Instagram Success Formula : Grow with Cinematic Voice over Reels

1. INTRO: Hello everyone. I am Anki Barria. I'm a filmmaker and I've been into this field from last five years. And today I'm going to teach you something really, really special. Let me take my example. I have grown for more than 1 million followers on Instagram just because of the cinematic VoiceOver reads. So in this class, I'm going to teach you how to make cinematic videos, how to do the voiceovers, and how to edit videos. We will be starting the class talking about which camera to buy, which lenses to buy, and how to actually start shooting videos. And then we will move on to like how to write the script, how to write the voice over, how to practice the voice-over. And then we will move on to like which laptop to buy and how to start with the editing basically. So firstly, we will start with which camera to y, which lenses to buy. Basically all of the cameras here is that you need to shoot cinematic videos. And then we will talk about how to write Ys over, how to practice voiceovers, how to record voice. And then we will talk about how to find music, how to take inspiration from music. And then we'll talk about how to start off with the editing. If you don't know anything about any of these things, don't worry, I'm going to teach you everything. So we'll talk about garlic creating basic transitions, basically anything you need to start off with the editing. And at last, we will also practice all of the stuff that I have talked about right now. So it's going to be a great learning experience for all of you. I'm sure by the end of this class, you will become pro and shooting and editing videos. They are in this class. I'm really excited to teach you all of this stuff. So let's start off with the first one. 2. Why Instagram Reels: Welcome to the video. In this one, we're going to talk about why Instagram, reasons why cinematic voice over Instagram Reels. So let me tell you, in your life, you want to grow with time, right? And if you're into video making, you want your videos to be seen by more people in a short amount of time, right? I think Instagram Reels is now best platform for you to showcase your work to other people wherever you are creating, maybe you're creating VoiceOver reads. Maybe you can cinematic video, maybe you're just doing sit and talk videos, anything but you're learning about video making for all of the things that you want do you need to learn a video making? So I thought it's a great way for people to learn and as well as grew. And let me tell you my story about Instagram. We use how I come up with this cinematic voice or videos. Last year in May 2020, I was just sitting at home. It will do is locked down. And I was just listening to one song and I thought of, while this song is really nice, I was imagining some scene in my head and I thought of writing something and then I thought, okay, I'll, I'll create a YouTube video. Created three to 400 derivative of the story and everything. Then other, it's going to take a lot of time to create a YouTube video of that. And so what I can do is I have just written 34 lines now let me just create video with it for 15 to 30 seconds and I'll post it on my Instagram. So at that time, on my Instagram, I had around, I guess 60 to 70 thousand followers. And then at the same time I thought, okay, I'll just upload it on TikTok as well because I used to post my YouTube videos on TikTok and that was not doing great. So I just posted this video. I didn't post on Instagram, but I posted on TikTok. And guess what, in just one day, it reached 2 million views. And I just taught a lot of people created their video using my audio. And I just thought, Oh my God, I got around, I guess ten to 20 thousand followers in just one day. And then I thought, okay, Next, next day I created one more video. I posted million views. The next day I posted one more video, million views. Every day I was getting million views. I guess I uploaded for 30 to 40 days and then TikTok got banned. But I raised to 500 to I guess 6600 followers in one month. In one-on-one, one-and-a-half month I reached, again, I get 500 followers. I just went crazy. And I thought, Oh my God, this is the reads that you can get with this. And then it got banned and I was really sad that time. But then later on Instagram reuse came up and I thought, okay, I'll just upload the same videos on my Instagram. I didn't create new ones. I just wanted to experiment either upload it to three videos on Instagram needs and that didn't go well. But my friend at the time told me that. Okay. I'll get you just start uploading every day and then you will see in, I remember on firstname, but I had around a 100 K followers, somewhere around a 100 K. And then today the time I'm making video, it's June 20 billion. In just seven to eight months, I have preached to almost 600, hey, followers. Think of it, the growth. That's what I'm talking about. That's why I wanted to make a course so that you can grow in your life. That's why. So with that said guys, I'll see you in the next video. Bye bye. 3. Follow this Reel algorithm to grow Instagram: Hey guys, welcome to the video. In this one we're going to talk about best algorithm to post Instagram Reels. When to post, how much to post so that your real school viral, your gentle goes into this addition of a lot of people in the read section. So how to do that? So let's start with when to post the time. You should post Definitely when the most people are online. For example, around evening, five to 07:00 PM. That's a dime. You should post your real. Now the most important thing is how much to pause. So I would say that I have tried a lot of algorithms. When I was posting one reel in two to three days, then I was not getting so much views. My channel was not growing that much. And when I started posting one meal a day, my channel picked up a bit and then I was getting few followers every single day. And my reals are getting viewed by a lot of people and my channel is growing. But when I started posting to reals or D, That's when it went while I started posting two to three meals a day. And then I saw that lot of people are using my audio to create the reals because I have