Transcripts
1. Snapseed Masterclass: Hello, My name is Mario and I'm a travel photographer
and a blogger. And I designed this course for people who want to
learn how to edit amazing and
professional photos on the goal with your
smartphone or your tablet. Let me tell you that as
a travel photographer, I'm always on a plane, on a train, on a bias or any
other way of transportation. And most of the time
is not comfortable to open the laptop to
edit our pictures. Sometimes I just
want to post what I just captured on social media. Animal way device is
always dissolution. Snapseed is a very complete
application and it has enough tools to create
professional editing. In this course, I will
teach you everything you need to know about this
amazing application that you can actually use
in both Android and iOS devices will go through every single tool
in the application. And by the end of
the course we will have full editing sessions. So you can see my workflow
and start creating yours. The goal of this course
is for you to understand the application in
a way that you can start creating your own style. Are you ready to start
editing like a pro? Then I'll see you in class.
2. Introduction: Hello again and
welcome to the course. Mobile devices, like
smartphones and tablets nowadays are becoming so powerful that way then
you can actually edit photos and even videos
in a professional level. My name is Mario and I'm a travel photographer and a
travel blogger from Peru, currently living in Slovenia. But most of the time
I'm on the road. And let me tell you that
half of my pictures nowadays are edited in my
smart phone or my tablet. In this course, we will learn everything we need to
know about Snapseed, which is one of the most
popular applications used by professional
photographers. And I divided this course in three sections to make
it easier to follow. In the first section will have few lessons where I
will explain you, why is it important for you to learn how to edit
in a mobile device? I will explain you
also the difference between row pictures and JPEG pictures actually snaps it is able to edit
raw pictures as well. I will show you the layout
of Snapseed and also how to import photos so we can start using the
tools in section 2. And in section 2, we'll learn
every single tool that we have in Snapseed and how
to export our photos. In section 3, we will edit a few pictures
together so you can actually see my
workflow and have a better understanding
on how to edit. So you can start creating your own style by the
end of this course, you will know how to use
every single tool in Snapseed so you can start
creating amazing pictures. So now it's time to
start with Section 1.
3. Why Learn To Edit In A Mobile Device: I've always saying
that everyone should learn how to edit with
their mobile device. And I keep saying mobile
device because it could be your smartphone or
could be your tablet. And actually in both, the editing process
is exactly the same. But why is it so
important to learn how to edit in your
mobile device? Well, it's because
that's the future. Let's talk about some point are going to explain this better. Everybody easy social media. Well, 99.9% of the
people actually, my grandmother has a Facebook. If you want to stand
out from others, posting pictures will
get the job done. And now with applications
like Snapseed, everything is much easier. Then we have the cameras. Nowadays, smartphones are
coming with crazy cameras. Some of them are coming
with 34 cameras, which proves that
actually smartphones are the future and you don't want to be taking pictures
with your smartphone, been transferred the pictures to the laptop or computer
and then edit them and then post them when
you can actually do everything with
your mobile device. Now we have technology. Mobile devices are coming with
such a powerful technology nowadays that allows you to edit photos in a professional level. They are like minicomputers
and you have to take advantage of that convenience. You already have your smart
phone in your pocket. So how convenient
could be to learn how to do one more
thing with it. Sometimes I'm in the bass
or waiting for somebody, or even in the waiting room
in a doctor's appointment, you could be already
editing your photos. How convenient is that? I always thought that
you don't have to be a professional to be doing
the things properly. You don't need to
pose regular photos, but you can actually be
posting amazing ones. In the next lesson, I will
explain you the difference between raw photos
and J-P-E-G photo.
4. RAW Photos vs JPG Photos: For sure you heard about
these files before, and it's very important for you to understand the difference. But first you have
to understand that the pictures are
made by the sensor. The light comes in the camera, then he's captured by the sensor and then you have your picture. But what happened?
We JPG photos. The light comes into the camera
is captured by the sensor and then the camera
that file compress it, assuming what is
the best for it, and makes a smaller file that
is actually ready to post. On the other hand,
raw files contain all the information
captured by the sensor. And they are bigger
files because they are not compressed
by the camera. You have to edit the photo
before you print it or posted. The good thing about raw
files is that in the editing, you have all the information
captured by the sensor. You have all the shadows,
the highlights, details. And that gives you
more possibilities for creativity in
the editing process. Normally when you see a raw file is very
flattering color, but don't worry, the
colors are there. They're just waiting
for you to edit them. Don't misunderstand me
because you can edit JPEG photos and actually
create incredible pictures. But with raw files, you have more possibilities
in the editing process. Snaps it is able to
edit RAW photos and that's why he's used by many
professional photographers. Because basically
professional photographers always shoot in RAW. If your camera
takes raw photos or maybe your phone
takes raw photos. In the next lesson,
I will show you how to import them into Snapseed because you have to convert
them into DAG files. But don't worry is very
easy if you cannot take raw photos or maybe you
just want to make it simpler and edit
just JPG photos. You can skip the next lesson. So now let's go to the next lesson and I will show you how to import a raw
file into Snapseed.
5. Importing Raw Files: It's not safe. It's able
to edit DNG RAW photos. But don't worry if your
camera doesn't take ENG photos because
most of them don't. For example, Canon
RAW photos are CR2, nikon raw photos are Lumix. Raw photos are our W2. So you got the point BAG. Raw files are smaller
than regular raw files. They're like 15 to 20 percent smaller and they're
easier to edit. And now I'm going to
show you how to convert regular raw files
into DNG files. Let's go to my tablet. So okay guy, so I'm
using a tablet, but like I said before, you can actually use a
cell phone is going to be exactly the same process. Okay, We're here
with this knob seat. When you install it,
you just open it. This is going to be a lesson about raw pictures and
how to convert them. But from the next lesson, we're going to start to
use properly and opposite. And I will explain
you everything in detail about even these layout, that it's as soon as
you open it, snaps it. But for now, I just want
to show you something. If you want to open a picture, we're going to click here
on the Plus button or here on the left
corner you have open. And it's going to open
basically what you have in your cell
phone or tablet. In this case, it's already here in this folder that I have these pictures that were used in the course or some
of them at least. So if I click here
in the corner, you see it says, there you go. Here in these three lines, I am right now in
Mario's tablet. This is my tablet
because I'm Mario. And then also you
have the SD card. You click, actually
hearing Mario's tablet. This is what is
going to open and I'm always very organized. I have here a lot of folders, but I have the folder
here, does this practice? And of course, and this is the folder where I
have all the pictures. This is my organization
and I suggest you to do it because ADP or single
editor has to be organized. Okay? If I want to open, for example, this picture, it says
that it cannot open. Why? Because it's a raw
picture and we have to convert it into DNG. All my gosh, what should we do? Okay, we press
Okay, I understand. What we're going to do
is to use another app just to convert our
photos is really easy. So we're gonna go
to the Play Store. If you're using an Apple device, you just go to the Play Store. It's the same thing. And we're going to put
that this is very easy. What do we want to do to
convert roll into DAG, right? So we're gonna put the name of the application role too
with the number DNG. Really easy not to
forget the name right? Then I already installed it, so we're just going to open it. Okay. In your case, you
have to install it. It's for free, so don't worry, you install it and then you
can hear and you open it. When you open the
application is very easy because you can see basically what you have in your phone. Easy. Like I said before,
I'm very organized, so I'm going to have
if you come here, practice and course a, Suddenly the same folder. When you click it here, you can see your five
pictures wrong, okay, you can see here the CR2, our W2, these are with Lumix
and CO2 is with the canon. You want to combine them. You can click one
by one here, check, check, check, or you can check
here and check them all. You see here, these check
you check them all. Okay. Now did you check them all? You can convert
them into JPEG or the mg. We're going to
convert them into DAG, okay, if we do it to JPEG, we're wasting the
picture because already role has a
lot of information. We have to go to DNG. We put DNG, as you can
see, it's converting it, you see is duplicating
the pictures and it's done, easy done. And then you can close that
and come back to snaps it. Now when you press Plus or open, you're going to see
the same folder. The red symbols here are the pictures that
we cannot open, but we have these five that
are already converted. That's pretty cool. So
when we click here, it opens the picture to add it. We're not going to
edit the pictures. We're going to do it
from the next lesson. But to edit the pictures, you already have these options. You see white balance adjust. These are just for raw pictures. When we go to JPEG, the layout is different. So you have exposure, you can change your exposure. This week's a little bit, I don't use this much
when I'm editing role. I tweak, just very
little tweaks here because in the next lesson you
will see exactly how do I, do you have more options
in the next lesson? This is just the little
things for the row picture. So I'm going to add a little
bit of exposure here. And as you can see,
if you click here on the bottom it says Adjust. You have all the options. Also you can get to the
options you have you put your finger or if you're
using a tablet with a pen, like in my case, you can scroll down and you can see
them already there. And then when they are
visible and you can see them, you can scroll up and you can go all the way to all of them. You cannot contrast,
you can keep goin, you can go to shadows and
all of these temperature, for example, it tells you
that the temperature here is by 700 to Kelvin. Also, something else you
can do is you can come to white balance and you can
choose the white balance. This is a day, for example. So I put US shot because
for me I think it's okay, but you can come to
auto white balance. It changed just a little bit. Like I said, my white
balance was perfect. So the change is
just a little bit, but you can make it
Sahni for example, or you can make it cloudy. You see how it's changing
the white balance. It's up to you. Another thing that you can do with the white
balance is clicking the color picker
and you can go to one color that is
flat like these, white, for example here. And that's the white
balance is done. One thing that I will
tell you is don't forget always to click here
on the check mark. Because if you don't click
here and you click in the x, everything you
need is out, okay? So we're going to click
in the x because we're not going to edit
the picture yet. By the way, if you
see this symbol here on the corner,
don't get scared. This is to see how
the picture was before and how it is now, okay, how it was before
and how it is now. Also, you can do that by just touching the picture
and releasing it. Okay, now we're going to
click X and we go back. As you can see now the layer changed because it's not CDs, assuming that we did
the little changes for the row picture. And now this is
basically how it snaps. It looks like when
you open a picture, if it's a JPEG or all of them. So now let's go to the next
lesson where I will do an introduction to
Snapseed and I will explain you all these layout, how it works before we
start with the tool.
6. Introduction To Snapseed: Okay guys, if you're not using raw pictures and you're
using David, you pictures. This is the screen of Snopes it, and this is what we're gonna do. We're gonna click here. There we go. We're
going to choose the picture we want to add it. This is what it normally
going to appear. You will go to the folder
where you have your pictures. I will suggest you
to be organized. So have a folder with all the pictures that you
want to edit in the moment, then you edit them, save them somewhere else. I know it's a lot of work, but it's very good for an
editor to be organized. Okay, we're going to
pick your practice in course that is the
folder that I'm using. And we're going to choose
this picture over here. And this is what
it's going to open if it's not broad picture. So I'm going to show
you what all of these icons are four, you can see here on
the corner open. With that, you can open
another file. Of course. Now you have here these three
little dots in the corner. We're going to start with this. Okay? When you click here
is more options. You have tutorials
and this is very nice because it's Nazi just going
to give you some tutorials. Of course, you have the
option of help and feedback. So you can actually ask for help if something happened
with the application, but it never happened to me with years of experience
with this application. So let's go to Settings. Now. In settings you have the
appearance dark theme. If you put dark theme, the appearance of the layouts
are going to be darker. It's okay if you wanted
like that for me, I used the default one, but you can actually
go there and you can see that
everything goes dark. But I like the default one. Now you have export in sharing photos and you
have image sizing. If you come here you can see the size of the pictures
that you're going to add it. I normally put do not resize
because I'm not editing just pictures of my phone and also editing pictures that
I took with my camera. And I prefer the pictures to be the size that they are taken, so I will leave it like
this, do not resize. So if you take
with your phone of picture at 20 megapixels, This is what he's
going to appear here. If you want to take
a picture with more megapixels and your phone
is allowing you to do it. You just take a picture
with dad megapixel and it's going to appear
here exactly how it is. I don't want the image
sizing to be specific. I want it to be how I took it. Okay. But it's up to you. If you want to save space in your cell phone or your tablet, you can make it smaller. Now in format and quality is basically almost the
same idea that I, I always go to 100
percent white. This JPEG is because
it's actually the format of exporting when
I'm exporting my picture. So I'm editing raw. But when I finished the editing, when I save and I export, my picture's going
to export as a JPEG, but how do I want it? A 100 percent, 80%, 95 percent or as PNG, if you're editing like a
transparency, it's up to you. But I always go
for a 100 percent, but it depends on your
phone or your tablet. If you have a lot of space or
you don't have much space, you want to save space. You can use the 80
percent or 95 percent, but I'm going to
leave it in a 100 percent because I always like that top quality that I could
use in this application. And that's basically
it with the settings. Now here in the I
button, this icon, it's information
and that's pretty cool because it's
like a metadata. It tells you here, for example, I didn't use any map, but it tells you the
picture was taken with a Panasonic 85. It was a 500 of a second. So it tells you
all the detail of the picture and how I took
the picture. It was in 2019. Well information, this
is the metadata and sometimes is very important. Now these, we click here in these two
papers and an arrow. There you go. You have undo. If you do a lot of
editing, a lot of, you already put lake curves, you already changed the colors, you already changed out or know the structure of
the big picture. When you put undue, it's going to erase the
last thing that you did, not everything,
just the last thing that you need redo. Of course. If you erased it and you said, Oh my God, this is not correct. I want to go back. You press redo and it goes back. Rebirth is going to
reset the whole thing. So everything you
did in the editing, if you press revert is
going to erase it from 0. Okay, so be careful with that. Qr Luke, I'm going to jump to this view edits because
this is more important. Qr look, you can create
a QR for your pictures. Khan Qajar look,
for example, or QR. Create a QR picture because we didn't do any
editing or anything. This is like a little
lighter color. We cannot do anything now, but as soon as you start to
do entities and everything, you can create a QR code. Now, we go back here, BYU edits it weekly gear. We're gonna see
everything we did. We didn't do anything
in the picture, so it doesn't appear here. It appears here developed
because remember this is a row picture on when you
start with the raw picture, they give you the
option of development. We didn't do any editing. Here is just appearing
but there's nothing. So let's go back
here and to show you how these view edits work, I'm going to start explaining
you the tools here. You can see these icons you
have like a rainbow here. This rainbow is going
to allow you to use all these presets. You see if you click here,
the picture changes, these are the presets for
the picture is very similar, like when you have an Instagram, That's pretty cool
actually, I like it is black and
white is very nice. So you have all these presets. And actually when you do
edit things that you like, you can actually save your
editing is also as a preset, so I'll show you that later. So we go back to the top. This is current. It means this is how it is. And last ADCs because I was
editing pictures before. They tell you more
or less like the last edited you'd
eat is like this. Let's use this one.
