Transcripts
1. Introduction: Hello to all of my dear friends. Welcome to the
pencil sketching and illustration course
for animal characters. An important part of characters
sketching for students is definitely sketching
the animal characters. In this course,
you will learn how to illustrate and
draw characters of different animals in a principled way using
geometric shapes. In this course, you will learn the characters
GetString of tiger, panda, bear, monkey, gorilla, raccoon, lion in different models and
different positions. I hope this course is
useful for you and increases your
design creativity. And you will enjoy it.
2. Introducing the tools: Hello to all of my dear friends. We are here again and
today we want to learn about the equipments and tools which are needed
for this course, which is characterizing
the animals. I would start with my at it. Because first symbol. We are going to create our primary sketch
for our characters. And I will do it with
the use of my edit it. And I would also
use b or B2 pencil. It is going to be
needed for our work. This is B and this one is B2. I've chosen these
pencils because our primary lines for our primary sketches are
going to be drawn lightly. And then we've made sure
that our work is okay, and it's correct in all aspects. We can use pencils with higher
numbers and fix our work. But for the beginning of it, it's better to start our
work with B or B2 pencils. Now, for our attitude, we also need this. And just pay attention
that the type of your edit and the type of
your lead or it's a tip, would be the same. So if you choose one of them, 0.5, the other ones
should also be 0.5. You shouldn't
choose, for example, 0.7 lead for 0.5 at it. And even if you can't see the
leader violated is to be. It should also
match your pencils. So you can create softer lines. Now, after all of these, we need obviously a
pencil sharpener. These are which have this kind of a case at the
bottom of them are the best because it will make
your work easier and faster. You would also need a
sharpener for your pencils. And after that, we
definitely need erasers. We would definitely definitely
need our dough eraser. This is a necessity. So you should definitely
have a dirty eraser. You can also have
pencils, erasers. I have the fabric
castle type of it. Something good about
these pencils is that at the ending part of them, they have it brush, venue, erase any
part of your work. You can use your brush to get the extra things off your work. Your work would not get messy. It would just make
your work easier. Can also use this kind
of brush erasers. But again, I say delivery
CR is a necessity and you should definitely have it or otherwise you can
note, do your work. And another kind of eraser
that you can have is this eraser that they have some kind of an eraser
tips inside of them. You can change them or wherever. Your work is so thin and
you want to erase it. You can use this
kind of erasers. So this is another type of eraser that you can
use in your work. Then another point that
I should tell you is that you can use this pencil
holder for your pencils. This can come to
use for you when your pencil would be
too short and small. Therefore, you can
place it inside of this pencil holder and use it. One of the most common problems that people have is that then, and pencil is short as small, they cannot properly use it, but this pencil holder
actually helps you to use your pencil still. I think this is also
necessary for your work if your pencils are
short or a small, okay? And we are going to have
some works with colors. Therefore, we need
some colored pencils. For the parcel. You want to use some shadings. You might even need a fader. We will just use this
fader limited oddly. But if you like it, you can use it more. And I also have a brush. Therefore, I can get
any extra things off my work so it would be clean
and it wouldn't be messy. My paper and my sketch
would know sketch messy. I use it, especially for the, for the times that you use. You want to use
color on your sketch because it would not let
your work to be dirty. And therefore, it wouldn't
make your colors look dirty. You can use 1212
number colored pencil, or 28 or even 108. Depends on how much
cost you have for this, how much you want to
pay for this stuff. And you can also consider
your colors more than this. It depends on you also need some papers for our work
and normal lie cheat. You can also use some
board that you can place it underneath your
paper and your hand. You can also have
some paper tape, and these are just
some accessories that you can have if you want. The board will be also
kind of unnecessary for you because it
would be placed underneath your hand
and your paper. And it will actually fixate, fix your paper on your
board so it wouldn't move. These are all the tools that
you're going to need for this characterizing
course of animals. And you can provide them.
3. Basic principles of animal illustration: Hello, My dearest
friends. We are here. We did course of
characterizing animals. We want to see what do we
need for the beginning of our course of characterizing the animals and what
things are important. So I would teach you a general structure
for the animal's head. We can consider this and
start this with a circle. The beginning of our work
is creating a circle. In general placement
of the head. This would be different
in different animals, but generally do face of most of animals can start
with creating a circle. Then we would determine the
placement of our animals jaw. And then depending on the
animal that you're working on, this area can be different. It can be bigger or smaller
than this. Either way. Based on the animal
that you're creating. This part can be different. For example, for a
rabbit or a bunny, This part is not too big
and it's not too small. A medium size compared
to the size of the face. For example, for the dog, you should create bigger nose. For a rabbit, you should
create a smaller nose. All of these that
happen in creating your face depends on the
animal that you're creating, on which animal that
you are creating. I would also tell you another
point is about the eyes. You can create the
eyes completely, simply, completely
simple, sorry. The shape of two
ovals like this. Or you can just get eyes closer together or
event in some animals, you can create the
eyes as smaller. All of these depend on
what kind of animal you're creating and it will differ from each
animal to another. But generally for the dogs, you should create
the jaw longer. But in some other animals, this is not possible. In the front view, it's not possible therefore. For example here this
would be to nose of a dog. And then they would
have the line for its mouth are almost also create a tongue
for it, for example. Then for this part
above the nose, we will create one or two lines in order to show the
depth of the job. Because in front view you cannot show the length of the job. But if you are creating
your animal in the side view or
three phases view, showing the jaw is
so much more easier. Example for this side view, depending on the dog
that you're working on, you can change the
shape of the nose. For example, you can
create it like this. Or you can make it
look like this. If this is your jaw, you can create your nose
like this in this shape. You would actually create the nostril for your nasal area. Again, I say depends
on the dog that you're creating and the view that
you are creating your dog in. It can have so many
different types, so many different shapes
for creating the jaws, the eyes, the nose, or even the mouth. Generally, you should
pay attention that which kind of animal
you're working on. Another point is about the ears. They are SS of animals. Again, depends on the type of animal that you're creating. You might, for example. You might be creating a cat. Therefore, you should
create a small ears for it. Or you might want
to create a rabbit. Therefore, you should create long and thicker ears
for it like this. Then with some lines you would definitely show the
volume of the ear. Then for example, for
inside of the air, you can use some lines
to show that inside of this ear we have a volume
at a depth or an event. Now we might have some
hair inside of it. You can use these
kinds of lines. You should consider that
everything that I'm telling you generally right now, we will actually apply them
in each one of the animals one-by-one in their own episodes and you might not worry
about it right now. I'm just telling you
the general principles. And then later I will
explain them one by one in each episode. For example, if I wanted
to create a mouse's ear, it would look like this. So as you can see, we have different types of ears, nose, eyes, even jaws, and so many other things. It really depends on what kind
of animal you're creating. But as I said before, most of the times is start
our work for the head, for it creating a circle. So this was about the mammals. But if you want
to work on birds, this structure of their heads can be elicited bit different. First, we should consider an oval for the
placement of their head. I mean, for the
most of the birds. But if, for example you
want to create a pigeon, you can start with a circle
for its head bug myself, the birds would be a start
with an oval as their heads. Then it was determined or placement of the
eyes and our birds peaks because birds have also, the shape of the beak can
be different in each bird. Exactly the same scenario Davy had for the jaw in mammals. We have it in beaks. For birds, we have them long, short, thick, or thin. It depends on the type of
bird that you want to create. If I wanted to give you
an example, for example, if I wanted to create a doc, you will create this oval. If you want to work
into side view, you should create
it speak like this. I will consider it a general
placement for the beak. And because you are
creating a dog, you should also come
inside of the face and determine these placements, but you will come up to this area and then
from this inner side, you will come out and in again. This would be deep
beak of a deck. From this side view, this is the placement
of the eye. As you see, for example, this is a structure
of duct speak. But if you want to create
power it for example, you should change the
shape of your beak. You can see DB, cough, my parrot is more
volume and it's chubby. Or actually, first
we will consider an oval and then you'll bring
it toward inside like this. And also from this side, you will come toward inside of the face and then
from the lower part, you will create the lower beak. You can also determine the placement of the
nostril on debate. This was about the beaks and they would also
differ from each other. And it depends on what kind
of a bird you are creating. You should definitely
consider this in your works. This was an explaination about the general structure and shape of the animals and
the birds heads. But I will explain them in
details in each episode.
