm just collecting your autos. You can wait for some time and then collect it all. It's completely up to you and how you operate, but as behaving at that moment of your painting and on top of the cell, I am applying a bit of luck because the pebble below that is having a base coat of Leila. The bleed, we will cover up the bleed in some time of deciliter when they lack the board that was adapting for sure. So these are some, I can see my way of working out the mistakes or maybe you will learn it eventually by yourself. And the next color I'm using as a royal blue shade so the doctors to blue and mix. So for my gosh, it is a very lightest shade now, I'll pick up a little darkness to turn off it end up life directly. So does, don't worry if you are, painting is not done in a very exactly the role of this class is to make you understand how to approach these scandals subjects without fear. And you should be in a position to paint your own subjects in the near future. But the help of this class, if it is not turning out exactly the same way, don't worry, you will be understanding the technique and you will be able to master it for sure by the end of all these projects. Alright, so I am correcting the edge of celestial blue and black pepper, which is the second third Butler. Then you can just go on working on it until unless you are satisfied. The third, fourth, and looking very same for me. So I have taken a bunch of scores and applying on it. So this coral shade is again a mix of red and white gosh. So it's a kind of pinkish. And I'm applying the same onto the pop bubble of what we have applied for that, as I mentioned in the study, we are using the same colors that are maintained in all of these six variables so that it gives a beautiful mix. It's chores as well as composition aspect. Alright, now, above that, I go with B to gain, which is the lightest shade than on top of that also it will be does seem sheets so you can blend and make sure that the texture is visible. So if, for instance, I am thinking that the beach and Kotler looking same for me before drying. So if that is the case, you can put more beach on the second one or more on the second one or any other darkest shades so that it turns out to be a different and the drama of light and shadow is being observed and then died from. So that is how you have to work out by working with watercolors because it is a very unpredictable and explore and each book has different. That is why they always say that bump that you're making out of calling these is your own artwork and we are here, I'm here to guide you. So I was doing corrections are running each of these again and again now to establish show it just that I'm looking for and I'm playing with different colors that are left out on my palette as Alberto for blues are bit of blue mix with page rubrics with the yellow border lot Beach. I'm just playing with these blue sheets and giving it a proper definition. All right, and this looks almost done, but there are a few elements that are still needs to be added. Those that needs to be added. And there is a water bath that needs to be added. And we'll be playing with some few drivers techniques also as a warm up for our next project. So we'll go ahead and enhance the shadows part. So I'm adding the brown sheets made it wasn't required. And for other areas of these pebbles also with the pebbles or touching or on the other side, so the light is not falling. So all these areas you have to keep in your mind and make sure you add darker sheets. So if you look at all these six variables, which is the darker, it is the middle, right? So you have to put metal in all of these so that it enhances and gives the painting, you just have painted all the pebbles and you are feeling that realism is not coming. Model does not looking natural. This is where domestic. Alright, so any time you paint later and you feel something is missing, this might be your mistake. Before you have attempted the subject and you think it is not coming how you have expected. This is just a way of hand and it just seemed go up all these shadows and I hope you were able to follow. And we're almost done mirroring the completion part, the dust up into diverse techniques and plateaus and then wipe it up. What this plot. But some celestial blue and what we're left on the ballot, little darker shades. I'm just adding some dry brush technique so they've got the water has hit this blue someday my goal and when then there is a backdrop, not some time ago, just a few seconds. And then there is the bedroom drama that is happening where there'll be a link. So we can see some splatters up tall because it just that moment this is captured. And also you can put a pendulum from brown shades and more of blue, Monday's blue shade. So the big thing that the water and the moving water actually mostly make sure that these are diverse techniques. So if you don't know how to use this technique, it's just a you have to make sure that your brushes very bad. Audits remove excess water using a tissue and then use the color and just run over it. If you're using hot pressed paper, this technique might be better to keep. But if you're using cold press paper, this technique is very powerful to depict your extras on the paper because the texture of the cold pressed paper, I lost you for this beautiful x just to pop up. So we are almost done with the BBS bond order and the drivers techniques. Five, with multiple colors, I have just to run my brush across. So I hope well, it is easy to follow as well. Alright. I'm adding more water into it so that it is convenient for me to splatter because the love I have worked on drivers take me, just go on and splatter in some areas and as I said it just to keep my bills make sure near the pebbles also, there is some kind of good amount of force flattering. All right. Let's continue on the landless Josiah. Just don't worry about the Harvard is going to turn out because I understand me but I should randomly on top of prevalence also can give some fixed. Also one more interesting and additional part that you can do from this is using differentiates or splatter, of course, and then putting some drama in which we be doing. Now. So just putting your brush in different directions this time the limited Genki do this step if you feel when you are painting, just give this fight but very gently, you can see very less colors there on my brush. And I'm just doing some random strokes so that some movement is a captured, that it is helping us to capture that. It just hit the water, just lashing out. And in that moment we are actually alright. And this is how it has turned out. It needs a little bit, but most of it is dried. So this is how it looks once it is completely done. And I hope you followed through tail here and enjoy. And I am waiting to see you all in tomatoes. Robbed of its width, just logically, seawall in the project. Thank you. 5. Dry Brush: Hello everyone and welcome to our date the project. And today we will be using a dry brush technique and even