Let's use this one. Okay, Remember,
always click Check, not XX means you
didn't do anything. You go back to 0. Let's click check. There you go. Now if we go here again to the
top and we put view edits, you can see everything
we did look at these, these are all the edits and we can come to lens
blur for example. And we can see in detail, we can erase that
editing, we can brush it. I will show you later we're
not doing editing yet. I'm just showing you what all of these dots and you have here, basically the adjust button. So whatever you did here, you can change it
if you come here. This is what we did. You can still change it, you know, and go back home. So how it was
change the editing, the due-date, we're
going to press X. It doesn't change anything. And the same you can
do with all of them. And the cool thing also
is that you can see how the picture was before
you put all of these. For example, if I
go to HDR scape, picture changed a little bit. Did you see? Because
now portrait and less blurred these editors
are ID, are not active. You see are like emboss. If I come to curves, keeps change in the picture because it means these
four, as you can see, the lighter color now is
they are inactive now. So I can start from
the beginning. That's how the picture was. And as soon as I did the
tuning with the details, with the curves,
soon as you go up, all the editing start to appear. So let's go to the top. That's how I did the editing and these really cool
tool because there's so many things you can do, especially when you use this little icon here in the
middle, that is the brush. I will show you how to use it
later and it's really cool. Okay, so I don't want to do any editing like this store we're gonna do is we're
going to start from 0. Remember how I
told you to do it? You come here and
you put Raibert. It says that it's going
to erase everything. Yes, I want to erase
everything and that's it. This is how the picture
was from the beginning. So now we're going to go to
the next lesson where we will talk about this pen here and
I'll show you what it is. Look at these, these
are all the tools. In the next lesson, we will start explaining
every single tool.
7. Tools Part 1: Okay guys, this is the moment
everybody was waiting for. We're going to start
talking about the tools. So the tools are
going to be here, as you can see here
in the right side, you have these little pencil when you click it or touch it, you're going to have
all the tools here. We're going to
start from the top. You see here Ra, develop. These is actually appearing just if you are
editing raw pictures. If you're editing JPEG
pictures, don't worry, this is not going to
be here, but you have the tune image that
is next to it. And it's basically
very, very similar. It's just little extra
details that you have for the raw picture in
the lesson where we talk about how to
import a raw pictures, we already talk about this. So we're going to go
straight to tune images. So if you are editing JPEG,
you go straight there. Let's start with this
one to an image. And as you can see here in
the top, it says brightness, but this is just one of the
things you can do here. Let's go down where it says adjust and we're
going to touch it. And now we have all
of these things. Brightness, contrast,
saturation, ambience. So if we select brightness, it was selected by default. And you dodge and you move your finger or if you're
using a pen like me, for example, right now with
my tablet, I'm using a pen. So if you move your
finger to the right, you'll see that you are adding
brightness to the left. You're taking out the
brightness is so easy. Normally when I edit, I like to add a little
bit of brightness. The picture is already
properly exposed, but I add brightness because
then when you start to add contrast and you do the curves
and all of these things, then starts to get a
little bit darker. So I think brightness
is going to help you. Now if you want to go to
the next option to adjust, you can come here down to adjust and you can come to
contrast, for example. And now you are in contrast. You can see here on the
top it's just contrast. Or also what you can do
is with your finger, you just move up and down in the picture and you see
it's appearing again all of these list and
that's actually easier than going down and pressing this adjusts and
things like that. In contrast, of course, is adding contrast and it will go all the
way to the right. You see what contrast is
doing is actually making the dark colors darker and
the white corners wiener. So don't exaggerate with this. If you go to the opposite side, it's actually making
the picture very flat. There's no very
wide or very black. It's actually very plain. So we're gonna go to the center. Okay? Normally when I add it, I just add a little bit of contrast because I like to make my contrast using the curves that we're going to see
in the next lesson. So let's go back to 0
actually in brightness also, let's go back to 0
because we are not editing the pictures
in this first lesson. So I'm going to show you,
but every tool is for, at the end we will add it. Okay, so now we
go to saturation, and of course the
name says it all. We're going to add a lot of
saturation in the colors are, we're going to take
out the saturation if we go to the left. And as you can see, if
I go extremely to live, I take out the colors and now we have a black
and white picture. Actually looks very
nice like this, but I don't want that now. So we're going to go to 0, and now we go to amines. Amines is very nice. I use it a lot because it's like it gives life
to your picture. You can see if you go
all the way to the side, look the picture,
look at the sky. I'm going to go
back to 0 and look at the sky, how it changes. For good, look, you
see it's more blue, is actually adding some light over here in the ceiling. Also. It gives life, but
don't exaggerate, okay? Every time you use these
tools, don't exaggerate. Remember that we are
actually in tune. The image is the first
tool we're using. So don't accelerate because
there's more tools to come. And every single tool that
you're doing is going to be adding and adding more and
more things to the picture. So we don't want to over edit the picture because
it's never good. Okay, this is what that means. Does, if we go to
the opposite side, it takes the live out. It looks very dark. Don't misunderstand me. It doesn't mean it's bad. Sometimes, for example,
when I add it in, I'm editing with this
very famous style that is called the moody dark, moody orange, moody
blue tones that you do. Normally you take
out the ambiance. Not much. Remember,
I don't do much. Maybe like this
or maybe like 27, something like this I would
do if I will be editing that, but for now, I'm going to leave it at 0 and to go back to 0, what I just did is just double touch ambiance and
it goes back to 0. Okay? Now we go to highlights depending on what
you want to add it, you can add or take
out highlights. In this case, the exposure
is properly done. We don't need to add
or take out anything. But sometimes, like I said
before, because I really, I really like this style, moody, moody style
of the pictures. You can take out highlights. And it looks like
you're taking out the highlights all
it's going to be bad. Don't worry, because when
you come to shadows, you can recover these. But what just happened, and I'm gonna explain
you this because it's actually a tip. We're going to go back to 0 and we're going to go
back to highlights. I want you to see
this guy in the sky. When you add highlights,
it actually overexposed. You see it's
overexposed for sure. He's like clipping, but if
you go to the opposite side, look at the sky, it gets better. So that's why normally
when I went to fix a sky or there's a beautiful
skylight, this one, I go back and then I
fix it with the shadows going up a little bit because
the shadows are going to fix just the darker
parts of the image. Not going to touch the sky. The sky is already fixed. You see? So we recover the light that
we lost with the highlights, but leaving the sky how
it's supposed to be. This is a tip, but we will
see more when we start to edit our pictures together in the third part of the course. So we go to warm. Warm would be the
temperature of the image. And what is the temperature? Whoever doesn't
know about editing photography and maybe you are just starting in the
photography world, temperature is how the light
comes to the picture and is measured by Kelvin if we
go to the cold areas. So for example, we
go to the left side, it's going to be blue, like it's about to get dark. You see? And now if we go extreme
is completely blue. Of course he's not natural, but it depends on your
editing style or what you want to do that could help. And we will understand a little bit more when we start to do the masks in the future. So if we go to the right side, we will make it actually warmer. So it's actually
like it's a sunset. As you can see, the light is changing these like
really a sunset. You see. That's what is happening. So normally it depends a lot
on how you did your picture. Maybe you did the picture
during a sunset but your white balance was
not properly done. Then it's like a little cold, so then you can adjust it
with these and fix it. This is basically
all the adjustments you can do in these tool. But you can see here on the
bottom it says auto adjust. It means that Snapseed
is going to try to understand your picture
and do the auto adjust. Let's click it to
see what happened. You see it was a very
simple adjustment. Not much, but it's okay. I think I like it. You can use it as a start of the editing and then you
go to the next tools. But in my case, I like
to do it by myself. So remember when you click the check mark here is
going to save everything. And if you click the X is
not going to save anything. So we will do it like this. Here. Over the eggs, you
have the histogram, you're going to
have it in most of the editing tools that
we have in Snapseed, you can see that we're
tending to the darker colors, but don't worry, don't
worry, don't worry. We can fix that in the future. Okay, now we're
going to click again the benzyl and we will
go to the details. And in details
it's the same idea you have adjust on the bottom, you press it just you can
see what you can fix. And also if you go up and
down with your finger, you can actually change. Let's go to structure first. And the structure is
actually very nice for this specific picture because we have a lot of trees,
a lot of light. You can see roofs in the houses and structure
is going to help you to put more details
in the picture or take out the details
depending on what you want. And then you will say, but
more details is better. Why would I not use a structure? Well, when you are doing
an editing of a portrait, for example, and the face is
very close to the camera. Sometimes you don't want
to emphasize the details. You want to soften the
picture a little bit. So that's why you can
take out the structure. So it's always good to have
all the possibilities. So you can do more and more
things with your editing. I'm going to show
you, you know what, I'm going to get close to these. If you doubled top
in the picture, you will assume in the picture, and you can see here down
below in the corner and the left that you have this
square with the blue square. The blue square is exactly
what you're looking at. So if you move the blue square, you're going to go around, okay? And if you use both of your
fingers in the squared, that in yourself on
would be very tiny. But if you tried to manage
to put both of your fingers, you can actually make
it smaller or bigger. If you want to move
around the picture, you have to hover
the blue square. So I did this soon because I want to
show you the details. Okay, let's check the roofs. If I exaggerate, look at this. There's more details
in the roof. There's more details
also here in the trees. But the problem is when you
add a lot of structure, it's always adding a little bit of noise in the darker parts. So it's not good for
you to exaggerate. We're going to go back and
we're going to add just like 2020 something.
I think there is. Okay. You double-tap the picture and you go back to the
same size like it was. If you want to see how
the picture is going, you can see here on
the top-left corner there is these like open book. If you touch it you can see
how the picture is changing. It's not a big difference because I didn't
do many changes. Remember that in
the last entities, I just didn't save them because I just want to
show you what this does. I'm going to take out the
structure and I'm going to go now to sharpening. I think it's very easy because
it's self-explanatory. It's going to make
your pictures sharper. And now again, maybe the question of why would
you try to avoid sharpening would
actually sharpening can help you to make the
picture sharper. Because well, sometimes your
picture is good enough. You don't need to add more sharpening because when
you add sharpening, you add noise and you don't
want noise in your pictures. So what we're gonna do
is we can go exaggerate. So you can see, it's very
difficult to see here, but I'm going to
try to make this bigger so you can see what
the sharpening is gonna do. We exaggerate. You can see that
it's very similar to the structure before
it gives more details, It's sharpen the picture more, but still is adding these
noise in the darker parts. And we don't want that so you don't exaggerate
with the sharpening. Now in this picture, in this kind of pictures
is good to add. These sharpening is
very interesting, actually gives the
picture more details, especially because we
have so many houses also, if you take pictures in the
woods and things like that. But if you have a
picture of a dog or an animal or a
picture of a person, we do ask too much, sharpening, the hair looks very unnatural. This scheme looks
very unnatural, so I will not suggest
you to do it. Just be careful, okay,
now we go back to 0. And now we're going
to the next lesson where we are going to talk about curves and white balance curves is actually very important. For me. Curbs, he's like 50
percent of the editing, so we'll talk about it very
good in the next lesson.
