Adobe Photoshop CC Masterclass: Professional Flyer & Poster Design

1. Welcome to Flyer & Poster design in Photoshop: Guys, in this course, I am going to teach you step by step, also design professional, modern and unique flyers and posters for different brands and clients all over the world. In this course, I will put you through the design processes from beginning to advanced level. I will start by putting you through navigating the Photoshop interface, understanding the principles of flyer and poster designs, which include layouts, focal points, hierarchy alignments, contrast, balance, and so on. Also, I will teach you typography. Typefaces serve ser fonts, colors, meaning of colors, and why different brands use different fonts and colors to portray your brands. Next, I will teach you several techniques on how to design flyers and posters for different brands and clients. Brands which include food brands, tech brands, agricultural brands, logistic transportation brands, travel and tourism brands, beauty brands, and real estate brands. This will help you take your flyer and poster design skills to the next level. Also, I will teach you how to export images for prints and webs. Teach you how to create PSD markups to present your works to your clients in the best way. Also, I will show you where to download PSD markups, HD images and icons in order to elevate your skills. I have also made the resource files available for you to download and follow along as I design on flyer and poster designs. Take your Photoshop flyer and poster design skills to the next level. I will see you in the next lecture video. 2. Getting Started: Guys, thank you for taking this course. Before you begin, you should download the resource files for this course in order to follow along as I design. These are the resource files. You will find the link to the resource file in the class description and project description go downward to the last sentence where you are the HTTP copy from the HTTP down to the last word. Then you copy it and paste it on your Internet. And it takes you to the Google driver where you find the resource file in the Google Drive. You press the link. Then from the link it takes you to the Google Drive where the resource files are. Then from there, you download the resource files into your computer. Then firstly, when you download it, it will look exactly like this. This first one over here is what it is, a zip file. What do you do? Let me delete this. Okay, so that I can show you the processes. Okay? Then when you have a Z file, just right click on it, what do you do? Then you extract files. It tells you, just just select, okay. Then what happens? Extract the file completely for you from five to normal file. Just come over here, you double click. Then you have this as you see, the Photoshop Master Class Professional, Fire and Poster design. You double click. Yeah, we have what we arrive here. Yeah, this is where we have the resource file. So we have the project files. These are all the file so that you can follow along as I am designed, these are where you get all the files for the projects. In this course, going back, we have we have the exercise files. I'm going to give you an assignment exercise for you to do, for you to do for the assignment is in the last lecture in this course. When you get to the last lecture, you would know what the assignment, the exercise is all about. The p, the practical exercise is all about. Here we have the fonts, All the ponts are used in this course. Here for you to download, you can just control select all the what's installed. It installed my system already. So there is no need for me just install and follow along. Apart from that, we have we have photo shop shortcut PDF for you to use and be able to follow along. Just double for Windows users. Actually, this is then the control plus everything actually for the Mac users. We have this for them also. The shops cuts are here, they are available for them. The last S, the markups, which is what Photoshop documents double click here, we have all the S markup we are going to use in this holes, you have all the mark ups available for you. It is very, very important to download the resource files, move to the lecture underneath this lecture. Select it and click the link you would see in the lecture. And download it. I will see you in the next lecture video. 3. Photoshop Interface: Guys, if you already know how to navigate your Photoshop interface, then move to the next lecture, whereby we start with layouts. Understanding the principles of flyer and poster design in Photoshop layouts, focal points alignments, and the like, balance and the like. This lecture is for people who are new to Photoshop. They need to understand the interface of Photoshop. But if you understand the Photoshop interface already, how to navigate it, then move to the next lecture, which is underneath this lecture. Now for people who are new to Photoshop and need to understand the interface, firstly, what we're looking at right now is what? This is what we call the Photoshop home screen. This is where you have the recent files. You just open or like 18 hours yesterday, hours ago, things like that. So this is where we have what we call the recent files. You can actually change it to be something like this. Also, it can change to be something like this or you just leave it the way it is. The most important thing to know is that we are in the home screen, okay? If it is to open a file that has been existing before you come over to open, but we are not opening a file that has been existing before we need to open a new file. Okay. Just select new file. When you select new file, you have recent files which has just been used. You have se five with the sizes. Okay. We have 42. We have prints. We have an illustration web elect. But we don't actually need all these in this course. What we need is just come over to prints. Okay. Then select what? A four, because that is what we're going to use. All through 4567, sz 123456, okay? The size are the same thing. The way it is, the length of the breadth are almost the same thing. Okay? But it's just like the size reduces and increases. The thing is that we are going to use a four all through. Okay? Four all through when you see this. Okay. Just leave them the way they are. Call want to use inches. Okay. To find anyone you prefer. But just make sure you selected four. Okay? Make sure you selected four sizes. Everything like this. You can see this is what landscapes portraits, but we don't need this. Just leave it as portraits parent, it's mistakenly chooses landscape itself. Then you can come over, choose portraits, then leave this as it is. The resolution should be 300 algebra, color. Leave this as it is in the default. What do you do then? You select what creates. Then it creates, this is size we're going to be using. All true in this Tua because we're dealing with both flyers and posters. And that thing is that all through this tutorial I'm going to be talking about short cards that control zero contra Z using using contras and ships. And you're going to be able to follow along when you open this. This is the real exact words, exact Photoshop interface. Everything is what we call Photoshop interface. We have the work spaces. Look at this place over here, over here, and over here. Okay. It includes the work spaces. Okay, and also the canvas. Canvas is where the design is being done, which is this white space. This white plain paper or area. Okay? All actually, we have to understand that this is what we call coming over here. We have this as we have this as the two bar. Call it two panel, two bar. That's not a problem. Okay, this is what collapsed. You can try to come over here. And what expand? It's expanded. My screen is very small. I actually want to collapsed. Want to collapse? What's expanded? Your might probably be like this. Just select this, then it's what? It's expands. Okay. This is where we have the different tools were used in the portal shop. Okay. Now, what do we do? You can just over here. Just bring the mouse over there. Just just select. You don't select, Don't click anything. Just move your mouse somewhere you would see the different things the tools have been used for. These are not all the tools. There are some tools that are underneath the other tools. For example, we would see some very small arrows here around small like triangular arrows. Okay? When you have them like that, when you right click on one tool. Okay, it shows you, okay, let me click on this. Okay, When you click and drag, you can see something like this. Okay? It is only the one which is showing it is only the icon showing that would respond, that will be selected. But what about the other icons underneath? What about the other tools underneath? How do you get them? You don't click. You don't click. You want your right click? You can see rectangular make to. You can see rectangular make electrical make, single single column. You can see coming over. So you can just write click. You see the other tools we have here. You can write click, You can write click except the one that doesn't have any small arrow. When I write click on, you can see nothing is selected, only that tool is selected. Okay. That is very, very when you come over any too, you want to use just the brush tool for example. You want to use them, just paints, Okay? Something like that. So these are where all the tools are being. Okay, let me contrast that as one goes away. Select the move to, That's another thing we have to understand again. This is what we call the menu bar. You can see them here. Just select on one, You can see all other functions and options are embedded here. The file, okay, you talk about opening a new file. Closing all files. Opening openers, save file, export file, generate a file, okay? We have edits. We have some other functions like undo, redo, cut, copy, paste, clap. Okay? Fill stroke content a well field, and the p. We have image also talks about functions that deals with images, layers, layers, types help windows plug in views. Three D filter, we're going to use filter very much. Well in this course we can't use or the menu options, it's not possible Windows also. Apart from that, we also are what we call the options or properties. It is immediately after it is underneath the menu bar. The reason why we have an option or properties is the what is that? When you select a tool from here, it's options and properties need to show. Where does it show? It shows right here. Just select this. You can see exchanges, slits, you can see exchanges, seles, you can see that's not changing. Select this, you can see it changing. You can see this also changes whenever you select a particular two. It's options and properties. What shows? That's why it's called what? Property Properties or options. Now, after that, just come over here. This is where we have what? We have several panels, several bars were coming over here. We have the color color section of the color color panel Swatches, which deals with colors. Also gradients, gradient just like an adjustment layer. Also we have patterns, there are different ones, but all these ones are not really necessary. To that extent you can actually get them, you can actually get some from here, some from here also. Okay. So apart from that, when you come down we are what we call layers now. Yes, that is its layers coming over here to layer. This is where we have this is what we call the layer panel. The layer or the layer section, actually Now we have one layer actually is locked when a layer is locked, okay, you select this. When a layer is locked, you can't click and this is selected. Just come over by, Make sure after every action you make or something like that, make sure you come back to come back to the move to it's very important. You'll find it okay. You find it. Had select this, come over, click your left mouse click old. What happens? This correct selected layer is a background layer. You cannot move a background layer or change its taking other blending mode or pay. However, you can convert it to a normal layer, then you change any of these attributes. When we have a layer like this, it is always locked. Okay, what do you do? You unlock it. If you want to lock it back, come over. What do you do? You unlock? What do? You cannot click drag. You can see I'm dragging that layer. This thing you're saying is transparency. Okay, but yeah, it can click Oden Drag with the left mouse button, then click Odin Drug. It's different places. Understand that. It's very simple. Let me try to bring it when you're trying to put something on. Result vertically, you see Photoshop actually makes it easy for you to have some grid lines to make you see it's vertical enough, it's result enough, and it's what in the cardinal drop. It's very, very simple. Photoshop actually helps us that now in the layers panel, this is what we call the blend modes. O to blend things to blend, no interacting one image with another image. It happens with majorly, starting from two images, two elements. We have the opacity whereby you can click wooden drug like this to make the layer invisible. Come over a click wooden drug like this. Make it visible, make it invisible, something like that. You can click here also to work to reduce or increase it, this field. Actually we're going to use feel here. In this feel is just almost like opacity, but works majorly with the layer styles. Okay. Its effects, it shows in a layer of styles perfectly. But we're not going to do that here. Now we have this thing. We can do work, we can make this invisible. We can make it visible. You can see when you select it, it's invisible. When you select shows it's, it's visible. Okay. Another thing we can do is just right click and come over here and you can see no color, red, orange. You can give it a color when you make another layer, you can change the color of that layer also to another column. Let's come over here. This is what we call the layer layer stop. Okay, apart from the layer, we also have what? We also have the layer mask. We're going to lend that very much in this tutorial. Apart from that, we have the adjustment layer. We're going to lend that in the video, in the subsequent videos. This is what we call the group creating a new group we're going to create. Very much well, and you can do it from here also. But you can just do the only one layer. You can come over here, this creates a new layer and see the plus in the middle tends select you selected that. Then you can write, click on Wards, change it towards a green colic, green red, something like that. Okay, from that, now we've created a new layer. Let me create new layer. If want to create a new layer, what you did is very important. Photoshop is very sensitive, wherever you select a new layer would be what would be created on top that selected layer. You can see now you want to create a new layer, for example, which would layer five. When I select this list, the new layers come behind, come below would go above layer one. You can see it become layer five. You can see layer five very important. Another thing you can do is just what. You can delete things. You can select this right click and go to what deletes layers can just like let's select this layer one, it's very important to lane, to select, select, and select. Okay. Whatever you select is whatever layer you select, that is where the function actually will work out. Just select this click with your left mouth bolting on, drag it down towards the trash can end. It's deleted very, very fast. Like you selecting this right clicking and coming here, delete layer. And yes, taking time, just select on this click and drag it down. And that's all, it makes your work very efficient. Okay. Now, apart from that, is it for this? Apart from that, now let me contrast. Click, delete, or you just click and drag down. Click, click and drag down. Very, very perfect. Another thing you have to understand is that when you come over here, you can be able to toggle back to the home screen. Click, see you back to the screen. Very perfect. The what happens? You can use this arrow or select this PS icon, the first icon. Then it takes you back to the interface. Very simple. Another thing we have to understand here is that there's something here. You can see it. Untitled X. I can decide to close. When I select this, it closes. Okay. Let's select it and see what happens. It closes. You see safe changes before it closes. I can say no, but I don't want to close it. Let me a little bit like that. Okay. Now, when you open a new document, it opens where? It opens around here, you can see. Now, let's try to open another document. Let's go to file, then open then, okay. Okay, What? Select the desktop, okay. Yes, just as an example. Okay? Just as an example. Now, we just come over here to Boger, sell this Boger. Let's see what happens. You can see it opens here. It opens here as a new document. It's very simple. Whatever. Open again. It lines up here. The line up here, and you're able to access anyone. Just come over here, you can see the design you're actually designing. Come over here, you have time to be able to move here. Double click another one here, click another one, click another one here. Then it's not composed close or shut down photo shop to that extent. No, just come o select this, do whatever I want to do. Select I want to do now. I've been able to explain what the interface is, how to navigate the interface, how to move on and on. Other thing is just that you can actually zoom in, zoom out, okay, for you to zoom in, you can actually use control plus, you can see I'm zooming. You can see the zoom out control plus minus on your keyboard. Okay. Then to fix to screen immediately. Very fast, you do control zero. Even if you've zoomed in, you can press on control plus zero. Very perfect. But for the Mac users, that is what? Command plus zero. Command plus minus, and command plus plus. Another thing I wanted to understand is the one I use most times is when zooming out, I press on my, the Okey. Wherever I put my corsor, that is where it's going to zoom. You can see I'll press on my out. As I'm pressing on my O. This is the Cos. Then zoom in using your middle mouse button, which is scroll. You can see it. Then when I want to go back, press control zero, and it shows me the way. Now if I want to zooming into the circle I press out, then zoom in. Use the Middlemosino, scroll in screening, then you can scroll out again, then okay. Then use control zero and it's fit to screen. That is how to navigate the Photoshop interface. Everything you need to know to start the fundamentals. Now as a beginner, you now understand how to navigate the Photoshop interface to B properties. By the properties are options by the layer panel, the member, actually you can move to the nest lecture. And from there there we start the principles of flyer and poster designs from here. After you've actually watch this, then definitely you would know perfectly how to navigate and it will help you to. Furthermore, it will help you towards, to improve your Photoshop skills. I'll see you in the nest. 4. Layout: This lecture I'm going to teach you understanding layout. What is layout? Simply, layout is what we call the arrangement of elements in a particular design, no matter the type of design you are into. Even it is graphic design, web design, whatever it is, I, UI, UX design layout is very important and it's important when you're talking about layout. Layout is simply the arrangement of elements in a design. What are these elements? Elements include text in a design, shapes in a design, images in a design, and any other thing. Okay, I'm going to show you the practical aspect, but first I need to sketch something for you to understand perfectly these elements which we said the arrangements of elements in a well organized way. Okay? That's what we call lays. These elements are text, shapes, images, and whatever we have in that particular design. Okay, We use the designs, the arrangements. It has been arranged. Well, layout is good enough. Okay. It will tell a visual story about the product you're trying to know. You're trying to make the audience by the targeted audience of a particular brand. Okay. It will actually tell a visual story of what you're trying to portray, the type of product you're trying to sell to people. Okay, that is it. So that is what you simply, as I said, layout is the arrangement of elements in a design. Now I'm going to sketch something to you for you to be able to understand what layers actually really mean. Let me just say I have a line like this. Okay? Just a line. Okay, let me come th that, Let me just say, okay, I have something like this. The line is straight. Now we call main image in a particular, we're actually focusing on flyer design and post design. Okay. In a particular flyer we call main image. Sometimes it's not composite. You see all the main image, text them. Main text is also called themes composite. See the mine filter. Sometimes you can just just one image then just probably one sentence or two sentence of a particular one sentence or two sentences now. But normally we do see the main image, the main text, which is the theme, the minor text, and what's the D filter? Now I'm going to illustrate something to you. Just just like scalting of something. Now let's say for example we have an image, okay? It depends on how creative view you learn to be creative. Practice mix, perfection, okay? It depends on how creative view I'm going to show you the difference. Or you can see the different practical designs which we're going to design in this particular tutorial. Okay, I'm going to show you everything, okay, concerning layouts and some other ones, like the white space, the focal point balance, repetition and the likes, which is based on design. Everything is actually other, everything is actually related to what layouts. Okay? But don't worry, everything is going to be understandable. Now, what do we do? For example, let's strike structure. Some things we have main image, we can decide what to put the main image around here. But before that, the D is important. Also the der can actually be, in most cases the D is the logo of the brand. The brand logo. Okay. Let's say for example we have the logo around somewhere. Okay, We have the logo somewhere around somewhere. The logo is there. We're trying to make sure. Okay, okay, there is a very big image that needs to be shown. Okay. Then what do you do? You try to make sure the main image is somewhere around there. Okay, Somewhere around there. Okay. You're arranging it, it's going on. Well, then apart from that, we have what we call the main text, which is what the thing. Okay, now we have the well arranged and it should be like what? It should be proportional to the. You see, it's actually no, I'm sketching. It might not be perfect to that extent, but when we get to practical aspects, you're going to see how it is. Now we have what we call the main text. As I've said, probably the main text can actually be somewhere around there. Okay, not too big, but just something like this. Just as an illustration, you can see the main text. Then we can have what we call the minor text, somewhere around the, you know, some wordings, something like that. Apart from that, we can have, this is the main image around there is the main text. Minor have some minor images, let me say like one. Let me try to contrate. I want to make sure it is like in proportion together. Okay? Just something like this also making it so like, let's say minor images then on something like this. Okay? So you're going to make sure that this is a proportion left aligned. This is a proportion right aligned. Okay? Then try as much as possible to make sure the amount of space here within the sentences, okay? Should also be in proportion. Okay? The last which is what the filter, most times the filter can be a call to action CTA for people to buy lots, like in a book. Now, call now, subscribe now, or something like that. Okay? We can just have the filter somewhere around. Okay. Let me contrast that, it's not strict enough, you can just have the filter somewhere around here. You see that? That's just a sketch of how things looks like in a layout, Okay? It can come in different forms. Even sometimes you might decide not to put the image, okay, put the image very big up here or something like that. This is just an illustration. Then let's go into the practical as we further. We have the main image, the main text, which is what? The theme, the minor text, the header, and what's And the footer. Okay, so let's go over here. So, for example, we have something like this. You can see this is a flyer and poster design for like a restaurant or a food brand which actually deals selling burgers to people. So you can see something like this vying, this is the main image. It's big and very attractive. It's just that is the focal point. When we get to the focal points lecture, you're going to understand that is just like the focal point. This is what we call is what we call the main image. And there are some other images there and we have the main text also well arranged and well structured. This is actually what Med center aligned, okay? It is well structured. Everything is going on well. We have the call to action, which is the footer. We have the D, which is what you can see. We have the D, which is what the logo. We have the F, which is what the call to action. Okay. We have the main image, which is this, the main image. Everything here, this is the main image. We have what's the main text? Also slanted to bring about, just like in a diagonal form to bring about nice effects. Okay, you can see there is no minor text there, but that's not a problem, it's a composite. You see everything here. We have the main image and we have the minor images that have been blocked to make it nowhere cool and nice. We have the head phone also, like we made a particular head phone for a particular compiner is in tech. Okay, so now we have the main image which is what's the head phone. Then we have the error which is what's the logo of the compin of the branch. Then we have the filter. No filter present. Fine, but we have the main text and the minor text. This is the main text. Yeah. And the minor techno Enjoy the sound, enjoy the word. You can see very perfect control Z. Apart from that, we have a, this is a particular type of flare we made for an Agric brand. At make all these you're going to design all, Don't worry, just be patient. You're going to design all these in this tutorial in this course. Apart from that, we have this also, we have the Dan, See it's somewhere here. It's not compulsory. You put the Da all this every time at the Med, at the Medius, at the right hand side, a line. Okay. So apart from that, we have the main image, which is what is the structructin image? Okay? We have minor images. Okay? Minor images. Minor images, Okay. We have the main text, is the main text, okay, Which is the theme and then the minor text. Okay? Somewhere around. And we have the call to action is contact us today on the website. Apart from that, we have some other things like from this brand. Also we have, we have locates and write. Actually, this is the main text, okay, the theme. Locate and write. Okay, the D. Okay? This is the, the footer, okay, The main image which is this, This is the main, this is the ones are the ones, are the words. The other types of image that just look, make the design more beautiful. We're going to learn all this, that's not a problem at all, the patient. Apart from that, this is for a tourism and a travel brand. We have the main image itself is the background image. You're going to see how it is being designed. Very simple. That is the background image. Then the main text is this, that attracts people. Perfect. Apart from that, we have the minor images, something like this play the ones we have the other, some other texts. Okay. Around here we have the word the fol ful and what a very perfect come to the beauty side. Nice. One, golden, golden background we're going to lend out. We did all this. We have a lot of text here, but the main text is what? This is the main text. That is why it's very big. That's when we talk about hierarchy. We have the D, okay? The era is right here. There is no call to action at all, okay? It's just the way the client wants. It's okay. We have the main image, okay? Then we have the minor images like that have been blood, things like this. The ones okay. Then apart from that, we have the last one which is what this design. Okay? So we have this middle center align, left align, right align. Okay? This is the main image. As we can see, this is the main image. Okay, the main text. This is the main text. Okay. Which is the theme. Okay. We have the area. Okay. No footer, fine. But these are some other text. These are some other texts also then. This is the Colt Action Layouts. That is actually how layout is. You make sure it is being arranged in a perfect order. You can see from the sketch you can see, then to the boger, can see this is the main image, okay, Into the headphone. Into the Greek, into the rider for the tall campaign beauty. Then that is how it's meant to be. Just to tell visual story, make it lively to people. Not boring because it's very important to the clients. It's very important to targeted audience are targeted with this beautiful design because you need to tell them a story with their design. A visual design, visual story telling people layout is very simple. It is. What's the arrangement of elements in your design? Elements which include texts, images, symbols, okay, objects, and the wherever there must be well aligned, must be well arranged. Left aligned, right aligned, middle align. Whatever alignment you're using, just make it very perfect. That's the end for this tutorial lecture. Exactly. I'll see you in the next lecture, which we'll be talking about focal points in subsequent lectures, talking about white space alignment, hierarchy, balance, repetition, contrast, and contrast movement. And you're going to understand better why we do these things. I'll see you in the next. 5. Focal Point: Tutorial, I'm going to teach you focal points. What is focal points? Focal points means the area of dominance. Focal point means center of interest. It also means points of emphas. What is the focal point here? Here, right now, we have the focal points as this. Which is which is this? You can also include this with it. But the real focal point is what is this? Because that is the area of center of interest points of emphasyt. A focal point, the design would be meaningless. It's, as a creative designer, you need to know what image, exactly what text exactly should be the focal points. Where should it be? It's not composites in the center, it can be by the left and sight come over here. This is what the focal points around here. It's very perfect. As I said, without the focal points, it is going to be meaning less. What is the focal point of this green leaves? It can be this. Okay? It can be Why? Because the tractor works on what's on the arid land. This is the arid land. Those are the focal point. Not just one car, two or three, but mainly it should be one. Okay? You can say, you can say it's this. Okay, for this course is the focal point. This is the focal point because we write people and transport people. This two has actually captured the minds of people. Come over to what is the focal point? The focal point is it's all the background over here. And that is the program because it's traveling on top. The plain year also. And what's the pictures year also? Okay. The beauty. What is the focal point, this creme itself? Okay? What is the focal point of home? This is the home, we're talking about, homes like this, places like this. Focal point is the area of dominance, center of interest. You want people to see first and attract them, for them to stay and continue reading whatever you're saying. Whatever you design point of Phs where you emphasize, oh, this is what I'm talking about. It must be one, Must be one. Should be one. This is okay as it is. You say it's retractor and a few year, Yes, it's one. Or you can take this as you can take a three year and say, oh, for the horizontal lines, it should be one. Sometimes can be two form but fine, it's okay. It should be one. Okay. It should be one. Yeah. Also it's only one also in the background. Okay. Without the focal points, it will be what? The desire will be meaningless. That is it above four call points. I'll see you in the nest. 6. White space (Negative space): Lecture, I'm going to teach you white space. White space is also known as words, negative space. You use white space as designers. We use white space as professional designers. We use white space to make our elements, To make the elements in a design breathe, you give them space to breathe. For example, you can see the logo is up here with spaces before, before the out and fresh. A little space here. Then we have this, Even with all the images I'm putting here, there are spaces there for you to, you can see outside. You can see there's a space. Okay. I'm not bringing the col to action down here, Okay? I'm making sure that there is a space and there's a space here also. Apart from that, come to the head, you can see there's a space here. There's a space. Space. Space also. There's a space here. There is a space here. You're giving the design room to breathe. Okay? You making it perfect? Even modern designs are like that. You can see there is a space here. It's not that you put the green Aggrecan logo somewhere around there without any space and making the space very small. See, you can see also this one, that the space is aligned together. Okay? But we're going to get there, we get to alignments, okay? Also you can see the space. You can see space, it's proportioned to get a, can see the space. See the spacing. It's very important to the designs. You can see the spacing also. You can see the spacing here. Even if this is not much you know, but it's okay. See the spacing here also very perfect. So you need to watch the white space or the negative space. Okay? As to make it makes your design perfect. You can see the space here also. You can see very, very perfect. You can see the spaces here, very perfect. Come over to build one. Okay? You can see also, you can see the spaces here. Okay. You can see, and you can see the spaces not jump part together. That English is correct. Sorry for that. Okay. Then also you can see this also. You can see, you can see that is what white space talks about. It makes your design looks nice and very neat and modern for your elements to breathe. I'll see you in the next lecture. 7. Alignment: This lecture, I will be teaching you alignments just from the word aligns, to make something in position to position things. It's just related to layout. Okay, fine. But this is a little bit different. Make sure you position something. When you say align, you align to the left, to the center, or to the right. And make sure the text, the words, the images, the symbols, the elements in general are what are well aligned. You can see for example, this is well aligned. It is center aligned. The logo, the maine, the main image, and what the court action perfect. Center aligned. Come over to. You can see this is also what's perfectly aligned. You can see perfectly aligned, Perfectly aligned to the words. This is right allied. The first one is center aligned. This is right aligned for this, this is like we have the left aligned. We also have the left aligned bots being aligned on the flyer in the right alignment area. Okay. But it is left aligned but aligned to the right of what? Of the flyer. It's perfect. And also here you can see this is this is aligned together with what? This very perfect also over here, they are aligned together. Okay. You can see making sure things like this, they are being aligned together, okay? I purposely made them different, okay? Bring about more effects, contrast, okay. Beauty. You can see here as what you see, it's aligned together. You can see the logo and this also are aligned together, very perfect. Also, these awards are aligned together. Controls aligned together. That's what alignment actually talks about. It talks about position. As I've said, we have the left aligned middle. All right align. That's three. But actually recently we got to know that pop, call it that is the center aligned and H aligned. So when you say H aligned, it contains the right alignments and left alignments. Okay, that's it about alignments actually that I'll see in the 8. Hierarchy: In this lecture, I'm going to teach you what we call hierarchy. From the word hierarchy, you would have said hierarchy. Position. Like grades, levels, ranks. When you use hierarchy, you make sure the most important work is the biggest, more bigger than the less important words. Text, the most important image is bigger than the less important ones. That is the simple meaning of hierarchy. You can see from here that we have art and fresh that is the most important. I know the call to action is also important. If they do not understand the meaning of this, they can come over here to the call to action, okay? So this is more important. This image is more important than the other images. That's Ray. Okay? This is what the main image bigger than all these other ones. Agriculture, Okay? Talking about green life, Okay, Ray. Because we need this to make sure. We talk about mechanized farming. We produce in multiples and things like that. And also another part of Iraqis worth having this work showing better than all these other ones. Okay. And also going to the right also we have Ich locates, right? Okay. You can see Ich. Okay? Then we have the smaller ones. Okay? This is the most important. Here we have the top about Archy travel and tourism. A people must see this very fast, faster hierarchy also is used here when we talk about this, this hotel area, this particular background image, also beauty, talking about hierarchy, talking about this image. Then hierarchy go beyond perfection. Everyone wants to go beyond perfection. But not everybody will be perfect. Okay? Nobody can be perfect. Actually, another Archy was by your dream house with us today. Dreamhuse. Which you've ever dreamed about. That's it. That's Arch's works. The most important. Down to what? To the less important. I'll see you in the next to. 9. Balance: Lecture I'm going to teach you what balance is. You can see balance to balance things. It talks about weights. You shouldn't allow the left align to be like 99% and make the right align just 1% It can work like that. Actually, Berk rules of dissemble, just try as much as possible to balance everything you can see. This is well center aligned balance. And some images to make it up, we have also balance to the left. Some images are to balance everything. We have a Greek, also very perfect. Everywhere is balanced. The middle, the left, the right balance, okay? Very balanced. We have the rider also balanced year balance coming from year down. Okay? Then balanced year also, okay? We have this also balanced year everywhere is actually balanced over balanced. The image balances this up. If it's like that balance is actually, I need a, it's balance. Actually, don't mind my English. Yeah, it also balance the middle, the left and the right. That is about balance. Very simple Es. 10. Repetition: This lecture, I will be teaching you reputation. What is reputation from that word? You would have understood that what continuous existence of something for you to repeat something. And repeating and repeating that is what making it consistent, it's deals majorly with color and forts majorly with color and fonts can give it image also, but actually it's majorly based on color. And f you can see this color over here, we use a spicy type of color. All three, we never use green, blue, black, red. Just make sure it's spicy and reddish in color because we're talking about food. Okay thing the repetitions about repetition here also the font is called what is called Monserrat, the chef, which is the fonts for the brand itself is also at the front. That's repetition. We are not just changing for any how coming over here, over here we use still fish fine, but we also use repetition of humanist and humanist also. Okay? One apart from the color here, actually the general color used was green. Okay? We have green. Very light green. A little lighter green. Okay? Okay, we have green all true, making sure the repetition to portray that thing called agriculture. Okay, That's another thing. That's color. Okay? Now, based on the space also color, there is repetition of the color which is just like the color of the brands car. Okay? Repetition of the brands, fonts also. Which is what Mona Okay, coming over here to Also, there's repetition of travel and tourism and all the same fonts will never change anything. That's repetition. Also also repetition of these colors over here. Also coming to beauty. Also white is just like the repetition of the color. And also the old font is a repetition of just one font. Which is what slender, actually coming over here. There's also repetition of fonts are exactly what human humanist and also humanist, also the brand low points. It's also human. This is all of the different ones. This one bearanting is also the points we used here. Repetition deals with color and also the color green is a repetition. Also here with black green mostly, which actually signifies something very important to the brand. To learn more about color, the meaning of colors, when we get to color section, that is for repetition actually as lecture. 