Transcripts
1. Introduction: father. Everybody do this myself. My name is Julia, and I'm urban designer and also the CEO of founder of Sentence Studio in Barcelona, Spain. In this device, we are specialized in preparing exclusive tech start bring collections for women's gets where any interiors. As a matter of fact, the textile industry requires a certain techniques in space in terms of preparing the vast footprint, because most of the companies need to do it in screen printing or Ruggeri. In this course, we will learn step by step, how to grate a super stupid butter and make the final fire ready to go to the printing house. Not all the art works need to be treated the same way. So during the breakfast we're going to show you two different examples. One with political are abstract and another with geometric with thieves so you can be able to work both ways. Let's start
2. Clean: in this birth lesson, where we're going to do is cling. The I work to make the most of it one would ever love to Britain. To start will need Teoh. Have work done. It's kind in bright resolution and open the tiff file in for sure. If you need some help. How to approach the theme of your artwork as recommended to revise my last show cause not like a bus. Create your own surface button to recover with procreate as there, I'll show you how to express yourself to create the motives for your artwork.
3. Cleaning an Abstract: First of all, we need to open this Camp Allen for the shop and then cut out all the borders where there's no our work, so we can make sure that all we have left inside the our boat is always worth it. Use when you put this, remember to live them to the ratio under the FBI's way. Don't want to altering the measurements of this step as we always want to present. The best quantity from the scanning way can return to the colors using the tools that we have important shop my favorite ones on the levels and selective color layers. But you can also use the camera or filter there. It's in the menu bar, then Murcia Layers and CEFTA document.
4. Cleaning a Figurative: when working with cigarette. If I work, the first part of the procedure is kind the same as it was with the after one. So opened the file could out the borders and do any color. Retouch is first, as in this case, we have figurative motives and background. When going the curry touches, We need to think about making the background the planus or, in this case, the widest as possible so we can get rid of it easily. Later on. Do is the right grunt. I create a France burn layer and moving behind everything else. And then I used the color range to going to menu Select color range, Select the back room, and then I pressed it a risky in the keyboard. Then we need to put it relief in new earlier so we can have them separated to work on the rib it later on. To do that, go to the layer with the other case, and with the lesson to make the selection and do any layer you cut using common shift, make sure that you are in the red layer each time, as otherwise mistakes like this can record once you finally have each motive in layer will export them. Going to menu file export layers to falls when the window shows up. Put the options in P and G 24 with France room background checked.
5. Placement: way have far cleaner ready. It's time to think about the placement. This step is what useful, especially with working without Starks. I like to call it like a ruby, as you will live to remind the final out local bar drop.
6. Placement in Abstract (Photoshop): way have to create a new filing for the shop. With the measurements, we think it would be the best for the artwork. Remember that it should have 300 DP eyes, and then you must use, at least in hate. The standard measurements of the industry, which means 8 16 32 or 64 centimeters. It's always bear toe have both sets off the artwork in little mystery measurements. Even if you're working in a rectangle instead of a square abstracts, most off the times will look better in bigger sizes, like 64 36 centimeters. I personally won't recommend to work and abstract in a smaller size, and that, as otherwise the repeatable with journals noticeable in this case are working and artwork that measures 32 for 32 centimeters, depending on the style off the artwork you make. Place it oneness twice played with layer styles, etcetera. But in any case, what we're aiming to do in this step is feeling the most as possible off the artwork. So later on, when we did the repeat, we can work faster if you want. You can also fix now the were tens that cannot go with your lap of laters
7. Placement in Figurative (Illustrator): when we're working with figurative motives, The easiest way to go for it is using Illustrator. So first of all will create an arbor with the measurement. We think that they are the best for the bridge were mean to develop. Remember that wish? Stick up to this in exercises half the document in 300 BP I and make sure we're working in article. This last thing is quite important as an illustrator, we normally worked by the fourth in C m. Y Que and that will make our bowlers change on our felt to be heavier. And we are not interested that way. After we have our document created, we gonna place the plan. Jeez, we've done in photo shop, and then you see ever to make a provisional placement. Here it goes a trick to have better results later on. You shouldn't let more leaves cross to stay the sites of to off them one very good and one horizontal and make them crust by the other two. This case have made them first the right on the border line and let free the top on the left side.
8. Repeat: once we have our little done. Now we're prepared the rubber for those who are not familiar with this term, a rubber distal that it will be able to be repeated in any way. You vividly as you've already seen the last lesson. When working in textiles, we come from standard sizes, pulls itself 8 16 32 I'm 64 centimeters. Where's they need to be like this? At least in hate. This is because in the printing houses, the roast and put the colors and the fabric are 64 centimeters off the amateur. So we need to wear a rubber in this size and be seamless as it rolls over. Senator Repeat.