does go ahead and start sketching. So as the thumb rule, bigger rock at the bottom and as you bought the top, you would make the box smaller, right? So we will tweak the subject a little bit in this one and go ahead. But some drama in the back I can see. Alright, so I'll be keep on collecting and sketching out. The Bible says, so just go ahead and do make sure that it looks natural. So if you observe or the one that I have drawn prior to this, it has the curve is not a profit. It's lawn looking natural. So I'm just going ahead and correcting Even at this point, I'm just going ahead and connecting so that it looks natural that one pebble is based on the other variable. So it looks like the balances maintain that simple step that it is important to capture while you are doing the sketching for Pebbles. Right? So just go ahead and complete the diode sketching of these variables and healthy putting a tiny pebble on the right and the sketch is done. We'll just put another laser on top of it because we don't want to get it to spread Oliver while we're painting. So just gently than you already. And it is a little bit so that it will be perfect for painting. Alright, let's go ahead and read the background. Oh, please don't do this because this is dry brush technique. So we're not going to wet the background in this step and suddenly a little water falling down. So not doing that and we're not reading the vagal tone. I'm just taking the colors and going ahead with the tribalistic. Before that, we'll just go and spread the bottom area of the Bible. So I have taken yellow ocher a little bit and very diluted version, if you can see, it is my golden ocher actually. So you can take any kind of ocher and walk out with it. And so just go ahead and split it at the bottom of your variables so that the base of the shoreline is swapped. I'm just taking a very diluted version of one CNS with landa just walking on it to give summed up good at doing so. Just go ahead and work on it. So this particular bubbles is going to be mostly, are different, different sheets with diverse techniques or really make the bottom area mostly of this brownish and all. Alright? Make sure hard edges are not formed and make sure that background, foreground and background line, horizon line is made. Alright. You can also walk with one CNS. So just go to three different shades and meet this bot. And I'm putting a little bit of black balls. So with mixed with one CNR. And just going ahead during the dry brush technique. So this is one of the very amazing technique of your textures first and going with the lightest shade on top of it, I'll go with a darker shade. Make sure your brushes not having more water because this is a dry brush technique and for that, we need as much less water as possible to your brush. If you are not getting this technique, just a practice it on a piece of paper beside you before going on to the actual project. Okay? So if you don't want that technique, what you can do is take a tissue paper and dip your brush into the water, drainage to the brain all the water. If you attach the tissue paper with your brush, all the water will be absorbed by the district. Then you take the faint and that is how your brushes little dam and you will get them tribalistic. You can check out my previous classes to clearly understand what is the technique, because I have discussed in my previous class. Alright, so I am doing or different, different angles of this dry brush so that it forms an amazing fixed jaw. And even in the background I am giving a little bit of extra so that water reflection is seen. Alright, and I am taking yellow ocher directly for the second pebble. When going ahead with the dry brush technique. So as I mentioned just now, this is how I make my water released from my brush and absorb the patient. Or should I just go ahead and undo your painting with a different shade? So based on the colors that I have mentioned earlier in this lesson, I am taking a little bit of burnt sienna, yellow ocher for the second. It kind of felt like a bit of yellow ocher can be put on the bottom pebble as well. So just go ahead and mix and match these three shades. And if you're using burnt umber, use it with a very diluted consistency very often. So you can see there are some strokes which are not actually dry brush, but a mix of dry brush and normal strokes is what we're looking for. And if you can see the paper is not as compared to our previous projects. So the water constancy is not so huge as compared to our previous projects. As you can see, I am taking out water every time when Eve, I feel that it is important and this required. So that is how citizens by mistake, I am figuring a lot of water to mix in my palette. So I have absorbed all the water using this show and I'm applying here and a bit of lamp black to give or darker stone to the bottom. Right. This. So go ahead and I'm taking a little bit of ultramarine light and playing for the beautiful effect of shadows that really get after drying. In the darkest portion, you have to go ahead and apply some colors, maybe blue or green. So that's some kind of uniqueness and drama is being captured in your painting. Alright, and the next shade I'm going the madder lake red with the diluted consistency and going ahead. So as you can see, now, I have got a very normal stroke which is not a dry brush. So I've removed water and with a very thin strokes. As you can see, the movement of my hand, very gentle strokes. I will be painting this so very gently, as you can see right now, very gently like sketching with very light hand like that. I'm painting this bubble. So that is how we have to control water content on your brush and master this technique. So go ahead and paint. As you can see him trying to control the water on my brush or the shoe. On other hand, I am always removing excess water and trying to paint whatever is required on the painting that we are doing. So at tomatoes, I am dropping the bad cholesterol. So when, once I ensure that my brushes completely dry, so this is how you have to change your brush on the paper while working with this kind of techniques because sometimes it fires. So yeah, I imagine quinacridone. And I couldn't shade actually madder lake shade on top of this second level also to give some drama like how we have done an audit project to send matching the sheets of eyeball envelope pebbles and getting some shadow and mixed views. And for the next one I am taking a blue ultramarine light. So if you have alternating colors with a very diluted consistency, you can go ahead and I have little bit yellow ocher on the ballot, so I have mixed it that say it's become a little bit different shape. Nevertheless, we can go ahead and make it as ultramarine sheets that only the diverse technique and if you want, you can add a little bit of turquoise color, greenish, blue orders to give some Gamma. Right? So just go ahead and these are small pebbles. So it is very important for you to walk on this wall that was very good, especially in the dry