ADOBE FRESCO: The basic course to draw | Damien Barban | Skillshare
Drawer
Search

Playback Speed


  • 0.5x
  • 1x (Normal)
  • 1.25x
  • 1.5x
  • 2x

ADOBE FRESCO: The basic course to draw

teacher avatar Damien Barban

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      0:25

    • 2.

      To begin

      1:09

    • 3.

      Left options, part 1

      3:35

    • 4.

      Starting to demonstrate the drawing options

      9:52

    • 5.

      Eraser and other options on the left tool bar

      8:40

    • 6.

      Vector brushes

      5:36

    • 7.

      Eraser and other options on the left tool bar

      8:40

    • 8.

      Layers

      15:38

    • 9.

      How to use MASKS

      5:17

    • 10.

      Final example

      10:36

  • --
  • Beginner level
  • Intermediate level
  • Advanced level
  • All levels

Community Generated

The level is determined by a majority opinion of students who have reviewed this class. The teacher's recommendation is shown until at least 5 student responses are collected.

736

Students

--

Project

About This Class

You like the Adobe suite and you would like to know how works the drawing apps FRESCO on Ipad? This course is done for you. Learn all the options of the software and start using it to draw your illustrations.

You will also learn the different kind of brushes and the difference between the pixel brushes and the vector brushes.

Meet Your Teacher

Level: Beginner

Class Ratings

Expectations Met?
    Exceeded!
  • 0%
  • Yes
  • 0%
  • Somewhat
  • 0%
  • Not really
  • 0%

Why Join Skillshare?

Take award-winning Skillshare Original Classes

Each class has short lessons, hands-on projects

Your membership supports Skillshare teachers

Learn From Anywhere

Take classes on the go with the Skillshare app. Stream or download to watch on the plane, the subway, or wherever you learn best.

