Transcripts
1. Promo video: Hi guys, my name is Dena and I'm a professional
guitarist. You might know me from
my YouTube channel, the Spanish guitar hub, which has over 70,000 subscribers
and 50 million views. I'm a Spanish Flamenco guitarist and then my style of music, it is extremely
important to know how to work with the metronome
and how to be on time. That's why I designed
this course for you. In this course, you are going to learn how to work
with the metronome, how to recognize
notes and rests. Also, you will be
challenged with 14 different exercises in
seven different levels. At first, the exercises
will be pretty easy, but soon it will become
extremely challenging. 1.2 and 3.4, and 123.4. Before you start your course, I suggest that you print out
all of the exercises or ado. I'm going to count and
clap all of them for you. And also we will pick
some of the bars of the exercises and we're
going to analyze them. The note starts at the
beginning of the bar. So we circle one, it is a quarter note. So we go one step forward to this course is not just
intended for guitarist, it will work with any
instruments you might play. Sign up for my course today and improve your return
with me today.
2. Little Intro: Before you start the course, I just want to say
it would make me really happy if you
could leave me a review. So I know how I have done
with the course for you. Also, you'll see
some assignments in the course if you
decide to do them, I have a loop
personally to each of the assignments and either
give you a feedback. So I know how you have done. I hope you will enjoy this
course and I'm really looking forward to see your
reviews and assignments.
3. How to work with the metronome: At first, thank you so much
for choosing my course. My name is Athena and
either B or new instructor. Before we start the course, we need to learn how to clap. There are two ways to clap. One day just use are pumps. And the other way is to use the fingertips in one hand and the pond in the other hand. The other way around. It is your choice
which one to use. But I prefer the second method
because I can go so much faster with this
one than this one. Now, let's have a look
at our exercises. Less set or metronome to 60 BPM. And let's start it. Or first exercise will be
just to clap with the beep. How do you know if
you bet on time? If you couldn't hear the metronome beep
venue, we're clapping. It means that you were on time. But if the metronome beat is somewhere in-between your clubs, you need to do few things
to be more on time. One thing that you can do is to move your
leg, did the beep. It will help you to
fear that written much more because your whole body
is moving with the return, or you can just move your feet. Now this is very common
among musicians, and I'm pretty sure
when you went to a gig, you could see that some
people were moving the leg with the return
because then it will help them to feel the whole music more
and be more on time. Our second exercise
via be clapping, two notes per beat. If you're clapping like this, it means that you
are not on time because every class should
be evenly distributed. So it does sound like this. Also, the second
club needs to be exactly in the
middle of two beeps, and it is also
called the offbeat. The third exercise
via be clapping, three notes per beat. Again, if you were
clapping like this, it means that you are
not on time because everything should be
evenly distributed. Actually venue clip like this. It means that you are
clapping for clubs per beat, but you are skipping
the last beat. So it should sound
more like this. That are wanting as
well that you can do here to be more on time
is to make accents. So you can clap, clap, clap. Then you add on the
metronome beep and everything else is a
little bit quieter, so it will sound like this. Exercise four, we'll be
switching between two clips, peg B to three clubs per beat. Now, this can be very
challenging at first, especially if you haven't
done this before, because there is
a fine difference between two clubs and
three clubs per beat. So let's try to do this
at 60 BPM at first, clapping tools and after
switching to clapping streets, let's try to switch back. Good, right? Now, we are going to do
an exercise. At first. We are going to do
for two claps per beat and after for
three clubs per beat. Bond. C. For now, we will do 22 clips per switching two to
three claps, Bambi. Finally, I'm going to
switch after every beep. It good to do these exercises
and different BPMs. So I'm going to show
you how it sounds. Then we do it at 80 BPM and
then we do it at 40 bpm. Now the slower you go, the more challenging it forget. And at 40 BPM, even for me, this is quite hard. Exercise. Five will be
clapping for notes per beat. Now you can do a few more
things to be on time. And it helps if you can't, even before you start clapping. So now you can count for
before you start clapping. One-two-three-four, one-two-three-four,
one-two-three-four, one-two-three-four. One-two-three-four, one-two-three-four,
one-two-three-four. You can also do the
content with other atoms. So let's contains
312, 312-312-3123. That's counting
212 121-212-1111. Our final exercise will be to switch between these returns. So we're going to do for
one clap for two clubs, for three clubs,
44 clubs per beat. And after we will
bring it down to 32.1, It's good to practice
the final exercise again at different BPMs. So go ahead and try it at 80 BPM and try it
at 40 bpm as well. Now, let's move on to the music theory part of
this treatment course. And also, let's have a look
at some of our exercises.