brush technique. Or if you wish to switch your brush size, just go ahead and switch the brush size to get the puppets. Alright, so I'm correcting that a little bit. And then we will move ahead to the next term. Here. I have taken yellow shade of yellow light and I'm going ahead as you can see, I felt water is very high, so I'm removing all legs as water. Just taking a bit of tad bit of paint and just going ahead with my dry brush technique. So this is the very important that you'll be learning in this particular class. We're removing the excess amount of water at each and every step to attain a forfeit. Dr. Rusty, I am putting a little bit of yellow on top of all the pebbles also which I feel it is required and the which I feel it will give a beautiful logo. And we have a one more small pebble before which I'm mixing a little bit of red. The whatever that on the palette. A little bit of blue actually. And they're still going ahead with that small bevels. So very, very carefully you have to do this above pebbles because these are very tiny and it will occupy your brush size. That's right. So we're almost done, but without the sky, it is not looking complete, right? So we will go ahead and learn that technique Iceland, once we're satisfied with this look. So I'm just taking another shade of yellow and putting for some highlights and for some kind of for Dhamma as they always mentioned in this particular class. That is very important because with that effect of the light, the shapes and the colors of the rock also will be changing. It will look beautiful in the morning. It we looked at lemonade. Lot of variations we will see when particularly dry brush rocks. So it is like very different kinds of rocks that we are, peppers, chili that we are painting. So the shades with the angle of viewing reflecting color change, right? So that's really important to add colors with the dry brush itself so that we will get that background. One more tiny bubble is there. So what we will do for that, so I have taken a little bit of green and at the very edge of my brush, I am just trying to fill it up with some sport of white gap. Okay. This be very careful while painting this one. I'm telling this repeatedly because there are chances that you may put the complete color. Use a different size of rash if you're not comfortable using the same brush. Alright, so now we will do the sky background. So I will just go ahead and but the entire background area with water. So you have to do wetting this background very carefully because we have already painted the pebbles in other projects till now, we have not done this step, so we should be very careful at the edges. So with little bit of a headache, this boy hid and but the background completely don't at all hurry while wetting your background, you can see how slowly and with full bus I am working on this wetting the background, but because we have already painted the pebbles and we cannot afford water to seep into them and turn it into normal strokes, right? We have learned dry brush strokes and we have a potent effort to painted to give some beautiful loop, right? So with that, you cannot mess it up. So just very carefully with a very attentive mind, just go ahead and wet background thick enough time. Don't rush in waiting the background. It is very, very, very important step. Right time they can go shade of blue, so you can take any shade of your desktop, go ahead and do the background very light shade. So as you can see him this printing, since the background is wet, I'm just spreading it up quality with and any shade of blue would do. This boy had Skype. Mostly. You can paint everything, what if you wanted to? But Cloud ethics, you can just dab your brush here and there to get that Cloud ethics. As you can see initially, I'm just going ahead with very lighter tone because this gives me an idea of which of that I have to put more pain. If you absorb. Most of the watercolor artists go with a very lighter layer first and upon that, we will layer. So this is one important step that I have learned or what practice. So just go with a lighter tone, then you will understand, okay, which area you have more colors, which area you have to work less. And I'm doing a little bit of splatter, boohoo, some drama and I'll be merging it again to make a sky so you can skip this step if you feel it is difficult for you, but you can give it a try. Nevertheless, even some splatters on the stone doesn't matter, I mean, on the pebbles. So I am just splattering for high satisfaction and IB or merging few of them to get some sky effect. So I'm just dabbing and modern view of the dots to get some sky effect. As you can see, my brush, I'm holding very loose and letting the watercolors do its job. So that is how confident you will achieve after attending this class for sure by their discuss the techniques and all. We are done with the sky. We'll wait for it to dry and see. This is how it has turned out once it has completely dried before or it was very white background. And now we have the tad bit of blue which has given some kind of depth to the picture or the painting that we are doing. So this is how beautiful that extra dry brush has turned out. I am loving this texture and this is one of my, definitely my favorite projects. And that green on top of yellow it is. But you'd think, and I hope you all enjoyed painting this along with me and I'll see you all in next day project which we'll be discussing the technique of painting this purpose. You will in the next project in Canada than happy creating. 6. Zen Pebbles: Hello everyone and welcome to the before starting with us pitching. So this is going to make inventor birth. So I'll be trying to elongate it and do like chimps. So we'd definitely going to be a fun, it is a very simple sketch. This out yourself. Oh, make the sketch more beautiful. And the building code would fly up this building. But very, very few fibers to people. So that you know, that dependence is may have been seen in almost my sketches done, maybe one more week on the top one. And that's it. If you compare this sketch with the previous projects, you can see that the paper sheets and defending this one, and I went in collecting fuel sheets to get that more than feeding into it. All right. I think I'm satisfied with my sketch. I'm just sit on it and on top of it. So then the graphite on the top layer of the paper is good so that it will be easy for us to paint. Anyways, we're not going to render the background for this particular project. We are just going to paint the petals one-by-one. So we're not waiting for the background. I'm just cleaning my brush to take off any excess paint that is leftover from my previous paintings. And I taking or decoy Shiva dissolve greenish blue shape and just apply a light color and the bottom panel. So I didn't leave wind up in densities and the colors upon each other. This is the first rebel. I just try to make it lighter. Once I start walking on the other fibers, I put some more darker shades to the downwind. So