8. Tools Part 2: Okay guys, Now we're going
to talk about curves. Let's press curves. And then you have the
picture and you have these little square with these lying in the middle
or the top part of the squares for the whites and the bottom part is
for the blacks. You can see that if I take
these and put all the way to the top is gonna
become everything white. And if I do the opposite
is all becoming black. The idea of the curve
is to create contrast. So the blacks are
gonna be blocked and the whites are
gonna be white. The contrast helps the
picture to look much better. What do we do normally? And for sure you heard
about it is the S-curve. We always strive to do an S unless you want to do something different
with the picture. For example, if you
want the picture to have like a plain color, like an old-style bientot. You can actually take
these a little bit high. You can see that you have like, you know, a year on the
top of the picture. We don't want that now. What we're going to do now is
the most popular contrast. We do three dots here by
just touching the line, you create the dots. If you create these
three dots here, you're gonna have five in total. The top one would
be the highlights, this one would be the whites. You can see it's over here. Then in the middle you
have the meat tones. You can play with
the mid tones here. And then on the bottom
you have the shadows. And here is basically
all the blacks. What do we do to
create contrast these? We add blacks and we add white, but we balance them. So for example, if I
pull this a little bit, I'm actually giving these
blacks appropriate color. If I go here a little bit high, then I'm creating an S-curve. Let's put these
more in the middle. Now I just created the
nist curve and you can see the picture
looks better. It's now contrasty
if we go here on the top to see how
it was solid to us, and this is how it is now, it is much better. Of course, after
you do the curves, you can actually play with
the shadows and maybe the highlights like I was
showing you at the beginning. You can take all highlights
to make this guy better. And then you can add a little
bit of shadows and all of these things are
coming after and he's going to make
the picture amazing. At the end of this
section of tools, we're going to, for fun, we're going to edit this picture properly and you will see
exactly what I'm talking about. Now, as you saw when
I opened the curves, this is the first
curve that came to me. These square and all of these, these curves is actually playing with all the colors and
everything in the picture, with the whole picture. But if we come here, you can see here in channel, if we press channel, you can do curves
in the red color, in the green color and
in the blue color, that basically are the
three main colors. And that's why the curve that we were using now It's called RGB because it's red,
green, and blue. Now we can also do a
curb with the luminance. Imagine if we do a curve
with the illuminance. The good thing of
Snapseed told you is that you can see here on the back of this curve
that we're going to do the curve that we did
before with the RGB. And we luminance, we can
create a curve that is very similar and you
can see the difference. You can see what is happening. I don't use the luminance
March unless I needed, unless we have to play with
it brightness of the picture, but I normally don't use it. Now if we come here in channel, again, we can go to the reds. We can do actually
the same thing. But now with the reds, you are working with red colors you see,
of course, you know, if you go up, you out read, if you go down actually you're making the green's a stronger. You have to understand
a little bit about the color wheel
to understand that the opposite of red
is green and then you just pull the
colors to that side. But in this case, let's
make a curve always a curb. I'm always trying to do a
curve like I said before, unless you want to do
something different. But if you want to do
this crazy editing things like adding a little bit of red. This is actually
your credit DVT. You can create editings. It doesn't have to be
always not to add colors. You can embed something to
make something amazing. You can see here we
exaggerate and you can see you in the sky and the
clouds are becoming pink. You can do the same
with the green, and you can do the
same with the blue. Let's do the same with
the green, for example. Now all green. Let's see with the blue
what happened if we go here and we go here. You can see that this guy
is changing the color, but this is what it does, okay, I just cancel that
and we're gonna stay with the RGB curve. If you go to height over here, you just take out the curve just to see what's going on with the picture and
then you can put it back if you want to
change something, look at the sky,
for example, here. Look at this guy. If I move this a little bit
to this side, it helps, actually gives a
little bluish color to the sky and that
makes it nice. You see what we can
do with this also, if you go here to the blacks, you can actually
add blocks here, but I don't want that though. I normally do this. I put it a little bit high, so we give a little bit of
flatness to the colors. And then just to make a
little bit of a punch, we can add another one here. And that saint, that's
actually a nice curve. And another option that you have, and this
is really cool. You come to style. You'll have styles
of curves here. Like for example, soft contrast. You can see that the
curve just changed. We can go to Hard Contrast. We can actually look for a
specific curve that you want. In this case, all
the girls were used. As you can see,
look at this one. You can actually just use it. Like do you use
the curb that you want and then you do the
rest of the editing. So that's actually
very, very good. Also, you can see here how
the curve is just this Grb. It'll make it a
little bit darker. This is a good idea to start also to use the presence
and see what is happening or how
the curves are for you to learn also how
to use the curves. I suggest you to come here, started to put a picture
and start to edit. I started to play
with the curves. That's the only way to, to learn these kind of things
is by practicing by drying. So let's press X here. So we didn't use any curves. Forget about the curves for now, even though for me the curves
is big part of the editing. And when we start to edit in the third section
of this course, we will see how I use the curves and why I do the things
with the curves. Let's come here and we're
gonna do now white balance. We already beat the warmness, the temperature
of the picture at the beginning you
have the option for the white balance
and I don't know why in Snapseed you have an extra
option for white balance. Again, because you
remember that in tune image you had the
option of warmness. And it also gives you this outer white balance there just on the color picker,
exactly the same. Well, you have it again
and this is how it works. Auto you know how it works out to you just press
out to and snap city is going to decide which is the correct temperature
for the picture. Color beaker. Like
I said before, you just click here and
you go to a flat color. In this case could be
the wall of this house. Or you can adjust by yourself and you can adjust
the temperature. You can actually do it
like this or like this. You can do like cold or warm. We already talked about it. So that's very self-explanatory. And in themed, this is
something that actually you didn't have in the tune images. So now your intent, if
you go to the right side, you go to the magenta color and if you go to the left side, if you go to the green color, that of course they're
opposite in the color wheel. In this case, I will not touch anything because the
colors are good, the exposure is good. Now we'll do the crop. Actually every time I start
to edit a picture for me, the most important
part are the curves, but then the group is
very important also because it's what he's gonna tell you how the
picture is gonna be. We're gonna use the Crop option. What I will suggest you
to do every time you start editing is cropping first. Because when you
crop, you look for the composition and how the
picture is going to be. And then after you've cut it in crop at exactly how you want, you can start editing
because then you have an idea of which parts too, like paid more attention. Let's talk about
what we have here. You have the freestyle, and the freestyle
actually is not that specific aspect
ratio you can actually do however you want. You can make the picture
like nice if you want, then you have the original. Of course we know
the originalist how the picture was taken. Then we have the square
that is the one-by-one, that a lot of people are using
this square for Instagram, but I don't use
that for Instagram. I prefer to use the four by five free Instagram that in
this case you don't find it, but we have the five by four. So what you do is you
select the five by four and then here on the
bottom you see rotate. You just press rotate. And now we have the four
by five for Instagram. Let's see what should
we do for Instagram. Maybe, maybe we can
crop a little bit more and maybe here it would
be fine for Instagram. So we just click
Accept and we haven't. Now our picture is cropped
as you can see here, we did all of the top tools. We did white balance
within crop. Let's talk about Rotate and perspective to
finish this lesson. And this is gonna be very fast because we don't need to rotate. We don't need to do anything
with that perspective. I just wanted to show you
what it does when you go to rotate is very
self-explanatory. You can actually rotate
the picture by touching the picture you
can see and if you see here on the top where
he's written straining angle, you see the degrees of the rotating that you
just did of the angle. If you double-click, of course it goes back
on the bottom. You do have also the option
to rotate to the right, rotate to the right
or to the right, and we come back
to the beginning. And you have also the
option of flipping. Flipping is very interesting. Just pay attention
on the building here on the right side, these white one over here. If I flip the picture now, it's in the older side is exactly the same
picture. Just flipped. It just went to the other side. That's pretty cool. Maybe you want to use
it for something, I don't know, But
it's really cool. We flip it again and we have
the picture back how it was. Let's press X, that
was the rotating. And now let's go to perspective. In perspective, and I'm telling you this is not useful now, but if you have a picture
of architecture building, you want to straighten
the lines up. These could be very helpful. Also a phase if you
have a portrait and the face is looking like
a very strange angle, do you want to move
it a little bit? Maybe you could use
this part like this. I can show you the perspective. What I mean by perspective, like literally where
moving the picture like it's like you're
walking to the right side, dry hits and also their
perspective here. And if you go up and down, you can do exactly the same
as you can see what it does. Basically it's a stretch in the bottom and pushing the top, It's actually
deforming the picture. If you find these useful for an, a specific editing,
that's great. It's here. You can do it. As you can see here on the top
of the picture, there is these little lines. This is showing you
how he's been moved. If you want to go back
to how we do ask you, just move it and moving it
down by touching the screen and going down until
I reach there. There you go. It
means now the picture is how it was in case you are taking pictures of
buildings and this is a little twisted or
move to the side. You can press also outdoor. And he's going to
do it by itself, but you see didn't
work properly. Now if you exaggerate, like I'm exaggerating now, this looks horrible, but
it's just an example. Did you realize that snaps it is understanding what
it's on the top. And these holes that you are creating when you
move it is filled by artificial intelligence of Snapseed because
you can see it's creating part of the
picture like it is. If we go to the opposite
side, look at this. It's actually creating here, it didn't do it properly, as you can see here in the
coronary looks horrible. But he's trying it best. You can see here on
the top also trying, it's trying to do the West, but we're also doing
some crazy stuff. Now what you can do is
come here to fill mode. And instead of Smart
feeling that it's already by default marked and
it's trying to fill it. You can actually feel
it just with white. And now you can see that
actually this is smart Feeling disappeared and now he's white or you can fill it with black. Of course we don't
want to do that. So we're going to press X. There you go. Now, we already saw the first two lines of tools and we're gonna go to
the next lesson where we're going to talk about expand selective, brush and healing.
9. Tools Part 3: Okay, so now we're going
to talk about expand selective brush and healing
all these third row. And we're going to
go to expand first, expand these very similar than the last tool that
we use perspective, very similar in the idea of like feeling everything
around prospective moves the angle of the picture. In this case, we're just
going to stretch the picture, but we're not gonna
make the picture ugly when you
stretch the picture. If we use these in the corners, you can see smart white and black were with smart in blue. So it means it's marked. It means that Snapseed in
a very intelligent way. It's going to fill the spaces. Most of the time is
doing a very good job, but you have to
be careful not to exaggerate because then
it's not going to work. Let's work with the picture. You see that the square has four lines, white lines around. If we pull, for example, the right line
just a little bit. Did you see what happened is
Snapseed immediately just corrected the field
that part with something that didn't
exist in the picture. If we go to the top also, I guess it's going to
work because it's dark. We don't see the details
and the mistakes, and that is actually good. But if we go down, you will see now there is a mistake because
it's not that dark. So you can see that Snapseed
to try to replace with repeating the same part of the image and it
doesn't look good. It is gonna be good
if you took a picture and it was not
correct and you need to make it a little bigger
for sure it's gonna work perfectly, but
don't exaggerate. Like I said, don't go too far. Here. We're going to correct that
we're gonna come back. This is the field
mode, of course, if we come to white or black, as you can see here,
is going to fill it with white or he's going
to fill it with black. So it's the same idea is just feeling the parts with
the color is exaggerated. So you can understand
what I mean. Let's go all the way here. You see where
expanding the picture, but it's not cities
not doing anything. It's just filling
it up with a white. That's it with this tool. And let's go to the next tool. Let's press X.