Transcripts

1. Introduction: in this course, I'm going to teach you how to use Adami fresco. This dream software is part of the creative clown of Adam and can really be used to draw manga comings and any illustrations you want to drop. We're going to see in this course how to use the layers to tools and all what you need to create your illustrations. 2. To begin: welcome in this course about Adebisi fresco. This software is a drawing software, and we are going to see how I can use its to draw and to create your illustrations. So, first, let's start. By the very beginning. We start with the different start, a new document possibilities. You are the customized size, the comic book, the current screen size and square. If you already work with it, you will get the recent works down below. Here, on your left, you're going to have a couple of things home, learn, discover you work, called documents and dilated. No needs to explain more about Jews. That's what we want to do. It's to starts to create the first documents, and I'm going to select current screen size. Click on it and here we go. 3. Left options, part 1: Let's see the working space. You have your document with the size you decided, and you will get a couple of options on your rights on your left. The first thing to do is particular pencil and try to draw with it. You will see that when you try to draw with it, you'll get the lines, and two, he raises his lines. You can Devil Tip or you'll tip one time with two fingers. It's exactly like some other iPad. Applications like Procreate are other application where you draw and you type only one time with two fingers to erase the the lions who just created. So the other thing is to decide what the's option on your left are going to do, So you have this first thing that is called pixel brush. The pixel brush is going to give you normal drawing tool. We confined in many other Softwares and you will get different brushes. For instance, you'll get the basic basic comics drawing media ethics, and soon we're going to see what they are looking like for instant basic. You will get a couple off. Uh, lines have wrong. How does capacity hundreds size flu and you will see many others with you can already see the kind off texture is going to be. You will get the five all right here with so far there's nothing and you will get here. The one pixel, if you click on it, are. If you decide to apply the selected tool, we will get the size applying to do tool you selected. No. If you won't change the size itself, you will click here. You keep pushing on your tablets and you push the object here. Dumb are up and you will see the size of your brush changing. Then you'll get to see the flow, the flow. It's going to be something like we can say the capacity of your brush. You can change it from 100 where the objects going to be totally black and 20 person, which is rather useless because it's totally invisible. Then you will get smoking to smell thing is how hard line is going to be, and you can get something with something that is totally not existing, and you will get some imperfections in your lines. And if you get the smart thing to the maximum, he will get a very smooth line, which is very, very good if you try to draw cartoons 4. Starting to demonstrate the drawing options: So let's try your first example before to speak about your directions, and we're going to see how this pixel brush can be useful. So we're going to start with this around size flow, and you will see that with the the smoothing and 100 persons when you draw, it's very slow that the line is perfect. So if you want to have more fast a drawing line, you have to DIY craze this. Otherwise they risk a calculation off the software to make your lying very smooth. So if you d create, this will be more afraid to draw the way wants. So if I want to sketch faster the drawing and to keep all the imperfections off the sketching, I will get the smoothing down. You see. It's very intuitive. Don't have to to do match, All right. And now, if I want to draw very perfect cartoon drawings on making the small thing on the 100 person and something so hard to draw sometime, that's yes. It's very could be very hard to play between this 100 person smoothing and the M pressure of the Spencer, so maybe you can decrease to 50. It's small rial to really this. So you will get something very clean is when you want to do something very clean. All right, so you get the I d. Okay. I would just keep this sketch. Right. So here we have a couple of other things I would click on. This, for instance, would try it, and you get something very blurry. So you don't have to match brushes here, but just enough to get the job done. So now let's talk about this second option. This country is called live brushes. You have couple off things. You have watercolor and oil. So it's supposed to represent the original and natural watercolor in our painting. So what I call you have only four brushes, which is nuts, that much, and we'll try to see what it looks like. So I decided first to say watercolor Rome detail and watercolor is better with some yellow color to we just have a natural current like this. All right, now what a Cold War. Soft. Okay, so now this is interesting. What is happening? You have here the water cause spreading on the on the sheets, and you will see that, um, word is moving and is also moving and mixing with the color you put on your paper. This is very interesting. If you know how to do world color, you will find some of your habits. We'll see what it's like if you was putting water on your drawing and the water was mixing the hang you previously put on your shit and you will get says so if you want to dro something like, um, that's do you let this layer and create a new one? If you want to rule landscape all sky you see, I'm drawing too. This guy use some yellow, you see. And there will be some, uh, interesting effect very similar to what you are using and the effect it will represent if you use a normal watercolor too. So we have watercolor wash fans. This will be the same, but the ink is going down the sheets. Analytical wits. Better couple of things like this. Of course we can change the color, decided the brush, and we have also additional tools. Here. We can change the rig angle and you will see it's like the brush wasn't free. Deeds very interesting can move it in change the angle. You want to play it? You have the spacing between particles. Um, here is very original, usually in grant and drawings after you don't have such spacing options. So this is very interesting. And