Transcripts
1. Introduction: Beauty is, of course, crucial when discussing art. We all can recall a
song that enchanted us, a bewitching poem or an
incredible painting. Yet, novels and short fiction are usually lift out
of these discussions. And this is a shame. It's possible for writers to uncover the beauty in
their own stories. This is done through seven ways. Understanding for originality,
evoking emotions, engaging with history,
getting complex, considering aesthetics and
the use of archetypes. Yet uncovering beauty in
your story isn't as simple as opening a Word document and playing around
the sentences. Rather, you must develop
your observation skills, read widely, engage with literary discussions,
and take risks. In this class, I'll give seven tips on uncovering
beauty in any story. Whether it's flush fiction
or full length novel. You'll learn both
macro and micro tips. This course is great. If you already have a
story going or about to stop these tips a lifelong
and will assist writers. Regardless, if you are a beginner or a more
advanced storyteller, even if you aren't novelists. These tips can also help for a variety of storytelling
and narrative mediums. My name is Madeline Rose Jones, and I've released
over ten classes on Skillshare and have
helped over 600 students. I'm also a novelist who is currently rewriting
her second novel. Also a blogger and a YouTuber, who analyzes whether
it's mythology from the Middle Ages or a contemporary
novel by Donna talks. I firmly believe writers, whether beginners or
an advanced level, can use beauty in. There.
2. What Is Literary Beauty?: Before I share my tips, I want you to give strong consideration into the
nature of literary beauty. So often read as associate literary beauty
with splendid prose. And that can certainly
be a part of it. But it's not all. To me. Beauty is something
transcendent. Not one easily articulated
by a definition, if anything, BUT is
a classic case of, I know it when I see it. The translation of
his works very, but I always return to
Dostoevsky because his novels, especially crime and punishment, as well as noise from the underground spake to the
reader on a human level. One that covers concerns
relating to politics, religion, culture, a purpose in life,
leadership, and family. Let's write beauty. Isn't so much is what
is being depicted, but how it is depicted and what it
means for the characters. I am also drawn to ancient
and medieval examples, whether Beowulf or the Odyssey. Heroes make tragic ends. Here the authors provide a strong emotional response
and make a human concern. Death and grief matter. In many ways. This is what I want
this course to cover. How can writers of
any level create mesmerizing and unforgettable
moments and characters. Let's begin with tip one
and the importance of form.
3. Tip One: Understanding Form: Every story will
fit into a medium, whether it's a novel, a TV show, or an opera. This matters as
writers can use form, a medium as a way to reveal
the beauty in their story. This course focuses
specifically on novels, but it can apply to short
stories and the villus, as well as even graphic
novels and theater. Regardless, novels allow for a high level of
complexity and detail. Writers can explore
multiple ideas, themes, and characters
within the story. I see a novel as a cake
with multiple layers, each building on each other. It unified by a single
recurring layer of novels and fiction. More broadly, this is narrative. Every story must have a
beginning, middle, and end. Characters and setting
muscles feature. And while an author
builds a weld, this allows themes and ideas to intersect
within the story. Because of this, writers must educate themselves in the
basics of narrative, ology, and Rhetoric, whether on
a micro or macro level, Beauty requires
organization and structure. The next video, I will discuss originality
and risk-taking. But you must familiarize
yourself with the building blocks of
narrative and language.
4. Tip Two: Originality & Risk: Great novelists take inspiration from other writers and artists. They have a voice that
is truly their own. Voice is shown in multiple ways, mostly through narrative,
language choices. Yet the personality, attitudes, and vision of a writer is also demonstrated through
their originality. Or writer, after all, is not just an
artist engineered. Those who reached the level of greatness are
accomplished at birth. This brings me to a
genius Italian writer, Italia Castlevania. And it's postmodern masterpiece. If on a winter's
night, a traveler, the rider who is personally
addressed to bar kelvin, goes on a voyage among
experimentation and fragmentation. Healthy now presents
universal themes of innocence with innovation
and artistic flare. This puzzling and
bewitching book emphasizes the potential
within language and narrative. It is a celebration
of beauty itself. Unfortunately, there's a trend to dismiss originality with all great artists
steal no IDs are original and you're
being we'd not original. Know all these arguments
lack merit yet, nor novel France on the
merits of a single ID. Rather, it's about
the presentation and combination
of certain ideas, as well as any philosophical or historical commentary and novel having originality is not sufficient enough for it to
join the literary canon. There must be something else.
