Transcripts
1. Class Intro: Hello. My name is Simoni denova and I'm an award
winning director and screenwriter with
certifications from the National Film and
Television School. I've spent years perfecting
the art of storytelling, and I'm really passionate
about helping you do the same. Have you ever wanted to create a character whose journey
is not only compelling, but feels real, a
character who changes, a character who grows, a character who surprises the audience in a
believable way. Well, this course is where we're going
to do exactly that. This course is about building believable character arcs
using the seven basic plots, a framework that has stood the test of time for
great storytelling. We'll dive into the
key plot types like overcoming the monster voyage
and return and rebirth, and we'll explore how to create a character transformation
with these structures. I've already covered Blake
Snyder save cat and how to build the perfect
scene here on SkillShare, and now I want to help you get even better versed in the
art of screenwriting. You learn how to craft a character arc from
start to finish, how to identify
crucial turning points and build emotional resonance. We'll also analyze the
common pitfalls writers face and how to avoid them, ensuring your
character's journey is as compelling
as the pot itself. By the end of this course, you'll have a deep understanding of character development, and you'll be able to create your own unique character arcs that captivate your audience. So let's get started because your character's
transformations await.
2. Project: Welcome to the class project. In this project, you'll apply
everything you've learned about character arcs and
create your own music, one of the seven
basic plots that we will cover
throughout the course. By the end of the project, you'll have a fully
developed character arc for your protagonist and
you will complete it with key transformations
and turning points. Here's how this works. First, choose one of
the seven basic plots that resonate with the
story you want to tell. It could be overcoming
the monster, voyage and return or
really any of the others. Then craft your protagonists
journey based on that plot, identifying the key stages of their transformation
from the initial setup to the final resolution. You'll need to identify the following the
protagonist starting point. What is their world view at
the beginning of the story? The turning points,
what events or realizations shift their mindset and drive the transformation, and the final change. How does the character
end the story? What's their transformation? I want you to focus on making this transformation feel
believable and earn. So think about their
relationships, their motivations, and
their inner struggles. And remember, it's not just
about what happens to them, it's about how they
react and grow. To submit your project, you'll need to deliver a
character arc breakdown, which is a brief outline
of a character's journey, which you can do on the
handout that you can find pinned in the description. You'll also need to give me
a detailed description of your turning points and how they relate to the plot
you've chosen, which is also included in the sheet and you'll
need to give me a summary of your
protagonists transformation and what they've learned
by the end of the story. You can do that in the
sheet that I've given you or you can do it
separately and just attach it. Once you've completed
your project, I really encourage
you to share it here on Skill Share
for feedback. This is a great opportunity
to refine your ideas and help each other build
stronger character arcs. I can't wait to see how you bring your
characters to life.
3. Character Arcs and 'The Seven Basic Plots': Hello, everyone, and thank you so much for joining this class. In this course, we
are going to explore the seven basic plots
by Christopher Booker. This is a framework that
not only highlights the key structures that have
been used for centuries, but it also focuses on how
these structures can be used to shape the journey
of your own characters. Why do character arcs matter? Think of your
favorite character, Frodo Baggins who grows into
a reluctant hero, Elsa, who learns how to
embrace her powers, Michael Corleone's
descent into darkness. What do they all have in common? They're not the same
person at the end of their stories as they
were at the beginning. This change, this transformation is what makes them memorable. It's what makes their
stories resonate with us. And without strong
character arcs, even the most action packed
plot can feel hollow. In this lesson, we'll talk
about the foundations for everything you'll need
to explore in this course. By the end, you'll
understand why character arcs are so central to storytelling and
you'll also know how the seven basic
plots can help you create arcs that are
not only compelling, but also deeply meaningful. Now, what are the
seven basic plots? Christopher Booker's book, The seven basic plots outlines, as you might have guessed it, seven basic plots that virtually every story in
every character follows. These are the
fundamental structures of storytelling, if you will. Now, here's a quick
overview of those. You've got overcoming
the monster. This is when a
character faces and defeats a great evil
or a great threat. So think jaws or
the hunger games. You have rags to riches. This is a rise from obscurity
all the way to greatness. It often comes with personal
challenges along the way. Disney stories are super
great examples for this. So we can think of Cinderella
and we can think of Aladdin who rose from quite literal
rags to quite literal riches. The third plot is the quest. This is a journey
to achieve a goal. It often involves
obstacles and growth. And by often, I mean, you really should
aim to have it. Think of the Lord of the Rings. This is my personal
favorite Quest story, but finding Nemo is also a
brilliant example of that. Next, we can talk about
voyage in return. This is when a
character ventures into an unfamiliar
world, a new world, and they learn from it, and then they return, but they're changed,
they're transformed. I think one of the
first examples that can pop into anybody's head about
this is Alison Wonderland, but inception is also a
great one to consider. Then we've got comedy. So this is always a story of misunderstanding
and reconciliation, and it often has a happy ending, which is good because not
all of these plots do. A very classical
example of this, I guess, would be much
ado about nothing. That's Shakespeare. But
you can also think of a way more modern take on
that with crazy Rich Asians. This sixth plot is probably what Shakespeare loved
best, a tragedy. This is when a character's flaws lead them to their
ultimate downfall. I mentioned Shakespeare. Obviously, I'm
thinking of Macbeth, but you can also be
thinking a little bit more recently and picture
the Great Gatsby. The last plot that
Christopher Booker outlined, number seven is rebirth. It's not literal
though it can be, but what he means with rebirth
is redemption and renewal. It comes after overcoming
inner darkness. So I think my personal
favorite is the lion king, but I think the most popular one would be Christmas Carol. These plots, all of them, they are more than
just story structures. They are roadmaps for understanding how your
characters evolve. It's not really
for the audience. It's for you for you to know
what your character needs right now and how to make
them more compelling. They give you this beautiful
framework of understanding their evolution and
crafting their arc in a way that feels really natural and super satisfying
to your audience. So what is the relationship between your plot and
your character arc? Well, each plot inherently is tied to a specific
character arc. For example, in overcoming
the monster story, the protagonist would naturally grow from fear to courage
because you want some an arc, you want some change
and development, and this is the most natural
one that would come to you. Similarly, in a rags
to riches plot, they may evolve from self
doubt to confidence. That's how your plot can
provide the external events, but it's the internal
journey, the character arc. That gives the story depth and emotional impact and what
ultimately keeps us, the audience engaged with
your beautiful story. So if you're able to do this, if you align your plot structure with your character's
development, you will ensure that your
story feels cohesive. Each event will push your character towards
a transformation, whether it's step forward, setback, or maybe even a
moment of realization. But how will this course
help you specifically? Well, simply, you
will understand the seven basic plots
and how each one of them connects to a specific character
arc that you can follow. We will also analyze iconic
characters and see how they transform and how those
transformations are crafted. I will teach you how to apply all of that knowledge
to your own story. Over the next several lessons, we'll break down each of
the seven plots in detail, explore how they influence
character development, and work through examples
from popular films in books. You'll also have the
chance to create your own character
arc using one of the plots for the class project. The class project will guide you step by step
through crafting a believable character
transformation using one of the
seven basic plots. By the end, you'll have a character arc outline that
you can use in your stories, or even as a blueprint
for a future screenplay or even novel because this
is just storytelling. You can adapt to any
form. Let's get started. In the next lesson,
we'll dive into the first plot overcoming the monster. I will
see you there.