4. Duration of Notes: This course is only concentrates
on how to read return. So a lot of other aspects of reading music there'll
be not included here, but all the rhythmic part of a music sheet will be included. And with this, you will be able to learn any return
in any music sheet. So when you see a music sheet, then it will be divided by sections and they
are called the bars. At the beginning of a music, you will see a number. This could be 3444, and this is called
the time signature. And also the bars will be
divided by beats as well. Now the beats can be the quarter note set to the quarter note
or an eighth note. It depends on the
time signature. We will go on to this later. Also, the tempo will be the
top left of the corner, and this will indicate where you need to set your metronome to. This is the source of the music. Now, if we see four-four
time signature, it means that our four beats in 1 bar and von beat equals
to one quarter note. When it is 34, it means
that there are three beats in Bombard and von beat
equals to one quarter note. When you see a 68, it will mean there are
six beats in 1 bar and von beat equal to
one eighth note. If the time signature is 44, we can have the following nodes. We can have a whole note, which looks like a doughnut, so the middle is empty
and there is no stem. And it lasts for the whole
duration of the bar, or 24 quarter notes
or four beats. We can also have a half note. Half-note is like an
empty middle as well, but it has a stem. And it lasts for half a
duration of a bag or two beats. Or we can have a quarter note. Quarter note last for a shorter duration of
a bag or one beat. And we can also have
an eighth note. Eighth note last for the
duration of the bar, or it lasts for half a beat. To really understand how the music should sound or
harder returns should sound, it is very important to
learn the current music. Now, if the time
signature is 44, it will mean that we
need to count on. Therefore, it will be 1234. If the time signature is 34, then we will count on tier 3123. Now, we need to match or
the accountings with nodes. So if we have an eighth
note in or music, it will mean that we
need to count with ends, because sometimes
the eight nodes can be on the end as well. So in this case, at 44 Vivre can't like this. 1.2 and 3.4 and the 34, it will be like
this one and 2.3. And you also need to count the same way from
the beginning till the end. So don't skip any
of the counting. And we are going to match all of these nodes with
one of the counting. Now, let's do our first exercise via set or metronome to 50 BPM. And we are going to count
and clap all of these nodes. 123 for 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and
1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and
1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and
1 and 2 and 3 and 4. And finally, I would like to share with you the
circle method. The circle method is
really amazing to know that the beat
exactly needs to be. And in this case, you just need to write
down 1.2 and 3.4. And if the time
signature is 44 and you just circle the nodes
that they should occur. Now in the circle method, we can just change all of
these nodes, two steps. So a whole note
will be four steps. A half-note will be two steps. A quarter note will be one step, and an eighth note
will be half a step. Now let's analyze
one of the bars. And they have a note at the beginning of the
bar than the oil. They start on one. So we circled one. Then it is a quarter note, which means we go one step. That means that on our
next node via be on two. And it is a quarter note again. So we go one more step and the next note we'll be at three. At three, v will
have a half-note, which is two steps, which means this we
are finished. The bar.
5. Analyzing Exercise 1: 1.2 and 3.4, and the node starts at
the beginning of the bar. So we circle one. It is a quarter note. So we go one step for vd to, to, to V naught, which
lasts for two steps. So the go-to for, and these are two eighth notes. So the last two claps
will be half steps, which means you this circle 4.4 and 1.2 and 3.4. And the nodes are again at
the beginning of the bath. So we circa one, this is an eighth note, so we go half a step to one end and that we
have a quarter note, which last for one step. So the next note will be at two. And this is an eight node, which last for
half, half a step. So the next node, v LB at three, and this is a quarter note. So the next note will
be at 41 step forward. And this is another quarter
note which will finish the bar 1.2 and 3.4. The first node is at one, and this is an eight node. So we go half a step forward and the next note
will be at one end. This is a quarter note, so we go one step forward at two and we have an
other quarter note. So we go one step forward to x3, and this is another
quarter note. And we go one step forward, 24. And, and that we
have an eighth note, which we have finished the bar. Now, this one is a tiny
bit harder because you need to clap on
the offbeat of B. It means that you are
in-between the beats. So it is a kind of
practice to be exactly in the middle of two
beats, 1.2 and 3.4. And the first node is a node. So we start at one
and we go to two. That's an eight node. So we go half a step forward, 22.5 naught, which is two steps. So we go to four and that's an eighth note which
we have finished the bar.
6. Analyzing Exercise 2: 1.2 and three, and they're not start at
the beginning of the bar. So the circle one. And then we have a half-note, which is two steps. So the goal is to beat three, B3, we have to eight nodes. We go half a step to
three, and that's three. And the last eight note, we're finished the
bar one and 2.3, and the note starts at
the beginning of the bar. So we circle around. This is an eighth note, which is half a step. So we move forward to one end. That's a hearth node. And it is two steps. We move forward to three and the last node
is an eight node, which is half a step and that
we have finished the bar. 1.2 and three do not start
at the beginning of the bar, and it is an eighth notes, so we go half a step
forward to one, and that's a quarter note, so we go to two and that's
an other quarter note. So it's an other
step to go to three. And the last node is an eight node,
which we are finished. The bar.
7. Note Durations: 123400341234123412341234123412341 and 234.
8. Exercise 1 - Counting and Clapping: 13413412341234123412341234123412, 3424
9. Exercise 2 - Counting and Clapping: 1231231231 and do and see and do and history. And 123123 and run, DO, SEE and brown. And to earn streaming down, down and down and see and
10. The Dotted Note: Now we are at level
two and level two, we will introduce a
new type of note, and this will be a dotted note. Dotted means that
a naught via be elongated to 1.5 times of
the original duration. And in this level, we are introducing
two different nodes. And one of them is a dotted half note and the other one is a
dotted quarter note. A dotted half note equals to one half note and
one-quarter naught, or three quarter notes. And it looks like, exactly like a half-note, except there is a.in the end, a dotted quarter note equals one quarter note at one
eighth note together, or three eighth notes together. Now, a dotted quarter note can have some challenges because it finishes on the offbeat
or it starts on the offbeat. But with the circle method, it will be very easy to figure
out where it starts and where it ends or which
beat you need to clap. Exactly. So let's have a look at the exercises and let's
analyze some of the bars.