we'd be walking. If you are going through the project and the painting at your own style, at your own pace, then this will be very helpful to get a what color I'm doing. But this class will help you know how to walk bodily with two people on how to mix different colors, like how we have done in previous projects. As I am just taking some darker intensities and lighter density is just applying it on it. Don't worry about this. We be doing it at the end, just supply the Carlos. And I took a little bit of ultramarine blue and just dab there. And now we can move to the second pebble. Lot of wet on wet and not much of water I'm using here. You can just go in the sequence of the pebbles rather than going alternative, right? So I have just the ultramarine light shade and it paid off sheet and just going ahead and completing this feminine sides and stored a little darker consistency and just applying from one site. So this you can eventually end and now you're on the before, so you are valid with how you have to show that contrast and the higher and lower intensities at work on it now, beeping oh, while it's beep. So don't worry if you're not having the exact shape, you can just use any kind of violet that is available with you. And on top of this, I'm going with this Jordan, it look carefully even if it is seeping at the point where it does joining, it's okay because we will be adding shadows with black and that part will be taken here. Don't worry. And as you can see, high this till around my brush onto the bottom bubble. So this is how I'd been textures and different sheets on different sides of the constraints. So that gives some Non cheater feeling instead of just painting some of blank rack rate. So that is what we are exploring this class and I hope this is helpful to everyone. For beginners. Does don't worry at all. Just let the watercolor do the job, just enjoy the process and learn. I sincerely request you all to what we will want. It is you're not satisfied once because if you're a complete beginner, you might not get the same output, but you can practice another time and definitely will get it. So I just added two strokes and now I am just taking green and adding it to whatever they're on my palette. It's a kind of for forest green shade. And you can just apply it or you can just meet some of those sheets also, I just took over eat and drink, light violet. And it is almost coming as a greenish shade. So very, very niche side, it's a kind of greenish Ocean Navy shaders like that, but upon that vivo layers with black and other colors so that our output sheet that's born walking on it, pebble vitamins. I just took again, why let deep and going on to it and I sell a little bit darker consistency. So I'm just dabbing my brush and removing all the x's color. Okay. I'll just correct the ship little bit. I think these small errors can be rectified. So we have to learn how to work on these old without getting upset with the entire painting. And I think I covered most of the deaths in Dixon, my class, how to overcome such things. I request you to go through my Christmas celebration class. I have thought about how have you been worked with the sizing of people as well. So that would be helpful because I have got a lot of messages that they are experiencing sizing issues with paper, so you can still walk on them for your practice. Instead of just knowing them and time, they give a little bit of clean sheets. So before I have used a deep bring this a little bit off or a spleen actually are mostly towards the olives sheet. If you don't have the same exact thing, as you can see, I'm mixing 34 colors in one pebble so it doesn't really matter. That's all If you're not having the exact same, I just want you all to learn the technique and implemented in your own way. You can totally differentiate the shapes of all the pebbles old. So I have color green and blue palette. You can follow the red and yellow palindromes. I'm randomly experimenting with different shades. I'm just putting a bit of blues and violets on top of grains as well so that all the pebbles look on the same sheet and harmonious. And of course on top of this we're going with a black lines and it is going to kill him. Shades lighter for sure because we are doing wet on wet now. After drying it will definitely become lighter. So keeping this in mind, you have to put them on the screen that was required on your knowledge, sap green itself. So the lightest shade of green and mix it with whatever is on the ballot. If you're not having all these things on your palette, just add a bit of violet to the sampling and get some of those Mondays shaped rewards while it didn't make sense, then just go ahead. So don't worry if you're not getting the exact sheets and repeating this again and again, don't panic and go with the smoke. Now I got a little darker. The bottom one looks a little bit pale, so I have just a few points because my bottom petal is still wet. If you're bought up by bellies, are not stay red even then, no problem, you can just go ahead on top of it. Nothing is going to happen. But without my wife for me, haha, they just you can just run your brush, a damp brush towards the edges so that holiday or not. I'm just picking three shades by diluting it and mix it with someone and painting though. So I thought I have loaded on my brush and I use it then and still using the same color immediately. They get more of a green and a little bit trying to differentiate. The sheets are among those top pads, if you observe from bottom we have bluish and then little bit towards all kind of a schematic flow we have followed. So that it looks good when we look at the window. And then mostly using lighter green sheets on the top. So I'm using only sap green mixing water whereas been palette and also trying to apply it directly as soon. Alright, we're almost done with the first layer of the painting, and now you can add a darker values. Here. We're not adding with black. We're not adding with black because we will use it for shadows. That's where I'm using up my slope for violet and running it will work on all my pebbles that give a nice tinge of violet to all of them. And just as I said, How did this on there? So you have to blend it out as M moving for the second and the third. Right. I hope you understood the process till now and just mix and match few bylaws and you're walking until you're satisfied. So if you take this as well fit for you in, stop, right? It's been going on with the layers that I'm going. I'm also adding a little bit of black. The bottom radius because I felt it was very, very transparent cover, maybe because of the pigments that are there in those colors. So I just added a very thin, very light black because the doctor drumbeat we added earlier. And now I am just going ahead and adding the shadows file that Beta-1 little pebbles are catching, you just have to put a bit of darker shade. So this is a lamp, lamp, black sheets. So you can use Payne's gray as very end now with a very **** brush, I'm just going