Vertical Video Editing Workflow: Edit your own Reels, Shorts and TikToks on Adobe Premiere Pro | Snehal Wagh | Skillshare

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Vertical Video Editing Workflow: Edit your own Reels, Shorts and TikToks on Adobe Premiere Pro

teacher avatar Snehal Wagh, Filmmaker

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Welcome!

      1:09

    • 2.

      Class Project

      0:49

    • 3.

      Optimizing Workspace

      2:38

    • 4.

      Automating Subtitles for Accessibility

      6:06

    • 5.

      Utilizing Supers for Impactful Messaging

      5:32

    • 6.

      Animating Supers to Hook the Audience

      5:33

    • 7.

      Elevating the Reel with B-Roll

      4:43

    • 8.

      Infusing Creativity with Visual Elements

      2:33

    • 9.

      Perfecting the Audio

      2:17

    • 10.

      Mastering Export Settings

      1:30

    • 11.

      Wrap Up!

      0:44

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About This Class

Elevate Your Content Creation with Vertical Video Editing!

Are you ready to skyrocket your social media game and capture your audience's attention like never before? Say goodbye to outdated horizontal videos and hello to the future of content creation!

In this hands-on class, you'll learn the essential skills and techniques to create captivating vertical videos that stand out in the crowded digital landscape.

Unlock the Power of Vertical Videos!

Vertical videos are dominating social media platforms, from Instagram Stories and Reels to TikTok. Learn the art of creating captivating vertical content that stands out in the crowded digital landscape. Whether you're a seasoned content creator or just starting, this course is tailored for you. 

Why Vertical Video Editing Matters:

  1. Maximize Viewer Engagement: Vertical videos take up more screen real estate, ensuring your audience can't scroll past your content without stopping.
  2. Enhance Mobile Experience: Optimize your videos for how people naturally hold their phones, providing a seamless and enjoyable viewing experience.
  3. Stay on Trend: Platforms like YouTube and Instagram favour vertical videos, making them more likely to appear on users' feeds and gain traction.

What You'll Learn:

  • Adobe Premiere Pro Basics: Familiarize yourself with the industry-standard video editing software.
  • Optimal Aspect Ratios: Understand the ideal ratios for different platforms to ensure your videos look professional.
  • Creative Editing Techniques: Master transitions, effects, and storytelling techniques tailored for vertical videos.
  • Audio and Music Integration: Learn to seamlessly integrate audio and music to enhance your videos.
  • Exporting for Social Media: Get hands-on experience exporting videos with the best settings for various platforms.

Equip yourself with the skills to create visually stunning and engaging vertical videos that captivate your audience. Whether you're a content creator, social media manager, or aspiring filmmaker, this course is your gateway to mastering the art of Vertical Video Editing on Adobe Premiere Pro. Make your mark in the dynamic world of short-form content!

Meet Your Teacher

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Snehal Wagh

Filmmaker

Teacher

SUBSCRIBE ON YOUTUBE || FOLLOW ON INSTAGRAM

My name is Snehal Wagh, I'm a Video Editor & Motion Graphics Designer residing in the capital city of India, Delhi! I have loved maps since I was a kid, so I started combining my skills and passion to create Map Animation.

I freelance for many brands in India (my clients include Wrangler, Tata Motors, Maharashtra Tourism & Mala's) and Iz & Johnny Harris's company Bright Trip. That video alone received more than 300k views on YouTube & warm comments from the audience.

My quest is to experiment and share what I learn to make it easy for you to create beautiful, engaging, and cinematic films.

Thank you for reading, and see you in the class!