scatter is also, uh, changing something that will make your brush very original. Here you have cheap dynamic. You have also many things you can change pressure, dynamic size. It should change very sense defense for in size and velocity. You can also change food inside. So, with the different options, you can re personalize the way you want to use your own brush. But you can see you can have, even if there's only four brushes you can do A so person is so and terrorist ing personalization of Avery brush that you congest simply get something very different each time you want to apply it. So don't pay attention to the knots. You don't think that there is not too much brushes because everyone can change the way you want. So we have the brush here and now let's see the oil. So I'm going to create a new you're diligently. You're creating your layer, and this time I'm using the oil old pain flat. If I zoom in, you can see there is texture. There's exactly texture of the oil. All right now, old being from the same. But this is just a form of the president's changing fever. It's like if your brush was was dry and you have a little bit more brushes available, you have 123456 sevens and brushes shorts and you see it's give some. If you put this, you'll get, uh, here interesting things that could slack. You have too much painting on your paper so you can play with difference options. And if you makes two colors, you will see there is a very interesting mix that is created here, and it would change according to the pressure you're using on your pennsy. Have a read full red and if you try to play it on the already existing calorie to create a cane off mix, and you can mix this so you can really do some natural and realistic color mixing. So that's it right now for the life brush 5. Eraser and other options on the left tool bar: Let's talk about the razor. The everything's going toe work exactly like normal brush. And this time, if I draw a line with a pixel option or victor option, you will see we have two layers created. And if I select the eraser, for instance, I'm here on my victor layer. I cannot change do pixel layer so I can change. I can erase my vector layer, and if I click on my pixel earlier, I can enrich this so we can both a raise pixel off victor lines, so you don't have to select a very special options here. What's is going to change when you click on your razor? Option is the form of the brush you can get like crudity cycle. Going to give some interesting effects when you erase, are hard run opacity harder, invaluable rectangle. Passivity river. It's pounds. You can check expound, for instance, and it's smaller, like selecting original dicks. Chur while you erase and there's something we're going to use. If you want to draw, for instance, on the the clouds in your drawings, you will see his options going to be were interesting. So we'll see later how you can create illustration. But first you can see that the only thing you can with a raising into erase but with different uh, brushes that are going to give you a difference texture. So that's right from this second option. This is a selection tool here. Well, you can. It will automatically select what is available in your layer if you click on the other layer. This is this element that's going to be selected and you can. Gen. Desai's off watches selected, and this is exactly why Victor layers are done for its when you have an object done with Victor's. If you get this object larger than what it was supposed to be, you will not lose any quality. And this is definitely the advantage of the victor layers. So you are here. Object. If I select my pixel line, you will see if I get this larger than what it was previously. We'll lose some quality because the pick cells when you drove with pixels, the pixels cannot be a notch without any lose off quality. So if you want to draw for a pastor, that's going to be very like two metres on two meters, something that we brought the re large, you will have to draw on, uh, Victor layers console. So it was the eraser and the selection tool. And when you're done with your selection, for instance, you can rotate the form. You can change the size you can movie tool around in your working space. And ah, you can change routine like days and large and soon when you're done, you just think I'm done on the upper right side of your screen. You have also couple of option to Roy teacher objects. Object to it the way you want the kind of mirror option. A reasonable or vertical anywhere. Don't and that's it. So we have done the razor. We have done solution toe. No, we have also the selection tool, but you have the lasso and the selection off very specific thing here. For instance, I select this, and while you said you can change selection area, the selection IRA is going to be very practical if you want to draw on the very specific area without touching the rest of the registration, so you have different selection option. You have this. You can just draw the area. Want to select by the way I would try to answer. Elect. You can select by just painting and down your screen. You have couple of option transformed the rays mask de select. I destroyed everything and I can say with ovals with rectangle with a normal brush and we're the last so objects and you just join the first point to the last point, and it's going to cite, so you will see it could be very useful for some kind of illustration, something we're going to see cup of example later about the use of this. Then we have here the usual and mythic options off feeling with color. Click on it. I can click, I can select the color, and I just click on the IRA that he selected and going to pee feel with the color. We have a couple of option here with the cooler margin. This is a tolerance level if it will respect the bounding we have created, or if it's going to go over this, for instance, if I click on this school emerging, he could have some Ah, change some different change. Um, for instance, for such a selection here to not going to make a difference, but, well, this'll a ER gets my working space over Quinn. We'll end select everything, and you will see that if I'm drawing perform like this and I want to fill this firm with my orange color, I click on It's okay to respect the bounding of the form. No, if I click on zero column, marching is going to get something different. There is no tolerance. And when the color church touched the first black pixel, it's stuff imminently to fill, so it's it could be useful for some situation. Right now. It's not going to give something interesting, so I can go back to Let's try 100 something, and you're going to see that it's not good enough. I go to the maximum, and it's there's so no tolerance that it's going over the back lines, so it's going to be too much. All right is better, so you can play with this to define the coal margin. So the option here just to select one color game it's you will say, like my orange and orange going toe appear here in your coloring tool. Last thing here is to grab an image from your fell to as storage on your iPad or in your fines are taking a picture with camera are from your creative cloud. So it will make the A teacher appearing here, and you will see later how it's very useful to integrate a picture in the layer and use it as a model to create, um illustration. So we are down now with the first explanation off all these option on your left. Let's start to explain the rest of the interface. 