Remember, I'm pressing X because I'm not saving
anything in the picture, no editing in the picture because we're going
to edit later. I'm just showing you
the tools, okay? If you did a job here and you liked it
and you want to save it, you'll have to click
the check mark here. In this case, we're
going to the x. Now let's go to the next tool. And this one is
called selective. Non-selective is
very interesting because it makes you
work with areas. For example, let's
work with the sky. And it's very nice because actually it's
Snapseed is going to understand or try to
understand that list that you want to select the sky because of the
contrast of the image, in this case is very contrasty. You can see very dark, the ceiling over there
and then the worlds. It's gonna be very
good selecting, but sometimes it doesn't
select perfectly, but the idea is here and
it's very good to use it. Let's click it or touch
this guy in the middle. And immediately you can see
that it appeared these B, B because we're working
with brightness, but actually the circle
with the blue inside, That's the selective part. So bright, let's work with
brightness versus if we go all the way to the right
is a lot of brightness. And if we go to the left, of course we take out
the brightness. I'm going to exaggerate
to the right so you can see exactly
what is happening. As you can see, it changed
just the sky, snaps. It was very clever and
selected just the sky. This is the area that
we are manipulating. Now, my suggestion
when you work with skies is don't put
too much light. Don't eliminate it too much. Actually take the
light and you will see that it's going to
become better in color. And you're gonna
have more details. Now, like in the other tools, when you move up and
down with your finger, you scroll up and scroll down. You will have more options. So let's do that and you
can see you have contrast. Now this circle change to see because we're working
with the contrast. Now, look what happened
with this guy. When you add contrast, actually you add color as well. It would take the
contrast is no color. If you add contrast is
going to add color, but don't exaggerate because
it is not, not throughout. I will do it like over here. Now we keep going down and
we have now saturation. We can add a little bit of
saturation to add this blue and the whites in the clouds,
but don't exaggerate. They always gonna repeat, I'm not going to get
tired saying that. Now the last option
is structure. Structure is going
to give you details. And I'm gonna tell you
this that in Snapseed since the beginning when we
started to use the tools, you saw that they have
structured, they have details. And then after three
or four tools, you saw it again. Even also like at the
beginning you saw contrast and then you have
contrast in another tool. And then you have
also the curves that gives you contrast. So you have many
things that are doing basically the same job
in a different way. So my suggestion is be very
careful because you don't want to add too much structure or too much contrast
in the pictures. Sometimes when you
are too long editing, you don't realize
what you're doing, and then you have to
take a rest and come back and then you will
see that all my gosh, he was too saturated,
too much contrast. Don't go too far in a structure
when we talk about Sky, I like to take tau to structure
because it makes the, this part a little softer
and the structure is gonna give details and we don't want details in this guy
unless you want, unless you want, of course if you want you can add details. I'm going to add
structure in the houses, but not in the sky. I'm going to take
out the structure a little bit, and that's it. Now if you want to create
another selective tool you just come to add here on
the bottom you press Add. And I'm gonna click in
the middle of the houses. Now we have another one, and I think we cannot a little
bit of brightness here, then we can go on contrast at more contrasts
don't exaggerate. Then we go to saturation just
a little bit because then we're gonna play more with
colors and saturation. And then we'd structure.
I'm going to add a little bit more because
it gives details. Now you can see how these works. And if you want to
see the picture properly without
these little circles, you can come here on the
bottom where it says Hide and you just press it, holding it and you can see
how the picture looks. And then you just take
your pen or your finger out of the button and they came back these
circles over here. That's it. Let's close it and
let's go to the next tool. And now we're going
to use the brush. And the brush is actually
something that I use a lot. These are basically the masks. Immediately it appears
dodge and burn. It appears exposure,
temperature and saturation. We're gonna start
with Dodge and Burn. As you can see here on
the bottom in the center, you have decrease and increase and it's an
eraser right now, eraser means is in 0, We're gonna go high. We're going to go
like, You know what, let's exaggerate so we can
understand tennis the top. So let's use the ten so you can see what is
going to happen. Now you have the
effect in your finger. You have the power. Now. You just pass your
finger through the houses and you will
see what is happening. You see that he's like
lighting up the houses. He's lightened the mob. You see, Lord, let
see more and more. You just brush it like
the name it says russia threatened not to
touch the sky because we're working with the houses, were not working
with anything else. If you keep brushing and keep brushing even
though he's intent, you're actually giving March
and March at the effect. So you don't want to exaggerate. Now we're doing it. We're adding a lot. And if I keep brushing is even gonna keep
adding the effect. Now if you want to see
what you can come here on the bottom in the right corner where it says mosque,
you click it. You can see that all these red around the houses is
basically the mosque. It's horrible. We supposed to be more
delicate with their masks, but I am trying to show
you how that works. But don't worry,
everything is fixable. So what we're going to do is we're gonna
take out the mask. You can decrease here the effect to eraser you remember what
I told you your intent? You come here down
to 0 means eraser. And then just brush again. Just brush, brush,
brush and look at this. It come back how it was just for you to check that
you're not missing a spot. You can click here
in the mask again. And you can see that here on the corner here you
are missing that spot. You can erase again
with your finger. And I think we're
pretty much done. We can take out the mask. Let's go to the next effect. We can go to temperature
and you know what? Let's, let's be very careful and use the temperature and
let's make it cold. But just this guy, remember two fingers,
two fingers, we can make the image
bigger and then we move this blue
square to this guy. Let's see what can we
do with the temperature we careful, Barry, careful. Let's go to minus ten. So it's a very
cold, very bluish, and we're very
careful not to touch the houses or anything
we start to add. You can see that we're
basically adding these cool tone
to the whole sky. Very cool tone. I'm trying not to
touch the houses, even though I'm
touching the houses. But now we have the
zoom super soon. Because when we go back
to the regular size, you will not even notice. Now if we come to the size, the normal size, you can see
that this guy is bluish. Of course it was not perfect. I mean, if you want
to make it perfect, you can just assume
more and then you go exactly into the detail. Let's go to 0 like
eraser and let's erase this guy to make it
back to the original color. So basically now you know how it works you come to Effect. You have exposure
and saturation that you can also use with brushes. Brushes are very interesting to use because
these are basically the masks and this makes the editing process
more professional. So now let's press
X and let's go to the last one of this
lesson that is the healing. And the healing is
super-useful, super useful. But again, don't
use it too much. Is super useful, but
don't use it too much. You want all the
time your pictures to be as natural as possible. So I'm gonna make
the image bigger. Remember two fingers to
so many in, there you go. I'm gonna show you here you see these cloud in the middle. I don't want these clouds. So what you do is
with your finger, you just draw a little line
in the Cloud. There you go. Look at the code,
disappear completely. This is incredible. It's not seem to
work very, very, very good with the,
with this tool. Of course, if you go
like in the houses, is gonna try to do it
as best as it can, but don't expect too much. So try not to use it too much, but if it's necessary,
you can use it. For example, if you want to like pimples or a scar in a phasor in a portrait or it works perfectly so I will suggest
you use it with confidence, but be very careful when you
have things like houses and very crowded places because
it's not gonna be perfect. I'm gonna show you another
example of these healing. So what I'm going to
do is I'm going to erase the whole
poll that is here. Okay, So let's see, let's paint it and let go. I don't know if he's
gonna do it properly. Let's see. Go it did it very
nice look at this. Whereas the pole,
it is a miracle of bleed is very, very good. Actually, of course, here around this area I can see
a little blurred. But it doesn't matter
because remember that the photo is very soon. If we double-click in the
blue square, we go back. And now you don't
see these blurry, you don't see these mistakes. It actually looks like
it was like this. It is actually very nice. I'm impressed. Let's press X and then
let's go to the tools. And in the next lesson we
will see this fourth row, HDR, glomerular tonal
contrast and all of these. So I'll see you in
the next class.
10. Tools Part 4: Now in this fourth line, we're going to have HDR, glomerular tonal contrast and drama and dark basically like presets are basically like filters that we're going
to use in our picture. Let's start with HDR. By the way, HDR,
high dynamic range. So Snapseed is gonna have
already filters that are gonna try to make
this picture very, a lot of tones and an
olive colors here. As you can see, these
actually a preset with the fine-grain because you can see that it's
adding here in the sky, especially you can see that it's adding a little bit of green. That means noise, but it's in
purpose, so it's artistic. So you can actually see that
the picture looks very nice. You can see here on the
top filter strand is 50%. You can actually move
your finger to the left and take out the
strength of the filter. You can see you take it out
completely or you can add. It is actually pretty cool. I like the filter, but it's not necessarily
what you want. You can actually come here on the bottom where it says adjust. And you can play
with the brightness, with the saturation and keep
adjusting with these tools, the filter that was
already applied. Also you come here to style and you can use this strong grain. So then it's like a
different filter. You can use the people
filter or the nature filter. They're all filters at
the end that said no, it's, it's basically filters. Maybe you like it and
your picture is done. You just do these tweaks with the tools and adjust
here and then it's done. You never know, you never know. I don't really edit
my photos 100%. So I don't use many
filters per se. But if you are in a rush, if you're in a hurry,
filters are very, very, very good, like a
good start for the editing. And then you can
go back and beside the filter you start
to do these changes. His press X is go back
to the little pencil. Now let's go to glamour, glow. That sounds really cool. Again, filters. You can come to number two. You can see that the
picture is changing. This one is very soft. You can come here,
you can come here. They are filters, but let
me tell you something. They are good. They're not good
for this picture, but maybe you have a
different picture. Maybe you have a portrait
or I don't know, maybe you are taking pictures of jewelry or some
product photography. These filters could
work always in editing and in this
world of photography, you have to experiment, you have to try everything. You never know
what's gonna happen. Of course, hearing just
the same as before. You can actually change
the amount of the filter. You can actually
move up and down. You have saturation, it
exaggerates iteration. You keep going up
and down and you have warmed, super warm. I would suggest you not to practice just with this
kind of photography. Maybe you can try other kinds of photography like portraits, like maybe you are
pictures in the woods. Maybe you have
pictures of a france, take pictures of
your little dog. It's super cute. So you never know,
you never know this could work
perfectly for you. Now we go to the next one
that is tonal contrast. The name says it all. This is actually a lot of contrasts we're gonna
play with contrast. Now the thing with
this tool is that the changes in the
picture are very subtle. You don't see them properly
because you're normally are going to use his Nazi in the tablet or in the cell phone. The image is so small
Digital see a big change. For example, here we are
in 30% of the high tones. If I go up and down, you can see high tones, mid tones, low tones then protect shadows,
protect highlights. But let's go for the high tones. If I go all the way, I can actually see a
little bit of a change, but I don't know if you
can see it in your screen. It was a little change. You can actually
check in the sky that majority of the change
was actually in this guy. If I go here to the
corner here, top corner, top-right corner,
and you click this, you will see the before. You can see that the
change was in the sky. Now if you see the houses, let's check here around
the center of the houses, there is a change. So it's actually giving
more detail is changing. Just like I said,
is very subtle. But you know what? Once I connected my tablet to a monitor and I started to
use Snapseed for editing. And it's incredible these tools that you don't see
much difference. It's actually a big difference. It's just that it's a
cell phone or a tablet. They are small devices
you cannot see properly. So I will suggest you,
when you're editing, if you want to use the tones,
use them a little bit, even if you don't
see much changes, use them a little bit
because then if you in this picture to somebody who's going to see it in a monitor, they will see the difference. We're going now to meet tones
is going to do the same, but in the mid tones, I can actually see more details. I see that if I
exaggerate, of course, but I know that I don't
want to exaggerate. Protect shadows means that it's going to give you
all these effects, but he's not going to
touch the shadows. You can see the little
subtle changes are just in the middle because
basically all around our shadows and the shadows
are not been touched, they're staying
exactly the same. So that's basically it. Okay, now let's press
X and let's go to the last one in this lesson
that is called Drama. It sounds like drama, like a horror movie. Well, in this case is
exactly the same as before. They are actually presets. You can add them to change your picture.
Look at this drama. These are the pictures. This is like a horror movie. Now if you choose this one, you can come to adjust
and it's the same thing. You can actually add this trend or take out the string I'm gonna
add all the way up. Let's see, because it's
getting a little bit of vignetting,
vignetting around. And I like that. We go to saturation
and maybe we can add a little bit of
saturation. There you go. I actually like it. I will actually use this
picture at some point. This is the idea
you come to style. You have all these
options and then adjust here on the bottom and
then you can play around. So I will suggest you to
come and have fun with this. And yeah, this is it. Now we're going to go to
the next lesson where we're going to talk about
vintage grainy film, retro looks and branch
that are basically also the same idea of these tools because
they're going to be basically like presets
and that you can adjust. But still let's go to the next lesson and let's
have fun with them.