11. Contrast: This lecture, I'll be teaching you what we call contrast. You can see from the name, actually also contrast the difference between two things, of three or 456 and above the thing. Is there a way is a contrast? It works majorly with colors and also fonts. Okay, when you say contrast actually it brings about the beauty of something it shows. It gives very clear understanding about something. It's try to make us notice something very fast. You can see there's a contrast of color here. As you can see the logo there is something like an orange and a wine is wine and wine. You don't really notice it to that extent, or orange and orange. So there's a contrast of color. Country zero. They just come over here also. There's actually, you can use a focal point. White, everything. You can use everything in a particular design. But in most designs, it is well used completely. Okay, so we're talking about contrast. Okay? Okay, let me check. Okay, let me look around here. Okay. This is also like a contrast. Also making sure that the green agriculture is white and logo itself is what? Light green, different from the color of green are bringing about contrast. Okay, Then we go to rider. You see over here you can see, you can see this is a contrast towards, to this color. Very perfect. It makes it look attractive and real. Okay, zero. Okay, Just come over here. Also comes to top. Okay? Also, another contrast which you actually notice is somewhere here. Come over here. Okay. This is human, the two is human. But this is a light for, this is what? Deeper, more bold than, than trip itself than the forms used for trip. It's also humanized, okay? But the weight is different. That is also contrast makes your work look nice and beautiful. This is different from, from the very important country. Zero. Then beauty. Also, there's contrast. There's no contrast at all. Actually, just the contrast I can say there is here is what? The size of the funds. One is bigger than the other. Bringing a contrast. Also also the funds for the logo, brand name. Actually for the brand logo, we have wine color. Then this white, that's also part of contrast. Also contrast between two color contrast between two funds, I'll say in the next. 12. Movement: Let out, teach you about movements. When you see movement is the way your design move. The way it flows in the way your elements, the way it flows in your design. You can see this. This is just vertical and this is what diagonal movement actually is not important, Okay? But just something we should learn about. This is what diagonal in nature, and this is what vertical in nature depends on how effective you are. This is what diagonal in nature, This is what vertical and vertical can say. It's also horizontal. And horizontal, it happens like that. Come to right also. This is what's a little bit diagonal. Okay? Then come to top. Okay. This is what? Diagonal. Diagonal. Okay, And this is what's horizontal in nature. Then we have beauty control zero. This is what's left aligned and it's vertical. Vertical. And there also is what? Vertical. Okay, let me say vertical. Horizontal and vertical. Something like that. So that's what movement actually talks about. Then we jump to the next nature. 13. Typography, Typefaces and Fonts: This lecture you're going to understand typography, type face, and what are the exactly different types of funds we are. Typography in a simple way means what? The arrangements of text, the way you arrange text in your design. That's just one thing where you arrange it, left, align, right, align things like this where it's been arranged and it's left to you as a creative designer to know how, how you want to arrange it. Also that's typographic, the arrangements of text. When you talk about type, face and fonts, we'll be like, what's typography? What type typography? Graphy at the end is what is the arrangements of forms of text, of types. You can texts types is the same thing, but when you're talking about typeface, typeface has been mistaken for Fts. Typeface means Ft family, so font family means type is an example of a font family. Let me come over to wear to this, okay? I want to use the cost, okay? An example of, let me use the first one, okay? Let's come over then, you'll see the properties. Okay? If in case the property by isn't showing, just come over to window, then come over what properties? Then you click on this, make sure it is showing, it's showing perfectly. So this is the first one over here. This is, this is humans. Five to be. Let me us on isms and do okay. Okay, Let me change this to Montserrat. I think Montserrat will go better ON M Montserrat. Okay. Now, coming over here, let me say, I choose the first one saying, okay, now, when you say montserrat, Montserrat is a type phase that is a family. Fonts, Montserrat. But when you say a font itself, a font itself are members of a type phase. They are members of that font family. As I've said, Monsant is a funds fund. But when you come over here, you click on the options. We have, the different types of options we have. These are what we call funds themselves. These are what we call the real funds. But Mons Font family and the members of the funds family are we call funds. That is it a fund family is Mons. Monserraz is also like a family. Font family. And the children, the members of the family, are called fonts. But the type face itself is what is called fonts. The type face itself is called what? Font family, which is on. We also have humanist, humanik, humanity, but humanist itself is what is a type. The humanities MD and Lies are what F font family, being able to get that perfectly. Actually, it's not composer. Just to understand what types and font part that we also are what we call normal or regular fonts. And also Css, for example, suites. These are normal funds that you can see perfectly, even looking at this, the costs, it is a normal fund. You can see it's normal real clearly. But these type of fonts are called words, costs, different type of fonts that can look different in different ways. That can co for letter, second third letter. It's coughing, it's not straight like this one. These are regular normal for, these are words fund. An example of that is let say come over normal funds. I use normal funds here. Also normal here. Then the use words make it look low to bring about, you know, some beauty in the design. Also, you look at this pace I use by Cosquens. The other ones I use was I use normal pons. Ok? Normal type faces, normal font family then using their normal funds also. So that is it for the normal and consequences. In the next class, we're going to be talking in the next tutorial. The next we're going to be talking about surfer and san ser fronts, okay? 14. Serif and Sans Serif Fonts: In this lecture, I'm going to put you through the differences between a serif and sans serif fronts. When you say serifs, serifs are fronts that have strokes or lines At the edge, at the edges of the letters. Okay? For particular fronts, for example, O, you can see this is Lorem Epson. Okay? You can see a type of stroke. It's not normal like this. Just look, look at the U over. Look at the I, look at the P. Look at the, look at U. Look at, look at the, look at the L, L, okay? But this one over here as, as a stroke. As a stroke. Let me just brush to, sorry, brush. It has some stroke. You can see sharp strokes, lines. You can see all those lines. Okay? Fonts like this are called what? They are called serif fonts. Okay? They are font with what? With strokes. You can see, you can see over here. No matter how big or small it is, it will surely show strokes. Okay? So apart from that, we also what we call serif science. It means without. Okay? It's a French word. Okay. Serifs are form that are strokes that strokes and the strokes at their edges and the lesser science means without. Definitely. These are for when they are forms without a stroke at their edges or without strokes at the edges. You can see very, very perfect. You can just look at this. No stroke, This is not a stroke. This is not a stroke. You can see the difference stroke, okay? Serif are just like normal forms, okay? Without any stroke idea edges. Why serifonsre forms with strokes idea edges. Okay. Another thing we have to understand between Erfan series that when using Serifs, it looks classic, old old fashioned. Actually. Medical magazine companies, magazine brands, newspapers, the Seri Fun because it came before the Seri funds, okay? When you want to design something of the classic age or something of the old age vintage, retro or something like that, you tend to use serifs nowadays. In a modern time, people use a lot of brands like Facebook, Okay, Like editors like Twitter, like Ebay, Intel, Mastercard. They use the sensory phones without those strokes. Sensory strokes doesn't exist in sensory phones. But we're talking about iphones. Brands like messages, Ben, they use it. Okay? Brands like Rolex. The thing is that you might actually be confused. What is now the difference? The difference is that erophons strokes, why sensory fonts have stroke at their edges. Okay? The thing is just that even if it is a classic design design or even if it is a modern design, there is no funds you can use. There is no problem using any funds, okay? You can use the spun, you can use the funds, Ell, the two, okay? But the thing is just, it's been categorized as saying that when you're using a Serif, it's modernized. If it's old fashion, it's used for fashion and the like. When using a serif, it's modern because modern brands use serifs. According to research, some brands, they changed their brand funds from the to the San Serifs. Okay, Because it looks more than talks about luxury and the like. So there is no problem in you mixing the two. That is not a problem. That's differences between sani fonts and font. I'll see you in the next lecture. 15. Understanding Colours - Part 1: In this lecture, I'm going to teach you about color. What I want us to understand about color, firstly, is that color affects our emotion. It triggers us to do things, it makes us fall in love with things. Color is very powerful. It affects emotions. And it speaks a lot about a particular brand you're designing for. Learning to know what color fits a particular brand. What is the meaning of that color? What does the color portray? Everything attached to it would help you to be a created designer and know what is best for you. So now I want to talk about the primary colors and the secondary colors, and some other colors attached to it for the primary color. Firstly, we have red, Red. You need to understand when you're designing for your brand. Red, Red indicates passion, love, power, energy, appetites. Unger. It also signifies and indicates danger. Okay? It talks about appetites and anger. When you're designing for your brand, just like this, for example, designed for a food brand, you should try to make sure they are spices. The color should be red wine color, okay. Not that you can't add any other color, but make sure orange, yellow, red is part of the colors. You can see the way I design this, very perfect to actually the background color color actually over as some spicy red color. Let me say reddish color when we're talking about red. Red talks about appetitks about under talks about it indicates partial love energy. Okay. That's just one thing you need to know. Brands that brands, real life brands that uses red for their own brand. Color is for example, we have Cocacula. Okay? Talks about tasty to taste. Okay. That's just one of its, another thing is just add, okay. They have a lot of software they made for people, like people who have passion for one particular software or the other things like another brandies talking about Netflix, the color red. Okay. Let's actually, it's based on, it's a movie brand, let me say movie brand actually based on movie. Just like STV, we have this type of brand actually shows different movies for people. People have passion towards, people are energetic towards the type of color particular brand uses matters a lot and it's in targeting one's audience. Okay, about another example I can give you apart from this is another one is the blue color bloom. Let me just move to a particular flyer I designed using blue color. Okay. Let me come over here to right. Yeah, somewhere like this. When you use blue color, blue color indicates and signifies trust, calmness, security, friendliness. Okay. That's when you go to an hospital. Okay? People who perform surgery, what type of surgery clothes do they wear? The word blue color just to make you feel calm, friendly, Okay? Now, when you design it for your brand, another thing you have to understand is brands that deals in, brands that deal in IT, okay? That is in finance that different things that has to do with security, okay? Their brand logo is always in blue color, most of them, okay? It companies like Intel for example. Their brand color is what? Blue. Paypal for example, Cory Wise. Then brands like Cory Wise which actually is found in West in Africa. Their brand color is also blue. Blue signifies security, calmness, friendliness. Okay. Website that blue includes Twitter. Twitter is an example. Facebook is an example. As I've said, Paypal also, and Cory Wise, some other brands like that. They want to trust them, wants to be calm and want to feel secure about their brand. That's one thing. Color in a brand, logo color for a brand says a lot. It's very important. Apart from that, I think there is another blue. Okay, something like this. That touch of blue around here. Okay, phone also, there is a touch of blue in the background whereby I use the color look that is it for blue. Then the last primary color which is what? Yellow. You have to understand that yellow signifies, indicates power, indicates youthfulness, like to being youthful age. Okay, signifies to be energetic, vibrant. Okay. It signifies warmness, the color of the sound, something like that. Brands that uses yellow includes brands like Shell company, MC, Donut. But actually everything about this yellow is just talking about power. Being energetic and vibrant enough. Okay, so that is why yellow is being added to the, the burger brand. Actually, the restaurant brands in food. Yellow is being added to it to bring about vibrant ener, energy. Talking about being energetic. Okay? Power, and some other things. I think I use yellow here again. Okay. Yes. For this beauty is power. Okay? We actually tried as much as possible to use a golden color. Okay? Using a golden color, there is a touch, but there's always a touch of yellow there. Okay? This talk about being vibrant, being energetic, go beyond perfection. It's something like being energetic and being vibrant. Being warm, cool, and nice. In the next lecture, we're going to be talking about the secondary colors and some other colors being attached to the secondary color. 16. Understanding Colours - Part 2: One of the colors we have in the secondary color is green. Green indicates and signifies life, eco, friendliness environments. Okay. Agriculture, Uniqueness, power. Also brands that use green include, number one, we have brands like Animal Planet. We all know what Animal Planet actually does, okay? There into animals and the like British Petroleum and real estate companies also. That is why, for example, you see over here, okay, just come over here. Green, agriculture, Green all through, just a touch of red, making it look nice. Okay. Apart from that, I have another one which is, which is talking about what? Real estate? Because it talks about Echoing Echo Friend. It talks about environment. This is one thing we should actually understand. Apart from that, we have purple. Purple is used for luxury royalty wisdom. It indicates innovation. Okay. It's actually, it's clothes like purple was won by worthy people in the ordinary. You see brands using pop for the brand logo, for the brand. Actually we have orange, energetical, being playful. Okay, Black. Also black is used by luxury companies. Companies like for example, we have modern companies using black, like Gucci, for example, in their logo and Calvin Klein as black, their brand logo. Apart we have white. White actually talks about being careful, holistic and economic and the like, things like that. It's white and black and gold is mostly used and also gray in some ways is mostly used by companies, world brands that try to seclude themselves and stand out from their competitors using the normal colors we know. Okay. So that is actually it's for the secondary color. Actually, it's, it's not much to that extent. Okay. That is it. I'll see you in the next lecture, but with a few explanation on the primary and secondary color. And what brand uses this, what brand uses that. Okay? You can see actually using red and yellow, using blue right here. This is a reflection of the lights that brings about the green color. Okay, great green all through the touch of blue. Then blue talking about transport logistic company talking about security and being trustworthy. This talks about Blue also being trustworthy, okay, trusting the troop brand to take people to and fro, whereby they would lose their money or something like that in a way whereby they are going to fraud them. Okay? The beauty, talking about yellow, vibrant gold, Okay? Talking about red, also pink color, something like that, okay? Bringing about love, okay. Passion, okay? Are also talking about green environments and eco, friendliness and the like. That is it for colors. When we get to the practical aspect, we're going to use the colors perfectly and very, very well, efficiently and effectively. I'll see you in the next tutorial. 17. Food Brand Flyer & Poster design - Part 1: In this lecture I'm going to put you through, this is the beginning of the design, the practical aspect of designing a flyer and a poster for different clients. Now just come over, click on New File, Okay. When you click on New file, what happens when you click on New file? What happens? This pops up. You can try to use any custom paper you want. Like recent saved for photos. Okay. We have different sizes, okay, for prints, for illustration, web, mobile film, and so it depends, but majorly, when you're designing a poster or a flyer flyer, naturally we use a four. Sorry, we use five. But some flyers, you can use a four if it is recommended by the client. Okay. So you can use 45. You can use any of the. 0123456. Okay. So fights a flyer and depending on the client. So all through the tutorial I'm going to be using a four is well known by people four, it is different from the ten by ten social media flyer. Okay. But this can also be, can be used for a social flyer. Okay. But I'm going to be using a four, so you can see a four or recent. Actually recently this four. When you click on four, then just come over here as an custom paper. Any paper you click on, it will give you the size immediately. This is the size in millimeters, but even changing 2 ", which is mostly mostly known as inches by 11 okay? Or by 12 approximately. Okay. Let's say nine by 12 then approximately. Okay, so you can make it like landscape or portray, just leave it as portray. That is it RGB color, Leave it like that. Eight bits, leave it like that. Leave this alone. Resolution 300, leave it like that. This is white, Leave it. So you can change the paper to black but just leave it. That's for the canvas. Just livid weight is and every other thing here share just livid weight is okay. So you can use inches, centimeter, millimeter. But I just prefer using inches because I'm more used to using inches. So it's not a problem you using any measurement. Just getting everything right now, what do you do? You click on Create. Now we already. So the first thing you do, this is the canvas. The first thing you do is what? You click onwards. You click on the lock icon to make it words lock. Otherwise you wouldn't be able to move your paper. Just click old and drag you convert to normal layer if you read the current selected layer in the background. So you cannot move a background layer, just what do you do? The first background is always logged in Photoshop. What do you do? You unlock the one click old and old, and you can see, you can see that is it Just contrast it, I'm going to be using short cuts very much, well shortcuts on my keyboard. Very much, very much in my tutorial. And also I wanted to notice something. Look at the side, look over here, look at the side over here. You can see I have a particular over here, you would see anything I click on my mouth left, right, Do or anything I press on my keyboard Shows you now. Okay, I'm present control now on my keyboard. You can see it. Okay, I'm present escape right now. Right now. Okay, escape is not really showing. Okay. But control shifts, you can see out, that's out. I pressed out, that was where this pop up out. You can see out, you can see it's showing okay for my mouse left, you can see left click right showing the left. This is left click, left click. And you can see right click then scroll. I'm using the wheel, the scroll up down. Whatever I do actually using the mouse and the keyboard it shows here, it will help you to be able to follow along Whatever I'm doing in this to toll video in this cose just even if I forgot to see a particular key or something like that, you would see it's pop up here. So let's move on now. This unlock the layer already, so it's very easy for me to know. Click, hold and drag. Okay. Just press contra, you can see countryside, you can see good. Now we're designing for a restaurant or let me say a brand that produces that sell burger to people. Let's begin. First, actually take away the lock icon, make the background unlock the layer. Fine. Go come over to file To open, we need the source files now. Come here to download. Okay, which you downloaded the resource file from the link produced in the lecture titled Download the resource file. This is it. You double click. Come over to project files, then we have this. Where do we start? What I'm going to do here is that The burger design. For the burger design, all the images that has the alphabet. As for the, it's for the burger design. The net design we're designing is this, okay? For a brand company. Okay. It's for the B. Okay. Then all and on that the alphabet talks about a particular design of, a particular flyer poster design for a particular brand like this, for example, is for a particular brand also like this. Okay? D is for a particular brand. For this all through one towards a nine is for the burger design. For the brand I'm going to pick in the pictures one by one or I can try pick it together at once, but I want to be well structured and well organized. I'm going to pick the pictures one by one. I click on this. Then there is nothing bad in you coming outside, the coming to file and importing the images from the O file somewhere. But you can just come over here to do then. Why is it going back? Downloads, Photoshop, like the source file. Downloaded project files, then click on this. Down, Open. When you open it doesn't. You can see it's open. Here it is, a new document entirely. This is the document we are working on. This is documents I just opened just now. Okay. So I need to take import this into this document. Whenever you open a new image or an image, you want to use a new image or an image you want to use. Okay. What happens? It opens a new document for it, okay? But if you are importing from here, it's not going to open a new document. But I want it like this. Don't worry, that's not a problem. This is the blank page. This is the four. This is for the poster and for the flyer. Okay. Just come over here. What do you do? You can click old and drag, but you don't respond. Why? Because this is the layer is locked. You unlock. What do you do? You click, click old. You can see here it's click, click and it's show you click. Then you can see it's showing right here. You can see all this right here. You click old. And what? Drag this image, Drag it to this place, okay? To this new document you can see. Then bring it down into this place. Then you drop, I've not dropped it. Okay. You can see the plus. You can see under the cursor, we have a plus in square. Okay, then you drop it. You can see it's here. And also it remains here. It's like copied and pasted there. It didn't cut. What do you do? You can close this one. We don't need it again. Just press just select. Okay, now we have this. This was the background before. And now what is this? We have another image here. What do we do? As I've said, I'll be using shortcut. Very, very much open, press out, then use the middlemuse button to, to scroll out. We can zoom in and zoom out in different ways. We can press control and control plus zero, control plus zero on your keyboard. Pressing on control. Right now you can see, you can see there, I'm pressing control right now. The press on zero, press on control. The press in order to zoom in When you press control, then you press on plus, You press on control and on control, then you press plus 123, any amount to words. Then to zoom out, you press press minus. That is, you're still control pressing minus, but I don't use that often. There is another thing I use, press on control. The press, it's fit to screen immediately no matter how far it is. Okay? You're pressing contra controls minus. Press control plus zero. Okay. Very fast. Instead of pressing contro plus, plus, plus, plus, plus, No, you can contra plus zero from its goes. Okay? Instead of using control plus plus or minus, what do I use? I press on Out. Okay. I old the out. Then use my middle mouse button, the scroll the wheel and I scroll out. Then scroll in whatever I want to scroll out. It depends, les course depends on where you put the corsorf. The cursor is present. Al scroll in. It's going to scroll, it's going to zoom where? Where the corsory. Perfect. Even if it's down here, you put a corsor present, old scroll in. It zooms wherever you want it to be. It's more better, faster and efficient than the control plus, minus control. Plus, plus control. Okay. It's very perfect. Control plus fine. Okay. Now, what do we do? I want to adjust this particular design. This particular design. To adjust it, what do I do? You present what control you can see when I present contra. Happens. It shows these guidelines. Okay, for me to be able to edit and change and do some things. Even I can write. Click on it as it is now and you see more properties showing why don't need them. Now what do you do? You can see this corsor. When I move it to this edge, it changes to what's like a diagonal slant arrow that moves up and down. That, that moves up and down, but it's slant. For it to be able to click odd, you can actually bring your cos outside. When you bring your cors outside, what happens? It changes to something like a turn around arrow. Then what? You click Old. Okay. The left mouse button. You click old and what? And drag. Okay. Sorry. Click old and w and drag something like this in the background, looks something like something creamy. And we're talking about burger, something delicious and yummy, spicy. Okay, so I don't want to be just like this. I want to know the diagona to curve, to be slant, okay? Something like this is perfect. So when you're through with that, you don't do anything else. You need to follow the rules. What do you do? You check. If you do not check, there are some things you will do that once. Um, the program will respond to. What do you do now? You check, check, very perfect. When you check, just make sure you most times try as much as possible to whenever you select anything yet, try as much as possible to always go back towards, go back to the move tool because that is the beginning of all tools. Now we have this just present contra zero. Just make sure you select this. It's selected. Any layer you are dealing with should be selected whenever you're having mistakes, making mistakes, you're trying to select, trying to do some things and it's not working. Definitely come over here. Check, look at the layer you've selected. Check, check the layers. Check if you've selected the layer you want to what you want to move. Otherwise it doesn't move. This is an example. I've selected this layer, then I try to click old and what's old and drag. Okay. Press and contras to undo. Okay. But I click on this layer and what's and drag? I click here because the layer is wind, but it's not working. It's only taking this layer. This layer, why? Because it's selected. If you want to drag this layer, you need to select it. Then click Old. And what's and drag? You can see click old and drag. It's not affecting this upper layer. Not affecting this, because what? I didn't select it. Let me press contras. Another thing you should, apart from contras, if you've done it too much or like you, okay, there's a mistake. Contra, just come back to edit. Okay, come back to edit. And what redo transformation that was contra un shifts plus contra is what Red. Then we have this. Okay. Now when it is very important to understand this, there's something we call auto select. Okay? I didn't check it for reasons, I make sure it's not checked, it's not check, Now I'm checking it. Why? Because I make sure anything I select is the only thing moving. You can see it's moving even when I come outside here, not in the canvas. When I come outside and click old and drag, it selects it because the auto select is not there. That is, I select manually, not auto okay, but okay. Another example is when I click on this layer, this layer click old and drag, right? But when I come over here, this is another layer. I didn't select it. It is the layer I selected that will respond to the movement. Now this layer digs this layer. Then I click on this layer old and drug what apples. It's not working, only the layer I selected is working. It's very, very important to know usefulness of unchecking the auto select. But when you check the auto select, what happens? No matter the layer you select, it is not going to respond. It depends on the canvas. Now, I'm selecting this layer. Look at this. Selecting this layer. Okay, I set this layer. Don't forget, we're not checking. We checked the auto select. Okay, I've checked this layer, now this layer is checked, fine. It is checked. This layer is selected, sorry. It is selected and this is checked over here. Okay, so what do we do now? I click on this. What about if I click on this? What happens? Would it be selected? Would it work out? Yeah, sure it would. Click drag, which is not supposed to be. Click and drag this. Click and drag this. But I don't like it because sometimes you want to move something and you mistakenly move something else. Let's check it and see what happens. Now I've selected the background, the white one. Then when I click on this to select what happens, it isn't selecting only what I selected here is working. I would advise check this. Whatever you select here can only be selected, even if you try to click year old and drag on the selected what? Only the selected layer will be selected. Control it. Let's go back. Class. So now I have this. I've selected this. This is it. Okay, fine. Okay, nice one. There is something I want to do whereby all these edges would be what would fade away. And I'm going to blend this background with the background white background. I'm going to blend this image with a white background that I'm going to blend this background with. What's with this background? I'm going to blend this image with this background. Sorry for that. I'm going to blend this image with this background. How do I go about it? Good. There is something we call layer mask. Okay, there is something we call layer mask in Photoshop. Very perfect layer mask helps you to make a whole layer invisible or make it invisible, or make an area of a layer visible and make the other parts invisible. Okay, layer Matt does that. It is what we call non destructive design. Without you destroying the design whenever I want to go back. For example, this space has been asphe away's. It's now interacting with the other layer on under, with the up of layer mask. And you don't want it again? Oh no. I want to go back to what I did before using contra to an extent the layer mask. Just switch the layer mask, then you get whatever you want back. So I want to teach you that now. Click on this layer. Click on this layer because I want to apply the layer mask on this layer. It's very important to understand something or whatever you want to do. Try select a layer. It is only on that layer that the layer mask will be effective. Photoshop is very sensitive. Whatever command you give to the selection, it is only that selected layer. The effects will affect. Let me say it like that. Let's go click on the Select That. Then what? Select the layer mask. Now layer mask is being selected. Layer mask is much designers use layer mask a lot. Thereby things you imagine. It comes from the layer mask hiding some parts and making some parts visible. I actually use it, I used it a lot in this course. Also need to understand what it is exactly. The rule is that whenever you want to do anything on the layer mask, it must be selected. Look at the, the four white outline here. When you select this and you're trying to use the layer mask, it doesn't respond. It's very important to know that because this is the image itself. Layer mask is an additional effect when you're using the layer mask. Don't forget you select the layer mask. That's number one. Number two. Number two, talking about the layer mask again. Okay, whenever you see a white, when there is a white color in the layer mask, it means that part is visible. But when you see the layer mask as being black, it means that mask, that part, that area of the image is what? Invisible can't be seen by people. But you know what you did to it to make it unseen. You know why you did that. But you can see it here. But you can see it actually somewhere here. You can see here, Okay, sorry, sorry for that. You can see what you did over here. But on the canvas, it's not gone. It's it can't be seen. It can be seen on the canvas. So, what happens? How does it work? We use the up of the brush tool. You select the brush tool, this is it. And the shortcut for the brush tool is what? You can see, the shortcut here, the shock. You can see the shortcut for the brush is what brush is very much like. Wall used to paint, to select areas to use on layer mask. Like when you are using layer mask, use the brush tool. Probably the icon for your brush tool is something like this. See how it is? The reason why is that your caps lock is on, press your caps lock to make it up, then you have it back like this. If you press it like this, if the capslock is on, it's the icon shows like this. And it's actually works the way you want to work. Okay, but let's be on the same pace and make sure your caps lock is on. It's like this. It depends. Now, you can increase the brush size the way you want. You can increase or decrease, increase or decrease the brush size. Like you can come over here, we can actually, you can see size 29, you can see that. You can see what is happening. It's very, very tiny. That is why it's like that. You can see 95, you can see 168. You can see it's increasing then to the highest, the atness of the brush, it's 2% Most times when you're design, you don't want the brush to be very hard. What do you do? You try to make it even to the lowest 00 that's perfect. But short cut you can use, which I use shortcuts most of very often is that you press on out because I can just come over here and start changing. The shortcut is very fast and help me, you just press on out. Okay? Press an old out. Okay. The costal would actually change somehow. Okay? But make sure you're not selecting this layer. You're selecting this rectangle. You're selecting this rectangle. Press on Out when you press on out. It is not your left mouse button. You're going to use, it is not your middle mouse button, you're going to use it is your word, right mouse button. Okay. The first command is word, press on out, you hold it, then you press on your right mouse button. You press hold it, you can see diameter 4,400.58 p x an zero opacity nine 5% The diameter is the size you can see. I'm holding my out and I'm holding my right mouse button. That is the way we are going to actue we want. Now hold it, the word drag to the right or to the left. When you drag to the right, it increases it. You can see when you drag to the left, what happens? It decreases it. You can see very perfect when you want to make it like the addness, okay? When you drag it up, the ads, when you drag it up, the Agnes reduces. When you drag it down, the addness increases. Just make it zero. The main I'm trying to teach here is that the release, the keyboard and mouse have released them, okay? Okay, zing odds and the middle mouse button matriz, it's out in the size, very, very easy. Just press on odds. Then what's left? Your right mouse button, click, hold, and what drag To the right, to the left. To the right, to the left. I'm going to be using very much of, in this case, that is it. Now after that, we need to understand that when you're using the layer mask. When using the layer mask, now we have the brush. Okay, Control zero. Now we have the brush. Okay? In order to achieve whatever I want to achieve. You can remember I said, when the layer is white, when this rectangle is white, that is, it is visible. When it is black, it's, it's invisible when the layer is mask. You can expect us to paint when the layer here is mask rectangle. The layer mask here, it's white can mean the ector click, it is white. You can't pet paint white on it. We need to paint what under color. This is what? Black. When it's black, you can't pet black on it. We need to paint white on it. You understand that is when this space is white, you paint black on it. When the dian is black, paint white on it. Now this is the brush, this layer mask. Where do we select colors? Come over here, We call this the ground color. We call this word, this is foreground color. You can see it shows the color picker. Okay. And this is what the foreground color. The background color around color is white. You can see background color over here is white. Then what's the foreground color? You can see foreground color is black. Even if the color is something like red now or something like blue or something. Let me select this image. The color is like this color. You can see I'm changing the color here. Even if it's like that, whenever you press on this layer mask, it changes it towards gray. It tells you can use that gray. Okay, the best thing you should do, go back towards the default. And using the default, when you want to use a layer mask, make sure you press on this fault, which is what the default when you press on this fot, it goes back towards black and white shortcut, that is D, You press on D, then this is white. Whenever you're painting, it is whatever is on the foreground color that shows, okay, That is responding to this rectangle. Whatever is on the background color doesn't respond at all except what you switch it. This is the switching. You press switching, the shortcut is X. You can see I'm pressing on X. You can see here you can see it's changing X. I'm switching, switching. What happens? This is white, foreground, color is white, it won't work out, nothing would happen. See, let me click, drag. You can see painting here. Nothing, nothing is happening. What do we do? We switch present the X, or you come over, present the X. Then what? The foreground color is now black. Then we have white. It must be opposite white and black. Okay? And if this place is black, you change foreground color to place is black. You change foreground color toward, to white. But this is white. Okay. We have to paint black on it. What do I do? Let's begin. We have everything set now. Click, You can click on, you can see you can click once. You can click on, but it's going to take time. You click most times, you click old and drag. You can see, you can see that you click the edges must go. Because what I want to blend, you can see very perfect. We have it already. We have it now. What is the next thing I want to come over to come over to the move, press on, on the O out, then control, then come over here, not using the rotating, just come over here, click, drag the left mouse button. The reason I did this is that I want it to be what's in proportion together if I was not holding the out. Let me release it if I was not already Will happen, only one side would be increasing and I don't want that. I want everything to increase at the same time and decrease at the same time. Press on this present. Then what increases? You can come over, I've released it. Come over a click here, old drag. You can see it looks creamy. So I decided to make it all. Let it be like that, let it maintain the way it is. Then you press, you check it, then control zero. You can see very perfect when as we're moving on, you see how things are changing. Now we move to the Boger. Press on file, then open. Okay, now the Boger, We're through it one then now two. So now we have this. As usual, it's opening a new document. This document we're working on this document for the bugger. Click and drag and drop it here. As usual, we can delete this. We don't need it anymore. What we do, we press on the use the Minimize button, then scroll out. Then after scrolling out, scroll out very far, the words. Press on Control. Make sure this is selected. Make sure this layer is selected. Not this, not this, but this. Okay? Control C. Then we go to Go, so we can out. Then zoom in. Okay. Then click here, nothing is showing, right? Then just click in this. Just click anywhere around you, just click. Okay. Now click Old and Drug, present the odd sky. Click Old drug, present the odd sky. Okay, we have that. Okay. Then control zero. Just see what you're doing perfectly. Just try to make sure what you're doing is correct. It shouldn't come down too much, it should be somewhere around here. Okay. Then click O and drug. Try to reduce. Then you check this very perfect. So you can see the tridangle like you know the edges we need to do what? We need to make it interact. We need to make it interact and relates blend with the other backgrounds. Okay, so what do we do? You already know we do what? We make a layer mask very perfect. But before that, let's see how, let's see how it is. I think it's more okay, like this. It's fine. Okay, because there will be a call to action underneath here. We need to make sure it's code. It's okay. Then don't forget, you're selecting on this, selecting a layer masking, a third layer mask, no contrast. What do you do? You select this layer. On what? Select the layer mask. And we're good to go now. What's the next thing? The next step is what brush to, you can press on the, on the keyboard. So we have that this place is white and this is, this is black. For example, let's switch, this is white and white. Let's start painting. What happens? Nothing happens. What do you do? You're making a mistake. Then what do you do? You make sure it's black. Then click, then drag. You can see it's working out. Then nice, it's all gone. It's blending. It might look somewhere right now, but don't worry. When I apply effects to it, you will see what happens. You can clean it more. You can