6. Vector brushes: Now let's talk about the third option. Victor brushes. First, we have to understand that Victor's are different than the pixels lines that you can find in the first and second option. A victor is the line that his draw, and from this drawing you will be able to, um, increase off decrease, decide the size of object to draw without losing any quality. You will not lose quality. You would see that old logos and many graphic things, especially for the Web, are don't with Victor's. So the victors are very practical to draw. Firms that can be enlarged are change or getting the size without losing any anywhere. The quality, the problem are victors is that you cannot find in the victor brushes the same brushes than you have here, Um, in the life brushes and the pixel brushes, you will use such victor brushes for the forms that are like very close and smooth, and you will see that it's going to be very clear. You can really have clean drawings there, but you will not get anything looking like a natural brush, so make sure you understand the difference. You will get very clean line with the victors. And if I select canceled, if I decide to draw another leading another line with pixel drawing, you will get something. Very. You can get many things different, like air, brush, style and so on, which is not possible with the victors. Here you will see all the couple off brushes and the vector to are very sharp lines, bands, EQ terminal. You see, soon these lines are very, very useful. And you're going to draw a logo, something like this, and you will see on your right. We didn't speak yet that layers, but you already have two different layers. One leaders were created with my, uh, pixel options, and another layer was created with my victor layers. As this is to take different technologies do pixel and the victor, the software would create automatically two layers to different layers. So I will cancel this one, and we will keep interest int into the victor ones. So what are the different victors? Uh, brushes. We have busy grounds, of course. Contain the size and get something just very rounds just clear. There we have the basic taper with that beginning and an end that is going to be smooth in the beginning of the end. Busy klatz. It just fought flops. You get something for us, and you will get the basic she sell again. You can see the form here. What is looking like? So if you draw characters, you have to choose the right one. Because sometime some brushes are more efficient or more eased. Using others, especially when it's about victors, can sending every step they were busy terminal Busy being taper. This one is beginning with a very smooth line and ending with the larger line. It's very obvious when you try to draw. Let's see, you can see there it always be a very thin line in here. Figure so you can play with these different options. Basic end taper the rivers of this so you can decide to draw. We spoke just in and previous video about drawing current is from cartoons and animated movies, and soon you can definitely draw very pure and clean lines. With these options, it will be definitely the purpose of such victor brushes 7. Eraser and other options on the left tool bar: Let's talk about the razor. The everything's going toe work exactly like normal brush. And this time, if I draw a line with a pixel option or victor option, you will see we have two layers created. And if I select the eraser, for instance, I'm here on my victor layer. I cannot change do pixel layer so I can change. I can erase my vector layer, and if I click on my pixel earlier, I can enrich this so we can both a raise pixel off victor lines, so you don't have to select a very special options here. What's is going to change when you click on your razor? Option is the form of the brush you can get like crudity cycle. Going to give some interesting effects when you erase, are hard run opacity harder, invaluable rectangle. Passivity river. It's pounds. You can check expound, for instance, and it's smaller, like selecting original dicks. Chur while you erase and there's something we're going to use. If you want to draw, for instance, on the the clouds in your drawings, you will see his options going to be were interesting. So we'll see later how you can create illustration. But first you can see that the only thing you can with a raising into erase but with different uh, brushes that are going to give you a difference texture. So that's right from this second option. This is a selection tool here. Well, you can. It will automatically select what is available in your layer if you click on the other layer. This is this element that's going to be selected and you can. Gen. Desai's off watches selected, and this is exactly why Victor layers are done for its when you have an object done with Victor's. If you get this object larger than what it was supposed to be, you will not lose any quality. And this is definitely the advantage of the victor layers. So you are here. Object. If I select my pixel line, you will see if I get this larger than what it was previously. We'll lose some quality because the pick cells when you drove with pixels, the pixels cannot be a notch without any lose off quality. So if you want to draw for a pastor, that's going to be very like two metres on two meters, something that we brought the re large, you will have to draw on, uh, Victor layers console. So it was the eraser and the selection tool. And when you're done with your selection, for instance, you can rotate the form. You can change the size you can movie tool around in your working space. And ah, you can change routine like days and large and soon when you're done, you