created with a voice over, with a nice music and everything. The video is good. So people who want to use that voice, and that's how it works. You will get most priority if people have started using your audio. So always try to make your audio. That's why I suggested that do this cinematic voice over. Just write these rules because people will create video on your reels and that's going to work the best if people would be able to share, It's going to suggest it to more people. If people will use the audio, it's going to go crazy and suggests lot of people. So that's how it works. The more engagement you get on your reel in the mode, it will go viral and also try to pick up a good thumbnail for your real. So what I do is, let's say if I have uploaded a new video and the video does not have any good scene, so I'll do, I'll just pick up any good photo and then I'll just select that and use it as thumbnail for the real so that it looks good. And that also helps when you upload to your main feed on Instagram will be filled with lot of frills. And after four to five days instead, I'm also, if you don't want to see on your main feed, you can remove it from the main feed so that it will show you only on real section. But make sure when you post real, always post your domain feed. After four to five days, you can remove it if you want from the main feed. It will be there on your real section. That's it. Always follow this. Now, if you, if you have time, if you are free, just try three meals a day. Try for real city and just stick to the plan. Follow it at least for 15 to 20 days. And you will see a major growth and you will see the difference. So that's the algorithm you should follow. What I do is I create seven to eight reals. I add it and then I keep it in my library. And then I posted two reads at a, and then after three to four days, I start editing or 7283 yields. So that I don't need to spend a lot of time every single day. But sometime I also follow this. Okay. I just edit every single day if I have time. So you have to try to figure out what works best for you. But for Instagram algorithm, this is the way at least post two to three meals a day. This is really important and try it for 15 to 20 days. And if you don't get much views and if you still don't see the growth, don't stop. Please don't stop. Keep doing it. And you will see one day this, trust me, Let's do it and you plus you will feel so good that you're creating so much work. And you're learning every single day by creating reals, by shooting, editing, and that's how you will grow. So yeah, that's, I want to suggest to you. So that's it for this video. I'll see you in the next one. Bye bye. 4. Why you need good camera gears: Hey guys, welcome to the video. In this one we're going to talk about investing in good cares. Because in this whole course, I'll be talking about recording videos, recording voice-over, editing software, and everything. And you have to invest some money into that as well. Well, you can do everything with your phone. But if you want to become a pro, if you want to grow on Instagram, you have to create good videos, right? We want other people to appreciate. You need to have certain gears. And also with that, you will also feel good. Let me tell you one thing because when I create Instagram yields any good video in journal, I watched like so many times, right? But with the phone we have limitations. You can do everything. You can record videos, you can, you can record your voice or you can edit also. And I'll teach you in this course, but I will still suggest you that this is the money that you have to invest just onetime, whatever the gears I'm going to suggest you or like with that similar specs. Now there's just one time investment. When I started making videos at that time, I was doing my job. I didn't think of earning from my passion or making videos. I just wanted to make videos into photography and I didn't even think of becoming a creator. I just thought, okay, I'll just post on my Facebook and I'll just upload my photos on Facebook or just We're just nature photos, some landscape photos. That's what I wanted and I just invested in my gear and I I came from there and now I've reached here, I have become a full-time career now, that is kind of an investment you are doing for yourself. And that is going to come back. If you take this seriously promised, this will give you a lot of returns in future. So that's why I'm saying that invest in good gears. Let's do it one time or become pro, you'll earn money from there. And that's it. I'll see you in the next one. Till then, take care. Bye-bye. Tiny mad. 5. Which Camera to buy: Hey guys, welcome to the video. In this one, we're going to talk about specifically which camera to buy. Before that I want to talk about what specs to look for in any camera, be it from Nikon, Canon or Sony. First thing you need to look for that you need a mirror less camera for good autofocus because nowadays mirrorless camera, really good with auto-focus. But what is autofocus? Most of the times when you're recording video, you will need a good tracking in your camera because that's how your video will be in-focus all the time. For example, now, I'm recording video on this camera and it's an auto-focus like automatically see if I can close. It focuses automatically. If I go further, it focus automatically, it's good. So that's what you need in your camera. Good auto-focus. Otherwise there'll be fairly difficult to shoot the video and keep the person in focus all the time. The second thing is you need is for k, 30 FPS or 24 FPS and full HD or ten ADP resolution. Where the 120 FPS, I'll talk about in detail about this. What is this FPS frames per second and why you need that. But just look for this specs when 20 FPS in HD, full HD minimum. And then for gay with 30 FPS, That's what I recommend. Most of the people can go with a full HD 60 FPS also. But trust me, this is my recommendation and just look for the specs. Nowadays it's very common. You will get it in lot of, lot of cameras. Now, which brand to go with? Personally, I use Sony. I have always been Sunni user. I started when I started photography and videography, I started with Sony at the time in 