11. Analyzing Exercise 3: 1.2 and 3.4. And firstNode is a
dotted quarter note, which lost for one
and the half-steps. So we move to two, and that's an eight node, which last for half a step. So we go to B3, that is a quarter note, and a quarter note
lasts for one step. So we go to beat four. And that's another quarter
note which will finish the bottle, 1.2 and 3.4. And the first node is
a dotted quarter note, which lost for
one-and-a-half steps. So we move to 2AM, and that's another
dotted quarter note. So we move again
one-and-a-half steps to four, and that's a quarter note which we are finished the buyer, 1.2 and 3.4, and the first
two notes at eight nodes. So we circa Yvonne legal
half a step to one end, and we go another
half a step to 2.2, we have a dotted half note, which lasts for three steps. Which means that this note
we have finished the bar.
12. Analyzing Exercise 4: 1.2 and three. And the first node
is an eighth note, which is half a step. And we go to one end. At one end, we have
a quarter note, which is a four-step. We go to 2.2 and we have
another eight naught, which is half a step. So we go to three. And the three, we
have an quarter-note, which we have finished
the bar one and 2.3. And the first node is
a dotted quarter note, which is one and the half steps. So we go to, to end at two and we have a quarter note
which lasts for one step. So we go to three and
that's an eighth note, which last for half a step. And this we are finished
the BR bond and 2.3. And the first note is a quarter note which
lasts for one step, so we go to beat two. That's a dotted quarter note, which last for
one-and-a-half steps. So we go to three and, and that's an eighth note
which lasts for half a step. And this we have
finished the bar.
13. Exercise 3 - Counting and Clapping: 1234123412341 and do and see and 412341234123412341, end do scaling and 41234123412341234. And
14. Exercise 4 - Counting and Clapping: 1231232312 and singing and bong and 2312312 by 3123123123123. And and 33.
15. Adding Triplets: Now we arrive to level three, and this time they are going to introduce the eighth
note triplets. The eighth note triplets
last for the duration of 28 nodes or one quarter note. But this time it will
mean that we will have three notes per beat. Now, if you count them, there are two ways that you
can go ahead and do it. One way is just to
say triple, let, triple, let, triple,
let triple, let. The second way is
adding the number. And the numbers will represent the beats where they are at. And you just add
triplet in the end. So it will be when
the time signature is 441 triplet, triplet,
triplet, triplet. And of course, when the
time signature is 34, you can't on tier three only. Now it is your personal choice, which way you want
to count them and which one you choose because
both of them is right? And in this course, I'm going to count
them in both ways. But at the beginning,
I'm going to count them with the beats, more the bit numbers. Now, when you clap them, lots of people
rushing the triplet, it means that they are doing
the beats so fast and you have gaps between the beats and it just doesn't sound even. I show you what I mean. Now you could see that there was a gap between my clapping. It was more like the divers
clapping for notes per beat, but I was skipping the last bit. If you have a gap and
if you are not, even, it means that you really need
to slow down the triplet. And if you slow
down the triplet, then you will be more
even between the beats. You can also practice
this with the counting 33331 triplet, triplet,
triplet, triplet. Now let's have a look
at the exercises.
16. Analyzing Exercise 5: One triplet, 2.33 plus four, and the first three notes, or eighth note triplets. So we can't like one triplet. And we serve all of the
counting and we go to beat two. This is a quarter note. So we go to B3. B3, we have an eighth
note, triplet. So we can't like
three triplet and circle all the counting and
we will go to beat four. That's a quarter note which
lasts for one beat and it finished the bar 1.2 and 3343. The first node is a
dotted quarter note, which lasts for 1.5 steps. So we go to two, and that's an eighth note, which last for half a step. So we go to three. And at 3.4, we
have two triplets. So we can't like three-three
plot for triplet, darker or the counting
and finish the bar, 1.2 and 33 plus four. And this part is
great to practice. Lithium changes because it
has three notes per beat, two notes per beat of beats. So it is great to
improve your return. The bar starts with
an eight node, so we go half a step to one end. At one end we have
a quarter note, so we go a full step, 22.2, and we have
another eight node. So we go half a
step to beat three. And beat three, we have
an eighth note, triplet. We count it as three triplet. We clap on oil counting and
we go to beat for beat four. We have two eighth notes, so we go half a step
each time to four, and then we will finish the bat.
17. Analyzing Exercise 6: 1.23 plus three and denote start at the
beginning of the bar. So we circle one. This
is a quarter note, so we go one step
forward to beat too. This is an eighth note, triplet. So we can t-test to triplet
and we circle or accounting, and we go to B3, that
two eighth notes. So we go half a
step each time, 23. And then we finished the bar, V13 plus 2.3, and the batch starts with
an eighth note triplet. So we count it as one triplet. We circle or counting
and we go to beat two. That's a dotted quarter note. So we go 1.5 steps, 23 and at three, and we have an eighth note, which we are finished,
the bar 132.3. This bar is a great
exercise because you can practice switching
between three notes per beat to two notes per beat. And then you switch back
to three notes per beat. Bar starts with an
eighth note triplets, so we count it as one triplet. We circle the counting and
we go to beat, to beat two. We have two eighth notes, so they go half a
step each time to, to end, and then beat three. And beat three, we have an
eighth note triplet again, so we can write it
as three triplet, the circle or counting. And we finished the bar.
18. Exercise 5 - Counting and Clapping: 123413233 plus 41234123431234123, triplet poetry Blood Run and two ends, a and 412 and say 34123 and 43 blood do and see. And 41234123431234 and
19. Exercise 6 - Counting and Clapping: 1231 and go triplets 31233123 and on and go and say, gee, that on and DOE and 31323 and y and x2 and x3 and Ron and dull and sleepy to blood, h1 and h2, h3. Font that Zui Ji blood fun 2323.