11. Tools Part 5: Okay guys, for this lesson, I decided to change the picture just to make a difference. So let's go here to tools in the little pencil just to
go back with the tools. So Vintage, the
name says it all. So it's very easy. It's actually like the
other tools to just play with the
presets and then you have the option here,
as you can see, Adjust breast here in a
just or with your finger, you can go up and down. You see as soon as you go into the top of the
picture up and down, these are just comes up. We have a begets strength. As you can see, older
vintage prisons come already with a vignette, if you can see here
in the corners and the style strength, most of the tools in
Snapseed are gonna come with style strength because most of the tools are
coming with presets, you can actually make the
prison stronger or lighter. For example, here is
go for the strength. You see all the editings in that receipt is
gonna go up or down. This is pretty cool. This
knob cities allowing you to use all the presenters
that they have. And besides the diversity, it's already there, you
can actually adjust it. Now let's talk about blur. You see here this icon blur. Let's go to the picture
and let's put blur. As you can see around
the picture is all blur. This is not good for these
kind of picture because he's, Venice is beautiful
and I would like the picture to be visible 100%. But if you're doing a portrait, for example, this will
work very, very good. So let's take out the
blur unless press X, so we don't save anything in this picture
and we go back to the original picture so I
can show you the next tools. Let's go to the next
tool, grainy film. As the name says,
it all is grainy. You can see a lot of noise
in the sky here you see. Now you can choose actually
within all these presets. So as I said before, they are going to work exactly the same because you have here the adjust option if
you put adjust and you can adjust the grain
so add more noise. Imagine we had a
lot of noise now, it looks like a paint
more than a picture. Let's take out a little bit of the noise and then you have the other option of style strength that you have
in most of the presets. In Snapseed, you can
add strand or take out the strength of the
style or receipts. Now let's press X here and
we go to the next one, retro loops also the
name says it all retro. You can see very retro
here in the corner. You can see like a hair
or something there. You see these like dirt in the film back in the day
when you take a picture, you have these plates
instead of films. So that's pretty cool. You can go all over
the presets here. Now as you can see, these
presets are a little different because you can
see these arrows here. There's two arrows. That means that you have more options within
these presets. If you press the
number one again, you see that it keeps
changing the options. You see you have more options. And also you'll have
here this option called shuffled that
allows you to go through all the presets and all the options
inside the prisons. Look at this. You can go more and
more and more and more. Just press shuffle and enjoy because you're gonna
have a lot of options. And remember when I said that every time
you have a preset, you will have the option
to adjust the prison. In this case, you have
adjust here and you got to adjust brightness,
contrast, saturation. I don't need to explain about it because he's
self-explanatory. But you go to style strength
and let's see how it works. You see all the editing, but you have these
options of scratches, these cuts here, these
dirty in the film. You can actually send tweets. These ones are, you can actually
take them out like this. You see, it's pretty
cool actually, if I'm going to use this
option, these styles, of course I'm going to
add a lot because I want him to see like it's
an old picture, right? Let's go now to X and
let's go to grunge. Luke, what grunge
does, really cool. Now let's go to texture because basically these
are also presets. You can come here to texture. And again, you have these
two arrows you can see. So it means you have more
options inside you see. Now let us go here, for example, you have more options and every time you have
more options inside every style you will
have the shuffled here that gives
you more options, even more options, for example, you see, look at this
more and more options. It's pretty cool actually, in this picture, I wouldn't
use it, but it depends. It's up to you. What do
you want to use it for? This is for creativity. And of course you have
more options here to adjust the style
you're using. And the texture
strength would be like the strength
of the presets. You see exaggerated and
then we'll take it off. Now let's go to x. Again. Let's go to the Tools. And we're going to
see these tools here, black and white and moire. Okay, let's go to
black and white. The name says it all these
black and white, it's easy. You have few presets
here you have the new drug I like the contrast T1 and the darkened style
or dark, I love these ones. I liked the pictures
a little dark. Look at this dark one
is really, really cool. You can actually see the shape of the clouds is really cool. Color filter here on the bottom, we go to color filter
and you can actually individually check the colors
in the black and white red, for example, look what happened. Then you go to orange
or you go to yellow. There's different things you
can actually do with this. Of course, you can see also
here on the bottom, adjust. Remember what I
told you every time you have a preset or a style, you will have the option
to adjust the preset. You have the brightness
contrast and rain, rain we know already is
the noise of the picture. You cannot allot of
noise, as you can see, there's press X is go to the next one that
is called, are, these ones are pretty cool
because our bientot also, but it's a nice vintage. I don't know, I liked them. This color is actually older
than the black and white. I remember before black
and white pictures used to be these
color like this. You see, now you have
this black and white, but it's like bluish. You have to actually go all over Snapseed with your
pictures and start to experiment because the only way you're gonna learn and put all the information in
your head is practicing. You can see here
all these options. And of course, every
time you have presets, remember you can adjust them. Now, in this adjustment you will have wash. What does it mean? You see that this
picture has been touched and has a lot of noise. You can actually
watch the noise out. So if you add strength in
the wash. You will see that you are actually
washing the noise out, if you will, to
the opposite side, you're adding the noise. So this is basically
what the wash dots, then you have the green
and then you have the filter strength that we
know already how it works. Let's press x. Now, in the next lesson we will talk about portrait
and head pose. That is basically for portraits
as it's written here. We're going to use a
different picture. So let's go to the next lesson because this is really fun.
12. Tools Part 6: France. In this lesson, I changed the picture because
we're going to be talking about portraits. And in this case we need a face. So we changed this picture. We're gonna use this girl here. Let's go to the pencil and
we have portrayed here, there are recognizable
because there is like a little
face with two eyes. Let's click in portrait. And there you go. As you know, every time you have presets, as
you can see here, spotlight and combo
all of these presets, you will be able to adjust them. So you have here
the adjust option. Let's start with the
stylus spotlight. You can see the face. Let's put the two fingers in the photo and let's
make the photo bigger. You can actually see what
he's going to happen. Let's go back to style. If you click gearing
Spotlight, one, for example, you can see that the
face is actually lighting up with more
light in the face. There are different ways
of lighting the face up. You can see a spotlight
tool then smooth, That's going to make the skin
smoother and then the ISO, so they're gonna make
the eyes pop up. So you can see actually
you have few in combo. Of course they work with
all of them in this case where companies
to bail the face. But in some pictures
this could work. So I will suggest you to
always try everything. Now if we go to none, you can actually do it
yourself using the adjust. If you come to adjust, you
have phases spotlight. If we click that, we are going to use the
finger to the right and you can see that you put
light in the face, but it doesn't look that bad. But if you make the picture smaller than you see
that it's like you put a big light interface
and that is not nice, it's not a proper picture. What do we do? We
come back and maybe we can add just a little bit of light would come to adjust again and then you
have skin smoothing. The name says it all. You're going to smooth the skin. You're gonna see here if you go exaggerate, it's not correct. Looks like a drawing
and that's not what we want unless that's
what you want. But the point is
always to be settled. I think there is. Okay. We go to Adjustment. You have eyes clarity. I'm going to make
the picture with the two fingers
touching the picture. I can make it even
bigger a little bit. So you can see what it's
going to happen with the ice. We're going to add
clarity to the eyes if we go all the way we exaggerate, it actually looks
like a drawing. It looks like a cut so that
let's don't exaggerate. Maybe there is. Okay. Then you see here in
this corner they have this square and the blue
square in the middle. That's actually how big
we made it a picture. If you click in
the square twice, the picture goes to
the normal size. Now let's make it bigger
again a little bit. I want you to see
the difference. You come here on the corner. You see these like a book
with a line in the middle. When you touch it,
it's gonna go like how the picture was
before this torch. It, it was like this. And now it is like this. You can see that the
skin is a smoother. The eyes are popping up. There is like a
spotlight on his face. He's very nice and
we did it manually. We didn't need any style. Now let's talk about
the tone of the skin. These is going to work
depending of the picture, depending on the
person in the picture. You have here, pale, fair, medium, and dark. For example, if we go to
bail is gonna be very pale. She's actually very
wide and that's not not to go to fair. It's like using a makeup medium is also she's like she's
using a base makeup. That's not what I
want in dark also, it could work in other pictures. So depending on the
picture, you have, just put the picture and start
to try with all of these because maybe one
of these ones are going to work very
good in your picture. We're gonna go to none because I don't want to use any of these. We're gonna make the
picture again like this. And now we understand
how this works. We're going to click X so
we can go to the next tool. Let's go to the tool. And this is the head posts
and this is really funny. It's a lot, I have a lot of fun with these
kinds of tools. We're going to make the
picture bigger so you can understand where we're going to do wearing the head posts, as you can see, when
we mark the head bows. As soon as you touch this icon, you're gonna have
these lines with the happy face in the middle. What I want you to
see is the head. She's kind of looking
towards one side. I can actually move her face. So I'm going to
exaggerate so you can see what is going to happen. You see that she's
now looking somewhere else and if I go to
the opposite side, she's looking to the other side. I don't want that. I want
her to look in the middle. So if you took the picture
and it's a little bit twisted facing maybe like few degrees to the
right or to the left. You can fix that with this. Now you will always have the option to adjust
this picture. And in this case, if
we click in adjust or if we just touch the screen
up and down with your finger, you will have the
option of pupil size. And of course, if
you make it big, you will be able
to see it better. Let's go for it. I'm going to exaggerate. You can see how the pupils
are growing. It's crazy. He's very nice. If we go to the opposite, it goes smaller. Let's go a little bit bigger so you can see the difference. I'm going to touch
this corner here so you can see how it
wasn't, how it is now. Luke Howard was. And
look now how it is. It's nice, actually
is very nice. Now, other things
that you can do, and I'm going to keep
this size of the picture. If you touch the screen
again and go up and down, you have a smile here you see, let's make her smile. I'm going to exaggerate. So you can see that
it actually looks. It repeats like a horror movie. Look at this. It's creepy, but if we add a little smile,
It's pretty cool. It's very nice. This is artificial intelligence that is Snapseed is using. It understands the picture, the skin tones, and everything to be able
to make all of this. Let's touch your
screen again and let's go now to focal length. And for that I'm gonna
make the picture smaller, maybe a little bit bigger. So we understand, if you don't understand what
focal length is, is actually the lens
that you are using. The focal lens you can be
using a lens or for example, 12 millimeters or
14 millimeters, Thirty-five millimeters, 50
millimeters, 80 millimeters. Normally the best for
portraits would be like in 50 millimeters and maybe even 80 millimeters and even 100. But that for me, it's too much. I normally use between
5080 millimeters. So if you use like 12
millimeters is more like for landscape photography, but if you use that
for a portrait and then you will have
a lot of space around the face normally
tend to be a little bit different than when
you do a portrait. It's not actually not two. What do we do is we play with the focal length here
and you can fix that. I'm going to exaggerate. Always start to
exaggerate. So you can see exactly what this is doing. I'm going to start to
add the focal lens and you see the
phase is changing, changing a stretch in
stretching and stretching. And if I click here
in the corner, you will see how it
was and how it is now. Whilst like this and
it is like this now, it's like a skinnier
and is stretched. This is not what we want. We go to the opposite side. It actually the opposite. It's not stretching is
making the face bigger. I'm going to click here in the corner so you can see how it was and how it is now,
we don't want that. Why is this happening, ladies, why would you use this? If you see that
every time I use it, it makes the picture bad. It's because I used
the correct lens. If you use a lens by
mistake of 14 limiter, these could fix it. I'm not saying he's
going to fix it a 100%, but it could help you
to fix something. I'm imperfections
of the picture. And if you go to
the opposite side, if you went with a
100 millimeters, you can also try
to see if it can fix the problem
with these effect. In this case, a
picture was taken with the proper lens and that's why we don't need to fix anything. But at the end, the
point is for you to understand how it works. Now we understand
how this works. Let's go to x, Let's go to
the next tool, lens blur. Lens blur is self-explanatory. You can see outside
these blurry in the middle circle
is less blurry, and then in the center
is all in focus. You can actually touch this blue dot and move
it wherever you want. Actually, if you use
your fingers also, you can touch the screen with two fingers and
change the shape. If you go into the outer circle, you can actually
change it to a circle. As you can see. You want
oval, outer circle. You make an oval. With the inner circle, you can make it bigger, smaller. And with the point
the blueprint, you move it around. Now on the bottom
you see elliptical, you can click here
and you will change immediately to
these rectangular. And then again, it's the
same idea in the inner part. You can make it smaller and in the outer part
you can actually change also the way it's
represented here in the screen. Now, why would you use
this one in a portrait? Well, you don't. This is basically for landscape
photography because in landscape photography you have a horizon and this is
perfect for a horizon. Then the mountains
in the back are gonna be a little bit blurry and then maybe closer things
like branches. I don't know. Whatever he's closer to you is gonna be a little bit blurry. And what you want is
gonna be in the middle, is gonna be all in-focus. Don't exaggerate
with this strength of the blurred because then
it doesn't look natural, especially because
it's a digital blur. It's not natural,
as you can see, if I am gonna go and change
from linear to elliptical. If I excite your aid, it doesn't look not too. You see. So it's just good if
your lens doesn't have a broker focal length
and doesn't have appropriate light
like a fast lens, like a one-point eight
or something like that. But with this you
cannot little bit, just a little bit
and then it's going to look a little
bit more, not too. Then you come here to
adjust and you have the blur strength that is
of course understandable. That's why I was doing
actually, you go to the right, you go to the left and you add
this strength of the blur, then you come again and
you have the transition. What is the transition? The transition is basically you see that the dot
change to white. Let's click it and change it to blue so we can see actually
what is happening. They transition is
the distance between the inner circle and
the outer circle. Because as you can see, if we exaggerate with the blur, the inner circle is
gonna be in focus, the outer circles and
maybe a little bit unfocused and the outside
is very unfocused. What do you do is this
transition between the inner circular
and the outer circle is going to be y there. So look, we are in
transition plus Twenty-six. Let's exaggerate now and you
can see that it becomes why they're the transition that actually helps you to
make it more natural, but it depends on the picture. So always you have to try
and try until you get the proper distance between the inner and the
outer in your picture. Let's go again to adjust. And then we have the vignette. There's a lot of tools
in this application is Snapseed to do we saw
that have these vignettes. Most of the people are using Vignette if specially
in portrait, it's very nice to give
this vignette gives the center of attention
exactly in the center. What we're going to do is
we're gonna add vignette. If we add it to the left
side, you can see it's 0. And then if we exaggerate
to the other side and it becomes darker around,
and he's very nice. I like to use it in portraits. Now, as you can see,
is different than the vignette in the other
tools they've been yet in the other tools are going
to be a little bit more like a stronger, like harsh. So if you want to
use vignette in your portrait is
better if you use it in this tool over the other tools that
also has vignette. Now let us go down
and you see style. This is going to be the way that you're gonna have the blur. It's a circle that is the
one that we're using. I have no idea why would
you use a star or a heart, but if you want to play with it, if you want to be creative,
you have them here. His press X. We go back to the Tools and let's go to
vignette that actually, it's very easy already. I mean, for sure many of
you use Bing it already. If you go to the right side, it will be the widening it
you see it's wider like light around if you go to the opposite side is
going to be very dark. But you can see that
he's very dark. And remember in the tool
before, in the previous tool, it was very nice and
that's why I use more than vignette when I'm doing
portraits than this one. Okay, so if you want to be here, you add just a little bit, but then it became
not dark anymore. That's why I use the other one. Then if you come to adjust, you have your options. The outer brightness,
we already did it. Outer brightness. This, if you go to the
left, is going to be dark. If you go to the
right is going to be actually bright and
white vignette, but there is an
inner brightness. If we, for example, let's do this outer like exaggerated IVs. Okay, let's go to
the left completely. Now let's go here to
the inner brightness. You can see that you
can actually add light to the center you see, but he's too much maybe like
there in case you want to light up a little bit the center and make it
the center of attention. But I don't use it that much because remember that
everything we're doing now here is
with the picture enroll like I didn't do
anything with the picture. I just started to
show you these tools. Normally when you
come to these tools, you already did
color correction, curves and everything
to the picture. The picture is supposed
to be already very, very good and you're supposed
to be already ready to post after this little tweaks that you're doing
with these tools. That's it. Let's go to the x. And in the next
lesson where we were talking about double exposure, text and frames that will
exposure is very nice. You will be able to fix the
skies and things like that. I will show you these
in the next lesson, text and frames and that st. And then after we're gonna
start editing, so I'm excited.