4. Overcoming the Monster: A Hero's Journey: Come back. In this lesson, we'll be diving
into the first of the seven plots
overcoming the monster. This is one of the most timeless in universal story structures. From ancient myths to
modern blockbusters, the monster plot captures our imagination with
stories of courage, growth, and ultimate
triumph over evil. But what makes this plot so compelling isn't just
the external battle. It's the internal journey your protagonist undertakes
as they overcome their fears, weaknesses, or doubts
to face their monster. So let's break this down. What is the monster? The monster doesn't have
to be a literal creature. It can actually be a person or villain like Vold
demote in Harry Potter. It can also be a system like the oppressive government
in the hunger games, and it can also be crucially
an internal struggle. Addiction or a fear. This can be seen in
a beautiful mind. The key is that
the monster poses a threat to your protagonist, to their loved ones, or even to the whole world. It's big, it's dangerous, and it forces the protagonist to rise up to this challenge. Sort are the stages of
overcoming the monster. Most overcoming the
monster stories follow a pattern of five stages. We start with a call to action. The monster is introduced and the protagonist is
thrust into action. You can think of the moment when Katnis volunteers as tributes. Hi volunteers tribute. The second stage is
preparation and planning. This is when the protagonist
gathers resources, trains, or builds allies
to prepare for the battle. Again, think of Harry Potter when he forms Dumbledore's Army. Number three, the confrontation. This is where the protagonist
faces the monster, and they often experience
setbacks and challenges. Think of Luke's first
duel with Darth Vader, where he ultimately not
only loses the duel, but also his hand. So the confrontation
initially is not successful. But then we go to
the victory when the monster is finally defeated and the protagonist
achieves their goal. This happens when Frodo
destroys the one ring. And finally, we
have the aftermath. This is where the protagonist
reflects on their journey and usually returns home
but returns changed. Think of the celebrations at the end of Star Wars a New Hope. So what is the character arc
in overcoming the monster? While the external conflict obviously drives the plot here, the internal
transformation makes the story resonate in
overcoming the monster. The character arc looks
something like this. You can have a fear to
courage character arc. This is when the protagonist
begins unsure or scared, but they grow to become brave and embrace this inner
strength that they have. You can also have from
weakness to strength. This is when they
gain confidence, skills, or allies, or
it can be all of those. We can also have
isolation to leadership. They step up to lead others
or inspire a huge change. I love any work by Tolkien, so let's take Bilbo from
the hobbit for an example. At the start, Bilbo is
reluctant to leave the shire. But by the end,
he's standing up to smoug and outwitting the
dragon with his cleverness. His growth is what keeps
you invested in his story. Do you know Truly. The tales and songs
fall tale short. Of your enormity, Oh,
smoug. They're stupendous. But let's break this down
with a more modern example, and let's talk about the
hunger games and Katnis Evden. The call to action, the monster for Katnis is the capital. Katnis steps into the role of a hero when she
volunteers a tribute. The preparation and planning. Well, in the lead up to
the games, she trains, she builds allies
like Peter and Ru, and she learns important
survival tactics. Confrontation, Katnis faces the capital's control
and deadly arena, and she struggles to survive and to protect
Peter in the meantime. The victory, she
defies the capital. She threatens a double
suicide with Peter, and therefore, she forces the capital to change the rules. One of us has to die. They
had to have their victor. No. They don't. Why should they? And finally, her aftermath. Well, Katnis becomes this
symbol of rebellion, and this is a far cry from the scared girl we met at
the beginning of this story. Her ark takes her from this reluctant participant to a leader with the courage
to challenge tyranny. Her journey is not
about survival. The hunger games are.
He journey isn't. Her journey is about discovering her own strength and
her sense of justice. So now it's your
turn. Let's identify the monster in your story. Think about these questions. What or who is the monster in
your protagonist's journey. How does this monster challenge the character both
externally and internally? And what strengths or
qualities will your protagonist discover by
facing this monster? If you're not sure,
try thinking about your favorite overcoming
the monster story. How does that story balance the external threat with the
character's internal growth? Reflecting on those can spark ideas for your
own beautiful creation. In the next lesson, we'll tackle another classic plot
rags to riches. This is a story of
transformation, growth, and triumph, but
in a very different way. Until then, take some time to think about your
story's monster and how it shapes your protagonist's arc and I will see you in
the next lesson.
