Photo Processing in Adobe Camera Raw: Getting the Cinematic Look
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Why Processing Matters14:17
Color, Style, Mood6:54
Camera Raw Walkthrough4:44
Lets Work on a File Together12:54
Fixing Chromatic Aberration4:11
Fixing Blown-Out Highlights6:27
Bringing It All Together8:24
About This Class
How do you make your digital images look like film?
This insightful one-hour class with celebrity portrait photographer Elizabeth Weinberg will walk you through exactly what goes on behind those Instagram filters and editing programs, so you can understand the fundamentals of light, color, grain, saturation, and – in essence – make your digital photos not suck.
Elizabeth walks through the 4 telltale signs of ugly digital photos:
- No grain
- Terrible skin tones and highlights
- Chromatic aberration
...and how to fix these issues quickly and easily.
This class is perfect for photographers of all levels – whether you're just starting out, or if you've been shooting for years and want to hone your processing style.
Join Elizabeth in her digital darkroom (Adobe Camera Raw) for a crash course in photo editing, and leave with the skills and confidence to add a signature cinematic style to your own portraits.
248 of 256 students recommendSee All
Great class. Wonderful to learn from someone who has their own personal style, but encourages you to find your own. I really like going through the different features in photoshop raw with someone who is so familiar with them and isn't afraid to show their facets in a bold way.
Elizabeth Weinberg lives and works in Los Angeles by way of Boston and Brooklyn. With an educational background in photojournalism, she specializes in storytelling and portraiture that mixes a loose, effortless style with measured precision that produces cinematic, timeless work.
Elizabeth has been recognized with awards and features from PDN's 30 Photographers to Watch, the Art Directors Club's Young Guns, American Photography, and Communication Arts.
She has expanded her decade of professional experience in still photography toward a newfound love of directing evocative motion pieces.
Her skills in imaging post-production set her apart. She believes that the finessing of color, saturation, and grain is just as important to a still or moving piece as its content. She loves to be hands-on in applying her signature color style to best convey a story's particular mood.
She lives on the east side of LA with with her husband and son, and drinks at least two cold brew coffees per day.