201415 canon and econ was very famous with photography, but brand was famous in the video world. But I just got my first camera as Sony camera and, and stick to it. And trust me, it's really good. Most of the people think about like Canada Yukon is good, they are good. But my recommendation, if you want, I would suggest you to go with, as of now, go with 6400, go with the crop frame camera. When I started making videos, I just saw that. Okay. This is the only camera that is giving me one or two frames full HD. And then for shooting autofocus, good, 30 FPS. I went with that camera. Now, if you can get the same specs in from Canon Nikon, you can go with that because if you're already invested that it's fine. It's nothing to worry about. But if you're new to it, you can go with a Sony or you can just search more. But my recommendation go with the 6400 as of now, this is, this is the best one. And then you don't need to buy so expensive camera. This is still a mid-range once you will get the newer version, maybe 6600 in future. If you're watching this video, you can go with the latest model, whatever you have in this field. And the crop frame is COVID 6400. It's really good to focus. I have a six to 300. I started videography with 806300 and it was really good, trust me. But then the 6400 is the neural model. This is the Sony from the zoning department. I can tell you because I've been using Sony and if you're looking for Canon nikon, Let's go with the latest model in the graph frame, the crop frame, not in the full-frame, just search APS-C on Google. You will know what I'm talking about. But if you are a newbie and you don't know anything about it, just go to the Google search for APS-C camera, mirrorless, something in Canon, Sony, whatever. If, if you wanna go with my recommendation is fine. Go with 6400. That's it from this video. I'll talk about more in the next video. Till then, take care. Bye bye. 6. Which Lenses to buy: Hey guys, welcome to the video. In this one we're going to talk about which lends to buy for your camera. I'll divide this video into a lot of different sections according to your budget. If your budget doesn't allow and you want just minimum thing, you are good to go with your camera that you have purchased. Let's say I have purchased 6400. This will look similar to live like this. This is 6300 and you will get a basic lens with this one. And that's it. You can start with this camera. You don't need to buy a new lens. You can recall a really good videos with the basic lens that you will get with your camera. And you can go ahead with this one. You will be able to record good videos when I started making videos are used only this length. Now, if your budget allows and get my budget allows and I can spend a little bit more on the lenses, then I would suggest you to go with 50 MM Sony F12, 0.8 FE lens. This is a really good lens and you will get a really good book in your video, you will say, what is good, what is bouquet? This is like separating your background with the person. For example, I'm recording a video and you were seeing everything blur in the background and only my face is in focus. That's how you can get it with that 50 m, m f 1.8. It's not that costly and it's a really good lens for videos. And if your budget allows a little bit more, you can go with Sony 85 MM F1 0.8. This is also a freelance full frame lands that 50 and then was also a full-frame less. Now why I'm suggesting you do get a full-frame lens instead of a crop frame length instead of APAC lens. As we have APS-C camera, as if you have a crop frame camera. This is because in future, you will want to move to full-frame camera when you are shooting videos regularly, you will, you'll need a good gear and you'll have a lot of knowledge about that and you want to improve the quality of your videos. That's how you'll invest in good Gamma with lenses them and it will start earning you want. Full-frame camera is because right now I have three cameras. This is a Sony is 6400. This is full-frame Sony A7 three. And currently I'm recording on Sony A7 S3. So I'm just telling you that you will need lot of gears later on. So why not to suggest in full-frame lenses because camera will keep on changing as the new specs will come up. For k 60 FPS, for Q1, 20 FPS, lot of good settings that it will come up when you want to upgrade the camera, but the lens will remain the same. So why not to invest in a full-frame lenses rather than a BSC lenses, right? It's not that cost you. So this Phi of m, m f 1.850, MMF one-pointed. That's what I wanted to say. This that's it. That's all you need for now. If your budget doesn't allow still you can go with this just one camera, just the basic lens, That's it. You guys ever just editing this lens video and I forgot one more lens that I want to suggest. This is sigma 16 MMF 1.4 is a wide-angle lens and it's a very fast lenses. This is f 1.4. Obviously, it's going to be really amazing. And if you can afford it after going with a 50 MM or 85 MM. And then if you need a very wide angle good lens, the basic lens that you will get with the camera is also good. But if you want to have a good sharpness in your video and with the background, with a very blurry background, but with the binding of view than this lens is really good. Definitely, definitely consider this one. Now, some of you might be thinking, why I am not suggesting any zoom lens, why I'm just focusing on the prime lenses prevalence is basically fixed focal length. Fixed focal length like 851516 MM. I'm not suggesting a zoom lens. This is because two reasons. The first reason is prevalences are really sharp and really fast. And second of all, they are very lightweight and they're not that costly as well. For example, think of it. This is 85 MMF 1.8, and this is around 70 to one and f 2.8. And this is really sharp. This is really heavy, not that sharp. This is f 1.8, this is f2, 0.8. And if I'm not shooting nature or wildlife, then I don't need this lens that much. I can shoot all of my videos with this one as well. This will be really good for evening shorts as well, because this is f 1.8, it's going to give me more light and the videos will look really good. So that's why I always use a fixed