4. General illustration of the first Tiger: Hello, love my dearest friends. We are here again with another
tutorial session for you. In this session, we
are going to create a tiger together and we are
going to see how it's done. All right, I'll
start with creating very simple shapes for
our primary sketch. And this way, we are
actually helping ourselves not to be afraid
or what we want to create. We can move and improve
our work step-by-step. I'll start with creating
a circle for its head. Then I'll create the line to determine the
direction of my head. I consider two
parts for my head. There is one part which is
at the top and it's thinner. I bring the direction
line down a little. And then for the
rest of the face, I will make more volume
with these lines. I want this area to be wider, especially more on this
side because our face is facing toward this side. We have to show that this
side has some extra volume in order to show the dimension and the
volume in our face. Okay, I'll create this line. The same shape as I
added to my face. I bring it down. And as you can see, my lines are turned
and Dave come down. Alright, now what
I'm going to do, I'm going to create another circle shape
for my tigers body. And then now their volume
for the rest of its body. The back part actually. Then because you
won't be confused. You can also create another line to determine
the direction of the bodies so we would see what is going
to be our whole body shape. We continue with this line toward outside of the body and I also determine the
placement of the tape. Okay. Now, I will determine the placement of the
arms and the legs. Just several long lines right
now because right now we are creating a primary
sketch and we just want to determine where our
legs and arms will go. You don't have to create
any details here. Then you can just add some
shapes over here to have the pause and our character
is primarily shaped. Later in detailing phase, you can add the muscles and all the details
that you want. I also determined
the placement of the legs in the same way. You should consider that because our body is facing this way, the legs and the arms
would also face this way. And if I create this line, I can show that where my
leg should be placed. I determine its
placement over here. And I create this one over here. We can know where we can finish. The other back leg. I'll create another
line to actually, for everything that
we want to do in our sketch, we use guidelines. Therefore, our work would be minimum mistakes
or non preferably. Dan, I will determine the
placement of the ears. One over here. Another one over here, and I create both of them
in the shapes of triangles. Then for its face. I will also determine a placement for the
nose and the mouth. Then I'll create the eyes. Just a general shape of them, not with any details. And then I'm just going to add some muscle on the
legs and the arms. Because I want the
shape of my body to be more shown and more complete. Then I'll start with an oval. Then with another old, I will actually join
these two parts together. Then we'll create
the paws like this. We actually connect all
these parts together to shape the arms or legs. I'll also do the same
for the other arm. I bring it down with
especial shape. I create the chest
area over here. I bring it up to the neck. We can know where our other arm starts and so it
can show itself. Then this overall
between, I mean, actually in the
middle of the arm. At last this would
be the other part. Let me try to create both
of them in the same shape. We should just consider that
if it goes into perspective, this would be more in the back, might be a little smaller. That's it. Now I would want to
work on my tigers legs, which are on the back. If you pay attention
to them, well, they should be a
little like hands. But it's most likely that they should go a
little bit more up because this is a tiger and
it has very strong back legs, they help it run so I will create some strong
muscles for the leg. Then I place the leg on its toes actually in this way. And as I said before, in the continuous of that, instead of us going
on this line, we go up and we create the muscles all the
way to the top. Okay. Then I'll do exactly the same
for the other leg as well. It's exactly the same. We cannot actually see this area which is on
the other side of body. But we are going to
create it right now. So we would know how much
should be created for this leg. Then with a simple line, all go down toward the pol. Then I'll do exactly the
same as I did for this like, the same shape will be
applies here as well. This way are general and primary shape
is almost complete. Then I would also create
my tigers back its neck. Then I move to its spot to
ending part of the body. And then it also creates some
volume for detail as well. This would be a
general shape for my tiger with general volumes. For this area. This part of the face, we go up. Actually the lower part of
the face, as you can see, is wider comparing to the
upper part of the face. Now I want to move on to add the details to my tiger
for next step, of course.
5. Drawing the details of the first Tiger: Hello to all of my
dearest friends. We are back wait to continuous of our work on our character. And this time we are
going to add the details. I'm going to start
with my tiger's head. Something that I should
tell you before I start is that we should have some patterns on
our tigers body and its face and the direction of these lines and these
patterns are very important. So we can show the realistic
aspect of our character. So if we create those lines
without any specific, specific direction, it would be very bad and it wouldn't
be realistic at all. So I'm just showing
the direction of these lines with
some flashes here. On the top of the face, we come toward both sides down. And for the ones for the patterns on the
side of the face. We come from the
side toward inside, I mean from the edges
towards inside of the face. These are the direction
of our lines. And from here, we
can come in again. And then for the body, we have a white area over here, which doesn't have any patterns, which is actually
a part of a neck, the chest, and it's the stomach. Also a part inside of the legs. And in these parts, we do not create any
lines or patterns. I would work on
this outer lines on the body towards
this side and again, this site for the legs
because we are going down, our patterns are also
going to go down. And we would do this
part like that. Then for our arm which
is on the other side, we should come toward this side. Until we get to the
bottom of the arm. It's the same error pattern
will continue the same way. Now for this area which
is actually the arm, it goes towards this side. Again, like exactly
like the other arm. As we did there. We can also create one line, the opposite of wrist of them. Now for the back of our tiger, the lines are
coming from the bag toward the inside of
the body like this. If you can see. And these are
actually the lines, the patterns on the back
which are going down. Then again on the back legs, we have the same pattern
as we did on the arms. From these parts. We go toward inside, like this one in the front. The last one would be
in the opposite site. Then I'll do exactly the
same for the other back leg, which is on the other
side of the body. I go to her insight. Then for its tail, the patterns would be like this. Four here it should go down
and for the end of it, it would look like this. These are the direction
that we should consider for our body. Now I'm going to add the
details to my body now. I will complete this stomach
line as well like that. Now for my character's face, I'm going to complete
this shape like this. That will create
the face like this. With this shape that I
had in my primary sketch. From this side, I go out
again and come in again. Like that. Then I
move on to create two ears and I
would also complete them just as well
as I did for here, as I did for the face. Now, I'll separate inside of
the ear, we'd only align. Then I will do the same for
this other area as well. I should separate
the outer part of the ear from the
inner part of it. Then for this inner
part of the ear, we can emphasize on it
more with this line, with actually
darkening this line. Now I would also determined
the placement of the eyes. I'll create a line
like this. Then. I will create the eyes in
their specific placement. Very precisely. Okay. Then for this upper
part of the eyes, we have some eyebrows, so we should place them as well. We create these
eyebrows very thick. Looking like that. We create the other
eyebrow like this. We created on this
upper part of the eye. Now I'm going to work on this
inner part of the eye and I would also create its details. Then the inner part of it. Pupil atlas. Then I can move on and
work on the other eye, which should be actually shaped like the eye
that we've just done. The shapes should be the same. The same method as well. Then I'll create this inner
part of our eye, the pupil. And then I can move on and
create my character's nose. Actually it's jaw
and it's nasal area. For this inner part. I will create the
shapes like this. Then with a line from
the medulla of the nose, I come down so I can
create my Tiger's mouth. For this part of our face. We should also
create a line coming out from Domino's
and toured done mouth because our face is turned and v should definitely show this volume on our tiger's face. So you have to show that
it's coming out of its face. Then for this lower part, I'll create the
shapes very easily. And also another line would
be placed beneath our mouth. Then I would work on the lines
which I should determine. For my face. From the sides. I go toward inside
and toward the nose. And also I'll do the same
for the other side of the face as much as you can
see it from this angle. Remember that this area would be placed white. I mean, this area
would be stay white. And the upper part would be orange if you want to
color your character. Now, I want to create the patterns that
I've told you about on my tiger's face and its body. We should exactly follow these flashes that
we've created. And we are going to
turn them two lines. And to the patterns. Then we are doing this. Work will be so much more
easier as you can see. They've made our
work easier to do. Just like that. I'll create all the patterns that I've placed
all over its body. Next line. From the other side also, we create deadline. Something about the lines
that I should tell you. That when you are creating the lines as you are going from the
beginning of the line. And to Demeter love it, you should create
a shape like this. You want to create
