Watercolor Pastel Skies : Learn to Paint Soft and Serene Pastel Skies

1. Welcome to my Class: If you ask any artist about their favorite subject to paint, the first thing they would mention a skies. Skies offer a wide array of colors and character, ranging from bold and bright, a soft and subtle, even dramatic skies. There is no doubt they make an exceptional and captivating subject for any artist. Hi everyone, my name is Annie. None of you. I'm an artist and our constructor and an order to the book board and beautiful glass guys. Watercolor skies is something that I absolutely love. It is really wonderful. How we can create various effects in the sky simply by playing with colors and altering the brush moments. I have set up briefly watercolors that I purchased a white path, which I hadn't fully explored. Just a short while ago, I decided to give them a try. The outcome exited all my expectations. The skies, I painted very lovely plant off gentle soft textures. And before building. In this class, I'll be teaching you how you can create watercolors. I'm being simple as soft and dreamy watercolor sky. We will begin by discussing the materials we will need for this class. After that, it will take a detailed look at Visa Class and explore how can create them. Once we have a good understanding, we will move on to painting the sky. Sky with Chuck is a unique color combination, allowing you to gain confidence in color mixing. Through these projects, you will have the opportunity to practice and refine the skills and creating crystal worthless guys. Okay, so if you are in a mood to paint some soft and simple basis, guys, chime me right away for delightful painting session. 2. Class Overview & Projects: Let's to fall. Thank you so much We tiny. It's a pleasure to have you on tiny this class. So before we start, let me give you a quick idea about what the class is all about. As you already know, this class is focused on basically watercolor skies, pixels, colors are not that common. You always will have to buy them. Additionally, it doesn't come from the normal watercolor sets. What is the exciting part? You don't actually have to buy all those specific basal colors. You can easily create them by mixing white watercolor into any color you wish to transform into pastel shade. So I will begin this class by demonstrating that we will explore and understand what are peaceful Colors and how we can create them with the normal colors we have with us. So before we start with the skies, we will compare and try different mixing recipes so that you're well-practiced at Mixing your own colors. After very detailed color study, we will start with the watercolor skies. We will be Painting ten different pieces skies. Each of them will feature a different color palette and a different technique. For example, in this painting, how you two simple blending technique of two colors. You can see that basically orange and blue. Now if you look at this one here, along with a smooth blend, have introduced some violet color at the bottom to make the sky look more interesting. So that's the same technique with the simple tweak. Now coming to this one, I have added some lines at the bottom to make the sky really captivating. Now for the sky, have used three different colors and I have added the paint and an inclined way. Now when this one, it's a little more modified version of the same technique. The lines are a bit more traumatic, but the colors are really beautiful and they are very soft. And for this one, I have introduced some rounded clouds. It is one of my favorite from the collection. I just love this color combination. Have you similar kind of cloud for the spinning asphalt? It is just add the colors are different. In this class we will explore a total of ten different peaceful watercolor skies. With each project in this class, you will have the opportunity to explore unique color combinations and learn new techniques. This process will not only enhance your understanding of pastel colors, but also boost your overall confidence and working with watercolors as you progress through the class and engage in various projects, you will steadily develop your skills and gain the confidence needed to create stunning visual watercolor skies. 3. Materials You'll Need: Let's start by looking at the materials you will need. As usual, I will start with the paper. So this is the one I'm going to use for this anterior class. It's from Canson Heritage Series. So Canton has a lot of varieties of paper. This is the one that allowed, particularly the one I use for my watercolor paintings, mostly editors 140 Albi, which means it is quite thick enough and can handle multiple layers of water or paint. Then it is 100% cotton and it is cold press watercolor paper. Okay, so that's the one I'll be using. You can go with any of your watercolor paper, preferably an artist grade watercolor paper, which is 100% cotton and a minimum of 140 RB thickness. Now let me show you the size of the paper that I'm going to use for the painting. So all the paintings are composed in a square shape. And this one is 14 by 14 cm quiet. According to your preference, you can go for a portrait orientation or landscape orientation. I will show you a few paintings that we're going to do to get a rough idea about the size and the weight is composed. Here it is. These are two of the paintings study going to do in this class. As you could see here, they are not so detailed. The major element is the sky. Then we have a foreground element. It could be a metal or a mountain. So my recommendation would be to go for a smaller scale people. This one is 14 by 14 centimeter square. You can make it a bit bigger or a bit smaller. That's totally okay. So that's all about the watercolor paper. The next thing you will need some masking tape. This one is a very normal masking tape I got from a stationary store. You can use any tip of your choice. It could be a painter's tape or washy tape. We just need to fix the people. You can fix it onto your table or onto a drawing board. Okay, so that's the second thing you will need. Next coming onto the watercolor. As you all know in this class, we are trying to explore pistol skies. So obviously you will need some basic colors, but there are two common. It doesn't come in the normal watercolor sets. You will always have to buy it separately. So what we're going to do is we will be adding some white watercolor into normal colors that we have to create a basal color. I will quickly show you an example. Here. I have brilliant pink, which is a pixel color I already have with me. Now to create a similar color, all you have to do was add some white watercolor into any of your rate or any of your pink. It's a very easy task. You don't need to buy all the pastry colors available in the market. Just by adding some bite into any of the color, it could be purple or pink or orange. You can easily create a basal color. If you look at this watercolor tube under pigments, there are two numbers written. One is p and the other one is vw. And if you look at the white watercolor tube, it clearly says that pigment number is p w six. So that is quite obvious. The Berlin pink is a combination of a white pigment and a red pigment. And that is exactly what we're going to do. If you don't have any basic colors with you, there is nothing to worry. I'm hoping you all have a white watercolor tube with you because that's how many ways. In the next section, I'll be demonstrating how we can create your own set of pixel colors. So don't forget to check out that. Now coming to the next material, you will need a mixing palette. This one is a ceramic mixing palette. I'm someone who prefers ceramic or plastic because it is much more easier to clean combat plastic. And also it doesn't stay in the palette. We spoke about the people, the colors on the palette. The next major thing is the brushes. I'll be using five different brushes. They all are from silver brush. So these are the brushes I'll be using. I have two flat brushes and three round brushes. I will start with the bigger brush. So this one has a 1 " flat brush. This one is to apply water onto the background. Mostly. Most of these guys that we're going to paint is on wet-on-wet technique. So obviously you will have to apply equal to water. Now the next one is a half inch flat brush. I will be using this brush to paint these guys, especially when I need to blend the colors. So that's my second brush. You can go to the half in fresh or a three by four inch brush. Now the next three brushes are round brushes of different sizes. I have size number eight, size number six, and size number two. Obviously the bigger one size number eight is to be in the background. Then the other two is for medium and smaller size detailing. If you don't have three different sizes, that's totally okay. Go to medium-size brush and a smaller size brush. That's all we need. Alright, that's all about the watercolor brushes I'll be using. The next day you will need a jar of clean water. Usually I always recommend having two jars of water. But the paintings that we're going to do in this class doesn't have a lot of colors are a lot of details. So one jar is enough. The last two things you will need a paper towel and a pencil. There's only simple as getting involved like a mountain or a horizon line. For that you will need a pencil. Then you'll also need a paper towel to dab off the excess amount of water content from your brush. Okay, so those are the materials you will need for this anterior class. Before I conclude, I just want to say it's totally okay not to have the exact same material that I'm using here, even the color or the exact same brush. Just go with anything you have, which is nearly similar. 4. Pastel Colors: I'm going to start by explaining water pistol colors. So I have a set of pastel colors with me. What type of cheese or wind pack. So that is lavender, green, pale Chamberlain about two shell pink Christ and blue, brilliant pink. There are quite a lot of colors. Partly I haven't explored them to the fullest. So this class is actually an opportunity for me to explore them as well. So I'll start by sketching out all these colors onto my paper so that you have an idea how they look like. I wouldn't be using all these colors for this class. I'll just use some pain can, some orange. The rest of the Colors is just for you to see. Anyway, I will switch it out. This is another major color I'll be using. It is called brilliant pink. It's a beautiful, peaceful pink. And also this one is my favorite color from the collection of peaceful Watercolors I have. Anyway. First I will take out some paint onto my palette. Then we can have a look at each one of them. This one is very much similar to the color you see on the top. If you look at the pigment number, you can see it's a mix of red pigment and a white pigment. Br means pigment red, and PW means pigment wide. So it's a combination of white and red. First, I will quickly swatch all these colors. Then we can come to this pigment information. We can see how each one of them are made and from which pigments each of them are made. And similarly, if you look at this one, it is called green pill. It's a basal queen. Again, a combination of a green pigment and a white pigment, p27 as pigment green and PW speaking right? We can have a look at one more color before we scratch it out. This one has lavender. And if you look at the pigment information, you can see it has three pigments, a blue pigment or violet pigment and a white pigment. The white pigment is common in all the pieces, watercolors. And that's how they get that peaceful character. To make it clear, let's have a look at the White Watercolor to this one is titanium white. And if you look at the pigment number, you can see this PW six. And that means the common elements and all these colors is white, white watercolor or a white pigment. And that's how they have that peaceful character. I think that's a quick intro to begin with. Now, I'm going to scratch all these colors. Alright, so I have all the colors on my palette. I will start with the first color. This one is a peaceful orange. It's called John Brilliant. Number two. It's a very soft and subtle basal orange. It has a slight yellowish tone to it. So John is a French word. It means yellow. But it's not a basically hello. The information of the pigment sees it's an orange pigment and white. Here's a watercolor tube. It's from a plant called Shanahan. John, Brilliant number to the pigments are an orange pigment and a white pigment. Po means it's an orange pigment. Now coming to the second one. Have to ping co. That's been a shell pink. It's a beautiful color. I absolutely love this color. How one more Paint? Festival furnished test and I would shoot, I'd color. So all the colors I have here is from the branching him. It's according Watercolor, Brand. Dismissal, light, peaceful thing. The next one, this one as brilliant pink. It's much more brighter than the previous one, which you can see quite easily by looking at the swatch itself. The spinous, much more plato and bolder than the previous one. So to make the color lighter, they might have added more by two into it. And also the pigment might be slightly different. Even though put our pink, we can have a look at that. So those are peaceful orange and peaceful paints. These are the two colors have splashed out right now. Shall pink and brilliant pink. If you look at the pigment information, both of them are made from a red pigment and a white pigment. For Shell Ping it is per 9.4 brilliant ping it is per 209. Even though they are looking slightly different from each other. But they both have white pigment in it. So the difference in the way they look might be from the amount of white pigment in it and also the red pigment as differential product them. Next handles swatch our lab until after that, how Horizon Blue as well as green pill. Okay. This one is again a mix of a violet and a blue pigment along with that white asphalt. To create that peaceful character. For the Paintings that I'm going to do on this class, I won't be using these three colors. I'm in the last three colors. Mostly I'll be using John Brilliant number two, shell pink and brilliant pink. Then some other colors that I'm going to mix and create. Just don't worry, if you don't have the luxury colors, that's totally okay. Mostly we will need basal pink and orange. I just want to show you the colors that are available in the market. That's why I'm swatching out lastly, colors. The next one is Horizon Blue This one has a beautiful color. I use it mostly for my turquoise beaches and clear blue water. Okay, So that's the next one. Now how one more left? Which is green pale. I haven't ever tried using that color. I'm still figuring out what are you sat for? A beautiful green, but I don't know what I can paint with it. Maybe for people who are into florals are some illustrations. Can use it. Okay, so that's the last color. It's called Green Pale. And as I mentioned earlier, all these colors as Pastel. It's from the branch in hand. It's a Korean brand. Here's a closer look of all the colors. The name of the colors might be different for different brands according to the pigment and the way they have named. Never trust the naming of a callow always go for the pigment inflammation. Anyways, those are the colors that are readily available in the market. Next, I'm going to try creating my own peaceful colors, which may or may not be similar to the ones be spat out. I think I'll show you some of the Paintings. For the first one you see here, this one a startup peaceful blue. And for this one as well, It's not a base, little violet. I've just used a lighter value of those colors to create a peaceful effect. That is one way of doing it. If you don't want to add some white watercolor into your colors, you can just go for a lighter value of the same colors to create a please will effect the only thing else the colors would be transparent when you add more water to make it lighter. But when you add white watercolor into it, it will be more opaque and creamy. So first I will take out some violet, some orange as the lesson right onto my palette. I've divided my people into nine equal divisions. The first set, I will swatch of these colors by adding some water into it. Then on the next ones, we can add some white watercolor and we can see the difference. So how violet, orange as well as right here. Now let me add some water into all these colors and turn them into a lighter value. That is violet from White Nights. Maybe some more water. Okay, So that's the first one. You can see dispatches really transparent. It's a lighter value of violet. Now in a similar way, I will add this patch of orange as well as red. You don't need to try these exercises. You can just watch it to understand peaceful colors. So the next one is orange. Have just added some water and have made the color lighter. This one is also transparent as we have added more water to make the color lighter. Now we have one more left, which is right. Okay, so let's go with red. The red I'm using Q, a spiral drag again function. And orange I used earlier as brilliant orange. That looks really bright. Let me add some more water to make it lighter. So that's lighter, right? I have added some water to peddled read. And that is how it is looking. The colors we have fast out here as violet, orange, and red. We have just added some water into all these three colors to make it lighter. And the reasons we have here is transparent. Now the next sections, I'm going to try creating a basal portion of these three colors by adding some white watercolor into each of them. It doesn't need to be guage or anything, just simple, plain white watercolor. Now I'm taking a bit of that onto all the sections that I can easily mix them. First I will start with violet and the same order. So first we have as violet, I'm adding some white watercolor with the violet color I have on my palette. And that's Rosa. We can clearly see the colors more milky, creamy add to peak. It is not really dull and transparent like the earlier one. For that, we have only used water, but right now we have introduced some white watercolor into it. So that's a basal violet we have created. Next, let's try basal orange as well as peaceful, with the same technique. Next one is peaceful orange. I have some white watercolor as well as orange on my palette. I'm mixing them together. Now, let's write out the color. Looks like there's a lot of white and orange pigment is very less. I'm adding some more orange. This one has a very light and soft based with orange. Depending on the amount of orange color you add, the color will be different. If you're looking for a brighter pixel, orange, you can add more orange color into it. And if you're looking for a really light and soft orange, reduce the amount of orange and add more white into it. So that is peaceful orange. Next, let's try creating peaceful read. So earlier we had a look at the peaceful paints And for each of them they have used red pigment. So obviously the color that we're going to create right now, but look something similar to the colors we tried audio. And you can see the call just be slow pain that I'm swatching out right now. It's a mix of pyrrole red as well as white. Such a beautiful pink, right? So that's how you create a basal think. It is really, really easy. All have to do is just add some white watercolor. Using this method, you can turn any color into a pixel color. This is the same method that manufacturers also used to create a basal colors. So you don't need to buy all of them. You can just add some white watercolor into any of the color you wish to transform into peaceful sheet. Now we have one more section left. Onto that. I'm going to spatter the same color by adding more pigment into it. Just to show you the difference. I'm starting with violet. This time I'm using less wide and more violet. And obviously the color will be made brighter. So that's based on violet. Next, let's watch our orange and readiness underway. By adding more pigment and less wide. The orange I'm swatching out right now. As much more plato and prominent Daniel earlier. So depending on the Moody want to create a new painting, you can choose to add less white or more white. And also you can try experimenting the same but different kinds of oranges and reds. Now, I'm going to thread just like we did earlier. More real and less white. The color is going to be much more plato. Look at that. Such a beautiful pink, right? I used very little amount of white and I used to more red. And that's the color I caught. So we have a lighter pink and a brighter pink. Then we have a lighter orange and a brighter orange. Similarly, we have a lighter violet and a brighter violet. Now if you look at these painting over here, I have this trapezoidal orange. It is something similar to this. It's a mix of orange as well as wide. And for this painting, I have these two brilliant pink acidosis, which is very much similar to the color we created here. Now for this painting here, I have used concern for your number two, which is a basal orange. So you can choose to use a lighter orange or a brighter orange. Before I wrap this up, let me show you some of the oranges and pink I created. The first for a special oranges. I use different oranges for each of them. The last two RP sloping. For the first one I used quite old red and white. And for the next one, and for the last one, I added a bit of orange into it just to see how the color is going to look like. So yeah, just keep experimenting with different colors you have. The color doesn't need to be exactly the same. If have readily available colors with it, you can use them directly, or it can just mix and create your own face will close. My intention with this section is to make you all confident enough to attempt this class. Because basal colors are not very common, you will always have to buy them at digitally. And just for that reason, I don't want anyone to stay away from trying not visible watercolor skies. For example, for this painting, I'll be using a basal orange. I'll be using Chamberlain number two. You can use any pencil, orange, just make some white watercolor, but any orange you have caught. Now for this one here, I will be using three different colors for the sky. This epistle pink, and the same peaceful orange, which you can create quite easily. Keylistener, the one that I'll be using a lighter value of blue, as well as a peaceful pink. I will also be adding a bit of orange into the sky to create a different effect. I will show you one more painting. For this one I have used three colors are Pencil, pink, or red, and an orange. The only peaceful color is pink, the rest is normal watercolors. You don't need any special set of watercolors. You will only need a white watercolor to you and the data you can create your own. So don't be silly watercolors. And again, try all these beautiful pastel watercolor skies. 