13. Tools Part 7: Okay guys, Now for
this lesson I chose this photo is from
Lisbon in Portugal. And we're going to go
to Tools and we're going to use double exposure. Double exposure is a
very nice technique to use to replace the skies, to replace part of the picture. But most of the time is
used for creativity. If you are a creative person, you will be able
to do crazy things and crazy editings
with this technique. I saw online a lot of pictures with double
exposure that looks amazing. I mean, it's not, not at all. It's more like creativity, more like art, but
it's very nice. I mean, you have to go and
look for double exposures, Snapseed pictures online and you will find a lot
of crazy stuff. But in this case, to
learn how to use it, we're just going to
replace this guy so we know actually
how to use it. And then in the future
you can start to open your mind and start to do
creative things with this. The first thing to do because
he's double exposure, is to use two pictures. So we have to open the image
here on the bottom you can see open image and we're
going to open this image. You see that this
guy is very nice and we're gonna replace
the sky of Arles, won't picture with this guy. First thing, opacity. Opacity is him 50% by default, we're gonna put it
too close to a 100. It could be 100, but I don't
know, let's leave it there. You can see that he's a sunset. And basically because
the picture is the same size as
the picture before, you can see actually
there is matching. This guy in that picture is matching with the space
of this guy here. So that's what
we're going to do. And that's it, we did it. So now we're going to click Check. And now you will say, But
what are you doing, Mario? You just put this picture
on the top of the other. And it's true. What do you do is you come here, you see this arrow, curve arrow with these books and squares you're
going to click here, we're going to view the edits. Then you have the
double exposure here. This is the effect
that we just apply. We're gonna open it and
then we have three options. The garbage mean that
he's basically to erase these editing that we did. A double exposure
will be erased. The second one is the brush and the third one is to tune it. Actually you click here. We're going to go back to the effect and
we're going to tune it again like opacity and all of these
things that we did, well, we're going to do
is to use the brush. What just happened is we
came to the first picture, the picture that we're editing
and our double exposure, the other picture
went in the back. Now with a brush, we're going
to add it in this picture. That is the idea of
these double exposure. Let us increase it to 100%. So let's add it to a 100%. This guy, when you get
close to the image, you can actually see that
it's a circle there. And then we're going to paint the bag and you will have
the picture already there. This is the picture
from the back. If we do it in the
middle of the picture, look what's gonna happen. You understand what I mean? We're actually painting. To erase these,
we're going to go back here, decrease to 0. And then we're going
to erase and come back to the normal picture
that we are editing. Still, if you see these
editing, it looks fake. It doesn't look
like a proper sky. It looks like I added, you can tell that
this was added. This is not part of
the main picture. What you're going
to do is actually now that we are here
in double exposure 0, we're going to erase it. What I just did was
actually to show you how to apply and
how does it work. But now what we're going to do is we're going to increase, but we're not going to
do a 100%, just 50%. So they're gonna merge
with the picture. It's not gonna look that bad. It was looking before. Now very cell. We're going to add
this guy, very subtle. Let's try not to
touch the borders, but if you do, it doesn't
matter because it's subtle. It's just 50% of
opacity, as you can see. Now, it doesn't
look that unreal, looks like actually it's
part of the picture. This is a way that you can
change this guy actually, if you take a nice
picture and completely fat that the horizon
is very nice. And this guy is awful, but the picture is good. You can look for a sky and let's try to look for a sky that is
going to match the picture. Of course, you're not
going to put sunset when the picture is at noon because he's not
going to look real. This is how you can use it. You have an option
here that says invert, and if you click it, it's basically inverting
whatever you did. And now instead of this
guy that we change, you have the picture from the back so we don't
want to embarrass, we don't want to do that. So we go back to
this and that's it. What we're going to
do is to click X. We don't want to save that. We're still here, we're still
in the double exposure. We're going to open it and you remember that we have this tune, you get close, you're
gonna see Edit Filter. We're going to click here and we'd go back to
where we were at. Remember, this is the
picture that we opened on the top of the Lisbon
picture from Portugal. And now that we're
back, Let's go to opacity because this is
actually a 100% opacity. We don't want that because
I want to show you how to use this style and
merge the pictures. Let's go like in the middle so it's both pictures visible. Let's go to style. And then you have
these options here on how to merge the pictures
you have lightened. For example, if you click here, you will see that it's
a different way of merging the picture
in the sites is very clear in this
site you can see that actually you see properly
one of the pictures, not both of the pictures, but in the middle is mixed. Now you go to dark and dark
and is completely different. Now the sites are actually dark. Is actually Lisbon. The picture of his barn is more visible here in the
sites than the other. Also in art, you have to
play with this and realized, I actually like
this in the middle. You have to play a realize
which one is the best for you. For example, this
one in the middle is very nice combination of
colors that I will use it if I wanted to do
like a silhouette of a person and put this
picture over the silhouette. That will be very
nice when I was showing you these kind
of pictures that you can find online and you can
see to get ideas on how to use these merchant
of pictures in the double exposure,
you have the overlay. So I will suggest you just to come here and start
to experiment with a couple of pictures or even three pictures you
want to mix all together. Just have fun and
you will understand more how to use this effect. Let's click X. Now we know how to use it. Let's go to double exposure
here and let's erase it. Now we come back here and
let's press again the tools. So we're gonna do the next
two tools that we have, text. We can add text in our pictures. This is very good for Instagram. If you want to post
something we want to do, I don't know a story or whatever
you want to use it for. Looking at this, you
cannot detect and if you double-tap in the
text is written there. So it's very easy to understand. You can actually erase it and you can put wherever you want. Then here in this image, you can actually
change the colors. You see here on the
bottom it says color. You can change the colors or black or you can
put it like this, or green, whatever
the colors you want, and then pass it. You can play with the opacity. You can actually
change it completely or added here in Birth. Of course the picture
goes in the front. Then you have this nice layer of pictures inside the letters. So it's very nice. Now let us go back to invert. So we went in the picture. If you use your two
fingers and you would your two fingers
over the text, you can actually make
it bigger or smaller. You can actually move the
texts with one finger, whatever you want to put
it again with two fingers, you can actually
twist it like this. Put it in an angle
however you want. Now, in styles, of course, you can see different ways
that you can use the text. You have a lot here, a lot of ways to use the text. So enjoy these and
start to experiment. Imagine these you can do like stories here and
things like that. So it's pretty cool. And the opacity, like I said, you can actually
reduce the opacity. I don't use it much, but still you can use
it for your stories. Press X and we go
to the last one. The last one is the frames. You can actually add
frames to your pictures. I like actually
this one over here. It's very nice, like old-style
you see, look at this one. And remember, in these, every single preset that you
have here of the frames, you can see actually that you have these little two arrows. Remember what it means? It means that if you
click it inside, you click it again,
you have more options. So every single frame that you have here has more
options inside. Look at this one. If you click it, you
have more options. That's it, use the frame soul. So it's actually
pretty cool if you want to do some
post in Instagram, it would be very nice. Let's click X. And actually now we're ready. We learn all the tools
and how to use them. In the next lesson, we're gonna start
editing our pictures.
14. Exporting our Photo: Now before we go to
the next section, we'll be doing full
editing sessions. I will show you how to export. Actually, I almost forgot
if you can see here in this corner you have these arrow pointing down and
when you click it, you have four options. The top option is share, and that is self-explanatory. As soon as you click it,
you will be able to share your picture on
Instagram, facebook, or messy year, or send it
as a message or Email, etc. But it depends on your device. If you are in a
tablet, for example, you don't have
access to WhatsApp, and in some cases you will
not have that option. But if you are in a smartphone, don't worry, you will
have all the options. Now the next three are the
most important for me because are the ones that I use
the most, you have safe. Save bees, creating a
copy of your photo, actually, you're going to keep the original photo
in your device, but you are creating a copy with all the
editings you did, that you can actually
come back with snaps it and keep editing it. So that's actually pretty cool. I use it sometimes I would
suggest you to use it. If you are a beginner, you're starting to
learn because I did. You can come back to
the original photo and keep editing in different ways. You can save the editors you did and you can compare them. Remember that every time you
save the picture is gonna be saved by default in your device where you
have all your pictures. So don't worry, they're there, you're not going to lose them. Export, export is the one that I use the most as soon as
I finished my editing. So you just click export and the picture is
completely saved, the same place where
all your pictures are saved in your device. And then from there you can
share it wherever you want. It can be Instagram, facebook, or you can even
send it to print. You can do with a picture,
whatever you want. Now export US. This is in case you
don't want to save the picture in the
default folder, you want an, a specific folder. So in this case it's going
to save the picture very similar than export
is exactly the same, but it's going to give
you the option to choose a folder that you want. This is the only
difference, is very simple. Just start editing,
start enjoying, and then the export part, you can see it's very simple.