click, when you click old drag mistakenly cleaning something, what happened? You can correct it. There is no need for you to start pressing count. It's a long process. What do you do? We use the black on the white, we now have some black. Okay, The white areas are visible. You can see like an X over here. Okay, It was what I did here. You can see, what do you do? Switch this back toward to white. Press the X on your keyboard, to white, now white. So the white is going to be applied to the black areas here, it's coming back to live. You can see very simple, easy. Okay, let's try that again. You present up X. You try mistakenly what happened, then you switch to X, back again. What happens? You clean this away. Very simple. Just make sure it's clear to see. Let's make sure everywhere. You make it everywhere, very clear to see. This is very easy, just that you practice to be very perfect. You can see there is black around here. The white areas only showing which is the burger. Okay, The black areas are which are the edges. So let me change this to black. Let me call some places more. I should make any mistake of erasing some parts. If I erase it, then change it to white, then make it visible back. That is the second process. What is the next thing to do? The next thing to do what? Let's add some spiky color to the design. We have that. How do we do that? Don't worry. My layers, I'm going to group them in a way it would look well structured, well organized, and very neat. Because I love to make my designs very neat. I'm going to teach you that. That is not a problem. Okay? You click on this, because whenever you click on this or click on this, an adjustment layer is somewhere. This icon keeps the adjustment layers okay. When you click on an adjustment layer example, when you select on this, whenever you want to select an adjustment layer, for example, vibrance, it appears above where you selected. You have to be very careful control, I want the adjustment layer I'm about to select to be on top of layer two. Okay. On top of what? On top of layer two. Actually, you can try as much as possible to the words to change the name of this layer. This is Amber, the layer for the amberger. You can see. You can make it invisible. You can make it visible. Make it invisible, visible. Then you can try double click on this. You see the select the double click on this and what burger? Then enter. Okay. You can say this is the background. Okay. Double click on it, The background. Okay. You can double kicks and just say something like creamy creamy. And you could go, it will help you know which layer is, which image is in this layer, is on this layer, Something like that. Now, just select this because I want the new adjustment layer. I want to use to be on top of what of this layer. Then come over here, something we call color lookup. I'm going to be using it many times in this course, the other adjustment layers we can use. But this is very, very much perfect because it is installed, a lot of things are installed in it. Press on what color lookup. Then you can see it's pops up here. Another thing you have to understand is that just click this. Another thing you have to understand is that this is what we call the property window. Okay? Bus is not here. For example, let me right click, okay. For example, let me click and drag it out, then cancel it. Vous is not appearing here, okay? For example, like I need something and it's not appearing until you double click or something here. Let me close this. Just come over to windows, okay, window. Then what? Come over to properties? You can see the ones checked layer checked. That's why you have the layers here. Color is checked, that you have the colors here. Okay? But properties is not checked because it's not here. Present what properties then. This is it right here, right? Then what do you do if your own appears like this? Try to come over. Just click hold and drag it till you see a blue outline. When you drop it here, it's going to be big, but I don't want it here. I want to very small, you can see the small blue outline. Then you drop. Okay, you drop. Then whenever you need a property for a particular layer, just click on this layer. Then click here, show its property. Click on this layer, it's Property shoes. Click on this layer, it's Property Issues. For the color lookup, click here, It's Property shoes. Okay, then don't forget, this is the layer must every. And it's important to know that every adjustment layer comes with a layer mask. You can see the layer mask. Every adjustment layer comes with a layer mask. Okay. So you need to make sure you select this itself. This is the color lo, color lookup itself. Then select, you can see it's changing when selected layer mask, what happens? Look at what's brought, When this happens, look at it. You can change it also. This is normal color lookup. This is the layer mask. This is the normal color lookup. Select this. What do we select? We select the crips warm. Okay, I want to make this background very warm. I want to give warm look the press nice one. That is one reason why you should be able to know how to use the adjustment layers. Let me make this invisible and you can see what happened. You can see very rough when I did this. You can see shining and perfect. Apart from that, I want to use another color look up. This is a color lookup on the car. Then you select this, it should be above this. Then come over here. Then what color? Look up again. Then under Color, Look up, it's already. Click on this, then come over here. What I love most, the late sun sets, very perfect. You can see the changes just collapse. You can see from this, from this to what to this. You can see that perfect. I want to add something. This creamy background, I want to make it increase more to be able to cover the background. Able to cover the back background. Let me say like that to S. Press on, then use the minimal button to like zoe out, then press on this creamier control C. Then try to click old. Bring something like this. Very, very perfect, good. Yes. Then then control zero. Very, very perfect, the creamy stop. So click move to, then try to adjust a little bit of, Let me use navigation here, Okay. Control C. Then a little bit, little bit nice. One D, I'm just getting old and dragging. I'm not using old at all. Okay. You can just click around the control zero. Okay? So click, you can click at least just strike to. Okay. Okay. Not satisfied with that. Okay. Click Old and drug Use the out you can without using out, just okay, good control zero. You can click and move a little bit. Yeah, that's perfect enough so for the second color look up, I can try to just reduce it a little bits. Okay. I think it's 100% like this. I can reduce it a little bits. Two bits, okay? It's still going to show the warmness. Okay. Going to show the warmness or I should just make it very little color. Look up. Okay. Can help a lot with the design. That's very perfect for the Boger. Let me reduce it a little bit. Come over a little bit down. That's nice. Now, what is the next thing? Floors to write the text on it. What type of text? Just come click this is the text to When you click the text to what happens, the property is here. It will show it's the text to. You've selected this play, that is the text to will come over here. I don't want it to be elected. Click here, select here, so that the text will come over the color look up. But before I go there, press move to Group everything here as background, okay? Just listen for, make this invisible and invisible. Okay. Click, you can see. You see when we added a little bit of effect, you can see how it's changed. Then what? The color. Lookup. Perfect. See, perfect. Group this. I'm going to select this. Press control, select this, select this, select this, and select this. Then what? Then I can press Control. Press and control. Okay. Very fast shortcuts or you can write. Click, then come over it. Words group from layers. But before I do that, instead of me pressing and present, holding on controls, phrases, phrases. There's another way I can do it. So I want to group everything here together. What do I do? I press only one. I select only one, press Shift, then come to the last place, still present, and Shift, then select this. Then it takes everything. It selects everything from the first points to the set to the last point. What do I do? I can click then from layers, what do I call it? I call everything background, Mistake background. Then we have this aspect ground. So you can write, click here, the change the color to something like red. To make it dictates different change to blue. Change to green if you like, but I don't want to any color. Okay. The name is okay for me when you select this. The next thing coming up should be what? Select text to come over here is why we want to write the text. Then click. When you click this appears it is N L, if that is what's even in web design and graphic design anywhere actually it's very well known being selected, then you can type whatever you want to type. But before that, you can actually come over then select this 18. Food Brand Flyer & Poster design - Part 2: The next thing is what's the logo for the brand? Very nice. Comp over here to open. Now this is the logo. Then open, very per click. I think this one. Stay there to just delete. Click, click words and drag here, perfect. You can see, you can see it's going up. You click and drag it up. You can see the particle and ten straight and very perps a little bit up, not so much. Fine out. Then scroll in in with the middle mouse, but in. Okay, so now what happens then The text to then click okay. So what's the name of the restaurant or the brand? The name is what? The chef. Chef. Okay, good. So click check, move to, then come over here, then go to Properties. Properties. Then what do you do? The color should maintain it. So then I think I should change. This is too tiny for me, too bold. I'm going to reduce the size to let me size to eight, that's too small. Let me just bring Tan in the middle. Middle, like this. Okay. This is not even in the middle. What's happening? This is the middle. Exactly the Save this also. Nice one. Let me change it to something like around 16. I think that is perfectly around 14. We bring this here down to bit, let me zoom in. Click and that's control zero. That's very perfect. I think it's two beach. Yes, think so. Let me click here. Then click the control, or your right click. Then you can double click and change it to words brand, brand, then control C then click. Try to reduce it into. Let me download to go to Control. Very perfect. I'm going to add a flare lights. Okay. So the design most especially the circle, the zero, the letter to make it shine. Right? I'll come over here to open five, open, then go down. That is where the lights is. Anytime I need the lights just go down. That's, that's the last image. Then open. Okay, we have this, then click O D, then drop. What is this? Just come over here to what we call the blend mode, which is normal. You can see the click when you start dragging. You can see dragging down. Wow, this happens. Effect, very nice. Perfect. Going. Very nice. Perfect, nice. But then all need what? Screams, then click, oder, drag it to the middle. What do you do? You use press on, Zoom out. What do you do you control? I think it's what do you do? You try to reduce, it's malfunctioning. Try reduced, make sure it is in the sale. Click and drag it. Okay. Then contra are perfect. I love it like this. It's a thing that you can actually control. Again, try to increase it to be able to capture a very high range. All you try to do this, this capture a very large area. So click Old Day, I think that's okay. Oh, it's too much. I think it's okay. Like this and it's perfect enough. It's perfect enough now contra just look at it from the before and what's the after? Perfect. What is the next thing? This should be on top every time. Let's group it. It should be group, Just write them from layers. There is what light see it is collapse. That's why it is expanded. That's why just what collapses only the lights in the group. I just wanted to be structures so well organized. It's going to be very neat like this. I noticed something that I need to change the Prem aspects. It's Yeah, should be showing down right here. So, what do I do Control? Okay, increase this. Try to try to bring this up a little bit. The creamy stuff should be down there. So good, very perfect. So, yes, should be down there. I noticed that I have to pay good attention to this fast controls. You can see the creamy stuff is down here. It's, that is actually what we want the efforts to look like. Clip and drag a little bit. He very, very perfect, nice and creamy. Nice and creamy. We need to add much more effects. Let me call up this back. Okay, nice. And much more effects need to be added. What is the next thing? The first, just come over. The first thing to do is add the leaves. What do we do? What do you mean by leaves open? You have the first 1 second. Add them one by one, first second. Actually, make them well arranged. Okay. This will be last. You arrange this open, then you click, drag the nice. Make sure you close this. No, we don't need you. The shape closes. No, we don't need you. Shape closes. No, we don't need you anymore. It remains one. What do you do? You click on this. Then control C on zoom out the Medium House button. Then what is happening in Sunshine? Just click here. Sh, click Old Drive O, nice one. Okay. Just, let's move it up a little bit. Up a little bit. Little little bits. Okay. It's actually fun. Okay? Okay. Can. Okay, so what do we do? We need to add some blow, some motion, blow some Gaussian blow, that will make it look very much realistic. Okay, Another thing you can do is just come here, sorry. Come here to text, okay. Click on the Fresh out and fresh, just go to the text to then click Click here. Then you can use the space ban, make sure it's space okay in order to make the sorry, this layer believe layer to show come over to move to then something like this. Okay, that's exactly how I did that. That's exactly how I'm doing it. Okay, so that's it. That's very perfect. Okay, So to look good because the space need to be there for, for the leaves to breathe. Something like that. So click, hold and drag a little bit. Okay, a little bit up. Okay, that's perfect. Then you can use the arrow, the dump just to bring a little bit down arrow on the keyboard. You can see moving a little bit, downing the to bit up. Okay. Depends on you. Then to the right, that's nice. Let me collapse to. What do we do now? We need to use the filter. When you want to use the filter, what happens, don't just go straight to the futert the future. You change that layer to a layer to a smart convert to smart object. Reason is that if there is any mistake you've made the f what happens? You can go back easily, come back and change it and edit. But for Adventure, you made a mistake and you didn't use the smart object. What happens? You need to use contra, sometimes it might not get to that particular, that particular source or origin. What happens is you need to delete and start again with that layer. You do not want that to happen. Okay, what do you do? You convert to smart object. So you come out to smart. You can see there is a small box come to that. You can see this was empty before. This is still empty, What do you do? Right click, then works, convert to smart objects. What happens? Then go to filter. Come over here to blow. I would advise you when it is blow and you want to make nice effects. What do you do? First, try using the motion block, because the motion actually a motion picture. Before you use words, digsion block. Okay. First, use the motion block. What happens? You can actually, you can increase, you can decrease, increase. You see it is running, running, running away, okay? Something like that. This is too much. You can start from the bigger one to the smaller one and start seeing what is happening. You start from minor, start from the worst, coming down to the real, okay. You can see how things are changing. You can see, you can see, because I don't want it to look scattered where people know their leaves out, the leaves to show, okay. And it's very important what happens. You can drop it as 40 something. I think it's okay. It's perfect enough there. Okay. Leave the color picker, I need the color look up. The effect. We used to affect everything except, except from some other things like the text and the branding. But I want it also to affect this. Leave the tomato. We're going to use the comb and what the lectos or something like that, What do I do? I open, make sure I come over a click, drag, that is the leave. And bring it down below color lookup 1.2 then you drop. You can see that. You can see the changes. Okay, let me cares it and do it again. This is, you can collapse, you can collapse the background. Also, you see, this is what I did just now. These are the leaves. Okay? These are the effects. You can actually make changes, make effects here. You can make it invisible. G, what's it called? The motion blow, And you can make it visible back. It depends on you. Okay. But I want this color lookup to affect this. Also, I do. I click hold and drag down below the color lookup. That is, it would be the background group. I can create a group in a group. Now I'm going to create a group of fruits, foods in the background group. Just drop it here. What happens? You can see the effects there. It's affecting right now, what do I do? I can click on this. Then control. Okay, you can see the group. Then double click the right words, fruits then okay, you can actually collapse this back, that is in the background. We have normal. Okay, let me select this. Press control. The puts effects, the words effects. Okay, we have this, just say background one sometimes because I still want to maintain sorry, background. You can see in background here we have three groups also in the background. The background for the normal backgrounds for the leaves and the things I'm using right now. And also effects for the effects, the color of cop and the like. Right now you can notice that these leaves are behind the text. What do we do? Is that a problem? Not a problem. What do we do? We use the layer mask. Let us press the key, then zoom in. What happens? How do we do it? How do we make it work? This is one way we can make it work. Just compare to text, Collapse, expand the, select the X and fresh this and fresh. Any of the word that is above the leave would be maxed out. That you can see. Now just press on the layer mask. This is white, this is black, everything is good. And we have the brush select what happens, how we do it. That is the out and fresh is what is visible, white. Wherever we have the leave behind it. Let's start with this, where we have the leave behind it. What happens? We're going to paint on the place, we're going to paint black on this white layer mass that is this visible here. The stroke visible when we paint black on it, it becomes what's invisible. And the leaves comes up, pops up and becomes visible. Very, very simple. Let me reduce brush icon at present O use your rights and mouse protein. Okay. Click, hold and drag today, what happens? Then You see you click here and it goes the way. Perfect. That's it. Then this also, I think you to be, there is something here. Yes, there is. Even if I make a mistake of it's more than supposed to be, though I do present X, switch towards two whites and erase the black area, You can see that all the words. Then you zoom out. Okay. I think it's You can somehow and just Okay. Yeah. Also Oh, sorry. Is a Change it to words to black. You can try to. Everything is what happens. You can X then back, okay, that's contra, see what is happening. Very, very perfect. Any other one, we have, make sure it's black, then paints on this so we can see everything about it. Then X, then paint white contra, see it's perfect. Then out, this is the last one, pen you click on this, what happens? Nothing shows immediately. Is what? Black. So what happens? Switch white, then contra. It's very perfect. This is exactly what we want. We moved now, just press on. Now we've gotten this perfectly. What is the next thing? The next thing we're bringing in should also be in the foot, so that these effects will affect it should be in the foot layer. What happens? We go over to what's open, what should be the next thing? The next thing is what? The core open? We have this. Then press on the move to click, hold and drag, then drop. So now we have it here. Just selected. Just click and drag. Okay, fine, no problem. Just press on outs, press on out, then use the minimize butt, and then zoom out. Then press on control. Then try to try to adjust. Then check this. So what do we do now? The outsk zooming, okay? You can use the navigation. You click Drop down, okay. Then use the Ok. Then zooming, which exactly do I need? I need this. I want to cut this out exactly. To cut this out from this image, what do I do? Very simple, Just use the selection tools. Let's click on one anyone you prefer, but the one I will use is a quick selection to quick and perfect. Even if there are mistakes, you can actually edit them very fast. Click on this, then you forget to try to select this, because you select on the layer and click on this like this, it's not going to work. Click on this layer, select this as usual, then this is what you want. Click and drag on it. You can see very fast, just release the couple. And very fast, it's very much okay, like this. And that's what I'm going to use. What do you do? You copy and paste that. You're going to cut this particular image out from this image. What do you do was the short cut control J. That is it automatically copies it and paste it in a new layer. Just look over here, just see what happens. Just control. You can see before we add layer five, now layer six, the layer five is a normal layer. Can see, make it invisible, make it visible. Just delete. Click and drag it to the trash can. Wait, you can right click on it. Then what do you do? This layer. Okay, first, that's a long process, but what can you do? You can do it like this. Click on this layer and click on this layer and drag its way to the trash can end. It still is very beautiful now. Very beautiful. Now click on this layer, which is the comber. Just try, come over, just move to, then you can see we can now very perfect. Let's rename this. Okay? You double click on then bad. Okay. Then for this layer, okay, is the leaves just double click Then what's leaves? Correct? Leaves, Okay. Don't forget, I'm trying to collapse this expand back. We're talking about the fruits right now. Fruit in the fruits section, control zero. Okay, now we have just select the cucumber. This is the cucumber very perfect. Just bring over here. Press on control C, Okay. Then click old and drag. Press out, then bring it around somewhere, very perfect. Control zero. Then check this. Very perfect, I think. Let me increase it a little bit. Yeah, let me use a down arrow on my keyboard to make it come down a little bit then Right a little bit. Okay, good. Now check this, what do we do? We turn it into a smart object because we're going to use a filter. Going to use the blow. Right click on the Cocumbern's Combat to smart Objects. Now combat smart objects come come to filter blow. We have motion blow, very nice. You can even increase it. You see you can see perfect said towards something like something is okay for five is okay. Then press okay. Then apart from that, I want to give this one a blow blow, Gaussian blow. You can see very, very blurry. But we need people to see what is the ingredients, the recipes or what should I say that we used to make the hamburger. Okay, let's put it around. No, I think it's okay. Like this. It's fine. Perfect. Okay. Yes, that's nice. What do you do? Bring this one up. Sorry, you don't have that? I have that. Just try to collapse this back. Collapse this back. Also for the comber, there is something I want to do. Okay. I want another want to be around the space. So what do I do? I press, that's the first thing you do. Because if you move this first, it doesn't recognize the command back. But when you press on out first, then click and move this on, it's very perfect. Drop it here, then you drop it here. I'm going to drop it like this. No, I can't. But I don't want to. I want it to be what? To be flipped horizontally. So what do I do control? Yes, it tell me smart update. Apply to the ton. Primary. Yeah, sure. Okay. Then what's your right click on it. Then what's flip horizontally? Perfect. Then check then the future. The blows comes back to it. So that is it. Then bring it around here. Somewhere around here. Okay, I think that's packet enough. That's good. That is for the leaves and the cucumber. What is the next thing to do? Let me put cucumber two, nice design. What is the next thing to do? We need to get some tomatoes. Let's go to market. Open. Come over to We Tomatoes. Click then nice. Now we have the tomatoes. We can actually cut it out from here. Instead of taking the district, what do we do? Which one do we need? We need this tomato. What do we do? The quick selection, which is, if this is not like this, just right click on it. Then this is it at the middle. The Quick Selection, two, then we have it, then click on this. Then the brush to it is a quick selection, but just circulate the brush to it's very smooth, so press on out. Then your right hand Mos button. Then click old and drag to the right hand side. Then that's nice, very perfect. Then contra copy it. Just click on this, click old D, then delete. Then what you do to pick the move to to be able to move it, otherwise it's thelion select again, we don't need to select again. That's just come to select and what's the select? Okay, Then come to the move to click here. Hold and drag the perfect double click and write what's tomato One tomato one. Okay. Put 1 second tomatoes because the is another tomato coming up. The on three tomato is coming up. Don't worry, this is one. Just control, what do you do you reduce. Okay, you bring it somewhere over here. Okay, perfect. I love that we should be reduced a little bits. What do we do? We change to what? Convert to smart objects, then move to filter. Then you blow, okay? Motion, blow. First you can see, I think the 45 is okay. No, no, no. Because I want people to see what I'm doing, to see exactly. It's blow fine, but we need to make people see exactly what is the filter again. What is the next thing blow? We have Gian block, then we can make it. Actually I think it's okay. Like this or we just Failing so much. 1.6 is okay. 1.8 fine. That's nice. What do we do next? We come over here, try to make sure you collapse this. Okay, then press on out. You've selected this, you select this, press out, then click, okay. Nice one click somewhere you can release your hand from the out. That's not a problem. What you want is done. You can zoom in here, the out key, then use the space. Just come come over here. Nice control there. You can see we are achieving nice result. We are making sure it is in diagonal like this. One is like cutting across legs. This is cutting across legs. Next tomato. Let's call this tomato soup because there is tomato three coming up. Nice. Next tomato which is open the tomato. Threat tomato as usual, the quick selection. So perfect control. That's it. Just take on this, bring it down. Delete. And we have this is the shut for the motor is V. Then click, drag the drop. Just like saying, you drag in what you drop it. Very simple. Who shining, she's shining bright. Control, then what? You reduce it. Then bring it over here, somewhere here. Okay. Then try to rotate, okay? Making it nice and look good. Rotate then bring it somewhere here. Control, Try to make it look se bigger. Okay, nice One check. They're bring it somewhere here. Let me zoom in. Okay, tick on this. Okay? Okay, it's perfect that way. So what do we do? Change to convert to what? Smart objects. Then go to filter. Nice blow, what do you do? Motion blow is 48. Let me increase two bits. Nice, Nice one. I think that's okay. Let's use Gi blow. It's added straight motion blow, blow. I think the 1.8 is okay. That's, that's nice. So you want to edit something probably in the motion. Just double click it tells you the preview and it gives it a preview. Gi blub click. We're good to go. Just collapse back. What else? Now is the leto, is it called contra zero. And see you see we're achieving, our results are gradually, gradually. Now, what is the next thing? The next thing is to find the last fruit, fruit and vegetable. Fine. That's not a problem. What is the last one? This one is very, very tricky. In some ways we have very careful now, we chose come over here, then click Old and drug. Try to reduce it. Press out then right and mass button. Then click Old and drag to the Wt to the left. It has selected everything. But the problem is that before I press on Contre, everything but look at the white spaces here inside. What happens? It's a big problem for us. What do we do? We make sure that it's cut even after I cut the lectures from this image. The other places which is a white must not show. We need to select places to. How do we do it in the selection to any other? To add that selection, just keep on something like just on something like this. You can see it's adding to the selection. See, adding to the selection. You can see you press on sheets, adding to the selection. But when you want to subtract from a selection, you press on out. Now my hand is out. Then I'm trying to subtract from that selection to take away the selection from outside. You click and drag on it. You can see, You can see. You can see, let me add here, I have to add. My hand is on the outs key. You can see the subtraction in the circle. But when I release this, we can see the plus. The plus is saying it's need to plus it. There's no subtraction here. Again, use the minus for this, then good, use the space, the space bake. Click on the mouse, click, drag, and come over. That's what we're going to use here. Press on Ad. Subpractdes's not composed with perfect reason because it's just something very small want to show? It's going to be in a very, very long place. No one is going to notice any mistake or something present out. Oh, sorry, this one is adding contrast. Contrast. Okay, Present outs just a little bit because it's present out using your right hand most button reduce. Okay, nice, nice, nice. Okay, let me out the zone out, Okay, This is a space bar, okay? I'm still on my out on this. I just want the whites to go away because I don't want the whites to be seen. Okay? Yeah, come here, drag this drug, this somewhere here also click here. That's a plus, sorry. On the outs. On the outs, that's okay. It's going to take more than the required part, but that's okay because no one is actually no one is going to see exactly what is what is in there. To that extent, what do I do control? That's one aspect. We need the second one over here also. Okay. Then what do we do? The reason why this is because the circle is very sm your right hand, your right mouse button. Then click oder drug to the right. Then you see click on drug, sorry. You can see there is a mistake there because I'm clicking on this layer, not this layer, it should be this background layer. Then click Oden words and dug very perfect. You can see that. Zooming. Try zooming. Sorry. Sorry, sorry, sorry for that, to zooming. So present minus. Okay. Then try to make sure this one's present minus, sorry, the out key. Sorry, I said minus. The out key. Okay. Try to make this come in. Okay, that you're trying to subtract from here. Very tiny. Very, very tiny. Oh, see that's not a problem even if it's cut more than expected. Okay? Okay. Okay, control zero then control. Good. So we can take this and we delete. Then we have the two press on the sheet, spread sheets. Then click on this one. Then click the move to then drag the two into this place. Very perfect. So the first thing you're going to do is click on this one, then delete this. We don't need this anymore. Click on this one, then delete this, we don't need this anymore. Then click on this one. With the delete, we don't need this. Perfect, so we have them in the fruit. What do we do? You can click on this, then make it invisible for now. Then we select this, this is what we need for now. Then control, then reduce this down, okay? Okay. And click and bring it up here then. Okay, put some way around there. Okay, let me zoom in z in. If you'll find it difficult, just zoom in. It's going to be solved, okay? Control zero. Okay? Isn't that too big? Not too big at all. Not too big. The thing is that I want this to be above the H. You can see as to be above the. What do we do? Come over to the text like we did the last time. The layer layer mask come over to out and fresh. When you select and fresh, make sure it's not select. Select the layer mask. What do you do? You press the B, that is the brush to, then this is white. And this is white, it's not going to work. We need black. What do we do your paint on this very nice. Then zoom in, then change, change to black. The place is in a to paint shouldn't be painted on. We can zoom in. Then try to, you know, contract that's perfect. So what do you do? You blow very perfect. So what type of blow? Okay, first that's a big mistake, not just try to collapse this back. Okay, you're talking about this. Okay. So okay, yeah, right click then covered to smart object. Then what? Move to the filter. Then blow. Motion, blow the motion blow. Well, that's very bad, but something is very bad for it. I think 20 something should go. Nice one. Okay, that should go the blow, The motion blow is okay. We don't need to use a cushion blow. So try to collapse this down. Now, consigning this, bring this down. Okay, so contra. Okay, so it should be contra C, bring it somewhere here. What do we do? We use the gory Gati block. We use the word motion. Blow converts to smart object first to filter blow. Now just leave it to 23, it's perfect. Okay, that is the end of the tutorial. Everything is set and you would see your clients will be very happy to have stretch Opispsis. Collab. Sorry, your clients will be very, very happy to have this. Let me do one more thing. Come over to background, Come over to effect. Okay, not effector background itself to the creamy place. I want to make it show more in the background. What do I do? I'll come over here to come to the adjustment layer. Okay. Then I come over to brightness and what contrast. I can try to decide what brighten it or what make it dark. You can see, you get a picture. Let me take it back. This is the undo normal. I can press an auto and also does the work actually it's been programmed to do. Okay. That's not a problem but, but it might not suit my taste, so do so let me just a little bit just Okay, you can see that. You can see, say, the choco chocolate. Choco chocolate. Okay. The chocolate stuff. So that's too much. Way too much. Way too much, very light. Okay. Yes, that's perfect. That's just ways to make your designs look perfect and nice. Your client will be very happy. He or she, the brand will be very happy they gave you this work and it's really good. We move to the next lecture where we're going to be designing flyer or a poster for another brand entirely. I'll see you in the next video. 19. Tech Brand Flyer & Poster design: Lecture, I'm going to teach you how to design a flyer and poster for a company that deals in technology, that is in tech. It's very easy as the tradition goes come here. Okay, I've unlocked this, we come here, come to file, okay, then moving to file normally, as we all come to open, then from here, okay, we've done this already. The one to a nine is meant for the burger. Okay, Which we've designed earlier also. Now this is for this, I don't want to pick everything at once as usual, I go to pick this first. So good. As usual, just as we are here, come over here, then click Old. And what old? And drag here, then what? You drop it here, because this is exactly where we want to use it. Try to zoom out. Okay. Actually, can use as usual, the control plus, minus, minus, minus, okay. Control plus, plus, plus, plus, okay. Just to fix to screen is what control I use. Normally I use a shortcut. I just press on what's out, then use the middle mouse button, which is the wen, you scroll outside. Then you click on this, which is the first the, the control, which is what to transform. If you transform, click do what? You click the side, you click drag like this. As usual, you press on what's out, just something like mixes in the proposal together. Press scroll out, then what? And try to click on this navigation. Bring it down. Click, bring it down like this, okay? Just try to click Hold. And you can see the pink line in between. Just drop it there, okay? Then move this one in a little bit and that you check it and that is it. Okay. What do you do now? Control zero. Perfect. So we have this like this. I do, I want to make it a little bit different from what are being given by the clients, okay? If, for example you have this, you designed this for a technology company, so what do you do? I want to flip it out. Then out a little bit to flip it. Control Control. What do you do? Your right click on your right click on this, the flip horizontal, then you got a picture. It's flips, that's good. Perfect. Now we have this. The next thing I'm going to do now is that just contra zero. The next thing I'm going to do now is the. I want to make this a little bit different, a little bit unique. Okay? Just to make it look different and to attract the audience, what do I do? I come over Color Lookup, as you all know. Okay, just click here and what color lookup? Click what happens? Come over to where, as usual, come over to late sunset. Click, you can see perfect. Not that it changes the design. It's the reflection coming from here. Okay, I want to change a little bit. Just a little bit. Just click this one in. Just collapse it back. Now I have this come over to opacity as well. Like opacity reduces the transparency, transparency increase or reduces the transparency. Just click hold and drag like this, okay? We can see zero. There's nothing starts increasing the little by little, okay? Some changes and so affect some changes so that the woves I'm going to put on it can be seen some percent, a little more, 90% Okay. I think this is okay. It's fine. It's good. That's nice. Okay. That's very, very perfect. So now what's next? So we have this very smooth number, just, you know, you can see, you can see this is what's the before and what's in the after? You can see it's not changing the color. Just a reflection of what is happening. That's all. Okay, so now country zero, not changing the color. Just a reflection. We have that. Apart from, apart from that, I want to add something. Things look rough, not really, so not really smooth to that extent. What do we do? We add some noise. Okay, we add some noise to the word, to the design. Where do we add noise? Is it adjustment, layer color, lookup, or W, or the layer itself. Which is the layer, the head foam itself. We're going to add the noise on the head for itself. Okay, Click on this. There's something very Ian, you have to know that when you want to add filters. Filter. I want to add. The noise in the fielder. When you want to add anything, filer, try as much as possible to do words. You right click first, the word converts to smart objects. It really help you to do words whenever you make mistake, you can be able to go back after you've used this smart object, the converted to smart objects. You'll be able to adjust it without, but if you use the filter without changing or converting that layer to a smart object, what happens? You won't be able to make adjustments at all. You need to dig that layer and start all over again. To prevent that you do what converts to smart objects loading. You can see there is now a very small box here. Let me contrast it for you to see. This was, this was before the right click. Then what converts to smart object, You can see very perfect coming over to filter. Then what to noise? I want to blow, I'm too used to blow noise. Then what? Add noise? We're adding. What we're adding? Noise. Just look at it. Just look at this cat. Look at how rough it is making us to see. Things are not smooth in life, they are rough. If it looks smooth, it look fake. A little bit of roughness must be there to make it look realistic. Okay, What do you do? Let me cancel, and you can see, you can see how smooth it is. Then let me go back to filter noise. You can actually try as usual, you can just come over too much of noise. Then you start reducing. By start reducing, as you see, all this is what I actually like. This is the perfect noise I want. Okay, Roughness. Can you see what you press? Okay. Immediately I press okay. You can see smart filter add noise. That is if I want to adjust. If, for example, I don't want the noise to be digging, what do I do? I can press the icon, then the noise remains smooth. Let me try to zooming. Can see, look at the noise. You can see if it's too much, you can double click on what's on the add noise, then try to reduce, you see you reduce it now let me increase a little bit too much. Come over here just a little. Come over here, you can see it's form. I think, let me put it, 27 is too much. Leave it at 21 then. Okay, definitely. This is opened. You look at this area. You can put it in bag. You can close it and you can open it. Let's close it to make it neat as usual. I love my layers to be very, very neat. Control Z can see, let me click on this. I want to make the noise invisible. You can see, can see it's invisible. Visible in a little bit. Press invisible now you can see how fake it is. Then press, you see it's now visible. You can see how realistic it looks, how photo realistic it looks. That is what we call using noise to make things that look fake. To be what perfect and real you. Click that now, that is all for the background for now. Okay, click on this, then control. And then what control or what? Your right click. And you have group from layers. What do I say it to? What background? Sorry, for that background. So that's the first see. It makes the work very neat as usual, you can actually change the color, reflect in the colors like green. I leave it that no color. I just refer it like this. Okay, fine. So now just click on that. Now that is being