5. Prepping the Paper & Colors: Before you start painting, make sure to secure your people or to a board or table. Since the painting techniques in this class do not involve heavy washes, there is no need to till the paper or keep it inclined for the water to flow downwards, you can simply leave the people Flat and secure it directly onto the table or a hard board using Masking tape, washi tape. After applying the tape, apply some pressure and run your fingers along it to ensure there are no caps. Gaps can cause paint to seep in through and create massive bottles. Additionally, using a masking tape can also prevent your paper from buckling to an extent after setting up your people, the next thing you will have to prepare is your colors. If you have peaceful colors available with you for up to use them right away. However, since they may not be readily accessible to everyone, it is recommended to prepare your paint makes an advance. By doing so, you can save time and ensure a smooth and uninterrupted painting process. This will also allows you to fully immerse yourself in the moment and enjoyed the experience. You will find a detailed explanation of required colors for each painting. At the beginning of every project, make sure you have the recommended Colors ready before we start with the basal watercolor skies. If have any doubt, have a look at the basal Colors section. But I have explained how you can create your own. Be slower the class. Now I think it's time to start with our first basically Watercolor Sky 6. PROJECT 01 - Beyond the Mountains: The first baseless sky that we're going to paint them this class as one, as you can see here, how these two palettes for the sky, It's a way to get it Wash of two colors. Can we also have a mountain? Okay, so that's the first painting. Now I will quickly take you through the colors you will need for this painting. Have similar colors, you can use the same, or we can go with any of the color of your choice. So the first color, you will need some blue. I don't help me. So blue with me, the color and mixing cure is royal blue. It's actually a very lighter value. That's my first color. You can use any blue have caught. It could be Prussian blue, cobalt blue, or any blue, which just have to water and turn that into a lighter blue. This is the one I'll be using. So that's the first color. Now coming to the second one. It's a basal yellow. Orange, however you want to call it. I will first spatter the color. Then I will show you the watercolor tube. So that's a kilo and here's the Watercolor two. It's June Berlin number two. So John is the French word for the color yellow. I have no idea if I'm pronouncing it right. So the people who are speaking French, please, excuse me. Anyway, here's the pigment number. It says P0. That means it's an orange pigment. And PW as a white pigment, which means it's a mix of orange pigment and white pigment. So those are the two colors I'll be using for the sky. You can use a lighter value of any blue diarrhea with you. Then you can use a pistil orange. Now coming to the color you will need for the mountain, I'll be using a darker value of the same blue. Then add the missing data with a bit of Payne's gray to get the integral kind of a color. That's a clue I'll be using for the Mountains. Along with that, I will also be using Payne's gray acid is to add the deeper value. According to the amount of Payne's gray you're adding into the color, your color might look a bit different, but that's okay. Go with any blue and add a bit of Payne's gray to create a beautiful integral color of your own. Okay? Now the last color you will need as paints, gray acidosis. If you don't have been screened to school with black or neutral tint. That summarize the colors you will need for the first basal sky. Now before we start with the painting, I want to quickly show you how you can create that basal orange with the colors you may have with you. We already had a look at the pigment number. Let's have a look at it again. This fancies be or 20 and PW six. So P 0 means it's an orange pigment, and P W means it's a white pigment. We already have some white watercolor on the palette. Now I have 1 million with me with just an orange pigment. The pigment numbers P or 16. This is the closest one I have. I don't have feet or 20. I'm just going to try creating that basal orange with formalin. I had a quick look and it seems be O2 sat is cadmium orange. So we have cadmium orange. You can use that instead of 1 million. And I think the color will be much more similar to John, Brilliant to anywhere. Let's try creating that color with formalin and taking on some rumbling onto my palette just a tiny bit. So my idea is to try and mixing these two colors together of Mullin and white. It might not look exactly the same, but still I can manage to make a place to orange. Anyway, let's try it out as some vital my palette, I'm mixing that with formalin. And you can see the color I had created. Let's scratch it out. This one is very much orange-ish. And the color or how useful the painting looks a bit yellowish in a way. So that's a mix of warm, willing and wide. Now I'm going to try making this a bit more darker. I added a bit more orange to the same mix. And that's a color. Depending on the amount of why to adding into the color, that pixel character may look different, right? And we can see the colors a bit more darker than the one I smashed earlier. Now, I'm going to try creating the same color using another orange. This is the one I'm going to try. It is called brilliant orange. This one has a bit more yellowish tone to it. Compatible Merlin. So let's try creating that basically orange with this color. Have taken out some paint and I'm picking some white and mixing it with that. Seems like this furnace, a much more closer one than the one we created earlier. So just add some white into any of the orange and try creating a pistol orange. Even if it's not exactly the same, you can just go with that color and ready. Sure, how will you created it is going to look really beautiful because all the three colors have spaced out here, has its own beauty. They all are equally beautiful. So just try creating your own version of peaceful orange and go the one that you like. If you want to explore more, you can try the same with all the oranges you how-to. If you have cadmium orange, you can go directly with that. I think the third one is kinda similar to John Brilliant. Number two, this one, you can see the other spots here. They are kind of similar. So yeah, I'll try creating a piece of orange with any of the orange you have God, just add a bit of whitewash, decline to it, and create a beautiful, peaceful orange and keep it ready on your palette before you start. We may not have the time to prepare the colonial and we have started painting. So it's a good idea to prepare that in advance. So I just starting your painting, you have everything ready. Now it's time to do it. A try. I have my paper ready here already and have tape to town Tripoli onto my table. First, I'm starting by adding the sketch. We need to add a sketch of a mountain. That's only thing. I'm making a tire towards the right side then at the sloping down towards the left. So just have a rough sketch of a mountain goat and irregular shape to make it look more realistic. Right here you can see I have a taller end on the right. Then towards the left, I have made it a bit lower compared to the right. That's a sketch. That's all you need to add. We could add the restaurant, the details as you're painting for now, this is all you need. Now let's prepare the colors and start painting. We already have a look at the colors. So take out any blue of the child's. As I mentioned, I missing via blow, but you could use Prussian blue or cobalt blue or any blue have caught. We just need a letter, will be single, rarely lighter value for the sky to make it look like a pistol blue. So that's the first color. The second one is the spatial orange. Again, you will only need a little. The colors are ready. Now for step starting by applying water onto the anterior sky. I'm missing a wet on wet technique you, which means you will have to apply a code of water before you start. For that, I'm using my one-inch Wash brush and picking some clean water, applying that to the entire sky. I'm running my brush around the outline of the mountain. If we can try not to add any water onto the mountain. My background is evenly wet. Now to apply the paint, I'm using Ron Fresh. This one is mainly to apply paint around the mountain. And I'm starting off with this based will orange. Now, let's add that around the mountain. You can see the color. Now, let's apply that carefully around the mountain. After this, I'll be switching to a flat brush because that is much easier for me to blend the color. I'm not really good with blending colors with a rash. Okay. Let's add in some more paint around the mountain. Okay, so that's the first color. Now I'm cleaning my brush and it's some clean water and making the color lighter towards the top. You can take the paint until to the half of his sky. So keep making it lighter as it go up. Now, I'm going to switch to a flat brush and I will apply my second color using of luxury. Picking blue, adding some water, turning that into a lighter value. And I'm adding that on the top using my flat brush. You want to continue with your own brush? That's totally okay. For me. I find it easier to blend the colors using Flat Brush. So that's the reason why I'm using Flat Brush here. I will add some more paint onto the top. Then I will quickly blend it. And that will be my sky. So keep running a brush back and forth in a horizontal direction to get a clean planet. Don't go with multiple Brush moment. Only run your brush in one direction. That will give you a perfect blend. And be very gentle. Don't put a lot of pressure that will disturb the people fibers. And it will end up having those tiny pupil particles coming out of your paper. Okay, So that's my sky. I'm very much happy with the blend. It's a perfect blend, I would say. Now, we could leave this for trying. Okay, So this guy has dried completely. Now it's time to bring the Mountains. As we discussed earlier, along with blue, I will also need some paints, gray I already have some royal blue on my palette. Now I'm taking out some paints, gray, the colors already. Now what we have to do is we need to mix these two colors together. I'm picking some royal blue mixing pad with paints gray. You can use any blue. It doesn't really matter. We just need a darker blue. That's the color. Now let's apply that almost three-fourths of the mountain. Then towards the bottom we can introduce a much more darker tone. So prepare that mix of blue and paints gray and simply apply that following the outline of your mountain. Good morning. Can modify the shape. Just apply that onto the mountain. Initially to paint a mountain, I thought of using integral, but then I realized I can easily create some luck Hello by adding some Payne's gray into royal blue, which I'm already using for the sky. So that way I can go with just three colors. Now, I'm going to prepare a darker version of the same color by picking more Payne's gray and more blue. And I will fill up the bottom using that color. So this makes us more paints gray than blue. See that at a much more darker shade than earlier. Now fill up the bottom area and this darker tone, just fill it up. At this point, your mountain might be looking a bit messy. It might not look that great. But that's okay. It is part of the process. Now what I'm going to do us, but the same brush, I'm going to add some lines onto this wet background. There's some random lines to create a texture. See that? Right from the bottom. Just add some lines towards the top. On the top we have a medium tone and to what to bottom we have a darker tone. Now I'm randomly adding some lines to create a texture. Once you're done adding those darker tones to the bottom, you can add a few along the slope. I'm using the same brush, picking some more paint. Now I'm adding some random lines along the slope of the mountain. Now let's add a few towards the right side has for just a matter of adding multiple value. Let your background is still wet. Now seeing onto the side, pick up all those tiny breaks you have new mountain and onto all those pockets. Atom deeper value. This will create a beautiful effect on your mountain. It will make it look more realistic. Now if you back on the still wet, you can keep adding more deeper value and it's starting to dry. A good time to stop it. I'm happy with the left side, but on the right, I think I can add an irregular line. From the tip of the mountain. My background has almost dried. So I'm picking the same color. Now onto this side, I'm just adding some deeper valuable. This way I can create a light and shadow. Now let's drop in some deeper value. And that's it. That's my mountain. You can see how easily we painted a beautiful mountain. For the base layer we used to mix off paints gray and blue. And the applied that onto the MTO shape of the mountain when we introduce some people value. And that said that the car just Mountains. See that. Very much happy with the result. I hope you liked your mountain till now. Let's wait for that to dry completely then we can add some final details onto it. Okay, so that's how it is looking right now. Now for the final step, we will leave some white. It can be white, watercolor or gouache. I'm just using a bit of white watercolor here. Now, you will need a smaller brush and add few drops of water into your white watercolor or gouache. We don't need an op quite. It can be a bit loose. So add a few drops of water if you feel your pain is really try and opaque. So the paint is ready. Now using this, I'm going to add some white lines on to the mountain. Just some irregular line. Decreed a snowy effect. I don't want these lines to be really prominent. That's why I'm using a loose white. It doesn't need to be opaque. And the lives your writing can be very irregular in shape. Add that variable you want to. But the only thing have to keep in mind is to go with a paint that does not do opic. Simply add some lines onto the Mountains, mostly on to the top, then a few towards the bottom. I think it's good to add the mask inclined line following the same slope of the mountain. Looks like the paint I used as really watery lines I added earlier. It is no hurdle less able than and tried somatic more paint. And I'm just repeating the same step. Now I'm adding fuel towards the bottom. You can clearly see the lines formatting. We don't have a proper shape. It's a bit thicker at some places and thin at some places. So just go with such natural random lines. You might be wondering why I'm not using an opaque paint. The reason is that if I use an opaque paint, they will be too prominent. I don't want these lines to be too prominent. I want a very soft and subtle feel for it. That's the reason why Amazon slightly watery paint. You can see the lines and I didn't show. Now when it dries, they will be really soft and the receptor, they won't be prominent at all. And that's exactly what I need. Wherever you want to add these lines, you could add it. If you want to go for an opaque paint, that's totally okay. If you don't want to add these lines, even that is totally okay. Alright, so with that, we are done with our painting. You can see how beautiful the mountainous looking and all subtle texture on the mountain. Now it's time to go with the most interesting task, peeling off the masking day. So let's talk what? Before you peel off the masking tape, always make sure you're painting has dried completely. If it's still a little wet weight for that to dry completely so that you want to pop the people by mistake. And here, so first baseless Sky of this collection. I really love the simplicity of this painting. The sky is really beautiful. And even the Rocky Mountain. I really hope you all liked it too. Thank you so much for joining and I'll see you soon with the next painting. 