5. Rags to Riches: Transformation and Growth: Welcome back. In this lesson, we're exploring
another timeless and beloved plot rags to riches. At its heart, this is a
story about transformation, about characters who rise
from obscurity, poverty, or hardship, and they achieve greatness,
wealth, or happiness. But as you're about to see, it's not just about
their external reward. It's the internal growth
that these characters go through that makes their
stories really resonate. From fairy tales
to sports dramas, the rags to riches plot is
a testament to resilience, hope, and the idea that extraordinary things can
happen to ordinary people. So what is the rags
to riches plot? This plot follows
the journey from a humble beginning to
a triumphant climax, but it's not always as
simple as it sounds. Typically, the rags to
rich story involves initial struggles
where the protagonist starts in a difficult situation. They are often overlooked,
oppressed, or undervalued. Then you have a spark of change. Something happens that gives
them a chance to rise, and this is followed
by growth and change. So they begin to improve
their circumstances, but they face obstacles that test their determination
and values. Then we get to the
final triumph, where they achieve success, whether that's material,
emotional, or even both. But there's a very
important twist. If the transformation
is only external, I promise you this
story will feel hollow. The true magic happens when the protagonist's
internal journey mirrors their outward success. In other words,
if your character remains the same as they were in the beginning
of the story, they should not be
able to achieve this wealth or
happiness or growth. That they get in the end. They need to change in order to be able to get all of these
great things at the end, and that's what makes a
great Rax Richard's story. Let's break this
down further with the key stages of
this transformation. We will start from
the ordinary world. Here, the protagonist's
life at the beginning is marked by struggle,
hardship, or obscurity. Think Cinderella
cleaning the floors or Harry Potter living in the
cupboard under the stairs. Then this character
gets an opportunity. A mentor, an event or maybe even a stroke of luck propels the protagonist
towards change. Again, Cinderella's
very godmother appears or Harry receives his
letter from Hogwards. Number three is the line. The protagonist works hard faces challenges and starts
to prove their worth. Let's change it
up with Rocky who trains in the gym
or Eliza Doolittle, who learns to speak
properly in My Fair Lady. Didn't not say that? No, Eliza, you didn't say that. You
didn't even say that. This is all followed
by a setback. Often, the protagonist
loses their way or is confronted with a failure
that tests their resilience. Rocky loses a fight, and Aladdin is
exposed as a fraud. And we end with
the true triumph, the protagonist
earns their success not just through luck, but through growth, persistence,
and self discovery. That last part is the most important
thing about this plot. Think Cinderella winning
the Prince's love, not just because of her dress, but her kindness and
her lovely spirit. Let's use Harry Potter and
the Sorcerer's Stone to see how this works in action since I already
started on this path. The ordinary world
for Harry begins as an orphan living
with the Dursleys. He's being treated
like a servant and he's completely unaware
of his potential. But then he gets an opportunity. Hagrid arrives and tells
him that he is a wizard. This moment changes
Harry's life forever. You're a wizard, Harry. I'm a what? Then the climb? Et HogwardHarry learns about magic, he builds friendships, he discovers his own abilities, and he also faces
challenges like Snap's disdain and quita trials. But then he has a setback. So he confronts his fears and doubts when he
learns the truth about Voldemort and realizes the danger that he's
really, truly in. Voldemort. But finally, we have
the true triumph. This is when Harry doesn't
win by brute force but by bravery, loyalty,
and selflessness. He chooses to protect the philosopher's stone and faces Voldemort
despite his fears. This isn't just a story about Harry becoming
a famous wizard. It's about him finding a family, discovering his self worth, and embracing the idea
that he's capable of more than he ever believed. So how do you craft your
own rags to Rich's story? Simply, think about
these things. Where does your
protagonist begin? What struggle is going
to define their rags? Then what event or
opportunity is going to propel them towards change? What internal growth must they undergo to
earn their success? What setbacks will challenge
their transformation? And how does the climax reflect both their external success
and their internal growth? When creating your own
rags to riches story, just remember it's not
just about the riches. The true heart of this plot
lies in the transformation, and the best stories
show how the protagonist changes internally and externally
to achieve their goal. Now it's your turn. Think
about your protagonist. How do they start their journey? What rags define their life? And most importantly, what inequalities will they discover to earn their riches? If you're unsure, look at your favorite racks
to Riches stories. What makes those transformations feel believable and inspiring. Take notes and brainstorm ideas for your own
character's journey. In the next lesson,
we'll explore the quest, another fundamental
plot that focuses on purpose, perseverance,
and camaraderie. Until then, take some time to reflect on the journey
from racks to riches, both in your favorite stories
and your own writing, and I will see you
in the next lesson.