in living it. So this is the same technique that we have followed in all the three projects. And I think by now you would have mastered it. So this is the basic thing that you have to follow for pebbles. You can just extend it also from the joining. But make sure that the lighter like how I'm trying to think if the left edge and just leave it that way so that it looks very natural. Now, we will do some background in the bottom little bit. For this one we're not doing site will be more of a neutral gray. So I'm just taking a job for black-owned veggie light. It doesn't seem like some colors, they're just run your brush along in dividend as required, we will add a second layer while adding details on the babies. In this one, we're not doing Skype or purposefully because it is also blue and the composition or so work. So maybe it is a very sunny sky where though colors of the rock are being seen in the bluish tones. And I'm just trying to make the backgrounds are filled by doing a bit of blending with my brush and softening the edges so that it won't look up. And we're almost done here. And we have to wait for this to dry before adding VPNs to one, right? So we will wait for this to dry. I'm using a hairdryer and if you have one new node, so go ahead and set color for governance. So this is how it is looking once it is completely dried and you can see how light the sheets and become an amusing size limit z will silver black velvet round brush. Right? Now, we have gladly deal. So whichever the smallest brush that you have with you, you can go ahead and slip if you have a liner brush or wrinkled brush, just go ahead and I'm just making some lines on top of these members to make it as us and vegans. So this isn't a real time process and this is also enjoying well moment where you will get lot of deals onto your Bibles. Go ahead with a little bit of patience and a bit of outline also for the pebble is required and very smooth lines. So make sure you are making very thin lines so that it gives some UP. So just add different colors. So sorry, not the colors, different consistencies of the pain so that it looks even more naturally. So just continue going forward are all dependents and then now we will be or winding up this project once that fight. So the things that you have to add. So while watching the class or learning such techniques as the How's my hand is when and where I'm touching the brush. So these are some important things that you have to lose so that it is water and that effect is seen very natural. So you can see as the holding of very loosely and just avoiding it. Initially, maybe the brush might go out of the pebble also, but it's okay. It's okay. It is a process of learning for this boy, Hey, than pain does not stop because of very small. As you always see it in your watercolor painting is your community. To help you all just embrace the process of these that you need not to be exact at knowing why coming down. So since the pebbles that are bottom are very close to us, so we need more support. Curvy lines instead of a straight line, curvy lines. And from the bottom 3D, they make even more of them. This is something that gives a depth and perspective what the subject is. Alright? Make sure you are making some nice, So you're still probably lines. So even though it breaks also in-between, it's fine. So just make sure you're making nice for that. But the role and it is giving the 3D dimension of the painting. So that's what it is important. The aspects of the detail. Here's the color combinations of those shadows. All these play a very important role in giving dimension and perspective. I'm not talking about. But if you see, okay, this is a rock and this is in the front and this isn't a bag. So that is what is being depicted if you add such fields of shadows and any minute details of this curvy lines on the top. So this brings a lot of snow paintings. I'm almost done, these lions and it looks really amazing how it was done. So since it is very dull, the bottom bar, I am just adding a very light shade of lamp black and just smudging it out so that it is very soft and a bit of shadow off the pebble is the water as such. Alright? So just make sure you're softening the edges. When you're doing this step. You don't want very abrupt. It just now, my favorite part of splattering is left, has small splattering it bold want to do it. Don't do it. But I lost flattering personally, and I also often make my table dirty because it sounds tidy for every person. So this is maybe my signatures title of tweets that I mean, not all, but wherever it is possible, I'll make the baton violet also because that team is dead and they started painting of this set of parameters. So flattered little bit band. You have almost done with this project and you have to wait for it to break. Of course, because this part is a little wet. I'm adding and I'm doing with the more brush a little bit. You don't adventure all these things because there is one project dedicated where we are going to interact more. Alright. We will see the dried was shin. So this is how we're going to look once it is bright. Let me just remove that deep so that if at least grade so you can see those nice texture that has water on the paper because of those lines that we have added. So this is how the xin by belly looks and it has the colors have not very briefly. And I hope you really enjoyed this project. There'll be days and the shadows. I'm loving this one. It's like a meditation, as the name says, then pebbles and I'll see you in the next project. 7. White Gouache: Hello everyone, Welcome to the D365, DVB, or single technique using white gouache to give that gushing, water splashing on and some different kinds of flavors asked to dbVar stopped By the sketch tab and click the bottom. It says, we are not having much sure. Nine as such, what this one main thing that out in the process. So I'm just going ahead with the sketching in the same format or the bigger pebbles at the bottom. And by going up, it uses its size. And in this one, we are going to experiment or different harmonious desktop follow to this sketch and make the necessary corrections as well at the end of your sketch, it is very important to turn your sketch perfect because for this pebble, we need sketch a little perfect so that we know the outline of our fibers. Right? And I'll be adding one vertically standing now. So I'm just figuring out which extends three. So now second, by both the V and this is almost done. Our sketch bar. This look pretty funny. I just go to the sheep so that it doesn't look like it is grouping to the other ones. So does still the sheep has dropped. Sketch. And we are done with the sketching part now, VDB going ahead and painting the petals. So I'm not, but I think the background for this one, so we'll be doing one by one. Alright. So fast I started with rose madder lake. She'd done, it's a kind of pinkish red. So if you have any kind of spring this way, Hayden, I'll be using the shader often in this particular project. So as a