20. Duration of Rests: Now we arrive to level four and now we are going to
introduce the rests. What are the rest? They are silences in the music. So it means van. You see arrest, there
should be no clap and no music played
during that time. Now, each node has an active
or their interests as well. And they add the following. A whole rest is equivalent of the
duration of a whole note, and it is signaled like this. A half rest is equivalent of
a duration of a half note, and it is signaled like this. A quarter rest Is equivalent of the duration
of a quarter note, and an eighth rest is equivalent of a duration
of an eight node. Now the question is, what is a difference between a half note and a quarter
note and the last? In clapping, there
will be no difference. So when you count it, it will be like this, 1.2 and venue played. The difference will
be that you need to stop the music via the
rest is coming on. So it will be like this. And two and 1.2. And now let's have a look at some rest placement through all of these combined, asked that equal to
23 or four beats, but only if they fell onto
the strong beat of the bar. Beat one is the strong beat of the bar in oil time signatures. But in for four it
is bit B1 and B3. In four, it is bit
b1 and b2 in 34, it is only bit fun. If arrest follows a node
which lasts less than a beat, you need to finish
the bit first. Now let's have a look
at some examples. Our time signature is 24. We have an eighth note, a quarter rest, and
another eight node. Now this cannot be possible because we need to
finish the beat first. The correct version will be here that we have
an eighth note. We have an eighth trust, which we have finished
the first bit, and then they have
another eight rest, which will start
up the next bit. In our next example, we have a quarter note
and the highest forest. Now this is wrong because a half rest in three-four
can only start on beat one. So the correct version
would be that you have a quarter note and after
you have to have assets. What about the dotted rests? Dotted rests have the same
rules like the dotted notes. The last four
one-and-a-half times of the original measure
adopted half rest, last for three quarter rest, or one-half rest and
one-quarter best. It can only be used in beat
one in 34.44 times signature. Now let's have a
look at an example. In this example, or time
signature is for four, we have a quarter
note and the breasts. Now, this is wrong because the dotted half rest can
only start on beat fund. The correct version, there'll be two and a quarter rest and a half rest to replace
a dotted rests. Dotted quarter rest last
for a duration of three, a trust or the duration of one quarter rest
and won a trust. Now, distressed cannot be
used in 34.44 times signature because it starts in the middle of the beat and
goes over to the next bit. At first, we need to finish the beat to go over
to the next bit, or it will start
on the first beat, but then it goes over and finishes in the middle
of the next bit. So we need to replace
it with other arrests. Now, let's do an
exercise on this. Our time signature is 34. We have a dotted quarter note and the dotted quarter rest. Now let's replace the dotted quarter
rest with other risks. Because the dotted quarter
note lasts for 1.5 steps. It means that we
need to start at two and we need to add an
eight tries to finish B2. And after a beat three, the odd a quarter rest. Now let's have a look
at another version. We start the bath with a dotted quarter rest and
the second half of the bar, it's a dotted quarter note. Now, at first, we need
to finish bit fun, so we add a quarter rest
and after the eighth trust, and then we can start
or dotted quarter note.
21. Analyzing Exercise 7: 1.2 and 3.4. And the bar starts
with 38 nodes, which means that we go
half a step each time. We start on one, they go to one and from
one and we go to beat two. From two, we go to 2.2
and we have an, a trust. So they go half a
step without clapping to beat three. That's
another eight. So we go another half a
step to three and at three, and we have a dotted
quarter note, which we have finished the bar, 1.2 and 3.4, and the bar
starts with a quarter rest. It means we are
going to count it, but we're not going to clap it. We go one step
forward to beat two. And then B2, we have
an eighth note. We go half a step forward too, to end at two and we
have a quarter note. So we go to three and at
three and we have an, a trust, so we go to four. And at four we have
two eighth notes. So we go half a step each. 24 and, and after it
finished, the bar, 1.2 and 3.4 by eight will be a little
bit trickier because first time the audit
arrest within a triplet. So you can practice clapping it on a way that you
can't the triplet. And then you will
have not going to clap on the first codon thing. So it will be like this
or triplet, triplet, triplet with the clapping. 43434343. We start the bath
with a quarter rests, so we go one step forward
to beat, to beat two. We have an, a trust, so we go half a
step forward too to end at two and we
have an eighth note. So we go half a step
forward to beat three. And beat three, they
have a quarter note, so we go one step
forward to beat for. Beat four is an
eighth note triplet, but with the rest in
the first counting. So we can t-test for triplet, but we do not clap on
the first content, so it will be 44. We saw the triplet part of the
counting and they finished the BR bond three
plus two and 3.4. And again we have some
challenges and Bart 12, because we have now a triplet, but the third part of
the triplet is arrest. So again, you need to practice counting and
only clapping in the two, first two parts of the
triplet, triplet, triplet, triplet, triplet,
triplet, one on Platt. And the first time we
count it as one triplet, the circa, the
Vaughn and the part. And we move to beat two. That is a trust there. So we go half a step
forward too to end. And that's a quarter note. And it means that we
go one step forward, 23, and that's an eighth note. We go half a step
forward to beat four. And that's another quarter note which we're finished. The bar.
22. Analyzing Exercise 8: 1.2 triplet three, and we start the bar
with a quarter note. So we go one step
forward to beat, to beat two, we have an
eighth note triplet, but with the rest
in the third part. So we can t-test to triplet, but we don't clap
on the last part, so it will be like this triplet. Triplet. We move to beat three. And beat three. We have eight nodes. We go half a step each time, 23, and then finish the
bar, one and 2.3. And the bar starts
with an a trust. So we go to one end. That's a dotted quarter note. So we go one-and-a-half
steps to beat three. And beat three, we have
an eighth rest. Again. We go half a step to three. And the last node
is an eighth note, which we have finished
the bar one and 2.3, and we started above
it and a trust. So we go half a step without
collecting to one end. At one end we have
an eighth note. So we go to beat, to beat two. We have a cartel. So we go to B3. B3, we have another
quarter rest, which will finish the bar.