See full profile

Level: Intermediate

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Transcripts

1. Welcome!: Before mobile phones, videos were always in 16 by nine format for PCs, TVs, and laptops. But now with our focus on mobile devices, vertical videos are taking over. That's why it is important to master vertical video formats that fit perfectly on our mobile devices. My name is Niko Wag. I am a professional video itor and motion graphics designer. I have been making online videos for about nine years, and in the past few years, I have helped my clients create amazing vertical videos. In this class, we will dive into the art of editing specifically for short term vertical videos. We will use Adobe Premier Pro to learn about aspect ratios, creative editing, and how to blend audio and music seamlessly. I will also share tips on finding trending music and making your videos stand out on Instagram and YouTube. This class is hands on. You will work on the project that lets you apply what you learn in real world scenarios. Whether you're a complete beginner or have some experience, this class will help you edit engaging short term videos that will build your online presence. So if you're to get started, let's jump into the first lesson and learn the basics of short term vertical video. 2. Class Project: Welcome to the class. I'm thrilled to have you here. For the class project, we will create an informative short form video edited specifically for Instagram and YouTube shots. We will dive into key techniques like subtitles, super smooth transitions and color grading to bring your idea to light. Don't worry if this sounds like a lot. I will guide you through each step, breaking things down into easy to follow sections. Move at your own pace, take notes, and feel free to revind or adjust the playback if you need to. If you run into any questions or need help, just reach out in the community tab. I'm here to support you and help you through any challenges. At the end of this class, you will have a standout vertical video ready to impress. Once you're finished editing your video, shar it in a class project section, so we can all see your amazing work. 3. Optimizing Workspace: The first thing you see when you open Premier Pro is the screen where you can create a new project or open an existing one. We are going to create a new project. This is an important step. We need to select the location where your project will be saved and name the project. There are two ways to set up your workflow. I'll show you both and you can choose whichever fits your needs. The first way is to go to the project templates and select social media template. Everything else remains the same, so we will click on Create. If you can't see the social media template options, then you have to update your AOP Premier Pro to the latest software. We have a lot of options here. We can see the Instagram reel vertical and the TikTok vertical, and also YouTube shorts vertical. These are the templates you will need for social media. I'm going to choose the Instagram reel vertical. You can see some elements here. I'm going to delete the layer below, and once I do, this is the overlay that we can see clearly. This overlay helps ensure that all the important text or video stays visible on the app and isn't hidden behind the interactive features. Let me show you the TikTok vertical as well, and you'll see a similar theme just like for YouTube shots. Since I only need to create one video for Instagram, I'll select all the other templates, hold command and click on the Instagram reel. Then I will delete the others. I'll double click on the template and it's ready to edit. The second way is to open your project without selecting a template. Right click on the project window, click sequence, select the social media nine by 16 template and rename your sequence. Now our timeline is ready. The only thing missing is the template overlay, but this method is quick and handy when you are already inside a project and don't want to create a reel from scratch. If your workspace doesn't look like mine, it might be because you haven't used Premier Pro in a vertical format before. You could be in the default workspace, which uses the full work area for editing horizontal videos. Let me show you how to create this workspace. Premier Pro has built in vertical workspace, but I customize the one you see on the screen to my liking. Let's go to the workspace panel, click on it, and you will see different workspaces for various stages of editing. This volume control panel was originally here. But since I needed more space for my timeline, I dragged it up and made it smaller. I did the same with tools moving them from left to below my project panel. Customize your premier pro work space before we dive into editing our vertical videos. 4. Automating Subtitles for Accessibility: In this lesson, we are going to add subtitles to our video so that people can watch it even without an audio. What you see on the timeline right now is my talking head video. Let's add subtitles. Go to the text and make sure you have the transcript selected. This window will allow us to transcribe the audio with a dialogue. I'm going to click on transcribe. This process will take some time depending on the length of your voice over or audio. Now that our audio is transcribed, we can see some pauses and gaps. You can go to the transcript options here and adjust the minimum pause length based on how tight you want your edit to be. I will keep it at 0.15 seconds. Let's remove the pauses and gaps altogether. Click on the funnel icon inside transcription. Then click on Pauses. This will select all of the pauses in the video. You can then click Delete and Delete all. This will significantly reduce your editing time for Talking Head or blog style videos. After this, I will clean up any double