5. Tip Three: Evoking Emotions: You know, you've read a great story when
emotions are evoked, these responses are
crucial to beauty as the greatest price
in literature offers a portal into the human soul. Consider Dostoyevsky's, The Brothers Karamazov
or Charles Dickens, a Tale of Two Cities. There certainly philosophy to these stories where
the authors are unafraid to inject themselves, their perspective, their
lives to the narrative. This is because literature
is a two-way street. The reader can only experience emotions if the writer does too. In my experience as a
reader and a writer, a storyteller will
become better at this as they become more
competent in their craft. We do not turn to fiction
for a dao experience where we never reflect all connects with the
characters or plot. Thus, you must consider the various ways you can
evoke emotions in your story. I suggest drawing on your own personal life,
memories, and experiences. So often, the best storytelling
comes from the heart, as no one has the connection
to your past than yourself. This also adds a personal
touch to your novel, as well as establishing a
sense of urgency and intimacy. It's worth considering
the emotions you want your reader
to experience. I also suggest adding variety and creating
an emotional journey. Some stories, unfortunately,
can become soggy, melodramatic, all silly
when they a OneNote. So it's best to avoid that.
6. Tip Four: Applying History: History matters. It's a part of us. Every word we use
has a rich meaning. A history where a researcher
can uncover meaning. The stories we love are not
written in isolation either. The events that are
currently occurring will occur and have the curd
shape out fiction. It doesn't matter whether
it happens 1,000 years ago, because the past matters. There's potential for beauty. Among the dusty
pages of history. In Donna talks masterpiece,
The Secret History. We follow the turmoil and
drama of university students, which is juxtaposed
against the wisdom and magnificent ancient
Rome and Greece. This makes for an
overwhelming narrative as the past matters, because it is part
of who we are. I suggest engaging with history. This, of course, can
take many forms. One of my favorite novels
is position by, AS by. The author was
clearly inspired by Victorian literature and the many academic
debates surrounding it. You can also look to the
past, a striking imagery. A favorite example is a historian by
Elizabeth cost of all, I'm being biased because
I'm a history major. But I like stories that fits in well with the
widest scope of history. Something powerful about
a well-written novel, which comments on the past
and offers insight and wisdom into often
misunderstood moments of time. This was definitely a strength of one of my favorite books, the name of the rows by
italian author Umberto Eco. Yet there are many that do this.
7. Tip Five: Get Complex: I stated that beauty comes from organization and structure. But there's more. The greatest literary works
have degrees of complexity. This can take multiple forms. Spiderweb plots, in depth,
character's moral ambiguity, mystery, or broader
references to political, religious, and
social situations. A good way to begin
complexity is to consider character motivation
and making them as intricate thought-out
as possible. This is why Leo Tolstoy, the luminous Russian
writer, is so excellent. Every character is so real. Complexity illustrates
truths about humanity that are often unsaid, hard to digest or
accept, but important. Regardless of how
difficult emotions. Complexity also concerns. Vocabulary and
sentence structure. Do not be afraid to
use elaborate phrases. All have a
sophisticated lexicon. Like to build, rewarded
by the stories. They digest. Complexity isn't something
you should force endlessly, especially concerning
moral matters. Difficulty. Many Song of Ice and Fire
raiders had at times due to it resulting in Indian system
characterization and theme. Restraint is sometimes required. I encourage complexity, especially if it's about
something close to your heart. There is strength in
a bolt. Storyteller.
8. Tip Six: The Power of Aesthetics: The masterpieces of English
literature are a joy to read, even when the subject matter is suppressing, like in music, composer deciding on
a particular rhythm, the best novels presents
language akin to an opera where every sentence
is its own revelation. Consider Vladimir
Nabokov, it's Pale Fire, the experimental novel
with the poetic flair that shows the potential
and prowess of language. Yet beautiful
language transcends concerns of grammar and syntax. It's impossible to
articulate a fully advice a writer on creating beauty
through language alone. This is not due to the
subjective nature of aesthetics, but because it's impossible to predict what stories will influence them
in the future. There are, however, certain elements of
beautiful language, such as visual imagery, the ability to evoke
emotions and to convey sentiments
unlike anyone else. A beautiful novel and
also a great one, can express human thoughts,
experiences, and desires. Like no one besides the author. Nabokov, forever
trickster acknowledges this in Pale Fire. He says, solitude is
a playfield of Satan. This captures anyone who
is taunted by loneliness. Yet another cuffs best
trick is language. The third and the
last words, hello, well together, the sentence, as a result is nicely
written and structured. More importantly,
great language always requires and rewards
a second rating. Once I finished
reading Pale Fire, I put the book on the table, allowing it to Lake my hands, but not my imagination. All my conscious, such as the terrifying and
wonderful power of words.