15. Let's edit a landscape: Okay guys, I chose this
photo from Venice to start editing our first tutorial
loan full editing session. You know that because
he's RA for boys, actually a DNG photo, you have the option of adjusting
here and White violence, but we're going to adjust
the picture later. For now, white balance
could help us. So we're going to go,
instead of trying to figure out which is
the about white balance, we just go to Color
Picker and we look for something like white color. And this is okay. And then we just click OK. You can see there's
no much a change because their
picture was already appropriately exposed and
had a proper white balance, but still good to start with the white
balance because like this, you know, which are
the correct colors. Now I'm not going to use any of these filters because
that's not the point. The point is to do it manually from the beginning, from 0. So let's go to the
little pencil and I normally start
cropping the picture. As you can see, it's cropped
as the origin or you can go to square or you
can go wherever you want, Instagram and you rotate
and it's like four by five, you can do it like this. But I would like to use the whole picture so it's more visible and easier to
understand all the editing. So I'm going to do so I'm gonna put original, rotate, original. There you go, and check. Let's go to curves. This is actually the second
thing I do after cropping is the curbs because this is what he's going to give us the
contrast in the picture. And then based on
that, we can do all the rest of the corrections. So we go here. An S-curve. I always do. An S-curve is very nicer
when you touch the points, you can see these squares. This is the middle point. We'd prefer to put it
exactly in the middle. And then I do this S curve, as you can see still
I want to give these very softly,
these matte color. So I'm gonna go a little bit higher here because
if I exaggerate, you can see that he's becoming
very plain, very matte. Just a little bit
here and then a little bit of punch
of blocks over there. And I think that's okay for me. I'm not using the styles
because I'm doing my own curb and also
in the channels. I don't want to use any of these for now because I
think it's okay. I'm going to play with colors after I'm gonna put check
and we saved the curbs, and now we go to the tune image because we already did the
curves and the grouping. That is the first things that
I always do, brightness. I'm going to add a little
bit of brightness just a little bit because actually the picture is properly exposed. But I'm going to add
brightness because when I add contrast and shadows
and things like that, brightness goes
down a little bit. So it's going to
compare this now here, so he's better contrast, I add a little bit of contrast. Then if I go to saturation, There's so many colors here
that are not that visible. So I'm gonna add a little
bit of saturation. Don't worry that then
after with more editings, everything's gonna
be more visible. Ambiance, I like to add amines
because look at this guy, this guy is going to change and this guy is so nice, so blue. So if we add means
Luca was happening, we just go maybe to 50. Remember that I don't like to exaggerate with the editors, but that is enough
for me for now. Highlights. If you take
out the highlights, you will see how
the sky pumps up. You take out the
highlights and now you see the details in the clouds. If you add highlights,
softening this guy. So I don't want that. So I wanted to take out
highlights and don't worry if you are taking out highlights also of the rest of the picture. Because then when
you come to shadows, the shadows or you can put it up and recover these
highlights that you took. But the best is that the sky so highlighted they did
doesn't have many shadows. So when you play
with the shadows, you are not touching this guy and this is actually what you wanted to do and why you
took the highlights out. I think there is okay. Then warmth. I'm gonna give a little bit of warm colors because you can see that most of the colors are actually orange and yellow. So let's add a little
bit of warmness. And you can see how alive is the picture now just with this
little touch of warmness. Now we're done with these
in this leak check. Let's go here again, independencies and
let's go to Details, structure, structure
and sharpening. I like to use these a lot
in these kind of pictures because there's so many
details in the windows, so many details that you
can see everywhere here, even the guy here in the boat. Let's add some
structure, maybe 50%. You can see that the
picture already changed. It's very nice to other structure in
these kind of pictures. Landscape photography,
like if you are in the woods or the leaves,
all of these things, it's amazing when you add the
structure sharpening also, I'm going to add a little
bit, but not too much. Remember that when
you add sharpening, it adds noise and we don't
want noise in our pictures, at least in this case. That's it. That's all I'm going to do here. And I'm gonna click here, check. And then we come
here to the pencil. We already did the
white balance crop, we already did the curves. I don't need to rotate
anything, Not perspective. I don't need to expand anything. But maybe in this selective, what I'm going to do is to make this guy on
the bottom I live. You see this guy here in
the corner in the boat. Nobody sees it. So let's click here
and we're creating actually hear a
selective editing. And then what we're
going to do is we're going to add brightness. We're getting a little
bit of light to this guy. Then we cannot a little
bit of contrast, then we cannot saturation. So we can give callers
to him and is structured details so we can see actually
more details in the boat. Little boat is not a big change. But if you see here, even though it's
not a big change, you can actually see
him now a little bit before it was
like it didn't exist. I mean, I want the people to be attracted to the whole picture, but it's always
good that there is one little spot that they
can attract your attention. It's always interesting
in the pictures. Always go to the pencil again. I'm not going to
use brush for now, but I could use a healing. And in this picture I wouldn't use the
healing in these parts, but I will do it
just to show you how you can play with this two
fingers in the picture, let's make it bigger. I am going to take
out the antennas. It doesn't have to be perfect if you tried to do it very
close to the ceiling, I'm going to show you what
he's going to happen. It's something distortion
there that you don't want. That's why when I do these, I just do it here and that seat. I don't need to get too
close to the ceiling. It doesn't matter if you have these little,
little things here, because remember that
we just zoom into picture when you have the victory is not
gonna be that zooming. So it's okay, it's not gonna be noticeable the same
here, That's it. I don't want to risk
more of this part. And also the same here is just there and also here just there. Now two fingers again
in the picture. Because we have another
one here. Look at this. I mean, it's okay if I will
be posting the picture, I will not take these out. But just for the purpose of
this lesson, let's do it. Just there. I wouldn't, I wouldn't
dare to do this year. But let's try. You see, it gets these
distortion that I don't like. So I will leave it there. And that's it. So let's double-click here
and then you can see they do, don't notice the mistakes are these things now because this is so little in the picture, but something I would
like to fix is this. I don't know if you notice that two fingers to make it bigger. Did you see this spot here? This is actually a mistake
in the sensor of the camera. So what we can do actually
is to paint this spot here. And that's it. It's already
fixed as you can see. And I think there's
another one here. You can see here there is a
circle is not that visible, but I don't like it. I want this perfect. So now it's off. That's how you use
the healing tool you see you don't exaggerate, you just do little things
and that's enough. We still have some
antennas here, but it's okay, Let's
leave them there. That's the reality of our live. We cannot figure
fake everything. Let's click here to
check and we're done. Because go to Tools. Then I think I would like
to add some HDR scape. I normally don't
use these presets that they have here unless I'm doing something as specific. But in this case
with this picture, I will leave it like that. But well, let's do
this HDR scape. I like to use in this case because there's no people here. I like to use the strong. Let me see how it looks. Define a strong. Let's go too strong. Let's go to adjust and
the filter strand, we're going to take out
the filter strength and we're just going to leave a little bit of the filter strand. As you can see now the
picture lose a little bit of brightness because all the
editings we did, it contrasts. And indeed like these
shadows and all of these things took out a little bit of the
brightness of the picture. So what we can do is
come to brightness and add a little bit of
brightness maybe around here. And now I think the picture is properly exposed and
we can click check. It's done if you want
to see the picture, how it was before
and how it is now, you can just touch
the picture with the finger without
taking their finger out, just holding the finger there. And you will see how
the picture was. Look at the picture when
we started editing, we thought that the
picture was nice. Now look how he's
with the editing. It is an amazing picture
you've got already posted. Let's see what else can we do? What do you think if we
add some vignetting? It's not the vignette here. And let's go to the
black vignette. Of course not like that
just a little bit here. There you go. Let's
see what happened. If we go to the
inner brightness. If we take cow the inner brightness a
little bit like there, I like how it looks
as you can see, so we can recheck and
I think that's saved. We have a nice picture now, let's check before
and as check after. What do you think
this picture is okay to be posted already? That's it. Let's go
to the next lesson. I want to, I want to edit
this portrait of the girl that we're using for the tools to teach
how the tools work. Let's do the editing. But from zeros.
16. Let's edit a Portrait: Okay guys, we're
back with this girl. We're going to do the editing, full editing tutorial with this portrait that is very nice. So the first thing I do, white balance, Let's see, I think it's a proper
white balance already, but let's choose the
color picker and let's go around over here. I can see that he's
getting a little bit more of warmness to the picture. If I go here, it's okay. Application sets, so
it is what it is. Let's click check and
that's it like before. I'm not going to use
any of these presets. Let's go to the pencil. Now, first thing I do
is to crop the picture. And this picture is
perfect for Instagram. So I'm gonna use
the five by four. Normally if the picture is
a square or rectangular, is gonna go by five
by four by default. But now because the
picture is a stand-in, IS goes to four by five. This is perfect because
that's actually what Instagram is asking. I don't want too much
space on the top, so I'm gonna go down. I think there is perfect. I'm gonna check. Okay, now we're gonna
go to the pencil again. And the second thing I do, you remember last editing? Second thing I do is curves. For me, the curbs
are already very easy because he's
always three dots, the center dot when you
click here in Snapseed, it makes it so easy
because all these squares come and I like to put it
exactly in the middle. Now here you're
gonna go a little bit high to give
these highlights. And then here for the shadows, and then you create already
these contrasty photo. That is what I want. I'm going to add a
little bit of math here, like these plain color
or a little bit, just a little bit if I
exaggerate, look what happened. You see it's very plain. There's no much contrast, but here just a little bit. Why? Because I'm gonna do so much
editing in this picture that everything's going
to change and he's going to give you
too much color. So I think here this
is going to help. In the last editing, I was adding a point here and a little bit of a
punch of the blacks, but I don't need it now
because this is a portrait, even though you can see
some shadows in the face. Don't worry because
we're going to fix that. I'm not gonna choose any
styles because I'm doing my own curve and also in the channel I'm not
gonna choose any colors. I don't want to change
the colors because we're going to do it now
with other tools. So let's click Check. Now let's go to tune image. We're gonna start tuning the image brightness
like before. I like to add a little
bit of brightness. Why? Because when I started to add
contrast and all editings, this is going to become
a little bit darker, but I'm not going to
exaggerate because the point of this picture is the face
because he is a portrait. And I'm gonna do this later
with the portrait option. Let's go to contrast
also a little bit. We already add contrast
with the curves. Let's go here to saturation. Just a little bit less. Don't exaggerate because
when you are having a portrait and you
add saturation, that picture tends
to go very orangey. Look at this. You see the skin tends
to go very orangey. Let's just add a little bit of saturation is don't exaggerate. Now we're going
here to ambiance. I never use ambiance in
portraits, but you never know. I will show you what
it's going to happen if I add ambiance in portraits, it goes, but this is not normal and if you go to the
opposite side, it goes dark. Even if you are a
little bit of ambiance, I think we could fix this with
the portrait option later, like highlight and do
their face is spotlight. So let's wait, let's
be patient and let's wait for the
next tool to do that. Now, we go to highlights. In highlights, I like to take out a little bit
of the highlights, but don't worry
because then I'm gonna recover them with the shadows. And the best of this
is that you're going to see the change in the hair. The hair when you take all
the shadows has more details. Look what's happening. Can you see it's more
details in the hair, so I'm gonna leave it like that. And then in warmth, I'm not
going to change the warmth because the skin tends
to go very orange. So I'm going to just leave
it like that and check. We already did most of
these top editings rotate. I don't want to rotate anything. I don't want to change
any perspective. I don't want to spot
anything but selective. I think we could do something. We're gonna go to the nose
because he's the center. Now it creates a circle around the face that we don't
see, but it's there. And then we're gonna
do brightness a little bit and he's
just for the face. It just a little bit don't exaggerate because
like I said before, these kind of brightness and
these kind of editings are gonna be done later in
the portrait section. Contrast a little bit. Saturation. I don't want to add
an Instructure. I don't want to add because
he's gonna give a lot of details that we don't
want in the face. So let's put check. And actually we couldn't go to details that we didn't
do the details, this inverted triangle here. And indeed those we're
gonna do something different if we add structure or if we add
sharpening in the whole picture, the face is going to become, but it's not gonna be
appropriate portrait, but we're going to do it and
we're gonna do it properly. Look at this structure and then we go to sharpening
and we add sharpening. You can see actually the
close look at the clothes, the overall, the t-shirt, the background, even the hands, everything is so nice that
the face went wrong because sharpening kills the portrait and also structured
kills the portrait. But what are you going to do if you want the whole
picture like this? But the phase is the problem. Now, what you can do is just
click Check, like it's done. And then you're gonna come
here on the top where you see this arrow and these
things over here, these little books Bu edits
and you can see here details. This is what we just did. We don't want to erase it. We want to use the brush. And when you click in the brush, you're gonna put in bird, because we want the picture
to have all of these that we did in details like
sharpening and its structure. We do invert. And as you can see,
this is what we did. You know all the details in
the overalls in the t-shirt, but the phase is the problem. It's to sharpen details
and we don't want that. So what do we do two fingers, we make it bigger and then
we're going to do you can see here detail this
is 100, now we 1010. So we wanted to erase this
and then we add the brush. We're gonna erase these
effects from the face. You can see the phase is
not touched by these crazy sharpening and
increase the details of structure as you can see, but even the hair you
can see now the hair, all these details that were not here before,
but that's it. We just did where we want it. Now everything is
sharpen and everything is with these details on
the structure but the face. So now we can check, we go back with the arrow here, and now we can go back
and keep editing. Now, I don't want
to use the brush. I don't think I need to
use the brush but healing, yes, because there
is something that maybe you didn't realize. Did you see them mistake
here in the picture? If you've seen the t-shirt, she has these little like
the t-shirt is not good. We're going to come here. We're going to erase
this and that's it. Now we can click check. And then we do fingers, we make the picture
the regular size. We can go forward now. Now these effects like HDR, glomerular Donna contrast,
all of these effects, black and white or
grand Taranto looks. These are effects to
play with the pictures, to have fun with the pictures. If you want to be creative, if you want to get
crazy and start to do these things
with the picture. But in this case is a portrait. I don't want to get
crazy with the portrait. I wanted to do a proper
editing with a portrait, so I'm not gonna touch this. But if you want to play with it, if you want to get crazy, do it and then post a picture
in the course that would be fun to see all these
creativity that you guys have. So let's go to portrait. Okay, here, portrait.