takes and edit the text that is misinterpreted by the transcribe AI in Premier Pro. Let's review this talking head video to ensure there are no errors. I have also stacked the audio segments, so the audio starts before the video, creating a fast motion effect in my video. Now that this is done, We will go to the caption tab. I will click on Create captions from the transcript. When you do this, a settings window opens. There are some presets you can use. I'm going to select the subtitle default and then open the captioning preferences. I want to make my video fast paced. Let's tweak these settings a bit to achieve the desired output. We will keep the format as subtitle style. We don't have any style yet, but we will edit some text later and save it as a style. If you already have a text style, you can use that. There is an option to choose the maximum length of characters. This is an important one because we want the words to appear one by one in this video, I will set it around nine and ten characters. We will also have a minimum duration. I will set it to the lowest possible and I don't want any gaps between captions because we are aiming for a tight edit. There is no point in keeping double lines, so I will select single line. We are going to click on, transcribe, and create captions. Once it's completed, you will see the basic text at the bottom of your footage. This looks a bit dull, so we are going to select everything and go to essential graphics. When you click on edit, you can adjust all of these text files in subtitles at the same time, including position, scale, fonts, and colors. This is helpful when you want to edit quickly. Let's start by changing the font. I have one font that I love. It's called Gazpacho, and since I'm going for a vintage style in this video, I'm going to make the font a bit larger. That looks okay for now. I'm going to position my caption in the middle so that I can see it while editing it more easily. Then let's go to the stroke. I will set it to four. Let's say I want to make it paste. I'm choosing the color blue. This color looks all right. I'm also going to make the shadow the same color, and for the shadow blur, I will set it to zero. As I mentioned, I want the text to look retro. I'm experimenting a bit with the direction of the text, and I will also increase the stroke. Let's change the position of this text so that it appears just above where a user name shows up, preventing it from being hidden by the interactive features in the app. Now, let's play back and see how it looks. This text look great as is, but it's static. Let's use key frame options to add some movement. Since this text is part of a subtitle file, you won't have direct access to effect controls to add keyframe to all of the text. However, there is another way. Select all the subtitles, go to graphics and titles and find the option called Upgrade caption to graphic. Click on this and your subtitles will move to your timeline instead of a separate subtitle track. Since we no longer need this subtitle track, we can delete it. You need to note one thing that you cannot change the properties of all the text once upgrading the subtitles to graphics. So it's important to edit all the design properties before upgrading them. Now, when I click on any of the files, I get the effect controls right here. Next, click on the first graphic and move the Anchor point to the middle of the text by clicking on the Anchor point. You'll see a blue circle with a plus sign in the center. Move it to where the text is. Now let's add a key frame to the scale property. Press shift, and then the left arrow key to move five frames ahead, and then click on the stopwatch icon next to the scale. This will create a key frame. Next, go back to the first frame and set the scale to zero. Creating another keyframe. As we play the animation, the text pops up. However, the animation isn't smooth yet. Right click on the second keyframe and select ease in. Troll down the arrow beside the scale property to reveal the graph. Drag the handle below towards the first keyframe to create a smooth curve. The text animation will now look smoother. To apply the same animation to all of your subtitles, click on vector motion, right click and choose copy. Then select all the other subtitles except the first one and press Control V on your keyboard. Now that the animation has been applied to all the subtitles, let's play back and see how it looks. Go ahead and complete adding subtitles to your video and in the next lesson, we will add text to hook our audience. 5. Utilizing Supers for Impactful Messaging: Creating an eye catching text to hook your audience is a crucial step in creating short form content. In this lesson, we will create engaging supers to keep them watching. In this reel, my hook is four things to know about getting around in hand introverion. I want the text to appear as I say it. First, I am doing some rough work by taking this title into my note pad. I'm going to highlight the important words that should be easier to read. Since four is a number, I'll keep it standalone. Things to know will be on the first line A could be smaller. Next comes getting around, and the word in doesn't need much space, so we can keep it small. T hiland is the main keyword here, so it should be the largest. The words introvert addition could also be in brackets or smaller since it signifies series of content coming up. Let's move into Prime Pro and design this idea. I will delete the whole part of that subtitle and create a new graphic. Go to graphics and titles. Click new layer and then text. We will add all of our text to this layer. Since we want to animate each one of these one by one, we will create a separate text layer for every line. To do this, let's go to essential graphics. Click on new text layer and scroll until you see text