focal length lenses. I prefer that and honestly just you or fixed focal length lenses, Tia, that's it. If you need a wide angle lens, Sigma 16 m, m f 1.4. If you need a mid-range lens, means like not that zoomed in, not that wide as this 15 m f 1.8. And if you need really close-up lens like this one is my favorite, 85 m, f 1.8. I shoot almost lot of my leaves with this lens, almost 80 to 90 per cent. Then if I need a wide-angle view, then I use the wide-angle lens of the base. Most of my needs are short on this one. That's it for this video. I'll see you in the next one till then, take care of that way. 7. Understand Camera Buttons: Hey guys, welcome to the video. In this one we're going to talk about all the camera buttons that you need to know to start shooting videos or photos. See, I just started. Let's start with the first one. This is on and off. Once you turn it on, if you want to do the autofocus, use this 1.5 click and then it will focus on the particular subject. Maybe you're clicking photo, then you will just click this half. Then it will focus and you will see these green dots. I'm clicking half and you are seeing this half green. And that's how it focuses. So the next one is guy is really important. This is the mode button I always shoot in. The manual mode. At this manual mode means that everything will be controlled by you. The ISO shutter aperture, everything will be controlled by you. So when you're learning, just, just switch this to M, M mode and you just start recording videos, control yourself. So that's how you will learn more. For example, this is, this is shutter priority. It means that the shutter want to change. Everything will change. The shutter won't change. Now this is aperture priority. It means that the aperture is going to remain the same like for example, F1, F2, F2, 0.8, whatever you will sit and rest everything. It will change automatically like ISO shutter and everything. This is completely auto mode. In this mode like everything will be controlled by your camera. Like for example, you are taking photos or making videos with your phone, right? It controls everything, all the settings that, That's auto mode. Everything will be controlled by gamma, but don't use this one because you will not learn. So try to use this manual mode always. Now, this one is not important as search, but this is for video. Specifically if you're shooting videos, turn to this mode. I still record videos using the manual mode, but you can use it using this button, and this is S and Q mode. This enqueue mode means this will be used to do the slow motion or maybe time-lapse feature. So you can change the frames that it is recording. For example, we are right now in the S and Q mode. Now we can go to the menu. And then you can see here, this is the S and Q settings. And you can open this. And you can see this is the record setting and this is the frame rate. So it's basically, let's say if we said this to 24 frames, now this is going to do the slow motion. If we set this to one frames, this means it's going to shoot the time-lapse for you. This will be really quick time-lapse. So you can use this feature to create the time-lapse. Or if you want to do the slow motion in camera, you can use this 1120 frames, okay? Now, I personally never use this as n q for slow motion. I for time-lapse, I can use it sometime, but for slow motion, I don't use it because I want to do the slow motion in editing. So I don't use this mode, but you can try this, definitely try this one. And this one is important. Just start shooting with a manual mode. Now, the next thing that you need to know is this, this function mode. See this. And you will click this. You will get lot of different options here. Just learn all the things. For example, this first one is the drive mode, which mode you are in for clicking photos, you can just create this timer option here. See, we can neglect load of photos with continuous shooting mode here. So generally for videos, you can just set it to this first one. And then let's go to Function button again. And the next one is the focus mode. You can see here the Lord of focus mode. So for videos, I always set it to AFC unless I'm doing some manual focusing for particular shots. Otherwise, AFC is good to go. The next one is, this is the focus area. Now for videos, I generally keep it too wide. You can just change it to zone as well. Now let's go to next one. This is the ISO we will control layers are formed somewhere else, so not important right now. This is the metering mode. I always use this multi, multi metering mode. So just set it this first one. You can try out multiple features. Center. It will go into focus only in the center. But for videos, just keep it to multi. And this is for white balance. You can change the white balance here, AWB, this is Autolite, the light shades, cloudy incidents and you can cloudy one wide cool white DY. You can set this to custom as well. If you want to change C, you can set the custom, whatever you want. I keep it custom, but you can set it to a WBS or whatever you want. You can try this. But what I do is I said this to custom, custom white balance. This is ISO. You can change the ISO from here, C click right button and you will be able to change, you can change the ISO. And then this is for your shutter. Using this button, you can change the shutter. Using this button. Here. You can change the shutter. See, here it is changing. You see this? This is one by 61 by 201, by 251 by four hundred, five hundred. Yeah. That's how you can change the shutter. Now using this button which is on this side. See this on this side so you can change the aperture. See, we are able to change the aperture. These are three important buttons. This is for shatter, this is for aperture, and this is for ISO. So you can change the Berkshire from here. See, I'm just clicking here and changing the aperture. So yeah, three important buttons. Iso, shutter, and this is aperture. And now let's go to this menu. This is your menu where you can change all of the photo and the video settings. See this is the video settings file format, record settings. This is as enqueue settings, proxy settings. So these are the settings for videos that you need