just think I'm done on the upper right side of your screen. You have also couple of option to Roy teacher objects. Object to it the way you want the kind of mirror option. A reasonable or vertical anywhere. Don't and that's it. So we have done the razor. We have done solution toe. No, we have also the selection tool, but you have the lasso and the selection off very specific thing here. For instance, I select this, and while you said you can change selection area, the selection IRA is going to be very practical if you want to draw on the very specific area without touching the rest of the registration, so you have different selection option. You have this. You can just draw the area. Want to select by the way I would try to answer. Elect. You can select by just painting and down your screen. You have couple of option transformed the rays mask de select. I destroyed everything and I can say with ovals with rectangle with a normal brush and we're the last so objects and you just join the first point to the last point, and it's going to cite, so you will see it could be very useful for some kind of illustration, something we're going to see cup of example later about the use of this. Then we have here the usual and mythic options off feeling with color. Click on it. I can click, I can select the color, and I just click on the IRA that he selected and going to pee feel with the color. We have a couple of option here with the cooler margin. This is a tolerance level if it will respect the bounding we have created, or if it's going to go over this, for instance, if I click on this school emerging, he could have some Ah, change some different change. Um, for instance, for such a selection here to not going to make a difference, but, well, this'll a ER gets my working space over Quinn. We'll end select everything, and you will see that if I'm drawing perform like this and I want to fill this firm with my orange color, I click on It's okay to respect the bounding of the form. No, if I click on zero column, marching is going to get something different. There is no tolerance. And when the color church touched the first black pixel, it's stuff imminently to fill, so it's it could be useful for some situation. Right now. It's not going to give something interesting, so I can go back to Let's try 100 something, and you're going to see that it's not good enough. I go to the maximum, and it's there's so no tolerance that it's going over the back lines, so it's going to be too much. All right is better, so you can play with this to define the coal margin. So the option here just to select one color game it's you will say, like my orange and orange going toe appear here in your coloring tool. Last thing here is to grab an image from your fell to as storage on your iPad or in your fines are taking a picture with camera are from your creative cloud. So it will make the A teacher appearing here, and you will see later how it's very useful to integrate a picture in the layer and use it as a model to create, um illustration. So we are down now with the first explanation off all these option on your left. Let's start to explain the rest of the interface. 8. Layers: Now let's see the different options. We haven't the right of the screen. These options are dedicated to the settings off your layers. But first, let's see, what are these layers? We already talked about it. When we're talking about the options on the left. Now we will detail exactly how it works and what it is used for. We have here when you start new project basic later with a small icon. Uh, with the kind off landscape, this is the basic earlier. This is the layer on which you can draw anything you want, like a background and then above it. You can create new layers. You can see why I'm clicking on the plus. This is adding a new layer, a layer exactly like layer. You can have like, um, um, transparent layer where you are adding some informations. For instance, if I select my background here, I can draw very simple things, like we have a background, and on my signal layer, I'm going to draw my character. I was just something very simple. And on my other layer, I'm going to draw another collect character and so on. This will make you able to hide are to change or to move an element off your drawing without changing the rest of illustration. For instance, if you do a mistake on administration, you can just so like one part of the frustration because this element is separated as on another layer. So this is how it so you have to understand and how you can work with different separated objects. The's different objects can really be different and separated. If I click on the layer, different options appear. I can add a new layer is his question you later I can hide a layer. It means that disease stump early hidden. But this is still, uh, here. You can see there's an eye with the bar in the middle of it. You can hide it organ shorts at will so I can deal a day earlier, and I can duplicate earlier. You're going to create the same layer, but twice I can create 1/3 1 in Seoul so you can cook. He passed a layer. You can create a mask, Damascus, something we're going to see separately. We can lock transparency. It means that you cannot change transparency of this layer. This is important that you can lock the options you modify in your layer because when you are working in a very complex illustration and you need to do not move something a graphic element, you can lock it on the markets, get unlock and lock, and you can, in the end, merge down. It means that you let your one and your layer to are going to be one single layer. Of course, if you do that, you it will merge all the graphic information and you will not be able to do the single selection off one of the element. It will be more difficult. So when you merge two layers, make sure that you have the certainty that you will not have to do more medications. So now I mean to do you like this, that you're dealing this layer and dealing this year deal it. And this one, I would clear it. It means that it will not d let the layer. It will only clear what is inside. No, I'm sure you knew at I'm doing shorts demonstration. I'm going on the basic layer and I will select um, maybe not the oil with water color this one and I will draw a very simple, uh, background into this guy here. All right, grass, All right. It is very rough, but it's fine. It's creating something interesting. Writes like in the background, we have the kind of forest, so it's interesting. So, um, I'm going to go on my newly you're here and selecting back