thumb rule for stay very light layer and then build upon yours and yours. Just go ahead and if you want to bend, leave some white spaces. Yeah. I just realized that I haven't it is to get them clarified out, so I'm just doing it right away. You don't speak tonight. I might have invested very carefully. Okay. I think I told the dust and now I'm just going ahead and the dropping in fuel darker sheets. And this is not red, so we have to walk. Elizabeth would be because the background is not wet and only the water that you're putting along with the paint is only dead on the beach ball. Hello shy. Just doing it. I'm doing the bevel is completely filled with the color white ones. You can leave anybody be covering, heat up the white board. So we are building up our darker tones on deodorant dance on the right. That does have, and now I'm just adding little green deep shade on top of this. We're going to be a little bit muddy. And it's playing because we need that pinch off. Violet ish or pinkish shave at the bottom and the top layers and what its emphasis be handed to use Amanda, it takes a lot of layers of paint. We need that the bottom and on the top it can. Because she filled that is how we build upon Laos. And once it is bright, it will definitely be done in a different and B. So now I'm thinking of a dose orange and mixing with water. Well, this pattern, it has fell down and now I have to pick up that orange color spot. So I'll be using my flat brush and a little bit of water. So I purposefully did Monday did this part because I wanted to show you how this thing can be done. So just to be comfortable for water and remove the topic when some that Aegon, he was an issue. Shoot people doing lifted up the x is what? All right, and now for the second bubble, I'm just still going ahead and mixing a little bit of my lily regarding water orange and then stop it with a bit of drivers, but go ahead and fill the entire gamut. Was moving somehow. I missed this five week okay. Explaining what I have done. I have taken black and applied and through that time job it doesn't read with the bluish green, orange and then made the shape. You can use burnt sienna. I'm well-mixed as the lake will just mixing these. So that is what I have done. My camera was moving in a different bad action without noticing it, I get this five of thing, thing. So I hope you can cover it up since it is a fifth project, you might have gone to the techniques that I have told the full project, so it shouldn't be a problem much probably. Hmm. Alright, I'm adding a bit of black this to give that darker tones, which I have done for the bottom defibrillate as soon, just to let in light of it so we don't want it to be ready much visible. It's a very dark but very alright, and now we'll be taking a bit of violet light and mixing it with a red on the next sheet, the salon and mixing it with a red shade. So this slide is a little bit darker. You can use this. And I'm just stopping being the words that we have. I don't know why I adding a little bit of blue tone on top of this to give a darker shade. So I'm using a random blue. So you can use any type of boo, boo, but not the cobalt blue because it's very light shade. So that will not pop up. So if you use any blue, ultimately, it would be good. And I'm adding up things on the bottom one and just as munging it out so assad won't be switching. So that is how when you are doing, you will understand your people it and won't get caught me now I begin orbitals yellow deep and mixing up a toast. Very tiny bit of inaccurate. And she'd automatically ship medicine this year. And just going ahead and fill the another paper so you can pick all could, I'm not having good. You can directly use of birds, which is then all I need to. Shade of water is already like a tenth of a crowd of mine. I have bacon and just dabbing on top of it. And so every tiny bits you can see how much amount of paint I'm taking him to the extent that I'm diluting it so that the minutes, these are wet enough. Due date the layers because we did not buy them back. Right now I'm taking a bit of a light green as well. This is the sap green color, so I'm just dabbing UTR and they make all we have done. The full project will give that depth, Florida. Alright, And for the next one, which color? So we'll go with stomach soft green. So we have taken a deep green and just in the diluted colors, whatever I have on my palette, I'm just dabbing my brush to fill that. And now I'm taking like consistency of black actually want and just dropping it on it. As you can know, yellow and violet, blue, and the green ones look where it does. Come back to the bottom one. So we have to add black to it. A deep end. And so when you look at your paper, you'll understand what composition you, which elements are missing. So based on that, you can go ahead and pull up on it. You can walk on the adding black liter. The bending of about two pebbles, Asbell And I'm using burnt umber, burnt sienna mixed and the water is very much in this one. So I'm just taking off, but avoid using this shoe and just going in. And actually you can see a little bit of green seeping into it, but that's all dry. And I'm taking a bit of golden ocher as me. You can use yellow ocher interested on your brush as a wise one, there are different shapes that are being seen. So that's when doing this part, the bond, this bond that I did on that, this offer. And now we have to add black to all the pebbles. As you see your people dry, you will understand how much more darker tone you have to add. And based on that, you have to work on adding shadows. Since I'm having a feminine elongated one on the right side of this table. I'm forgetting right now, I'm adding shadows towards the right side and the left side because it has, if I blow on top of it and to the right of it when most of the shadow is seen towards the right. So that's how you have to understand the effects of light and shadow. I paint along in your paintings does give more Rob. Realism feeling for your paintings. Feel tied such onto the floor and feeling that it is not coming out. Well, this might be the reason. The small one is some mixture that is there on the ballot and the green sheet I have taken. So you can add a bit of violet aspirin alone to it and make it sound different shade and left for the shoreline. So I'm just adding a diluted paint, the Soviet not wetting the backbone for this one, as I have already mentioned, and I see make up painting all the background with a lighter tone now somehow. So I just changed my plans and using madder lake red and just going ahead in the bottom and really continue avoiding your head in the sky. Well, and then we go veg on which shoreline maybe just continued doing so you will understand how you have your background without wetting the background so that they can light tinge of the valor and just apply it as I'm doing it right now. So this is one technique which you can paint your backgrounds without wetting your paper. So if you know what colors you are going to use