6. The Quest: Purpose and Perseverance: Welcome back. Today, we
are diving into the Quest, a plot that's all about purpose, perseverance
and teamwork. Quests are about more than just traveling from
point A to point B. They're about the journey, the trails along the way, and the transformation that occurs through the
pursuit of a goal. Whether it's saving the world, finding a missing loved one or uncovering
a lost treasure, the quest plot taps into the intrinsic desire for
meaning and adventure. What is the Quest plot? The quest centers around a
protagonist or a group of protagonists pursuing
a very specific goal. It's not just about
reaching the destination. The heart of this plot lies
in the challenges they face along the way and
how those challenges shape your characters. Here's a simplified breakdown of the structure of the quest plot. We start with a call to action like many
other stories do. Your protagonist
is given a mission or a goal that drives a story. Then you have the journey. They encounter
obstacles, enemies, and allies while
striving towards a goal. Then they face
their final ordeal. They face their
biggest challenge, often requiring them to confront their deepest fears
or weaknesses. And finally, we have
the achievement. They reach the goal,
but often they discover something
even more profound, personal growth or insight. So let's look at the
essential ingredients for crafting a compelling quest. We start with a purpose. The quest needs a clear
and meaningful goal. Why is this mission so important to the protagonist
and what is at stake? Those need to be
very clearly defined at the very beginning
of your process. In finding Nemo, Marlin's goal is to
rescue his son, Nemo. His purpose is deeply personal and it is
emotionally resonant. Then they must face challenges. The journey must be filled with obstacles both
external and internal. These challenges will test the protagonist's strength,
resolve, and character. In the Lord of the Rings, Frodo faces physical dangers like orbs and psychological
challenges like the corrupting
influence of the ring. Notice how he faces both external and
internal challenges to make his growth
even more compelling. Your character will often
find either allies or companions because a quest
is rarely a solo endeavor. Allies provide support, wisdom, and even comic relief, which is something we
all love and want. In Indiana Jones, the
character often teams up with resourceful companions who help him overcome traps or villains. Finally, and most importantly,
growth and transformation. By the end of the journey, your protagonists should be
changed by their experiences. The goal might be achieved, but it's their internal growth that leaves a
lasting impression. So Marlin not only finds Nemo, but he also learns to let go of his overprotective tendencies
and trust his son. This is what makes us feel
like there is actual growth to the character instead of him just running from one end
of the ocean to the other. Let's break down my absolute
favorite quest story ever written the
Lord of the Rings. This is a classic
example of this plot. We start with a call to action. Frodo is tasked with destroying the one ring to save
the Middle Earth, and this sets the entire
journey into motion. Then we have the journey itself. Along the way, Frodo faces
countless obstacles. He faces dangerous
terrains, betrayals, and the ever present
temptation of the ring. This bit combines internal struggles with
external struggles to highlight Frodo's
character arc and emotional
growth and journey. This leads us to
the final ordeal. In Mount Doom, Frodo summons all of his courage
and destroys the one ring, overcoming not just
the external threats but his internal struggle
with temptation. And all of this leads
us to his achievement. Frodo completes his mission successfully, and that's good. But the journey changes him forever and he realizes
that he can no longer return to
the live he once had because he is now a
different person entirely. We set out to save the
Shia sin and it has been saved. But not for me. And when you are
creating your own quest, ask yourself these
key questions. First of all, what is the
protagonists ultimate goal, and why does it matter
so much to them? What are the obstacles
that they are going to face along their way? Who will be helping
them and how will these relationships evolve
throughout the journey? How does your protagonist grow and change by the
end of your story? While you're doing all of this, just remember a quest is as much about the journey as it
is about the destination, if not more about
the journey even. Now let's think of the
quest of your protagonist. Start by identifying their
ultimate goal and then outline at least three major challenges that they will be
facing along their way. For a bit of
inspiration, look at your favorite quest
stories and look at how they balance the
external journey with the internal growth
of the characters. Take notes and apply these
techniques to your story. In the next lesson, we'll
explore the voyage and return. This is another classic
plot all about leaving, learning, and
transforming until then, reflect on your protagonist's
journey and start building the framework for their quest and I will see you
in the next lesson.
7. Voyage and Return: Leaving and Learning: Welcome back. Today we're
diving into voyage in return. This is one of the most intriguing
plot strutures so I can't wait to get started. This story explores
what happens when a character ventures
into a strange world, learns valuable
lessons, and comes back eventually to
their starting point, but is forever changed. Voyage in return is
all about taking your protagonist out
of their comfort zone and placing them into a
world that is unfamiliar, challenging, or even dangerous. The key is how they adapt, what they learn, and how they transform before returning home. This plot often unfolds
in five stages. The call to adventure. So the protagonist leaves their ordinary world
for the unknown. Then they enter into
the strange new world. So they encounter new
rules, new people, new challenges, and they
get to their conflict. They face obstacles that test their resilience
and adaptability. After that, they
escape or return, so they find a way back
to their normal world. But this all leads us to
their transformation. Their journey has
changed them and they bring newfound wisdom
and strength back. With them. To write a compelling plot of
voyage and return, you need to focus on
these key elements. You need to start with
the ordinary world. You need to establish the protagonist's life
before this journey. This will give us context to how much they've
changed by the end. I want to look at the
very first moment I saw your character and then
be able to look at the very, very last one and think, Oh my God, they're
nothing alike. In the lion king, Sima
begins as a carefree cub in the Pride lands and
we all know that this is not what he ends
up being at the end. Then we get to this
strange new world. Make this new world vibrant
and really distinct because it should challenge the protagonist's worldview
or abilities. Myself, as an audience, I should be able to see this really clear
difference between the two. In Alice in Wonderland, the new world is full
of bizarre characters and rules that force her to
think really differently. Then your character faces
challenges and lessons. The protagonist should face conflicts that
force them to grow. These challenges often
reveal their strengths and truths about themselves
and if you want my advice, they can also reveal weaknesses about your character that
they can then overcome. In the Wizard of Oz, Dorothy learns the value
of courage, love, and home through her
encounters with the Scarecrow, Tin Men, and the cowardly lion. Finally, we get to the return. The journey must
come full circle. So your protagonists
should return home with a clearer understanding of themselves and of the
world around them. To bring it full circle, we'll go back to the lion king. Simba returns to the Pride
lands to reclaim his throne, having grown into
the true leader. And since we're talking about
the lion king, anyways, let's see how the
lion king shows us a brilliant example
of voyage and return. So the call to action is when
Simba's carefree life is disturbed when tragedy strikes and he flees the Pride Lands. Then the strange new world
is when Simba grows up in the jungle with Timon and Pumba embracing the Hakuna
matata lifestyle. Hakuna Matata? Yeah, it's our bottle. The conflict. The conflict is when Simba
must confront his past. This is when Nala finds him and reminds him about his
responsibilities. Don't you understand
your only hope. Then we have his return, so he goes back to
the Pride lands to face Scott and
restore balance. And finally, his transformation, Simba evolves from a
reluctant exile to a courageous king who
embraces his true identity. Edi'sHart voyage and Return
is all about change. The protagonist experiences
this strange world to provide themselves with lessons that they need to grow. So really, you're writing
a voyage and return story, not for the voyage,
not for the journey, but because if your
character wasn't pulled out of their natural
world of the status quo, they would never have had the
chance to learn what they need to learn to become
who they really should be. Think about your story. What does your protagonist
need to learn? And how does your strange
New World challenge them? Also, think about how are they different
when they return. There is one really common
pitfall with writing virgin return stories
that I think you should avoid at all costs. Of course, we can talk
about flat characters where the protagonist doesn't really change in
a meaningful way or we can talk about
rushed endings, where the transformation is given just to wrap up
the story quickly. But this is quite
common with any plot. What I'm talking about is unclear rules
or world building. Because in this specific plot, it's so important
for you to build the two worlds clearly and
distinctly from one another. The strange world should be
intriguing and consistent. And if the audience can't
follow the logic of this world, they will lose interest. So please watch out
for this pitfall. Now it's your turn.