another line above it. This middle part
should be wider. And when you are getting to the ending or the
beginning of the lines, you should connect these
two lines together. And you're actually
making it thinner. You are reducing the width, a width, because this way it
would look much more better. And I'm going to do exactly
the same for the body. I mean that the
patterns that I've created with flashes
would be turned into lines and the flashes
will turn into patterns. Then from here, I come
to our legs, the arms. You can also create your
patterns in two parts, as I did here. For this area. We can move down like
this. For this one. As you can see, I've created this
line like that. I want to create some very different and
unique patterns. On here. We are going to create
very simple lines because we cannot see this
side of the body to match, so we cannot work
on them too much. I'm just moving on
the flashes that I've made exactly with
the same pattern. Because as I said before, our work would be done easier and our patterns
look like better. There are no two ordered and
they are not too chaotic, so it's somewhere
between the middle. I bring these lines down. From this area. I bring this line down so I can increase the muscles of the arm. Then I come down like that. Then I will show the fingers with these lines. Now I'm moving to create
the other one as well. As I said before, I'll do the same for the
other one, the same way. It's just that we
cannot see too much of this arm create the lines of the arms the same way,
the same pattern. You can also, if, I mean, if you want to color it, you can keep this lower
part of the paws white. Now if you pay attention
to the lines are churning as they come down because
they should match the angles. We have some volumes over here. And there should be
a twist and turn on them so the angle of them, the shape of them
would be correct. Also from this side, I twist it. Go in, recreate all of the flashes the same way
we continue all of them. We create all the
patterns on the body. As we move on and create the
muscles and details on it. We do the same for
the back and detail. Just like that. I create lines over here. And we would also create the lines which should
contain these patterns. Can also create some distance
between these lines and these patterns in order to show each one of
them better and more. So that depends on you as well. The way over your pattern
can be changeable. Can also create the pattern
zone to back this way. Then when you come
from the back, are actually creating curved and smooth
lines for our back. Like this. And this is it. This was our line. You can also connect some of these lines and
patterns together. For example, I can create
another line from here, and then we can add these two patterns
through each other, can connect to each other. We are just moving
on the flashes. We do the same. All over the body. We follow the same pattern. Can also go towards the end. You can make it actually thinner or
you can make it wider. As I said before creating it
completely depends on you. But there's something
that you should know. Try not to create all the lines
and all the patterns with the same shape because it will reduce the attractiveness
of your work. See, for example, I've created
this area with two lines and then I've created this
last line differently. As you can see, my
patterns are in order, yet they are not too similar. That looked like one
plane, meaning less shape. Then I'll determine the fingers
for the back legs. Again. In here I create the lines so we can show it has two parts. This is the shape of our tiger. Then you can also darken
inside of these patterns. You can color them
and make them darker. So that also depends on you can also do the
same for the eyebrows. You can darken them. This is our tiger, which is now complete. And by the way, we can also create
some whiskers for him. In this area. This is our tiger. Can also erase these
extra lines so your work would show itself better
and more as always. Just because her
work is very busy, our sketches very busy. You should be very
careful and you might definitely erase some of
the lines accidently. Bus, don't worry, you can always come back
and edit them and fix them after you've erased all the extra
lines and guidelines. If you have actually
accidentally erased apart, you can come back and fix it. This is our final result.
6. General illustration of the second Tiger: Hello to all of my
dearest friends. We are back again obviously than the
other tutorial session. In this session, we
are going to create a very cartoony tiger together. We want to see how it's done
and how we can create it. For soul. As usual, I start with
my character's face, which is a circle again. Then for around its face, I will consider a
shape like this, which kind of looks
like a triangle. I come down and I go
up from this side. Then for its body, from both sides of the line
that I've created, I go down. Then I bring one of them down. And I create this
one down again. All right. Now for this lower
part of the body, I create a corner
raised line going up. And I will connect
this upper part with the lower one with a straight line and
a separate line. This line is also for
our tiger's tail, which is going up. As you can see. Now. I'm also determining the placement of the
arms and the legs. Just like that with simple
simple straight lines. Both from the front I mean, both for the front
and for the back. Sorry. Then I would also
create this part of the arm with a very
simple shape like this. Now I want to work
on the other hand, again, I'll do the same
with two very simple lines. I bring it down. Then the hand and the Paul would look like a rectangle and they will
be placed like this. Then for the back leg, I am actually going to bring
a line down the back legs. And very straight line from
the back of the back leg, two or down like this. Then definitely we should
also create this line so we can check if our legs and arms are
in the same level. It won't be alike. One of them would be shorter or one of them
would be too tall. Same thing for the
other leg as well. Very, very simple shapes. I'll do this back leg as well. Again, I say, and I insist the same way that I did
for the other parts. Can also consider this
area a little bit thinner because it
goes in perspective. Or you can do it the way I did. The most part of
it is actually on the other side of the
body so we cannot see it. I've just created the
part where we can see these are the
arms and the legs. Now I would also
create two ears again, very simply as a ways it doesn't change for any part of it. Then I'll determine
the placement of the nose as well. Also. I shaped this lower area
with very simple shapes. Again. Now, for the
patterns on the body, we do not actually want to
bother ourselves too much. We try to create them
as simple as we can. Even some of the lines will be placed upside down
as you can see. And we are actually creating
these patterns very easily. And in this cartoony shape, you don't have to bother
yourself that much with the shape of the patterns as we did before for the other Tiger. Just be careful that they wouldn't be too disordered
or too chaotic. But you don't have to be as careful with them
as you did before. Also lay some of
them on the back. Very, very simple. If you pay attention, these lines also
have directions. We would not be too occupied with the lines and we just create them very simply. And the last part
would be on detail. And that will be it. That's the end of it. Now, on to the next step, I'm going to add the
details to my work.
7. Drawing the details of the second Tiger: Hello again. I'm back with the rest of our work on our tiger character, our second tiger
character actually, and we are going to add the details to our
character design. Alright, now I'm going to start
from my character's face. Obviously, first of all, place eyes on the face. I wouldn't know where
the eyes would be. Then the other eye
would be placed a little bit behind the nose. I want the eyes
to look this way. So I create the PO pills
on this side of the eyes. I can show the
direction of my tigers. Look. Dan, I'll add the
eyebrows because as you know, it's a cartoony character. So it will have two cute thick eyebrows
looking like this. Then the top part of the
ears would be like this. I've and made the other ear a little bit smaller
and I will darken this upper part of the ears the same way as
I did for the eyebrows. Then I will create didn't
Australia's for it? After that? I would work on the nose. The same way. Now. You can also create
two patterns for inside of our tiger's
face, like this. And you can do it
for both sides. Just like that. I created lines of the face. Then for this area, I'll do the same. Now I want to work
on my Tiger's mouth. First of all, I create
two lines like this. Then this would be
my tigers tongue. And also several
lines over here. I mean, several dots over
here for the whisker area. Then I'm going to shape
the body lines like this. Actually, it would
go on the lines that we have created before. We are moving on the lines that we've created in
our primary sketch. Just like that, just
as easy as that. We create our tail
at its patterns. You can also darken
the tip of it, the end of it, just
to give it a shape. And then I would want to work on the legs that this way I
will follow the lines. I would also create
delayed patterns and its lines like this
for my legs muscles. I will follow these
patterns again. These primary sketches as well. I will create the
lines, the legs, then I want to work on the arms. Like that. I continue my work. And then also determine the placement of the
fingers like this. And as usual, I'll do the same arm the same way that I did for this
one which is on the front. Because we're not seeing
it in a complete angle. You can create your lines little bit with a
specific angle. And as you can see,
they're not just straight. Then I'm going to
darken inside of the patterns on the
face and on the body. So DAY can show themselves more because these
lines are actually, these patterns are the most specific and
feature of tigers. I don't have that. Well. More look like a painter. So these are the patterns
on a Tigers body. Can do it with your pencil
or anything that you like. It doesn't matter. Even not do it. Depends on you on how you
want your tiger to be. But I'm just doing it in
order to show it's better. We create all these
patterns and darken them. This is our cartoony tiger, which is complete right now. And as you can see, it's very cartoony
and it's a lot easier comparing to the one
that we've created before. You can do either of
them that you like.