23. Exercise 7 - Counting and Clapping: 1.2 and 3.4 and 1.2 and 3.4 and 1.2 triplets, 3 and 4 and 1 and 2
and 3 and 4 and 1. And 3 and 4 and 1
and 2 and 3 triplet 4 and 1 and 2 and 3 and 4, 1 and 2 and 3 and 4, 1 and 2 and 3 and 4 triplet 1 and 3 and 4 and 1
and 2 and 3 and 4, 1 and 2 and 3 and 4 and 1
triplet two and 3.4 and
24. Exercise 8 - Counting and Clapping: 1 and 2 and 3, and 1 and 2 and 3 and 1, 3, 2 and 3, 1 and 2 and 3 and 1 and 2
and 3 and 1 and 2 triplets, 3 and 1 and 2 and 3
and 1 and 2 and 3 and 1 and 2 and 3 and 1 and 2, 3 plus 3.1 and 2.3 and
1.2 and 3.1 and 2.3. And
25. Adding 16th Notes: Now we arrive to
lever five and we're going to introduce
the 16th notes. 16th notes last for half of a duration of an eighth
note or quarter of a beat. When two or more 60
nodes tend together, they are connected with
two lines on the top. When they stand alone, they have to flux because they last for
quarter of a beat. Or counting needs to
change because we need to match all of the clubs with some
kind of counting. When the time signature
is for four or counting the a change to this 1.2 and 3.4 E. And now we introduced
two new counting, and this is the E and the a. A 16th note has a
16 rest as well. And they look like this. And of course the last
four quarter of a beat. Now let's have a look at
some rest placement through. The rest placement
through are quite similar like the previous ones. So an eighth rest can only start at the beginning or
in the middle of the beat. It cannot start in one-quarter or
three-quarters of a beat. Now let's have a look
at some examples. Our time signature is 24, and we have a 16th note and a trust and another 60 naught. And this is wrong because an, a trash can only start in the beginning of the beat or
in the middle of the beat. So we need to correct it. And the core action will be
to 16 trust in the middle. Second example, we have two
16th notes and to 16th rest. Now this is wrong because than the rest starts in
the middle of the beat, we need to combine it so
the correct version via beam to 16th notes
and won a trust. The third example, we have
216 trusts and to 16th notes. And this is wrong because
we need to combine it because it starts in the
beginning of the beat. So the correct version, there'd be a trust
and to 16th notes.
26. Analyzing Exercise 9: Bond and two, E and E n. For n. In bar three, we added the
rest to each of the beat. And basically what you
need to do that you can't with the new counting and you will replace the rest where they
are as a location. The first 16 trust is in one a, the second one is in two, and the third one is in Three E. And the fourth
one is a bit for. So you just can't like this. And after you just replace the rest on a way
that you don't clap. So one E and the E, and 4.132 and 3.4 E and a. The bar starts with an
eighth note triplet. So we count it as one triplet, the club in oil counting and we move to beat, to beat two. We have two eighth notes. So we go half a step
each time to do, and then beat three. And beat three, we
have four 16th notes. So we clap in accounting and
move to beat for beat four, we have a quarter
note which lasts for one bit or one step. And it will finished
the bar 1.2 and 3.4. And we start the
bar with 16 trusts, so we go to one aim. At one ie, we have a 16th notes, so we go to one and at one
end we have 16 trusts. So we go step one, aim. At one a, we have
a 16th note again, so we go to beat, to beat two. We have a quarter note
which is one step. So we go to B3, we
have to 16th notes, so we go carter steps each time, 23.3 and at three and
we have eight naught, which is half a step. So we go to beat for beat four. We have an eighth rest, so we go to four and at four
and we have a 16th note. So we go Carter, step two for a, for a, we have a 16th trust
which will finish the bat.
27. Analyzing Exercise 10: Von e, m dot a2, and a3. And the buyer starts
with an a trust. So we go half a step to one end. At one end we have
a quarter note, so we go a full
step to end at two, and we have to 16th notes. So we go Carter step each time, two to a and beat three. And beat three, we
have a 16th rests. We go another quarter step to three e at three
EV of a 16th note. So we go a quarter
step 23 and at three, and we have an eight node, which we are finished
the bad one, and 2.3. And we start the bag
with the 16th trust. So we go further step to one ie. At one ie, we have three 16th notes before
we go to the next bit. Which means we go
quarter steps each time, 21.1 and then beat to beat two, we have another 16 node. So we go to two, e to e we have a 16th trust, so we go to two and at two, and that's an eighth note. So we go to beat
three and beat three, we have another 28 nodes, so we go to three
and then finished the bat one and 2.3. And at birth verve, we replaced with 16 rest, some of the 16th
notes and beat one. We replaced one. So basically you
count it as one, e and 0, but you do
not clap on one. Beat two. We replaced
two 0s and two. And so you can detest e. And in the last beat,
V replaced three. So this will be three.