color and using ah, hard round brush. So I'm drawing with C. McInnis on going to Drew Guy News Catch zooming in kitchen character. This guy is into the foreground off my illustration. All right, so you can see that I can hide his character Now I need to click on the close to create a new layer this layer. I can hold its and place it where I won't. You will see there is cane off or do between the layers and one can be above the other. So I'm selecting this one because on that one, I'm going to add the color and you will get a red shirt. I'm using the hard round size or maybe higher on variable. I try different colors and I can just feel read the red. All right, this is a very shiny red. All right, So we have Iran and off course here. I can hide this one. I'm going to do a skin color. She's close to do orange. This is very rough. It's just to show you example. We're going to see more complex frustration later. But right now, just to see the different kind of options we can have on the on layers. Okay, so we have the hairs and I can maybe on an additional stuff like more details on the shadows may correct, too. And if I keep holding my finger on one of the color, you can see he proposed to set the color you are pointing out. So I'm selecting the red, and I'm choosing a darker red just to make the shadows of the shirt of this guy. All right, so now what do we have? We have free layers, one layer for the background, one layer for the color off my character. And while you're for the outlines, black outlines of the character So this is the way you can work with the software. And this is how you can create and youth the layers. No, let's try something else. I'm going to click on this deal. Let's pick on this delight. Pick up this Vette. Okay, I'm back on this later. Usually, I'm never drawing on this background. Liam. I'm always trying to draw on the first layer is going to play the role of the background just to have a blank space in, just in case they want to erase everything. So I'm selecting the blue of the skies. Let's try the watercolor wash soft and just painting roughly again. I'm just letting the color, uh, spreading a little bit. And you can Seymour your ad colors like this without getting to your pencil out of the screen and more you at painting in the water and more. Dude, water is pretty ownership. So maybe you can at some lines, additional lines within two. Looking of sky, where it's OK and ah, ganson grass here, you know, going to where the maximum we can add the water fluid. What the flu is a quantity of water. Had it to your ah, brush and more. You have water more. The paintings going to spread all around your painting can see that just getting few lines and you can see this is really mixing like we had a lot of color. You can easily create interesting paintings without too much techniques. This is rapidly giving beautiful things. No need to be an expert in water color. You can know simply create things. So all right, we have this. I'm going to add more color selecting two blue and maybe anymore here. All right, we can if we have the kind of, uh, background creating a new layer. And on this new layer, you can see also is very important to show that if you add some paintings, it will not mix with the painting on the, uh, previews layer. This is two different working space. So if you want to make them, you have to click on that and click on Merge down. And so you can know. Now merge these colors. So this is a thing you have to pay attention to. Because if you want to work on this software, you have to understand how layers worked and how they're working the one with the others. If I click a new layer and they had some color, then there are also additional stuff like, um, I can hide this layer. If I not sure show earlier, and on this layer they can also dry layer. It will dry you layer, and it will cancel the watering options. It means that if I do, I I'm I'm drying my layer when a drug in it there is a little spreading of the water. But then, when I want to stop dry and it is stopping to to move, the water is topping to move, so you can re create very natural, uh, watercolor paintings. So now this layer is selected. I can click on the option here, and we have additional blend marts. So what is blend mode? The player can be playing a different role. For instance, here we have normal, but if I change the opacity, you can change the opacity off your layer. If I click on normal, I have couple off different options. These options have could be fine in many drawing software's. You have darkened giving a kind of transparency effect, and you have different modes. You can test all of them because many of them could be used according to and depending of your illustration. This is hard to give a very precise definition for every one of these because it will really deepened off what we want to create. If you click on divide, my yellow is becoming transparent and having a difference colored game. It's exclusion. This is Kane off purple, shiny purple, so its total use. Yes, use us for my during here, but you can have different use of such things. Um, if I had to change them one of my layer, it will be, for instance, no to just deal added. It will be for creating new earlier and drawing or adding. Some ran things here on this layer, and I want to change your capacity. We'll click on the option to new rapacity or changing. Instead of normal, I will select darken. But when this isn't darkened road than either change the opacity. So the point is together having to play with different options to really find the effect won't create 9. How to use MASKS: how we can use the mask option in Frisco. I am here coming, page created, and I will hide do first frame and the last spring I want to keep on Lee the frame the middle so I can click on my layer and I click on Create anti mask Click on it and you can see that you have now on similiar delayer itself and the mask you have down here, the option revealed and hide. If you could go hide, you can paint the parts of your drawing You want to hide. If you click on reveal, you can make this parts appearing again. But let's see. I'm going to hide this part. I want to keep on Leah's frame. When I go back on my original drawing, I have on Lee the last frame appearing. This is very good, because sometimes you want to modify administration. You want to a raid, erase something, but you don't want to erase it differently. Of course, I can, uh, cancel this a mask and used eraser here and just cancel this, but I won't probably keep it. Andi, just see what it looks like if I'm hiding