properties. Here you can align the text. I'm going to center align our text. I'll also go to align and transform to center align it horizontally and vertically. This gives us a starting point. I'm going to write things to know since that was our first line. We will also need to add the number four before this, but I'll probably use a e to convey that. Go to essential graphics properties, click on things to know and hit command C and command V to copy and paste the same text again. Then we will use the position properties to move the text below our main text and change the text to about. We will repeat these steps for all of our remaining three lines. This is how it looks after adding all of our text. But it's in the same style as our subtitles. Let's make it a bit different. First, I will select these three texts and make them capital letters to bring some differentiation between important words. Next, I will remove all the text properties, except for the stroke. I'll make the stroke black with a width of five. I will also adjust the text size, making it bigger or smaller according to the preference. I want to choose a handwritten font for in and about This one looks nice. I'll also make these two texts the same size. There is a significant distance between all of these because we have adjusted the sizes. Let's tweak the position to make all of these words look like one unit. Now that this looks cohesive, let's take one step further. I'm going to click on a text layer in timeline, then drag while holding Option or Alt. Next, I'll go to the essential graphics and without selecting any text, I will move the position slightly so that the second text look like shadow of the first text. Then select all of these, click on fill and add pastal blue. I want it to be a little brighter than our subtitles. I also want the outline of our second text to be smaller than the first. That's looking better. In our reel, Tylan is the most important keyword. Let's create a background layer around it. In the second text layer, we will delete the Tylan text. I will delete in and about now, I'm going to the graphics and titles, clicking on the new layer. Then selecting rectangle. Now that the shape layer is in our program, let's position it behind the thylan text. I will also take this time to position thylan slightly below the other words so that we have enough space for our background rectangle. I'll also position our last introvert addition text below yn so that it's readable. Let's color our background rectangle with the same pastal blue that we used for our secondary text layer. I'll copy it from the text and paste it into the fill of the rectangle. I also want my background to be curved. I'll use the option here for that and set it to e. I'll also go to our primary layer. Align the ty text in the middle and make it smaller than before. I fits perfectly in our background. This is still looking a bit off, so I'm going to add a stroke around our background layer as well. 6. Animating Supers to Hook the Audience: Now we can get started with the animation, but before that, we need to prepare our text. First, I'm going to click on the secondary layer, then select all of the text inside it Control X to cut it. Next, I will switch to the primary layer and paste it by pressing Control V. I will position these words below the primary text and adjust them according to how we want it. Now, the secondary text is directly behind the primary text. We didn't want that. Let's go to the secondary text and move the position parameters about ten points away from the original graphic. Let's do this to all the secondary text. Now I'm going to delete the secondary graphic we made since we no longer need it. To animate our text together, we need to group it. I'm going to select the first text that is Ts to know and click on this icon to create group. I will rename this group Ts to know, and we will do the same thing for each text element separately. However, these two texts don't need to be grouped since they stand alone, and we can animate them as is. Next, go to the effect panel, search for transform, and add the transform property to each group. Now if we go to the effect controls, we can animate the text as we want them. In my plan, I want these two words to come in from right and left. Then have thylan pop up from the middle and finally, introvert addition will slide down from beneath the word thylan. Before animating, I will listen to my audio and mark each word as I say it, so it's easier to animate each word individually. Let's start with the transform property of the first text group. I'll create a key frame at the position of first marker, then go to the first frame and move the position to the left. Until it's completely out of the frame. Right click on the last keyframe, hover over temporal interpolation, and select Ease in. Open the graph editor for position by tolling down the arrow and dragging the handle toward the first key frame. This will smooth the animation. I will also adjust the shedter angle to 180 degree, so our text has motion blower. Next, I'll move on to the getting around text group and repeat the process. I'll go to its maker point, add a key frame here, and then hold shift and press the left arrow key twice to move ten frames back. I will set the shutter angle to 180 degree and position the text out of the frame. I'll smooth the animation by adding sin to the end keyframe and then creating a curve. For the thigh end text group, I'll follow the same steps for the scale properties, excluding the shutter angle adjustment. Now we have two remaining words. To make them fade in, I will use the opacity effect. I will go to the marker where about should start and create a key frame. Then I'll move ten frames back and change the opacity to zero, creating our start key frame. I'll do the same for the in text. Go