Choose a story with a voyage return plot, maybe a favorite book,
a movie, a show, analyze how the protagonists
journey changes them. And if you're working
on your own story, start outlining the stages
of your character's journey. What are the challenges that
they are going to face in this strange world and how
will they help them grow? In the next lesson,
we'll explore another classic
plot, the comedy. This one is all about
misunderstandings and funny situations that ultimately hopefully will
lead us to a happy ending. But until then, think about
the strange worlds you've loved and stories and how they've shaped the characters
who ventured there, and I will see you next time.
8. Comedy: The Art of Laughter: Welcome back, everyone. Today, we're diving into one
of the most beloved and van enough trickiest story types
to ever master the comedy. Now, when we think of comedy, we can often imagine funny lines and laugh
out loud moments. But in storytelling, comedy
is so much more than that. Comedy at its heart is
about navigating chaos, misunderstandings, and
the absurdities of life often leading to growth,
reconciliation, or clarity. So let's explore how to create a compelling comedic
character arg while keeping your audience
entertained the entire time. The comedy plot structure typically follows
this trajectory. We start with chaos. The world here is
out of balance, and this is often due
to misunderstandings, to deception, or to
clashing personalities. And then we move
on to a conflict. The characters
navigate a series of escalating complications
and misadventures. Number three is clarity. The truth comes out,
misunderstandings are resolved, or characters see
their own flaws, and this leads us to the
harmony where relationships are restored and life returns to a better, more balanced state. Now the hallmark
of comedy is that it often focuses
on relationships. They can be romantic,
they can be familial, they can be social, but it often highlights the ridiculousness of human behavior and
human interactions. To craft a compelling
comedic story, focus on these key features. You need misunderstanding. A lot of the comedy stems from mistaken identities,
miscommunication, or characters jumping to
the wrong conclusions, let your characters
do exactly that. In the importance
of being earnest, the entire plot revolves around mistaken identities and
the chaos they cause. Then give us some
exaggeration, amplify quirks, amplify flaws, amplify the
situations to absurd levels. In the ground Budapest Hotel, Wes Anderson uses exaggerated characters
and situations to create a world that is both
whimsical and hilarious. Because we're doing comedy, you just can't forget
irony and wit, because comedies thrive on unexpected twists and
clever dialogues. In groundhog day,
the irony is in Phil reliving the same
day over and over, using humor to explore
his personal growth. You heard of deja
vu, miss Lancaster? I don't think so, but I could
check with the kitchen. And you always
need a resolution. Unlike in tragedies,
comedies almost always end on a hopeful
or harmonious note. So it's all about
bringing characters and relationships
into alignment. At the core of any
comedic story, you will find character
transformation. The chaos your characters
navigate should teach them something about themselves or about the world around them. Let's talk about Groundhog
Day, for example. Phil starts as a self
absorbed jerk stuck in a time loop through repeated failures and
absurd situations, he learns kindness,
humility, and love. Comedy makes his transformation
engaging and relatable. To write a strong comedic arc, focus on the flaws of your character and start
with exaggerating them. These are the seeds of comedy. A character who's
overly arrogant like filling Groundhog
Day or obsessively meticulous like Monsieur Gustav in Grand Budapest Hotel
works brilliantly. Give your character obstacles and put them in situations that highlight these flaws or in
ridiculous or ironic ways. Force a clumsy character to
attend a formal dinner or let someone who needs to inherit a lot of money
give away their fortune. And most importantly, like in literally any other
character arc you need, say it with me, growth. Use humor to guide
your character towards self awareness
and resolution, sure, but know that their flaws should be addressed
in a way that feels organic to the
comedy tone of your story. Now, let's talk about the ground Budapest Hotel as an example
of comedic storytelling. The flaws here are simple. Gustave is vain, dramatic, and overly fixated on
his hotel's reputation. The obstacles are that he is framed for murder
and he is forced into a series of
ridiculous situations from escaping prison
to fleeing Assassins. Then the growth is in the
fact that along the way, he reveals surprising bravery,
loyalty, and kindness. Take your hands
off my lobby boy. This transforms him from caricature into a compelling
and layered character. Comedy in this story
doesn't just entertain us. It is there for a purpose. It actually deepens
our understanding of Gustave and the world
that he inhabits. Now, in writing comedy, there are some common
pitfalls that can really, really, really draw
your story back, and one of them is forced humor. In short, if a joke is out
of place or it disturbs the flow of your
story or if it's just there because you feel like
you maybe need a joke, but you don't see how this
works here, just cut it. Comedy should always feel organic to the
characters and the plot. In similar vein, a lack of depth is something
horrendous in a comedy. You should never sacrifice
emotional stakes for humor. Even in comedy, audiences want to connect with
your characters, and you cannot rely solely on your jokes to force your audience to watch
the hallway through. In a similar fashion, one dimensional characters
don't work in comedies, or in my personal opinion, they don't really work anywhere, but that's besides the point. Basically just avoid creating characters who exist
solely as joke machines. Give them flaws,
give them goals, give them growth,
make them people. Now, if you're writing
a comedic theme, try thinking about your
protagonists flaws and figure out how
they can lead them to a absurd misunderstanding
and then brainstorm how that misunderstanding could guide them towards
growth and resolution. See how it all ties together. Just remember Comedy
always thrives on truth, and the best laughs
come from situations or characters that feel real even
when they're exaggerated. Comedy might seem light
hearted on the surface, but it's incredibly
powerful as a tool for exploring character
transformation and relationships. In the next lesson,
we'll dive into tragedy. The flip side of this
storytelling coin, where flawed choices and fateful consequences
drive the narrative, but until then,
find the humor in your favorite stories
and in your own writing, and I will see you
in the next lesson.