9. Repeating an Abstract (Photoshop): First of all, we need to cut the file into the shape after yard work, making sure that that's nothing sitting out of what we can see. This step is really important as otherwise. When we try to do the repeat, it will create where the facts that we don't wonder after that. If you have more than one layer, you should merge them in one using common, then go to filter offset. Put it in 00 and directly our work around until you have to just being visible at the center. When we have this. Now we're going to fix any intermediate parts between one another, using the tools to make soap. The ones that are used the most are the lessons to bless every feel, content aware and the Jiechi tools spot healing, brush patch content, aware etcetera. Then repeat this for process offset plus fixing until you can offset and the pattern appears to be seamless.
10. Repeating a Figurative (Illustrator): First of all, we must select all the elements in the arbor and go to menu object pattern make then a window warp about and will be able to change some features, move elements and try different basements in life feel. Remember that you must put the size of the I work in measurements. In my case, as I have a three to arberg up 320 millimeters in itself this life of you, you can also see word orbiting Tyler sitting and see The effective does is a repeat. You can touch the settings as didn't copious show Heidi College. And when you finish with that, save it and now it will appear in the switch. Once you have it there, drug it off and select all. Then one group ever sing with Common Chief Jake and search in the layers for a layer gold. Selectors this past layer and go to many object, arrange bring to front, then select everything again and make a clipping mask using common seven. Then you should get a perfect square rectangle that will be our Ripper. Select the rapper and go to menu file experts election, And then, when the options window pop up, select pdf and make sure that it's in high court Brink authority in the admin settings
11. Revise: caring about details We love great out race to the next level, make me more buoyant with enough loss. Is a doctor as well Brother need to go back and forwards several times. Anyone. This will add value to the final piece, and that's why it's important to take time and patience this step needs and make sure everything's perfectly needs India revising its more like a Zen moment so they couldn't breath and let's start.
12. Revise an Abstract: First of all I would like to do is see the repeat in action. To do that, what were you have to do is first go to menu, edit, defined pattern and press. OK, then create a new fell on me through your a foreign 300 g p I. It's fine. This ice doesn't really matter here, and I'm black the background layer. Then apply to this layer the pattern, overly effect and the scale it in less than 100% so you can see the repeat there. You will be able to notice if there's anything that you want to change. If you see anything that you want change, go back through a rapper and keep on everything like we did before, using the last so blessed feel, content aware, or the J tools like those about healing brush patch content. Aware it's a truck. In this step, all schism and check if there's any flow, like dust from scanning a life under beat or anywhere space. To amend a swell, repeat the whole process until your fill. It's fine
13. Revise a Figurative: revising the fugitive, it will be a lot more easier than an abstract, as when creating the rubber of the new illustrator. We've already seen how the outcome will look, and this will possibly avoid any flowers now to start open the fury of filing for the shop with the building box option as the Robert will appear with transparent background while it just to do what this step, it's that layer below with a plane color to make it as a background. Then it will be user to see if there's anything that we don't want here. After that will do the same process off. We're done with the abstract, go to menu, edit, defined platter and press OK, then create a new felt on a three only foreign 300 FBI and them blood. The lacquer layer then applied the butter normally effect and the skeleton less than 100% so you can see the repeat in this case. In particular, I've seen a timing, spacing this motive, and I want to get rid of it. To do that, I'll go back to the original felt and used to stump toe to cover it. We'll repeat the whole process until we will make sure that the rib it looks the way we want it
14. Colour Separation: gonna separation. It's one of the most important process to deliver a quality fall in the textile industry, not just because clients most of the times will need to adapt the colors of the airport to meet their collection, but also in printing techniques like screen printing, then went to create different screens, one for each color, so willing to have each color in a different layer in our file and make sure any layer sits on top of any other. If this happens, the color overly between the different colors will create this another one. And most of the times we're not interested in having respect. There's a lot of different ways to do call separations, but here, I'll show you there was a use in each case and get me good results.
15. Colour Separation using Index Colour (Abstracts): preserves the original artwork. Where they used to do is create a copy off the fault and open it in an hour. Tap then, but we have to do is change the color motew index color and try which number of colors between two and nine passed a best outcome. You can also double the review check so you can see the before and after and select the option that looks closer to the original one. Remember that not always more is better, and we have a great afternoon with less colors. Will repair for production as less colors means cheaper production coast, so clients will be happy. Make sure also, that the other options are like this one's I'm showing, as over the years I've been trying a lot of them, and those are their once that have to be results. When you have it, go to menu a much moat color table, Click on every color amid the transparent and click OK when the color picker appears. This will make it appear on the swatch funnel. Once you have all the course there, sweets the Carmo to RTB and then go to menu Select coverage with the fusion is in zero selected sculler off from the panel and press OK. Good out each color with common shift day and put it in the new layer. After that, every sterility in a layer that now is empty. Then select player with menu, Select law selection and clean other layers over and below. Using the erase key from your keeper Thesis process will make sure that any color is lying on top off any other to finish. We make any earlier and fill it with a plain white, and we put it below everything else. This one effect the result during the production. It just simulates the white off a fabric and gets a bare visualization on screen. Learning has imagine the final effect when printed.