click on, Then the next thing is that we had some nice little effects like sound, like sound icons, like some nice effects, then some sounds to make it look worse, to make it look realistic. Okay, You can see when you actually give this to your client, your client would love it more. What do you do? Just control. Okay, we have that. Then what? Come over to five. All the resource files are there for you to use. So far, you have this scores with you. Just click on this open. As you click drag to the first. Then all, don't forget, just try to delete. Delete this. Perfect. So we have this. Now what do I do? I press out, then zoom out the clicking on this, not on this but on this control. What do you do? You try to decrease. Okay, then just this, like this, zoom in. Okay, perfect. So what do you do? You check it nice. What is the next thing to do? Now? We blend. We need to blend using words, using the blend mode. From there we get what want perfectly. Come over to what's to normal. There's a particular blend on I'm going to use. But you can just see, those are the practical aspect. You can see the background is icon. Okay. The sound icon stays. You can see, you can see, you can see when he brings out under color, I'm not going to use that saturation color. And words and luminosity. What happens now? We're going to do what? We're going to use saturation. Actually, you have to understand that satural actually blends this perfectly. The blend modes helps to do what? To make two layers interact together. That is the layer which I named background. Okay, The layer which in background is now interacting with this layer two which I'm going to group them also. Okay? It's interacting with the layer on any, okay. The best one that could actually interact with, which is saturation. It looks good and perfect on that particular layer. Click on the saturation, and you can see what happens. I wanted to understand something. Just make that invisible. What happens? Make it visible. Look at the side. It looks rough. Doesn't look, approach. It doesn't look nice. What do you do? There is something we can do to it. Something we can do to it. What do we do? There is something we call layer mask in Photoshop. Layer mask actually it can help you hide a particular area in an image and make under particular area visible. Okay, this side looks rough. You can see making invisible, making this visible. You can see it looks somehow, it's not detailed. The details there are what? It's fading away. What do you do? You just come over here. We call what layer mask. You click it, you can see this is the main image. This is the layer mask. Whenever you want to adjust the layer mask, like make something app, something visible, something invisible, you have to click on this. But if you want to adjust or want to change something on the image itself, you have to click this. Now, how does it work? Somehow? It's no detailed. The details there are what it's fitting away. What do you do? You just come over here. Call what layer mask. You click it, you can see this is the main image. This is the layer mask. Whenever you want to adjust the layer mask, like make something app, something visible, something invisible, you have to click on this. But if you want to adjust or want to change some things on the image itself, you have to click this. Now, how does it work when you click on the layer mask itself? You can see when I click on this normal image, you can see the color here, yellow and white. But when I click on this, what happens? It changes to ash and white. What is the reason for that? The reason for that is that whenever you are using the layer mask, this changes. It's supposed to be in black and white. Now click on black and white. You can actually click on black and white. Or you can use the S. You can use the short cut. You can use the short cut on your keyboard, which is what D it takes you back to the default, you want to switch between the two, black and white. You can press X on your keyboard or you can press this. I'm pressing X now. You can see you can going to switch in between. It's going to come in handy. Don't worry, you're going to use it very much on or you can press this. Okay, good. Now what happens is that make something visible, that is when the layer mask over here is white, that particular area, the whole area is visible. I want to take note of this. When a particular layer is white, that particular layer is visible. The area in that layer is visible. But when it is black, that particular area is what's in visible. Please take note of that. Now, when you want to brush normally, when we want to make something visible or invisible, that is, you press on what? B, which is the shortcut for brush. Or you come over the click brush, you can see this is the icon for the brush. That's how the Pussal for the brush looks like. So let's begin. Now we have this. Okay, fine. So what do I do if I'm going to paint? This is we, this is white. Actually, I tried to paint on this one. What happens? Nothing. Nothing shows. Because this is white and this is white. The foreground color is white. The background color is black. Okay. Whatever you're painting on something, it shows whatever the foreground color is, not the background color. Now to be able to change this, what do I do? I switch which is X or I press this. Okay? You can say. So when I click Old and drug but hold on, my opacity is in 58, my flow is in 54. I don't want to be like that there in some aspects where we use it like that, okay. But just click Old and Drug 200. If you can't just press on this, click Old and drug, press on this, click on the drug. Or you can click on a drug on the flow FLOW itself, reduce and increase. Nothing happens until we walk onto the paints. Now what do we do? This is black, Don't forget opposites. Black end white, white end black happens. That's how it is. The old area is visible when I click old and drug. And what happens, you can see the way I strike is the way I moved the movements of the brush. You see click, old words, and drag is the way you see the movement that is that place. You can see a black, like a black marker or a black paint. It's now becoming what? Invisible. It's only affects this layer, not the layer underneath. Take note of that. Okay, where am I trying to paint? And all the layer is gone. Let's by one that just contras on the second time, then the third time until it goes. Another thing you can do is contras example. I mistakenly claim this using conclusor. What do you do? You press X. You switch or you just come over here and click, or you press X. What do you switch to? Is it white or black? No, we have white here and we painted on black. But now we have black. I want this black to go back towards white, or do I do? Then I click on this white. It's white already fine. Then I paint over here, what it's back to life very easy. This is what we call non. Destructive. Non destructive design. Just say design is non destructive. You don't destroy the design itself. What happens? It comes back to life. You just have towards press on X, then try to adjust. Okay, you can see some great stuff here. Definitely, there's something that is not good. Where am I trying to erase from this layer, this side X? Make sure it's black. Then I clean this away and you can see the details is back. You see, you can see perfect. I can actually try to make sure. Okay, let me just clean up this space. I don't want it to be too much clean some places here. Okay. Now, this perfect, it depends on, it depends on how you want to do it. It's very perfect when, for example, you just come over a present ships and present ships, then you click the layer mask. Now what happens? You see a cancel, I've tried to cancel the layer mask, which I did. You can see it is not well detailed. But when I try to me reopen or what I call the shift, then click again. You can see well detailed. Just just look at it. Just look at it. I closed it. You can see how rough it is. But when I try to make sure I open it back, what happens? You can see how detailed it is. It's not a really much effect, but a little effect. What do I do? I try from there I can try to reduce. Just lick on this. Don't click on Layer. Must just click on this, click and drug. Try to reduce it. That's like 67. You can use it more, okay? It shouldn't be. 47 is 70 something, okay? You can see. So now we have those sounds are actually there to show that this is like, the design is good, the design is nice and gorgeous. Apart from that, we'll be done with that. Apart from that, we come to file. Okay, You choose this also. We do it just like we did the other one. Okay, Just come over to move too, because I can be using the brush to move. Okay. Click on the move to click old and drag, and just drop as usual. Control zero, press and out, then scroll out, then control, click, click older and drag, then out. Then, no, just trying to make this show in the middle. Then you check, now you have this as usual, go to the saturation. Good. I'm sure you can remember. I use saturation for the first one. Like you're going to the blend, you're clicking on this saturation on, you're trying to press on out and you scrolling and working just first click on this layer. Then the minimize button, scroll in. What do you do? What do we do? Again, we use the layer mask. What do you do? This is it click on layer mask. This is white. This is black. Then for the short cut forward for the brush to, then you click hold and drag your painting on it. It's only going to affect this layer. This layer you can see as I'm cleaning on this, on the sound icons are what are not erasing. Perfect control zero. Now I can try to decrease this to 70 something. Okay, Just like say, you can see the reason I'm putting these days, the string talking about music actually. But the electric flow of what they are listening to. What the listener is listening. Listening to, he or she is listening to rather the sound, the warves coming out. It would actually portray something very nice. You can try to reduce it more, but I think it's okay. Like that contra you can see perfect. The last that is it for that. Okay, the last one come to five, come to open, then we have the, then just try to delete this. Come over, click old, old, and drug, then drop. So we have this perfect. I think this is okay. This is nice enough. Is good enough. Just what do you do? You go back again? You go to saturation. Okay, same saturation. Saturation is already looking good. Let me find something else to use. Something that would actually take away the background for me. Okay, I think lighter color Goethe. Try to understand whatever you want to do. Actually, so far you can be able to get what you want. It would actually help you out control. Then what's come over here, then try to rotate. Okay, not yet. Just bring it out the B. Then what happens? You can see the rotation like icon or color. Click, old drag. It's just like a sound coming from year to year. I try to rotate it. Click on this. Then what? You try to reduce it, reduce it perfectly to a very large extent. What do we do? We come over, click, come over to pay Opacity. Come over to come over to opacity a little bit. A little bit of that is okay. It doesn't look rough. Not at all. You can try to let me do it doesn't look rough. It looks perfect. Because we're trying to, we're talking about what? Sound talking about words, okay? Things people are listening to. This would actually bring about more effect. It will look pleasing, appealing to the audience, okay? Now I'm done with the effect. Just click here, control, click, control and click. You don't take out from the control. Just click, hold control. Click and click, then control, or you just write. Click then come over to, we convert to group from layers. Then what do you write? Let's put on effects. Perfect. That's the second window. I love to have my layers very, very neat and perfect. Apart from that, now let's move to the nest one on the list. What is the next thing? Just come over to five, then open. When we have the logo for the brand, just click, then we have this, then click and bring over here, then perfect. You can actually put the songwhere around here. Okay. Accord with length alignments, layer on X. I don't want to put it here. Okay. I don't want to put it, I want to put it here because I see some words coming here. I want them to align together in the words in the right alignments. The music is the Xt, the left alignment area. Click on this navigation, click gold and drag up, then out, then scroll in. Okay. So me having this now, I want to use a particular color that would look like golden. Okay? Because I can use black and a dark background, it's not possible, okay? I click on this or double click. Click on this, okay? Click on this Blending Options. The reason why I can't go straight to using no colors. Like for example, I'm clicking this, I'm using colors. It's not showing what is happening. I'm using different colors. What is happening? Not showing, It's not showing what? When you have a particular image. If for example, if it is a vector or something you created in Photoshop itself, a text or something, you created a shape. In Photoshop itself, you would be able to, as I've explained before, okay, you would be able to use the color immediately. But yeah, you have to rightly go to blending options. Then use that color in the blending options. That is how Photoshop has programmed everything. Click on what color overly you do. You click on Color Over first, Just look at color over, then what's? Click on Display. Okay, as you click on Display, what happens? Then You can see different. You can change to any color you feel like changing to. It can be, bring it here, bring the sacan, any color you just prefer to change it to. But what's something like coding yellow. This is yellow then very good. Something like this. Okay, then perfect. Now zoom. What is the name of the brand? Come to the text to click here. Okay, Too big. So what do I do? I come over here, then what do I do? I try to reduce the fonts of the brand. I can use like 18. Okay, very good. So I'm going to reuse it later. So what is the name of the brand? In capital letter words, Your stock should be on the wave. That's the name of the brand. Okay, Then you do. Click, come over here, select move to click Hold. And what you can see, you can see the pink line vertical, it's in the middle. Then try to zoom in the press on this pre, on the sound wave. Then control, then click what's And drag. Try to reduce this. Okay, perfect. And don't forget mind you. Then you check, I need to change the color of this sound wave to the color of, of the brand. The brand here. What do I do? It would double click on this. What's on this icon? This particular double click. So when you double click, what do you do? You come over here to color. Click on Color, then you can see, come out. When you come out, you can see something like the pain, something like an ink. When you click on this, what do you do? What happens? It gives you that particular design. For example, I can just come over here, I just come over here, click on this, you can see click on this, click on this, blue color, click on this, and this gives me the reason why sometimes probably you're not seeing this icon. Is that your caps on? Let me press Myppslok is on. It won't give you that particular type of ink like icon. Do you understand? So to give you something like this, it works the same way. That's not a problem. Just press Cpslock. Okay. Now press this golden color, and it gives you the golden color. Then you click on what you click on. Okay. Now I need to change the front. I think the point, okay? I'm not using Manterat, I'm using humanist. The front is part of the resource fouls. Just come over. H, U, M, give you actually what it is. This is humanist. I want human, bold. Yes. Human is Bd Italy. Click on it. Just come over here. You can see the control. Click on this, Hold on, your out. Then try to increase this a little bit and you check this and that's perfect. Present control zero, you can see, I think missing this from, it's showing me the brand, the brand name and brand logo is too big. So what do I do? Although I'm through with the logo, just click on this. You can see this is out. Just press it in to make it invisible, open, close it. Click on this present control and click on this. Then Azure, right click. Then what group from layers. Then what do you do? You come over here and write a brand logo. That's pathetic. Brand logo. Okay then, okay, see I love my work to be neat. So now we have that clicking on present, then control, then try to reduce present o, then try to reduce the end. Let's check it, and that's fine. I think it looks good right now. That's conclusory, that is very, very perfect and looks realistic. So now we have that you can try to come over to the effect if you think all these things are too clear to be seen. Okay, like the music. Just try to reduce your party a little bit. That's 60 something. Then for this also, if you think it's too clear to be seen, let's reduce it. That's 68. Then for this also, let's reduce it. Mothers nine, but I just want to make it at least visible for people to see. That's seven. Okay, in that poky right now. Okay. Hey, sorry. Now what is the next thing? The next thing is. Next thing is that there is a text to write. Now we have the products. Okay. We are actually showcasing to people. We have the branding is the text. Want to give people the call to action, like things that will make, the things that will trigger them to buy. We have this already. We can write it. We can write it. But not appropriate enough to write. To be appropriate, to write it, to make everything forward in the right alignment. What do you do then come over. N is the next thing we do. Then click on two. Click here. What do you write? What we're meant to write is just press your cups log, make it on feel. Oh, sorry, it's not clear there. Okay, let me just before I click actually before you click, you can actually change it to white. Can change the color to white. It was there. Just click old drag. You can just click, click, drag in old, just click, click. Or you can click somewhere without taking your hand from your left and mouse boton. That is, you click old end drag to this piece. This is white, old end drag. You can see it change to black. Old end drag. You can see it changed to widen price. Okay. Then what you can be able to watch, you can see what is happening now. So that's good. But I don't want to see contras it. See, I want something. I think, yeah, we do. I want something like this some. Thank you. Good. So feel oh, sorry, a mistake sounds wrong. Sound good on this. Now what happens? Come to property. The property, but don't forget, if you don't have the property, the property windows here, come over to windows. And what do you do? You press on where is it? You press on Properties. It shows you the property. Okay, let's try to reduce the text. Actually, we can fly pre the space bar key. Click, that is your presence. You've pressed it and it's there, you're holding on it. Then click your left mouse button. Click, hold, drag, so that we can be able to see what we're doing. What happens there. You come over here, you can see this. There's an going up and down, the going left and right, selling the words, going up and down, going left and right, reducing the line space between the words, okay, or between the letters, depending on what you're doing at that time. Now, having this, let's try to reduce this. Apart from that, I think, okay, let's try to reduce forces before we change the forms. Okay, come over six a half. So you can see, let's say 18 too much. Okay, let's change it to something like four. Okay? Perfect enough. Perfect enough. And this is what? Center aligned, Okay. This is left aligned, okay? And this is right aligned, and this is the right align we need. Apart from that, we're not using this humanists, okay? We're using other funds which is part of the resource file. Still fish oh sorry. That is it, okay. Still EL fish. Steel fish regular or steel fish bold. But I want to use steel fish regular and just click on it. Just try to make it bigger by what you press on. On the move to, then you can actually move it here. Then click on Press Control. Then we increase. Click. Apart from that, we need to increase. It's rough. Let me check this first. It's rough 25. That's too much. That way too much. Let me say 75. Sorry, I'm increasing the less five. Let's say 25 a little bit. 50. No, let's say 40. Okay. 40. That's that's part O -40 Sorry. -40 I think that should be Okay. So now this also, let's try to It's now together. Let's say 48. Let's say 45. 45. Let's say 43. 43, good. I think that's okay. This is E L. I didn't even know it's a typographic error, please. Very sorry for that. Just come over here first. The text to the very good. Feel good. So now we have this. Then what happens? We try to increase, we try to make it just click on it, the drag it a little bit, You can see the line showing, the red pink line showing it's telling me it's aligned to that logo update control zero. You can see, you can see, you can see it is aligned to the logo update, the sound wave logo up there. That is how it's used actually it's perfect and well aligned. Present O scroll in then we have this actually you can increase it a little bit control, you can try to increase it a little bit more o depending on you, but just make sure it's still well aligned. You can see see where Aligned with what, with the logo up there. Just check it and that's it. So there's a mistake somewhere. I made the field, the sound and the layer. Okay, I made the feel, the sound. So there is a little mistake whereby feel the sound, which I use there. I made it, I coated, created it in this particular group which is not supposed to be. What can I do? Just click, you, click hold, and drag out. You see, you see this box. This large rectangle, okay? You shouldn't drop it there. You shouldn't drop it here. You can drop it here. A very tiny retangle box. In dropping it in this very large retangle box, it is going to the group for the brand logo. Bringing it over here, it's going to separate itself from any other group, that is it. But this layer actually, actually this layer should be a mistake. So let me just click old and drag it way so the deletes can drop it, it's gone. Try try to close the effect group. Now this is Fill the sound. What next? Just come over here. Out then zooming. Click Old and drag using the space. I press on the space and then I click Old and drug using the left mouth, sporting. What do you do, you? There is a line actually somewhere there, rectangle two. Then click old And no drug like this. It gives, it shows the properties for a shape. It's a feel and stroke that is, let me commit space, Click old and drug. You can see, you can see what is happening. Stroke is like an outer, okay. An outer design, as I've said earlier, actually is like an outer line for a particular shape. But I don't need to stroke. But firstly the fill, it is the color. Click on the color white, white color. Then click here. Then come over to the stroke. Click on the stroke, then it's white. I don't want any stroke at yet. You see no stroke. You can see the red line canceling that there is no stroke. That is when you click on its no color. For the stroke you click on it, then that is it. Click on the two shock for the move two is what's always V. V, press V rather. Then bring it somewhere like this. Make sure it aligns with the E and the D on the right for the right alignment to be correct. Then drop, press on out, zoom in, then try increases a little bit. Now try to bring this up a little bit. Okay, that's good. It's looking at this line, not really the D, but it's making sure that everything is in proportion. It's in line control zero. Let me see how this feel. Okay, I think this line is too big to be at least a little bit thinner. Click on this control C. Click, hold and drag. No, if it's not working like that, just just click press. Then on, on, on the bottom line will be decreased. You can see decreased and increase. This is okay. So just click old and drag control zero, you can see very perfect old then see you can increase. I don't like what is wrong. Control zero, it's too thin. Let me control z and let me leave it the way it is. Zoom, Click And what control Z? It's fine. It's okay. It's fine. So what is the next thing to do then Another phone, another text. I click, okay. I click, Click. What happens? Writes, enjoy, sorry, enjoy the words. Okay. That is like trying to press people, persuade people to buy something like that. But I'm not going to use this one. I'm going to use the human on which I used for the brand. I'm only using two points here, The steel fish and the humans. And two colors like the golden color for the text. And also white color Charlie, it's good pants I used recently will be here. Just come over with a click on it. I don't use Roman, I want to use the bold one. Bold italic. You can see that's perfect. Press and control. And try to reduce its, make sure it can be seen outstand. Zooming. Okay. Press Space bar, then click Old and Drug. Then you see, okay, check. Then come over here, there's something wrong with this. Come over to the tan, click old and drug. Good, it's aligning together for this. Also select the enjoy the words. Then click old and words, old and drug contra. Let's see what happens in the coming down. That's perfect. Perfect. I click on the Feel, the sound. Click with present and control. Click direct tangle, then click, click, Enjoy the words. Then control. Also the Syme has right clicking, right clicking on this. Then go from layers. I can double click here. What do I write text then what can I do? I can actually click and drag it a little bit up on the space to nice spacing the element which is a text to breathe, giving them the room and the space to breathe. Control zero. You can see perfect. So you can see everything is well aligned together, Right alignment with what, with the sound wave. Click old and drug. Then coming down, coming down increases a little bit. Come over here, enjoy the words. Okay, then the press on space. Click old and drag. Okay, Then make this point like around 14. Make it bigger, at least, okay? Okay, that's too big. Let's make it way, That's good. Quant zero, and that's perfect. Out. Things crawl in, coming like this, then feel the sound. Enjoy the words. We move to the next design. I'll see you in the next Ti. Actually, the color look up. If you think the color look up, it's too, the color look up is too much. You can try to reduce it to your taste. You can see, try to reduce it to your test. If you actually like something like this, 5,000 problem or even zero, but that's very bad, just try to increase a little bit. 8055 is actually nice. That's good and okay. If you feel like the 85 would actually work for you perfectly so that is not a problem, but I think 90 would work for me. You can see everything is very neat, the layers are very, very neat. I'll see you in the nests lecture. 20. Agric Brand Flyer & Poster design : In this lecture, we are designing a flyer and a poster for an Agric brand, a brand that deals in grain, plants, in grain life, things like that. Come first, what we unlock then come over to file. Then to open you move down, way down to the last, which is what one? Start 1-5 Actually, that is our main sign. Those are the images. But before we do that, actually just cancel. Come over to the rectangle. Rectangle to click, it can click from here. Just make sure you click it outside. Okay. Then try to click to the day, just you still clicking and holding and drag. Just try to drag it somewhere. Then you drop. Perfect. Now we have this. What do you do? Don't prese, don't select the move to. Okay. Just right click on it. Okay. What do you do? You press what? You select the move to, then what control? Also on direct. Then right click on it. Then what do you do? You come over to two skew, what I call it, skew, the present skew. Then click here, click the drag, just a nice effect. Okay, then you drop. Okay? Just click the D and move it up a little bit. Okay, I think that should. Okay, that's nice. St is check, then click, you can see yes contrast. What is the next thing to do? Now we can go to the file open, then move downward towards one, Then open perfect. Now we have this as we have click old and drag. Yeah, then drop very perfect, but it's covering everything. What do we do? We want this tractor to be in a container. What container? The container we made. Diectangle. Let me try to what is invisible? This container, we made this rectangle. You can see contra select the rectangle. You can see. You see this container we made? What do we do? You can't raise it. You can see. We want this layer, which is this, which have made visible, make visible back. What's this layer to do to be inside this rectangle container? What do we do? It's very simple. Firstly, you can try to press on O, then zoom out to the middle maze, Bolton, then make this visible. Okay. Then what do you do? You just okay, just control, it's very big. Just press on the zoom out, then come over pre click old drug, click old and drag and present the Okey. You can see, you can see then control. I want to see what is happening, then what check you can see. Now we have this. You can see it's up here. Even for example, when I just drag it, make it below the tangle, you can see it's below the rectangle. It's not inside the rectangle. So what do we do? Bring it back up. Okay, What do we do? There is something we call what you click, Clip Mask. You click inside something just like a clip, a peg holding a clothes. Your right click. When your right click on that layer, you want to click, you want to click on another layer should be selected. Okay, I want to click this por inside the rectangle. Right click on it then create clipping mask, then it's inside. When you want to adjust, you can adjust every just inside the rectangle, not outside the rectangle. It is clipped, it is attached to it. Press on the zoom out, then control then Make in the middle. Then click oder drug, then press on, click drag. That's perfect. Then what's control? Then check, then control. You can see there is something you're not covered all. Do we do to it? It's very simple. You know what to do. Just press on what's Just press on, select this, press on O. You can see this here. Look at this small arrow that moves from the Tang, then shows the pointed mouth of the arrow down to the rectangle. That is, it is showing the clipping mask. For example, when I right the real mask, what happens? It can come outside by the one that controls. You can see that arrow is gone, right click. And keeping mask the arrow is back. Very simple. Now you selected this, what do you do? You press on out. You press on the click hold and drag it. Copies as we all know, normal. What is the essence of doing this? This is what to do. This is the copy layer. Okay, this is the really is a copy layer. Layer is when we are selected. Then click hold and drag. You can see perfect, what do we do? I need to flip it because as you see in this, this is something like this. Just as the same thing. Another thing is now click on this one. Then what do you do control? When you control, then just bring your coser on it, right click. Then what's flip horizontally? I forgot that because actually flip horizontally makes it looks perfect than this controls the other term, right click on it. Then what's flip horizontally? That is it. Apart from that, just come over to the layer one. The copy, the copied one. Okay. You can delete, okay, and try to create another one out. Then click old and drag down. You can see still selected. Just make sure it is merging together. But it took somehow and doesn't like the way it's meant to be. That's simple. Just what do you do? Control, Okay. Then right click. What do you do? Flip vertically. Very perfect. The check. You can just try to use up and down arrow on your keyboard. It's selected, select the layer one slayer, one copy, then move it up. Are moving, you can say are moving as I'm moving down. So I just want to see, just close it and that's it. Don't worry, no one will see what is happening there. We're going to cover it up. That's very perfect. Now I want to add some type of its tractor image is too to shine too bright. I want to try to try to it and make it worth, let me say make it reduced. Okay, fine. So what do we do? We come over here, this layer over here, layer one. Let's layer because layer one copy is just one used as a cab flag down there. But the layer one, actually I want to use what we call ingredients for me to make gradients. I want to just come over the ingredients here. Because it's ingredients come over the grad. Start, click on drag and do like this. No, it doesn't work like that. You need to create a layer for its entire. Otherwise it would take over, the layer on the tractor won't be there anymore. Now, what do you do? Contra what do you do? You come over here, you create a new layer. Create a new layer. That is the plus over here. Make sure you're not selecting this, I repeat. Do not select this. Select the layer one. Okay. Then what do you do? You press on this plus, which is what creates a new. Then this is created. Whatever you're doing. Now, make sure you're not selecting any layer except from what, the layer two which is empty. Whatever we do, just click over here, then come over here, you click the gradients, okay? Don't forget this is the option B, okay? This is the option or properties bar. Okay? Just click on this. You have different, can try to increase this. You can see we have different, okay, Bring it down. We have different types of things. You can choose from. Gradients, Gradients, you can even create yourself, but let's maintain the fundamental one. Just click over here, you can see different gradients. Color, you can see the color is changing. You can see black and white. You can see blues, You can see different ones. But I don't want any other one that was just a black and white. Okay, I've selected that. Then what do I do? I come over, click old and what old and drag. You can see, you can see what's happened. What do we do? It's very perfect. Just come over here to, normally, we need to blend the upper layer with what with this down layer. The upper layer with what with the down layer. Another thing we can do, instead of doing this process, click hold and drag it up like this. Okay? Just click hold and drag it up, and it covers everywhere. Let's do it like that. We can click hold and drag it up. Then it covers everywhere. It would actually make it perfect. Come over it to what's the blend mode? You can see normal, dissolve, darken, multiply different ones. But when I want to use what is not really darken, multiply, okay? But I want to use what? Color? Yeah, color, okay? But the theme is just that. Let's try to look at different ones we have here, can see different ones that suit the design. It's yours, it depends on you. Okay. My color divide in the likes that should be okay. That's fine. Why? I want to use color as I've said, what do I do? I try to reduce the. You can see, you can see what is happening. You can see, instead of me having something like very bright and shine, I don't want it to be very bright. And you can see this before and what the before. Perfect. Not too much. Not too much. I can try to increase it. You can increase, but can see very perfect. Now that is it for that. Okay. I can just come over here, let me try to. I can just say that is the background, but I won't say that is the background. I would just click over here, press shift the click over the right click then was group players. I'll call T because there is still another background down the tractor. Okay. Very nice. Out the zoom in space bar. Click and drag the left left mouse. Okay. Then I'm going to give it a name. Actually, it's as a name. The brand as a name. Okay. Over here, what do you do? What is the name? Green Greek Perfect. So you can control, then try to increase the move to, or you check the check over here, B. Change the font to a nice font. This font is nice, but I want to change the font to another font. Okay, let me use oh, sorry for that. He something like that. So okay, we have -25 Just trying to trying to make sure things are okay or we can just decide to change the funds. Okay. But let's see. Let's see how it goes. Okay. No, no, no. Let me see. Zero. No, no. Then at Steel Fish, Okay. I think steel fish would do the work better for us. Steel fish TEE L the coal away from it is going to be affecting TEE. Yeah. Steel fish, steel fish, regular. Nice. This looks bold and, you know, big enough for us to use. So what do we do? We need a logo for the brand. You can see everything I design. I would always have a logo for it because it's very important. Click, click, old and drag the drop. Very perfect control. Click around the end. Just try to. Okay, we have this then, then check. Okay, come over here to the green Greek. Click, hold and drag somewhere. It's in the middle. Then then what do we do? Okay. Before that, let me change the color of this layer, this logo. Right click and what blend options then color overlay as usual. Okay. Then come over here, then green. I want light screen. I repeat. Very light screen. I think that's okay. That's fine then. Okay then. Okay, green. Agree. Because the color we have to use most tally, Whatever we're talking about, we're talking about Agris, have to tally with Agri. Zoom in then click, Then drag up. Yes. Then control zero. I think it's too big. Somehow. Kind of Okay, So let me try to group the two together at first. And other words, brand logo, then control. Okay, Then the check the control zero, you can see perfect. Let me try to zoom in again. See think it's perfect like this. Yeah. As a designer should know what is good. It's perfect like this. Or let me increase it a little bits but make it a little bit. No, no work contra think little bit. Yeah, yeah, Contrary zero is that okay. But as a designer, you must not make mistakes. You can, but just try to make your work perfect. You shouldn't make mistakes every time contra zero. Again, a little bit. Click and drag. Yeah. Yeah, I think that's perfect enough. So what is the next thing to do, contra zero? What is the next thing to do? The next thing to do right now is coming over here. Present no, coming over here, then come over to circle. Okay, come over to circle, then we have as usually, come over here. Okay, don't forget your right click in order to find the remaining options. Then it leaves to, okay, then what do you do? Come over a click. Then what drag, okay, you can see it somehow. What present shift and out then it brings it out from the middle. Very perfect, control zero and see what happens. You can see very perfect. You can leave the color like that because we're going to Still going to put what? Still going to put an image inside control. Just come over to the stroke, okay, To the stroke, we must have a particular color that is no very, Let's say, let's say we use this hydro pattern capture to get this color stroke. Press. Okay, let me try to increase the stroke. I'm coming to use a particular color, but let's try to increase the stroke. Not too much stroke. Okay, let me say, let me come back here and see what happens. Is this perfect enough? I think it's too big. It's quite big. Okay, control C. Let me click and drag out Skip. Okay. It's somehow, I don't really like the color. I mean, the color itself, I don't like color. What do we do? We try to reduce the try to do something like this. Yeah, I think this is perfect enough. Yeah, that's perfect enough. That's nice. Apart from that, we should come over it just right click. And what lending options because we want to give it to what? We want to give it a drop shadow. A drop shadow. So now you can see drop shadow and make sure your opacity is not too much okay. Just try to increase something like this is okay. Your angle should be something around as this is okay. Just to increase, come up a little bit around 54, you can see. Okay. Then your distance should be the way it is, like 42. 