7. PROJECT 02 - Dreamy Evening: Now let's go to our second painting or the series. And here's what you're painting. It's a really dreamy, peaceful sky. And they're going to absolutely love the proximal. Any levels have a look at the colors evenly before we start. So I have a scrap piece of paper here and have some lateral paint on my palette. You William, Any kind of pastel pink. You can either go with a ready-made pink or it can mix and create your own, then you will need some orange. Well, what are visible mix of pink and orange. Then you will also need some violet. So the only peaceful color, a half here as basal pink, the rest is normal colors will be similar, same colors for the CS as well. Anyway, let me swatch them out. I will start with pistol pain. If have a pastel pink, you can use it directly. And if you don't have one, please check out a peaceful color section where have explained how you can create a similar color. So that's the first color you will need. It can be slightly different. It doesn't really matter. Just go with any kind of pastel pink. Now the second color you will need us orange. So what I'm going to West, I will mix a little of orange with a space look pink to create a beach kind of a color. That means patch it out. We, they need some more orange. So that's a clue. You can see how beautiful it is. Just to mix up some orange, what baseload pink. And that's the color, the center of the sky. I'll be using this color. And at the bottom, it's more of a pink than alone, making the color lighter as we go up. Then to make the sky a bit more interesting, I'll be introducing some violet. You can see those MindTap introduced along the horizon line. That's violet. I guess those are the three colors I'll be using for the sky, as well as for the C. Now coming to the next two colors you will need what is quite obvious by looking at the painting itself, which is brown and paints gray. If you don't have brown, just go with bonds. The one I'm using here is brown from Art Philosophy. And that's a major color I'll be using for the rocks. Then to introduce some texture. I'll be using some paints gray. The last color is Payne's gray. If you don't have Payne's gray, just go with black or neutral tint. That summarize the closer you will need for our second peaceful sky. The oil, diesel color, I'm callings for this painting as blue and pink tech on the basal Colors section to know how to create this color. The restaurant normal colors, this monosomic soft pink and some orange, the rest of the violet, brown and Payne's gray. I'm pretty sure you may have similar colors with you. So now it's time to give it a try. So prepare colors in advance if you don't have them, have fixed my paper onto my table. They also have the Colors ready. I have pink, orange, as well as wireless. Now I'm starting by adding horizon line, which is a little below the center of the paper. That I also need to add some rocks towards the right side. Am I going to huge rocks towards the right side? You can combos you painting, how will you been to if you want to add them towards the left? That is totally okay. So that's the first one. Then I'm adding another one towards the bottom. Have to huge rocks here. For now. This is all we need as we paint. We can modify the shape, and also we can add some tiny rocks onto the scene. Okay, so that's a sketch. Keep it ready and keep your Colors ready. As I mentioned earlier, we'll be starting with pink, then towards the center, introduce some orange. Then we'll make it lighter towards the top. Then towards the horizon line, we will introduce some violet to make it a little more interesting. Okay, so that's the plan. Now the first step is to apply a code of water on the sky. We are using wet on wet technique here, which means we will have to even live with the sky. And for that, I'm using my one-inch Wash brush. You can use any of your wider brush, but make sure it is claimed before you start. Apply a nice shiny code. Make sure this even run your brush multiple times, just to be sure it is even. My skies evenly wet. Now, we can start applying the colors for that. I'm using my flat brush. This one's a half and Flat bridge. Looks like it wasn't clean. There was some leftover paint on it anyway, I have cleaned it. Now. I'm going to start by applying some pink onto the sky. I'm hoping you all have you read really on your palette. You can go the ready available pain or it can mix and create your own. Now, I'm applying them along the horizon line using a flat brush. I haven't added lot of water. I'm using a very rich paint. Now. I'm adding that around the rocks. Became more pain Adding that almost one-third of the sky. How many people colors with me? But this is the one that I use the most disliked the name says it's a beautiful and brilliant pink. Anyway. Next time switching to orange, mixing that with a bit of pink to create that beautiful beach color. Now I'm applying that right next to pink and I'm blending that together. Now for the rest, we need to make it lighter. So I'm cleaning my brush. I'm just making it lighter. As I go up. Towards the bottom, we have a bright color and towards the top we have made it lighter. Okay, so that's the base layer. If you want to introduce more color, you could do that. You can introduce some pink or some peach. I feel like the orange dawn is not quiet prominent. So I'm adding a bit more orange into the same mix. Now, introducing that into the sky. Okay, now that orangeish pink is more prominent. To be honest, it doesn't a huge difference, but this just a slight orangeish tone. Anyway, let's quickly go the next color. For Wash. I'm going to pick up a bit of wireless enabled love pink, mixing them together to create a beautiful, peaceful wireless. Now, imagine that towards the horizon line. I'm just adding that will heal. I don't want to sky to be too dramatic. I wonder various soft and subtle sky. Now I'm just munching that into the background. Greater soft pads my sky. Before I call it done, I'm just going to introduce some paint at the bottom just to make the horizon line straight. So well, let me pick some all paint. The same wallet I created. You can either create a basal violet by adding some white into it. You can just mix that while it with any of the basal plane that are using all the one who created. That's all you need. Because we're not going to use a lot of wallet. We're just adding some streaks onto the sky to create a visual interests. And that's it. That's my sky. You can see how quick and easy it was and it turned out so beautiful. Now let's leave it for trying. Okay, So this guy has dried completely and I'm an absolute law with the clothes. It's a very soft and some bully at a very dreamy sky. I cannot tell you how much allowed this column companies. Anyway. Next, our task was to paint the scene forward. I'm using the same colors and I already had them on my palette. I'm starting with pink. For this step, you can use it onto a ship that is more comfortable with you. Anyway, I'm gonna pick some water. And I'm going to add that with this pink I already have on my palette. At the same thing I used earlier, brilliant paint. Now I'm going to apply that on the top part of the sea, closer to the horizon line. And what's the bottom? I will introduce some violet. I only want something on the top. The rest is going to be mostly violet. To carefully apply that following the outline of those rocks. Now I'm switching to violet. The same brush. I'm adding some violet. I'm adding a little of that basal paint I have left on my palette to create a basal violet. Now for the rest, I'm using this color. You can see the color I'm using. Even you can go with this method or can simply add invite and your wireless. Or I can use while Tacitus just go with a lighter value, the color will be a bit transparent, but you will still get a beautiful result. Okay? So start with the pink and apply violet onto the remaining area towards the bottom. It doesn't need to be smooth, clean blend, just apply the paint. Will be adding some lines onto the water to create that movement. So it doesn't need to be a clean blend. Now before I do that, I'm going to pick a darker value, violet. I'm adding that towards the bottommost area. Towards the top, along the horizon line, I have some pink. Now I'm adding some deeper tones, Antoni, these rocks as the last word to bottom. You can add a mask, some simple lines. It does need to have any particular thickness or Size. Just simply add them onto the wet background using a round brush, Flat Brush, any brush that you prefer. If you're using a Flat Brush is the tip of your brush. And add some lines. Simply add some lines onto the background. Don't add a lot of lines. We want that being to be there in the background. Don't completely get rid of it. That is nearly done. Maybe I will add some more violet to at the bottom, especially underneath the rocks to create some more shadows and deeper values. I might even have mostly on to this corner that I have these rocks. And that's it. We're done with the C I'm actually really happy with weight as toned out, especially I love the color combination. Now let's leave it for trying to see it has dried completely and the colors are still very vibrant. I really liked this part where we have the pink and a wireless. Anyway, it's time to paint the rocks. For that, I'm going to use some brown and paints gray. You can either use brown, our bond zaneena. First I will squeeze out some paint onto my palette that is prominent, drawn from Art Philosophy. Now, I will also need some paints gray to add the deeper values. Alright, so the colors already. Now to paint the rocks, I'm going to use around crush. You can use any of your medium-sized brush. Size, number a time crunch, you can go with enough pressure for your child's. First, I will start with this section here, the one at the bottom. Then after that, I will paint the one behind it. I'm starting with a medium tone of brown. And I'm going to apply that onto this anti-dog. Just fill it up. Don't add a lot of water. We need a medium to darker value. Simply fill it up. Then gradually we can introduce a deeper value to create some texture using buoyancy. Now the color will be slightly different. This one is more of a reddish brown and bounciness more of a yellowish brown. There'll be a slight difference in the color, but don't worry about it. You can use bonds in an odd power. Both of them has its own beauty. I have a playground onto that anterior area. Now with the same brush, I'm picking some paints gray. And I'm going to randomly drop that onto the brown background to create some rocky texture. So simply dropping your paint. You don't need to worry about how it is looking right now. Just focus on adding them by the backroom, the silhouette, that's only thing have to worry about. It will leave a nice texture when it dries. I'm adding this deeper values mostly on to the calmness than allegedly onto the surface. So first I will add some onto the left corner. Then on to the SOPHAS. Ask for last what to write onto this corner of asphalt. Introducing some deeper value. That's a plus section. Now let's bring the other one right behind us. I'm starting with paints gray. And I'm adding that right behind us to create some shadows and some texture. Your background might be slightly, but that's okay. We can apply your pain, try to lay or if you want to, you can be to the other one to try envelope that shape and create those shadows. Okay. Now I will simply add some deeper value at the bottom. Then towards the top, I will introduce brown. So I'm just trying to only having some times now cleaning my brush and picking some brown. And I will simply fill up the rest of the idea. For the first stroke we add and Tom first. Then we introduced some deeper value. Now we are adding paint in the opposite way. Now I'm going to adding paint over here and give it a nice sheet and fill it up. I have a little area left on the side. I will simply fill letter. And you can see the texture we have created. You can to try to Paint how will you want to? You can either start with brown or with paints gray. How you are going to end up having some nice texture on the rock. That is what matters. Now, I'm picking some more Payne's gray to define the shape will heal. Adding that deeper tone and also fixing the shape. I'm just dragging my brush into the background, leaving some texture. I'm not fooling any particular ruler pattern here. I'm just adding that paint to create some rough and architecture. If you want to add some at the bottom, you could do that. Next, I'm going to add some tiny Mountains along the horizon line. To define that horizon line petal. I'm using brown color here. I'm adding a tiny mountain. This one is really far. So go the similar size. This is just optional. I just thought of adding some mountain here to define the horizon line. Okay? So if you're adding code with a similar size or it can totally skip it, I'm adding one more. Okay, so that's a horizon line. Now using that taco tone, I'm adding through tiny rocks on the scene right next to this beaker one. Have a lot, two or three. Again, go to similar size. Don't make it too huge and only add them very have the taco value. So I think that is looking pretty nice. I'm not adding any on the side because we don't have any deeper value there. It is mostly pink and a medium tool. But on the right side we have some tipo value. So we don't need to add a new to production. It will go well with the background. If you want to add some more box, you could do that. But just be very mindful about the size. They are going to add any texture or any details onto it. It is super tiny. So that's how we are done with our second peaceful sky. I'm really happy with the colors and enter your field at this painting. It is really dreamy. Before you pick up the Masking tape, it will be a great idea to lead to try and completely. Otherwise, when you're peeling off the masking tape, it made above your paper. So give it enough time for that to dry completely. Mine has dried, so I'm going to gently peel off the masking tape. And here's our Dreamy basal sky. I hope you all liked it. If you want to make it more interesting, you could add some parts. You can add a cluster of birds flying off to the n'est. That will mean the sky. It will most pressure theater try to give it a try and let me know if you liked it. 8. PROJECT 03 - Evening by the Sea: Our next piece of sky is a lovely blend, dark gray and pink. It's a beautiful color combination with the right amount of detail. So the painting as a symbol composition of a Sky, see some huge rocks. So first, I'm going to take you through the colors you will need. Then we can start with all painting right away. It is totally okay to go the different color combination of your choice. I'm just going to show you the colors I have used here. The two colors you will need as gray and pink. The Great Harvest here is Payne's gray. It's a mix off paints gray and a bit of white. Okay. So you will need some paints gray. Along with that, will also need some white watercolor. Titania gray into our basal version. The next color you will need, it's a peaceful pink or a peaceful orange, or in epistle color of your child. This is the one I'm going to use. It's called shell pink. It has a slightly orange tone to it. It's not really a pink. I have a tough paint on my palette. So let me show you the color. See that it's more like a baby pink, the color you see on baby clothes. That's the second color I'm using for the sky. Now you can see some texture on these rocks to add that have used to create color with just a mix of paints gray and a bit of white is the same color for this guy, asphalt. So that's a color as a simple mix off paints gray and white. Okay, So those other colors you will need, you will need three colors. Green screen, any of your peaceful paint. Along with that, it will also need some white watercolor. I'm pretty sure you all have pins gray or neutral center black. So that's a major color you will need for the sky as well as for the Sea. And also put the rocks. You can choose to add white or not. That's totally your choice. And if you don't have shell pink, just go with any Bissell pink of your choice. If you wanted a similar orangeish pink, just add a tiny bit of orange into your basal pink. So just keep your colors really, if you want to try creating that callow, please do that in advance before you start painting the sky. Okay, so I hope you guys are clear with the Colors. Now keep them ready and let's give it a try. I'm starting by adding horizon line. Then I will also need to add those huge rocks. I'm adding one to the right side. Really huge one. You can go the similar size or it can make it smaller. We can add the remaining details has to paint for now, simply added up shape. Now I'm going to add another one on the left side. Will be using really taco value for rocks. So we can modify the shape when you paint. Now, I'm adding another one on the left side. This one is not as huge as other one. Just to create a visual interest, I'm playing with different sizes. I think that is looking reward. Maybe we can make it a bit bigger. Some extending that until the horizon line. Okay, so that's the sketch. Now we can start preparing the close. As I mentioned at the beginning of using gray and a pink for the sky. If you already have a Greek letter with you, you can use that directly. Or it can mix up that are white watercolor into paints gray to create a similar color. I'm not going to use this one. I will make sense, create my own cray. Cray that I have with me is really light, and that's not the color I want. I want a bit more darker gray. This one has a mix of black pigment and a white pigment. And that's exactly how I'm going to make my cray. Okay, So those are the two colors I'll be using Payne's gray and shell pink. We can go with any peaceful pink or basal orange shopping as a slightly orangeish pink. If you want to create a similar color, you can add a tiny bit of orange into your basal paint, or you can just go with basal pink or basal orange acids. Okay, So those things are your choice. This is the pigment number nine and PW six. Now along with us, I will also need some white watercolor to turn my pen screen to a basal cray. Okay, so we have the Colors ready. Now for this painting, we're going to use better and better technique for the Sky. Which means the first step is to upload clean code of water onto the anterior sky. And here's the brush I'm using. It's a one-inch Wash brush. Now I'm picking some clean water and I'm applying that onto the sky. We just need to shiny code. So don't add a lot of water and our new brush multiple times just to be sure to go to water-saving. I hope you all have the Colors ready on your palette. That's really important before you start painting. As we using pastel Colors. And everyone may not have basically colors. So it is important to mix your colors in advance before you start painting. Okay, so my skies evenly wet. Now I'm going to keep this Brushes side and I'm switching to my flat brush. This one has a half-inch flat Trish, and that's the one I'm going to use to Paint. First, make sure your brushes clean Now I'm starting with this beautiful painting. It is called shell pink instrument brand culture. It's a Korean brand. That's a slightly orangeish pink, maybe more like a peach color. Now, I'm going to apply this color towards the horizon line. Then as I go up, I will make the color lighter. I'm picking a much more brighter tone and applying that along the horizon line. It's a really beautiful thing. I just love this color. This is the only painting, but I'm missing shell pink. For the rest. I'll be mostly using trillion paint. I just want to show you how beautiful this colors. That's why I included this class. Okay, so I have adipose glow. I have made it slightly lighter towards the top. I'll just make the horizon line Street and then they can switch to the second color. I'm cleaning my brush and I'm going with gray. You can either use Greek letters, just add some water and go to lighter value. All we can mix a bit of white watercolor into it to turn data into an oblique ray. Have mixed some Payne's gray with white, and that's a color I'm using. We can add a bit more white, make it lighter. So that's a clue. Now, just like it it earlier as I'm coming down and making the color lighter. Towards the center, I want a lighter gray and lighter pink. And on the top and the bottom, I want brighter shades. So that's a base layer. It is simple blend of two colors, pink and gray. Now I'm going to add some streaks onto the sky to make it a bit more interesting. I'm using the same trash. I'm picking some gray. And using the tip of my brush, I'm going to add some lines onto the sky. I don't want the paint to be too watery. If you paint is too watery, dabbing on a paper towel before you add these lines. I'm adding one or what? The center. But I have this lighter green. Then I'll be adding another line that I have pink. You can use it on brush or a flat brush. If using a flat brush, just use the tip and add a line like Pat. And I don't want to make this guy too dramatic. So I'm not going to add a lot. I think I will add one more line over here with the same color. Okay. So that's a sky. You can feel your pain is really watery. Tablet on a paper towel. Before you add these lines so that they won't spread a lot. You will get them as lines. And that's the beauty of the sky. We don't want them to spread a lot into the sky and create a dramatic effect. We want them to be really soft and subtle. Okay, so that's what sky. I really liked, the Soft and simple colors. I think it's a beautiful color combination. This is the first time I'm using this color combination for a sky. And I definitely think I should add some clouds or maybe some more elements and I should explore it a lot. Anyway, that's what sky now we can lead for trying. Okay, So that is dried completely. Now we can start being the Sea, for which again, I'm using gray. Before you start applying the paint, make sure you sky has dried completely. Otherwise, the Colors me spread into the sky. Now I'm picking a gray color the same way I created earlier. It's a mix of paints, gray and a bit of wide. This time the colors a bit more darker. Now I'm going to apply that onto the anterior safest. Then gradually we can introduce some texture. So carefully apply that along the horizon line. Need a straight line heal. Okay, so that's the color I'm using. Now. I'm going to simply fill up the rest. Then onto that we can introduce some texture using a smaller brush. If you actually add any paint onto those rocks, that's totally okay. Just have an idea where you want to add them. Now simply fill up the rest. For this, I'm using solid color. I'm not making it lighter or darker. Let's just agree. And I'm filling up the NTSC. That's a base layer. Now I'm going to keep this pressure side and towel take out a smaller brush, a smaller round brush. I'm just keeping this one aside. And the brush, I'm using a size number six round brush. And I'm going to slightly darker tone of gray. We're going to add some lines onto this wet background so you can use any of your smaller brush or any brush with a pointed tip. Now, debutante to Paper towel, if you feel the pain is really watery and right where you have those rocks, just add some lines. The paint shouldn't