for the background, so you can just evaluate those colors and then add it in the background. But more of water because people is not wet. So you want to go or I can lay off the bathroom instead of bar. Think of any reason we'll just have to dilute the paint and just avoid head on now building the bank loan as I'm doing it, I make sure that you are stopping the more amount of water where you're stopping your brush so that it won't dry by the time you pick up the paints on the ballot. So as you can see, I am putting more water and they just met, I'm stopping and then that is how to speak. Thank you. Also, if you want, you can add some more fluffy clouds are so I think it has become monotonous of malicious. First time I lingo the water area like I assume that the pebble is underwater, so that is why I'm running my brush on the parabola. Small, very light, very light. Hand. So don't pull your paints so much that the edges of the Babylon one, you have to make this a very light pink it was going to do when you're painting, just skip this boggle of funding your brush on your side, on this side. So feel Bevan, you'll probably be intact. But the balance that you have. And now I will be painting some call-outs and so does with a stroke. So how I'm doing a very small school, big strokes. As it comes down, you have to put it as a small strokes or an urban it is on the top you can get one big strokes. And I want to make this very cloudy look so that when we add the gushing water, splashing water, it will look very beautiful and so continue doing this until unless you feel satisfied with your sky. In the process, we have made the hardest hi Nashville horizon line. So just put this guy and I'm letting the water and we're almost done with the sky part. We will see how it looks once it has dried. So this is how it is done now, after drying, since I have listed some pain using the brush before bed, you can see some model, but that's fine. Now I'll take my gloss onto my palette and the boy hate and apply that gushing reviews as well as the lines on the bevel. This to be mostly dry brush technique and I'm using silver black velvet size six brush to this. This hasn't been a pointed tip. It didn't help me in my paintings. Alright, so I'm just taking a whitewash onto my palette and just guide you a little bit with them often. It's a kind of very milky consistency and I'm taking all the excess water since we have we want a dry brush. So I'm just running it on to the bevel. And if you have seen these kinds of swap papers where they will be white lines on them. So that is what we are trying to depict using this diversity IQ or a light wash. So since gosh isn't big medium, so if you draw on top of the line to be this white, even after just a boy hate add that these are lines on all the parameters. So these are some different kinds of pebbles you even find in particular places in the world. So that is the essence that and wait to capture in this particular project. Your dry brush techniques help form a danger to the painting so, so you can just avoid the bool sample, random dry brush techniques, but make sure you're not painting. It's like walking on the smaller pebbles. Ability to cancel with your brush. When. So don't do rigorous brush move wins. This is my tip because I sometimes the rigorous, that's fine. Now, but we will start painting that area below the shoreline where the water is coming in, getting this pebbles and splashing out so you can just stop. Now very dry brush on, onto the bottom pebble completely, but just make sure that the people who lost. So this is how I'm going to make this one unique. So such paintings comes from infusion or from the scenery that he's had seen some days before. It is very, very unique constants that come out. So just go ahead and brush all along. So just start on your brush on the go orange bought as well. And the third, as you can see from the horizon line, I am putting my brush strokes towards the elbow. So from bottom to the top so that this gives me all settings of water splashing onto it. So based on the direction of the stroke, you are trying to depict the movement of the water. So that is one important technique that we can take away from this projectile using white gouache. You can detect the motion of your water. And I'm not depicting much of water on the right side because from the left water's getting, if that is the case, on the right side, you won't see much movement of water, right? So and without splattering icon and the projects, so I'm just doing a little bit Delft was flattering and making my paper. But this is some part that they always love doing. So for these kind of projects are included with water-related ethics, it is important to have this splattering so that it gives somebody not to look to your paintings of you are done with this project. Once you are done, those flattering five, and I just move my mouse from the table and they'll give you all but a closer look to the painting. So we need not wait for it to dry because it is a dry brush technique and this planters, you just have to be careful about avoiding the paper and the rest all is the safe hands. So this is how the project has turned out. I particularly love that. Got one under the horizon line that's splashing water pot. That does my favorite bonds. And this painting is completely from my infusion and I'm loving it so much and more projects that left hand is the next project. 8. Rocky - Salt: Thanks Joe. All the gains of pebbles determined by the name and said, you know, figured out that it is going to be Jones. Does the boy, Hey, bad debate. The pencil, sketch? Just the editing team. Outbreak has to be learned. Going near the bottom one, I'm making a very big fibers and as I said, it is at all. Keep it Belle-V one. Kind of look for Ralph Evans and Rocky Mountain, things that are rocky shore. So big that you haven't got different shapes. Depending upon the balance that we're trying to capture. Almost about to be done on us. All right? So we always have to look back and forth. Seems proportion part and the end. And I'm done with my sketch and now the leading going to flying colors to this, I'm going to do background for this one to mean disappointed and guiding them to apply. For this, we need to produce water. So what we have done in that project, going back to the ribbon and then go and apply color on top. Maintain the little longer time. That is, maybe I'm doing this tip, otherwise we could have gone with this type of project, maybe have medically started the mix-up going downward sloping. Don't stress out for this project, for this lever because it just wasn't ready. So I'm just adding these two colors. Just trying to be extra fast. Just kidding. It was wrong about CNN. I picked up some mongoid in office so you can go ahead with the an offer and just dropping it in few places and I take a darker shade of land plaque along with one term, but you can leave it as cities. But since we're using this technique, I'm going to solve this snippet. We will go with them. Now. We