28. Exercise 9 - Counting and Clapping: 1 and 2 and 3 and 4, and 1 and 2 and 3 and 4, 3 1 and 2 and 3 and 4, 3 1 and 2 and 3 and
4 and 1 and 2 and 3 and 4 triplet 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4. 1 and 2 and 3 triplet
or E and 132.3 and 4.1, E and E and three, E and E and E and 2
and 3 and 4 and 1, 3, 2 and 3 and 4 and 1 and 2 and 3 and 4 E and
29. Exercise 10 - Counting and Clapping: 1.2 and 3.1, 32.1, E and E and E and 1 and 2 and 3, 3 and 2 and 3 and 1 and 2 and 3 and 1 and 2 and 3. And An E to E and E
and 1.233 and 1.2, E and E and E and 2.3
and 1.2 and 3.3. And
30. Dotted Eighth Notes and Rests: Navy arrived to level
six and we're going to introduce the
dotted eighth notes and the dotted eighth rest. A dotted eighth note lasts for three quarters of a
beat or a duration of three 16th notes. They have a dot and
the line on the top. And the dotted eighth rest
last for the same duration. So three-quarters of a beat or a duration of
three-sixteenth trust. And it looks like this adopted. A trust can only be
used when it starts in the beginning of the beat
or it finishes of the beat, it cannot go over the beat. Now let's do an
exercise with this one. Our time signature is 34, and let's combine
the 16th trusts and a trust where you can. Now in the solution, as you can see, first time you couldn't combine
it because at first you need to finish the beat
and that was 116 trust. And after you need
to start the beat, and that's an a trust or a door. In the end. You can add a dotted eighth trust because it will finished
the third beat. In B2. The solution will
be quite similar. So you can add the dotted eighth rest at the
very beginning of the beat. And then you can
finish it within a 16th note in the second beat. Or though you cannot add it, because in the second beat you need to finish
the bit first. So it has to 16th notes and
you finish it with one, a trust, and you start the third beat with
one-sixteenth trust.
31. Analyzing Exercise 11: 1.3, 3.4 E. And the bash start with two 16th notes or 16th
trust and another 16 node. We go Carter step each
time we start on one, and then we go to one E, and then we go to one end. At one end, that's where
we have the 16th trust. So we're not going to
club and we go to one. Then we move to
beat, to beat two. We have an eighth note, triplet, we count it as triplet. We clap on our accounting
and we move to beat three. And beat three, we have
a dotted quarter note, so we go 1.5 steps
to beat four and at four and we have
to 16th notes, so we go quarters
step each two for a. And then we finished
the bar, 1.2 and 3.4. The bar starts with
a dotted eighth. Rest of it goes three-quarters
of a step to one. At one a, we have a 16th note, so we go step to
beat, to beat two. We have a dotted quarter note, so we go one and the half steps, 23 and at three and we
have an eighth note, so we go half a step
to beat for beat four, we have an eighth rest. We go another half
a step to four. And that four, and we
have an eighth note, which we are finished the bar, 1.2 and 3.4 E, and we start with a 16th trust. So we go quarter
of a beat to 1e1e, we have an eighth notes, so we go half a beat, 21a1 a, we have
another eight node. So we go to two e at 2f0, we have a 16th trust. So we go to two and then a two
and we have an eight node, so we go half step to B three, B3, we have to 16th notes. So we go step each time, 23 0s and three, and at three and we
have an eighth note, so we go half a step
to beat for beat four, we have an eighth rest, so we go to four and that four and we
have an eighth note, which we'll finish the bar.
32. Analyzing Exercise 12: 12.3 E, and the bar
starts with a 16th note. So we go Carter step 21e at
one e v have a quarter note, so we go a fourth step to E, a to E, we have an eighth note, so we go half a step to, to a, to a 16th notes. So we go step to beat
three and beat three, we have eight rest. So we go half a step
to three and at three, and we have an eighth note,
which we are finished, bar m dot a2, and a3. We start with a 16th notes, so we go Step 21e at one ie
we have a dotted eighth note, so we go three-quarters
step to beat, to beat, to start
with a 16th trusts. So we go to two E, and then we have
three 16th notes. So we will clap on through to E, to end and to a. And then we go to beat three. And beat three, we
have an eighth note, so they go to three and we
have two more 16th notes. So with the club on
the three a as well. And then we will finish the bar, One E N, N E. And the bar starts with
a dotted eighth note. So we go three-quarters
of a step to one. At one a, we have a 16th note, so we go to beat, to beat two. We have two 16th notes or 16th
trust and another 16 node. So we go to E and
then to end at two, and that's where
we have the rest. So we go without
clapping too too. And that's another 16th notes. So we go another quarter
step to beat three. Beat three, we have
an eighth note, so we go half a step
to three and at three and we have an eighth rest which will finish the bar.
33. Exercise 11 - Counting and Clapping: 1.2 and 3.4. And e, e e e e e e e e e e e e e e e e e e. And 2, 3 and 4 and 1. And 3 and 4 and 1, 2, 3, 4, 2 3 and 4, and 1 and 2 and 3 and 4 and 1, 2 3, 4 and 2 and 3 and 4.
34. Exercise 12 - Counting and Clapping: 1 and 2 and 3. And 1, and 2 and 3. 1, 2, 3, 1, 2, 3, 1, 2 and 3. And 2. And 3 and 1 and 2. And 1 and 2 and 3
and 1 and 2 and 3 on E and an E and a 33,312.3 e1e to the e n.