to the marker, create a key frame, move ten frames back, and then set the opacity to zero. Let's play this part back. The text appears on the screen, as I say it, which is exactly what I wanted. For the last text, I will add crop effect about the transform effect. By clicking on the crop, I can see the area being cropped. I'll adjust the top parameters until the blue line crops out the introvert addition text right below the thylan word. That looks perfect. Now let's go to the transform effect of introvert addition and add the text marker, create a key frame for the position. Then move back ten frames and position the text behind thylan text. I'll also set the ster angle to 180 degrees. And smooth the animation by adding ease in just as we did with the other text. Once we finish with the text, we can adjust the vector motion position and move it around as we need. Let's log the three tracks that we don't need for now. First, I'll go to the text layer then effect controls and reposition the text because it's currently overlapping my face. I will move it a bit lower. Additionally, the interactive icons are overlapping our title due to the template overlay. To fix this, I will move the text to a bit left. That works well, but there is one issue. The introvert addition text is appearing prematurely. This is because we just moved our entire text, and we need to change the crop. To fix this, I will go to the crop effect, select it, and let's move it below the thyln background, and now that is fixed. Design your own hook for the reel before jumping on to the next lesson in which we will add B roll on top of our talking head video and learn how to collate 7. Elevating the Reel with B-Roll: In this lesson, we will incorporate B roll footage and learn how to calibrate it. Let's prepare our timeline to insert the B roll. As you can see, the template overlay and subtitles are right above the A roll. After the A role, I will keep one track open for the B roll and another one for color grading adjustment layer. I will select all the subtitles and move them to the fifth track while holding shift, so their positions don't change. I will do the same with the template overlay by placing it on the sixth track. I will also lock and hide the subtitle sex track to make it easier to place the B roll and also that they don't move while we are editing the B roll. Now that our space is clear, let's import the B roll footage and place it above the a roll footage. Just as we do for horizontal videos. I have added all of my beats footage, so it's time to color correct. First, I'll color correct only the A role, so I'm going to hide the Batole track. Then I'll go to lumeary color where we can use various parameters. The first thing I'll do is click on auto, then use the wide balance dropper. I'll pick any white or gray shade in the video to achieve the correct color balance. After that, I'll adjust the exposure slightly to brighten it. My video still looks yellowish, so I'll go to the SSL secondary, set the color and apply to my face. You can adjust this parameters until the orange areas are selected. Now I will adjust the temperature for the selected area. Then I'll return to basic correction. I'll keep adjusting the parameters until I'm satisfied with the result. Now that's done, I'll go to the effect controls, select luminary color, right click on it, and copy. Then I'll switch to the full view of my timeline. Select all the A roll footage. Use command V to page the color correction across the entire a roll. I will color correct the B roll similarly, but I'm going to have to do it one by one. Let's move on to the next step. I want the first clip of our video to be a close shot. I'll go to the effect control. Click on scale, set it to 125. I'll also reposition it. After that, I'll add some Zoom effects to give the video some movement where there is no moment. Let's select the clip. Go to effect controls. Click on scale. I'll create a key frame, then move ahead a bit and set to 120 and place this keyframe at the end of the clip. I'll play this back, and you can see a settle moment, exactly what I was aiming for. I'll use this technique on other footage where I think it's necessary, and after that, I'll show you the results. While adding key frames to my role, I noticed that some clips were jittery. To fix this, we can use op stabilizer. This is how you can do it. Go to the effects panel, search for Op stabilizer. And when this comes up in the results, go to the clip you want to stabilize, drag the Op stabilizer into the clip, and it will start analyzing and stabilizing your footage. You can apply this to all the footage that you think needs stabilization. The final step is to add a lot to ensure our video feels cohesive rather than random. To do this, we need an adjustment layer. Right click on the project, select new item, and then click on Adjustment layer. Ok and drag this adjustment layer onto our third track. I'll extend it to the end of our video. Then go to the lumitry color while the adjustment layer is selected, go to creative, click on L, and then browse. I want to give this video a classic Teal and orange look that's in the travel videos. I'll go to my Lutz folder and select the Teal and orange Lut. It looks overpowering at first, but we can reduce the intensity to 50, which looks much better. I'll also set the exposure of adjustment layer 2.3. Clean up yours by adding complimentary Broll footage and color grading. In the next essence, we will place visual elements to make our real 8. Infusing Creativity with Visual Elements: In this son, we are going to add some fun to our vertical videos by using IPs and images. Even though we have added B roll, there are still a few places in the video where it isn't as attention grabbing as in other areas with visuals. For example, when I talk about the apps for calling a