be too watery. You can see the way how I'm adding them. The paint is really watery. They will start spreading a lot. So just go to Paint which is not too watery. At the background is still wet Now simply add some lines onto the Enter you see. First-time adding those lines onto the Enter you see. Then gradually either focus on the videos right underneath the rocks. Over there. I want the lines to be more darker as it will be shadows and deeper values around the rock. Okay, so let's pick a darker value and add some more lines are right underneath the rocks. Just have them onto the wet background that simply add some lines on either side. But you have the rocks. This way we have different tonal values of grain, the background, and that will make it look more beautiful and realistic. Okay, so that's the right side. In a similar way, I'm going to add some lines underneath the other rock, asphalt. So pick a darker value. Just add some yellow color line underneath the rock to create the shadows and the movement of the water. The shape of the rock that you added all you might not be completely visible right now, but that's okay. Just have it off it in your mind where you want to add the rock. And right below that part, simply add some lines. Now, I'm going to add few lines over here, asphalt. I'm planning to add a tiny mountain far away somewhere over there. So that's a background. If you want to add some more lines, you could do that. I think I have added enough. I'm quite happy with the way desk tone down. Now let it dry completely. And after that we can start when the rocks we have paint the sky and the scene. Now it's time to paint the rocks. For that. I'm going to pick some Payne's gray really taco value. My very first tip is to simply fill up that entire shape and the darker value of paints gray. You can use black on your charts. And if you don't have Payne's gray, simply fill up that shape. As I said earlier, if you want to modify the shape, this is the time. If you want to make it bigger, or do you want to modify the shape? Do that right now. You can see the color I'm using. It is super dark. Now I'm going to fill up that entire sheet. So that's the first one. I wanted some Loewy I'm going to paint that the one on behalf of the left side. Again, as I said earlier, if you want to modify the shape, you can do that right now. I have been to the second one. Now to create a visual interest, I'm going to add a tiny one. And on the horizon line. When you're adding different elements to your painting, whether it is rocks or mountains or trees. It is always good to play with different sizes and shapes that will add a lot of realistic value to your painting. It's a very simple thing, but the visual interests that can add to your painting is really tremendous. Anyway. That's how it has turned out. Now we can lead us for trying so that a strike completely. Now, our next task was to add some texture onto these rocks for watch. Using that gray color we created. Just go with that Luftwaffe pain to have on your palette gives a smaller brush. The one I'm using here, a size number six. Now if you feel your pain is really watery, dab it on a paper towel before you start adding this texture. Go the darker gray. Don't add a lot of wide. Now what I'm gonna do is I'm just going to add some lines onto the rock to create some texture. Looks like the color I used was really light. I'm adding more paints gray to make it darker. Now I'm just hiding some lines following the shape of the rock. There's no particular way you should be adding it. Just add them, they're able you want to, to create some texture. I'm adding some more texture to the inner side. Towards the right-hand. I'm not going to add any patterns. I'll just leave it as it is. I will add few more lines from the top, top to bottom. So that's the first stroke. Now a similar way, I'm going to add some texture onto the other one as well. This one is really far, so let's just add one or two lines, and that's it. Now we have one more left onto that as well. I'm adding some lines in a very similar way, how I added those lines for the previous one. See that? Take a look at your painting and feel like adding some more patterns or textures equal to that. I'm just going to randomly add some more texture here and there. Then after that, we will go with a wet brush to smash it so that those lines are not really prominent. So first I will add some more towards the bottom as well as a bit towards the top. Okay, That's it. This one is looking fine. Similarly, I will add few more lines for the other one. That I added some more lines in a very random way. Now what I'm going to do is I'm going to clean my brush. It is still wet, dab it on a paper towel, and simply smudge the paint to give it a more softer look. Right now you can see the lines are very prominent than the every Ralph will gently run a damp brush to give it a more soft and subtle field. We don't want them to be too prominent. Okay, so that when it's done in a similar way, I'm going to smudge the other one as we have some patterns here. You tamp, brush and smudge those paint. That's also done. Now there's one last thing that I want to do. I want to emphasize the reflections. Right now. It isn't really visible. So I'm going to take out some more Payne's gray onto my palette to make those reflections a bit more prominent. Added those lines while the background was fit. That's why they are a bit faded right now. So go the darker value of either Payne's gray or neutral tint or plaque. And let's add some lines underneath the rocks. I'm using my size number six round brush here. It has a very nice pointed tip. Now I'm simply going to add some random zigzag lines right underneath the rock. Right now, it doesn't look like there's any movement in the water. So I'm guessing once I add these lines, it will look a lot better. So will simply add some lines underneath the rock using a taco value of paints gray or black or neutral tint. Either in a very random way. You can leave the central asset is you only need to add them underneath the rock. Got hair, her abdomen. There's nothing to worry. The lines can be a bit wavy and Colby and some of them can be even zigzag lines. When you're adding them, tried to leave a gap in-between. Don't add them too close to each other. So that's how it has turned out. I'm happy with the result, but I also feel like I should have added some more lines. Anyway, other bit of the Masking tape. And let's have a look at the painting. And if it's needed, we can add some more lines. So here's the result. What do you guys think? Should we add some more lines? I think it's good to add some more lines to emphasize more on that reflection. Okay, let's do it. If you're happy with your result and if you're familiar reflections looking okay, you don't need to do the step. Anyway. I'm switching back to paints gray, and I'm using the same brush and I'm adding some more lines. It is the same thing that I did earlier, but I felt like I should add some more lines. That's why I'm repeating the same stuff. So I'm extending some of the lines and I'm adding them underneath the rock. See that? I think it just starting to look better than earlier. If you guys feel the theme abdomen, otherwise you can leave your painting asset is. Now in a similar way. I will add some lines on the left side asphalt. I'm using arteriole taco value of pain screen and I'm simply adding some lines. Well, I'm adding the lines. I'm leaving some Captain between. They're not touching each other. This way we can retain the colors in the background. So we have different tonal values of gray. And that will add about of beauty to oh, painting. To me, I feel like those lines mean a lot of difference. So I'm just going to add some more over here onto this corner and maybe a little underneath that mountain far away. Okay. So the site is done. I don't want to go overboard, angelina. It isn't a good shape right now. I will just add some more lines here and the time I will call it done. If you want to add some boats onto the sky, you could do that. I think goods could be a good addition to this painting. Okay, so that's a wrap that my gorgeous basal Sky. I can internally how much I love this color combination. That soft pink is really beautiful. The name of the color of shell pink. You can create a similar color by adding a bit of orange into any of your PESTLE thing. And the reflection is much better right now. I think it was a good idea to add some more lines. Okay, so that total painting, I hope you all liked it. If you're here to try to give it a try and let me know if you liked it. 9. PROJECT 04 - Carribean Sunset: Our next PC Sky is a colorful sky. So far we have only used two colors for the sky. For this one be using three colors. I will start by introducing you to the Colors. Then we can give it a try. The three colors I'm going to use for this guy is chamberlain number two, at least with orange. Then how brilliant pink, which is a pistol pink. Then I'll be using a bit of turquoise blue asphalt. So these are the three colors I'll be using for the sky. The turquoise blue I'm using pure assumption hand. It's a bit different from the other turquoise blue have seen. This one is more like a basal color. You will see the agonist is Watercolor, some starting with this kilo, but is John blurry number two? It's a peaceful orange or a pistol yellow. Use the same color for the first painting. So you can go with the basal yellow or orange. So that's the first color. Now the next one has brilliant pink, which again be used for the previous painting. It's a beautiful, peaceful pink. You can choose to use it readily available peaceful pink or I can create your own peaceful paint by adding some white into any of the red color. Next I have here is turquoise blue. This is the color I was talking about earlier. It already has some white in it and it's more like a peaceful people. So that's my third color. If you look at the pigment number, you can see the speed W6, which means there is obviously some white in it. The turquoise blue that you're using might not have white. You can choose to add some violet origin. Just go with a lighter value. Simply add some water and turn that into a lighter value. Okay, so that's our third color, and those are the three colors I'll be using for the sky. Now, along with that, you will also need to move Colors, which is burnt sienna and Payne's gray for the road will be using a lighter value of paints gray. Then for that rocky landscape on either side, along with paints gray, we will also need some brown or Ibn Sina. So I will quickly switch out those two colors as well. This one is bonds in our function, him will be applying a darker value, burnt sienna onto the anterior rocky structure. That onto that to add some deeper value, will be adding some paints gray. The final color you will need is paints gray. If you don't have Payne's gray, just go with neutral tint or plaque. That's impressive colors you will need for those beautiful multi-colored Sky. You can choose to go the same colors, are a different color, FHIR. So those are the ones I'll be using. Now. It's time to get a try. For this painting. Unlike the others, we need to add a pencil sketch. It isn't a complicated one. So I'll start by adding a horizon line a little below the center of the Paper. So that's my horizon line. Now, on the right side, I'm going to add that rocky structure starting with an irregular line. You can see this a bit about the horizon line. Now, I'm bringing that down. Now, taking that to the Masking tape. That's the basic shape. Now as you're painting, we can add some texture downward to give it to more realistic feel. For now you just need to add our shape. Next, we need to add the structure on the left side, some starting from here, adding an irregular shape, taking that the Masking tape. So what do you see here is the Sea and the bottom. You have the crown as well as a road. From here. I'm going to add and curvy line to show a nice curvy road. Just from the spine. Add a nice curvy road. More like an S-shape. Make the road narrow towards the horizon line. And as you're coming down, make it more wider. Give it a nice shape. Now, as to a painting will be adding more texture onto the side. For now we can just leave it acetals. You'll be adding some texture and some deeper value using Payne's gray as we paint. So that's what Sketch, keep it ready. Now will also be adding some palm trees. On the right side. I'll be adding three or four of them. There is no need to add those lines. We can add an acid paint. Now, Cuba Colors ready before you start. This is really important because we're using peaceful Colors and some of you may not have them readily available with you. So mix and create your own colors or keep them ready on your palette. This is the painting that we started our worth, and that's exact same color I'll be using for the sky. I'll be starting with this color. Then next I will use some pink and turquoise blue towards the top. To create a visual interests. I'll be applying my paint and an inclined manner. The technique is exactly the same, will be blending three colors for the base layer. But instead of applying the paint and horizontal way, I'll be applying that an inclined to be just to create a different visual effect. I'm starting by applying code of water onto the anterior Sky. You see my one-inch Wash brush. Just make sure your brushes clean and apply a gentle cold water or to the anterior sky. My skies even leeway. Now I'm going to start applying the paint. You can use a flat brush or a round brush. I'm going to use my half-inch flat brush. And I'm starting off with that in John, Brilliant number two. It's a peaceful orange, yellowish orange. Actually. I just made sure my brush is clean. Now with this Flat Brush, I'm going to make some paint. And I'm going to apply that on to the left side. First I will add the horizon line. Now I'm going to apply the paint and an inclined to weigh background as well. So they're applying that paint onto the background. Just add some inclined line using this color. Okay, So that's the first color. Now I'm going to clean my brush. I'm gonna go the second color, which is epistle pink. Have cleaned my brush. Next I'm picking some brilliant pink. And again, I will apply the paint and an inclined to weigh that going that direction and apply your paint and blend them together. We're still using the blending technique here, but the only differences, the way we're applying the paint, usually we apply the paint in a straight horizontal line. The standard applying the paint and an ankle or way to create a visual interest. So that's the second color. Blend them well. Now I'm going to clean my brush. I'm going with my third color, which is turquoise blue. As I said earlier, this one has a slightly paisley shape to it. You can use any of the turquoise blue. You can just go the lighter value. Or I can add a bit of white watercolor into that color to create a basal tone. Now will have to blend pink and turquoise blue. If you want add some more pink. That helps implanting. I'm running my brush in that angular direction and I'm blending the colors. You can see we have a pistol, orange or pink, as well as a turquoise blue on the top. The blend is looking really nice, but to make our sky a bit more interesting, I'm going to go back with pink. The same brush. I'm going to add some lines onto this yellowish part to add this line time using the tip of my brush. This is the same Flat Brush. You can go their own trash if that is more comfortable for you. So somebody had some lines. We don't need a lot, just add a few to create a visual interests. I think the blending on the top part can be a bit more better. So I'm picking some more pink and I'm just blending that with turquoise blue. Okay, that seems better. Alright, So that's my sky. You can see I have these three colors are basal orange or yellow, then some pink as well as some turquoise blue. I applied the paint onto wet background and an angular way. Then I have also added some lines to create a visual interest. Now, by the time sky drives, I'm constructing the full watch. I'm going to use paints gray. You can use any of your smaller brush or a medium-size strong Brush and create a lighter value. Decide a few drops of water. And that's the tonal value I'm using. It's more of a medium tone, not lighter tone. Now first, upload that onto the entire shape. Give it a nice curvy shape, and just fill it up using a medium tone of Payne's gray or black or neutral tint. Any color that you have with you. Daniel, grayish along that shape you have added. Just fill it up. Now onto this, I'm going to drop in some taco value with the same brush. So go to slightly darker value of paints gray, and simply drop that onto the wet background to introduce some texture. Just drop that onto the background. You can see this quite messy. Now, W Bush on a paper towel. Touch those color into the background. This will leave a beautiful natural texture. It might look a bit messy and rough at the moment, but that's totally okay. Many drugs, it will leave a beautiful texture. So apply a medium tone of Payne's gray or to the entire background than atom taco value. Okay, so that's how the desk turned out. We have the sky as well as the reward. Now let's leave it for trying. Alright, so this guy has dried completely and I'm very happy with the Aedes turned out. Next we can paint the Sea forward. I'm going to use some turquoise blue. I already have some Paint electron my palette. First I will apply a medium tone of turquoise blue onto this anterior area. Then onto that we can introduce some texture to make it look like a water body. Otherwise it will look really flat if you just apply a solid Wash. Okay? So first start by applying a medium tone up turquoise blue onto that entire area. Alright, so I have applied turquoise blue onto that anterior area. Now to make it look more realistic, we need to introduce some texture. So that is our next task. I will just keep this brush aside and I'm going to switch to a smaller brush. This one is my size six round brush. And I'm picking some paints. Gray. Spin is a really nice pointed tip. So my idea is to add some random lines onto this background to create a texture that looks really dark, I need to make the color lighter. Emory few more drops of water. And using that medium tool, I'm adding some more lines onto the wet background. This is just to create some texture. It doesn't need to be perfect, but do not a lot and cover up the anterior background color when to retain that color asphalt. You can see here, even though I'm adding some lines that blue is still there. So that's how you should be adding. Don't add a lot of lines. And I'll to go the medium tone, dawn go the taco value. Okay, so simply keep on adding some lines onto that background to give it a nice texture. Whenever you feel you're happy with the result, you can just call it time and leave it for trying. They have been at the sky, the Sea as cholesterol. Now the major element missing is this rocky landscape on either side. To paint that elements, I'll be using burnt sienna as well as some paints gray. So keep the Colors ready on your palette before you start. And to paint this, I'm going to use my size number atrium brush. You can go to any of your medium-sized brush. So they had the stroke key elements on either side. I'm going to start with the right side. First, I'm going to apply a medium tone of burnt sienna or does that enter your area? Then we can gradually introduce some texture. You can see the color I'm using. It's a medium value. You can use brown or black zaneena and just fill it up. So that's a base layer. Now the same brush, I'm gonna pick some paints gray. I'm going to add some lines and inclined to weigh just called the darker value, and simply apply some lines. Then you can take some brown paint again. And much ten that we need some rough texture here, so it doesn't need to be perfect this way it will look more realistic. So simply add some lines on to add Webpack Round. Adding the model that background is really important, so don't wait for longer time. Just apply them. As soon as you have applied paint onto the background. I'm adding those lines and the inclined way to create a natural feel. It will also make it look like the sloping down. You can add some lines from top towards the bottom as well as bottom towards the top. Drag your brush and create some lines. Just give it a try. You're going to absolutely love the result. It's a simple trick, adding blue deeper value by the bank industry that makes all the different data it has turned out, if you want to add multiple value, you could do that. You can add them from the bottom towards the top, or from the top towards the bottom. Okay. So that's the right side. In a similar