9. Tragedy: The Fall: Welcome back. So we've already explored the
joy, the adventure, and the laughter in
our last lesson, but now it's time to shift
gears and delve into one of the most profound
story types, tragedy. Tragedy is the story of a fall, a character's descent
into failure, destruction, or even death. It's all about how human flaws, choices and circumstances lead to irreversible
consequences. It's heavy, but it's also one of the most powerful ways to explore character
transformations. In this lesson,
we'll uncover how to craft compelling, tragic arcs, the key element of a tragedy, and how to ensure
that your audience is moved by your story instead
of overwhelmed by despair. A tragedy is a story where the protagonists
flaw combined with their choices and
external circumstances lead to their ultimate downfall. This is a journey that reveals the fragility of human nature. But here's the key. Tragedy is not about hopelessness.
It is about truth. Tragedies hold a mirror
to humanity and they show us the consequences of unchecked ambition
of pride of despair. Let's break it down into
four key components. We start with a floor. Your protagonist must
have a central floor, something deeply rooted
in their personality. It can be pride, greed, jealousy, self
doubt, I don't care. In Macbeth, his flow
is unchecked ambition. His desire for power
drives the entire tragedy. Then we have a choice. Tragedy hinges on
pivotal decisions. The character must actively
choose their path, even if they don't fully understand the
consequences and they will always make the wrong
choice driven by their flaw. Michael Corleone,
in the godfather chooses to embrace his
family's criminal empire, believing that he
can protect them. Notice how the reason he makes
this choice is not as bad, but still he makes
the bad choice, ultimately leading him
to a downward spiral. Then there's consequences
for your character. These choices lead to inevitable and often
devastating consequences. In Joker, Arthur's
actions alienate him from society and culminate
in violence and chaos. Then we have a catharsis. A catharsis essentially
means a release. In this case, a tragedy must evoke emotional
release or insight. The audience should
walk away with a sense of understanding,
not just sadness. In Romeo and Juliet, the death of the lovers reconcile
their feuding families, providing a bittersweet
resolution. As we learned last
time, in comedy, characters grow and improve, but in tragedy, the arc is
often a downward spiral. Let's outline a tragic arc. We start with an introduction. Show the protagonists
flow and their world. Then give me some rising action. The flow begins to
influence their choices. Then we reach a turning point. This is when your
protagonist makes a pivotal decision
that seals their fate. We then get to a climax, so the full consequences of
their action unfold here. Finally, we have
the falling action. The character confronts
their downfall often with a moment of
recognition or regret, but it's often
slightly too late. In Macbeth, the story begins
with his noble ambitions, but as he chooses
murder to gain power, his world crumbles culminating in his ultimate defeat or death. You might be
wondering, why would I want to write
something so dark? Well, the answer is simple. Connection. Tragedies resonate because they are deeply human. We all struggle with flaws
and face moments when our choices shape our
identity and our destiny. A well written tragedy doesn't
just tell us out story, I illuminates the human
condition and it shows us the consequences of our actions and the importance
of self awareness. Now, let's look at
the godfather as an example of a more
modern tragedy. We start with the flaw. Michael begins with
good intentions, but his growing
ruthlessness and desire for control eventually
become his downfall. But you're not
like him, Michael. I thought you weren't
going to become a man like your father. That's what you told
me. His choice? Well, he chooses to
protect his family, but by becoming a part
of the crime empire, believing, he can
keep it honorable. His consequence is simple. Over time, Michael alienates his loved ones and
loses his moral center, ending up isolated and broken. This journey is deeply
compelling because it feels inevitable, yet
it's heartbreaking. We see how small decisions snowball into a complete
transformation. If you're writing a tragic arc, start with the protagonist's
flaw and outline how it influences their choices and
leads to their downfall. Think about their
moment of recognition. When do they realize the role that this
played in their fate? And how can you make it emotionally powerful
and thought provoking? Tragedy is a powerful way to explore the depths
of human nature. I personally love this genre and by understanding its
structure and key elements, you can create stories that resonate deeply
with your audience. In the next lesson,
we'll tackle rebirth. This is the perfect contrast to the inward struggle of a
tragedy. I will see you there.