to change. So you can just change the dial and then you can move to this photo and you can check all the photo settings here. You can change it. So we can just go and you can just go to next, next, next, and you can check all the settings. So this Menu button is for you to change the camera settings inside. And yeah, that's it. I guess I've practiced a lot with the camera buttons. I know that for now it is really difficult for you to understand, but you can keep watching the video again and again and just start practicing with the camera button and change the ISO gene, the upper church in the short-term. So yeah, that's it from this video. I will see you in the next one. Till then, take care. Bye-bye. 8. Camera Settings to use for Shooting Videos: Hey guys, welcome to the video. In this one we're going to talk about all of the cameras settings that I use to show the videos. So let started. So the first thing that I do is I go to the menu and change the temperature to custom white balance if it is selected to AWB, which is auto white balance, is go here, go down and set this to custom. So you can change the custom. And then you can just change C from here. You can change custom temperature. I just generally like to keep it as 5500 or 5 thousand whatever it is, always try to set it at the custom white balance y or use 5500 or 5 thousand is because with the 2700, which is the minimum value c, it's going to turn everything blue. Check everything is blue with the temperature, this thing. And then the maximum temperature we can go is 9900 and it is going, you've done everything yellow. So we want something in the middle. So we can set this to somewhere around 5 thousand or 5500. Okay. Now, the next thing I do is I go to this dial and whatever that I'll it is. I'm going to change this to m for videos I showed it on em. But you can try out using this option as well. This is specifically for video, but I can show the videos with M as well. And this is for recording videos. You can record the videos from here. So this is the mode. And then the next thing that I will do is I will just go to the menu, and I will just go to the second option here. And there are two options. Basically I select if I'm just sitting and talking when I know that I'm not going to do the slow motion, then I use this x AVC for k. And you can just turn this back and then either record setting is 2400 m. Now, if I'm going to do the slow motion, then what I'll do is I'll just select here, select the HD, and then select the option as 120 M, 100 m. So with the one twenty hundred m means it is going to record the 120 frames per second. So we can slow it down in the editing five times low. You can do it because the timeline will be off 24 frames. So use this setting if you want to do the slow motion. Now, if you're not able to understand how we are going to do get the slow motion using this one. Don't worry, I'm going to teach you in the editing section. But for now, just set it to this 120 P for slow motion. If you don't want to do the slow motion, then come here, set this to four k. Okay. I hope you are able to understand. So these are the settings. Now, let's just set this to 120 p. And the next thing that I'll do is I'll just go to the next option in the menu. And then here I will change the EMF drives speed and AF track sensitivity to fast and responsiveness so that it will track the subject really fast. So these settings, AF and EF tract sensitivity to fast and responsive. Okay? Then the next thing we are going to do is we are going to go here and set the steady shot here or the steady shot settings to on so that it will camera will stay well the video automatically, okay, then the next thing I do is I go to the image size, one quantity. Then just go down and change the picture profile here to be B7. So that's what I use. So I record all of my videos and as log two. Now you what you can do when you're just starting out, when you're just very new. So you can change this setting to be F PP off. So you can just set this to PPRF or maybe TB1, TB2. You can try this in the initial days. Then once you learn the color grading, then you can later on change those to be B7. I will show you how I calibrate my videos using this P, P7, which is the S log do in the editing section. But for now, I'm just this to be P7, okay? And I'm also going to show you if you said this too, this PP, pp off, okay. So forth, border settings, I'll tell you now, these are all the settings I said. And one more thing in the P, P7, you can just click this right and you will go into this P, P7 settings. You can see here it is as log two. So I only do this change saturation to plus 20 and this color mode to as can mute three center. So these are all the things that I do. And the black level two plus two. And this color phrase two plus one. And that's it. These are all the settings detail. I'll set this to minus one. 9. Camera Basics: Hey guys, welcome to the video. In this one we're going to talk about the basics, aperture, shutter, and ISO. Without knowing these settings, you cannot shoot photos or videos. You need to understand how this works. This is the base of shooting videos or photos. You need to understand this. Now watch this full video and after that, practice a lot. Now all three things, the ISO shutter and aperture at just the light, so you will get the perfect exposure. Now, think of it that you have to control all the settings so that you can record in the best possible faith. For example, remember some time back that I told you that you should get 85 m f 1.850 m m, 1.81.8 is the aperture. That is the maximum aperture you will get. The minimum is you can get up to F 22. This maximum means this aperture, this f 1.8 is the circle in your lens which allows light to enter in your lens. I know I'm going too much into detail, but think of it as the minimum, the number, the more light will enter. For example, if you will shoot at F rather than F 1, the less light will enter. The scene will look dark. Literally. Think of it, I'm explaining in a very simple way. Now, if you shoot at 1.8 and you're getting perfect exposure like the light is lit and you're able to see everything looks perfect, right? It's bright, it's good