8. General illustration of the Panda: Hello, all of my
dearest friends, I'm back again with
another tutorial session. And this sign, we are going to create a panda bear together. And we wanted to
see how it's done. In just nine, we're
working on a panda. Well, I start with a big shape. Create a general shape for
the placement of the body. And now inside of this shape, I'll determine the placement
of the other parts. First of all, I will create a circle for my
panda bears head. This way. Then I will transform this general
shape to an oval. Actually, you can start your
work in many different ways. You can start with
general shapes or you can use your circle or oval, but at the end and
at last they will all become in one shape. I also determine the
placement of my bears hand. My pen does hand to call
it Panda from now on. Then I connect this
line together. Therefore, I will create
the neck for the other arm. Because it's obvious that our panda is sitting in this direction and
toward this angle. Therefore, we cannot see
this other hand completely. We just see parts of it. After that we've created general shape for the
other arm as well. I can work on my Pandas legs
which looked like this. They are chubby, little fat. I am actually creating
sitting panda. We're also going to create a Panda which is a
standing as well. If you wanted to do that, you should create your
legs are straight. But right now I'm creating this one in a sitting position. Then I move on to create
the other leg as well. Then I create an
oval for its Paul. And then I will
create a shape or this upper part of
the lake. Alright? These are all the
general shapes that I need for our body. Now I'm going to determine
the placement of the ears, some parts of the
body on the head. I will also determine the other ear like this
created like this. And then I show the placement where I want
to have my nose and mouth. And then after that
I can determine the placement of the eyes. Just like this. And I am going to work on the rest of the
body parts for this arm. I can also create a leaf. I can also show that this leaf is going toward the mouth
and he wants to eat, it. Looks more cuter. Then. I put the other arm on
this leg in this shape. Because the leg is more in front comparing to
the arm and the hand. We will complete the leg
from the back of the body. We come towards the
leg and we bring it in front of the arm. Because again, I say
this is more in front. We see this leg more completely comparing to the other
parts of the body. I would also determine
the placement of the fingers for
the legs here. I'm just doing it again. I say in a general
way, not details. Did I create a volume
for Paul for the leg? Then we should bring
the other leg up a little because we are
comparing it to this other leg. We should bring it up a little. And this is because we want our legs to be
incomplete balance. Then I will determine the placement of the
fingers and the nails. And then like this, I'll create the general shape. Now in next step, I'm going to add the
details to my work.
9. Drawing the details of the Panda: Hello to all of my
dearest friends. We are back. Wheat, the details
of our pound bearer. All right. I will start
from my Pandas head. I'll start creating the details and complete shapes
on my primary sketch. First of all, I'll create
the ears, obviously. Both of them, one on this
side and the other one would be on the other
side of the head. Then I would also
create this line for separating the
inner part of the ear. Then I'm going to create
the shape of the head. In a very smooth and soft way. I come down, I just create
a volume over here. I make this area sharp
and toured inside a little because I wanted to
show that hair texture. Then I'm determining
the placement of the eyes, the eyebrows, nose, and the mouth because
this is a panda bear for one of the most
significant features of it is this darkness
around the eyes. I create a circle around
the eye to darken it later. And then I create a pupils. I want my panda to
look to the right. So I create the pupils
in this direction. Then I'll do the same for
the other eye as well. First I create this darkness, this black area around the eyes. The shape of it actually looks like glass or
something like that. Then I will create my
eye inside of this shape and this design. Okay? Then I'm going to create
the darkness inside of, I mean, the pupil. Dan, I'm going to create
than those in this shape, looking like a heart. Then I work on the nostrils. I create the nostrils. I move on to create the mouth. I create one side of
the mouth going up. Looking like it's smiling. Because I want to have this
leaf inside of the mouth. First I create the leaf
and then I continue my mouth from above
and beneath my leaf. And then with line like this, I show that my mouth is
occupied eating something. Then I'll create the
rest of my leaf. Leaves, actually more than one. Then I create the leaves
alongside of them. Even we can create
some of them looking like worms eats in them. So just to make it
more realistic, make it more fun and
make it more unique. This is the leaf, actually, these are the leaves which
are panda is whole link. Then I come down. I want to show that our
panda is really fat. I create two curved
lines beneath the mouth. Like this. With another line,
I will separate to face area from the neck
and the rest of the body. Then I'll continue with a line
for the back of the body. All come down completely. Then in this shape, I continue to lines of the leg. And defeat would also create this inner part
of the leg like this. Because this leg
is more in front. Comparing to all the
rest of the body parts. First of all, it should
be definitely bigger. The designs of the bottom of the pot are also
very clear to us. I create this pattern does
design for the bottom part of its Paul panda. Now, I'm going to work
on the nails as well. I'll create them like this. Right next to each other
on our primary sketch. Just like that very easily. Now because this leg is a little bit further and
more in the back, this leg should be
seen actually smaller. And I can even put some part of it
behind my Pandas belly. We can also show the leg
even a smaller than it is. Because this leg should be seen. Smaller and less of
it should be seen. So I'll do it
because we've talked about it before and it
goes into perspective. Then I'll create
this inner design. The foot of the Paul. The rest of the
pattern goes behind the belly and we
cannot see it anymore. I will also determine the
placement of the nails on this leg as well as we
did for the other one. Just pay attention that
you should keep tuple of the nails sharp and the
bottom part of them, the ending part of them, which connects them to defeat, should be very smooth and round. Denier create the twist
of the leg like this. With this line. We've created this
leg bigger and more clear because it's more in front and the other one
goes into perspective, So it would be smaller
and less clear. And we also create a nails, three of them right next to each other with very sharp tips. I want to work on
this other arm of vibe handle which is
holding the leaves. I turned the arm. Then I will actually show
the nails over here as well. It's like it is holding these
leaves with its nail is, I'm going to create them
on the leaves here. I would also create
another finger for the other side
of their nail. Looking like this. This time we have for
nails, four fingers. Then with a simple
line you can show the volumes pretty
well like this. Then toward inside of the body, we can add this side of the arm. Then we can also give some volume to this
stem of the leaves. This is actually the
lowest part of them. The lowest part of
stem of the leaves. I'm going to work on this
inner part of the bailee, which is going to stay white. And I also create
this other arm, which we can note C completely the same procedure
and the same shapes, created another curved
line over here. I separate this area
because this is also white. These are actually really
important when you want to color your character
and they can be really, really helpful for you. So that's why I'm
telling you this. I can actually
hatch these areas, shade these areas, and later, I can show you what do I mean? Wherever we need a darkness and black colors and
wherever we need white. If you're working
in black and white, It's not too important. But if you are working with
colors in New York coloring, you should pay attention to
these very little hints. Do this for the other
leg and both arms. Both legs in both arms. Then this upper part
of the body like that. So this is our panda
bear character. Now I'm going to use
my eraser and erase all the extra and guidelines to have a very clean result of our very cute and
chubby panda bear. Again, as usual I say, do not worry about accidentally erasing
some of your main lines. I mean, try not to do it, but if you accidentally done it, don't worry, you can
come back again. Always. You can do this and
fix your main lines. One more time. We also erase this area
of the leg which we said is behind the
belly, stomach. This would be our
final result as a panda bear can also create a curved small line
for inside of the belly.
10. General illustration of the Bear: Hello to all of my
dearest friends. We are back again with another
tutorial session for you. In this session, we
are going to create another model of
panda bears together, or even another model
of bursts together. This time, I create a
circle for my Bears head. As this starters. I create very big
oval for its body.