35. Adding 16th Note Triplets: We arrived at the final
level of our course. And this time we are going to introduce the 16th triplets. A 16th triplet loss
for a duration of 216 nodes or half a beat. And this will also mean that
it will be six notes per beat when we put 216
triplets together. Now let's see how does it
sound if or metronome is at 40 bpm, 123-45-6123,
456-12-3456. Because this is a triplet, the accounting has to change and it will be three
pallet this time. Now, if they are together
with other nodes, the triplet going to replace
the regular counting. It Ada replace the end of the regular counting or the beginning of the
regular counting. When it replacing the end, it will be like this. One, E three Paulette, one E triple that. If it is replacing
the beginning, it will be like this. Three Paulette and
three Paulette and exercise one
on each triplet, triplet, triplet,
exercise to triplet, triplet, triplet
and three Paulette. And now the best is to
practice discounting and these exercises on a way that you put your
metronome to 80 BPM, which is exactly the
same speed as 40 BPM. But now we will be
on the eighth node. So it will be easier to know vanity three notes per beat
and two notes per beat. 121 231-212-3121. 231e triple at one E
three polar exercise. 2, 1 2 3, 1 2, 1 2 3, 1 2, 1 2 3, 1 2, 3 and 3 pilot. And if you practice at 80 BPM, it just means that you
will have more beeps. So after that, it will be
easier when you go back to 40 BPM and practice
both of these counting.
36. Analyzing Exercise 13: Von E to E flat C, E. And for the bar starts
with an a trust. So we go half a step to one end. At one end we have
a quarter note, so we go a full step, 22.2 and we have a 16th triplet. So we change or counting
to three palette. So it will be two
E, three palate, and then the clap or the
counting and go to beat three. And beat three, we
have an eight node, so we go half a step, 23 and at three, and we have to 16th notes. So we go Step 23 a, and after to beat for beat four, we have an a trust. So they go half a step to
4.4 and we have a 16th note, so we go quarter
step two. For a. For a we have a 16th trust, which will finish the bat. Triple, let, triple,
let triple or three. E for the bar starts with
an eighth note, triplet. So we count it as triple-A, but it will be only
three clubs per beat. And after we go to
beat two and b2, we have to 16th note triplets. So we can't as
triple-A three polar, but we can't six notes per
beat and we go to beat three. And beat three via
have an eighth note. So we go hard for
step 23 and at three, and we have a quarter note, so we go a fourth step
to four and that four, and we have an eighth note
which will finish the bad. Now at this bar, it's quite challenging
because you need to switch counting three notes per
beat to six notes per beat. It can take a, quite a lot of practice
to be really on time. So it's good to practice it with the metronome 123-123-4561, 231, 234-563-3333, polar
three polar triple, let triple, let triple, let triple, let
triple at the border. Bar seven, we will do the
same counting all the way. So it will be all
three products, although it will be
if we break it down, six notes per beat,
23 nodes backbeat. And again, six notes per beat, 23 notes per beat. So again, you can
practice the counting with the metronome 123-45-6123, 1234, 5612, 3333, 3343. One E and E and the people at the bar
starts with an eight node. So we go half a step to one end. At one end we have to 16 nodes. So we go quarter step
each time to one a and then beat to beat two, we have an eighth note, so Vigo half a step to, to end at two, and we have a 16 trust. So we go to a, a to J, we have 16 nodes, so we go to B3 and B3, we have to 16th notes. So we go to three E, and then go to three and at three and we
have an eighth note, so we go half a step to beat. For beat four, we have
a 16th note triplets, so we change or counting
to three pilot. And we kept all the
counting and we go to 4.4 and we have an eighth note
which will finish the bar.
37. Analyzing Exercise 14: For the bullet, bullet c, e. And this time it will be a
little bit of a challenge. And the clapping, because it will be three notes per beat, six notes per beat, and two notes per beat. So you can practice
the counting with the metronome 123-12-3456,
121 231-234-5612. Bar starts with an
eighth note triplets, so we can't eat stripped folate. We circle or the counting
and we move to beat two. And again we will
have two triplets, but they are 16th note triplets. So it will be six
notes per beat, but the content
will be the same, so it will be triplet, triplet. We clap on our accounting
and the move to beat three. And beat three, we
have two eighth notes, so we go half a step each time, 23, and then we will
finish the bar. One. And 2.3 by starts
with two 16th notes. So we go step each time, 21e, and then one end. At one end, we have
an eighth note, so we go half a step to beat, to beat two, we have
another eight nodes. We go another half a step to, to end at two and we
have to 16th notes. So we go quarter step each time, two to a, and then beat
three. Beat three. We have an eight node, so we go half a step to three. And at three and we
have a 16th trust, so we go Step 23 at three. 16th note, which we
have finished the bar. Paulette and 2.3 people at. The bar starts with
a 16th note triplet. We count it as three pallet. And this will be three
nodes per half a beat. And then we move to one, and at one end we
have an eighth note, so we go half a
step to beat two. And beat two, we
have two 16th notes, so we go quarter step each time, two to e and then to end at two, and we have an eighth note, so we go half a
step to beat three. And beat three, we have
an eighth note triplet. We count it as three prologue, but this time it will be
three notes per beat. And then we were finished, the bar, gone, E and E, and three polar to polar. The bar starts with 16th notes, so we go quarter
step 21e at one, ie, we have a 16th trust, so we go without
clapping to one, and at one end we
have to 16th notes. So we go quarter step
each time to bond a and then beat to beat two. We have two eighth notes, so we go half a
step each time to two and then beat three. And beat three, we have
to 16th note triplets. We count it as triplet, triplet the club
six notes per beat, and we will finish the bar.
38. Exercise 13 - Counting and Clapping: 1.2 and 3.4, and 123, and 4.1 E and D, E and three. And 4.3 polar and polar. And 3.4 and 1.23 polar three. For a triple, let triple, let, triple, let 3.4 and 1.2 and 3.4. Boiler triple, let triple, let triple, let
triple, let triple, let 1.2 and 3.3 polar and 1 and 2 and 3 and 4 and 1, 2, 3 and 4 and 1 and 2. And 3. For a triple
at 12 and 3.4.