10. Rebirth: A Journey of Redemption: Come back. In our last
lesson, we explore tragedy. This is where characters face their downfall and are
consumed by their flaw. But in this lesson, we'll be diving into one of the most uplifting and
transformative plot types rebirth. The word rebirth often makes people think of
something religious. But this story type is about a character who goes through
a process of renewal, overcoming their
past mistakes and evolving into a better
version of themselves. We'll discover today how to craft compelling rebirth arcs, what makes them so
emotionally resonant, and how to ensure that a character's transformation
feels earned unbelievable. Rebirth is all about
personal redemption. This is a plot where
the protagonist, often after experiencing a fall or a period of self doubt, faces a catalyst for change that sets them on a path
toward healing and growth. This is a story of
someone who after making mistakes or being
broken by their own flaws, finds a way to overcome those
limitations and rise new. Think of Christmas Carol. Ebenezer Scrooge starts as
a miserly, selfish man, but by the end, he's
transformed into someone who values
generosity and kindness. This og is central
to the rebirth plot, and it's a powerful way
to show human resilience. Thank you for that
glorious music on this glorious Christmas day. To craft a compelling
rebirth story, we can break it down
into four stages. We start with the
fall from grace. This is where the character begins in a broken
or lost state, often facing the consequences of their past actions that we
haven't seen in this story. They may be disillusioned in denial or even
wallowing in despair. In the lion king, Simba
runs away after causing his father's death, believing
himself responsible. He's lost and he's
directionless. But then your character will
find a catalyst for change. Something happens that
forces the protagonists to confront their flaws and the consequences
of their actions. And this is the moment that sparks their journey
towards redemption. So Simba meets Rafiki who helps him understand
that the past doesn't define him
and that he must take responsibility
for his future. You move fass boy. Bye. This is where the
redemption art kicks in. The character goes
through trials and challenges that
test their resolve. They must actively
choose to change often through an external challenge
or a personal revelation. Simba returns to Pride
Rock to confront Scar, realizing that he
must embrace his role as king to restore
balance in his world. And finally, we have
a transformation. So a character's growth culminates in their
transformation. They emerge wiser, stronger, and with a renewed
sense of purpose, often impacting the world
around them in a positive way. Simba steps up as King, healing the lands in
his relationships and the circle of
life is restored. The key here is that the
transformation is earned. It's not about magic
or a sudden change. It's a process that
involves self reflection, personal growth, and sometimes
a bit of help from others. Rebirth stories resonate
because they tap into a universal feeling of regret of hope and the
possibility for change. We all have moments in
our lives when we wish we could undo our mistakes
or start over again. And the rebirth plot gives your audience hope
that transformations like that are possible and that even the most Florida broken
person can find redemption. But here's the challenge.
You need to make sure that the transformation
is believable. Your audiences need to see
the character struggle. They need to earn
their redemption, not just have it handed to them. If the transformation feels
too easy or too sudden, it just won't land emotionally. Let's take a closer
look at how to build a believable rebirth
g that resonates. We start with showing
the inner struggle. The characters journey towards redemption must be complicated. They should face
moments of doubt, resistance or even temptation to revert to their old habits. This is what makes their
transformation feel and for example,
in Batman begins, Bruce Wayne struggles with
his desire for vengeance, but he ultimately chooses
a path of justice, which is his true rebirth. Then give your
character a challenge. Redemption should not come
easy and it doesn't come easy. The characters should face an external challenge, external, mind you, that forces them to confront
their flaws head on. In the pursuit of happiness, Will Smith's character faces extreme hardships and the
constant threat of failure. But through perseverance, he rises above his
circumstances. Make your character's
change personal. The transformation
should come from within. This isn't just about
changing your behavior, it's about changing the mindset, the priorities, or the self
perception of your character. In the karate kid, Daniel Larosau's journey isn't just about learning karate. It's about overcoming
his insecurities and embracing discipline
and self respect. Show the impact of
the transformation. The characters change should affect more than
just themselves. It should resonate with their relationships
and environment. Show that redemption which
has a ripple effect. In Lems, Jean's transformation from a hardened criminal to a compassionate man
impacts everyone around him from cosette
to the inspector. If there's another way to go. A rebirth story can be
incredibly powerful because it speaks to the potential for change that we all
carry within us, and it doesn't matter how
far someone has fallen, the possibility of redemption
is always within reach. By crafting a rebirth plot, you can give your audience
a story of hope and growth in something that sticks with them long
after the credits roll. If you're writing a rebirth arc, start with a character who is at the lowest point
and ask yourself, what flaw or mistake are
they trying to overcome? What event or realization
sparked their transformation, and how will they change
by the end of the story? Make sure that the journey
feels ended and show the external and
internal challenges they face along the way. At the end of their arc, think about how
their transformation will impact the
world around them. Rebirth is a plot full of hope and potential
and when done well, it can leave your
audience feeling inspired, and that is all. Those are all of the
seven basic plots. Next up, we'll talk
about how you can use this inspiration to write
your own character journeys, and I'll see you
in the next one.
11. Crafting Your Own Character Arc: Welcome back. In this lesson, we're going to put
everything that we learned about the seven basic
plots into practice. We'll break down
how to use one of these plots to craft a
compelling character arc, and I'll guide you
step by step on how to identify key moments of transformation in your
character's journey. And by the end of this lesson, you'll have the tools to
build your character arcs, whether it's for your
next screenplay or novel. First, you need to pick one
of the seven basic plots. Today, I'm going to use
rebirth as an example, but this same process can be
applied to any of the plots. Take a moment to think about
which plot resonates with the story you want to
tell and ask yourself, what transformation do you want your characters
to go through? What challenges will they face and what's
the final payoff? Now let's start with your
protagonist's initial state. Where are they emotionally, mentally or physically at
the beginning of your story? This is where you'll define
their flaws or weaknesses. In a rebirth plot, for example, your character might be stuck in a negative pattern
like Ebenezer Scrooge, who starts out
greedy and selfish. So what is your
character's flaw? Is it arrogance?
