I started out by experimenting with cling wrap. I used various blues (Ultramarine Blue, Cerulean Blue, Phthalo Blue GS). I put more water+pigment in the center, and less in the top-right, and I thought the effect would be weaker where there is little paint. But in fact the effect there was lovely - the cling wrap exposed the white of the paper and left wrinkle marks. In the area more loaded with paint, the paint pooled in areas, and I also got some spiderweb dark lines. This was really interesting and I look forward to experimenting further and combining this with doodle art line work.

Here is the initial watercolor wash, before putting cling wrap over it (see where there is more/less paint):

Here is the cling wrap over it. You can see how the cling wrap behaves differently where there is more paint as opposed to where there is less water+paint:

Here it is after removing the cling wrap a few minutes later. Not yet dry:

After it dried completely, I doodled over it with Dr Ph Martin's Spectralite Liquid Acrylic ink in Magenta. I tried to leave empty spaces so that the ink lines won't completely obscure the beautiful texture of the watercolor. I think this would be better with a lighter shade of ink or a sparser design. But I love this direction and plan to incorporate it more into my work! And to experiment with additional techniques shown in this class. Thank you Jen!