Transcripts
1. Welcome to Class: Hello, I'm Lisa, a freelance
illustrator who works on projects for children's
books, gifts, and stationary. If you've ever struggled
with finding time to sketch or level up
your drawing skills, you are not alone. It was what led me to creating
these classes, short, bite-size ones that
can help you develop your art style and support
a fun sketchbook practice. In this class, I
will demonstrate several easy drawing
exercises that focus on simple ways to
illustrate birds using both traditional
and digital mediums. You will need basic
supplies for this class. A pencil, some colored pencils and ink pen or two,
and a sketchbook. If you have an iPad
and Procreate, you can follow along with
a longer drawing demo. And if you don't work
digitally, that's okay. I've included a bird
sketch that you can use to print and enjoy. The more you draw, the more
comfortable you'll become in your skills and your style will evolve with your
creative progress. Are you ready to begin? Then go get some
paper and pencils, and let's draw some birds.
2. Part One: Simple Shapes: Before we begin drawing, I want to talk about shapes and how seeing shapes will
help in your sketching, especially if you're fearful or intimidated about drawing a
particular subject matter. Any object you see
can be constructed using a single shape or
a combination of them. What shapes can you spot
and this little bird, a circle, an oval, a triangle, or a rectangle. They're all, they're
put together. They create the foundation
for this illustration. If you can train
your eye to look more creatively at a subject, it will take any frustration
or fear out of your drawing because you'll start
to recognize how to simplify that object.
3. Part Two: Sketchy Doodles: Let's start things
off with a warm-up and sketching a few quick birds. All you need for this
as a sketchbook or some paper and colored
pencils and a few ink pens. If you don't have this at hand, don't worry, you can
use something at home. It doesn't need to be
overly complicated. Draw a large C and then
a small seed to start. Picking one of your
colored pencils. You're going to start at the
top of that larger C and draw a line down and then
connect it to the bottom. This is going to be
the body of our bird. He's in profile, so
I'm shading them in here and coloring how
you normally would, whether it's little neat. Lines are some cross
hatching are messy shading, It's your sketch
book, your paper, you do whatever you like here. When I'm working with
colored pencils, I do like to layer up my color, so I'm grabbing this
magenta violet color and just going in and shading a little bit more for some depth. And now I'm going to grab, not, not this one,
I have another one. I'm going to grab this
mustard color and just draw two little sticks for his legs and a
triangle for his beak. With the ink pen. I'm now going to go in
and just add a little dot I and a W shaped
wing on the side. And then just cleaning it up
here and adding some detail. Now we're gonna move on
to the small letter c. And with the ink pen or marker, you're just going to
close that up and it's filled out to be a little
bit of a wonky oval. But that's okay. This is a doodle. Don't get too caught up on how perfect you think
your shape looks. A little triangle,
beak in two dot, eyes to stick legs will do like little slivers on the edge for our bird and a bit of
fluff on his head. Now, one more C, just dry your C again with
a colored pencil. And because we have
a bird looking to the left and a
bird facing us, I think this bird will be
looking up to the sky. Enclose that C again, and make two little upside
down hearts for wings. And a bit of a triangle like an open triangle
shape for the tail. Just go in and
color in that form. So it has some shape
and substance. Only use the one
pencil this time. Sometimes it's fun
just to sit and sketch like this and hear
the scratch of the pencil against the paper. And picking up that
mustard color again, I'm drawing another triangle
at the top for his beak. And grabbing the ink pen, too little dot eyes. We'll finish this off. And there you have it. Some fun sketchy
bird doodles that you can do to get those
creative juices flowing.