enough. Now think of where you are recording at a five or ten, it's going to make it look dark as you will increase this number. So what do you have to do now to get the perfect exposure? You have to change other two things, right? It's kind of a triangle, think of as a triangle. And you need to set all three things accordingly. The ISO, aperture and shutter, right? So this is the aperture. That's it. For now, you need to know only this thing's minimum number will give you more bright scene. And also with that, you will get that blur I was talking about in your video that you want with the background blur and you face in focus everything blurry just you're getting good depth of field. Basically. You can get with this aperture, for example, if you're shooting it at 1.8, you will get really blurry background and your face is in focus. And if you shoot the same video F, then everything will be in focus. I mean, you will get very less blur in the background. But you've seen will be very dark. But if you want to shoot in that way, you have to compensate the other two settings, that is your shutter and your ISO, the ones who decided, okay, this is the approach and I will shoot. I want to show that f 1.8, That's it. I'm going to show that f 1.8 on the maximum blur possible. So the next thing that you can change as well, either shutter or either ISO, ISO will touch on the last thing. The next thing is the shutter speed. The shutter in terms of photos and explain your shutter is the time that the camera takes to click a photo. Okay? For example, if you're shooting at one by 50 means your camera took one by 50th of a second to click your photo. If you're shooting your photo, add one by a 100. You took one by 100th of a second, very less time. So this is just the short-term, but what will happen if you change the shutter? Just explain you in there. We talked about the bright and dark scene. If you will shoot the photo or video at one by 50, Let's you're getting the perfect exposure. I'm just taking an example just like the way we took 1.8 as a starting point. So we're taking this one by 50 as a starting point, because in videos, you need to keep your settings at a minimum of one by 50. Just keep in mind for now. I'll explain it later. Now, if you're shooting and if you are getting perfect exposure at F1 by 50, Now, if you will start making videos have been by a 100, you will see in will get darker as will increase the shutter speed, the scene will get darker. Why? Why am getting into cosine? Because think of it. Now I explained how much the shutter time it takes to capture a photo. Right? Now you're taking less time. The less light will enter when the shutter will be open for more time, the more light will happen and you will get more light and you'll get the perfect exposure, right? For example, if you're shooting video, add one by 58 so your shutter is open for Monday 50th of a second. And if you're shooting at a one by 500 is shutter is open for very less time, so very less light will enter, right? So you need to get into the perfect setting to get the perfect scene. For example, if you're shooting videos that have aperture f 1.8, and now if you want to shoot at f by four, you don't want that much blurry background. So what you will do, you will compensate with the aperture. You'll think, okay, how much the aperture I can change. Now in terms of videos, if you're shooting at 24 frames per second, and then you will need a minimum aperture of one by 50. I think of it is as you need the double minimum double. Otherwise your video will not look good. Simple as that. If you're shooting in 120 frames, you will need the shutter of one-by-two fiftieth double the frame rate, one by 250 minimum. You can't go below that. For example, if you're shooting a video at one by 400 and it's dark. And if you're shooting in when 20 frames, what you can do to compensate, you can change the shutter from one by 400 to one by 250. That's it. We cannot go below that because videos will not look good. You have change the shutter to one by two 50th and video is still not looking that bright. So the next thing that you will do is to change your ISO. This is the last setting in the camera. So how ISO works is the minimum the number, the less light will enter. Simple is that this kind of a digital brightness. So most of the time it starts with 100 number. And let's say if you increase the ISO to 200, so more light will enter. Now you shoot the video at 400 IU, so more light will enter. You can increase the ISO. What will happen is when you will increase the ISO, you might get some greens in your video, noise in your video, and it will not look that good. Every camera has some minimum to maximum ISO that is good to use. For example, the 6300 I am using, It's good. 1600 ISO from 100 to 600, or you can use it. You will not lose any quality. But if you go beyond 1600, you will get some green in your video. You'll get some noise in your videos. It's not going to look good. So you can use from 100 to 600 almost in any camera. So now let's say if you're shooting at ISO 400 and your scene is still darker, still not looking perfect, then you can change the ISO. You can increase IS from 400 to 500 to 600 to 800 thousand, and it will start getting brighter. Now you're getting perfect exposure. In your video. You have changed all three settings and don't worry, you're not going to learn everything in this video because you have to practice. This is just a starting point. Just need to know the basics. What is aperture, what is shuttered? What is a user? What does it do? That's it. You just need to know this and then you will practice on your camera, then you will understand it better. You have to practice a lot to get this into your brain. What is, what are all these settings? What is the aperture, what is shared, and what is ISO when to change when all three settings. Now, when I shoot videos recorded, it takes even less than a second to set all the settings. But for a newbie, it's going to take some time to shoot accordingly. Let me conclude the video. The ISO is digital rightness. It will increase from 100 to 1600. You can use it easily. Any number you can use it, it will increase or decrease the light, that's