way, we have to paint the left side as well. We'll start with drown. Go to medium to the same way how we painted earlier. Apply that onto that entail shape Okay, So the base layer is ready. Now we can start applying the default value for what? I'm going to pick some paints gray. It is exactly the same way how we painted earlier. I'm adding some deeper value from the top towards the bottom. Artists, like I said earlier, you can add some dachau value from the bottom towards the top, as well as from the top towards the bottom. Just add them. How will you want to? We just need some kind of texture here. Just add them when tobacco industry, maybe we can add some multiple value or to the left corner because the sign is much more closer to us competitor other end. Okay, so quickly add some deeper value. While the bag on the silhouette and textured, that's about a little rocky structure on either side. I'm very much happy with the research. I think I'm proud. Element made a lot of difference. The colors are really beautiful right now. It was kind of dull, but that landscape element with a lot of difference. Now let's leave it for trying. Then we can add the final elements. Now, it's time to go the last time deciding the palm trees. I'm going to add them towards the right side. You can choose to add them on the right or the left. Now to apply that and creating a darker value of brown by adding some burnt sienna as well as paints gray and mixing a five number 600. Sure, it has a really nice Pinter to. The first step is to add the tree trunk, which is just a simple straight line. That go dissimilar techniques. Next we're going to add a small oval shape on the top. It doesn't need to be perfect and irregular oval shape. Okay, So we have the tree trunk and a small shape on the top. Now isn't the same color. I'm going to add some angular lines, 1,234.5. I have added five lines. Now onto each of them. I'm going to add some smaller lines and I'm going to fill it up. These trees are really far, so they don't need to be perfect. Your focus has to be on the overall shape, not on each and every element. That's my first palm tree. In a similar way, I'm going to add another one. So let's start with the tree trunk, which is a straight line. Okay? Now on the top, Let's add a small shape and irregular oval shape. So that part is also done. Now let's add the lines, those curvy lines. Now onto each of them. I'm going to add some smaller lines, mostly on to the tip. I'm not going to fill it up. I don't want it to be too crowded. So just onto the tip. I'm adding some lines close to each other. Okay, So those are the palm leaves. It's very easy just go to try. As I said earlier, they are just focusing on the anterior shape. We just need to get that overall shape pride. We're not focusing on each and every line or each and every palm leaf. Next, I'm going to add a smaller one. Just the same way I did earlier. I'm starting the tree trunk, then adding a small shape on the top. Next we need to add those curvy lines. I mostly go with fine lines. If you want to make it more thick, you can add six or seven of them. That's totally okay. And also I'm adding the lines only on to the tip of these lines. I don't want to make it two tenths and thick. Okay. So that's my third palm tree. Now in a similar manner, I think I will add two more. Maybe towards the right side. You're happy with three palm trees. You don't need to add more. I just felt like adding one more tree, maybe a taller one right next to this. And maybe just maybe have a lot more if there is pace. I'm only focusing on the right side. I'm just going to leave the left side assets. If you want to add more trees on the left side, that's totally your choice. Just go ahead and composite painting. Our you want to okay, so here's my Carribean Sunset. I'm really happy with the desktop out. Now. I'm going to speed up the masking tape. Here's the finished painting. I just loved the sky. I think those colors are looking really good. And even the color of the Sea, everything is complementing each other. I hope you are likely to thank you so much for timing. I will see you soon with the next painting. 10. PROJECT 05 - Lavender Sky: Here's our next baseless chi. It's a very simple color palette. And as you could see here, I have out of the clouds in a slightly different way to make it visually interesting. So for the background, how used to blue and violet? Then onto that I have added some clouds using wireless. Okay, let's quickly take a look at a color palette, then we can start with it. I'm not using any pestle colors for the sky. This is the violet I'm going to use. It is valid from White Nights and the blue is the same blue I'll be using for the previous paintings as royal blue. I will start with blue. You can use any blue of a choice. We just need to lighter value. You can choose to add white, that's totally your choice. Or by using a lighter value of royal blue. You can use Prussian blue, cobalt blue, or any other blue. Apologize. Now, with violet, I'll be adding a bit of white watercolor to give it a more pistol field. That is violet plus some white watercolor. We can see the colored is very opaque and creamy. Unlike blue. Those are the two colors I'll be using for the sky, for the Cloud Tasks, we'll, I'll be using violet. The next two colors you will need is Payne's gray and sap green. Payne's gray for the road and sap green for the landscape. And we'll also be using a taco value of Payne's gray to add these loud. Okay, so those are the next two colors. If you don't have Payne's gray, you can go with black or neutral tint. That's my third color. The Payne's gray I'm using here is from RAM trend. Now come to the last color at a sap green, the spinous from Shanghai. So that's summarized the colors you will need for this painting. Simple color palette and simple painting. There is no complicated details. You will need a blue of your choice. You can use Prussian blue or any blue have card. Then you will need violet, Payne's gray and sap green. You can choose to add Y to the blue as well as violet. Or we can just use lighter values of watercolor. So that's the colors. Keep them ready so that we can start with your painting right away. I have fixed my paper. Now. I'm going to start by adding horizon line with this a little below the center of the paper. Now we need to add a curvy road. A simple curvy road. Towards the bottom, it has to be wider. Towards the horizon line, it has to be narrow. That's a sketch. The rest we can add as we're painting, we will be adding some rough plant and some tracing. There is just some rough shapes. You don't need to add them. We can add them as we're painting. So that's the sketch. Now let's start painting the sky. As I said earlier before you start, make sure to keep the color sturdy, especially the colors you will need for the sky. That's where we need about basal close. As we discussed, I will need some blue and valid for the sky. That's blue. It is blue from now, I will need some violet. This one is from White Nights. Now I'm going to take out some white watercolor asphalt to turn my violet into a pixel, violet. Onto the same section, I'm going to squeeze out some white watercolor. So we have the colors ready. Now, I'm going to start by applying coat of water onto the sky. It's going to be wet on wet sky. Before you apply water on the sky, make sure your brush is clean. I use this brush only to apply water onto the sky. So it is clean. If you're using the same brush for painting as well, you always have to make sure your brush is clean before you apply water on the sky. Especially when you're using lighter values for the sky. Gently apply coat of water onto your entire sky. And that's it. My sky is evenly wet. Now let's start applying the paint. I hope you guys are the colors ready on your palette. Now for the base layer, I'm using a flat brush. I will apply a variegated wash of blue and violet using a flat brush. Then to add the clouds, I will use a smaller round brush. So I'm using a lighter value of blue, applying that on the top using a flat Trish. No matter which blew, you're single the similar tonal value. Now, I'm going to make it lighter. Clean your brush. And Aboriginal people travel. If it's too watery, then run your brush to make it lighter. Next, we can introduce violet. I'm going to create a basal violet by mixing a little of white. If you don't want to add white, that's totally okay. Just go with a lighter value of wireless and start applying that on the bottom and go towards the top. Okay, so that's the color I'm using. It's a mix of violet and white. It's emitting value. Now, I'm going to make it lighter. As I go up. Towards the top and the bottom, I have more brighter tones. Towards the center. I have made the colors lighter. Now I'm blending them. So that's a base layer. If you want to introduce some more paint, you could do that while you're back on the still wet. I'm pretty happy with the background. Now. I'm going to keep my flat brush aside and I'm switching to a round brush right away. And we're going to add some clouds onto this wet background. I'm using the same wanted to add the clouds. It is again, it makes a wallet and white. To add the clouds, I'm using a size number six round brush. Before I start adding the clouds, I'm just making sure my paint is not too watery. Now, let's start adding the clouds. Just going to be some lines, but I'm adding them in a way that you can choose to go in a similar way. Or we can add the mass straight lines. That's totally your choice and go the same color combination and modify it according to what you like. Now, I'm adding some on the top. But how blue? See that? Honestly it is the same technique that we used earlier, but this time I thought of adding the lines in a slightly different way to make it a bit more dramatic or interesting. The colors are not too dark. They are mostly medium-term and lighter tones, and that's the beauty of this painting. Now I will add few more. I'm already happy with the result, but maybe I can add a few more. At any point. If you feel you're happy with the result, you want to stop to stop it there. Just because I'm adding few more extra lines doesn't mean you should be doing the same. I feel like adding some more clouds using a slightly brighter value. And that's what I'm doing right now. I'm happy with the sky. So I think I should stop it there before I go ahead and draw in it. Anyway, that's a sky. I'm pretty happy with the colors and the weight is looking. So we'll leave it for trying. Alright, The sky is ready. You can see how beautiful Testament out. We played a bit, but this line, we added them in a cool way, and that's the result. I think it's pretty interesting. Anyway, next, let's paint the road forward. You will need some Payne's gray. I have the habit of leaving my Irish Turkey, so I just cleaned it. Anyway. Let's take out some Payne's gray and start painting the road. Payne's gray is the color which has a slightly granulating property. And that is perfect to paint the roads. Because of the granulating property, it leaves a nice texture where the paint has dried. So we'll let's apply a lighter value of Payne's gray onto the anterior road first. I'm also taking on some sap green so that the colors are ready. Now to apply the base layer, I'm using my size number eight round brush, just making sure it is cleaned. First, we can start with a medium tone and let's apply that onto the anterior road. Then we can add some texture using a taco value. Okay, so that's the color I'm using. Apply that carefully along the outline and fill it up. The Payne's gray I'm using is from a brand called Rembrandt. It's a beautiful paints gray eyes as loud as fun. I have dried beans grew from different brands. I allow the one from White Nights asphalt. This Payne's gray, slightly bluish, and that's a major reason why I love it. Some of them are more grayish. Anyway, I have applied paint onto the road. I have used a medium tone of Payne's gray. Now with the same brush, I'm going to pick a darker value. First. I'll fix the shape here. That's ready. Now let's pick a darker value. And I'm actually dropping that onto the wet background to create some texture. I'm adding the deeper values only at the bottom. I don't want to make the top area more darker as it gets closer to the horizon line. So that's it all. Now let's leave it for trying. That has drive and you can see those texture. It really looks nice. I love using Payne's gray for a monochrome painting, fast food. Anyway, let's start painting the landscape on either side, for which I'm using sap green, as well as some Payne's gray to have a deeper value. So first I will start with sap green. I'm using the same brush and I'm applying a medium tone or to that intersection, go with a nice fresh green and apply that onto the anterior section. Then gradually we can introduce some people value. Otherwise it will look very flat. So it is very important to add the deeper value and some texture to make it look more realistic. But for the base layer, just go with a medium value of sap green and apply that onto ventricle section. We have some more radio left at the bottom. So carefully run your brush along the outline of the road and fill that section. Okay, so that's the base layer. Now let's start introducing the depot value with the same brush and picking some Payne's gray. And I'm going to add that onto the bottom part. I'm just adding some lines and some random shapes and patterns To bring some texture onto the background, it doesn't need to be perfect. We're just adding them onto wet background so they will slightly spread. That's totally okay. It is part of the process. So at the bottom to create some shadows and some texture and some Depot value. And that's all you have to do. You can see here, I have added some deeper value at the bottom, and it looks a bit weird. So to make it a little more natural, I'm going to add few more lines or to the output side, the same trash and at the same color. Just a few teeny-tiny lines and some random shapes. I think it looks better now, we can add few more lines on the top. You can add multiple value however you want to. The major idea is to leave some lighter value on the top and introduce some taco value along the bottom line. That's a full section. In a similar way, we have to pay in the other section on the right side as well. Let's start with that. First, we need to begin with sap green. When switching back to sap green and apply that onto this entire section. Then gradually we can introduce deeper value, just the same way how we did earlier. I'm almost reaching the bottom part. So I thought I will introduce some deeper value right away. I have taken some Payne's gray and I'm adding that with the bottom-most area. What I've loved to add some lines and some random shapes onto the background to introduce more texture. So first let's apply that taco value at the board and fill it up. Then we can introduce some more shapes and some lines. You can already see how beautiful desk turned out. You'll have to introduce some more deeper value. I'm picking a bit more Payne's gray. First I will add that onto this corner. Then I will add few more lines onto the surface. Hello, back onto still wet. So when you add these lines, they will look a little soft and subtle. And that is exactly what we need. We don't want them to be too prominent and too rough. Alright, so that's a background. I'm very much happy with the colors and the entire weight is looking right now. There's a beautiful contrast and the sky is really pretty. I hope you guys are happy with this guy too. Now, let's leave it for trying. Now it's time to add the final details. We need to add them so loud, long horizon mind. And that's our last step. For that. I'm using Payne's gray. You can either use Payne's gray or it can go the darker value of green. It's going to be some simple shapes. American food absorb water. And I think that would be enough. The brush I'm using a size number six. It has really nice pointed tip. So I can add these fine details using this brush. You can go with a smaller brush or any brush with the pointer tool. Now, I'm going to start by adding this allowed on the right side. First I will add a straight line just to define the horizon line. Now, I will add some random shapes on the top to make it look like there are some plants and trees far away. We are adding these details, try to go at different heights. I will start with a shorter height here. Then as I'm going towards the end, I will make it higher. So when you play with different heights, it will add a natural feel to your painting. Okay, so first add a random shape. You can add. How will you want to then fill it up either with a darker green or just means great athletes. Half of it is done. Now similarly, let's atoms allowed onto the left side has four. I think you just not really necessary to add this allowed on the left side. While painting is quite pretty this way as well. So does your choice whether you want to fill it up or you're on liquid assets. Okay, so decide on what you feel is best for your painting and finish it off as you wish. Hello. All right, and with that, we're done with our painting. Now it's time to peel off the masking tape because it's simple painting compared to the other ones we did. It doesn't have a lot of details. Will be painted a beautiful lavender sky and a large field. I really liked the color combination and the contrast. I hope you all like ditto. And here's a closer look of the painting. I really enjoyed painting the sky. It is just a matter of adding those lines and echoey way. And I think it turned out pretty nice. I hope you all enjoyed it as well. Thank you so much for joining, and I'll see you back soon with the next baseless guy. 11. PROJECT 06 - Dreamy Pink Sky: The softness my moles AAA, peaceful sky from the NTA collection. I just love how simple yet. So car this, it looks especially the mountain and the color contrast we have here. It's a very simple painting. You can do this in less than 15 min. So first I will take you through the color palette. Then we can start with the try to wait for the sky. I will be using three colors are what is a red? Orange. Ask the last paint. I will be using a medium tone afraid. On the top, the color I have used this pink. Then towards the center we have some orange. And towards the bottom it is red. I will be using the same peaceful Pink. This one is brilliant pink. You can go with any PQR. Carter can mix and create your own by adding some white into right? That's a pigment number. Anyway, if we will need some great for the sky. So along with that, you can add some white to turn that into pixel Pink. Okay, so that's what's color. The next two colors you will need as orange and red. These are the two colors I'll be using, brilliant orange and Petrograd. You would only need a little amount of red towards the bottom. If you don't want to use red, you can just use pink for that asphalt. The physical or you will need is Pink, a basal Pink? It looks like my Brushes not clean. Let me clean that up. Okay. Now that mismatch out that color again, it's the same thing I have been using earlier. So you all are quite familiar with this color. It's brilliant paint from Shanahan. Now, the next color you will need this orange. If you don't have orange code vermilion, or you can add a tiny bit of yellow into war million to turn that into more like an orange. We won't be using the color in this strength. We will add some water and we will make it lighter. That's very bright orange. So that's our second color. Now coming to the third one, purchase rate. So all these three colors I'm using is from Xin Han. It's a Korean brand. I loved this watercolor pad. It's kind of cheap compared to the other artist grade watercolors. And they're very pigmented. You can see how reach the colors are. They were pretty good for me. So how about all the colors possible from this brand? Anyway, that's the third color, will be clear, the variegated wash of these three colors for the sky. Then onto that will be adding some clouds. To add the clouds will be using a mix of red and a bit of Payne's gray. Next color as paints gray will be adding a tiny bit of red with it to create a reddish cream maybe will be using that color to add the clouds. We will also use Payne's gray to add a default values on the mountain. So that's our next color. Now for the mountain, I wouldn't be using any brown. What I'm gonna do was I will make some paints, gray and red together to create a beautiful reddish brown. Because anyway, I have this colors on my palette. So I thought it makes more sense to just use him rather than taking out a new color. And it will get a beautiful Khloe. See that it's a mix of Payne's gray and trade. Okay, so that's the color I'll be using for the