16. Colour Separation using Index Colour (Figuratives): here the procedure. It's quite the same us with the abstracts, but with some few but important differences. First of all, we create a copy and we have them opening different types. After that, we have to erase the background later. We are really having the original document and then follow the same procedure with already seen. Change the color mode to index color and try which number of colors we've been to in ninth House Estyle. Com. You can talk alone and tell the preview check so you can see the referring after and select the reaction that looks closer to the original one. When you have it, press okay and then go to menu in much moat color table. Click on every color, omitting transparent and click OK. When the color bigger appears, This will make it appear on the swatch foul. Once you have all the colors, they're switched the color moto RGB and then go to menu. Select Color range with the fusion is in zero selected scar from the Swatch panel and press OK. Good out with common shift J each color to put it in the new layer. After that erased the original layer there is no empty here. It comes another difference. Before cleaning, we should go first to the original artwork, make a copy off the background and drug it into the color separated fall. Then selected player with menu. Select no selection and clean all the layers over and blow using the race key from your keyboard. Remember, believe the background for the latest clean or it wouldn't come out great to finish. We make a new layer and fill it with plain white, and we put it below Everything else. This one affect the result during the production. It just simulates the white off the fabric. It gets a bare brutalization on screen and let us imagine the final effect won't print it.
17. Colour Separation using Colour Range (Figuratives=: There are some special cases when the elements are so graphic, which using the color index technique won't give us. The best outcome, then, is when we have to go for this. Using the color range to which we all know by now to start will open the color range tool. And this time we'll play with the fuzziness on. We can see that the color we want to separate to selected, but anything else is, then we'll press So Kate and then Welker out this election into a new layer using common shift. If in this process there's any part with a slightly different color that we think we could go together with the color with four really separated, we should merge them together using comment. I like to untangle the visibility off the layers was I have them separated, so when we do the next election, it doesn't affect it. Then, when we have everything separated, first, select a background color with the eyedropper, too, which you can short it, pressing the letter I in your keyboard. After that, delete the layer, create another one and fill it with the selective color. Then selected player with Menu Select load selection and clean on layers over and below. Using the race key from your keyboard. Remember to leave the background for the latest to clean, or it won't come out great once we have it clean as we hate ourselves the color selection, we have to make sure that each layer has just one single color. To do that, we're going to pick the color we want for a layer with the eyedropper and apply the color overlay effect to the layer. After doing that with all the layers, we should rest arise layer styles to save data.
18. Colour Separation using Colour Range + Index Colour (Figurative + Abstract): This'll case, it may be one of the most special ones, but it appears to happen when we combine an after a background with graphic elements on top . With this kind of our ports, we'll have to combine the two other techniques that were formerly learned. The first thing we're going to do is separate the graphic elements on top. To do that, we're going to use the color range, too, and then, once elected, we're going to cut it into a new layer. Using Common Shift J. We're going to use the color overlay effect to make sure that there's just one color in this layer. After that, we save it just a copy with a new name, and we opened both files in different types. Once we have them in the color separation one, we raised their graphic top layer, and then we proceed with the holy next color process. Once it's done, we tracked the graphic element layer and place it properly on tough, then proceed with on the planning process. Like usually
19. Final File: each print design studio has its own signature and reverse its fouls its own way. There isn't just one way that it's the government one with here. I'll show you how they would prefer them in sentiment and why both us and our clients think that good waited Rebecca for no file. It's the same in any current of our work as when we already have it called Separated. The procedures stays the same, no matter the type off. The everything was at the beginning. So first, what we have to do is named the layers call one called to pull three co fork or five etcetera, respectively. Another off appearance then were named the plain white layer. Below s background. Gather all the skull layers in one group called colors. Copy this group and murdered with comment, eat and rename it as one layer. Sex and Dimitar's would be in case that the with and hate are different sizes. We do the same but putting the decides intimidators, beginning with hate, then drag the original artwork and renamed the layer with the same system of the last point . But I think they were original in capital letters before the details. But this layer in a group called Digital and place it at the back of for the layer groups. Then look all the layers and saved the document. We're finished.
20. Final Thoughts: and that's all from us. Hope that discourse have been useful for you and that now you can. You don't think about how to develop great prints and make them ready to be printed in the textile industry. We're really encourage you to keep on practicing them and let your creativity flow place. Still hesitating putting any helpful suggestions in the comments will be more than happy to answer all of them all. The team of the studio will be so glad to see your creation. So you're Boston winning Instagram you can status using at sentiment. That studio and I stopped your books with sense makes sculpture so we can get them in one space and showcase your work in our stories. Follow us and let's make the community growth. Thanks for watching and hope we can see you in the next course is five
Julia Ferrer, Print Designer & CEO of Sunsmith Studio