will drop in salt on top of this. We can go ahead and work that. I have just absorbed in the salt. In the first level. I'm doing this because I want roping saw it didn't necessarily show can be attained. The menu drop it. So that's where I don't want my pencil to die off and moves the points shown before I dropped my soul. That's where the soils. Now I'm going to make the papers as you can see, the soul. I think, but that's okay because all these bubbles are going to be told me it doesn't matter. You have the whole thing. And even though the color that is being spent as very light color about defendants forehead and this is what I save and I always mentioned that don't stop. It is not exactly coming. Just go ahead and I just took a photo for my Delete and blue sheets so that they can use some color for this composition. Very diluted consistency. I'm dropping in just to make that. Once you mix all these bluish green shade projects, because as I already mentioned, this project is going to be most of the rules or do any less. Most of them all but CMM black and I'm just still adding this or things of different colors. Just give some definition. A unique ports hold on. I just took a bit of violet, mixed it with all land plant and just applying it. This is what I told. I'm mixing a little bit of others so that when the salty, the color is in the thesis is absorbed and the places where the feathers meeting, I'm making it dark, as you already mentioned, deodorant on this part of the power that so that it looks like vendors and moving with my daughter. She needs all on the bottom. I'm just dropping my lab. We have just stopped me. I have also completed adding darker tones. Before instead of evidence I got wrong, and now it's the day before. Oldest ones, but this time I'm starting from the top load of water and see, hey, that doping it. There are some, you can see how again, for me I'm going to combine. So that's in using both my gosh, I want that gap in-between. So I guess randomly dropping into August, see that? Instead of making it on a bit of violet to mix with the swiftly because I already talked about now the background is white. I know that the paint will be on. Dropping these medical me. Make sure that you are thinking he'll behave just drawing as dropping the color that I just don't meet a dog. No chance tonight. I haven't missed them. I am using Wave, be sure to know the color of the petals are joining. This is a step I can see part of this project. We are doing it while projects and making sure that we're managing it this way because of the shadow. So just continue doing the same technique that works all of this. I'm using my issue a lot of times. They remove the excess water from my brush phase. This is what you'll understand how much amount of water should be on the paper, how much water should meet with the brush. So all these things you will get to experience on what time and you can see nice fellows are being spun off from the bottom for prevalence bad, we have already put the sorry. So you're wondering why I'm putting the paint even on Bhopal, sorry. Did you give more depth and definition? Well, that basal forgot to put some numbers. She'd overshadow the song and then dropping it on the bottom when it is necessary. Obviously, I have some kind of spattering, by the way, is the project does not end. This dispatching wonderful course. You want to give more things for these small dots. Again to the unsolved by the salt, would prefer things done on this normally instead of dropping paint. So I'm just going to go back and show that it is water that because it shows that the effect of the shoreline processes for proudly have blocked out there it just on the shore live without forming a habit, just using a very light shade on. So I am just adding value or short area and then dropping it. So I realize now that after the opening, all the colors at all. So I'm thinking more colors and this is what I'm telling you can solve as well. This was solved my brush, I might not work for your next painting. Right now. I haven't just done drop-in fuel. Our machine as maintain the harmony in the water as well. You can see those bonds up perceive or may not be a very nice thing using the bushes. You can see this volume, since I haven't slept with them all pressures. In other cases haven investment. This project. I'm using both nationally. This thing. I'll tell you again how I am. So just make sure enough I won't know what a loaded on your brush with the students and staff. So that will give this kind of this whole dollar bonus. And I suggest that this applied because you will definitely love how this meaning with the knowledge and new environment. This is a really unique thing that I have explored myself in this particular project and I'm doping all over. Dissolve is pain, don't know, prefabs is dropping and enjoying painting. This is some of my entire thing is that the solid is robbed and nice texture hasn't been performed all the knee you can see a lot of granulation happening because of the salt. Wait for this to dry and I think I should stop matching. Seriously, I should talk. By David is really my painting, this vendor. So we will see this one, right? So this is just looking ones I eat, I have the sponge brush, which I'm dusting off the salt. And the salt is very hard so I have to scrape it off so don't worry if your veins are completely dried so you can go ahead and raise your hand off your salt on the paper as it is completely fine, it is the best way then the sleepers available. It will be similar to what I said, the stupid by hand as you can see, but sometimes and so on. So you can see the same. But just a couple of times to get inside, all the solids will be off from the people. That's the best of all the soil that you're done with. This. Explain to you how to find those things that don't form with the soil. Particularly this painting. Be exempt me, see if I can do for them and solve it using my goodness named Dan, Happy reading. 9. Conclusion: Thank you everyone for joining me in this class and learning all these beautiful day. And I hope you really enjoy knowing and exploring different techniques along with me because it's just not a one way to paint something that we can then put our face and we have explored the six types of them. Come into the details. Can this rocky when I have this flash, but it looks very natural. Lake water is hitting the spot. The dry brush technique is the way we have drawn this n elements with on top of the valence we have drawn before. And the drivers technique completely using dry brush technique but with one, the peaceful sheets, how you've done drama if the water was the first project where we have learned from the basics of light, shadow, and depth Netflix. And I really, really hope you enjoyed making and learning all of these projects. Continue your rocks with your own references in this theme or anything like that in which you live. And I'll see you in my future glasses and they won't give up your passion towards happy greeting.