11. Drawing the details of the Bear: Hello to all love
ideas, friends. We are continuing our work
on our polar bear character. I'll start with adding
the details to my bear. I started from this top part. From my ear. I'm going to create the ears
like this very round and aligned for separating
the inner part of the ear from the outer part. Then I created this
part of the head, the top of the head. I moved toward the other ear and eye shape to head like this. And I turn it a little, bring it down right
next to the eyes and go out and little
to create the trick. Then I move down
to the chin. Here. It actually connects the neck. I mean, our head is
connecting to the neck. I would also shaped the
other ear like this. Also create this line
for inner part of it. Now I'm going to create my eyes. And I'm going to create them
more specifically like this. And I want my character's
eyes to look this way. Therefore, I create the pupil, this side of the eye. Then I move on to the other I created with the same level as I did for the other
one on the other side. It just be a little bigger because it goes in perspective. Then I also create a pupil
in the same direction. It's like they're both
looking the same way. I mean, both eyes are
looking the same way. Then I work on my
burrs eyebrows. I would also create the
other eyebrow in this shape. Then I will darken D eyebrows. Can also darken this line
above the eye a little. Not too much. Just emphasize it
on it a little. Now we want to work
on the nasal area. This would be its nose, this would be the
placement of its nose. Looking like this. We created easily. We also create didn't nostrils. Then I can move on to create mouth and I'm going to
shape it like this. I go, I mean, I come down from the middle, then I go up to create
a very beautiful smile. Then from between my two eyes, I come to this side, to this side of the
face and then I connect my mouth
line to this line. Then I create another line into continuous
of that downward. And I will finish it in the middle of my
upper part of the mouth. This would be actually my
lower draw, my lower lip. Then from this lower area, I'll create a line
and then I create this shape for the bottom
part of our mouth. Then we also can create two very tiny yet funny
teeth for our bear. Den inside of the
mouth would be dark. Be better. Now, I'm going to start from the
back of my bearers ear. And I go down. We can have a very rounded face. For this lower area. I bring this line toward
inside of the neck. Then from the back of the
neck like this remove. And we get to the bank. Actually a prominent area. Then in this part, we can use some lines and create some volumes for our bears
hair texture actually. Then from this part of the back, I go to the end of the
body and toward detail. Like what you see I'm doing. Determine the
placement of the tail. I create the tail. From a little bit above. We come down to create
the buttocks area and until we get
to the back leg. As I did for here. Then again, we can
use a part over here. We can actually make an
extra parts over here to show the hair texture
on our bearers body. Then we create the pause. As you can see. Create our just as easy as this. We also created this area with two lines because we
want to show that there's a wrinkle over here
for the foot or the leg. Then like that. We continue and we
bring the leg up. For this area of foot. We consider this place for
the bears nails actually, which would look like this. This one is closer to us, therefore, it's also smaller. Then I'm going to this area. I'll create my
bearers a stomach. Then I create this opera
line for my burrs. Stomach. Looking like this. This would be the top
part of its stomach. They have big bellies. And we just repeat the same
procedure for the leg, which is on the other side or the hand which is
on the other side. We also create some lines
to show the wrinkles. And at last, we will
create the nails, which actually represent fingers here in these kinds
of creatures. They have paws, so they
have nails as well. Okay. All right. Now I want to create
the arms of our bear. I start line a little
bit from above. Then because we
want to show that our bear's body is
covered with hair. We are going to create these patterns to show the hair texture on
our bird's body. As we move down the arm. Actually, it would be
a shape like this with just some patterns to show
the texture is better. Then for the arm area. And for the hand, for the pop. Again, I'll create
some wrinkles. Dan, I created this
front part of the arm. We bring it up and we make
it thicker and wider. I also create a line over here just as a presenter
of the volume that we have over here
because it's a buried has very big and strong arms. So we should show that in our sketching and
are characterizing. Then I will add two nails. I said before, I'll continue
this until the last one, which is seen less and smaller actually
comparing to the other ones. Deny want to create
the other hand, the other arm on the
other side of the body. As I said before, there are no differences does
procedures are the same? I just create a very
straight coronary lines downward and from the back I will have a curved
line come down. I create deposit. Obviously the
wrinkles on the hand. Just like the rest of them, as I said before. Then at last, I would
place the nails over here. In this way. This is our polar
bear this time. Maybe it's a grisly, but I like to call
it a polar bear. Now, I'm going to eliminate and erase all the extra
and guidelines so I can show itself
as the way deserves. Because I'm sure you've
created it as great as I did. I'm going to erase all these extra lines,
all these guidelines. This is our polar bear character or our grizzly bear character. Much of a difference. That does is it finished.
12. General illustration of the Monkey: Hello To love my
dearest friends. We're back again with
another tutorial session. This time we're going to create a monkey together and we
want to see how it's done. Well, monkeys are
usually on top of trees. We can actually create our monkey character in a way that one of
the arms will be hanging down a branch of a tree and the other arm
will be loose in the air. So I'm going to start with
creating a general shape for my monk his head that is going
to be a circle as always. For the head area. Then I'll create, I
actually add an oval to it for my Monkey's mouth. Actually create its
face into parts. Then I'll determine the
placement of the ears. And because monkey has a
phase similar to a human, we are going to
create the shape of the monkey's face,
similar shape. And then we separated
into parts for the general shape of my monkey's body because
I wanted to show that my monkey is hanging
from a tree, from a branch of the tree. Actually, I'll create the volume of the body as the
shape of this oval. Then for the lower
part of the body, the part which contains the
buttocks, legs, and tail. I'll create another oval. Just as you can see. I'll create this arm going up
and hanging from a branch, create an oval for
its arm, shoulder. Then I go up and then
I create another joint to arm is actually
meets the elbow. I'll continue this
arm area until I get to the wrist and
the palm of the hand. But because our hand
is holding a branch, we are going to create the
fingers in a bent way. It's actually dead
grab pink style. It's grabbed the branch. Right now I'm just creating
general shapes, don't worry. I also create a thumb over here. Next step, I'll create the details in this area which
I've created a distance. I'll create my trees
branch like this. This is a branch that my
monkey is hanging from. Dad. We've determined the
placement of the arm. I'm going to create
the other one as well, which is on this other side. It's loose and it's
not hanging or grabbing anything like this. Then the wrist like that. Then I'll create the fingers
and very general shape. Then later I will
add details to it. Now I'm also going
to create the legs. They are also on the hair
because our monkey is holding is hanging
from a tree branch. Therefore, even the legs are in the air and
they are loose. Just like that. I'll determine the general placement
of the leg. I created the other
leg from the back. Then for this area, which is actually defeat, I create a general shapes. So later I can
create the fingers. Monkey-like has acute Taylor, which we do it like this. We created like this. And most of the
times almost always. And detail of the monkeys are turned and
twisted like this. So we tried to create
them the same shape. This is a general shape of
our body and our monkey. And I'll create a guideline
for the direction of my face. Determine the angle and the direction of
my face like that. That determined the placement of the eyes like this. Then I'll determine
the placement of the nose and at last the mouth. This is the general shape
for our monkeys character. That in next step I'm going
to add the details to it.
13. Drawing the details of the Monkey: Hello to my dearest friends. We are back with the continuous all of our work this time we are going to work on the details
of our monkey character. I start from this arm
hanging from the tree. All right. I will determine the placement
of the fingers at first. I mean, I'll will
create the fingers. I only want to create three
fingers for my monkey. So this would be
my first finger. Then I will create
the next finger. Just come a little bit lower. And then I start my second finger because
I wanted to show that it's gripping something,
it's grabbing something. And then for the third one, I also again come down a
little and I start lower. And I bring it down like this. Because on this finger, you can also see the nail. Create a nail on its
finger because as I said, they are very similar to human. They also have nails. For the other fingers. I just created lines on each parts and eat
joints of the finger. And then we are going
to have our thumb, which is covering the
other two fingers. And that is why we can not see the nail area on
this two fingers. I create the thumb to the wrist. I created also a curved line to show the palm of the hand. Apart is behind the branch, so we can not see it. And we start from the
continuous off that. And then we create
our hand completely. I'm also going to
create the name for my thumb because you
can't see it clearly. Now, I also want to add some details to this
branch that I've created. I can add some leaves. Then I can also create some
lines around the branch because we want to
show that this is a branch that are monkeys
holding at first. And then second of all, we want to make our character more unique
and more complete. I create some leaves on it
and some twisted lines. Also another leaf
can be placed here, this side of the branch. And this is the branch
that it's holding. Now I'm going to continue
the hand downward. Like this. I'm also going to create some lines in order to show
the volume of the hair, some textures and
patterns actually, because I wanted to show monkeys bodies
covered with hair. From this side again, I come down and then
I make it wider. As you can see, it's wider
comparing to the wrist. The arm would
definitely be wider. There are also some more
lines because we want to show the difference between
DRM and the rest of the body. Now I'm going to start with my monkey's head for this
top part of its head. Actually going to create
two parts of hair. Because again, it shows
the texture and it looks way more cuter
and it looks fun. Then from here I come down. I continue the same line. I twist a little toured inside. I turn toward inside a little. Dan, I get to the chin, I go back up again. And then again I go out to connect it to the
line where I started. So we started from here, we created the
hair, we came down, we went down and inside, over here until we
got to the chin. Then from this side
again we went up. I came out and outraged
by starting point. This is actually. Around the face. Then I'll complete the ears. I'll create a line
inside of the ear. Then. I would also create
the other ear as well. Shaping it like this. Actually this year
is a scene more completely comparing
to the other one because this one
is closer to us. Considering the
direction of our monkey, the angle of our monkey. Now I want to work on this
inner parts of the face. I start with placing
the eyebrows on this top part of the head, this line that we've created, but on top of it. Then from here down, we go down from here. And then toward inside. Just like that. I will move on to the
other parts of the face. And I go up again. What have we done? We have just created whatever we've seen
for inner part of the face and we've
created them very easily. I'll create my eye like this. Then I'll create this
darkness inside of the eye. This way. My monkey is looking this way. Then I also create the
other eye and I work on it. I also create the other eye. This way. I created the pupil in the same direction because I want my monkey to look this way. I darken the upper eyelid
a little bit more. Then I move on to the nose. And I create my monkeys
knows. This way. Then. I will determine the
placement of the mouth. Like that. It has a very beautiful
a smile as you can see. Then for the arms area. I mean, for this other arm, create these curved lines again, some hair textures on the elbow. Then use several lines to separate the wrist and the hand from the
arm and the body. Then I create the
fingers like this. I also create the other
two fingers toward inside. Then at last I'll create the thumb to the
back of my body. I move down toward the tail. Then in this area
because we want to show that it's actually hair, I'm going to create
several lines. As here again, I come down, I create some volumes to
show the hair texture. For this part here. For its spot. Again, I create a
line, a curved line. And then I'm going to create this line on the leg and then I move on
to the foot. Again. I can see it's
possible I will add these patterns for
the hair texture. Then I will create this
fingers and the lower part of the lowest part
actually of the leg and the finger which
is coming out. Alright. I would also determine the
placement of the nails. I'm actually creating them. The other one cannot
be seen because we are actually looking at
the back of the finger. This would be our last leg
which we created like that. Again, we will
determine the placement of fingers like this. Then we create foot and we
go up to complete the leg. We also create a nails that we can see which are
visible to else. I create these nails as well. This is our very cute
monkey character. And at last, as you know, as we always do, I'm going to use my eraser and erase all the extra
and guidelines. We can see our final
result in a way more better and clearer
and clean airway. I erase these guidelines. Would look like this. Character is finished,
just as easy as that. So this is it. This is our final result. Are very cute monkey. We should add another line to separate this inner part
of our monkeys body. I mean, we can separate
the chest and the stomach from the rest of the
body. That's it.