9. Tip Seven: Use Archetypes: There are many archetypes
out there from calcium to Joseph Campbell's,
The Hero's Journey. I suggest reading widely into myths and archetypes
as you can really develop an understanding
of storytelling and what character plot a narrative devices
appeal to readers. Best of all, you'll
begin to understand where you can distinguish
yourself from other writers. A classic example of an archetype is in
Lord of the Rings, where the settings
and the emotions attached to them are
reminiscent of our own world. In the first book, The Fellowship of the Ring, we visit the misty mountains, a place of beauty and danger. This matches our own
worldly experiences. In places such as the Himalayas
and the Alps in Europe. The best way to
understand archetypes is by reading non-fiction
regarding myth. This doesn't have to
be dry academic prose. There's plenty of
high-quality analysis by fans and critics. You can read reviews of
favorite novels and movies. This will also develop
your skills in understanding other
people's perceptions on literary beauty. Once you've gained confidence in mythology and archetypes, reread your favorite novels and see how they express
these archetypes. When writing your story, you'll see opportunities to add your own original touch,
which I encourage. I'd also suggest asking
for rate of feedback from some who are familiar with myths and architects and others. This will create a
dynamic scope for advice. Therefore, storytelling
potential.
10. Reading Tips: To develop an understanding
of literary beauty, you need to read. This means two things. Reading widely and
developing breadth, but also the skills in articulating why a
novel has beauty, whether on a sentence
structure level, by the application of
narrative techniques. Reading well is a
lifelong journey and you cannot implement
this tip overnight. However, you can
build good habits. The Internet is a TreasureChest, a book recommendations
from a variety of eras, civilizations and genres. You can check it
book blogs or go on YouTube where many
post reviews of books. Whenever you find
a beautiful quote or passage, write it down. Then consider why
it's beautiful. Perhaps you'd like
to put the quote in a digital library so you can
access it at various times. There are many apps that
can make this easy, such as Readwise,
notion or Evernote. If you are into
digital aesthetics, this is a terrific opportunity
to make your notes and quite attractive and memorable.
11. Getting Feedback: Is beauty in the eye of
the beholder, perhaps. But while every reader and writer has this
objective tastes, feedback is still valuable and crucial to your development
as a storyteller. This may take many forms of it. It's working with editors, undergoing better reading or taking in-person creative
writing classes. The education of a
writer should be varied. There's no right or wrong way
to develop your skill set. The feedback of others can
help with aesthetic x2. You can ask whether
your praises too flowery or purple for
the ureters taste. This is also a marvelous
opportunity to ask readers what writers
they're reminded of. Paul reading your work. Personally. I like this tip as it can help clarify your goals and find
authors similar to you. But notice you don't have to agree with all
the feedback you receive. Parts of being a writer, understanding and prioritizing certain
perspectives over others. Not everyone will find
your story beautiful. And that's okay. That doesn't mean
others will not. So what I advise feedback. I also suggest having
wisdom and good sense.
12. Class Project: Welcome to the class project. Consider what you've learned
in this course so far, such as the pair of history, the art of evoking emotions, and the need for complexity, as well as aesthetics. It's time to bring all
those elements together. For this class project, I want you to list three to five novels that you
consider to be beautiful. You can use my example
as a reference. Afterwards, take
serious reflection into why these novels
are beautiful. Perhaps you'd like to list certain techniques or
storytelling devices. Afterwards. Take a close
look at other art forms. You consider beautiful,
whether it's sculpture, film, poetry, painting,
or digital art. Listen and give
strong consideration how their beauty would
translate into literature. Afterwards. Post your work in the
class project section. I can't wait to see what
you've come up with. We can truly make our
stories beautiful, as well as thought-provoking
intelligence and original.
13. Conclusion: All stories have the
capacity for beauty. Yet a fraction of writers take the
initiative to reveal it. In this course. I shared my best tips regarding
beauty in literature. To summarize, you want to
understand how novels work, take risks, evoke emotions, use archetypes, engage with history and
previous literature, as well as have a strong
grasp on aesthetics. Also, developing your
writing skills is a great way to reveal the magnificence
lurking in your story. Thank you very much for
taking this course. You've all most welcome to leave feedback, reviews, and comments. I have other courses on creative
writing, on Skillshare, covering topics such as
dystopian fiction, fairy tales, and fantasy, time management, technology, and
generating ideas. More courses are coming in 2023. Thanks again, all the best
and I'll see you soon.