it. Now, the next thing is aperture. Obviously have at 1.8, you will get more light. Five as we will increase the number, the scene will become dark. And the next thing is how much blood do you want in your video is going to depend on the aperture. Last thing is the shutter shadow should be minimum of double the frame rate. That's worth keeping in mind, we can increase a bit from the shutter, but minimum, it should be this much money shooting at 24 frames, one by 50 should be the shell. Shooting at 60 frames. Shutter needs to be one-by-one 20th minimum. And then you can set, change other settings accordingly. So you need to practice this a lot when you're watching this video. If you're not understanding, it's completely fine. You must have your lot of doubts in your mind. Then you just write it down and then you start practicing it on your camera. Just try to change that, but just try to shoot with the different shutter, different ISO and see an experiment yourself before you move on to next lecture, I want you to practice it at least for a day. Just practice it fully. You will understand a lot. Now you must be thinking if you're a beginner, that if my phone can does all the settings, can handle all the setting in. Give me the perfect scene. Why I have to change all the settings manually in my camera, because that's how guys, you are going to learn it. There is an auto in your camera as well, auto settings. It will just manage everything you don't need to do anything. You, you'll get the perfect exposure, if you will, set this to auto, but you're not going to learn anything new when you are starting making videos, you can go with the odor. But ultimately, if you are into this value, going to get into this mental things. So I want you to start it right now. Just learn all these things. Need to learn our shutter, you need to learn about aperture. You need to learn about ISO. Before you move on to the next lecture, I just want you to practice this at home. If you know all these things, it's going to be a lot easier how you want your scene to look like rather than just shooting it on auto. For example, if you're shooting it on auto, the camera will control everything. And if you are shooting with a camera, you want to control everything. And that's how you will learn more about your camera. Only three things you need to learn, okay? I'm just saying again and again, but practice it. Don't go head is practice and just keep your camera in front of you and just start looking into all these things. You will, I promise. Okay. So guys, that's it for this video. I will see you in the next one till then, take care. 10. How to shoot videos Handheld: Hey guys, welcome to the video. We are at such a beautiful location. And today in this one we're going to talk about how we actually shoot videos for reals. So basically for real, I like to keep myself in the video. So I asked my friends who can shoot videos for me. Like I'll ask Sirica, I'll just I'll just tell her like, how to shoot at the camera angles and everything. And then she'll just shoot. And basically I'll just use one wide-angle lens, one zoom lens like this is 20 for them. This is wide-angle lens and other one is 85. Take multiple shots and then we'll combine this together in the editing. So let's just go ahead and let's start it. Exposure is good. So this 2120 frames. So that will be able to slow it down into editing because we're not using any stabilizers. So I want that smooth buttery footage. And with the handheld we will see some shake that we're going to fix it in editing with a slow motion. That's for sure with a wide angle lens. So what do you have to do is, I guess the stake shortly, I'll just be sitting there and then you'll just take short like this. Yeah. Just disband and slowly and with a lower angle. Okay. So it's gonna look good just to shoot like this. And then we'll take some walking short-term. So let's try this. First you go and sit and then I'll just adjust the angle. Okay. You can take something like this. I just sit there. And you didn't take dislocation of it? It's sunny right now. Regarding on the stock. One more. Okay. Let's see first, I guess it's very sunny right now. Just wait for some time to get cloudy. It must not be looking good. They get most of the dimer prefer to shoot either in the morning time or evening time. And if I'm shooting during the day time, then I prefer like it should be cloudy. So today it's a little bit sunny. But let's see Let's see the shot. Okay. I think you are taking just very close shot. So just take a little wide shot so that I can just crop it in the editing. Because I need nine by six ratio to be shooting everything in the rectangle mode and met in editing with just drop it in the vertical format. So just take a widening of shorts of it. There's a little space above your head and then you upload it. But it's very sunny, so just, we'll just wait for some time and then let's see. Now take the same shot with the close-up like showing my face only that we will be able to capture the emotion. Hello. Something like this. Now let's take some walking shots. Yeah. Okay. So yeah, let's check the shots. Fine. Then let's take some blocking shots. I'm just trying to find a location. And peak half short thickness. Pardon me, did you go started going deeply? So right now I don't know where I am going to use and how I'm going to use this video 17 multiple emotion lake. Few running shorts, fuels shorts with a smile. Few shots like with the sad face. So that I can use in different videos and the different leaves. That's the idea. Let's, I guess let's go there and we'll take a shot from here. We can do, Let's put inside This beg don't take it. Back. You go in the government, you're descending, it'll get you. Use goes up in this medical that say, Oh my God, hey guys, I'm doing something like this. We've made we just being one of them. Okay, I think we have a few shots with a wide angle now we will try with the 85 them. So they just close up shots are some shots with a very nice book here. There's lot of background noise. But yeah, let's just switch to 85 MM. This. So I guess I want to use some leaf that I can just kidding. I'm just going to experiment with that. And then