14. General illustration of the Gorilla: Hello to all of my
dearest friends again, I'm back with another
tutorial session for you. Well, in this session
we are going to create a gorilla together. Alright? Well, first of all, I'm going to start with
the placement of the head. To create my gorilla. As always, I create a circle. Then for its body, I will create a bigger circle, as you can see right now. Then for the bottom
part of its body, for the ending part
of its body, again, I will create a shape which is more like an
oval than a circle. Then I also determined
the direction of my body. Actually this is the direction of my gorillas head and body. I just showed it with a line. I'm going to create a general shape for the
rest of the body parts. For example. I have to create the arms which are going to
look like this. Should also be big. I'm going to do this with two ovals right
after each other. Then for its hand, I will create a smaller oval. And this time I'll
create it horizontal. Then for the other arm, which is on the other
side of the body, I'll do the same. I'll create two ovals
on top of each other. But you should remember that when we want to
complete our character, only half of this
oval can be seen. And the risks of
it is hidden for us and we cannot see it. Then I'll create a second wall. And then with a line, I determined the placement of my second hand because they
have to be in the same level. Okay? Now I'll work on my gorillas legs and I'll
create them as well. Because you want to determine the replacement of the
legs more specifically. I will have to bring this
oval little bit more inside. I put it in, it's more
correct placement. Then I can start shaping
my gorillas leg. After I've made my oval
in the correct position. I created this leg like that. The legs obviously should be more in behind comparing
to their hands. I also create another line for its direction
and for its level. So I would know my
legs would only continue up to here and they
shouldn't come more forward. I also determine a
placement for the foot. Then I go back up or the lake. Two lines. I showed the leg. Okay. Now I'll do the same
for the other leg. And then again, as you can
see, with another guideline, I will level my other leg, which is on the other
side of the body. Looking like this. We only see a little
part of this leg and the rest of it is
actually behind the arms. These are the placement
of the arms and legs. And now I'm going to create
a part on the top of my gorillas head and then
I bring it down toward the back, like this. Then I get to the gorillas back and I
connect it to the back. This is a general shape
for my gorillas body. Now I want to work
on the details of my gorilla yet before that, even in this step, you can also complete its
face a little bit more. You can determine
the placement of some face parts, for example. Right now, I am going to create the eyebrows
as you have seen. First of all, I'm going to determine the angle of the face, the direction of
the face like that. Then I will create this upper part of the face of our part
of the head actually, which is the start of the face. Now, we then align and a shape like this will
determine the placement of the eyes and
then we determine the eyes themselves like this. And then for the
rest of the body. I'm going to work like this. I'll determine the general
shapes for the face. Then this would be
our gorillas ear. And obviously this would be its nose and this
might be the mouth. Then for the details, we are going to move
on to the next step. This is the general shape.
15. Drawing the details of the Gorilla: Hello to all of my
dearest friends. We are going to continue
our work on our gorilla. In this step, as you all know, we are going to
add the details to our work and create the
shapes in there, correct. And specific placements. As usual, I start from
the top of the head. Then I move down. Then for the face. I'll determine the
placement of the eyebrows. I mean, I create
the eyebrows with darkening them and
little like this, and I shaped them Alito. Then, the same shape that
we've created, the eyebrows. We are going to move down and
toward inside of the face. And then from here, again, I start going out toward the ear and then I
go down towards the chin. And then I'll create the ear. Distance from the face. This shape like that. We are actually showing that our ear is placed
among the hair, which is covering
our gorillas buzzy. Then I'll create the eyes. We also at the PO
pills over here. Inside of the eyes. I darken the upper eyelid. The line on the top of the eyes. I move on to create
a nose like that. Nostril should be placed
here because again, nostrils are one of the most
famous features of gorillas. Then I complete its
mouth like that. Smiling and maybe even laughing. I'll do the lower part of
the mouth as exactly as I did in my primaries sketched and I determine
some teeth for it. And as small tongue, man, I darken inside of the mouth so I can
separate the shapes. Then on this side of the
face again, I come down, I go out and then I come
down again towards the chin. For this inner part. I come down out in again. This would be the inner
part of our face. And for this area I come down and I'll
determine the neck. I also create another
curved line for the neck to show the wrinkles and
the volume over here. I can also create a
small line beneath, below the mouth so we can show its chin and we can
show the volume better. Alright, now I'm
going to work on my gorillas arms and legs
and create them as well. I'm just playing with shapes a little over here on the arms. So I worked with look more
attractive and as you know, it's a gorilla, so it
has a masculine body. I'm just playing with
the shapes to show the muscles more and bigger. And in here, I'll create
palm and the hand. I also shaped the fingers
and the nails like this. Very easily. The last finger is
not seen completely. Now I want to start
the other arm. I come from behind the face. I come down. Then I create the arm. And again, I go on
to the hand and move on to the hand
and created as well with the fingers and nails. This would be the thumb and
the rest of the fingers. You can see a small
parts of the nails and the next finger would
be completely behind. Then for the rest of my arm, I create a line. Then I create the inner
part of the body. I create the chest. As I said, gorillas
have lots of muscles. So I have to show it with
these lines and shapes. This is his breast, which as you can see, also has muscles like the arms. And I go to the back
of my gorillas body, I create this line for its back. I come down. This would be the back and
the ending part of the body. Then I get to the legs. This bar dad we've created
inside of the body comes from this part of the
arm toward the stomach. Then we return, it goes back in. So these two lines would
connect each other, but this arm is
actually hiding that. Continue the leg. Like this. I also create some toes
for him and some toenails. Recreate the fingers and nails. We go up from the other
side of the leg and we get to beneath the stomach. And we do it as same for the other leg we
created like this. And as I said before, you can only see a
small part of this leg. You just see the
biggest toe nail and the rest of the fingers
cannot be seen completely. That's our other like. Okay. I also going to show you the parts which
are in two colors. We have inside of our
face and our ear. Breaths then Islamic and
inside of the hands, the palms are actually lighter comparing to the
other parts of the body. If you want to color it, we want to call
her out character. We have to create these parts lighter comparing
to the other parts. First, I'm going to erase all the extra lies and
guidelines from my work. So it would be clean. I will shade some parts
of my gorilla a little, would see the difference. The airways, these extra lines. Because we want our
character to show itself. Do you know which lines to
keep and which lines to erase? You should know that. It
should just keep domain lines. You should erase all the
extra and guidelines. At the end of your work. Like what I'm doing right now. You see, now our
gorilla looks more complete and more clean and
beautiful, more attractive. Now that it's done. First I get all the extract
of the eraser off my work. Then we are going to shape the parts which are
actually lighter. You would know when you want
to color your character. If you want to color
your character, you should color
these parts that I'm shading with lighter colors. You can do it vice versa, but I'm just showing you this
way because the dark parts are C. I'm going to shade the parts which
are darker for you. It would be easier for
you to understand. I am shading the darker parts and I'm keeping the
lighter parts so you would know where
and how you should color if you want to
color your character. I'm just using some hatchlings. As you can say. Anything hard or special. Just shading. And I get my gorilla out of
its one plain color. That's it. This is
our final result. I hope you've enjoyed it.