43. Okay. Shouldn't be too much. Okay. You can see should be too much for the draft shuttle. Okay. Okay. That's perfect. So what else do we need here? We don't need anything again, then present. Okay. So what do we do? Just come over and come to file. Okay. First, let me delete this one. Let me delete this one, the tract top. Okay. Nice. Come over to file, open, go down, down, down, downwards, select this. Downwards, open, very perfect. So click old, and drag, and drag it here. Okay? And just right click on this because it is this ellipse you want to create. Clipping mask and just clipping mask and it's inside. Just out and zoom out control. Then what's? Click, hold and drag using your out key. Zoom in. Okay, then bring, make sure it's in the middle, okay. You can see the vertical line. Then the result line actually is nosing, but that's not a problem. Just zoom in and what? Just come over here without using your out. Just then try to what is wrong with you. Okay. I'm not I don't need this porting over here. What I need exactly what the tomato. And check something like this you're doing. That's perfect. Just check it on what's control. Perfect. I think I need to increase. You're not going to click on this because this is the inner image with the ellipse. I think I want to make to increase it a little bit. Okay. Let me say this. 59. Let me say 62. Okay. That's, that's nice. What else do I need that? What do I do? It's very important just click on press on controls and click on this. Then right click. Firstly, let collapse this. Then right click. Then group from layers. I say circle one because we need circle two words and three important. What do I do know, Cale one is selected and press on O. When you present the more do you do you click this old world drug? Make sure you just do it something like this. Okay. Then what is the nesting? Press out again. Click on this word drug. You can press on sheets to make it words, to make it proportional, then then you drop. But before you do that, you can contras it, select the circle one copy contract, then try to reduce. Press on this old, then press on, then try to reduce a little bit. Not too much, but a little bit. Okay? Yeah, I want to make it the variation to be different from the original circle itself. What do you do this circle one click and drag it up. It should be above every other thing. You can see very perfect come over a double click on this. Press your right arrow on your keyboard, then words. Oh, sorry for that. Press the right round the keyboard. Then Spark Saples, very perfect. Just click on the sapple as it's been click, it's been selected. Move it out a little bit from there. Okay, so what do you do you Okay, I can change the color. I can change the color just now. Okay. Let me select. Okay. Selects not showing anything. So just press on the arrow, Then select, select this ellipse, not this. Okay. Then what do you do? You select this, try to change the color. Something like this. Probably you come over here and change the color around here. Okay. I think I need more Something like that. Think I may be more clear. Yeah. Something like that is Okay. And that's that's perfect enough. That's perfect enough. What do we do? We change the image. The image you're changing. Just click on this. The image is coming over this. Or you did this immediately, but you can just click on this. Then what's comes to file comes to open what we need, like something like this. Perfect. What do we do? You click and drag it up here. Then what? You drop it down, it comes automatically here. Because we selected this. Because whatever you select, whatever you now choose, whatever image you are bringing or importing is going to be a book. That image you selected before. What do we do now? You click older and drag this one. Then what's delete you do? You click Select, right click. Then create clipping mask. Very, very perfect. Then out, then zoom out. Then contro, zooming. Just try to drag a O. Then click and ran. Check control zero. Very, very perfect. What do you do now? We have this done already. All right, so what do you click? Select the Caple two, present click. You can see how it is, but present shapes what? Make it straight. I think that's perfect enough. Okay, then the first thing I do is I changed the name towards saple three. Okay, Then we have sapple three. Selected. And come over here. And don't forget, it's very important, the sapple three should be below the sapple two. It should be chronological. Should be perfect. Present this rod, Select the ellipse to show everything, don't you won't select the layer, you won't just select this. You have to select that exact elements in the design. Just come over here, try to change the stuck, make it thicker than the normal ones. Very perfect. Just a little bit thick, little bit lighter, or something like that. Okay, I think something like that. It's okay enough. Good enough. What do we do now? We try to change this one. Select this so that the fight coming up should be above that. And within that one point, what's open? Click, Everything should be worth green, because talking about green life, okay. Click and drag it y the dust base to the trash can. Then what's delete? Click and right click. Then what convert converse, create clicking mask. What do you do? Press one out, then zoom out control. Then you can navigate this. Click, Click old and drag this. Okay. Bring it to the middle. Okay, Something like you can see the sorry out. Then zoom in, then click and drag it out. You can see very perfect. Then we can try to keep it, put it like this. Okay. But I think we should. You. Okay, that's perfect enough. Then check control zero. You can see very perfect. You can see even, let me try to de this, try to d this. You can see just tractor. You can see this line. We've never seen it like before. Only you designed it. Would understand the details there. What people won't understand. You can see it's gone very perfect. Okay. Now what do we do? I think it's coming down too much. I think the circles are coming down too much. So let me just say circle 2.3 Present control and select. Click and drag it up a little bit too much. Little bit down. Select circle one, circle one. Then take it up a little bit. Does what does Perfect. Perfect. Very, very perfect. I can actually control all of them. Then click Old Present. Then try to reduce them to be not too big, to make them too big. And click, drag them up a little bit, also a little bit. Okay. And what you select, and that's perfect. You can use your left arrow on the keyboard to move it to the left a little bit, Then up a little bit also, that's perfect. So what do we do? I want to add like a little small effects, like something we've done before. In the first flyer we did, we designed. Now this is the bag as I've said. I'm going to add another thing there. Okay. I can try to just right group for now. When I have this background, what I'm going to put it in background, it is expanded in collapse. We want to add some nice good effect to this design. What do we do? You select the circle layer because design design to be up. Okay, on the upper parts, the effect rather to be up. What is the effect? Just the leaves. Okay, going down, sorry, going down like this. Okay, What do we do? We come over here. Here we want to borrow this. B, five leaves. Press open, click old, and drag here. It appears fine. Click old and drag around here. What do you just try to come over those control, okay? It's very small. We know that it's normal. Okay? Just bring it here, try to expand, find, that's not a problem. Try to move like this we want to do is just, we want to try, try to control, right, the flip horizontal. Very perfect flipping arizontally. What happens? We'll bring it around here. Brings just something like around there, we're going to blow them. Don't look good and nice. Look fresh. Okay, always keep it fresh. Just drop it somewhere like this. Okay, Yeah, I think that's okay enough. Then what do you do with blow? Okay, perfect. So just come over here. This, then right click. And as usual, combat to smart objects. Come to what? Come to filter, then what blow, what can easily, Gcianldine? Just try to reduce it to the end. You got a picture. Okay. I think not so much. The leave should show, so I can just look like a butterfly or something. Yeah, a little bit. Okay. That's it. And what's price? Okay, So you can actually just bring something down like this. Just concrete. Okay. Price, Okay. Concrete. Try to like something like enough increase or something like that. But something around there pre, like little bits, then check and that's perfect enough. That's just very, very perfect enough. So contrite like, you know, I think that's okay. That's okay. And nice. Very perfect. You can click and drag Eli bits. Click, drag Eli bits. That's okay. That's enough. That is it. For the effects. I can just right click and just try to group from layers. Okay. Just put effects even case there is something else. We're going to use a effects the perfect. Then just try to collapse. And what collapses effect. What is the next thing to do? The next thing to do is now was to apply a background to the white areas. What do we do? Just come over here. Now we've selected the layer, Let's come over here to file, then open. Okay, then go, do we have what? Six. Then open. Very perfect. Just try to do just this. We don't need any more. Just click old and click old and drag here. Then it's here, perfect. You can see it's under, can see it's not showing that. Then come over here. Control, what do you do? Just try to put around there. I think. Let me flip it. Just right click And what flip horizon tally? I think I'm going to love it like that. It's going to look cold and nice. Okay. Okay. Yes? Yeah, I think that's perfect enough. What is the next thing then? Control zero. They'll just Right what? Blown don't forget, converts to smart objects. Then what? Come over to filter, block motion, blow, Gil Gaussian blow. That should be perfect enough for us, 0.9 Okay, it's cooler. Okay. Select this, select the present control. Then select layer zero. Then right click. Then what do you do? You group from layers then. It's group already. Sorry for that. It's grouped already. Just collapse. Yeah, we have that. What is the next thing to do? We need some text. All these texts. I'm going to make sure I'm not going to select anything around here. I'm going to select the background. Anything, I'll just be above the background, but below everything here, including a tractor press on this click over here. Okay, let me increase that a little bit. Around. 72 is one that is to fish, but I'm going to use two fish for this. I don't think it's going to work out like this. Let me change the color. Let me, let me check, check, then select the K to come over to white. Then change words black for the meantime, uses green over here. Okay, let's just, let's give it its color straight. Let's come over here. Then I used the ice to select the green over here, then came over here. That is perfect, the text to select this green leaves. Okay, that's pathetic. It's kind of let me say, okay. Okay, fine, that's not a problem. Let me just say, put it around 72. Okay, good leaves. Yeah, that's good. So just come over here. Select, select this. Okay. Which we use earlier. Select this for. We can use fish here. We're going to use this fish and what squall, if it's correct, like that. Apart from that, we're going to use what's called humanist. I just like to use humanist and photo. I don't think I've used photo throughout, but that's not bad. That's okay. Let's make it 30, that's not okay. 48. That's 60. 50. Let's say 50. Let's say 55. Let's say 53. 53. Nice one. He just come over here. Country, okay. Zoom in the check, then come over here, try to. This is 62. Let me make it 60. 60. Not too much. 61.5 Let me just 61. That's perfect. Out, out the space burden. Let's see. Yeah. Perfect like that. Very perfect. So what is the next thing to do? Services. Services we're not using as we're using. Just come over here, M O N T s for that. The cosh, trying to type, make sure the corsor is not around, it's going to be changing it. Just bring it down like this. Okay. What's month month? Sera Monera medium probably should go. No, lets you bold. Shouldn't be too bold. Yeah, perfect. Just let red, I want something red, reddish color. Bring down the red, like this very part then. Very nice. Okay, Sorry for that. Just to. Okay, Yeah. What do you do? Come over the -25 or let's just say -100 very, very perfect. Let's -95 -95 okay. Nice control. Try to reduce, reduce, and put it in the center, like being center aligned. Something like that, okay? It doesn't really look center aligned. No machines are not correct. Every time you just, let's try to put it the way you think it would actually go. Perfect. Okay, let's try to reduce this a little bit. Okay, good. So try to increase this also. Okay, Check it first. Can you try to increase this also? Hm. Okay. Ten -25 Okay. -50 Good. Perfect control zero. Okay. Zoom, sorry. Zooming space back. The control tally gives it a little bit. Then you press control the select the green leaves. Let's group them and say just contra G, not showing contrG. Let's group them and say what's happening. Okay, double click. Let's group them and say words, text one or bigger text. Okay, text, text one. Let's click, click and drag control zero. Then you see perfect. Let's try to, like, we can try to make sure it's aligned with that circle, but I don't want it to align with this. Okay, let's just come over here. That's perfect. What is the next thing to do? Now we have text over here. We need under text which is like can be above or can be under. I want it to be above is okay. That's fine. That's not a problem. So what do we do? Just come over the text again. Come over the text. Okay. Select text that has been selected, then just click there for it to show up. Okay, what we are going to do, just check first check the space for the controls. What do you do? Just make sure it text, what do you do? Click old, old. Then just like this, then release to tell you whatever you want to do, you're going to type in that box. You can reduce the point size. Just come over to something like pot, can see pin, just come by something like 18. Okay, that's nice. You can leave it like that and type the fresh, fresh capsulatorkay, capula. Fresh food. Just try to collapse this fresh food then. And healthy healthy life, you see a good. What happens? Just come over here. Come here to like 36, let's say it's not working fine. All you do is just check it, then come over here, you do it again. 11, Okay. Do it around 14. I think that is perfect enough. Let's say around 18. That's good. Now what do we do? We go back before that, Let's change the color towards black. Click and drag down to black. I want it to be black. Apart from that, I don't want it to be Mona bold or something like that. Mons fine. Just come over here, just look at the front size. The type of front, not the type face for the front itself. Like medium size. Okay. Medium size is still bold enough. I don't like that. I want like regular. No, I want light. Yes. Let's continue now. Text to then just click around over here. The make this, make this collapse to inseparable entities. Live your life to the fullest green plants with our fresh green Gigi and other cultural products. Full stop. I say what? Full, stop. So now let's just, if you size this like this, it's going to like you go down, sorry. Go down. Go down like this. Okay. See, it's going down, but we're not going to do something like that. Okay, We have it as something like this. Then we try to close down. It goes in. Okay, so just try to click odd like this. Okay, so sorry. Then try to check it. After checking, what do you do? You can't control C. Then when you control, you can try to increase like this, okay? Okay, Something like this is perfect enough. So control. Okay, check. Okay. Okay, that's perfect. What else do we want? We need a call to action now. They've actually tried to advertise themselves where this were. What else? Just over towards rectangle. Then click Old and Wards. Click old and drug like this. Okay, I think enough. Fine. Then out click Old D. It should be in proper. You can see perfect. We have that. What is next? Then come over the what's contacts us. Okay, now we have that. I actually want to make it more bigger at least than the normal regular one. I want to be regular. Yeah, regular. Just contrary to reduce. Then bring contra bring it around somewhere. It's not showing why it's black. Just try to change color. Come over here then what is wrong with you or it's not working because I've not checked this. Then select this white then. Okay, perfect. And the tumble should be color should be red. Just come via. Then what? Select red, then go back. Then what the scroll should be. What? No scroll, no feel coloring. Nice one, just out. Zoom in. Select the contact us today, then make sure it is what it is in the center. Click So we have that. We have that, okay. Then apart from that, we can do like this. Let's select the contact us today. Then press on Out, then you bring it down. Press on ships. Okay. Something like that. Then that's perfect. Okay, it's in line. That's very good. Now what do you do? Just change the color to black. Because we need now, just very good. Press on the text text to click around the Cd and drug like this. What do you write? Plus, plus what? Sorry. Shift +2 340-235-9389 193891. That's one that's 3 456-789-1011 Very perfect. Check. So that's control. Okay, then what do we do? We increase. Check out the then zoom in, then click, click drug. Very perfect. Control. Control zero, then zoom. Click and drug like this, very perfect. What is the next thing to do? We are going to, we want to put their website there. But before we put the website, okay, I don't want to use the corner. Let's select the press. Then click and drag down. Then pres on sheets to make it, to make it proportional. What do we do? We pre text to click old. That's bad over here. Click Old. And what's click Old, Drag. So what happens? Okay. Grain Greek, which is now of the complaint. So and that's name the website, Gregretwtc. Then select this. That's nice. What do we do? Just come over to what the move to try to select the contact us to the the size it is that 12? I'll select this and make it also around 12 or smaller than that. Okay. Yeah, that's perfect. Just put it around. I want to select an icon, like a website icon, for us to have a very good design. What do we do? Come over to file, then then open, go down, then we have the seven. Then what? Open? Very perfect. Click old and drag, then perfect. Then what control C. Then reduce. Okay, then come over here, you can see perfect. Just check, what do you do? Just try to zoom in and see what happens. The layer which is just make sure it is in line, You can see that is the real line itself. Okay, That is a real line. Just come over to the number. The number is not in proportion, so we need to make sure it is in proportion. Yeah, very good. Now come to Green.com then click like this. That's perfect. Control zero. What do we do? I think it's to be things like that, so I need to make sure. This layer control plus control, plus troll, plus Okay. Plus fresh food. Okay. I think, yeah, that's everything. What do you do? Could you just let control? Okay. Then double click. That is what text to. What is wrong with your text to then enter, then control. Try to do, try to reduce it. Click and drag up. Okay, that's perfect. You can click old and drug like this. Okay, that's perfect. Let's take text one, click olden, drag to the left, litle bits, just something like this. That's perfect. So now we have everything in order. I think the background is too blurry, it's not showing the go blood. Then just try to reduce it a little bits. Reduce the blows. That's too much. Just okay, I think that's okay. That's perfect. Before we finish, I need to add one more thing. Last one is just that I want to add nice effect like this. Leave effects I added here. I also want to add it down in the background. So let's click old. Sorry, that's pathetic. But you just select the effect. Then press on All. Then click Old. Drag it. Let's drag it down. Nice. Try to change this todf effect to the enter. You can try to click older and drag and put at the middle of tractor and text to that is not problem. So what do you do? Just press out, then zoom out. Then control control. Then press press Okay. So just try to use this drastically, okay? Click old and drag somewhere, okay, then out, then zoom in. Okay? Now what do you do? You right click, then flip horizontally. Very, very perfect. So just check it is checked. The control, sorry. Just control C control. Then click old and drag, okay? Okay, zoom out. Also click old drug, okay? Click older. 21. Logistic Transport Brand Flyer & Poster design : In this lecture, we are designing a flyer and poster for a transportation logistic brand, writing brand. Let me use it like that as a logistic brand, okay? It is a company that is into writing people from one place to another. And not only that, they use app to contact them and things like that. It's a design that has to do with logic. Now let's begin, unlock, then come over to file, then open as usual, Okay? Normally this is, it's D12 3456. Okay, we begin like this, Select this, open, okay, click and drag here, then drop fine as usual. Then control on zoom on price, then on. Okay, come over here on zoom in in order to cut this out from the background. Actually, as we all know, we're going to use a selection to very, very easy. Just come over here, click click Old Days. Just selecting the screen, one, every part. Just just conde and press. You're going to select the place. Click Older and drag down. Okay. Then navigate this place down. You can see it's not selecting everything. Click Older and drag down. Okay. Then you can use your old. Then zoom out using the multiples into Zoom out, then you can navigate, Displace. Click to the left right hand side. Use this navigation. Also here, click drag down. Okay, the solution to continue the quick solution. Okay? You can see some places are actually coming out out of the selection. Click, click here, okay. So zoom in, Press on the out, You can see this is a plus. Okay. Then press on the out for the minus. Okay, then also for the minus. Okay, good. I think that should be okay. That should be okay. We don't need to get something very perfect to that extent. Okay, because we're still going to make some control zero then. What control? Nice one. This one just click hold and drag this to the trash can. Then this should be deleted. The move to select the move to click hold and drag this. Click and drag this. Oh, we're already in the layer we need, okay, just come over here and what's good, we in the layer we need actually just come over here, come down. Okay, before you rotate, contract, let's control, right click then then you flip horizontally. That's perfect. Then what do you do? You try to change things. Okay, that's perfect enough. Then just have that selected there. Okay, nice one. Just click, Navigate down. Pre Oldsky. Okay. Then after that, what do we do? The next thing to do is to bring, this is where the action begins upon. Then what? Bring the car in the nice logistic car. Okay. That is, say that is being used for their brand, to transport people. Click Ad, drugs, drugs, and then drop. Okay, that's good. Then control C. Use the Ods key. Then out, click here, click and drag the Praise Old Sky. Praise the space. Sorry. Praise escape prep. Oh, sorry. Let me check first. Then the space bad, then no, perfect. So click here. Move it near a little bit here. Move it to the edge here. Okay. Because that's what exactly I want to do. Then click on this, then move it a little bit to the edge. Nice. We can see what we want to do perfectly, but the thing is just that. Just select on what's on this layer. Okay, You can see the Select this layer. Click down, Come over here. Okay, select on this layer. Okay, then what do we do? We select the layer mask as usual. Okay, select the layer mask. Select here, make sure this is black. Make sure this is white downwards the B, which is a short cut forward for the brush to. Then firstly, you erase the edges before we know what's next to do. Can click, click on slip now. Yeah, something like that. So we have that perfectly, then zoom in then reduce the brush to. Can increase it around. So just to make it very fast for you. Okay, So now try to zoom in, okay, Zoom in very well. Try to reduce it. Then you want to show that the car is coming from what's coming from inside the phone. You can see very perfect. So control zero, okay. Very perfect. You can see very, very perfect. So we can try, so you can press on X, even case, for example. You just, so you know, I know I've said that before. Okay, sorry, can see that's very, very perfect. So just try to me, I was actually thinking I should just click here. Then, you know, we move to then try to make this. Oh, sorry, I take layer. The layer. Okay, just select this, Try to move this a little bit inside. Okay, a little bit inside. Then press control. Then select this. Then you know what to do. You click, you click hold, and drag to the right and side. What do I do with this? I make sure I come back to this layer, select the layer max. Then the brush to I'll try to plt on this. When I paint is what happens. Nothing but it cleans it. But I want it to be to make it appear and make it invisible. Just switch and the Xds try in. Okay. I'm sorry. X. Oh, sorry. Never tried to. Okay. Something like that. Just go. Okay. Very perfect. Yeah, just come over here and try to just press the X. Okay. Make sure it's gone. Then look at this place, the phone is showing down. Just press the X. Make sure you're cleaning the place away. For the phones to show here, right here. Okay, Try to zoom in. Press X. Those places show right here, those dust, press X again. Make them like, you know, somewhat invisible or something like that. Okay? So just come over here a little bit. It's going to, it's quite tricky somehow, okay? But don't be scared about that. Try to reduce it. A little bid and phrase. Let, try to, you know, control zero very, very. You can see very, very nice, very, very perfect. So what do we do next? What is the next thing to do? Just try to increase it. Okay? Just try to know something like this. I think that's too much. Just come overhead and press X on this to make this visible for us to see what we are doing. Okay? Then after that, what do we do? Press X again. Then we try to know something like this. And that's perfect, so we can just present control. Then we move to the downward it to bits. Okay? We have something like this. Perfect. Present control zero. Okay? Apatrom that we can actually come over here, okay? To put some navigation maps into the words, into the phone. Okay? What do I do? I come over here to the selection to come over here. Then click, strike, increase, click, drag down. Okay, you can see selected selecting the screen and down. Just press on out. Then subtract the places you don't want it to be. Then subtract contra press on outiden subtracts present. Outiden subtracts going to subtract. Yeah, that's nice. That's nice, Yes. Then stret reduce, then also out around there, try to reduce. It's tricky some you're going to achieve what you want to achieve, okay? So just take, everything is going to be all right. Okay, so try zooming then. Try to just reduce it in a little bit. Because reducing it would actually help you to select better than just increasing and minus display from it. Because we can't allow the card to be chosen like that Cho part of it. Okay. Yeah, try to subtract also. Okay. That should be okay. Yeah, something like that is okay. Just control zero, you can see very, very perfect. What do we do? It's very simple. Just come over here, try to delete this, okay. Then come over to file, then open. Okay. Then come down, then select this. Then what do we do? We have this now. Just make sure you unlock this and try to select this image as a whole. You can press control zero. You can press control, that's one thing you can do. Press control, then come over here, you can see, you can see the cost changes. Come over here and click here. You can see, you can see they aren't like matching lines. Okay. You can see selected. Then what's control? Or you come over to edit and copy. Still the same thing. Now, come over here, come over here, What do you do? You do, you should be here. Okay, make sure you select this. Then what it, then what's pastas, special paste into. Then what? It enters into the selection. It understands what you're saying. Control zero, then control C. Then try to reduce the fix it very well. Inside, I just try to increase. I'm using my left arrow on my keyboard to move it can see, then I can press Shift, then try to make this longer a little bit longer. You can see that a little bit longer but it's going to distort the image. Just you can click old somehow like this. Try to adjust this a little bit. Okay, click old and drug down. Okay, just move a little bit like this. Move up. Yeah, I think that's perfect enough. Then what? Then you check. Now click old and drug out. Then what? Zoom in this, please. Look. So just come over. Click on the layer max, then B, try to reduce, reduce it. It paints black on it. You can see very, very good. Perfect. Okay, that's enough to control. See, we're achieving our results. What's next? The next thing is supposed to apply effect, which is what? The solid color, the color field, whatever color we're trying to apply. Let's try to apply something like yellowish, yellowish color then. Okay, what happens? Come over here to, to change to any color you prefer. Something like this. Very nice luminosity. Color saturation. Okay, divide, subtract difference. And it's okay. It's, it's to use bomb, divide, perfect. Just reduce the opacity. That is the best thing you can do. Your past to zero, then start increasing two by two. I think this perfect enough. Perfect. Okay, thing going to do is what you can just press out, Click, press, click, drag. Okay, I got to try to do something. Come over to brush, because you need to make it perfect. You can never be perfect, but just try to make this perfect country. Another thing I would like to do, just make sure this is, this is white. Okay. And depends on the black layers, so I don't make this turn back. Okay. Then X. I selected my X. Then click then, just like li, two by two by two, just something like this. Okay? No contrast. Let me not conflate control, Let me just switch X. Okay, you can see that. Now I want to try this, okay? Make sure this works out, okay? Click old and drag. Sorry, the switch from the X. Click old and drag. Okay? Click old and drug. Then you know, something like this. Very, very perfect. So I think it's, it's, it's, it's fine. It's okay. It's fine. It's okay. It's okay the way it is. So what do we do now? We come over here. This is the car. This is the selection for the phone. The phone itself, let's say 123 is control. And presently three downwards, you group everything group from, from call it car and phone is in the background. You just have to have it like that. Now what do we do? We want to apply a light to it. Are light, just come here. Try to delete this first. Delete on the flare lights. I just love the light so much. Love it. Then present, remove to, then click on this move right here. Then select this and make it worth screen as usual. Control zero, control C. Then click old and drag down bring right here. Okay, Zoom in. Then use this navigation. Click old and drag, pressing the old key. Then check control zero. Very perfect. I said very per what do you do? You click on this, click on this, click on this and this. Then what control? Right click. Then what's group? This is what we call back ground. Then you're good to go. Very nice. Control. Let's come over, let's click, click, hold and drag. You can see what is happening to the phone. The map is not following it. What do we do? Just check this control then come come over the click. This press control still. Hold on the control. Click and click this. What do we do then? You right click, merge layers. You match all the layers together. You match all the layers together. Before you march all the layers together, make sure everything is perfect, you're not making any more adjustments. Because any more adjustments would work out. Okay, now what do we do? So let me try to adjust this car better, present X, then press on the mass layer max, then present X to switch. Then try to something like this. And that's perfect. You can zoom in and actually use the X also X again to make some nice nice effects around there. Can then just zooming in to bit, press on X. Try to take away those lines that looks somewhat contrast, that looks somewhat visible. Name was control zero. That is very perfect. So I can actually come over here and know, try X, okay? Try to, you know, something like this. Then the control zero, very perfect. I think that's okay. X again. And just going to try to make this perfect. We aren't perfect, but let's try to make something look good. Yeah, I think that's okay. And actually, that's what we want. Now, what is the next thing? This is a flare light already, making design look good. Sorry. You click the flight just to try to reduce these lights. Flare control and click and drag it down e little bits. Okay. Eli then just put it somewhere that is nice and beat. You can see without the flare lights just look dull. Just normal. Flay light looks nice. Okay, let me just put it up before and the after. Perfect. What is the next thing to do? Next thing to do is now click on this, press control. Click on this and click on the right. Click downwards, merge layers. Control zero, then control. Then click Old. Click old and perfect. I love this. What is the next thing to do? I want to give it a drop shadow, something like that, just to make it look realistic. Nice. Something like that. Now, how do we do that? Just as usual. Right click, downwards, blended Options. Then select, select your watch. Select your drop shadow. Then from the drop shadow, you can actually select different things. You can see. You can see drop shadow actually down. Words can see how it's moving. You can see, but I want mine to be somewhere around there. Okay. The distance also. Okay. Just try to make it. I think we shouldn't be there, we should be somewhere around there. You can see it actually. Here from you can see, you can see also the distance. Right. I think that's okay. That's fine. So try to try to collapse system. We have we have the car and phone a layer. We have all these also. We can just see we can see background one. Let's leave it like that because we have background already so that's not a problem. We are prove that. All right. Yeah, we are that. What is the next thing we move now? What do we do? We move over to well, come over to fly then we approve this. There's nothing we have to do to this again, and it's already perfect and looks real. What do we do? We come over to Fly. Come over to open, Okay, then come over to this place, then open perfect. Click old, and drag and drop. We have control zero out. Zoom out, then try to make sure that this background click old and drag is up here. Another thing is we're trying to make this road like a background also. Okay, just open the background here, click Old Drag, and drop this below the car and fall. You can see perfect. We can drop it below layer zero because the layer is white totally. Let's leave it like that. We don't need to delete it. What do we do? Select the layer six here. Actually click old drug like this. I want to make things very simple and different. Something like that. We have lime is to control and reduce things. Reduce things move. It's around there. Okay, something around there then that is perfect. Then that's a, that's perfect. So what do we do? The layer mask as usual looks somehow, it looks awkward, but before that we can actually is a layer mask, this normally come over to come over to pay, then try to reduce it because it's a background so it needs to be reduced, that the details won't be too much. Around 55, 56. That's nice. Then set the layer mask, then watch the brush to then increase it. Then try to paint on it. But this white, white, it don't work out. If it's x, then paint on it. But we're painting here, actually, we're painting here. We want to make those edges go away, just fly away, not showing anything strikes to make sure that piece is also cleaned up. Okay, you can actually come over, just click once, just to be like click, that's like a dust or something, something to work like that. Just click, click, click, click, click. Something like that. It's okay. Fine. No, it isn't. I don't like it. I think something like this is somewhat okay. Somewhat okay. Okay. Control zero. Okay. No, I don't like it. It's awful not good enough. Okay. So I can try to reduce it or pass it to something like, you know, 50 the flow, something like it. When I try to, you know, click around here to put something like some weather stops or something like that. It looks nice and great, okay. Opt in the road is, don't forget, it's a D company. They drive people from one place to another to fulfill their wants. Okay. Something like that. That's perfect enough for them. Apart from that, apart from that, apart from the O was saying just come over seven after this image. The next image we're going to be using is we're going to come come over F, come over to open, then one open as usual. You can delete this. We delete this, We don't need them for now. Okay, you delete this, then come over here, click old and drag this up, then drop. Okay, you've dropped that. Press out, then the minimize both. And then scroll out, select it, then control, then click old and drag using the old ski reduce. Then another thing you going to do is on zoom in, then try to rotate. This very important if you want to make it 45% like just press on ships. Then click Old and drag to the middle the words click Oden drug present out. Then that's perfect. Then check what is the next thing to do after that? Make sure this is underneath everything except from layer zero, you can see very perfect. What do we do? We make sure we reduce this to something very small, drastically press on country zero. Something very small, drastically. That's around 18 or something like that. Now what do we do? Just select the layer mask because it's actually showing. What do we do? Press brush and this is white. The layer mask is white. What point the brush is what? Black. So it's going to go perfectly, Make sure it's not showing around here also. Okay, let's just leave it as showing around there. That's not a problem. But on the road show, on the road here, it's more than affects the road, it's not erasing very perfectly. Reason is that the opacity is being reduced, the flow is being reduced. What's increase it then? You do what? You erase things very, very fast. Try to re use then control zero, you can see very, very okay? And it seems, even because the background wasn't show a lot, mustn't be too much, just like reduced. Okay. So it has to make sure it's blend perfectly. Okay. So that is for that. Apart from that, we also make sure that the flare lights actually, it shows. Okay. It shows around. Let me just come over here and select the flare light. Click, hold and drag. Just want it around somewhere, but that's a mistake. Just present out it's copies and pastes, Adjust some way. That's nice. Just like a light. Okay. Like a light, that's good. Because that place is red, the location icon is red. That is very perfect. Another thing is just that. I think, I don't like this place. We, it looks like. Just select this P the layer. Stay the brush and try to increase. And try to increase, okay? Then click and drag, which is not supposed to be the X. Click X, okay? Then what do we do? I try to reduce your pacity. Try to reduce the flow. So that same 60, 60 something. Then what do I do? I press on X switch, then try to take this away to by need to. Okay. Can see see something like this. Okay. Something like this. Then I think that's, That's perfect enough. Yes, that's okay. That is nice and clean. Very perfect. So we're through this downward, this nice downward, please. And what is the next thing to do now? The next thing to do is to the brand name and the brand icon, press on. Okay. Then then make sure you collapse. It's collapsed already. And make sure you collapse. Just select this and we start with the brand logo. Just try to delay this. Okay? What is the next thing to do? Just come over to file open and what's the brand logo? Which is what? Six. Then click old. Then drop. Very perfect. Click bring around here contra reduce a large extent. Then drop what. Trying to do now. Just press control zero. Okay. Click the blending options, Okay, then me having a blending option. I want to change the color of that particular thing. You understand that if it is coming outside from Photoshop, not created in Photoshop, we need to use the blending mode, the blending options, by T clicking on the layer and selecting the blending option, also called the layer style. Okay, to change the color. Now, color overlay. Then select this. Then what do we do? We don't have a specific color on us, We have a specific color. We have the brown color, which is the color of the car. Just come over here and use this to do what? I think it's too light to dark. I think I think that color is okay. But I need to make it so deeper in, you know, What I'm going to do now is okay. Okay. No problem. Let's continue. I don't want problem. I want something, no logistic looking people see that they are safe and, you know, security is tight and, you know, their life is not at risk, okay? That's perfect. Okay. That's perfect enough. Then then, you know, then let me come over here again. Color, double click, Color over, double click, click over here, then try to make it darker. Yes, that is perfect enough. Very perfect. Now I want to give them a brand name actually. And their brand name is words you select on this, then click is Words Capsule. My perfect. What is the color for that? I'll just come over here then. Just on the reason why it's bringing this is that your capslog. Your capslock. Then make sure it is off. Then select this, then you're good to go. That is the move to then click and put around there, control C. Then try to reduce a little bit. I think I should give it Italy coming coming in, then just give it regular. Italy. Regular. No, no, medium is then. Okay. Fine. Nice. That's nice. You can zoom in then control. Very, very perfect. So this and this is what brand logo very, very perfect. Just out in unless see what happens, I think I need to make the rider a little bit smaller. Okay. My rider is a contract then click O and watch drug. Okay. Then come over here. Yeah, that's Satya, that's true. Come over to something like semi board. What's wrong? Semi board Italy. I think that's okay. That should be okay. Yeah, that's fine. That should be fine. Okay. Out then then zoom in. Now we move towards to the text we need to write on the design. What is the next thing to write? The next thing to write now is what. Locate and write and some other things. But for now the capsule should be on locates and right, nice one. We select this cont rather make sure it's big. At least make sure it is in line with. Check this present. Then in the mouse putting, I want to try to change the color spacer. I'll try to change the color. I want to make a contrast with color over here. So this car should be in this color, but the, my rider should change more blue like color. Okay, So just click on this, my rider, try to make it visible. Correct. So just select this. Okay, select this also, then just know there's some kind of blue color that actually looks nice. Come down over here. Okay, I want to make it look like that exact car be used for transporting people. Hey, that's perfect enough. So now locate and ride. Actually, I want such a color or so just select that. Downwards, come over here, then that's perfect. Then select. Okay. Now what else? Just come over again. Sorry, just come over, try to change this aunt board. Okay, but not italic at all. Board is perfect enough. Then change one to something around 48. Okay. Nice. One quick old and it's in line, that's good. So just try signal. Probably six. Okay. Probably like 483-63-3303, then let's say 35, 35, then that's it. Then we have this also -75 Okay. Very, very control zero. You can see I think I should reduce and try and ride a little bit. That has to be reduced. I'm not going to reduce it, I just have to reduce the forms to something like semi bold. Okay. Then. Yeah, I think that's perfect enough. That's perfect enough. Apart from