Is it self doubt? Is it fear of intimacy? This is the foundation
of their journey, and they need to
be in a state that requires growth for the
transformation to be meaningful. The next step is
identifying the catalyst. What forces your character
to confront their flaws? In a rebirth plot, this often comes in the form
of a wake up call or a life changing event that shakes the protagonist out
of their complacency. In the lion king,
Simba's encounter with Rafiki serves
as the catalyst, urging him to face his past and reclaim
his role as a king. So think about an event or
realization that will push your character to
confront their weakness and begin their journey
toward transformation. This moment sets the story in motion and starts your
character's emotional arc. After the catalyst, your
character must face trials. These are the challenges that test them and force
them to change. In a rebirth arc, these trials often
force the protagonists to face uncomfortable
truths about themselves. These challenges help your
characters grow making their eventual
transformation feel earned. For example, in the
pursuit of happiness, will Smith's character faces financial struggles
and rejections, but he keeps pushing forward learning resilience
and your character needs through go
to struggles that stretch them
emotionally or morally. These trials are the crucible in which that transformation
of theirs will happen. At some point in the story, your protagonist will
have a turning point. This is an aha moment when they realize that
they need to change. This is usually the climax
of their internal journey. For Simba, his turning point comes when he understands
that he is not responsible for his
father's death and he is capable of becoming the
king that he was meant to be. So what is your
character's turning point? Is it an emotional realization? Is it a moral choice? This moment of clarity is what
drives the final stages of their arc and sets their ultimate
transformation into motion. Now comes the heart of the arc, the
transformation itself. This is where your character
fully embraces that change. They demonstrate the growth
they've gone through, and they are now a
different person entirely. For a rebirth plot, this means your character is no longer the person they
were at the start. They've learned
from their trials, they've overcome
their weaknesses, and they've embraced
a new perspective. In Lems Jean's
transformation from a hardened criminal to a compassionate man isn't
just about his actions. It's about his entire
world view changing. How will your character
demonstrate their growth? It could be a change
in how they treat others or how they see
themselves in the world. This is the payoff for
their entire journey. The final step is
to think about how your character's
transformation will impact the world around them. How does the character's growth affect their relationships, their environment, or
the story's world? In the Lion King, Simba's
transformation from a lost cub to a wise leader affects the entire Pride lands, restoring balance and harmony. This is an important part of
crafting a meaningful arc, showing that the change has consequences both
for the character, but also for the world
that they inhabit. If your character transforms, but it doesn't have an effect
on the world around them, it might feel like your journey
isn't complete just yet. Now that we've gone
through the steps, it's time for you to apply them. Take a moment to outline character's arg using
the rebirth plot or choose any of the
seven basic plots that best fit your
character's journey. Identify their starting points, the catalysts, the trials, the turning point,
the transformation, and the impact of
their transformation. This process will help
you create powerful, believable character args that will resonate with
your audience. In the next lesson, we'll
be discussing mistakes that often trip people up and I'll
show you how to avoid them. I'll see you there.
12. Common Pitfalls and Troubleshooting: Welcome to the last lesson and congratulations on
making it this far. By now, you should have a
solid understanding of how to craft a character arc
using the seven basic plots. Just as important as
knowing how to write a character arc is understanding
what can go wrong. In this lesson, we'll look at some common pitfalls writers face when developing
character arcs, and more importantly, I'll
tell you how to avoid them. Let's dive in. The
first common mistake is the flat character arc. This is where your
character doesn't undergo any real change. This makes your character feel static and it undermines the emotional impact
of your story. Remember, a character arc
should involve transformation, even if it is very subtle. Now, a flat character
isn't always bad. Sometimes a character
remains the same, but the world around
them changes. For example, in the godfather, Michael Corleone, doesn't
change in a conventional way. His transformation is
more about the world becoming darker in
him adapting to it. However, if your story hinges
on a character's journey, their arc should reflect
some form of growth. So ask yourself, how
does this character change even if it's just
a shift in perspective? Next is inconsistent
character motivations. If your character's goals and desires change too abruptly
or don't make sense, it will confuse
your audience and undermine the
believability of the arc. To avoid this, make sure your character's
motivations are clear from the beginning and that
each decision they make is a logical step in
pursuit of their goal. For example, in the dark night, Bruce Wayne's motivation to
stop the joker stems from his deep rooted sense of justice and the need
to protect Gotham. So even when he's faced
with moral dilemmas, his core motivations are
consistent and believable. So before you write any
major turning points, ensure your character's
decisions reflect their core desires,
values, and fears. Another common issue is having the character overcome
obstacles too easily. A great character arc is
about struggle and growth, but if everything
comes too easily, it risks feeling unearned. For example, if your
character is too good at everything or faces no
significant challenges at all, the transformation feels hollow. In Rocky, the protagonist doesn't just feed
Apollo Creed overnight. He trains, he struggles, he faces personal doubts and almost gives up before
achieving victory. This struggle makes
the payoff meaningful. So when you're developing
your character's journey, just make sure that
their obstacles are significant and that you've pushed them beyond their limits. Struggles lead to growth. They're good, so
don't be afraid to put your character through
an emotional ringler. A turning point is a crucial
moment in any character arc. It's when the character realizes something profound
about themselves, their situation, or their goal. Without a clear turning point, the transformation can feel
disjointed or lack depth. Take the hunger
games, for instance, Katnis has several
turning points, but one major moment is when she volunteers to take
her sister's place. This moment sets
her on a new path and marks a significant
shift in her arc. So be sure that your character
has clear turning points, whether it's internal
or external. The turning points
should be propelling them towards the next
phase of their arc. Next, this one's a big one, the miraculous transformation. This is where a
character suddenly changes with little explanation. This can feel like
a shortcut to avoid dealing with the hard work
of character development. If you're a writer
or a screenwriter, you really shouldn't be
afraid of any of those. In a satisfying arc, the change needs to feel earned. It should be the
result of everything your character has experienced
up until this point. A great example of avoiding this is in the
Shawshank redemption. Andy Dufrene doesn't just wake up one day and decide
he's going to escape. His escape is a culmination of years of planning,
suffering, and persistence. So your character's transformation
must be grounded in their experience and don't rely on sudden
unexplained changes. Finally, neglecting your
character's relationship can weaken the
impact of their arc. Character development is often shown through
interactions with others. So make sure your
character's relationship evolves alongside their
personal transformation. Whether this is family, a friend or an enemy, these connections
are often the mirror in which we see the
growth of your character. In goodwill hunting,
Will's relationship with Sean is key to his
emotional journey. The conversations force Will
to confront his past and fears. Start your foul. And your character's
relationships should change and deepen as
the character does. So don't overlook how
these influence their arc. Now that we've covered
the common pitfols, I want to take a moment and
look at your character, Ark. Are any of these
mistakes creeping in? If so, don't worry. This is all part of the process. The key is to keep your character's
transformation believable, consistent, and earned. Now you're ready to create your dynamic and
realistic characters. So take a deep
breath and let's get ready to bring your
character's journey to life.