16. General illustration of the first Raccoon: Hello to all of my
dearest friends. We are back with another
tutorial session for you. In this session, we
are going to create a raccoon together and we
want to see how it's done. You want to see
how we can create a raccoon on a piece of paper. All right, I'm
going to start with creating a general
shape for my character. Then with a circle, I'll determine the
placement of the head. And then with an old wall, I create the placement
of the body. Just one thing about a
point is that you should have started this oval
from inside of the head. And oval one side of
our oval goes inside. And you might even say
it looks like a bean. See, it looks like a beam. We create a curve on top of it. And then I determined
the placement of a tail for my raccoon. I create this shape
for its tail. Has a puffy tail. Alright. This is it. Now I am going to create some
more shapes for the head. I will determine the
placement of the ears. Like this. I create a triangle over here. One of them would
be seen completely and the other ear cannot
be seen completely. The other one is on the
other side of the head, so we can only see parts of it. Then determine the placement
of the nose and the mouth. Shape like this because
we wanted to show it's coming out of the
face and it's not flat. Then I want to work on the arms, on the arms and legs. And I will create them with
a general shape as well. Then I create this little
Paul for him or her. Then I want to create the other arm which is on
the other side of the body. You can, again start from here. Because you would know that the Rs would start
in the same place. But I want this arm to come out from the back of this one. For animals zoo wanted to
show that they are walking. We place one arm in the
front and the other one a little bit more
behind because we want to, we have to actually
keep animals balance. Den with within line
would determine where we can put our back legs. Now, I'm going to create a general shape
for my animal leg. And then I create Paul
for the leg as well. Then I move on to the
other leg and I created like the arms that I've created. As you've seen. Again, one leg is more in the Hine and the other
one is more in front. But again, these two should
be placed in one line. They should be level. Our animal can keep
complete balance. Alright. Now that we've
created general shape, we have to move on to
the next step, add, we are going to add the
details to our raccoon. But before we do that, I can also determine the
placement of the eyes. This would be the place where
we can create our eyes. I mean, its eyes. This is it. Then we create the
eyes inside of this area with this shape. That's it.
17. Drawing the details of the first Raccoon: Hello, friends. As you can see, we're
continuing our work on our raccoon character and we are going to add
the details to him. Well, as usual, we start
from the top of the head, which is a little bit above
the beginning of our ear. We start creating our head. This shape with a curve
over here above the eye. This prominent part which it
kind of gets to the eyebrow, I can say to the forehead. This area I want to create
my raccoons eyebrow. As I said. It would be a little bit more prominent comparing
to the other parts. Now from the side, I come down, I determine
the placement of the eye. And then from this side, from behind the face, I come out a little because
I wanted to show its cheek, which is covered with fur. Then with a line
from the side of our I come down and I
get to the jaw. This would be our nose. In the front of the jaw here. This little cute thing
would be denosumab, raccoon Dan, I also create
one of the nostrils. And then from behind
your nose I come down. Then I turn inside. I turn and move toward inside. Then I'll create the mouth. From here. Also. I come down and out of the face. Then I turn it. I go up to shape the
lower jaw, the lower lip. So my mouth would be complete. Dan, I create another line right next to the line
of our lower jaw. We make the turns and
we go towards the neck, and then also the
rest of the body. Now, I would also create too small and little teeth
for our cute raccoon. Now, for determining DI, I will move like this to determining the
placement of the eye. Then I move on to the, to get to the eyebrows. Here, I'll create my
second eyebrow over here. In these shapes. I'm going to create the eyes. And if you just
create these shapes, I mean the eyes, the eyebrows, nose, and mouth. If you create them step-by-step, it would be really easy for you, don't worry about it. Then I create this area from the side of the face and
then I move on to the neck and with several lines create a volume for
my animals face. As you know, its body and its
face is covered with fur. And I show, I tried
to show this texture. Then I go back up to the top of the head where I began my work. Then I'm going to create
the ears like this. One of them looked like this and the other
one which we can see completely is going to be
placed here. This shape. Then I separate the inner side
of it from the other side. I also go from the
edge toward inside. I can show it has some depth. Now I will create the eye, so I'll be finished
with the face. Obviously, I should also create a pupil
inside of the eye. I want the eyes
to look this way. Therefore, I create
them in this position. And I do exactly the
same on the other side. The other eye. Okay, now I can move on to
the body and create the back. With one line. I go back and end of the body and then
the back of the leg. And also from the
front I create delay, sorry, I create the arm. Then to the hand, which is actually
a pall over here. Then I go back up. Also determine the
placement of the fingers. And I'll do exactly the same for the other arm on the
other side of the body. Fingers over here. Then this would be our stomach, which I make it more complete. The other line which separates our stomach from
the rest of the body. I create the legs. This would be our first leg, which is more front to us. I make it a little thicker. This sorry, I said front to us. I meant that this leg
is more closer to us. Dan, I'll determine the
fingers on both legs and I'll create the other
part of the leg that we can see on the other
side of the body, which is not too much. Then at last, I want to work on my raccoons and completed. Again, I make it
wider and thicker. Then with some curved lines, I create this strips that
we have on the right Koons. Taylor. If you're paying attention, raccoons have a pattern on day or tail which look like this. This is a tail and we've also completed
the rest of the body. Maybe just some small details. This inner part of the phase
should also be separated. This is raccoons body, which looks like this. Now as usual, I'm going to erase the extra lines and all the guidelines that we
have from our primary sketch. Our character can show
itself and can pop out. This way our character
would be completed. We should also keep this
stripes that we've created, these patterns that we've
created for the tail. Don't forget about it. I mean, don't erase them. Because we need these patterns. It's very important
that when you want to erase the extra lines, you would actually
figure them out and separate them
from your main lines. Even if you forget
a line to erase, you can see it and
erase it at last. Our wherever you've erased some main lines accidently
or make them lighter, you can come back
and fix them again. Now for the mouth, I create another tooth
on the lower jaw, and then I create its tongue over here and I'll separate
it with a curved line den, I darken the rest of this space. Like this. I shade the rest of it. Then this inner part of the eye, except the eye itself, would be shaded as you've seen, one of the most
significant parts in raccoons are their eyes. In this area that V, for placing the eyes, we have to shade it except
the eyes themselves. Then I shade the outer
parts of the ears. The nose would be shaded and for detail because
it's in a stripes. We are going to
shade one of them and leave one of them on
colored and untouched. Then shape the next one. Again. You can actually showed a pattern that you
want over here. Then you can also shade
this lower part of the legs and the arms. Like what you're
seeing right now. Actually shading all four paws. That's it. This is our cute little
raccoon character.
18. General illustration of the second Raccoon: Hello all of my dear friends. Well, as you can see, we're back with another
tutorial session. We are going to create
a cartoony raccoon, so you would know how
to create that as well. You might've seen
this shape in lots of cartoons that
include raccoons. Obviously, I started with
my raccoons head like this. And then for the lower
part of my raccoons face, I create a shape like this, which is wide and cute. Then I will place
the ears over here, one on each side. As you can see, I'm
looking at my raccoon from a front view and we can
see the face completely. Then I'm going to create
the eyes over here. Then this would be
displacement of the nose. Then I create this
shape of its body, the general shape, of course, we are going to add the
details later. Then. I'm going to create the arms
also in general shapes. And the other one, the other arm would
be placed here. Going to create these
general shapes. And then later when we
want to add the details, we can also shape it completely. And at the same time we can put them in there more
specific placements. Then we create two
legs for our raccoon. Like this, we create a line to check the level of the legs. It should be equal. And then, well, it's not a raccoon without its
beautiful big tail. So I'm going to create it here. Like it's coming, it's coming out from behind all of the body, the back of the body. These are shapes and it's
a primary sketch for now. This is a general shape
for my cartoony raccoon. Now in next step, I'm going to add the
details to my character. I would also separate this
in their part of the body, the stomach and the chest area, and also provided from
the rest of the body. Now I'm going to
add the details.