that, then try to increase the -50 Let me see. Say -55 55. Okay, good, That's perfect. There is something I would try also try to do. Okay, just press on Out Zooming, that's very simple. Just come over here to file and open the load. Then select, which is resource file. Then comp over to the last one, which is what's 77. Then what's open? Then click old it here. Perfect. Contra, try to reduce. Okay, just put it somewhere. Okay, then what do we do? What do I do? I select the layer nine actually, which is the location on contra. You can see above, can see the line above it. So that you can see very perfect. So you can just click Den Drug like this, don't give you what you want, just contrast it. Press on sheet, then click Den Drug, and try to make it no bits like fact, big. Something like that. Then then, okay, very perfect, select this. Only select the downwards text. Try to de, then space. Okay, then check, then select the layer I. Again, select the move to click hold, and drag this to the left hand side. To the left hand side, okay? Okay. So you can actually try as much as possible. Just use text to the electrons to expand this, but not too much. Okay? Just to be just tres to re, use it, okay? But make sure this is working perfectly. Just click hold and drag like this. See what happens. Control zero is really perfect. First, let me change the color to this color itself. Okay. Color overlay. Then select color. I give it as that color which is perfect. Just like, you know, just like. Oh, sorry. Right. And it's then color overlay. Color overlay then. Okay. So controvert control zero. I think that's perfect. Select it's click old drug. Okay, so click old drug like this. Yeah, I think it's perfect enough. Control zero. Yeah, it's perfect enough. Yeah, it's perfect enough. So that's perfect. So the mistake I've done is that present control. And try to bring them outside the group for brand logo. Put them here. Don't drop them here. Still coming inside the group but put them around some very tiny tim, we just drop it down. What do you do? You write click downwards group from layers. Then you can just write text one, text one. Okay. Then just make sure you text one. Want to write another text? What do we do you see? Okay, we locate and drive you. And drive you over your Contr perfect. So what do I do? I change the font to something lighter than locates. And what's right? Very important to bring about. What's contrast I can use medium, fine. Then try to reduce control drastically. The P shouldn't be too big. Things like that. Then select, then change it to what to black. If I feel like I can, I can leave it like that. Okay, that is not a problem. So the move to click old and drag up control zero, put Ski to dominate tubs and see what is happening. Okay, that's very, very perfect. So click old and drag down, Convert the navigation here, click Coding, drag down. Then we creates the call to action over here. Just click click Cod, Drug. Okay, let's come over here and select this. It should be okay. Okay, this is perfect enough. We select this, but it's the same thing. Same thing. This is perfectly the same thing. What do we do? We try to click over here. Those pockets, you have to still select that. You have to select on ditangle shape. On the rectangle. Still on ditangle, okay? You come in to the, otherwise these things won't show. You have to still be ontangle, Click over and drug like this, then that's perfect. Then try to take away the stroke from there. Very, very perfect. So we have the Symt come over here, we look at your contr. That is the second test. Just conte, that's, that's text two. Sorry, and is not really doing text two. Then what's? Try to collapse. We have another text right now. That's what book now. Perfect. Then what's the exclamation want? Something like that. It's okay. Perfect. Then try to reduce, bring, per, then select the move to. Okay. Can come over here, Pick this clip. Ode and drug, Okay? Click and drag is, then you drop. Very perfect. So out, then zoom in. Then try to adjust the line, the space, I mean, the line spacing, that six to 216. Okay. 910. Very, very perfect. So okay, check this. The country's, see how it's, let's see how it looks like. Okay, book now. The book now is very tiny, so I need a nice form, modern medium, that'll be semi bold. Yeah, that looks perfect and good. I like that. Okay. You can just press control. Group them together. Okay. The court action, Let's book now. You can click hold and drag them up a little bit. What I'm trying to do is that control zero, I want to make sure it is left aligned very well with this. Is it? Yes, it is. Yeah, it is left aligned. It's very perfect. I want to make sure there is no problem in this piece. Just come over here to text one. Text one must align with what's with the logo up there. It's a good. The texts aligned with text one you can see perfect, good. You can see the end comes out. Let me just say it's put Ops comes out more than the L, which is normal in letter. What do we do? Come over contra, then select the book now and sure it is in line with what? In line with the. All you can see, perfect. It is left aligned. Just put it like that, That's perfect. What is the next thing to do? The next thing to do is just come over, select select on book. Now select out the click, drag it out. Then press sheets, Make make it in line. Then the text to click. Actually, you can make the changes to black because that is the exact color I want to use for the phone number. Change black then okay. Then press on the text. Click, click and drag it like this. What do we do? We change the number. We use a number that's plus 0234. Okay. Then that's nice effect. Okay. Does 90 okay. 62 Okay. 73333. Okay. Does 1-034-567-8910, Yes, that's nice. That's nice. What do you do? You check it very, very perfect. So try to close this down. Then o zoom in, then control click the old on Os. Click Old Drug. Perfect. What's control? Zero. Controls control zero, very perfect. Out then zoom in. You can see then action is down. Very perfect design for a logistic transportation company. You can click to be down, we can see now it's proportional, okay? Very, very perfect contra zero singing. These would actually trigger people to buy a car coming out from phone app that actually can look at people from different places. We have, we have the map down there. Things looks nice and that's perfect. I'll see you in the next, in the next lecture. 22. Travel & Tour Brand Flyer & Poster design : In this lecture, we are going to design a flyer and poster for a brand. A traveling brand. A type of brand that actually helps people want to travel and go on a toll to different countries of the world. Okay, now we begin. Normally you unlock this first, which is a normal process. First come up to five downwards as usual. Ops, downloads the download actually process files then. Okay, come up to one. Just select Open. Perfect. So what do we do? Actually, we would actually have a picture. Okay, this is now what we need. Click hold, and drag it here. This is the right canvas one. What do you do out the zoom out the control, then try to refuse out cl drug like this. Okay, fine. The other thing is water is too much. Let me just raise it somehow around here. Okay, bring it. That is perfect. Then click the other thing. Out to this background is white background to make it black, I don't want a light background. Select this. Come over to adjustment layer, then what's solid color? Then click hold, drag down black. Click, drag down to black. Very. So we have that. So what is the next thing to do now contra this is it, but this is the image. Select the image. Okay, now you select the image. Then press on what? Then select what's layer mask as usual. Come over to brush. We have to brush, it looks like it's because the cap is on. Then release your caple. What do you do? You just try as much as possible to make sure your P is not in, it is not 100, 100, 100. Make sure your ops something. Let's say 46 flow also 40 something. Okay, just contra zero, so we have that now. We're going to select this, yeah, this layer. And make sure you Sel can click once nothing is showing, it will be very, very slow. Click. Just click very well. You can see this. Select this, select. After selecting this to make sure that the brushes was black, not white, try to switch. Switch or what, Your shortcut, what do you do? You click here, you can see it's fading. Click again, click again, click again, click again, click again, then click Old. And drug like this will only go once. Click old drug. Second time reason why this is like this is we reduce the opacity and the flow. And these are the things that helps in erasing things. In blending things together, it was 100% you can see the take it to 100% you see very fast. You can see very fast. But I don't want it to be very, very fast out it slow and go on low price. Okay. Very perfect. So just, you know, just return back to 41. Returns back to 402-40-4406 Not six, but that has not a problem. So just you click a lot, you see just click contract and make sure the line is not shown. I just test saying the edges. I don't want them to know like I just want people to see it as blending the image and the image is very, yeah, we got rid of the light of the line then. Little by little, just just move little by out this manually. Just move little by little. Okay. I'm bringing it here. Okay. Landscaping, like this way suits you. Okay. Actually, that's too bright. Not too shop. That's perfect enough. That's good enough. So what is the next thing to do? We have that already. Okay, fine. So what is the next characters and control generate Downwards from layers, call back ground, sorry. That's perfect. So now we have, we need, we need the logo of the brand and the name of the branch. Come over to open and this is the Love branch Three, open. Very perfect. Just. Back to move to click code and click code and draw. That's perfect. Just come over control C. Try to use clever. Very perfect. What do you do? You right click blending options, change the color, that color over, and come over a clicked towards white, The perfect. Okay, that is very perfect. What do we do? Give it a particular, we give it a particular brand name. Select this then. Sure. Okay. It is actually, these are the ponts we're going to use. Okay. We're going to just come over here, change the points. So what's to humans? I so much love humans. Hm. Okay, humans. Sorry, HUM. H, okay, you have this very, very like for points, things like that. So make the forms words, make it white, also very perfect. What we can do is just select text to the click around here an the point of the. So you can humanist. Just press H. What's wrong with you? Press H over. You can use this. This was the italic that's perfect. Select this, That's select too much. So click around here, changes words. You can see this is the middle. What I don't like the way it, you can just click and draw. You've seen it specific speed. The middle. More and more that way it's looking. Just select layups. Control. Very perfect. That's perfect. Then present control. Group them together, it's no shame or control. Click, that is what that is. Good. So what do you do? Contra tract, try to reduce this. Click hold and drag around here. Then check what do you do. Contra zeros. To select this, select here itself, click hold and drag like this. Okay, that's the. Let's select the brand as a contra, then try to increase that. Should do what? Control. Yeah, that should do, that's a little bit, that's good. That's, let's do it to me. Okay, so another thing I could actually do is just come over, select the trip here. Okay, select this. Click. Click Colden drug. No click drug. Then try to increase, you know, this -25 Yeah, something like that. Let me say -20 -20 No. Okay, let me see what. Not too much. Too much. Rather let me make it -50 Yeah, that's okay. Perfect. So control zero. Nice. So what is the next thing to do right now? The next thing to do right now is that we're trying to put some images somewhere there. So how do we go about it? Just rectangle, okay. Click and what's click old and drug like this. Yeah, that's perfect. 91. So what do we do? Limit the field is black here. Just leave it the way it is. Just come over to the stroke, then make the stroke white. And increase the stroke. That is the best thing we can do. Increase the stroke. Okay, that's too much. Way too much. That's even way too, so why? Okay, that's select the move to select the move to try to make it. Let me say right. Let me say 35. Sorry. 35. That's too much. Way too much. Let me say 32. Okay. That's, that's enough. That's perfect enough. So we have that. Apart from that, what do we do before we try to, you know, slant it and make it a dynamic to lose controls of things like that, okay? We try as much as possible to do two. We try as much as possible to click, press on old and drag it down. Press click, drag it down. Okay, so what do we do with this? Okay, just contrast, sorry. So what do we do? We try to make sure that the outline is changed. Okay? Just to make it white, try to use a nice color that is not so clear, like white. Something like something like this nice one can make it fade more because we're talking about enjoyment. Shouldn't be just white. Okay. Okay. Yeah, something like that is okay. Then we should have another type of rectangle. This rectangle should be in a group of the brand logo. Click Oden, drag its outside. Perfect, Close to this. Yeah, this will be actually a new group of Rex. You can click, press, press, press out the, drag it down, press to make it straight. Then come over, try to change what's outlined. Something like a blue. But the blue just come over. The blue should be very light. Yeah, Should be lighter than that. Yeah, this to the red outline stroke to be lighter than the way it is just now. That is good enough. One other one should do more. Click cold. And sorry for that. Select this old and drag it down the sheets to make sure it is in proportion. Select this. Whatever color should we use? Let's use yellow. Okay. The yellow color make it will seem like it's red but not red. Try as much as possible to make the colors look different and look good. Apart from that, what do we do now? We can be able to do anything. Let's fix the pictures. Photos in the even direct select. Just come over and make it invisible. You can see it. Invisible. Invisible. This is one to three. Try to arrange one, but that's fine. I know this is. Just come over here. Five then open, then look for taking the four. Okay. Then click then as usual just come over here to the come over, click on this. Let slip and what create clipping mask. What do we do? You click on the navigation because the image will be very, very Then what control without out just Fx. Click, click, code and drug. If it's not selecting the first C on the image, selected images, then you can see coded very, very perfect. Then that's selected very, very perfect. A correct tangle. Invisible, visible, that is it control plus zero movi. Then what's then open, Come down. Yet we, which should we take possible chooses on like the restaurants in the hotels and Theory center and the like. Click then perfect. Just what's right. Click then create clipping mask. Very perfect Out. Then navigate up control. Very, very. Let's take from here without the O can see. Then click, click, hold and drag. That's perfect. So for the next rectangle, which is this, then come over to file open again and come over to were to. While the nice bad also nice looks nice perfect. It's. Nice and cool. Click hold and drag. Sorry for that. Then drop here, right click on it. Then creates cling mast, very, very perfect. Just what outs. Then zoom out, click hold, and drag this up. Control C, okay. Click, then zoom in, Come over here, click drag out, then come over here. That's very perfect. Now what do we do? We can try to come up with just click here and press sheet. Then click this right click. Then group from layers. Then you call it was small, recall Reck is rectangle. Okay. Then because there's going to be another rectangle like long rectangle control zero, okay. Space, Brad Drug. Then what is the next thing to do now? We need to slant everything. I slant every control, then click a slant. Very perfect. Then what do we do? You just try to come over. Open, open everything. Okay, sorry. We have, this is the post rectangle. We have this, we click drag. So what do we do? The best thing we can do now is when we click, you should select to them with the drag them. Otherwise, when we select only one of its, just move that one and leave the inside image, leave it. What do we do? We need this rectangle to the second one, then it's layer and click and drag it up like this. But the most important thing we need to angle one and it's layout should be up. All we can do, just risk, group it as one. The next one which is just phrase on this, select this, press control, select this. Then click then from layers, what do you call it? Then we click Can see now we need to make re one above two below. Directly down. You can see now very, very perfect. Let's strike. No contra select one. Try to click hold and drag it. Spring it somewhere around here. Very perfect. Direct to bring Reco somewhere selected. C two. Reco brings Rec somewhere around. Just staying around there somewhere. There should be, we should be somewhere around here. Just bring it in a little bit. That's perfect. One should come out a little bit. He should be here. Direct two should be somewhere here. You can see somewhere around there. Okay, Direct 33 should be somewhere around in. Zoom in to make it perfectly, then you drop control z. Now I can actually come over here, select the small rectangle and control, then it selects everything perfectly just to increase it to your taste. Okay, I think it's speaking up like this. What is the next thing to do? The next thing to do is that we're going to give it a sing, give it a shadow simple, right on this. Then blending options, okay. Then shadow. You can see it gives everything. It's drop shadow. Let's try to make, You can see there. Try to change the angle. Somewhere. Good. Somewhere, yeah, perfect. The distance should be something like this, something like this. But now the problem is on the shadow to show on the second one, the shadow second to show on the third one. What do we do? We try as much as possible to make sure we do it like this. Okay, let's cancel it. We don't click ever. Don't select everything together. We select it one by one, then that is the best we can do. Right Click then blending options. Okay. Then drop shadow. You see it to reflect on the other one here. And that is what exactly I want. Try to make your positive varia. Okay, and the distance coming like this. Okay, bring this like this. Very perfect. That's going up. That's too much coming down a little bit, some around 53. Yeah, that's nice. That is, the exact things can make the distance much more or something like this. Yes. Perfect enough but it's too dark. Yes, this type of transparency is okay. Yeah, I like the transparency the way it is. What do we do? As usual, we copy and paste that effect that drop shadow on the other ones. Press on, then click and drag this drop shadow. Thenwardsdrop it shows there also. Perfect. What do you do also here you click this struct shadow. Okay. Press clickpad And what's and drop here. Perfect. Now, what do we do? I think drop is too much contra zero. I think it's too dark or something like that. Okay, what do we do? Just come over to the first one. Come over to the first one. Double click. What do you do? Try to make it less. You try to make it zero. Just contra try to reduce it a little bit. That's cool. That's 44. Just come over, control this two and make it 44. Highlight it. 44 then enter. Okay, that's perfect. Then come to the one double click, then it's been Led 44 then perfect. It's not really changing anything to that extent. Okay, Before I change it for one, I think I need to reduce this a little bit, okay. It's not really, lateness is just too much or something like that. So let me try to reduce it more. I think that's perfect. 31 should be good. Then double click. This is 31. Nice one, then come away and give 31. 31 then perfect. I think that that's nice. That's okay. Collapse then that's very perfect. I need the floor light. I just want it to look good and nice. More better. Come to file. Comes to open, then down, then open. Then just try to close the ones. We don't need them anymore. Close them. This is click, drag it down as usual. Then come over to the blend mode. Then what you scream, scream, what do you do? Use them out the control then click And the odds keys inside the just put around somewhere. Yeah, shine bright, something like this is pictures of what we want to come and do. This is a destination of what we're going to take it to different places you're going to enjoy. Just try to reduce it to so from these two. Looks vibrant. You can press click and bring somewhere else. Touch up light somewhere, looks good. Contra click down. Let me see. I reduce your pasty. Just come over your pacity. So far it's dull. Before then see what happens. It's shine contra, Let's make shiner somewhere. Let's print it. Put up here, let's put it somewhere. That's not down here. Whenever you feel like putting it, that is not a problem. Just make sure it looks corrective and looks good. Perfect. I think it's not really, it's not really looking good there. Then click and drag it somewhere. Then that's perfect enough. I want it to be part, actually I want to be part of the rectangle just against the large blue eyes. Just drop it inside. You see it's on top of everything. That's fine. You can try to collapse these ones collapse on, it's collapsed, Perfect. That's control, zero control, perfect. What is the next thing to do now? The next thing to do is to write the text on the design. Now, what do we write now? We move towards the text to here. What travel enter and sorry. Sorry, sum holiday. Yeah. To spell day. Sure. Sure. What you pick? You said the pick to sorry. I said the pick two. So just select. Then come over. What points are we using on parenting? Yeah, it is what? On being That's fine. Tense, it's even, you know, structured. It part is nice and looks good and very, very perfect. So what do we do? Control what you rotate it. Okay. Okay. It's not going to work like that reason because I need to select this post control. Okay, good. So try to expand you side. The move to pause contra that is to, you have to follow the guidelines. Okay? It's very, very important. Otherwise actually it might not work the extent, to the extent we want it to work, you can contrato unless see what is happening. If it's not working, just use just click once. Contra can see very perfect. You can just contract and try to increase the little bit more just to make it big. Then select this, then use the Okey. Then zoom in. Okay. Then you can just right click and go to blending options. Try so some drop shadows for this also drop shadow, you can see very nice. Perfect the distance is too much. Just reduce the distance and try to increase. Like you can see, it looks nice and beautiful. Nice. I love this design, the part. It's great. You can see very, very perfect, but it's too dark. That's my problem. I just like to make things very perfect. I think it's pacy, it's not much enough. Reduce it a little bit. Yeah, no, yeah, that's okay. Then what licks? Okay, perfect. I love this design. What else to do? Can drag it around just some way. What is the next thing for us to do? I make sure we put something. It's fun. It's not composed to put an aeroplane, although an airplane is coming, but let's put a rocket. Like a rocket, so that's fun. Okay, What is the next thing to do? Just come over to five. Then what to open? Okay, As usual. Then come to the word rocket launch. This is 777. Click hold and drag it. Nice contra, then bring somewhere around the end of just no launching rocket. Nice one. Just leave it like this. Fine, fine. Okay. Okay, just something like this then. Okay, let me say contra and see I think it's too big. So out then try to reduce it. Okay? Okay, zooming. Okay. Then what? Check very perfect. So what you're going to do is just change the color of this blue or we just leave it like that? No, we need to change the color to make it coding. It's fun fed. So just okay, you can click D somewhere's wise. Rocket time. So what do you do? You right click then move towards blending options. As usual, it's actually nice and co what do you do? Select what is it, color overlay. But what color using using gold color. Just come over to yellow side, come over some way that's golding enough back because we're going to reduce the words, the transparency. Then come over to the transparency collapse. Just come over to transparency in the word, reduce the transparency. But before we do that, just go back contra just come over. I think I need to make it lighter, more light mended down a more lighter color. Okay. A night on, something like that. So press. Okay. Then what? Select. Okay. What is the next thing? I think we need those flare lights. Okay. When you launch a rocket in the light that comes from it, Poka, understand? Just contrazero. Okay, just come over to the lights can collapse. That's good. We need those lights. Okay, fine. But when we use them, it would seem like we are using it from the small rec. Let's create a new light. Come over to the file, then open, Move downwards, desired 191, click, click drag, and drop. Then what do you do? You come over to what screen? Then you go by control. Then click drag. Using what? Using out. Then you put somewhere here. Then you check, okay onwards. You zoom in. What is the next thing to do with this light? What do you do? The control, then select contr bit. Then you try to reduce your pay much. Try to reduce it. Not too much. You don't reduce. Only we need to select the two together, they reduce your opacity. Okay, Just try to right click, then group from layers. Now what do you call it you call rocket time. Rocket Then enter perfect. What do you do then? We can minimize, we can reduce it together on the same pace. It's not composite showing to that extent, but there should be something there that makes people the form part, okay? So something like this you can control then try to rotate it. Launching, nice. One control again, try to increase. Okay, nice. Bring somewhere. Yeah. Okay, select what do you do? You try to increase a little bit, not too much. Okay, reduce. Okay, that's nice. Control. Very perfect. We have that. That is nice and perfect. So what is the next thing to do before we do that control? And select this right click. Then just contra then it's not showing country G. Then what do you say? Travel and to. You try to change them to travel and to as a whole, the text there, what travel? Enter? Perfect. What is the next thing to do? Just come down here. We're moving gradually. If this place is like too clear for you to see, like don't see what is there perfectly, just come back to background, that's not a problem. Come back to background, select this, this is the image. But make sure you select the layer exac, the layers expacancy. Then just come over to brush, make sure it is. Then just try to click like you click old. Especially if it's too light for you to light, it's not showing what you want it to show. Just just click, but it will look rough. And somehow just leave it the way it is. Just contra, contra, way too much. So it depends. Or you just click old and drag ones like this, like this, something like this around this area also, but you look dark. Just contras, we don't need that right now is just perfect as it's meant to be. Scans do one part of it something like something like Ntrkay. I prefer the way it is just right now. It's okay. The cloud, the black cloud. And it's nice just leave it like that. It's nice. Just put this back. The brand logo should be up. That's a mistake. Should be up. Then try to bring it downwards a little bit. Yeah, that's nice. I think that's not okay. Just click, That's perfect. Control Then then bring around somewhere, then that's very perfect. So what is the next thing? To just come over here. Then select this. Select what are we typing today? Our Okay. Holiday Okay. Packages. But I'm using this points for either holiday packages, some me sincerely. Okay. I just don't want to use cost punts heading for things I write as headings for things I write. Just put it here. The change the change the, the words humanist just to go along with the brand color. With the brand. Brand. With the font. Yeah, with the brand. A very italic, very light, one humanist that is very, very light human, human. Just italic, light it. Yeah, I want this very perfect. What do you do? Can zoom in and see what is happening, that come over. Just expand or something like that. So what that's come to a minus five can increase more than that. So let's say 25, okay? Not really perfect enough separated. You can actually try to increase it, okay? So what do we do? Compute that. 300, for example, that's perfect enough. Just try to reduce the font very much around something like 12. Yeah, something like that. I prefer something like that, can control increase a little bit. Then bring to the middle, then try to expand even more. Okay, check this first. Try to expand that, Let's make it around something like 500. Yeah, that's perfect enough. Then just put that center, then drop. I want to change the color. Anything that comes down right now should be around something like golden color out, Some yellow, round yellow. That's okay. Perfect. So that is the center of the real center, zooming. Okay. Let me make it lighter. It's not really light to that extent. Let me make it lighter. Okay. That's good and perfect. That's nice. So outstanding zooms then. Perfect. So what are the older packages? Okay. The packages, there are three actually. So we're going to just like saying, we've been given by the client that the packages are three, so we need to know how to make sure that we arrange them perfectly. Which should go first? Which should go second. So there are three. I'll try to make sure that what it is at the center very much well. Okay, so that's. Then select this, then click wood and drug emissions is what sits at the center of what? Of the flyer. Yeah, that's the center. Then drug, very, very perfect. Just try to give it just normal, be normal black color. That's not a problem. Okay. But just try to reduce it opacity down. Okay? And put that, find other problem. But try to reduce your opacity, That's 11 increase. It's showing some signs of, you know, reduction or something like that, opacity. What do you do? Just come over, come to fill, then you can use this golden color, you can see. Then we come to stroke can make it no stroke fine as usual. Then what do you do? Come over the rectangle, you can write Click, then try to reduce it more. You can see that you can make it 11. I think that's perfect enough. Okay, let's write some text on it and we copy and paste everything. Then we know what to do. You can try to select this, write click contra, contra, then double click, like adding, let me say in, then rights, try to make this collapse. Okay, so what do you write right now? So just select this, Then select, Okay, select somewhere, not good, that's nice. And what's write? Dubai. Okay, nice one. So in writing Dubai talks, what do we do? Select, make sure you adjust things. Okay. Let's say 25. Okay. Very, very perfect. And we should change the fonts. Actually, I want humanist also, but you know, both humanist, something like that. Not too bold. Yeah, Roman Italy can do it. Okay. I think, yeah, it should be able to. What do I do? Then move back to the, move to click and drug. Then try to reduce this drastic control. Then press on out. Okay. You can zoom in. Click, click Ddr contra. Yeah, try to reduce more. Before you check this, what do you do? Just click, click, click. And drag it up a little bit. Can sit at the middle, then drop. Then what do you do? You check this, then try to underline the word by nice one. What is the next thing to do right now? Just sorry for that. Very perfect. What is the next thing to do? You can just decide to press on out, then break this down. Press on sheets to make it straight. Okay, then pre the good. So what do we do? You just come over here, come to the text, to click, drag at this. Then what do you do? You write five days to five days to four nights. Okay, nice one, come to later. G, H, T, S, N, G, H C. Okay. Perfect. But I want to use a type of fund that would stand, this type of funds that stand and stand perfectly and they are tall funds. Okay. Let me use it like that to help you understand what steel fish. Okay, I've used steel fish before. It's too here. Then select stil part of the funds I actually gave you which is in the course resources. So try to make this, I say that pan white showing again, so doesn't a problem. So just select this, then control, then click and drag. Press on wards. Old ships, it's very potent. Old ships then shapes at the middle, very, very perfect, but it's not long enough. What do we do? Actually, I don't allow someone doing this. I don't allow any of my student doing this. But actually it's very necessary over just control. Then what do we do? We click here and try towards, try to drag it down. We press on ships, then click here, then drag it down. Which I don't like my student doing this as I've said earlier, but it's very necessary to do that right now. Okay. Because the front is not long enough to the single one, so we have to do something like this. Do you understand the check? Fatally click and drag it up a little bit to find that. That's nice and that. Perfect, that's okay. Go to Dubai to again, present sheets present out rather click, present shifts, make it to make it straight downwards. How many persons we use? Three persons. What do you do? You come over to the text to click, click and drag there. What's three persons? Three smaller to persons. Perfect. What do we just try to know? Make it bold. Italic should be much more different on the text. To click old and drag this. Okay. To increase. Okay, that's perfect, that's nice. What is the last thing to do? The last thing to do now is just check that the last thing to do now is come over here. Click under a tang is not changes. Right click is to show every other tool underneath it as usual. Do you do come over here then that's very perfect. What color should I give this? I should give this color, this particular color. Then come over to the stroke and what's no stroke? Very perfect. Then come over the battery number, you can see how it is now. Very, very perfect. So what do we do? You can actually just bring this over. Type a new later. Okay, You can just come over here, come to three persons, Just press on out, then write it down. Press shift to make it somewhat straight. Okay, but make sure that this three person copy this one we're about to write. Something should be what should be above every other thing when it's app. Just as much as just come over here and click and drag down, then changed black. What do we do? Come over to the text to select this and what's right, 30030030123 $300,000 It's really, really serious. Just select the text to move to. Then after selecting this there, do you, do you select the $300,000 there? Do you do you come over here to change the point? You can change the steel fish and let's see what happens to steel fish, Concrete. Or a click and drag something like this, that is perfect enough. Press zoom in, make sure you check this. Make sure this is at the center. This particular Yes, it's at the center. Yeah, not at the center, Sorry. This is the center itself. Okay. Perfect, this is the perfect. Good. What's control zero? You can see n is one. But what I want to do right now is that just select the tangle. Yeah, that's the rectangle. Nice one. What do you do? You try to decrease cost, fine, live like this. Select this, then come over here, press Shift, then select by and right click. Then words showing. Come back. Then control short cut, then double click. You have words long re, have small records long, going to have three long regs. This is long. Rec one, then enter. When you try to make this invisible, it takes everything away. The K, try to make this visible. It shows everything. What is the next thing to do? Let's start from the left and let's right hand side. Okay, let's click Old press on Old click and drag this down. Are you making sure it straight? That pressing ships? Yes, it's going to be straight, fine. You can drop it. But what is the next thing to do? Sing What is the next thing to do? We have the fine right click and drag down, just to make it a little bit different. Just a little bit different. Something like that. Very fine. What's the next thing? This is we come over double click, Then the right arrow. Right arrow on the keyboard. And just press it like this, you delete everything on the right again. Okay, fine. Then then Enter. What do we do just to make sure you expand this? 300,000 should be changed. Let's start from 300,000 Come over to the text to enter into. Just select into 500,000 What is the next thing to change? Five days, four nights should be changed. Select text to select issue seven to six. Right now, use the right arrow to move to navigate the seven to six nights. Okay. Mature is what you come over here, you can select this, check this P or you just move straight to three persons. Three persons. It takes away that. Then just select your course here. The five persons, you see, I'm changing everything. And it's going, it's going fine. After that, then come over to the bit, change it to Fide land, then space perfect. You can click and dt to the medium, and this is the medium. Just drop perfect, Just meli bit, try to change the color. I think this is a rectangle. This is the rectangle I need to change the color. This is it. Okay, Good changing color. Make it different from that particular golden type of color. Then let's come over this color then try to make it into a gray like color. That's thats pathetic. Select this rectangle. This rectangle, yeah, sure. Come over here and make it just come over here and colors just come over. I think that's okay. You can see it's different, quite different from the normal one at the middle. It's just showing some variations, something like that. Just collapse this back. What is the next thing to do? Just come over here. Now we've selected on this present click. The present ships just want us to be straight, straight. Just look at the just then, very, very perfect. So you can double click here, right arrow, then three, then very perfect. What do you do? Let's start as start from the price, okay? We love money too much. Just make it work. $250,000 money, so, so big. Apart from that, come to seven days, six nights, okay? Change the seven to what? To three. Then use the right arrow to come over to three days, two nights. What is the next thing to change five process, change them towards 22 person. Then what is the next thing Fired four, then click, hold and drag around the what do you do? You change it to what? Wow, nice. Sorry. Just check it over. Just click, drag, zoom, click, drag. That is perfect. Control zero. Okay, that is nice. You can zoom in and see what is happening, the details of everything, okay? Okay, that's nice. Looks good. What is the next thing to do? Just strike you, collapses back. What is the next thing to do? Just come over, select the edding, copy and paste. So presents, click and drag down. Present what's on sheets, then what? Then drop down. I want to do changes, edding copy, go straight up. Then what do I do? I call this Fay call pula. That is the last thing we're going to be having. Yeah. But just know what do I do to this? I make sure that I change this to something else. So I said I select text two. Okay. That has been selected. What do you do? Book now? Okay. Plus, plus what? Plus 234. It's zero. All right. Then 95, very, very perfect. Just check this. When you check it then, minus five, very, very perfect. 23. Real Estate Flyer & Poster design: Lecture, I'm going to teach you how to design for a real estate component in a very simple way. Let's begin. Come over to file, open, then what's come down here? This is a section, the all through is for the real estate. Okay. We start from here. Open, open, click and drag. Very good control. Zero, present out, then zoom out using the minimus, but the minimus control C. Then try to reduce this present out. Then click Oden Drug. You can see, you can see the vertical line and you can see the horizontal line. Also check that the control see, you can see click Oden Drug. You can see vertical and horizontal line. You see very, very perfect. You can, it's okay like that. This rectangle needs to be what needs to be eliminated. So how do we do it now? What do we do? Normally? As we all know, we use the layer mask press on the layer mask, the brush tool, we have this, this is white and this is black. Opposite to click old and what's old drug? Click old, click, old drug. As usual, you can just click, Click on, click, click, click, click, click. That is perfect enough. Good. That's the first step. Now we have that, just comey to the move to now. Secondly, what are we going to do? We're going to put a background underneath file, come to open, then what background are we using? This background exactly. Click on this, then what? Then open this, I've forgotten. Okay, then we have the click old. And click old and drag into the space. Then on zoom out. Perfect. Now we have control as usual. Then try to rotate. Okay, You want to make it like the rotation look like in five degrees and we just present shift and present shift. You can see, you can see it's stand still. Then move here. Then try to enlarge even case you can enlarge. Just put it there. Then you check control zero. Okay, very good. So now what do we do? I try to watch. I try to blow is. Click here, Hold and drag it down. And make sure that the, the real estate, the house is above the words background. Okay. I can try as I can just Okay, I wanted to group it. Let me just leave it like that. Let me leave it like that. Now this is, this is the background now, right click and turn towards convert to smart objects. Now come to filter blow, okay? Gaussian blow. Okay, So we can decide to blow to the extent we want. Okay? I think something like that is okay. But if it's not okay, we can actually increase it more and more. Okay, That's bad. I think it is. Okay. The press press. Okay. So we have this. So try to close this and make sure the bagroundes like that, so that after that let's try to put, you know, now we have the house, let's try to put a little bit of light just to make, just bring about effect. Okay? Just open, come over to light, then open as usual, you click a and drag into this place. Then what happens? It should be on top. Okay, Then give it what screen? Good. And click old drag somewhere here. Just try to reduce it. Reduce your pacity, It shows, but measure your pacity being reduced. Okay. Too much. That's too small. 