cab, I didn't have a B roll to add, so I could include the app logos instead. Similarly, when discussing the use of cache, there is no accompanying visual. I've downloaded a few elements to use in my video, so I'm going to import them and add them I will move these elements around and resize them ensuring that they don't overpower the text. I also have a few IPs that I have downloaded from a website, which I'll incorporate where they fit best. The IFs are already animated, so I don't need to add key frames to them. However, since the app logos are static, I'm going to add a scale animation to them, similar to how we animated the subtitles. Now that I think about it, I can replace the subtitles with these app logos since the logos already display the app names. Let's delete these three subtitles and animate the logos as we did for subtitles. We need to advance five frames on the scale and then create a key frame. After that, I'll go back to the first frame and set the scale to zero. This will make the logos pop up. To smoothen the animation, I will apply an ease in effect and rack the handle to create a smooth Bazzie curve. I will repeat this process for the other two app logos as well. When I play back, the app logos still blend into the background. To fix this, I'm going to add a drop shadow behind each logo. First, go to the effects, search for drop shadow, and then drag it into the first logo. We can tweak it a bit. I will set the opacity to 200 and increase that distance. Slightly, that looks better. I'll also increase the softness. Now I'm going to right click on the drop shadow, it, and then paste it into the other two logos. The effect applies to both 9. Perfecting the Audio: Up next, we'll work on perfecting our audio and adding some sound effects, so it sounds as good as it looks. Now that we are on our timeline, the first step is to select the entire audio track, since it's the same voiceover from my A role. Next, I'll go to the essential sound panel. Click on preset, choose dialogue, and select balanced low Tone voice. If you're working in a soundproof room or doing a complete voiceover, you can also choose the podcast voice preset. Or, for example, if you recorded in a noisy environment, you can use the clean up noisy dialogue option. You can notice that once I applied this preset, the sound level increased. I want the level between minus six and -12 dB, so I'll add the clip volume level to minus three. When I played back, it falls under minus six dB, which should sound perfect on mobile devices. Since this is a talking head video, we will need to add instrumental background music. To find trending music, we will open up our social media app. I have opened the real section of the Instagram app where we can find trending music. Click on the music icon to see which music is trending. The tilted arrow below the soundtrack indicates that the music is currently trending. You might also discover new trending music while scrolling through your Instagram feed. To save it, go to the audio page and tap on the save icon. Now, where is this audio saved? To find it, go to your profile. Tap the three lines on the upper right corner and select saved. Here you will find Audio saved audio. As several audio saved, many of which are also trending. I'll find an instrumental track that's both trending and suitable for a video. After a little bit of searching, I found the one that I'll save for now, and we can use it during our upload process. You can absolutely use the audio that is not trending or you can use an original audio as well. But using trending sounds in your reels can boost your engagement, improve your branding, and even increase the chances of your video going viral. 10. Mastering Export Settings: In this lesson, we will go over correct settings to use for exporting. You videos look best on any platform. Once I'm done editing, we need to export a video. But before that, I will make sure to hide the template overlay track. Then I'll go to the Export page. There are many settings to customize here, but the most important one to focus on is the preset. You can create custom export setting presets and save them in for any kind of video. I usually start with the default preset loaded in the software when creating a custom preset. Here, I'm going to choose Match Source adaptive High bit rate. Let's toll down the video window and tick these two boxes. Render at maximum depth and use maximum render quality. Next, we will need to go to the BIRD settings. For Instagram reels and YouTube shots, I'll keep this at seven since vertical videos are oriented towards smartphone users. This step is optional, but if you often use closed captions in your videos, turn on this totgle. Just make sure that you are in a project that has closed caption enable before creating this preset. Or this option will be locked. In our case, we upgraded our captions to graphics, so we don't need to toggle this on. Finally, click Save Preset and rename it in a way that's easily identifiable for you. Great job. Now, you know how to export your videos in the highest quodalty possible. 11. Wrap Up!: Congratulations on finishing the class. I hope you are excited to use what you learned and start editing amazing vertical videos. If you have followed along with the lessons and worked on the project, you should have some great content ready to share. I would love to see your videos, so don't forget to post them in the project gallery. Your work will not only showcase your skills, but also inspire students who are taking this class. If you enjoy this class, I have four more classes available on Skillshare, check out my profile on more Tp centric on video editing. Also follow me on Instagram and YouTube for more behind the scenes and content updates. Thanks for joining me in this class. I look forward to seeing you in future classes.