19. Drawing the details of the second Raccoon: Hello, My dearest friends. I'm back again with my
cartoony raccoon character. And now we are in
detailing phase. I started from the
top of the head, maybe creating
some cute hair for it because we wanted to
make it cartoony and cute. I could also create the hair
a little bit. Corner raise. It's not as straight
as you can see. The top of its head
is not as straight. I also create some hair, actually several
hair on it's head. Then I create these
cute ears for it. Looking like this. I would also do the same
for this other ear. Then I'm going to come down. And I move on to
create this area which is the placement of
the eyes, includes the eyes. Determine this completely. Dan, I'm going to
create the eyes. I'm going to create them circle. Then obviously the pupil
inside of the eye. Like this. It already looks fun and cute, cartoony, which is actually, which was our main point. I'll create the nose like this. We create a small, light, small shine
on it, on tip of it. Then we darken the rest of it. Also, we are going to darken this area that includes the eyes except the
eyes themselves. Then I'm going to create
this lower part of the face. And very cute and very fun. I'm going to create
several lines over here to represent the fair or the
hair texture on the face. I'll do it on both sides. Then I'll create my mouth. With these two lines. We are actually showing that this area is coming
out of the face. It's not flat and it has
some depth and volume. Then I'll create its mouth. Like this. I create only one tooth for it. Then the inner part of the mouth will be
created like this. I'll darken it except tooth. Consider apart an area for
beneath the mouth below it, I create a line to show the
volume of the mouth better. I will complete its arms. I'll create the arms and now the hand,
creating the fingers. Because our character
is very cartoony. I create actually
actuall fingers for it, looking like human fingers. Because it's too cartoony. And we want to
exaggerate some things. We do exactly the same for this other arm and the
other hand as well. Next fingers will be
added and then like this, I will complete to hand and
I'll create a very cute, a small curved line to show
it's the palm of its hand. Then from here I move on
toward inside of the body. For this area, I'm going
to use several lines in these shape to show the texture which is
covering its body. And at the same time, I'm showing this inner part
of the body which should stay light colored if you
want to color it. Dan, I move on to
create the legs. This shape. Legs, cute little legs
with some fingers. And the other one
would be the same. The fingers as well. I go back up. This would be it. Then at last, I will
create its tail. As I said before. All right, cuz have this
pattern on their tails. It actually separates
them from other animals. This is a very fun and cartoony
fantasy comedic character of the raccoon animal. As usual, at last, you can erase all
the extra lines so your character
would show itself more and better
and you would have a cleaner outcome
which you can enjoy. Erase all the extra and
all the guidelines. It is finished. This is our cartoony
raccoon help. You have enjoyed it.
20. General illustration of the Lion: Hello to all of my
dearest friends. We are back again. We didn't another
tutorial session. In this session, we
are going to create a lion together and
see how it's done. Well for lion's face, I'm going to create
a circle this way. Then. Inside of this circle, I'm going to add the details to my face like eyes,
nose, and mouth. First of all, I'll just
determined the placement of them. Generally. This would be actually
the shape of my face. Then these would be my ears. He's ERs actually. Then for this part on
the top of the head, we are going to create
our main around his head. But they're going to add
the main detailing phase. But right now we're just
gridding some shapes. In order to remember that in here we
should create a main. I will determine the
placement of my lion's eyes. And then I would also determine the placement
of the nose and mouth. These parts again, are
the parts where we have our lions hair and Maine. Because we have to create very volume main and
big main for our lion. It's nature of the Scripture. So we have to do it like this. I just do it as a
sample right now, as a general shape
and a primary sketch. But in detailing phase, I would definitely
completed more. Then for my lines buddy, I will create an oval shape. Then I will add two
parts for its legs. One wall which has another
oval on the end of it, doing the same on
the other side to another oval on this
side of our lion. That again, at the end of
it we'll have another oval. Because we want our legs
to be in the same level. As usual. You can use a
guideline to level the legs. That Alex would be the same direction and
in the same level. Actually in the right
direction and same level. See, when you use lighter lines, you can replace your shapes and there won't be any problems, even if you make a mistake
and when you are erasing your extra lines
or your mistakes, you want face any problems. Okay, now, I'll determine the placement of
the hands as well. We are creating a
very cute lion, and it's actually a real,
very realistic lion. We are creating characters, we are doing illustration, so this should be
a fun, cute lion. Now we've placed our
hands and our arms. Also, we can add a
tail for our lion. From this corner. It's like you can see
a part of the tail coming out from the
behind of the lion. This is our lion's tail. In next step, I'm
going to detailing phase and I will
complete my work.
21. Drawing the details of the Lion: Hello, tell of my
dearest friends. I'm back with continuous all of our work on our lion character. And we are going to add
the details to our lion. Alright, I'll start with
the eyes and four eyes. I'm going to create
two small circles to small dark circles
for the pupils. Like this. Then I will work on the sides of the coming around
the eyes, the edges. Then I would also determine the placement of the eyebrows. Then I will work
on my lion's nose. I will complete it as well. We can also create a line
for beneath the eyes, a curved line like this. Then another line coming down. And then our lion's mouth would be shaped like this with
two curved lines going up. It looks like it's a smiling from the middle,
from the center. I go the other way too. Now for the ears, I will complete their
shapes like this. I would also create one or
two lines inside of the ear. So I can show it's a volume, it's not flat, it has depth. Its shape would
be more complete. I also consider
another line for here, so I can also show the width of it alongside of the depth. Now, from the sides of the ear, I come down toward the bottom of the face and then I'll
create some patterns and shapes and lines over here as our presenter of lions hair because we want to show that his face is also
covered with hair. I create some hair
patterns and textures on its cheeks and on its chin. At the bottom. Just
several of them are okay. Alright. Now that we've done this, we bring the ears down
a little bit more because we can cover this area which is a
separated from our face. We want this, these parts
to connect to each other. Now for the top of
my lion's head, I would also create some more
lines to show the hair and then I will go above the
head to complete the main. I'll do it with
several lines showing the volume of the
main data we have around his head and
around his face. I'll do the same for
the other side as well. It would look so cute at last. I come down, I complete the shape and the
volume of domain. All right, This is it. And then for my lion's body, continue this work like this. Then I only want to create some more lines
in order to show that lion has also
hair on its body. I mean, we want to show that even his body is
covered with hair. So in order to
show the textures, recreate some of them on the
sides and edges of the body. And we also create
several lines with Especial pattern like this to show that even
inside of this body, I mean, not only on the sides, we have this hair texture. Then for the arms. Creating some hair texture, we can show that even the
arms are covered with hair. And then we get to the pause. We only create three fingers. For our pause. I'll do the exactly, I'll do exactly the same
for the other hand as well. Some lines that we can show. Lion has hair on its body and
the texture of it is hair. Then I'll determine
the placement of the pause and I'll
create them. Again. I'll do the same for the legs. I mean, I will show that we have a hair texture
even on the legs. Then we get to the paws, which we have on the legs. I also creates my lions fingers. Then for the bottom of the Pol, I also create three
small ovals and one circle on the
bottom of them. I'll do the same for
the other leg as well. Just the same procedure. And everything
will be over here. I'll show the pause on the leg, the bottom of it, the fingers. Then for this upper
area of the Paul, I'll create three ovals as
the placement of the fingers and a circle beneath
them, below them. Then I will work
on my lion's tail. And I will shape it like this. As it goes to the
tip of the tail, it will be thinner and
the lower part should be thicker where it's going
to connect the body. And this actually would be
the tuple of detail that I'll shape it again in a
way that I can show. It's also made from hair. Alright, this is
my lion character. Now I can erase the extra lines. So my lion, which
it's small. Liam. Here we go. Then we'll erase all the
extra lines and lines and we keep the main lines. We erased all the extra
lines and guidelines. I'm sorry if I was
mistaken in this. This is it. We are already
finished over here. We are completing the
volume of the body. You should also erase
these lines which connects the body
parts to the body because we are not going to show its day are separated
from our body, is necessary to erase
lines like this. Alright. That's it. Dressed as AZ, as
you've watched. We've created a very cute
cartoon, lion character. This is the result of our work. This is our clean outcome. Maybe just a little
over here on the ears. That's it. It's
totally complete. And wherever you
lightened some lines, some main lines or erase them, you can fix them
outlast. That's it.
Amelie Braun, Artist & Cartoonist