Mountains. Alright, so that's summarize all the colors you will need for this painting. Now it's time to give it a try. I have my paper ready. First. I will record all the colors onto my palette. Then I will add sketch. We need to add a sketch of a mountain. Okay, so let's do that. You'd have to make your Colors ready before you start with the painting so that you won't lose any time in-between. I will need some pink, a bit of red, and some orange. I said earlier, if you want to skip using red, you could do that. On the top and the bottom. You can use Pink. And two at the center, you can use orange. Now, along with these colors for the sky, I will also need some paints gray to add the clouds. So I'm taking out that as well. So that in-between, I don't need to rush and take out any paint. So I have the Colors ready on my palette. I would recommend you doing the same as full. Pick out the colors and keep them ready on your palette before you start. You don't really need to add a sketch of the mountain. We can add that as we paint. So we'll start a blank or the water onto the entire paper. And let's start with the sky. Make sure your brushes clean before you start applying water. We don't need a lot of water. Just go the nice shiny code. Don't add any pools of water onto the paper. So keep running a Brush multiple times just to be sure that the code of water is even. Okay. Use a nice flattering, preferably a clean one. Alright, so my skies evenly wet. Now let's add a blind colors onto this wet background using a flat brush. This is the one I'm going to use, the half inch flat brush. Now I'm starting well with some grade. I will go from bottom towards the top. I'm picking some trait, a medium tone. And I will add that at the bottom. Then towards the center, I will use some orange and towards the top, I will use some pink. That's the plan. So I'm adding that medium tone onto that parkland You can add that in the bottom, will be adding of a mountain or hill. So the palette wouldn't do any harm. That is right. In the next time, switching to orange with the same brush. I'll pick colors, love orange, and add that right next. Alright, and I will blend the colors together. The colors I'm using here is quite bright. You can water down and turn that into any kind of tonal value. That is red and orange. Now I'm cleaning my brush and I'm switching to Pink with a nice pretty paint. And apply that on the remaining area and just blend the colors. There's pingos, really nice. Okay. Now I'm blending that with orange. Alright, so that's a base layer. I'm pretty happy with the colors. I have some nice and bright colors at the bottom and the light to turn on the top. Now before this dries, we need to add our clouds. And for that, I'm using a round brush. This one is size number six. Go with any of your medium-sized strong Trish. We don't have a lot of time. We need to add them by the background is still wet. Let's add them right away. To add the clouds, I'm going to use a mix of red and epitope gray, Payne's gray. That's a tiny bit of red and some paints gray. The mix has more red in it than Payne's gray. Now, I'm dabbing my brush on paper towel just to be sure it is not too watery. Now with that paint, I'm going to add my clouds against the other color. It has more red in it than Payne's gray. Now I will add one more. I won't be adding a lot of clouds. I just want to add one or two of them. I don't want to make it too dramatic. I wanted to soft and assemble sky. So that's the first one. Now I'm adding another one towards the left side. Just make sure your paint is not too watery. Paint is really watery. It will start spreading in a very vigorous and it will usually difficult to control the rate of spreading. So that's what it's looking right now. You can add a cloud towel you want to, if you want to go for some smaller clouds, you could do that. If you want to make it more traumatic. That is also to clean attire. Okay. So depending on the color I have in the background, the color of the clouds also looking different. You can see on the tile, but it's looking more pinkish. Because over here we having stripping slope Pink for the background. Quite obvious, right? Anyway, I really loved that variation of the color and the clouds. It is making it look more natural and realistic. Okay, so that's this guy and really, really happy with weight as tone down. Now we can leave it for trying. And after that, we can start adding the Mountains. Alright, so this guy has dried completely and I'm really happy with the colors. Our next task was to add the mountain. And for that, I'm using a size number atrium Trish, go with any of your medium-size strong Trish. Now the color I'm using is a mix of a right end paints gray. It's more like a reddish brown. I'm just mixing these two colors together. Okay, So the color is ready. Now, imagine the mountain. On the left. I want the mountain to be able to HIO. And towards the right, I'm making it lower. So go the very organic sheep. And that's my mountain. Now, I'm going to fill a debit the same color onto a major part of the mountain, you can apply this color. And towards the bottom, we're going to introduce some taco value, the same color. Now I'm mixing more Payne's gray into the same mix with that darker value and filling up the rest of the bottom. So you can see we have a more reddish brown on the top and a darker brown at the bottom. Now it just makes the paint into each other. It doesn't need to be a clean, smooth blend. We are trying to create some texture. It doesn't need to be a perfect blend. Now what I'm going to worse for the same brush, I'm just pushing and pulling the paint towards the top to get rid of the strong shapes. So just keep dragging the brush wet at all to get a softer look. Okay, so that's a little background. Now we need to introduce more textures. And for that, I will need a smaller brush because it has a much more pointed tip. I'm using a much more darker value this time. It has more Payne's gray then trade. So go with any of your medium-sized pressure, smallest size brush. And using that darker value, well, let's add some shadows onto the mountain. So wherever I have this pointed tips, I'm adding a shadow from the center. I'm adding an inclined line And to the left side of that line, I'm just adding some shadows are just some darker value that I'm adding onto that background. My background is not completely wet. It just starting to try and this is the right time so that it won't spread a lot. As it is not too wet. You can clearly see the shadows and the shapes I'm adding. Now imagine that what this bottom part. Now maybe a little towards the side. So where do we want to add this darker value? You could do that. You can see the difference it made. It was a very simple step, but it brought a lot of different store mountain. Now to add some final touches with the same brush, I'm adding some lines just in a very random shape. This part is looking a little different. So let's add some texture over there as well. Against the, I'm just adding some random lines. Sloping way. Just add some rough lines onto the background to create some more texture. Okay, so that's how the mountain has turned out. Now before we wrap it up, maybe we can introduce some more taco value, lego really taco value that I'm using Payne's gray acids. And first I will add some deeper value along these shadows. Just to let them. We already have enough of Taco values in the Mountains. So you don't need to add a lot. Just go in a very random way. And just add a few tiny lines here. And they're just trying to add some more texture onto the mountain. If they're already happy with the result, you don't need to add more. You can just leave it acids. Okay, So this is how it has turned out. Now, I'm going to go with some final touches. I'm dabbing my brush on paper towel and a bad try brush. I'm adding few more patterns or to the mountain. Different patterns here and there. Okay. We will be done with of a mountain. I'm not adding a lot. I will just add a few urine there and that's it. I'm really happy with this painting. Before I wrap it up, I want to add a tiny crescent moon onto the right side. I think that would be a perfect edition. So I'm taking out some white paint. It is just some white watercolor. To add them all. I'm using my smallest brush, size number two. Now, using that brush, I'm going to add a tiny crescent moon. Maybe you can add them both tactful, even that will be a great addition. Okay, So, but that we are done with all painting. Now it's time to boot up the masking tape. Shims are Dreamy pieces Sky. I cannot tell you how much I love this color combination and the Mountains. The contrast is really beautiful. And even though soft clouds, I hope you all enjoyed it. If you haven't tried it, tip to give it a try. Let me know your thoughts. Thank you so much for joining and I will see you soon. But the next Pencil Sky 12. PROJECT 07 - Evening by the Meadows: Hello dear friends, Welcome back. Our next business card is a very beautiful and peaceful sky. Here's what we're trying Next. My favorite part about this painting is this color, that vibrant peach color. So let's quickly have a look at the colors so that we can start with this beautiful painting. First, I will start with the colors I'm going to use for the Sky. Obviously three colors. The first colors of blue, I'll be using royal blue, the same color I've been using. You can you see any blue you have caught? We just need a lighter value. Okay, so that's the first color. I have a bit of paint left on my palette. I'll add some water because will be using a really lighter value. It's not a peaceful glow. I'm just adding some water and I'm turning that into a lighter tone. Okay, so that's the color I'll be using for the sky on the top part. Now towards the bottom, either be using some a typical Pink. We have already tried creating a piece of pink. So I'm guessing you all are comfortable creating a basal Pink if you don't have one. Okay, so that's a second color I'll be using for the Sky. Actually, you can just go with these two colors to oranges. Not really necessary. Just to make it a bit interesting, I simply added a little of orange on top of the Pink. Would you will see in some time, either just go with pink can glow or it can just add a little of orange. Now the next color you see here, as wide it, which is more like a basal violet. So to create that color, what have done this? I have just mix some blue with that basal Pink. See them? Because I already have some pink and blue on my palette. I taught this is the easiest way. You can either go with this color, which is mix off peaceful pink and blue. By the time you have done with your sky, you might have some paid left on your palette just to mix them. And that's the color. You can just use a basal violet or a lighter value of islet. If you add more blue into the mix, the color will look different. So yeah, that's a clue I'll be using for the Mountains. Now coming to the last to close, which is OPS, you will need a green and Payne's gray. The green, I'm going to use the sap green. All the colors has faster out so far is from the branch in hand. You can go to any brand, have caught, it doesn't need to be the same brand. And it doesn't need to be the same colors as well. If you're looking for a similar result, go with similar colors. Otherwise it's totally your child. You can just decide on which colors you want to go up. Now the final colors, Payne's gray. I'll be using this color to add some deeper value at the bottom. As well as some details far away. You can see those plants far away. Alright, so that's summarized. The Colossi will need for this painting. Here. As a closer look, you will need some blue, then a basal Pink, then some green and Payne's gray. Orange is optional. If you want to create that pride colonial sky, you can take out some oranges for how the Colors ready, ask some blue, pink, and orange. We already saw the painting. On the top. We will be applying some blue. Then towards the bottom will be using Pink, and then a bit of orange asphalt. Then we'll also be adding some clouds using blue. So first I'm adding horizon line. Almost three-fourths of the Paintings going to be the sky. Alright, so that's right. Now the first step is to apply water onto the anterior sky. For that, I'm using my one-inch Wash brush. Just make sure your brushes clean before you apply water onto the Sky. Just a shiny code is all the knee. So Tranio brush back and forth and make sure the code of water, stephen, this guy is evenly. Now we can start adding the paint onto the sky. So to paint the background layer, I'm using a flat brush. This one has a half-inch flat brush. Again, make sure it's clean. And I'm going from bottom towards the top, first-time picking something. And I'm adding down along the horizon line. It's a beautiful thing. I just loudest color. Three for that, this guy is going to be blue. So at the bottom, add some pink. And as you go towards the center, make it lighter, maybe we can add some more pink to make it brighter. That looks nice. Now I'm cleaning my brush and I'm dabbing that on a paper towel and I'm making the spotlight. Oh, okay, so that's a plus pod. Next, I'm going to pick some blue. I'm adding two drops of water and I'm making bloat into a lighter tone. I'm not using a basal blue. It is just a lighter tone of royal blue. And I'm adding that on the top. I'm coming towards the bottom. As I'm reading Pink, I will make the color a bit lighter. It's a very simply added cautious color combination. I just love using pink and blue together. Okay, so that's a background. I have got a beautiful blend. Next, I'm going to wash this brush. And I'm going to pick a little of orange. Just a tiny bit. What I'm gonna do is I'm just going to add that right about the Pink towards the center. So I'm just adding some color on the existing background. Just to give it a more glowy effect. We can add some more orange. When pink and orange get mix together. It creates a beautiful peach color. That is exactly what I wanted on my sky. That's a base layer. I'm pretty happy with the planet. Maybe we can add a bit tomorrow Pink towards the bottom. Because I feel we don't have enough Pink. Otherwise, when we add the mountain, we won't have any Pink left and sky. So that's a background. I'm very much happy with it. Next, we need to add the clouds. For that you will need any of your medium-sized strong Brush. Now, go back with some blue. It can be a bit brighter than the color you used earlier. And dabbing on a paper towel just to be sure the paint is not too watery. Now let's start adding the clouds onto this wet background. I'm adding them right where the pink and blue is meeting. Keep in mind that Paint data using to add the clouds should not be too watery. If it's too watery, it will start spreading into the background and you wouldn't be able to control them. So keep dabbing your brush on a paper towel. If you feel your pain is too watery. And adult clouds, how will you want to have added a long cloud and a shorter one at the bottom. Now I'm adding a field towards the left. You can go to any shape that isn't a problem at the massive Wash. So that's the first set of clouds. Now I will add some smaller ones on the top and the bottom to make it a little more interesting. So my ideas to add them right, where you have the blue and pink as meeting. I'm not going to add towards the top or the bottom. This is where unconcentrated. Now I'm going to add a few more on the top and the bottom in a much more smaller size. One over here. Then maybe another one towards the left. A few on the top. You can compose your painting however you want to. You don't need to follow the exact same be how I'm adding the clouds. At any point, if you feel your back onto starting to dry, just stop it there. Don't add any more clouds. Back on the starting to dry. The clouds will look very rough and patchy. So does better to stop it there and not to add in more clouds. That is a bit of paint missing on the top. And deciding that back in. Now, I'm going to add a bit more towards the Syria. And the time I'm going to call it turn. I'm very much happy with a blend and Colors and the clouds. I don't want to ruin it by overdoing. You can see the beautiful color we created by mixing orange and pink is my favorite part about the sky. Now before I leave it for drying, I'm just going to wipe off this paint along the border. Otherwise, it may float back into the painting and would create a messy bleed along the border. I'm just wiping that off just a little on the top as well. Okay. So that is done. Now, let's leave it for trying. Okay, So that is done. Next, let's paint the landscape part for which you will in some sap green as well as some paints gray. I'm taking out some sap green onto my palette. Next, I will need some paints gray. I will first step is to add a medium tone of sap green onto the anterior middle, and then gradually will add a darker value at the bottom. Okay, So let's begin for this step again is a Flat Brush or around Trish and missing Flat Brush. And I'm being a medium tone of sap green. I wonder really bright green. So I'm not adding a lot of water. Now let's quickly fill this area. The color I'm missing here, a sap green. You can use sap green are reading cream and chest, fill it up Okay, so that a factory. Now with the same brush, I'm going to pick some paints gray. And I'm adding that at the bottom. On the top, I want a medium cream. And at the bottom I wonder color to be really dark. I'm not going to add a lot of detail onto the metal. Just leaving it as if you want to add some grassy lines or if you want to add two more texture onto it, you could do that. Okay. So the metal was done. That is a base layer. Now we can leave it for trying. And after that will be adding the mountain. Okay, So that is dried completely. I'm really happy with the colors. You can see that beautiful contrast we have achieved here. Our next step is to add the Mountains. For that, you will have to create a basal violet. I already have some pink and blue on my palette. And I'm going to mix them together. To create a basal violet. It doesn't need to be basal violet. You can also use any of the wildcard. Just add some water and turn that into a medium tone and you start color to add a mountain. I have some paint left on my palette. So I just thought of making yourself that that's the color I have created. See that it's a mix of Berlin Pink and royal blue. Now using that color, I'm going to add a mountain along the horizon line. I think the color can be a bit more darker. So I'm adding more blue. Okay, that seems nice. Now using that color, I'm going to add the mountain. Go to some the height. Don't make it too huge. We are trying to make it look like the smell just really far. So goddess and the height. First you can add a shape, then you can just fill it up. So that is done. Now we have to wait for this to try. And once a desk dried, we can go with our final step. The colors are looking silk arches and very much happy with the color palette. Now to add the final touches via coin back with paints gray. And they're going to add some rough shapes along the horizon line. And the time will be done with painting. Right now, there is an incomplete free to a painting by adding some details along the horizon line. And by defining that horizon line, it will look complete. And that's what we're doing right now. So just go with a darker green are just been great acids and add some teeny tiny shapes and on the horizon line. Okay, I won't be filling up the ante horizon line. I will add the mass while crew Billings some gap in-between. Okay, So that is akin to one. Now I'm thinking leaving some cat and I'm adding another group of plants. In a similar way. I'll be adding few more groups and the time will be done with, for painting. Try to go with different shapes and sizes so that it will look more natural. I have to longer groups on the right side and three shorter wants on the left. It's a very small detailed to consider, but they will have a huge difference in your painting. Alright, with that, we are done with our beautiful pieces sky. Now it's time to build up the masking tape. And she was have a Dreamy sky. You can see how beautiful it has turned out. The colors we have this first painting, a super gorgeous, and the contrast we are creating even more beautiful. I hope you enjoyed painting this peaceful evening. Thank you so much for joining, and I'll see you soon with the next painting. 