67. Yeah, I think that's perfect enough. It shows, That's good. Before, before, after. If you notice, you can see a line here. And I think a line is here also. What happens is for the house. See. Making this invisible. Invisible. Definitely. We need layer masks to click on layer mask. Then try to take away this line. You see perfect. I think that is under one year. Okay, it's gone now. Very good. We have the background. This background you can see has added more effects to it. And we have the light also adding more effect to our design. After that, what's next? We need a house on top actually, to bring about a more realistic stuff. Come to open this house, then open. I did this one. We did this also. Okay. So you click hold and drag. Bring it down. Okay. So out, then zoom the contra. Okay. I reduce that without using the outs key. Purple. Purposefully rather? That Purposefully. Okay. Okay. You said that. Okay. So what do I do? Make sure it is with the background. Just bring it down. Make sure it's not covering the house. Okay. It's okay. Like this and perfect. So we having that. So what do we do? We try to, what we try to block, We try, we try to make it, we try to reduce it. Opacity, not so much, okay? I think something like that is okay. Let me say swap because there is still going to be the logo of the couplet and some texts up there. So everything has to show, everything has to interact with each other. So fine, we got that right. Any other one again? So we have another background underneath here. Actually, what do we do? We come over here, we come over here, open. What is the nest? This is the nest. Click on this. Downwards, open. You can do this. We don't need this anymore. Click oldword and drag. Drop it down. Okay. Nice one. Out then Zoo Control C. Okay? Then bring it here. Okay. Out then zone in. Try to check this space bar, then drag it here like this. Okay. So we have this. So this should be underneath. Okay. Okay, I want this to be underneath this also. Oh, no, it shouldn't be, Should be very, very good. Perfect. So now also controls to be increased. And right click on it. When you right click, flip horizontal. Now you try to move it somewhere here. Because I don't want this white space to be empty, just like that. I want something to be there. Something should be there. So make it bigger. The notes. That is okay. I think that's okay. Okay, that's good. What's control? I'll do it is very simple. First of all, you can actually, let's reduce the opacity. We try to use the brush to then use the layer mask. And then firstly, let's reduce the opacity. And let's see what happens to reduce. Let's see how many opacity for 12. Try reduce this. Also something like, you know, it's okay, that's fine. So what do we do? We give it a layer mask as usual. Then the B, the brush to what? You try to make sure you see the country. Can you see There was a line here before me now trying to paint over it. Painting black on this white here. It makes this place, what's in visible. The same thing for these other areas. Try as much as possible to do that and for this area also. Okay, so I think it's too big. So I think that's it. So I think it's too big. So control again then try to reduce, click hold and drug and press on O. Okay? Okay, that's perfect. Let me reduce your Psi. Let me say nine. Yes, that's good. Control. That's perfect. Very, very simple. Perfect. But with a lot of stress just to make the design very good. So we have another one, let's put it in the background, okay. Yeah, click, hold and drag here, then drop it. Okay. Okay, it's there already, so Okay, it's just like underneath this one. So let me just put it, I can't put it over here, that's not possible. So I should just put it, put it here, it's good. Contra, try to try to increase. Try to increase. So what I'm trying to do to these now is to blow it. I don't want to reduce the past or something. I'm going to use the brush to delay a mask. But first I want to blow it. First, let's see how it goes. Before I blow, what do I do? Right click. Then what converts to smart objects. Then what? Using the field. Then the blow come over to the blow. We have the motion blow. But I'm not going to use the motion, I'm going to use the normal blow, which is words. The Gaussian blow, there's Gaussian blown 72. That's too much. Way too much. Just something that would very perfect. So now what do I do again? Layer mask the B. What do I do? Let me try to increase it. I can increase it by coming over here, clicking on this. Then what's increase then? That's one way of doing it. So don't forget this must be cleaned, must be wiped up. Okay, so then move to, I can try to click old and drag. Move this a little bit. Move this somewhere a little bit. So if the line is showing around here, just just click on this again. Then shortcuts, then click hold and drag it. It's blend that's fixed away. Then you're, you're able to adjust it, whatever you want to adjust. Okay. But click old and drag this and bring this up. It should be above, okay. Contrary, can see it was below before. Then click hold and word, and drag up, it should be above. So let me take this away. You can see this Tscl, Triclosa, Perfect. Now I think everything we're doing about the background, I think that's all. Now, now I know the house and the lights is not a background, but to make everything easy for us, let's call every layer, what background, so that everything very easy for us and we'll be able to understand more. Click, instead of pressing control and clicking, and clicking, and clicking and clicking, I would rather click on this, then press Shift, then go to the last one. Then it sticks everything. It selects everything that's different between the shift and a control. When you click on this press and control, when you click on this, it doesn't take this, you need to go back and take this click click, It's one by one. For the shifts when you click on this and you want to take every one of select every layer here. Just come to the last one. You press on Shift, then then click, and that is it. Right. Click the group from layers as I've said, group from layers. Then what do you do as usual? Back nice one. You see everything is now what everything is now. Very smooth, very good. Now, what is the next thing? The next thing is for us to get the logo done now let me get the logo, go to file open, then the logo, nice. Click old and what? And drag over here. Click you can see the blue, the pink line, telling me that this is the med, the central alignment. Click on this, on the delete, we don't need more. Click on this, delete, we don't need this. Then click on this. Then what do you do? What is the next thing to do? Now we need to change the color of this. And as I've said earlier, real estates, mostly green, to bring about, talking about the environment, eco, friendliness, and the like. This is an object, this is an image which we imported into Photoshop. It was not created in Photoshop itself. It's not easy for us to just give it the color like this very easily. Something like this is not possible. What do we do that double click like this, twice the layer style pops up. Or you right click and select the blending option, it's the same thing. What do you do? Color overlay as usual. Now I want a green color. Click on this. What do you do? Come around, you can come over here, you can come somewhere here, try to look for a very good green color, a nice green color. I think that would do okay then. Okay, so control honestly how big it is I think. Okay, nice. That's nice. Okay, I'm looking for a very perfect place to, so to make sure it is being stalled there. Okay, so that's nice. So what is the name of the brand? The name of the brand is Luxury. Click brand is what? Luxury written, bold letters. You can see very, very falling. That's a cos front, but I'm going to change the worry the brand uses the front humanist. Sorry, a few minutes. Good. Good now. Hm, very good. I think this is more preferable. Or should I use the board one? No, I think this is, this should be okay. Use the board one. It's a brand, so it's very important to make it show better. So now what do I do? I need to get the color double click here. It's N composite. You double click, Just come over here to Properties, then just click on this place. Then select this green over here. Then you selected this then okay. Then the okay is pressed, it shows up. Now what you do, click and move it around. I think the font is too bold. Let me change it, so I have to change back to what? To the normal front, not using the bold front, man. Yeah, the Roman is okay. And that's perfect enough. Perfect. Country zero, and let's see. Very perfect. It's okay. It's very much okay, like that. The then click, then cut, right click, then pull from layers, then brand logo as usual. Nice. I just love to do my work in a very neat way Now, contract, then click on and try and shouldn't be too big, Moderate, not too big. Now we start with writing the text on it. What does the company, what do they need to pursue their clients with? Heck is wrong with my photo shop? What is wrong? Okay, good. It's number for programs to malfunction. Very funny. So now what do we do? We come over here then by by Dream House with Sorry. With us today. Today. Okay, good, Sorry, I need to zoom in in the first place. Then you check. You do what? You check. Good. Press on the move to then click Old And Drug is fine. I need to break them down because I'm going to use different fronts for the buyer and Dream House, and with us today is going to be the same front. There is a mistake here. Good check, what do I do? I click over. Click. That is after I've selected the text to set the text to, then click here is the cause of click Old Drug. Then what's control X? That is to cuts. Cuts. Okay, fine. Then what? Then check, because you need to follow the command. Then after checking it's still on the text, to then click somewhere. When you click somewhere, this appears. Then what's control? It's Paste. Then what? Select. Apart from that, I'm going to make the dream with us today, separate sizes. So I have to make sure I cut dream hours away from with us today. What do I do? Again, select the text to click over. Click and drag the control X. What do you do? You can see this look some just city space. Look some more. Just back space once, back space twice. Because there were some things there before. But now our back space, that is, it's taking those empty spaces away. Then come over, click here, then control V, and the Dream House is back. What do we do? Price on the move to click Old and drag down. Click old, sorry, with us today. Click and drag it down. Okay. Then by the buyer should be here. The buyer is here. Then come over to properties, then change its fonts towards bearing. Then change the fonts towards bearing. Okay. Yeah, bearing. Just click and that is the front. Be ten. So does it just come over here and try to try like a font size which is around like, let's say 30. Let me say like 35. Okay, let's say like 35 then. Okay, bring it down here and I can try to, you know, try to increase this a little bit minus, let me say. Okay, 50. Okay, nice one. So definitely this is the middle. This is not in the middle. This is not in the middle. Rather, let me try to. Yeah, this is the middle. What about this? Sorry, let me click on by Perfect. Now with the Dream House. Dream House. Okay, Dream House over here. Then I'll change the fund towards humanist. The funds will be changed towards humanist. Yes, humanist. Let me give it an italic, not bold. Italic is okay. Okay, very perfect. Control T. Okay, I think, let me use another human ist italic. This should go or light one italic. It should go better. You should go faster and better. Okay, let me try to zoom because when you zoom, you know perfectly what is happening to the design. So that's good. That's good enough. Okay, so let me see contra zero. Okay, so we have contra zero again. Let me see from my farway looks. Okay, Let me go to the background. Try to reduce the house and the light. Bring them down, sorry. Click on them then press sheet. It's like shift isn't really working. Okay. That's nice. Not a problem. Okay. Because I don't want the words and the house to be on like to, to touch each other, something like that. So the brand logo. Okay. Not a problem with us today. Bring over here. Okay. So you can actually scatter the forts or actually at them being grouped together, but to have to bring about more effect, you can scatter them. And you know that's good enough. So click here, you can double click. Okay. Then come over the black then. Okay. So what do you do? You control C. Oh wait, there is something here. Definitely we need to. Words back space. Good. So contra click older words, click old and drag. Give its italics. I think it is. Italic. Should go perfectly. Yeah, here's what I want. So click old and, you know, drag contra zero. So try to. Yes, put it at 60, 60. Oh, sorry. Oh, -60 -60 -65 No, -70 Oh, sorry, definitely. -55 Good. So it should be okay like that. So click on Dream House, then click on with us today. Then contra try to like large press on Os. Believe this, control zero, then check. Okay, Control zero. Okay, we have that very perfect. Now you can click on this, click on, click on this, then contra G. That's what, let's say D. Oh, what's wrong? What happened? Contrasts, say text. There are other texts. There are some other texts we need to look into. Also, apart from this one, click and drag down out. Then what? Zooming. So I want to make a circle. Okay? You click, you click the circle. Now you can see this. Click the left mouse button. Click hold, don't drag. Then press on Shift and out. Then it comes from the middle. It's the circle is drawn from the middle in proportion. There you drop. What happens? You click on the field. Then the green, which we've used, Photoshop recognizes its name for the stroke, which is the outer line. Okay, we press on what? No stroke, no color. The press them, no stroke is being added to that. So the move to come, come, just drop it there. Now let's bring about, let's reduce your pacity to something very small. Okay? Okay, very good. Very perfect. Now we need texts, which is what? Let's say 25% is 25 person that shouldn't go like that. Contras, Yeah, let's write it outside 25% because writing it inside Photoshop recognizes that I'm writing it inside the circle. I put the 25% inside the circle, but not writing it inside the circle. It's different things entirely. They are different things entirely. What do I do? I check it, then come over, try to use also a humanist. That is, I'm using only two fonts for this design. What do I do? I give it a Apol italic, humanist, bold. Okay, so control, you know, I'm going to give it white click, click over, okay? I need to check this first click over here, then you know, white then, sorry, they move to, then click over here. Okay. Then try to zoom in here. What do I do? Come over here also. Then try to reduce, let me say 12110. Oh sorry, Minus, minus 110. Minus 115? Let me say minus 120. Minus 120, okay. Okay. Okay. That's good enough. So control can try to reduce. Nothing I can do is just press on Out, then click on this, drag it down, press on shifts to bring about, you know, to make it straight. Then what do I do? I press on the texts to click on this, click, then click Old and drug like this. Then what do I do? Caps, lock on. Then this counts. Then does it. What's wrong with you? Who, what's wrong? Then this counts. Then does it. First on the move to then control click old and words. Click old D. Then move around the click, old words and drug. So we can control zero and see what is happening isn't perfect enough. Very, very perfect. What do we do? We come over here, click on this, it just comes downwards. Then the 20, then then the ellipse is a composable click on the lips I us click on the ellipse when it has been clicked. What happens then? Control the rotate. Just a little bit. Not too much. Just a little bit. Not too much. Just to add some effect to it. Now we can just group them together. Control your right click then if it's not showing that's not a problem, just control, then double click, then we can put discounts. The count is one. Control zero, you can see that. Perfect. Perfect. That's one, that's one thing I think I need to reduce the opacity of the ellipse a little bit. A little bit. That's okay. That's good enough. That's, that's nice. So, what is the next thing? The last thing we're going to do. Which is what? The text over here. So, what do we do? You click on this, then Start. Okay. Enter. Then what? Dollar sign? Dollars. Okay. I want you to see what I'm doing, so I don't want. Okay. Just click on this. Then we have the color, which is black then. Okay. Okay. So now you can actually come over here. Click. Click over here. Click on this, try to reduce it. It's getting too much. Just around 20. Okay. Click. So you can see the line there. I think it's call this math variable like that. That's not a problem. Okay. So try to expand the letters. It's it's packed together, which is not supposed to be 175. I want to reduce. It is bold. I want a Roman one. Yes, Roman italic. Perfect. That's okay. Insufficient for me. So what is nest? I can press on. On bring this down, press sheets to make it straight now. How do I do? Then click onwards and then dollar sign. Oh, sorry, that's $1 sign. What? $1.55 million has been sold for that. This is money we're talking about. We need to increase it, make it a bold, italic. And try to try to increase the money itself, because money is important. I love money myself. You can see showing the line for me that you're the right place. Now what do you do? I want a specific color. Just okay, let me move a little bit when I choose the color. So I can be able to use what the hydro two to do. What's to click here then, just like the incarnate and it has chosen it, then we have the money here. The price is there. So apart from that, the last text is what contacts us. Now let me try to increase this more control. C increases a little bit more. Okay, that's perfect. Okay, for the contactors. Now I can just click on the price. Starts from the press, then click on its click, Drag, then press Shift. Okay. Then what do I do the text to Click Click you first click, then click Old Drug. Then contacts. No, no, no, no, no. Very funny. We have that. I want to do something. I want to make sure we do something. I want to reduce this a little bit because I want to put it in a solid shape or create a solid shape which is a rectangle. Rectangle and click click drug. So what color would I give that? I should give that green. Yes, green. Then what's no stroke? No stroke. No stroke. Not interested. So what do I do? I contact us now. I was bring it over. I put it over the pages up. The layer should be up so that this can show the color is not okay. So I need to change the colors. What's white then? Okay then. Okay, so what do I do? Just come over out Spacebar. Click Odd, drop. Okay. Now, so click on this, then you know you got a picture. But I want this rectangle itself must align itself. Yes, it's aligned. Then this should align in any way we want it to be. So fight in the box. Oh, sorry. The present contacts me now. Okay. So something like that. Okay, Country zero, you can see nice one out. Then let me pull this down, 1,500 present out, then click old and click old and drag down. Okay. I think there is an issue here. This 1005 is not strict with the other ones. Are you sorry for that? 1.5 1005. Okay, that's strict. Let me look at the Rector. Strict with the from but not straight with. Okay. Let me click on this sometimes when you zooming, it helps you a lot. Okay. I think it's now, yeah, it's now together in proportion. So click on the contactors now, click on that, then control zero. So I think that's okay. That's nice. That's palatable. Okay, so now click on this, press was present out. Click on Older and Watch and Drug Present sheet to make it straight. Okay, now I write the, the phone number. So press click here, click Older and Drug. That's text two plus 234. That's not a plus, that's an easy qual to or a easy equals two plus three to 409-53-0621 Okay. 123. Okay. So 91 then they move to clip order watch and drug like this. The number is not complete. Let me just put 54. Yeah, that's okay. That's nice. So, yeah, so I want to make it black. It shouldn't be green, green, green, green, B, a mixture of black, you know, because black is just like, you know, Let me well, use a natural color. Let me just say something like that. So contra then what's click old and what's end G. Let's say the finishing contra zero, then check then. I think we are good to go. Yeah. Yeah, I think we're good to go because normally I can just reduce this a little bit. Control. Let's reduce this a little bit if I want. Okay. But I think the price is much more important than the number. But the number is a cultural action. It's okay. It's fine. That's the end. Actually, we've actually done that's more than 30 minutes then. A very simple one, not to even talk of a very, very difficult one like the burger, the cream and minimal, minimal. It's very simple. Starting from year down, going downward end, It's really nice. It's really nice. Control, really nice. Another thing we have to do is, okay, firstly, let me, let me just say, let me just say control. Okay? No, no, no, no conte contra. Okay? Then let me just say price good. Now we can see, just come over here to the background, okay. Look at the lights, okay. You can see how it's okay. Then I'm to create a rounder, one put around here. I click on this layer, the light layer, click on this light layer, then present out. Then after present out, then click on the old Dra. That is your what it is copying and pasting. It is copying and pasting over here, making it look more good and more nice. Just look at this. You can see I can actually just reduce this a little bit. I'll just try to increase it and bring it more like up a little bit more. Not too much. I don't want to burn out the design for me. Don't burn out the design for me. I want it to be burn out. Just try to reduce just some effects before then. What a very perfect. It shouldn't be too much, should just be reduced. We have this one very nice perfect, that's two. That's the tutorial that is the end of this particular real estate flyer design. I'll see you in the next video, but before then, let me close this. I'll see you in the video. 24. Travel & Tour Brand Flyer & Poster design: This course, I am going to teach you how to make a flyer and poster design for a beauty brand. Okay, as a designer, they want us to design for them a poster for a particular cream which they manufacture. Begin. Come over, just select this background layer. What unlock the layer? Come over to file, go to open. Okay. Then we come over to what? Come over to one because we are actually selecting 1234. But one then open. Very simple. Now this open. So click Ode and, and drag here. Then d y, perfect. What do you do? Press out, then use the Minimals button. Zoom out, then control click code and drug. Then around there. Okay. Control zero. Control zero, click code and drug can see, okay, a little bit up and just drag because it has to be by the left hand side. By the right hand side, sorry, two bits up here. Then what's? Then check. So what is going to happen here? Very simple. What do you do? Come over there to layer zero, What do you do? Come over to what? No layer, max time around. Come over here to adjustment layer. Then solid color. Now we have solid color. That's what I'm trying to do here is when I make this invisible, you see the background there. Now, I can't cover for paper all canvass with this, it's not possible. What do I do? I make sure this layer is the same color as this. How do I do it? The only way, the best way I can do is what. Come over to adjustment layer and make sure you're not this layer. Make sure you're ceting this layer. This is going to affect all the layers, but I only want this layer to be affected. You come over. Just make clear than what, the solid color, what do you do? You can see you can choose any color. Choose the pink or something where you can get it perfectly. What do you do? Just bring out the cost of the word. Choose the color perfect then. Okay. You can choose from any angle you want, but just choose like somewhere very close to that. C, C. I think this is okay there. Okay, What do you do now? You come to the real layer for this itself, what do you do? Control that? You come over. What layer mask? Very perfect layer mask. Then select this, please make sure this is black, this is white forward, it should be opposite white and black. Press on B, which is short, key forward for brush, press on out using right and must put in click drag to the right, to the left to increase and decrease. Try to, you got a picture perfect. We're done with that. Very, very perfect after doing that. So now what do I want to do? I want to apply black and white on the layer. You don't press, you come over here to the layer one, okay? Then come over to the adjustment layer. Press the adjustment layer. Then what? Black and white? It affects the layer, the immediate layer after the black and white layer. Then do all through the select black and white, you can see perfect. What I'm trying to do is to have a golden background color. Okay, Golden background color. Okay, so now we have black. I want to try to reduce black. Okay? You can see if I reached zero, you can see I'm increasing it lit by too because I don't want the thing to show to that extent. Okay. This is 345,057.3 let's say 80. Yeah, I think that's okay. It is okay and nice. What is the next thing to do? You can see this is black and white, and these are the features under black and white. We can try to changes, you can see changes. Just come over here, come down here, this is the dot. Just so we can try to adjust things. Make sure you can see this is pink, okay. That is it includes red mata and also some yellow. You can see something like that, okay? Und. So try to adjust the red little bit, Okay, nice one. Not being too much. Think about it like this. Perfect. So the yellow little bits, okay? The green might not have effect at all, okay? The sin might not have effect at all also. Okay? You can just leave the emerges se what happens? You can see no effect. So the monitor should surely have an effect. You can see very perfect. I want something something like this is okay. It's perfect. Now adding this, you can see this is the original image from the start. Then we have this. We are adding more Ire editing Very much. Well, another thing we can do is when you try to than you see, he can see the golden color, okay? When you try to tint, you can leave it like this. That's not a problem. But when you're trying to tint it, okay, you can see a different color. Let's continue with the tinting then. We know what nest to do apart from the add another thing, which is another adjustment layer. Which is what as usual color look up. But right now I'm not using the less sunset for now. Okay. The first thing I'm going to use here is what is the fog? It the fog units, you can see things have changed. That is why things are changing like this. And it's looking perfectly that I've been applying things from from below, black and white. 108, I just in the red and majetedn applying the color look up, then applying the foggy it under the color lookup so I can try to reduce it also. Okay. Because I want a golden color, but a mixture of, of the foggyits and black and white and tint to bring about a golden color. Not just straight to the point. Okay, This is okay. Also I can reduce it a bit. Normal, zero. Okay? Just a two. Okay? Okay, nice. Yes, that is perfect. That's 44 nights. Thing I can do is I can add some noise. Okay? I can add some noise. To what? To the background itself, that golden color. What do we do? Don't click on this. Don't click on this. What you select this because this is directly going to the background. You're trying to affect the color lookup or the black and white. Only the background should be affected. What do we do when you want to use the noise just like a green, the noise, we're going to the filter for you to use the filters up said earlier, you do what your right click and what converts to smart objects for easy editing. Okay? So, but there is a problem. I have made this a smart object, okay? So when I come over to the filter and try to use what the noise, okay? You can say add noise. What happens? It adds noise. On what about this plays? It is telling me what? That it is. Only this layer it is applying it to, not this layer. I don't forget we did a color fill whereby we actually copied the color from here to where? To the background over here. Let me make sure I make this invisible. If you could remember very clearly, we had something like this before. We did layer mask here, then made a color. Then what made a background of pink? We copied the pink from this background. Okay, now this visible back. Okay, so what do we do? There is something we call merging of layers. Okay, Click here, press control, and click here. Then what? Right click. Now, when you right click, what do you do? You don't link the layers. Not here. We don't use, don't use link layers. Here we do what? We merge layers, you can see it's become one already. You can see. Do you right click the convert to smart object, then come over to filter, then apply the noise and see what happens. The nurse applies to every place, every area in the design. Okay? Now, for the noise, this is too much. The noise is quite too much. Okay, What do we do? We like this then it comes slowly, slowly, nice one. Okay. That is too small. Yeah. This is nicer, is nice. This is good enough. Nice then. Okay, you can see, let me try to make this invisible. Before words, after the, Before inwards. After very perfect. It is also affecting the cream which okay, it's affecting the cream also, but that's not a problem. It's okay. We love it like that. Try to collapse this back then. We add that right now. We add, we add are light. Okay. Light. Okay. But before we add that, make sure that you select this first before the flare light. Just come over to find, then open. Okay. Come over, awards the flare light, then open. So click okay, sorry. Still brush. Come over to move to click hold and what? And drag over here, then words. Then you drop very perfect. Firstly, just come over to the number, then what's lightening? Sorry. Screen. Just come to screen, we use this very, very often. Just come over to the screen, then we just drop it around here. Just drop it around here. So you can just try to reduce to around 20 something or 30 something, depending on what you want to do. You can see this is the before and what the after. It actually brings about nice effects. Okay. Present again here. Okay? I think I need to include more, okay? You can see, you can see very, very nice. Let me use concrete again and look, it's okay contra zero, okay? You can see that. Perfect. You can see the before and the after the before. You can see how cool it is, but adding the flay light makes it more beautiful. Perfect. Now we have all these. I'll try to group. I'll make sure I group everything. Just click here, press Shift, then click here, the right. Group, round layers, very. What do you do? The background. Nice one, good. I love to make my work very neat and well arranged in order. What is the next we should create? We have a logo for this brand at that should go next. Where is it? Normally we say the wet, This click old and drag, then drop. Very nice. Okay. The reason why you can see the line showing right, But the reason why the line is not showing yet, so as can be able to be in proportion in the right alignment, is that this is an image, it is an image file, but this thing is not an object in and of itself. But I can able to carry these objects easily like that. Click, carry the objects easily like that. No, I can carry the objects easily like okay, I control, I carry the old e mail. So it's not possible for you to align it properly like that. Just come over zooming out space bar, press space bar or left smart, and click hold and drag. Okay to suit your need. Then control, then try to reduce n one, okay? Okay, So that's good. Then we have this. Then come over to Yeah, the text to pre, then click on that. Then what do we do? The name of the brand is Word Beauty, Cat beauty. What is wrong with me? Beauty. Beauty. Beauty, Spa. Very nice. So what do we do? Just come over here. So we have to change the font because we're talking about a beauty spa. Okay? We need a beautiful, nice, cool looking font that null bolt black. Okay? But the regular is more preferable. Just then what you select the regular, you can just come over here. This is the left alignment. I want to make it right aligned because the logo is right aligned and it's like really aligned with the with this cream over here. Just come over here and press this, then that's good. You can come over here to move to. Sorry for the background noise because it's really, really annoying. I'm very sorry for that. Just press and click over here, come over here, you can see the present control, okay? Click. Click. Drag very perfect, then old. Okay. Click. Click. You can actually move it down. Bring it over here. You can see the line, it's telling me it's aligning proportionally, very perfect. Then another thing I want to do is I want to make this actually it shouldn't be black. Okay. Country zero shouldn't be black. Okay. Beauty sph be white. Color? I want to be black. I want to be white. Click, drag white then. Okay. It has changed Then apart from that, you can actually zoom in. Zoom, sorry for the background that. I said, it's really, really annoying. Apart from that, we have the layers. This layer actually over here. This layer. Then what do we do? It is not a vital image made from imported shop. It's an image imported. What do we do? The right click in blending options The color because it remembers the color I use last, which is white. So what I'm not using white this time around, just come over here, click on the. Then words come over here, come outside. I want to use this color because it's color of the cream. It should go with the brand color. Yeah, that's what then. Okay, very perfect. What next? Let's go to the text. But before that we need to arrange this. Click here, press and control. Then click here. Firstly, try to collapse the right click. Then group from layers. What do we say the brand logo? Nice one. Control zero. You can see we are going on a slow pace and everything is, everything is going well. Very nice. What nest? Come over here. Then we try as much as possible to make sure the G is capsule letter O is small letter. Okay. Go beyond. Let me make this the present. Go beyond. Perfection can actually checking here. You can actually come over here, move to it would actually apply to it very just pre on the text to click and drive, then Control X. Okay, after control X like you're trying to cut it away from the ones not to separate them, press and check, then go back again. It's actually pressed already the text to click somewhere here. Then press control V and it's past the goal itself. Apart from that, set this, press. Okay, the text to click older and drag the two go beyond control X. Then check, then steal the coal with the text to select it here. Just click once. Okay. It brings it out and select it Shows Lorem Epsem ifs automatically. Then what? Price control V. That's it. Nice one. Come over here. Perfect. Then select what? Go. Click on, then bring it somewhere. Then control. Then click old, drag. Click. Click old, drag it. I want to make the size somewhat like, let me say one. Okay, I need to check it. Sorry, let me say 125. Something like that. That's perfect. I'll try to reduce the little bit. -75 Yeah. Perfect. So I need something. Yeah, you can see very, very perfect. Okay. Like that, like downward. So now, beyond. Beyond. Okay. Put beyond around, make sure it is in line with. You can zoom, it's yours. Okay. Make sure it's in line with a very perfect. Now let me try to increase it to around something like 48. You can see the G. It's aligning with the B. That is exactly what I want. Then come to perfection. Hand up. So select perfection. And so you can bring it over here. The B should align with the P. Something that is very, very important. You can see perfect. I can make this much bigger. 30. Oh, sorry, that's a mistake. I think one is. Okay. That's perfect. That's perfect. Control what? Control? Z. You can see we are achieving the results we are after. That's very perfect. I think I really need to adjust the background a little bit and just come over to color. Look up. Sorry, why come back and double click. Okay. Then try to increase the two bits to make golden show. Yeah, nice. On the golden machine. Perfectly. Yeah. Okay, that's perfect. That's okay. So apart from that, now that's good. We move to the next text. Okay, collapses. So this is the first text. Text. One click, press on control. Click and click. Okay. Right click. Yeah, sorry, that's a mistake. Right click. Then it's nothing group, that's not a problem. So just control. Then come over a double click. Then what do you do? You press on text, then what one? Because there are several text coming next. What is the next thing to do? The next thing to do now is just press on text as usual. Then, sorry for that. Let's present something like this. So the first one is a capsule, then apples, it's more than us. Much more cream, full stop the check. The thing we're going for now is that this is right align, which is supposed to be so left align because this place is align. Why this space should be left align? Just click, click old drag, make sure it is perfect. Just look at it. Make sure it is perfect. With what? With the B. And okay, very important. Let's try to reduce this to around something like 24. Let's maybe 2020 should go well. Very perfect. Now what do we do, the line spacing actually, Which is this should be what should be. Let's try to make sure it is in line very well. Yeah, that's perfect. I think that's perfect enough. What is the next thing to do? Close this. We're moving gradually and that is making much sense. Click on this, click on the text here, which is, let's say there's text two. Click then it's not, so that's not bad. Just come the double click here and say text two. Try to collapse because it has expanded spinal. Just collapse text to the next text. Firstly, select Text. Select Text, which is the press on when you press on. Then click old and dry. Then you can press on sheets to make it words, to make it straight, that's perfect. Press on the two texts. Then click old and click old and dry. Because we're trying to use, we need some bullets. Also press calculator, the smaller L L A. Sorry, why am I doing coverage? Nice. Okay, then enter cup sweat H, humidity resistance. Okay. Nest, semi mature. Finish. Next cover, all visible flows. Enter then sweat free. Sorry. Sweat free, perfect. So what do we do? Just try to come over here and try to make sure the line spacing is a little bit more than the last one. Yeah, that's perfect. So we're going to draw a rectangle before that, let me try to move this bit present on shapes. Okay, Then try to draw atangtangular box which will. The features. Yeah, features. Okay, the features, what do I do? I try to, the color is just wait and see. I try to mature. The stroke is no stroke. Okay, nice one. What do I do after that? That's all we're text text to copy, we're supposed to be what? Text three. Text text three. Then enter very, very perfect present rectangle and would try to reduce its opacity something like ten. That's perfect. That's perfect. But another thing you should know is just that. To zoom in and make sure this rectangle is in line with. You can see a, you can see the line perfect. Click on all the No. Okay? Then come over here. So how I made the circle is that you let circles, then click on circle. Click hold and drag, then press shift out before releasing the circle. Okay, very perfect. The words come to the, come to the move to the perfect. Then press firstly, give it its color, color as usual color. Then come over a stroke, the word make it color. What do I do with the ellipse? Just come by, click, hold, and drag it up. I want to be above direct tangle. Okay. Then what do I do? I make sure the opacity is very low. Just something like 50. Let me see. Press control zero, and let's see what happens. Yeah, yeah, Yeah, it's perfect. It's perfect. Perfect, that's nice. Click, click, hold, and drag to the left little bits with shen. Press on out ships, then click down. Release out shift, then click down, and then click down. You will need left mouse button first, then shift, then click down. Click and drag down out shift, then click, hold and drag down very Ppc contra zero. You can see the try to try to very, very perfect. Very, very perfect. Another thing I want us to notice from here is that actually this text all shouldn't be bigger than this. Shouldn't be like 20, should be at least reduced like 18. No, let's make it 16 perfect. Very perfect. So that is where the mistake is. We need to rectify this mistake. Firstly, let me very sorry for that. Let me try to delete this one cord. Click Addr where the trash can. Okay, the press on the rectangle. Click, drag. I think it's straight, Perfect. Press on this, try to, okay, that's perfect. Present tangle, then control. If you try to click, click on D, like you can see what does happening. Contro. Press on sheet first, then try to try to reduce shift. Reduces it in a perfect way. Contro, zero check. Okay, nice one in the collapse. Click the compress to make straight. Okay, that's nice. Just come over, Zoom in the words, the circle, the hold and drag is in the shift in words in Olds. Ki. Okay? Perfect. As, as I did before, you can see the stroke. No stroke, perfect. You can see, so I don't know if some can see from afar the way it is now. There's not perfect enough. I'm as they need to. Beats perfect. I want to try to reduce your priacityI think 60 is nice. 66 as it is. Pay, that's nice. Out click sheets, you see perfect. Out. Click All in sheets. Out. Click All in sheets. Click called in sheets, Very, very perfect. So control zero, and that's nice, that's what I do. Okay, let's jump over. Let's just say click here, press and control. Click, click, click, then click. What do you do? Right click. And what's group from layers, but the lives should be the text. Three very important. Click on leaves, then don't support it here. When you see a very large rectangle, very tiny rectangle that it is coming into what it is coming into text. Okay? Even if you drop it like this, it's coming into text. But I want to arrange it myself. Should it be above the old or should it be below the eye or should it be above the above the rectangle and also in text, it's there already. You got to go. Okay. What is the next thing to do? She selects the text three itself. Present out. Click Olden, sorry. Present out first, then click old and drag. Then what? Then she very perfect. Now what happens? That's text four. Text four alive. I need to do all the lives. So click old and drag way. Click old and drag to way the trash car. Okay, very perfect. So what is the next thing? Yeah, we have the rectangle, we have everything set, so just click on this, on the D. Yeah, LDI, then the text to click and drag down. So what do you write cat to use? Colon. Then enter. Okay, Clans, face, neck end. Apply. Apply. Apply and feel relax for 2 minutes. Rains with warm water and feel dry. How to use it. The instructions on how to use them, That is it you check, then come over here, make this, that make it 14. 