the first frame and the second frame. But I'm not certain I want to erase them or not. So you will create a mask to hide. It will be hidden just for this. It would be definitely to be according to you, that disease in the case want to test something to just to hide something. And you're not sure you will keep it or not. So anyway, I show you again. Click on the player creates enter mask. Then you have here you have to slide. Might mask it. Here I click on the hide. I'm hiding what I want to hide. And when I come back here my coming book page up here without the element I have hidden in my mask how we can use the mask option in Frisco I am here coming, page created and I will hide do first frame and the last spring I want to keep on Lee The frame the middle so I can click on my layer and I click on create anti mask click on it and you can see that you have now on similiar delayer itself and the mask you'll have down here The option revealed and hide If you could go hide. You can paint the part of your drawing. You want to hide. If you click on reveal, you can make this parts appearing again. But let's see. I'm going to hide this part. I want to keep on Lee his frame. When I go back on my original drawing, I have on Lee the last frame appearing. This is very good because sometimes you want to modify administration. You want to a raid, erase something, but you don't want to erase it differently. Of course I can, uh, cancel this a mask and used eraser here in. Just cancel this, but I won't probably keep it. Andi, just see what it looks like if I'm hiding the first frame and the second frame, but I'm not certain I want to raise them or not. So you will create a mask to hide. It will be hidden just for this. It would be definitely to be according to you, that disease in the case want to test something to just to hide something. And you're not sure you will keep it or not. So anyway, I show you again. Click on the player creates enter mask. Then you have here. You have to slide. Might mask it Here, click on the hide. I'm hiding what I want to hide. And when I come back here my coming book page up here without the element I have hidden in my mask 10. Final example: as a final example for this course and going to draw an illustration from zero and using the different layers. So I'm starting with my, um we look creative backgrounds. Um, I will not try to do a kind of sky with the watercolor wash and I'm going to I ended maximum with the water. Maybe I will do something very large. This right? It creates a trace is not what I want to do. All right, idea. Let's Virginia one, and I would try something else. What? Iwas maximum of the size? Make some of the water. Maybe I can see angle. Spacing on the battery can create some kind of effect like this. Let's see. Well, right, so we've kind of weird sky will come back here, spacings and do it like this again. Just have something more flats so you can already try to find some the way you want to create. You escape a testing. These are very important to tests and I will make to kind of blue. And that will probably come back with some words. It's trying. That's too. Maybe we'll use the razor. I take the freezer and some spawned effects. Could create something interesting. Ah, some guy. Enough cloud effect. All right. Okay. We keep this, then the ground. Let's try something. It's like this. And this time I will not do work a little bit oil and makes different kind of oil color. You can see the door color is mixing. Not really mixing very good. This is really, like, no mo. Uh, oil's I have to to several touch off my screen, too. And the dark color and really came off, uh, ground that has been destroyed or burn or something like this. All right. They will create new earlier. This layer is going to be filled with only one color. Just create an atmosphere going off, uh, arrange like this and I'm feeling failure type. I would like to fill this later. I won't pixel rights. And now I'm changing the options, and I will use a dark and mode, and it's been too much, so I'm changing capacity. Maybe multiply. It would be different or color burn. That's not about dark and darker color, maybe light. All right. This is a very interesting atmosphere. No, I create a new layer and I will create a character and this character I will draw it with, um they will brush zooming maybe something that harm trying to draw a very simple guarantee. It's awful. Just dilated. Okay, I start again. I will try to draw more the way I like to draw. Ah Cummings. Yes. Let's see what we can find. Cummings Sharp Incur Vintage Inc. Okay, let's try to keep me in teaching, and I will draw a face here that's increased this and we'll have kind of face. Maybe he has a hat and take all the last part of the illustration. Okay. Decreasing size just to add some hatch ing's. I like to use etchings, fall the shadows and to detail even more all of this. All right, now they have the outlines and creating a new layer this layer and sliding. It's just below, and I will keep the no more malicious that your but I will, at some color float the maximum to do not have any kind of transparency and just increasing the brush side of the brush. And if I want to feel launch parts, I can use the selection to and, uh, cancel that. So do it again, just selecting with the last suit, the part of drawing want you select and using the feeling option. Let's he has kind of pink hats and just being like this and select, don't forget to incite and then in completing this, maybe some light effect. All right. Now, let's take some words for the eyes and let's try to cite pointing out with my finger to select back the color of the skin just to say the same, but with some shadows darkest color. I mean the shadows where we need some shadows and so on so we can see with the very rough and rapid illustration we have can off different layers. Now, if you want to export, this administration can click on this quick exports shares snapshot or publish in exports, and I can publish on Be hands project that looks Export Creek export or expert as and I can select the former. I want to export make documents. So if I take time of exports, you it's creating video off every steps you have done to create your frustration. So it could be very interesting if you like to create step by step videos. All right can take on the exporting. Decide where I want to export night documents. All right, so that's it for the presentation of the software. No, this is up to you, Teoh, to stop work with its and toe experiments. Difference options are presented you during these videos.