13. PROJECT 08 - Pink & Violet Sky: Here's the next baseless sky we're going to try. It's a beautiful color combination. Will be using a beautiful Violet and being for the sky. The big is the same thing I've been using. The wild-type I'm going to use is called Pride Violet. It's again from the same Planche in hand. So just like the name says, it's a very bright and beautiful Violet. I'll start with the pink. This one is brilliant Pink. It helped me sloping. You can use that directly or we can mix and create your own Pink. That's the first color I'll be using for the sky. You can see to what's a mountain. And towards the top it is Violet. This color is not that common, so I'm not really sure how many of you have it. If you don't have discovered Violet invalid who have COPD or a purple. Those are two colors I'll be using for the sky. Now the current I'm going to use for the mountain as mix up a little Violet as well as blue. Again, you can choose to create your own Violet. It doesn't need to be exactly the same. Just because I have some leftover paint. I chose to mix it this way. So that's a Violet I'll be using for the mountain. It is a mix of royal blue and bright violet. The color to them for the sky as well as for the mountain. Now coming to the last set of colors, what does paints? Gray and sap green. You can see those pine trees in the foreground. For that, I'll using a darker green. And that's a mix of saccharine and paints gray. Adam agreed to stop training the symbol here. Again, choose to go with a darker green are just Payne's gray Africa. Okay, so that's a nice the colors you will need for this painting. Now, let's give it a try. I'm starting by adding a rough sketch of a mountain. It's a very simple shape. You can go with initiate better prefer. It doesn't need to be like this so that the shape I'm going but now before you start Painting, keep your Colors ready. As I mentioned earlier, I'll be using a Pink and a wild for the Sky. I already have some pink on my palette. This is the color. The second quarter is Violet. I don't have any leftover Violet, so I will need to squeeze out some paint. This color is called dry toilet. You can go with any Violet are popular choice. It doesn't need to be the same. You can go the basal Pink are just lighter value of integral. Sorry, I've got, I have the Colors ready. Now, I'm going to start by applying CO2 water onto the anterior sky. Just make sure your brushes clean. And a player clean, even code. We only need a shine equal to water. Don't add a lot of what onto paper. And if we can try to leave out the mountain, my skies evenly wet. Let's start applying the paint onto the wet sky. Will be applying the paint from the bottom will first go with pink. Then we will gradually introduce Violet. Some you see around ratio. This one a size number eight. Go the medium-sized brush and pick enough of pink on your brush and apply that along the outline of the mountain. It's a beautiful pink. This one is brilliant Pink from Shanahan. You can either create your own basal Pink or it can go the lighter value of crimson are carmine or any other Pink Collar you have got? Okay. So that is Pink. I will apply some more paint. Maybe until half of the sky, I will apply Pink. Then I will make it lighter as I go towards the top. That is pink. Now, I'm going to make it lighter. I used to roundish because it is easier to apply paint along the mountain. Now I'm going to switch to a flag Trish. Then I will go with some Violet, a medium tone. Then I will blend that with Pink. So pick any wild of your choice or purple. And apply that on the top of the sky. The top and the bottom, we need a medium tone. And two at the center where these two colors are meeting, try to make it a little lighter. So that's the base layer. Now onto this, while it is still wet, we're going to add some lines. And for that, I'm switching back to my round brush. I'm quite happy with the background. It's a beautiful blend of Pink and Violet. So I'm just keeping this pressure side. And I'm switching to my round brush. Go to any of your medium-size brush or a smallest size brush. And go and Violet. Go the brighter tone. Now if you feel like your paint is really wet, you can dab it on a paper towel. We are going to add some lines onto the sky to make it a bit more interesting and didn't want the paint to be too watery. So using that slightly wet paint, I'm just adding some light onto the background. Why did is still wet? You can randomly add some lines using Violet. You can add some at the bottom and at the top An Adam variable you want to, there is no particular ruler order for this. Just as you wish abdomen. You can see the way how it has turned out. It is looking really beautiful. We have only added a few lines. Maybe I will add a few more. I'm already happy with the sky, so I'm not going to add a lot. I will just add a few more over here. And that's it. That's my sky. I used Pink and Violet for the background. Then using Violet, I added some lines, some random lines, and that's my sky. I hope you all liked it. Now let's leave it for drying. And after that, we can start painting the mountain. This guy has dried completely and this is how it is looking right now. Next time a task goes to paint the mountain. For the mountain, I'm going to use some mix of blue and violet is going to be more of a blow Charlotte. This one is royal blue. Now I'm adding a low Violet into that. If you're mixing in creating your own Violet, add more blue into the next time crimson, and create a bluish violet. Okay, so that's a color I'm going to use for the mountain. Now on the top, I'm going to use a lighter value. And as I'm coming down, I'll make the color more brighter. Mix and create your own bluish violet. Or if you have similar color, you can use that directly. Now let's add that in the top. Those colors are looking so good together. The Pink and Violet sky and the Violet mountain. Now towards the bottom, I'm going to make the color a little darker. So that's a base layer. Now onto this, onto the wet background, we need to add some texture. For that. I'm picking that darker violet. And I'm adding some lines, just some random lines to create a texture. See that? When you add them onto a background, it will make a beautiful texture when it dries. And that is what we're trying to create here. Just go the darker violet and just add a few lines. It can be sloping line. See that? So just to add a few here and there, the trick is adding them by the bank understood, wet. So when it dries it will leave a natural texture. Just add a few more lines from the bottom towards the top. Towards the top, I mean at the peak, try to leave some vital value, will be adding some white texture there. So don't touch that part onto the remaining area. You can add some random lines. You don't need to worry a lot. Simply had some lines on the red background. When it dries, it will be really beautiful. Okay, so that's how the mountain has turned out. Now, we can leave this for trying. And after that, we can add a white texture to indicate the snow that has dried. Now, let's add some snow onto the mountain using some white watercolor. You can either go with white watercolor or white gouache to stake out a little off paint onto your palette only a little. Okay. So that is watercolor. If you have Guattari can use that because it is more opaque than watercolor. Even watercolor will work perfectly, but only if you want to make it more prominent, you can go with gouache. Okay. Now I'm using my size six round brush. First, I'm making sure it's clean. Now, I'm picking some white watercolor. I'm not adding a lot of water, just a tiny bit so that I can pick the paint. Now using that opaque paint, we can add some lines onto the tip of the mountain. So start from the top and add them towards the bottom. In an alkali way. The woman ought to add a lot of water. If you add a lot of water, the paint will be transparent. And then you add these lines, they won't be prominent. Go to paint that is kind of oblique. Only at a few drops of water. Just to have some random lines following the slope of the mountain from here and simply adding some lines down. You don't need to add a lot, just to add a few here and there. I will add a few more lines onto the side. Then let's add a few on the logo set as well. So there's just some random lines. Go with some white gouache or white watercolor. And just tried a few lines onto the Mountains. Okay. This Martin as a background element, will be adding some trees in the foreground. And that means you don't need to add a lot of sleep patterns as it is in the background. Just add a few here and there, and that's all we need. Okay? So that's my mountain. We have binded a background layer. Then on to that, we added some bike patterns. Again, see the textures I have added. I didn't add a lot at the mountainous in the background. So that's how it has turned out. Next we can start adding the trees. And for that, I'm using a darker green. It can be either a darker green are just Payne's gray acids. I'll be adding them onto the right side. I'm planning to add two trees on the right and maybe one on the left. To create a darker green. I'm going to make some Payne's gray with sap green. So let me squeeze out watercolors that is sap green. Now overlaid some paints gray. Okay. So the color Saturday I have Payne's gray and sap green. Now, I'm going to mix these two colors together. So my plan is to use Payne's gray for the tree trunk and add fully juicing or greenish color. Before I start, I will keep the color steady. Some mixing sap green and Payne's gray to create a darker green. I'm taking some paints gray *** for the brush I'm using here a size number six. It has got a really nice pointed tip. First-time allowed a straight line, which is the tree trunk. Now I'm going to clean my brush and I'm going to pick that darker green. Now using that, I'm going to add the foliage. Earlier, the color was more of greenish. I wonder, darker Queen. This looks fine. So at the top I'm adding just a little foliage and as they come towards the bottom, I will make it more dentin. On the top. I have only added a little. Now as I'm coming down and making it more wider. This is not a very detailed pine tree. On the top, I have added some foliage. Now. I'm going to add some brand is in-between. I'm leaving them as empty branches. I won't be adding any foliage on to that. So that's two branches in-between. Next, I'm going to add some more foliage towards the bottom. The ones I'm going to add towards the bottom will be moved wider and denser. I have added an image here. So that's all I'm going to add, the pine tree. We can add that in a similar way, or how will you want to it, it's nice to leave some gap in-between and add some empty branches that will make your tree look more beautiful and realistic. But if you want to go for a dense and thick tree, that's totally okay. So composite painting however you want to, It doesn't need to be exactly the same. If you want to add your trees towards the left side. That is also totally okay. That's how it is looking right now. I will add a few more foliage towards the bottom that's going to be much more thicker. And rider using a darker green. And I'm just adding some teeny tiny dots using the tip of my brush and I'm creating a larger shape, the color I'm using now, it's much more darker. I have added some more Payne's gray into it. Anything that I'm adding some more foliage onto the ones I added earlier, just to add a different tone and value. Now with the same color, I will add a few more at the bottom, maybe one more on the other side. Before you start, have a rough idea of the shape you want to go with. Whether you want to go for a dental tree or whether you want to go for a tree like this. As you could see here on the top, I went in with very little foliage and towards the bottom, I made it more denser just to create a more natural feeling to it. Okay, so that's my full screen. If you wanted to add some more foliage in-between, you could do that. Now, I'm going to add another one right next to that. Maybe a smaller one. Just to make the composition more interesting. That's a high time going well. Now onto that, I'm going to add some teeny tiny patterns on the top. As it come towards the bottom, I will make it a bit tomorrow, wider and denser. Painting the pine trees. A very easy to ask if you get the hang of it. As it could say here, I'm just adding some random messy patterns using the tip of my brush as it come down. Remember to make your foliage more wider. And then so just by following that truck, you can create a beautiful pine tree. You can see for this one, on the top, the foliage is smaller. And what's the bottom? I made it a bit more wider. That's the only thing you have to keep in mind. There are many other ways you can paint the pine tree. This one is one of the easiest way. I will add some more fully at the bottom, maybe a bit more vital one. And I will add that until the Masking tape. Okay, so that's my second tree. Now, in case if you want to add another tree or if you want to add mode foliage onto the existing tree. So you could do that right now. You can modify the sheep and make it more than so. I'm actually having the result, but I'm still wondering whether I should add one tree on the left side. I'm still not sure. Maybe I think I would had a whole tree. Happy with your painting already. You can just leave it Tacitus. If you want to add one more tree, maybe onto the right or onto the left, you could add that to I think I haven't had one more onto the side. Decide on the height of the tree and add your tree trunk. Then onto that, keep adding those random messy patterns. As I mentioned earlier, as it coming down doors, lines more wider. Okay, so let's add them the last week and finish off the painting. Okay, so that we are done with our painting. Now it's time to build out the Moscow tape. Surest the final painting, it's a beautiful color palette. I really loved the sky. It is very simple. It a beautiful sky. I hope you are likely to thank you so much for joining and happy painting 14. PROJECT 09 - Evening at the fields: Hello my dear friends. Welcome back. So here's our next pixel, Sky. It's a beautiful painting, but very little detail. You can see that Pink and Violet Sky against a Whitfield. Anyway, I will start with the color palette as useful. The first color you will need is Violet. You can see for the Sky, I have used two colors here. With this Violet and Pink. You can use any violet or purple of each ions. This one is not a pixel Violet, I'll just be using a lighter value. That's the first color. Now the second color is brilliant Pink. Again, you can choose to use a lighter value of crimson or any other pink or red color. Just go with a pestle Pink, which can be readily available to mix and create your own this little pink. These are the two colors I'll be using for the Sky. Berlin Pink and Violet. First will be applying a base layer, which is going to be a blend of these two colors. Then onto that will be adding some Cloud using Violet. So those are the two colors I'll be using for the sky. Now, coming to the next set of colors, you can see here, you will need some yellow ocher and also some brown and paints gray to add a deeper value. It's a wheat field. So to create that impression, you will in some warm yellows and brown. We don't have brown, just use burnt sienna. That's not a problem. The one I'm using here is from Art Philosophy. It's a beautiful brown. I just love this color. This is the one. It's called permanent problem. Okay? Now the last law you will need us paints gray or black or neutral tint. This is mainly to add a deeper value. Will be adding some deeper value at the bottom, as well as onto the mountain. For that you will need paints gray or neutral center black. So that's the rise of colors you will need for this painting. You can choose to go with the same color combination or a different color combination of HI is how alert keep the Colors ready before you start with the Sky. Alright, so let's begin by adding the sketch. First, you will need to add the horizon line. What is a little bit of the center of the paper? Now, I'm going to add a mountain. You can go with any shape. It doesn't need to be exactly the same as mine. But try to go the similar size, don't make it too huge. So that's my mountain. We can modify the shape as we paint. That's not a problem. So for now, just add a rough sketch. We can add all the remaining details and the deeper values as you paint. For now, we just need a rough shape. So the sketch is ready. Now to paint the sky, as I mentioned earlier, you will need Violet and Pink if you're following the same color combination, I'll just pick any colors of each is. Let me take out the colors onto my palette. The Pink I'm using pure assumption hand, and Violet is from White Nights. Okay, so I have the Colors ready. Now, I'm going to try a wet on wet Sky, which means I will have to apply a code of water onto the anterior sky. For that, I'm using my one-inch brush brush. You can choose any of your wider brush, just make sure it is clean. Now I'm picking some water. Adding that onto the background. We just need to shine a code. Don't add a lot of water and an airbrush multiple times just to be sure the code what is even. Apply that onto the anterior background. You can add the water onto the mountain. That's not a problem. Okay. So my background is evenly wet. Now we can start adding the paint. I'm using a flat dish and I'm starting off with Violet. I'll add a few drops of water to turn that into a medium tone or lighter tone. You can go with any kind of intensity if you want to make it lighter and more water. Or if you wanna go the brighter value, reduce the amount of water, and just use that color on the top. So that is Violet. As it come down, make the color lighter. Now I'm cleaning up my brush and I'm switching to Pink right away. Okay, now let's apply that at the bottom. Then we can go towards the top. Again, you can go the lighter value if you prefer that. The Pink I'm using here is quite bright. I like it that way, but it is totally your personal preference. If you want to go with a lighter value atom of water and make your color lighter. Okay? Now our task is to make a clean blend. We need to blend to Violet and Pink together. I'm cleaning my brush and I'm going to run my brush in a back-and-forth model to make it a clean planet, right where these two colors are meeting. So gently run your brush in a horizontal way from left to right to make it a clean blend. That's all base layer. Now before the background rise, we need to introduce the clouds. I'm just keeping those special sight. I'm switching to her entourage. Choose any of your medium-sized brush and floss. Make sure it's clean before you add the clouds. So my brushes clean. Now I'm picking from Violet, a medium tone. And I'm gently dabbing my brush on a paper towel just to make sure it is not too watery. Now, we can start adding the clouds. You can add them. How will you want? I'm starting from this area where the Pink and wildest meeting. You can see the shape. I'm going, well, it's a big cloud. Now I'm adding a few towards the bottom. You can just add them. How will you want and variable you want to. When you're adding the clouds, that are two things you need to keep in mind. The first, tennis, your background should be still wet when you're adding the clouds. The second thing is the paint that using to add the clouds should not be too watery. If it's still water, it will start spreading a lot. The shape will be somewhat messy. So try to go the pain which is not too watery, feel like your paint is really watery and spreading out lot. Just dab it on a paper towel and then keep adding your clouds. So that's how it is looking right now. I think of a ladder, few more little ones here and there. To make the composition a little more interesting. Maybe I will add one here. That is to water. You know, I'm repeating the same step after dabbing my brush on a paper towel. I'm really loving the sky. The colors are looking really beautiful. Once you have figured out the consistency of your paint and also the wetness of your people in the Cloud is not a difficult task. But if you're a beginner, it might be a little tricky. The keys using a good-quality watercolor paper, which is hundred percent cotton, so that it will stay wet longer time. And you can add the Cloud without rushing a lot. I will add few more clouds onto the side. And with that, I will call it done because my background is starting to dry. If I add more, they want sprayed and they will look really rough and patchy. So right now, I think the composition is looking quite nice. I have some small clouds as well as some big ones. I'm happy with the sky. Now. I'm going lead for trying. Alright, so the sky has dried. Next to our task was to paint the retweet. For Verge, you will need yellow ocher and some brown and also bit of Payne's gray to have a deeper valuable. So first I will take out the clothes. We can start painting it, the yellow ocher. I'm going to use this function here. Then