39. Exercise 14 - Counting and Clapping: 1.2 and 3.1, 2.3 e and g triple. Let triple E and E to E and E, and E and E and E and
M. The 2.3 and 12.31, e and e. E e e e e e e e e e e e n. The triple-A three polar.
43. Song for Level 4: Okay.
47. Applying Rhythms to Flamenco Guitar: Because so many of
you requested this, I decided to make you one
more video for this course. And in this video, I'm going to apply all of these three terms that you
learned in flamenco guitar. And I'm going to look at
two different file setup. Or it's like means
that it's one round in flamenco guitar and
four bar usually. And then I'm going to
clip these three terms for you and I'm going to teach
you how you can play this. And after this lesson you
can learn something like this or something like this. The first exercise
will be tangles, and I chose this type of
Flamenco because there are so many little changes between songs and it sounds
really amazing. And it is actually in 44, which is not so common, because a lot of
flamenco is in 12, but this one is in
four for that first, I'm going to show
you how you can clap and read this
kind of freedom. And after we are going to
learn the technique as well. So let's see how you can read this written bond
E triple that 0, e e and e and e, e, e, e, e e, e and e and 1.2 and 3.4. And now let's do this
with the metronome. And I'm only going to do the last 2 bar because the first 3 bar are
exactly the same. My metronome is on 80 BPM
and I set it to eight nodes, so it's easier to follow it. Eat the pollex 3.4
and 1.2 and 3.4. And let's do it
without counting. Now, every bar will
be a different chord, and the first-quarter will be
like an open B flat major. And after we have C7, B-flat major, and a major. Now let's have a look
at the technique. So at first, when
you see a square, it means that you need to add the carpet and they undergo
a pay with the ring finger. It is just a little tap
with the ring finger. And then the technique can be
done in two different ways. At first, we are going to do it with the four stroke
Kresge adores. So it means it will be
little being middle index. Then you do the counting. It is 1234, that's 3.4. Great. Now let's have a
look at the last bar. Then. In the last bar, we
will do like a GoPay, but at the same time
you need to go down with it is a little bit hard at first because you need to do like
an opposite movement. So you add like a
flick and then you tap 1.2 and 3.4 E. And here we have a three
stroke crack ghetto as well, because it starts on the two E and then on the street
it's finishing. So it's 2.3 E and being
neither index two and C E and 1.2 and 3.4 E. And let's do the same
thing with our metronome. This was, or bass technique. And now let's do the same
thing with some courts. And after, Let's try
to speed this up. Also, it's good to
know that you can do the four structures in a
different way as well. You can do it on a way
that you go up with your index finger and you
do as three structures, the Adobe to zinc, middle index or one to 41234. Now let's move on for
the solar return. And I'm going to
demonstrate to you first, but you can learn and
after we then look at how you can club this and
how you can play this. Okay, so at first
I'm going to list again the return and
they are going to learn how you can
club this 12 and 3.3, Paula, Paula, E and C and E and E three polar. Now, this is a really good
exercise because you can practice the clapping and the changing between the
3s and the tools. So I'm going to set my metronome
up again on 80 BPM and I'm going to clap and can't
return for you three polar, polar to E and three
E and E and C, E and three polar and
2.3 polar and E to E and E. So you can practice clapping the 2s and the 3s and
switching between them. You need to be quite good with the clapping before you can go on and do this
written on your guitar. Again, we are going to
change chords in the bass. So at first we are going to
do like if F major seven. So it is like an F, but you have like an
open E. And then we have a C major and all my C
Major, F major seven. And then we have, in the end, the solar ending on the E major. We are going to use a
technique in the first 3 bar, which is like a triplet
in the flamenco, which means that you go down
with these two fingers, so middle and ring. You don't move the hand. And after you do a turn with the thump and you go turn back. So that will be the
triplet that you need to switch to
a Dan of movement than it is just
done or the fingers and thumb because it will
actually pull that down, up, down, up, down, up, down, up, down, up, down, up, down, up, down, up, down, up, down, up, down, up, down. And then in the end, the solar ending VRB. And then you go to the triplet, then you use your
ring middle index. So you cannot pay if you want to on the B string and why you
go down with the tongue. So it's like Tom
now, a heap as well. And the last node
is with the index. So up, up, up, down, down, up.
48. Outro : Congratulations for
finishing this course. Now you can go ahead and learn
any song that you want to, because you will be
able to read the return and you can play tight
supposed to sound. If you enjoyed this course, I would be really happy
if you could leave me a review because it will help other students to read about your experiences and learn
from this course as well. If you would like to
learn more from me, I can suggest you some
of my other courses. You can try Spanish guitar
strumming techniques, which will include
19 different lessons and the lots of
different exercises. In this course, you can
learn the flamenco triplet, the room Barb, a lot of
strumming techniques, which is used in Spanish guitar. If you play another instrument and you want to learn
how to play the guitar, I have a beginner
course as well, which is called Learn
courts with songs. And in this course you can learn all the basic open
chords and oil. The body works with a
lot of guitar lessons, theory lessons, songs,
and core chart exercises. I also have a second
part for that course, which is called Learn courts with songs and the
seventh chords. And in this course
you can learn the major seven, minor seven, dominant seven chords
through guitar lessons, songs, and core exercises. Finally, I have a
course for you, if you would like to
learn about scarce, which is quiet, place orders in Spanish
and flamenco guitar. And in this course you
will be able to learn some skills and some
improvisation techniques. You can practice your knowledge true
backing tracks as well. Thank you again for
taking my course and I hope fully see you
in another course.
Edina Balczó, Award-winning Guitarist