14 is okay. Let's make it 15, then 15 should go better. Perfect. Apart from apart from that, we should try to just come to the move to just try to. Okay, select the Tangle control. The present shift, The click, click and drag here. Present shift, click here, Perfect control the Select the move to. This is nice and we're good to go. What is the next thing? Let me try to collapse. What is the next thing? We create a circle. Come over here. Click. And shift. Then what? Then it creates in the middle, perfect. What do you do? What color do we give it? We give it this color as usual stroke. What do you do? No stroke, no feel perfect. Then press. And what do we do? We reduce its opacity down to zero and start increasing lit by lio. Get to what? I think 18 should be okay. Let's say, I don't want it to be too much. You want something very light glassy? Okay. What is the next thing we do? Now? We have this already. Then what do we do when we text then? That's 100% natural. When we have 100% yeah, natural capital. You can see you're using small letter, but what is happening is actually looking like a capital letter. That is how it is when you're using the same. Okay? And that thing is just that. Come over here, press K. This is a mistake. This should be a capital letter, B. You can see how it is now, it will become very big compared to the normal, compared to the normal, small letters. So check. Then come over again. Then check the P. Okay, Shift on the capsures. Caps, make it under. Then you can see that was a mistake from my control. Zero. What do we do? Used to zoom in, then come over a collapse. Okay, strikes, collapses. The beyond perfection is where it is in text. One natural, 100% natural. Just come over here. Just strikes, put in the middle. Okay, then what do you do? We'll make sure that come over to text. Okay, I need to make sure I cut this text. Then control, that's a mistake for me. I need to choose from click drag the control, then enter the text to again. Then click here. Control. Very perfect. So what do we do next? Select the move to Nature Gold, and drag down 100% 100% over here in the middle. Yes, Control C, Then click hold and drag. Try to make it big. Not too big. Okay, but I think that should be okay then. Okay, check this. Click on this, then what's hundred percent nice? Then press on Natural. The Natural should come over here, come to the middle, then control press try to increase O. Then zoom in. I think I okay, sorry for that. Shake that, then 100% also very perfect. Then control, try to increase, then that's perfect. We have this natural selected control. Then select this, also right click downwards, it's not showing nice. Control. Then click then what we have. Oh, sorry, not get time for that. Let me drop this control. We're going to group everything here together at the same time. Control plus word Aleve. What do you do? You right click then group from layers. Then what happens? Let's just put scale. That's nice. It speaks together. Then control. Then what do you do? You rotate very perfect. Click and drag up. Okay. Because I don't want the hundred percent nature to be covered. So I just wanted to have a bridging space. Also, according to what I've told you before, control plus, plus perfect al zoom in, zoom in. What do you do? Do I don't want this 100% and nature to be selected. Okay, contra, try to use it like this. Yes. Okay, that's perfect for me. Nice. Then control zero, see very perfect. So you can just frequently ellipses, try to make it like, you know, 15% transparency. But let me say ten, 10% transparency. Okay, let me say, shouldn't be too much. Let me say, yeah, fine, that's okay. Perfect. So see everything is neat. Neat, Okay, so what is the next thing to do? Now we move to the image section whereby we're able to cut the image from their backgrounds. So, where are the images? Come over to file. Okay, open. They come down here. So we are tricking, if I'm not mistaken. Yes. Then come towards three, then open. You can just come over, try to delete this ones, we don't need them. Again, deli, we don't need the deli, we only need this. Click old and no before you click old. And drug, fine, not a problem. You can try to select everything here, okay? Where you can click old and drag it here. Then select whatever you want to select here. What do you do? Use on zoom out control. Then try to reduce. Okay. Then click old and drag, drag and drop. What do you do? You check this out. Then what's zoom in? We're going to use as usual, the quick, sorry for that. We're going to use as usual, the quick selection to where is the Quick Selects. This is selected. The quick selection to then what click the drug you can zoom in and to be able to add more edges. More edges. That's perfect enough then just what control? That's not the only thing we need to do what we need this one to very. You see it's not working. What is happening? You're selecting this layer instead of the original layer. Let me try to make this invisible and you will see what is happening. This is a copy layer J. We have this back originally. So you have to click here, not here. Click Old by, just much more. Okay, wow, that's very pathetic. I have to be very careful. If it isn't working, that is not a problem. Just come over here, Come to the polygonal lasso two, or come to the magnetic lasso two. I just want to use magnetic lasso because it recognizes edges. And as you click on it's, it's attached to edges, Click, drag, or just leave it as it goes. But I'm not dragging anything right now because the image itself is not perfect to that extent. Chooses it chooses, I am okay. I click. And what's perfect then, what control? This is the original I took it from then can make it invisible. Click and drag. And what did it That's perfect. Control zero. Now we have this come over here. I try to make this invisible for the main time. Then we have this space bar. Click on control, Then try to increase something like this. Then check. So then press the word. Press the move to click old and drag down control C. That's perfect. Another thing I want you guys to notice is that whatever I'm doing now, they are not affected by the backgrounds we had before. What do we do? We need to make sure that all the images we're using, we're cutting from the background all the knots, the dates, and some other foods we're using. Actually, we're going to do what we are going to make sure it is in the background layer so that the color look up the black and white can affect is. We're going to drop, drop it above this layer. We're going to drop it away above this layer. So what do we do? We come over here. This is layer. Click, click control. Press control. Click, click, press control. You click, then click Older. And drag down. Just leave it like that. Then what you drop, you can see it's been affected already, very perfect. Because this color lookup and black white must affect them also. Nice. What can we do? We can say this is big 11 because our color of the black on the back of the B one. Anyone that happens, that occurs again, we're going to give it a name like two or something like that. We need to blow this as what do we do? The big not, what do we do? Well, right click. Then convert to smart objects, then come come to filter. Nice one. As usual, we use the motion blow first. That is what we do most times. Motion blow, let's bring the soundwdk. Yeah, no, no. Yeah. That's okay. Then what's price? Okay. Very perfect. So what is the next thing we use? A Gacian blow also it will feel like. So you can just sell a the Gaocian blot, some little effect. Okay. Gian blow. That should be very, very minimal. Okay. It's not actually showing a lot of changes. Okay, that's fine. Okay, so we have that. So what do we do now? Copy and paste. That will be what big to, how do we do that? Make sure this is invisible. Just control what do we do? Click it's selected already. Just present. Click, Click Old drug somewhere. When you do control, okay, telling us to be turned off. Temporary Y, the transformation is being. Preview, press, okay. Then try to rotate like this, okay? Something like this. What is wrong with you? Try to rotate. Control zero to rotate the words, then check what do you do? Control again, try to re, try to red press. Perfect. That's perfect. I can try to reduce its own opacity. Big not copy, just double click. Just use the right mouse board, the right arrow, the right arrow on the keyboard suppression. So I can try to reduce its opacity I feel like. Okay, I think that's okay. It's okay. That's perfect. What is next? The next thing is the black seed. Okay. We can try to just come over, try to polyps to make its net try Polyps also nice. The black nuts, which I have actually made invisible before. What do we do? Let me just drop this here. What do we do? Just control C, the big black nuts. Control C, then increase, okay? So we have something like, so I want to put it somewhere around here. Somewhere around here, okay. Then try to change, okay? Then, okay. So what do we do? What you convert to smart objects, then filter. Okay? Then what blow we have what? Motion blow. Something like that is okay. Very nice. Okay, Then what? You can reduce the opacity, you can see very perfect. Keep on reducing the past to something like. Okay, that's 40. Okay, nice one. Okay, so just make this, just collapse this back very, very, very important. Okay, so we have that, they just reduce it to a little bit, like bringing it down. Oh, sorry. Black. Yeah, just little bit down. Okay, that's perfect. So now, so now we move to the other images, come to five. Okay, five, Sorry. Sorry. Sorry. Come to five to open. Come to five. Okay, to open. Then what's next? The press the open. What do we do? Click Old. And click olden. Drag. And what You drop it. Okay. So now it's actually automatically comes into the background. Under, under the color, look up in black and white. So what happens is now we can click old and drag. It's like around somewhere here. Okay, very perfect. So what do you do? You press out the control, then what you reduce drastically the okay. A little bit of hard. So bring around here then what's like this? Then drop. We check, what do we do? We try a, sorry, press out then, you know, as usual in press the space bar. Okay. So what do we do? We select the images, we can try to make sure it looks dull. Try to reduce this. Okay? Actually, the image isn't supposed to look dull as it is like this. We can just come over here. Okay. If it's giving us problem, like we don't really like the way it looks like, okay, we can just make sure this is back. Click here, click Oden drug, then delete, okay. Then come over here and delete this. Then come over here and use this before you import it. Okay, The first one I need actually is this particular one that looks like a date or something like that. Selection two, it's very small. Try to increase the selection two, that is why that icon is like that. Unlock the layer, then click, hold and drag. We can add. That's control control. Very perfect. What else? Which one do we need again? We need one more. Okay, I think we need something like something like this. Should be okay for us. That click, sorry, I'm not selecting the layer, this is the real layer, Cd Drug. Click, click, press, try to subtract this place away. I'm present, I'm still holding on out. Yes, hold on outs. And click the outside. The Remove your hand from the outs, you can take your hand away from the out. Then have this. Oh, that's too much. Just control it. Zoom in, then a little bit, a very good. Then controls Y, then present out, then try to click old drag. That's okay. Then what control J? Then click old drag. These then wards deletes, very perfect. Then control zero. You can see the two. Then two, click, click, press control, include this, that is selected. Click on drag, then what? Then drop. It's the same thing, but sorry for that. But what do we do now? Just control zero. What is the next thing? Just come over select. You can see the not one, Not one. We have the big nuts. Okay, this is the big nuts. I'm just giving them those names. Okay. Then the second one which is the select, make it visible. Then what? Not to. Not two. Very perfect. Select one. Then what? You click Old and drug somewhere, contra try to reduce. Perfect, Right click. Then convert to smart objects. Then filter. Come over to blow. We have, we have the motion blow. Perfect. I don't want to use the motion blow to bit too much. It's okay. That's nice. Then the Guss blows. Usual. It's not compatible. Use the Gussian blow to the motion blow. It's just used to it. So think that's okay. Bring it down a little bit, okay. Then I can try to make it transparent. Just bring this one down, try to close this collapses, trying to make it transparency something like this. Very perfect to blend with the grain, 25. How to export images for prints and webs: This lecture, I'm going to teach you how to save and exports images for prints and webs. It's very simple. This is a PSD file actually, which we've worked on already in Tutoria. Then just come over here, come to file, come to file if you want to save, It's very easy. This is already saved, okay? It's, if yours is not saved already, just click on this. For example, let me say to save us, okay? Okay. For example, let's say I want to save sports. Yours would be saved. Okay? Then just probably a new burger or something like that. Okay, We have something like this. Just a name if you want to just come over here, make sure it's what's P Photo share. You can see that is the best you can save with what do you do You save your words to any destination, Like let me just select Save. You can see PS already exist. Do you want to replace it? No, actually, you can just come to Desktop, then you try to save here in Deckstop or anywhere. You prefer to save it, to save art rather. Okay. That's a way to save for you. That is, when you save it, you save all the layers with it. You save as a PS file, all the layers with it, okay? But for example, you want to save, you want to send to someone through your social media and okay, send to someone for the post to print for you. Or you just want to send it to the web upload to somewhere. What do you do? What do you do? You save a copy or what? Or you export. When you save a copy, you save a copy as J and the like. Okay, preferable just as pay something like this, peg, you save a copy as a Jpeg. But mostly I don't save as, I don't save a copy, save a copy. I use what I use, exports. I just prefer using exports. Exports. Because for you to use a markup, which we're going to use also for you to create a markup, which we're also going to create in this lecture, next video, next video. Okay, so you can see it brings it here, okay, exports. You want to change something from like Jpeg to NGPN. Don't have background, okay? But this peg actually, because you're going to use it for our PSD mark up, there are some markups that actually accept all the PNG, not Jpeg, okay, But this is for prints and also for Web, and also for the mark up you want to use, but the mark up you want to use actually accept Jpeg. This is what you can see here. You can actually zoom in, okay? What? You can zoom out and see what is happening in. Zoom like this, like this, okay? Very good. Like this. Or you just come back to the normal size. You can decrease, okay, increase again. Now what do we do? Just what? It's very simple, just exports. Ask you what's called the destination. Let me say Dektop. Okay, then what do you do? Let me say, okay, let me come over to downloads. Just say downloads, then what do you do Then come over here to documents. Okay, Decstop is okay. Then what do I do? Then say with that name, New Boger, Recovered. Now it's saved. What do you do? Just come to your over, you can see New Bern, then double click. Then you see what happens. It comes as words New Boger, Recovered pews you're having this you can send to print upload to any social media, Facebook, Whatsapp or different things you want to do. You can send to print and send to webs. Okay. This is how to make a peg exporting the file saving us and save a copy. I'll see you in the next lecture. 26. Mockup 1: This particular lecture, particularly in this section, we're talking about mark ups. We're creating mark ups in different forms. Just come over here to file, come over to open, then open. Then just come over here to download. Come over to download where we have the okay, the double click. Then we have was five SD mark ups. You have it also in your resources. Just click here, we have the first one. We're going to read the second, third, and fourth one. As the fourth one is the tumbling I actually made in my Cs. Now we have pen double click on it. Or you can just click and open here, then it opens. It's very important to understand mockups very well. It would help us to, you're presenting your work to your clients. It makes it look real, it makes it look realistic, and it makes your clients enjoy whatever you've given them, even if they don't like it. Making this look real and perfect, make them to accept, to reject. We have different layers here, as we all know. We have layers in potential. We have left clips color, right clips, color, whatever has been written, named it. The exact thing you want to change, the exact thing you want to use has been named. There's one way you can know what exactly is this layer about. You can just make this invisible click on this icon. You can see what changes this particular thing here changes. You can see, you can see it green. And it comes up and it's gone. You can see make this invisible. As you can see the two things over here, Visible, invisible, visible and invisible. Perfect. The left poster. Actually, we don't really know what this is actually, but we just know something actually here. We're not using this two. Let's come over as a design. The design is the real design itself. You can see left poster and it goes off. You can see right poster, it goes up. So there are some things embedded here. We have an arrow, you see? We're coming back to that actually we have the background texture when you make this just collapse. When you make this invisible, background texture is gone. But when you bring it back, you see it's back here, very perfect. This is the background you can double click on. This is a color, you can change color, something like red. You can see perfect reddish color. Like make it lightly dark, very dark zone. You can make it. So any color actually you prefer all green color, perfect. It's your choice. But let me leave it the way it is. Sometimes it's very good to just leave mockups the way they have been made. What is the next thing to do? This is expanded, just collapses. Good, We're not changing. Anything you're mentioning for now, actually probably is going to change. But let's deal with the left poster. Click here. What do you do? This is the shadow. For the left poster. You can see O, it's not this one. This one is not working. This is working. You can see it's gone. That's the shadow. But don't tamper with anything. The only thing you want to tamper with is what is the left poster Exactly. How do you stay the markup? How do you use the Mack up? We're going to start with this. What do we do? What do you do? You can actually come over here. You can click, you can select this box. This box or just click the old box here. Actually just double click twice. That is, you click 1.2 It takes exactly where the designs on that exact mark up. It takes it to where it is. Actually just just on shows like this also what do we do? We have our files already. That was why we had a particular section before the section which was Jpeg exposing our images. We've been able to export all our images. If you've not done that, do that now. Okay, I've taught you how to export your images. Okay, Now you export them in Jpeg. Okay, I have all my designs, the fly and poster designs, which we've done in this course. I have everything pegged already. So you just come over, you can see me everything. The seven, they are all J already because I'm going to use them very much. In this particular section, we're dealing with markups. What do we do? It's actually when you come over here, just see like a light one and like a dark one, for example. Let me just use something like that. Okay, I think I should put light or dark. Dark or light, either of the two. I would like to use. Let's see. Okay. Even if the make a mistake, there are changes that can make. Just click on this, click old, and drag this down into here. You can see Photoshop shows, okay. For example, let me just drop somewhere. You click old and you can see Photoshop is actually open down in an icon. It is at the tax bar, Just bring it on top of it, then it shows what? You drop it inside. Very. Then it's fills the screen and you check this. Peradventure, you can control it. Peradventure, you don't have it like that. Just come to file open and move towards DestophI. Move to Deckstop. What happens then? Towards I add apps peg. And you can see this is, you can just select this and what's open? Just do everything beginning before. Just click old and drag it here. Then you drop down. You can say, sure you want to come back. Just drop drop. Don't mind present. Zoom out the control, then click drag. Like this. Zoom was a mistake, Zooming again, let's bring it around somewhere you can see it is clipping to that side. Then click here and drag down and it's clip. Then you check very, very perfect the control z. Then what do you do is very important if come over and see what happens. Nothing changes. It is very important when you're using mark up, what do you do? You save that particular mark up? Here we are now what do we do? We save this. Sorry, here, actually, exactly. Oh, sorry. It's not the one I'm going to say. I'm going to say this because this is where, when I open the mock up is when I double click, it was, it took me to a new word which is this. What do you do? You can actually click this one and make them invisible. I would that you will click old and drag down. And if you want them visible back, click old and do it's not she, because this one is on top. You can make this invisible. You can see click old and drag down. It goes invisible, click old and drag it visible. But so far this is on top, nothing shows. I don't want the document to be too heavy. So just make this, just make this invisible. So what do you do? Control, it's saving over here. Then when it says what do you, what happens, It shows here. Now, what is the next thing we are done? What? With the left poster? What do we do? We collapses. Okay, Actually, the right pos also expanded. We just collapse. Okay, now let's expand the right poster. Making this invisible. Invisible. Just to know we are sure about what we're doing. Just double click. Okay, we have this double click. What do we do? Come over here. You can actually go to open open, but I want to use that technique. I text techniques, come to a click, old drug down, then drop very perfect. Then check what's showing. What do we do? We click Olden drug. Make them invisible, or leave them as invisible. Click this old and drag it up, bringing it to the eyes. Then you can click Old and drag these ones and make them invisible fine. Then you can watch Control Save, very perfect. Then come over here, very nice. Another thing we can do, just try to change this one. Also feel the sound. Try to change is collapse this back and expand the left tone. Double click then changes by giving it what? Something like this. Actually, let's see what happens. Nice one. What do you do contrave then come over. Perfect, Probably you can see a particular line that is how the mock up is being made. There is no adjustment that can be made to this. Okay. That contra zero over here as you can see there, probably yes, it's a white line. Okay. That's how it's been made. Nothing we can just do. I think I want to make this left one. Okay. I want to make this one the normal boger. We just click down then Perfect. Just check. When you check, what do you do? So check as usual, what do we do? We save, control the save. Then you move, you move to the space. Then you select, and this is perfect. I can just know you can change it to your taste. It depends, it's yours. Okay? You can just come over to the right poster. Okay, this is the right poster. The double click, you're trying to change your grid form. You double click, double. When you double click, what happens? You just come over, then choose, this is back, actually is back. Then what you drop after dropping, what happens? Then you select this. Then what do you do? Control S, then save. And you come over here to the main image and we have this perfect perfect. We move to the next lecture where we continue with mockup spot in different forms. I'll see in the next. 27. Mockup 2: Now Azizure go to open or you just come over to file and go to open. Then what download as normal Photoshop file which has been changed to a normal folder. Then we have, we have the markup poster one, which we've done already. The poster two can double click and just open straight. Very easy. We've been able to see how we change things in the first one. For us to do this, actually it's very simple. Also, the main flyer change is what is right here in the letter. You can see the first the second one and this is the first one to them. This is the first one to them. That is the main thing we are changing. We can make some other adjustments as actually we've done in the first to what? This color balance. You can click double click here. Then you can do what? Adjustments, like the 60. You can see the tone, it's changing. That's the, it's actually changing the shadows and lights. It's making it balanced. Okay. The shadows, is the black, the darkest part in the image. Dark parts in the image. Why the highlights are the light parts in the image? This actually, the mid tone is actually in between using shadows on to actually affect the shadows on, using highlights on to actually affect the Yl. Let's change the shadows on and try to make them red. It's affecting the shadow. You can see the shadows are very dark right now. You can this where you do your do, okay? You come into the highlights actually affect the highlights. You can see perfect when it's actually, let me say, balances actually balance everything but the shadows and the highlights. Okay? You can see it's going to balance everything the way it's meant to balance. We're not changing anything. Just make it that exposure. Also trying to expose. But we're not going to change everything. Just leave the weights perfect. I love the way it is, I think. Yeah. Okay. No more adjustment here. Everything is perfect. I didn't change anything. Yeah, Just leave the way it is then. That's perfect. This is collapse. This expand, Trace collapse. You can trace collapse also. It's expanded for the texture. Actually, just leave texture the way it is because it's created in an animated software, something like that. Before it actually became a PS. No. Place your wall, place your floor. Actually, you can change the color of the wall. That's why you're trying to say something like that. Like just like an example, you can change the wall, can come over it, come to the rectangle to click Oden drug and the previous color was right or something like that. So let me just tell you something like this and see what happens as usually do what you control in order to save it. When you save it, it's going to reflect on what on display. Just come over and see perfect. Actually that's the floor also. That's double click here. When you double clust, it's still direct angle to just something like this. That's right. I'm going to give you that same yellow, but I'm going to reduce its quality. Very, very light. Something like this. Then you can see. What do you do you control to save the effect to the markup? You can see perfect. But I'm nosing this, I don't need it. I just like the way it is. Perfect. Just contra 1.2 twice what. You can close this and what close this, you can come over here. Also, double click for the background. That is everything together as a whole actually. Okay. You can try to change it and make it very light. Should be something very light. Not so much. You can say something like this and it's perfect. But don't want it just contrast. I love the way it is naturally, the way it came about. Now let's expand the letter then. This is the second one, and this is what the first one make this si. It depends on the one you want to start with. I want to start with the second one first. Actually, they have a dark background here and a light background. So I want to follow the procedure, the process, that is what I'm going to follow for this dark background. Let me come over here, then you double click. Don't forget what I said. Let me close this and come over here. Do you double click on, on the small box? Because it's, it's, it's actually a layer, actually a markup. Let me just say it like that. Double click on this small recto double click. I've said it's a dark background, I want to use a dark background also. What do I do? As I've said earlier before that I have the pee pet double click of everything we did in this cross a dark background problems. Say this, click and drag Photoshop, then drop it contains what's done, what do we do? Actually, it looks somehow. The only thing we need here is what is the store layer? You can click, drag it and bring it up here. We're good to go. Or we leave it like that and make sure we make all in visible and we're good to go. What is the next thing to do? We save control. You see saving nine, 9% 100 in order for you to reflect it. Then we see what is there? Very perfect, okay zone love. It looks good. Now what is the next thing? We need the lights present. Then minimize lights on rectangle. Just come over here, select the move to we need light type of light, flyer and poster with me. Just double click over here. The more, come over here, choose a light something, click, click old and drag. What is the nesting? You can try to work. Make all this invisible. How did I do it? Click, drag down. It makes everything invisible. You want to make everything visible back. You click, make visible old and drag, everything becomes visible back. Just click and drag. You can't see it because this is on top of every other layer we have just control. And you see seven and it's seven 100% We move here and you click very, very perfect thing. The problem we have here is now this background flyer is blending in this background, what do we do? We can actually come over here were selected layer mask. We can actually come over, I want to select the background self. Come over here, then the white is. Try to bring it down a little bit and make it something like in a gray color. You can see, you can see it's more better than the way it is before we can leave it like this. This is very, very perfect. You can decide to Jed, you can actually try it on your own and try the other peg flyers and post away, Go pee and try it on them. And see what really happens, how you can actually go along with things, how you can actually change things using this particular macop I will see in next lecture. 28. Mockup 3: Lecture. We have another mark up we're going to try on. Okay, open. Come over here towards flyer, push three. Okay, then select. Then what's open? So we have this. You can try to make this invisible. You can see invisible nally changing much to effects. Okay. The objects. Okay. Okay. Don't need to touch anything here. You can see the shadow, it's going away. Then we have the background, like the sand. Okay. It's going just leave it like that. We have the main thing we have to is what is this? This, but this. What do you do? You double click. Just double click here. Then I want to use, I don't want to use a light one. I want to use a dark one because what's it called? A light flyer would be like, actually would blend with the sand. I want to use something like this. Use the headphone again. Use the headphone then come over again, just that's perfect. This out present on zoom out, then click Select, click out, and drag out a little bit. And that's okay. After checking what control you need to say, very, very important. Okay? You can control zero just to make it fix screen, then move here, then we have this very perfect, So it's not really actually difficult. Okay, let's try a lighter one. Come come over here, let's use the rider click olden drug, then very, very perfect. Then check, then control. That's saving. Saving, then come over here then Perfect. I think that is a problem. Okay, it's not actually closing up. Oh yeah, that's true. Control. Click Old click on Austin Olden drug is just try to adjust the No, select is in control then move over here. We have this perfect. I think even the white background actually works perfectly well. And the dark backgrounds, okay, that is not a problem, That's not a problem, okay. That is for this mock up lecture I'll see in the next lecture. 29. Mockup 4: In this lecture. This is the thumbnail which the thumbnail mark up. I used actually just double click here. Actually, it's open. This is the exact thumbnail. What did I do? You can try to pick this visible, invisible, See which one? Actually, if you accelerate this actually will show you everything one by this is the background, like one by one. Okay? 11. What do we do? The main thing we are actually after, this is side, all the sides are linked to side B are linked together. You can actually make side one particular, you can see click and drag down like this. So these are the side as including the middle one. Okay? In the middle one you can see this is the side which you can see. The one here is the side including this and this, whatever you put inside here will actually reflect in the other sides of this. As we put in side B would actually reflect in the other side of the B. Okay, let's see what happens. Double click here on A, okay? Then come over here, come to the themindp, you're going to notice that this thing is, you can just click and drag and make it here. Can click and drag down like this. Actually, it's going to keep, some of the images is not me going to make them show. But what do you do? You just try to adjust it in your best way, country zero, because this is narrowly given us like 4.5 When you click old and drag, come over here, you see what happens. It's not working. What do you do pre shift, then click drag a bit. You can see it's actually shrinking. It's not going to shrink your work. Okay. But we don't have any choice then, just not too much. Come over a present shift also, then try to shrink inside. When you shrink, then just drop that click, drag this down without using any keyboard shortcuts. Then what do you do? Click and drag this to the left and just try to make them well in the center. And what do you do control then after saving it, then just come over here and see what happens. You can see the is connected to what the. As you can see A, this is A then A. Now for the B, you double click the B also come over here and give it the same. We can try to change. It's probably going to come over here to use the headphone. Just drop it like this, okay? Click, drag it up. Then click old. And drag down like this, okay? Press on the ships, Click Den Drug inside, two bits, okay? Press on ships, click on Oden Drugs also. Then click Oden Drug like this, something like this. Then click Den Drug to the site. Okay, You're trying to click Golden Drug like this. So I'm present ships, sorry. Okay, you can see and it's forms like this. Okay, let's make things balance variable. Okay, select then control S, okay. Then what do you do? You come over here after it's said, then let's see what happens. You can see, you can see how things are now. But I don't want to use this. I want to use this space, this one exactly. Select this, Press control C, which will copy it. Then come over here, try to delete this code and drag to the trash can. What do you do? Control its past exactly, then control, then save. When you save, when you save, just come over the select this, then whatd? Everything actually has the same mockup design. All the S are connected, all the B's are also connected. It's very, very simple and perfect. I will see you in the next lecture. 30. Where to download PSD Mockups & Images: In this lecture, I will be teaching you where to download images, S, the markups and icons from website to download them from, you can just come over here to free and just press Enter. It takes you to free pick, just select here. It's very simple. First, you need to sign, sign up for this website over here. Then after signing up, then you can be able to have access to it. But without signing up, you can just have access to downloading only three, let me say resources from here for example. You can just search agriculture Acho. It brings out the images for you from different, you can see, you can see the one I use in my tutorial. You can search for images. Okay, You can come over here also just talk about mark ups. Mark ups, okay. Mark ups, the springs out, different markups for you to. You can see different types of mark ups. It's free. Okay? But there are some that are paid like this. You can see the crown over here, yellow crown. It shows us that this is what this for premium subscribers who subscribed to this particular websites. Lot images, lot of mark ups for you to use over here. Apart from that. Apart from that we can go to, there's a website. Okay. You can come to Blast Blast. Yeah. Now, in blast, actually there well, actually I know them for the markups. Okay. The PS, the mark ups, you can see different types of markups for you to use, different types of markups, for you to use the markups icons, let's see the icons they have. Over here you can see different icons. You can actually download. So you can download almost everything here for free. Sophia, noising is for commercial purpose but using it for commercial purposes you have to subscribe. Okay. And they have different price subscriptions. You can see Forts also can download forms from here as it goes a long way. Apart from that, we can come over where we can come to unsplash.com slash for you to download images to use in your designs. In your flyer designs and poster designs. Okay. You can see different types of images for you to use in your design. Different images, different images. You can also search here, There are different images you can use. You can also search here images to use apart from another website called Pi. You can see the Pi Pi actually also they have images for you to do. We have nature, wallpaper grounds, and the like. So you can from any angle, anywhere you prefer, just download from. Apart from that, we have a particular website that people download from that's what Flaticon. Flaticon. Just over Flaticon. Then it takes were any icon you would want to download and use. The icon I used, website icon, I used the location icon I used in the tutoria. Actually, I downloaded them from where it was downloaded from, Flaticon. Actually, it goes a long way. Okay. For your icon download to download icons, I recommend Flaticon. Okay. For mark Ups free and Blast. Okay. And some other websites for images free, Pick, Blast, we have Splash also pier and the like. That is it for where to download images, icons, and mark Ups from. 31. Conclusion: Guys, we have come to the end of this course as a whole. By now, you're a professional in designing flyers and posters for different brands. Do not forget your assignments. The exercise files which you'll find in the resource file from the select, there is A and B for the images for you will be designing for a vegetarian. Someone who doesn't eat, who is not into eat inmates and fish, fish or fishes. Let me say it like that actually. Who doesn't eat meat and fish? Okay, Fish you design Like it's a brand that is advertising on a post and flyer for people to know. Okay, we deal with people who are vegetarians design that for me either using a light or dark background. Apart from that, Apart from that, in the part of the assignment, the exercise files, you may see the 12 you're going to design for a flyer and a poster for a particular brand that deals in automobiles selling cars. You can use the light or dark background. The assignment, that's the exercise for you. Firstly, the you're going to design for a vegetarian brand and secondly, for an automobile brand that is it also, don't forget to take my course. Blend and change colors of anything anywhere in Photoshop which would help you to improve your color. Skies. In any way whereby changing colors of different things, places in Photoshop, anyhow you want it, any angle, I look forward to seeing you in my future courses. As usual, keep creating.