In portrait. We already used
this picture when I was teaching you this tool. And we saw that none
of these combo and eyes and smooth where like
perfect for this picture. I'm actually going
to do it manually. Let's go to adjust and we're gonna start with
phase spotlight. Remember I told you
I don't want to add much brightness because with the face spotlight we can do it. Let's add this face Spotlight actually two
fingers in the picture. Let's make it a little bit here. And then let's add
these Facebook. Like if we exaggerate,
look, it's too much. Is that just a little
bit over here? And I think that's okay. Now we go to Skin Smoothing
just a little bit. Don't exaggerate. It doesn't look good when you exaggerate it
doesn't look not to. I clarity also, remember
if we go too far, I'm gonna use the two
fingers and make it bigger. If you go too far, it looks like a card, it looks like a drawing. That's not correct. Have you ever opened a
Magazine, Vogue magazine, or a good magazine and
look at picture like this? No. And every time I go to Facebook, I see a lot of people editing
the pictures like this. This is not, not at all. Even less over here is perfect. Now that this is
done, we can come back to the regular
size of the picture. You can see that it
looks not really, it doesn't look fake. Now a skin tone we
already checked. I don't want to use any of
these ones with her face, these skin tones,
they don't work. They just don't work. So we're gonna leave it there. Check. We're gonna come
to the pencil again. We're almost done
with this picture, but I would like to art a
little bit of lens blur, even though normally
I wouldn't are there. But I want to show you
how this works properly. With two fingers. We're gonna make it bigger. I think these would be okay. I'm gonna put this down
in the center of hers, so everything's gonna be okay, but still it looks so fake. So we're going to adjust
this first transition. We're gonna make the
transition bigger. Then we're going to go
up in blur strength and we're gonna go down these
plus 30 plus 22 March, maybe even plus
tan or plus eight. It's okay. I think that's okay. Plus eight. Now the vignette strand,
Let's add vignette. Let's add a little
bit of vignette. I'm going to add more vignette, but this one is softening the vignette that supposed
to already existed, but we're gonna add it
later a little bit more. I think there is, perfect. I think this is okay. Let's click Check. Now we're going to do a
vignette like I was mentioning. Let's add a little
bit of vignette. Don't exaggerate. I think there is
going to be perfect. That's it. You can actually do the
inner brightness also. And then we'll do a little bit, just a little bit. So actually here
inside the vignette, it's gonna be a
little bit brighter. There you go. Check. I think this is it. This is it. If you come
to the pencil and you start to look for more options, this is not correct when
you finish the editing or you are going
forward and you see that the picture
is already good. I would suggest you
to stop because over editing is not good. I think I feel good
with the picture. I don't want to
do anything else. And the best is this. Take your finger, put it
on the top of the picture, hold it and look how it was
the picture before new cow. It is the picture now
is so cool, isn't it? Now the only thing that
you have left is to click here in the arrow that
is pointing down. And you export the picture.
17. Full Editing Moody Dark: Now these editing is special because it's
a style that I'm using now a lot and it's
called the moody dark editing. It's very famous for
sure you heard about it. So yes, you can do it with
snaps it with Snapseed, you can do basically everything. You just have to try to mix in use all the techniques that
you learned in this course. And he's not gonna be the last full editing
session I will do. I will ask you to help me with that because these
courses forever I'm gonna be implementing
a new classes to these cores,
new full editing. So it's all up to you. Iv is Snapseed
updates something. I will create a new class
to teach that update. And if you want, if you want, there's something
specifically like, you know what, Mario, I
would like you to edit. I don't know a picture
in the beach or a sunset or I don't
know whatever you want, let me know, Talk to me. I will try to help
you in my best and I will try to create a new class with the new editing for you. So it's all up to you. More classes can come. Let's start with
disease very easy. And as the Moody, you know, that we have to try to
desaturate the picture and create something dark and something like mysterious
in this picture. I chose this picture
because this picture actually is very simple. I think everybody can
go outside in the park or in the woods and take
a picture like that. Look at this. There's nothing out of
ordinary in this picture. It's even Sahni Because you
can see the sun is coming. You can see the passage
here is illuminated. It's actually very interesting, but it's not out of ordinary. Let's go unless start to
edit the first thing that I do remember, crop the picture. We're going to look for
Instagram five by four. But as you can see,
because the picture is in a horizontal position, it goes like that
so we can rotate. And now we have the Instagram, now we're going to move it. These introns, it looks
like an entrance, a little dark door there. Let's put it in the center and I think there
is gonna be okay. Now if you're following
the whole course, you know that the second thing I like to do are the curves. I like to do these strong
curves, the three points. And then I go here a little bit. The middle has to be in the Middle East is
a little bit here. This is actually called
the strong curve. It's not a mild,
it's very strong. This is my style now, I like to use this
high contrast, but you know what, it was
not always like this. When I started, I was
actually using less contrast. Let me tell you
whatever you chose, whatever your style become at some point in your life,
you're gonna change it. You're gonna change
it few times. My style changed like
three times already. Now because these
editing his moody, Let's give this plane to
the colors, playing colors. Let's go here. Little flat you see, you're giving me, we exaggerate. You can see that we're
covering the whole color here. It's just a little bit because then with
other tools we're gonna add more of this
feeling and that's it. I think now we can go to
the tune image section. Here we're going
to add brightness. I mentioned before
that I'd like to add brightness because
during the editing, dark is gonna come in, is going to compensate the
darkness that we're going to add with the contrast and other things that we're
going to keep adding. Okay, I think plus ten is okay, this don't exaggerate
in contrast also lists, don't take it too far
because we already added with the
curves, I think 90s. Okay, and then let's
go to saturation. Here is the difference. This is moody dark. We don't want the
picture to be saturated, so we're gonna take
out saturation, but not too much, I think minus nine,
it's already enough. You can see the picture
is already changing, it's already becoming
a little darker. Let's go to ambience. Remember what I said
about ambiance? I described ambience like
giving life to the picture. We want to take the life
out of the picture. Let's go to minors. C minus 2022. I think that would be enough. And we're already taking the
live out of the picture. And this is the moody, dark editing that we want. Let's keep going. Highlights and shadows. This is something that
you have to put in your mind every time
you do moody dark, you're going to take out highlights and you're
going to add the shadows. This is always in the
moody dark editing. This is like you can even start with that because
you know that you're going to do it a
lot. In highlights. For example, we
can take out a law like we can go even to 70. So let's leave it there, 7071. And then when we go to shadows, we have to add, not
necessarily exactly the same, but we have to get close to it so we can go
to, I don't know, 5060, I think in 50 will
be okay around there. And now let's go
to the next one. There would be warm. I don't think I'm gonna add
worm because when you added it becomes very more light, it becomes very warm. We want the picture
to be called, but not too much because
then it's not correct. It's actually not natural. Let's go maybe just two
minus something minus six. I think it's enough. Now let's go to the pencil
again and let's go to details. Remember I mentioned before
one of the classes that When you have woods and all of these details like also when
you have houses or a CD, you have so many details in the picture that
you want to expose. In details, I will add the
structure and now we'll add like a fair
amount of structure, maybe like in 35
in this picture. Now, then we go to sharpening, and I'm also going
to add sharpening. And let's do like maybe
202120, something like that. Twenties. I know that when you add a lot of sharpening, It's
going to add noise, but it doesn't matter
because in these kind of pictures noise actually help. Let's leave it there,
I think indeed aware. Okay, Let's check. Let's go now to the brush and
we're gonna do saturation. We're gonna start to minus ten. And what I'm going to do is I'm gonna click the mask here, the little eye so you
can see what I'm doing. I'm going to take out the saturation in
most of the picture, but not in all the picture, most of the picture
in minus ten, as you can see here,
I put minus ten. So I'm going to
start to paint and be careful when you do these, because if you pass twice in the same spot is going to add double the effect and you don't want that minus ten is enough. As you can see, I didn't touch the passage because I want the
passage to be busy role. So what I'm going to
do is I'm going to increase so minus five. I'm still gonna take out
saturation from the passage, but not minus ten. I'm gonna take minus five,
so it's a little less. And we go like this. And I think that's enough. Now I'm gonna take
out the mosque and you will see what happened. The picture is really nice. The picture He's like
really dark. It's scary. He's not like in the beginning, but let's keep editing
and at the end we're going to compare
this quick check. I went to add
selective, selective, and I'm gonna put the
selective here in the middle of the passage, and I'm going to add a
little bit of brightness. Maybe contras may be saturation. I'm gonna leave it
at 0 IS structure. Yes, because I want these
Spanish to be visible. And I'm actually going
to click here, add, and I'm gonna add
another one here. And again I'm going
to add brightness, I'm going to add contrast. I'm not going to add
saturation is structured. Yes, but if you see I'm not adding too
much of everything. I'm adding just a little
bit of everything. And now let's click check. Now I think I want
to use a filter. Let's see. Remember we were checking
these beans which filters and he would make into picture
like really scary. And we can check all the
styles that they have. All of them are giving
a very good work. Even this one, the number
12 look at disease, so dark and scary, political for the
first to second. The third I think
I liked the third. He's like All these
leaves are dead, right? It looks like all
the leaves are dead. Let's see the 12th. It's green here. I think that is the best. Okay, let's choose the third. And what we're going
to do is actually to play with the strength
of the style. We go to style strength and I don't want to be adding a lot. It goes back if you take it out, It's basically not
adding anything. So here we're going to adjust
a little bit of strength. Let me see if I go here. No, no. I think there is enough. I think there is
OK. Now here also, if I move the fingernail, you can see being yet strength. I think I want to add in yet, not maybe around there, it's gonna be okay. I think we are done. You know what? Let's do something very fast. It's too shiny. Here's too much
highlighting these parts. So what I'm going to
do is I'm gonna use a brush and I'm gonna
use this poacher. I'm gonna go to
decrease exposure, maybe in minus three. I'm gonna take out this
part over here, you see? Over here I'm gonna show you
the mosque, what I just did. These I took the exposure
but just minus 0.3. Note March and look
at the difference. Completely different.
I think I like it. Check we have the picture done. Now for you to
understand what happened because this is a
picture that eats, it gives you something
scary picture. He's like, I wouldn't pass through that
passage, you know. But if I touch the picture
to see how it was before, look how it was before. It's actually sunny, very green. It's like a spring. I wanted to pass
through that passage. Maybe there's some little
cows in the other side. But you take all the
finger and that's scary. So this is the idea of the moody dark and this
is something that is telling you that any picture
that you take can be changed and you can express
your style with editing.
18. Project For The Course: For the project of this course, I would like you to post a
picture that you edited thing, snaps it using everything
you learned in this course. And I would like
you also to tell us something about that picture. I promise I will
give you a feedback.
19. Conclusion: Thank you very much for
choosing me as a teacher and congratulations on
finishing this course. If you have a question,
please don't hesitate and leaving them in the
discussion section down below. And I promise I will answer
them as soon as I can. Also, I will appreciate if you rate this course
because like these, you are not just helping me, but you're helping others to find the correct
course for them. I think you want to
keep in contact with me or check out
my other courses, you are very welcome to
follow me until next time.
Mario Guimarey, Photo | Video | Youtube | Editing