4. Part Three: Teardrop Bird Demo: I will demonstrate
for you how to create a cute little bird out of
a basic teardrop design. I will show you how to
do this in procreate. This is one of the little
birds I worked on earlier. To start with a rough sketch, I have an eight by
eight page Open in Procreate and just my
favorite sketching pencil. And I just go in and I lightly sketch out
that teardrop shape. This is just the rough. I'm only using it as a
guide so you don't have to worry about being overly
precious or meet with it. The little bird
will be looking up. So I have the triangle beak pointing towards the
top corner of the page. And now I just want to make sure even though
it's simplified, that there's a
basic structure to his position and eyeline
where his feet would go. Yeah, that looked wrong. Needed to change that
because he's going looking up at an angle. So that back leg would
be a little bit smaller. And working out the
tail feathers here. And again, if his
face is pointing up, this little tail feathers would probably be pointing down. So now you have this
nice line that goes from the top of the beak down
to the base of the tail. When I'm done with the
sketch and happy with it, I set that to multiply
and lower the opacity. And then everything
goes under it. That way I don't lose
those guidelines. This will be the
body of our bird. And I'm going to pick a pretty
blue. I've noticed a lot. I tend to draw blue and
brown birds, I think, because those are
the ones I so often see outside my window. Little blue birds and sparrows. For the body, we'll
just draw a line that goes around that
shape, that outer shape. I plan to just drag and drop
with this larger shape. So I wanna make sure that
those lines are connected. Otherwise it will just fill my page and I
don't want that. And adjusting the threshold, you can do that by just
keeping your pencil on the screen and
dragging left to right. For those few spots that
it doesn't fill in nicely. I just go back and
neaten them up. For the tail. I wanted a lighter
blue for contrast. And this is just
a simple triangle that I fill in by hand. And for the fun part,
I love adding texture. So you go ahead. If you don't have a texture
brush that you use, if you go in the drawing folder on Procreate for their brushes, there's a few there
that would work fine. And then using that
blue of the tail, that light blue, That's what I use for the top of the bird. And then they'll go for a
deeper blue for the base. Nice definition that's
happening there. And then I sample
the original blue, lower the opacity and increase
the size of my brush. And I go in and just lightly
blend between the two. That way, I just think it has a more cohesive look to the art. Blends so nicely together. And now we'll work on
the beak and the legs. I'm going to pretty
golden yellow color and go back to my pencil brush. Another triangle for the beak. And similar to the warm-up, I do like to sketch
in areas by hand. So that way it just looks
more traditionally done and I like when the paper
shines through and spots. So we tend to limit how much
I drag and drop just to keep more of a hand made
quality to the illustration. And we're going to do
another clipping layer here. With a darker yellow to add a little more depth to that beak will do that to
the legs as well. You can always adjust the opacity until you get
it just where you like it. I like to pinch my layers together when I'm
happy with them. And now we'll add a
layer for the wing. I'm gonna go with a
deeper blue for this. Just going to make
an almond shaped, like a squished almond shape, almost a clipping mass. So now we can add some
details on the top of that wing with
that lighter blue. Again, I'll just go in and
draw those w squiggles and a few lines that illustrate
the details of a bird wing. Simple, not overdone. And again, you can adjust the opacity if you want it to be
a little more subtle. I love adding almost
all of my character. Dot eyes are dark brown.
I don't know why that is. I just like how that looks. So cute. And now I go in, I don't delete my sketch layer. Instead, I lightly
erase some of the lines that I find a little distracting or that might be
muddied up the color. And I leave others, I feel that it, it just makes it look like a more traditionally
done illustration. If you see those lines, the sketch lines, they will add a nice energy to the artwork. I'm going to add a detail
layer to the top of this bird. And this is where I just go in. I'll kind of bounce around
the art, sample some colors, little fluffy
whiskeys on his head. You could do some
extra shading in here. You could add patterns
or designs to the bird if you
wanted it to have more of like a folk art feel. If you're working on a
layer, a detail layer, it's or even a
clipping mask layer. This way, it, It's
non-destructive. So you can kind of play
around with the freedom of, well, if you don't like it, you can undo it or delete
the layer and start over. Which is, it's very
freeing to work this way knowing that you have that capability of
undo, like I just did. The fun part. It's
like frosting a cake with lots of fun tips
and decorations. And when I have a character on a white page in a spot
illustration like this, I do like to add a shadow. Just grounds the
character to the page and doesn't make him look like
he's just floating out there. For my shadows, I sample
colors that are already in the illustration and use
just a simple noise brush. Go in on that layer
and just softly, very lightly paint in a shape. This is just another
squished oval. Extend it out too. If you think about
the mass of the bird, how far that would
extend under him. And sampling another blue, I'll pick a few
different colors. I never go with
just a flat color when I'm working on a shadow, I like to mix several from the artwork and I feel it
just unites things so nicely. It's subtle, but I think
it's those subtle details that add the most character and those finishing touches
that are so special. And then I'm sampling white just from the background
to smooth out and have just a very soft
edge to that shadow. And adjust the opacity. It's just there, It's just
a hint to say it's there, but it grounds him on the space. And with that same
noise brush you can go in and just soften the
edges of your bird. Add some highlights.
5. Class Project: For the class project, I've included a
sketch sheet download that you can find in
the resource section, there are three spaces
that you can practice. Some more drawings. I hope you'll share
it with the class. Always remember
to make some time for creative play and don't be afraid to use both traditional
and digital methods. Thank you so much for
taking this class with me and I hope
you guys had fun. If you want to connect,
you can find me on Instagram or you can sign up to be part of my creative crew on my website that be creating.