you will need some brown or bond zaneena. First we will apply yellow ocher onto almost threefold of that area. Then gradually we will introduce some deeper values. Okay, so I have the Colors ready. I have yellow, ocher, brown, and paints gray. Now to apply the paint, I'm using round brush and I'm starting off with yellow ocher. This one, a size number eight. First apply that along the horizon line. We can apply a little more. Okay, So that's yellow ocher. Next time switching to Brown. As I mentioned earlier, you can either go with brown or burnt sienna. Now I'm picking a medium tone of brown, adding that at the bottom. I'm blending that with the yellow ocher. On the top. I want a yellowish color and towards the bottom, I want more of brownish and Taco Tuesday, maybe we can make it more darker. I'm picking more brown, adding that along the bottom. Now the thing brush, I'm going to add few lines. Just to add some texture onto it. I'm reading some of the yellow color on the top, and I'm adding two lines that just a matter of adding some line to sing brown onto that debt background. You can see the texture. It looks really nice. So we have some yellow on the top and some brown at the bottom. If you want to make it more darker, you can pick a little of Payne's gray and mix that with brown. And you can add that along the bottom-most area. So that's the background. You can see we have some yellow on the top and a darker value at the bottom. Now before we go, The final step will have to wait for this to dry. So let's take a quick break and come back when this has dried completely. That also has dried. So we'll again start painting the Mountains, for which I'm gonna go with a medium tone of brown. Again, you can go to town or been Sina. First I'm going to fill up the ante a mountain, and then gradually I will start introducing multiple value. So you can either follow the shape you have added or can modify the shape if you want. Okay, so first let's apply a medium tone of brown or burnt sienna onto the anterior mountain. Then once we have defined the shape, we can start adding the textures using a darker value. So that's a base layer. If you want to modify the shape, you could do that right now. I'm just making the sheep a little more higher on the side, a little higher. That's a base layer. Now I'm keeping this Brushes side and I'm going to switch to my smaller brush to add the textures. This one as my size six round brush. And I'm picking some paints gray. You can add a little of brown into it to turn that into a darker brown. Now with that glow, I'm going to add some lines onto the mountain. Whenever I have these ridges, I'm going to add some deeper tone. Simply pick up some taco value Brown on your brush and add some deeper value. In a way to sloping down. We are trying to introduce some texture and some shadow here. And that will make up a mountain look more realistic and natural. So the similarly, I'm going to add some patterns on the other side as well. We can see the way I'm adding it. It is just some taco valuable. And I'm adding that and an inclined way onto that red background. You can see the difference. Now I'm thinking to fill up the head cap in between. Initially I thought it would be nice to add that gap. I will add some more texture onto the mountain. Then I think oven Philip died cap. Now when I look at the painting, I think that wasn't really necessary. Okay. I'm picking up some brown and I'm going to fill up that gap. I'm assuming same brown I used earlier. And I'm just extending the shape here. This is looking much better than earlier. That part is filled. Now before I call it done, there's one last thing that I want to do over just adding some tiny patterns. And on the horizon line. This tip is completely optional, but I want to show you the difference that it can make. So Guba, but that brown that you used earlier and with any of your smallest expresss just had some teeny tiny pattern along the horizon line. It is just some tiny lines. Just keep adding them close to each other. See that this tiny shoes, when you add them close to each other, it will give an impression of that cross faraway. Once I finished this, you will get tat real sense of just keep adding some tiny lines close to each other. With any of your smallest size brush or a brush with a pointed tip. Use the same brown that are used for your mountain and fill up that anti-align. Just hiding some tiny lines with the tip of my brush. It is not a complicated step. It doesn't need to be perfect. But once you're done with this, you will see the difference that it can make. If you feel that line is prominent, you can just match it. Just gently smart you towards the top. And that's it. That's able painting. You can see those textures we have introduced. You can really feel that sense of crafty pattern far away with those tiny patterns. And that is exactly what I wanted to create here. There's just a matter of adding the tiny line. It can have a closer look here. See that? Now, to finish off the painting, I'm going to add some tiny boats onto the sky. And with that will be done whatever painting. You can add three, football. If you don't want to add them, that if you don't want to add them, that is also totally fine. I have added three boards. I will add one more towards the right side. I'm really happy with the Mountains and that grassy texture. That area is my favorite part about this painting. That's all painting. I hope you all liked it. Now it's time to build up the masking tape. Gently be lucky Masking tape at an ankle only after the painting has completely dried. And here's the finished painting. I really liked it. I hope you-all enjoyed it too. I loved the sky, the mountain, and the texture on that grass. It was a simple trick, but you can see the impacted made. Here's another painting I tried without that texture and it can clearly see the difference. I wasn't really happy with the color of the sky. It looked really towel after it dried. And also this line here, I went in with a straight line, whereas I introduce some texture on the other one. Yeah, that's a different those tiny lines can make in your painting. Alright, so thank you so much for joining and happy painting. 15. PROJECT 10 - Snowy Evening: Now it's time to go. The final one of the baseline Watercolor Sky City. And here's what we're painting. Honestly, it is one of my favorites from the collection. I just loved the color palette and those strings. Anyway, let's have a look at the colors before we start. For the sky, I will be using violet and orange. The background layer is going to be a blend of violet and orange. This is the orange I'm going to use. You can use any orange have caught. And I'll also be adding a low white with orange to create a pistol orange for Violet, I wouldn't be adding any wide. I'll just use a lighter value. So add a few drops of water. I told him Violet into a lighter tone or a medium tool. So that's the first color. I'm using violet from White Nights here. Next to create some peaceful orange. I'm adding some white watercolor with orange. And that's a color. It's a beautiful color. You can either choose to use your colored this way by adding some white watercolor, or you can just go with a lighter value of orange. Disassembly how we did with Violet. Okay, So those are the two colors I'll be using for the sky. Then to add some lines or to the sky, those streaks you can see there. For that, I'll be using a brighter tone of orange without adding any white into it. Okay, So this other colors I'll be using for the sky. The next two colors you will need as Brown and Payne's gray for that landscape in the background as class for the tree, I'll be using brown. Then to add some deeper tones, I will be using some paints gray. You can use brown or burnt sienna. And if you don't have Payne's gray color with black or neutral tint. So those are the colors you will need for this painting. Simple here, a beautiful color palette. And I'm very sure you will enter the process as well. The painting of ask beautiful axes, colors. Okay, so let's give it a try. Okay, so let's begin. I already have some violet on my palette. The next color I will need is orange. This is the one I'm going to use. It's brilliant orange. You can go with any orange you have got, or can also use vermilion. Now, along with that, I will also need some white watercolor. This is optional. If you want to turn your orange IDO pixel color, you can add some white. I can just use a lighter value. How the Colors ready? Now I'm going to add a quick sketch. First. I'm going to add a line to separate the sky and the crown. Okay? Now onto the right side, I'm going to add two trees. You can add it towards the center or towards the left is totally your choice. So I'm gonna go with an irregular shape to make it look more natural. That's thickness of the tree. Okay, So that's the first one. Now I'm going to add another one next to that. For you just need to add a simple shape. You can modify it later as you paint all the branches and all the remaining details we can add liter. Those are my trees. Now I'm thinking this can be a bit more lower. Okay, that seems fine. Some erase the other line. Okay, so that's our sketch. Now we can start painting. Before you start, keep the color story, you believe violet and orange, then also a little of white. Now I'm starting by adding a coat of water onto the sky. A nice ginger go to water. Don't add a lot of water, which is new shiny code. So keep running a Brush multiple times back and forth just to make sure the code what is even. Okay, so my skies evenly wet. Now I'm going to start adding the paint for that. I'm using my flat brush and I'm starting with Violet, a medium tone. And I'm adding that on the top onto the wet background. It's a medium tone. Now, as I'm coming down, I'm going to make the color lighter. So clean your brush. Then tap it on a paper towel. Then just run your brush in a horizontal direction to make it lighter weight, a medium tone on the top and toward the center, we want the color to be lighter. Okay, so that's the top part. Now I'm cleaning my brush. I can I'm switching to orange. You can either go with orange acidosis or it can just add a bit of white to make it a pistol color. Okay, So that's a color I'm using. I'm adding that along the horizon line. Now as I go towards the top, I will make it lighter. So we're Violet and oranges meeting. I want Watercolors to be lighter. And towards the top and bottom, I want the color to be slightly brighter. I'll quickly run my clean brush to make it an even blend. Okay, so that's the background. Now I'm going to keep the special side and I'm switching to around Trish. Our next task is to add some lines on the sky to make it look interesting. I'm picking more orange. I'm not adding any white. The standard chorus much more brighter. Now using that color, I'm just going to add some random lines onto the sky while the background is still wet. So we have to be really quick and we need to add these lines before the background tricep So there's just a matter of adding some lines onto the orange part. I'm not adding any lines towards the Violet section. I'm just leaving that area acids. So just try out a few lines to make your sky look a bit more interesting. It is just some random lines. There is no particular shape or size. Just add them Violet back on the silhouette. That's the only thing you need to keep in mind that some paint missing over here. I'm just adding that back in. Okay, so that's a sky. Now we can leave it for drying. Alright, so this guy has dried completely. Now our next task is to paint the snowy ground. Foreseeable need to apply CO2 water. It's a very little area, so be careful. Don't add any water into the sky. Gently run your brush along that small section. And identical to water to paint the ground, I'm going to use round brush. This fantasise number eight on brush. Go with any of your medium-size brush. I'm using a medium tone. Now, using that brush, I'm going to add some lines on the ground. You can add them in a very random way. Just like have you added those lines from the sky. But try to link some gap in between. Don't fill up the entire area. You can see those gaps in-between. So in a similar way as some lines leaving cap. Okay, so that's the background. Now we can leave it for trying. So they have painted the sky and the crowd. Next we're going to paint the trees along the horizon line. For that, I'm using my size six round brush and I'm using brown here, a medium, Donald Brown. You can go to prom or bond zaneena. Go the medium tone, don't make it to light. Now using the tip of my brush, I'm just adding some lines. On the top. Then towards the bottom, I'm just filling up that shape. See that? Right now, I'm using brown. Once I'm done adding the brown, I will introduce some darker values as well. So you have to keep some paints, gray or neutral tint or black, ready on your palette as well, along with brown. First add a random shape. I'm just using the tip of my brush and I'm just adding some lines. So on the top I went a long pointy tips just to make it look like those are some trees. And two at the bottom, we can just fill it up. And also you can play with different tight towards either side. I'm making Italo and towards the center. I'm looking at shorter. Okay, So that's brown. Once you're done adding this, we can gradually introduce some taco value. Maybe I will make this area more higher and also the left side. So that's the base layer. Now with the same brush, I'm going to pick some paints gray. And I'm going to add that onto either end. So towards the center, I'm going to read in most of the problem. And what's either side, I'm adding some Depot value. This is just to introduce some lightened shadow and to make our painting look more interesting. Just want to either side, you can add some darker tones. And two at the center, you can retain that drunk Hello. Okay. So that's a base layer. Add that value back onto still wet. If it has dried up, but it's no problem. Clean your brush and go back with some brown and just merge the paint to give it a more softer look. Okay, so those are the trees in the background. Now let it dry. Meanwhile, we can start adding some texture on the ground. For that, I'm using the same paint, a darker tone of brown. So I'm mixing hundred love Payne's gray. And I'm dabbing my brush on paper towel multiple times because I want to try paint to add the texture. I don't want my paint to be watery. So keep dabbing your brush multiple times on a paper towel and add some try patterns. At the color is very much brown. I want it to be able to more darker. So I'm adding more paint screen to the mix. Again, dabbing my brush. See that? Now with a dry brush, Let's add some patterns on the ground. Right now it is looking quite flat. It doesn't look like a snowy ground. So to bring in that freewill, we need to introduce some texture. And that's what I'm doing right now. Just go the dry paint. It could be paints gray acidosis or a darker brown. You can have those dry patterns in a very randomly. Didn't need to follow any particular pattern. Just add them here and there. These patterns will give a nice texture as well as a finished look to your ground. See that? I'm adding more closer to the tree. I wouldn't be adding a lot towards the outer corners. So I'm just focusing on the Syria. And I'm adding some type atoms and a pedicure randomly. Maybe we could add a little more next the tree. So the only thing to keep in mind is to go the try paint. Don't add a lot of water. If you paint is watery and tap it on Paper towel. Before you add these patterns. Now I'm adding few tiny patterns using darker tone is to make it look like there are some tiny stones, are some texture on the ground. Okay. So that's it. That will ground. I'm quite happy with the weight as turned out. Our next and final is task was to paint the tree. But the trees in the background, it is still wet. So we'll have to wait for that to try before we start paying the trace in the foreground. Okay, So that is dry, and here's the patterns we added. Right now. It might not look that great, but that's okay. One to add the tree, it will look a lot more beautiful. Let's add the tree. First. I'm starting with brown, a medium tone, something similar to the color I used for the landscape. I think I will need more brown. Again, as a fidelity, we can either code or been zaneena use any of a medium-size fresh, the one I'm using here, a size number six. Go the medium tone, don't make it to light. Now I'm starting with the forestry, the one on the left. First, we can define the shape using that medium tone of brown. You run into, show the roots or anything, just leave IT assets at the bottom. Now, let's add in the branches. First go to medium tone of brown or Ibn Sina, and find the sheet. Along with that, you can also add some branches. Go with any of your brush that has got a pointed tip. When you're adding a tiny branches. Right now we're adding the tree trunk so that can be a bit thicker compared to the branches. Now with the same brush, I'm picking some paints gray. And imagine that what's the right side? I'm not sure if we can see the difference in the colloquial. On the left side we have a brown, a medium tone, or a darker tone. Towards the right. I have introduced some paints gray. I will make the tree, but multicore or here. Then along with Tableau to add some branches. Okay? Now we can add some branches onto that. Now onto the other one. We have one lottery left. I think it's a good idea to paint the other tree. Then we can add all branches, how old we want. Let's go the other tree. Then we can come back to this, some switching back to Brown. And I'm fully defining the shape. And once I have added the shape, I will add some darker tone towards the right side to introduce some shadows, just the same way how I painted the earlier one. Once we have defined a major shape of the tree, we can start introducing the branches. So your first step is to focus on the major shape. I have added the basic shape of the tree. Now I'm adding a branch or hill. So again, paint your tree. How will you want? You can add your branches wherever you want to. It doesn't need to be exactly the same way how I'm adding it to you. Tried to combos that neuron way. Okay, so that's a basic shape. Now I'm going to add another branch here. Then I will slowly start adding the deeper value. Okay, I think the basic shape is ready. Now I'm switching to paints gray. I'm adding that deeper tone onto the right side of the tree. I'm just starting that it doesn't need to be perfect. It doesn't need to be a clean blend. Those things are totally fine. Just trying to add some tuple value. Now we can start adding the branches. I will add one here. Then I will add some teeny tiny ones. In a very randomly. I'm not looking at any picture. I'm just adding them how I feel like just go ahead and add an *** many branches as you want. Try to go the smaller brush, brush with a pointed tip so that you can add them in a budding, thin and delicate manner. Okay, So that's have a restaurant out. How smart some paint here. I'm just trying to fix it by adding another branch. I think that looks okay. Now I'm going to clean my brush and I'm going to switch to some white. I have some elliptical by TO which I use for the sky. So take a little of white on your brush. Don't add lot of water. Go to try paint. If it's watery. Debit, want to Paper toga. Now we're going to introduce some Snowy textured onto the tree using this dry paint. Just drawn your try brush on the train and create similar patterns. I'm adding them only towards the left side. That's a very simple step, but it will have a huge impact on your training. And focusing only on the thicker branches. The rest of them are quite ten. It won't be really practical to add these patterns onto them. So let's focus on the bigger and thicker ones. Okay, so what do you have to do with pick up some white paint, don't add any water. Go the try paint. The dead triphosphate, add some texture onto the tree to give it a more realistic look. See that? I'm really happy with the results. It is just a matter of adding some light texture, but it made a lot of difference. How one multiple branches onto that asphalt. I will add some white patterns. And that will be done with our Paintings. Maybe I'll add two onto this one. Okay, So with that, we are done with our painting. We can see how beautiful it task Toronto. I really loved the Sky and those trees, especially the white texture we have added. Now it's time to build up the masking tape. Here's the finished painting. I hope you all liked it. You can see those beautiful textures on the tree. That's something that I really love about this painting. I hope you are likely to thank you so much for joining and happy painting