we'll decide the shot. You just hold it. Well, then they go. Okay, I think we can use this thumb here. So I'll just sit there and use this as a grown by current defense and then just experiment. And then stand and men. You always get them to focus on my face. Attorney, I'm not sitting good. Let's take again. My angle is not good. That's how he mostly charge. Why don't we take what different charts? Let's see. Use this eval enough. Some meaning. I think you've got the shots. So that's that's how we, that's how we should take normal charts and then we combine them in editing and see which one looks good. That's it from this video, I will see you in the next one till then, take care. Bye-bye. 11. How to shoot videos with gimbal - more ideas: Hey guys, welcome to the video. In this one we're going to use the gimbal to shoot reuse because with a handheld you are very limited with the moments. You cannot move much. You can take walking shorts or running shorts because it's not going to look stable. So for stabilization to take that smooth buttery footage straight out of the camera, we will use this gimbal and this is running our EC2. So we are going to use this with 35 them lens. You can use any lens. I'm just going to use this lens. And so we'll take a few shots and then we can combine those shots in the editing and then an amazing view. So this has been amazing location. It's, it's raining. It was raining is just stopped. So yeah, let's just quickly showed this video. Started. For this video, my friend Dan is going to help me out because sciatica is currently regarding the previous video you saw that she was actually helping me out there shooting this video, he's going to help me out with the shooting. Started. Okay. So we'll take one circle shortly, okay. And then I'll be rotating anticlockwise, clockwise and then one walking and when running short. And then phew close up shots of the face. And then yeah, let's see how it goes. Maybe I'll just sit there and just try something with the gimbal. Let's go ahead. Okay. I think we're all set. Now. Let's just record this video. Okay. No, no, no, no. It's stuck. Looking very slowly. Looking very slowly, I guess. Okay. Ready, 123, stuck. This circle. Just don't like to go backward direction that goes straight. I've made that of all. We'll move into buying it diluted though. About yourself. I guess it'd be chapters 123, start fast. School. Anything with day you walk in. Let's make one. Here. I go like this. But I shouldn't be like this on recording on the axon. 123, start something when two OCHA gets displayed together. Another angle, Let's take the basket. Message window. Sorry, sorry. I say I don't see them either about Donahoe. One running short, middle, full enough. Beats, macabre, display guy Buddha. Any gamma to go put a little money? Yes. It position to get money as it may login. Maybe you've been showing good evening. We just hope otherwise it and he just opened he just said this to manual and then start the short. Okay. Stand here. David, an angel of it for approval. Yes. Focus me, right? Yes. I was commandment protect current function, Function button, FCPA dark SUVs at gamma of silica. New lawsuit. If the vigil function button but okay. Stp jockey, MF. Hello. Oh, yes, I'll be Duff and FCB MSW manually. Oh yeah. About gamma globulin. Don't need to focus but I gotta abandon the island. We didn't need to have a vehicle. Api. Ben got no one to three is visited. The cell phone. I think it opened according to give me ten years. I imagine you want to start to be up waveband going to guess. That's it. You'll go from autofocus to Malibu because then you will see like on my body you will see all the white, white, white muscle. That means I am the focus. So right now it's also showing Weidner just, just helping each other to the Buddha. Don't need it. Right now it's in manual auto. So go and select know it's in manual. Select Auto and then manual. Manual for clogged. Couldn't eat it all about me that I don't need it. But let me start. 123123. Big one-shot with 85 them. I'll just be sitting there. And then you use this as a foreground, okay? And then we just create nice clear. Okay, Now we'll take our practice shots. So you just go there and sit walk from it. Gets it will lose. Okay. Does he get you just have I'll just go there and sit and then you will use this and then it's met. So we have to do the same like manual auto, manual. Manual cars up to so what you will do again between the Yona to fit Ban, Ben gonna happen because single-focus could be a. Then what you'll do is go down and then slowly wrapping up before plus cosine. So focused on my start codon. I think it's done. I'm doing different poses. Just take shots. Made it light enough so I can move. My arm of the pancreas. Started. I'm just trying to stabilize the game, but I just changed the lens. I needed a wide angle lens. Now, you'll take learning shot. I'll just run it from behind. Okay. Hold it. Okay. So the camera should be like this or like this, like this. Straight like this. The lock because I'm Mr. Wagner. Lock on one of the major focus. Full body. Yes, you are. So we have to make maintain the distance. So this is doing this random distance is enough. Yeah, full, full body. Let's run 123 shots. Recording. Now. We'll try key meatus it. Thanks from loading that. So I'll leave it goes straight line. And 1212. Let's run. Inevitable. The editor clockwise. I suppose 123 stuck. Many of us will increase very slowly. Slowly. Left, left, left. I see. Basically what? 123 start? Where do they go? A little long ago, sugar the other nodes. Boston. Foot Locker. Take multiple shots like, like just you saw, and then we combine them in editing according to the Emotion. If I am showing some sad emotions, I'll just use that video. So yeah, that's the idea behind shooting reals. Now I can use this video at a multiple places. For example, like from last few years I've been shooting lot of videos at different locations. Then when I'm making reuse, I just combine all these different videos, taking it into different locations. So yeah, I mean, this is just one location. I can just make one really using this one location or maybe I can combine other videos from other location also, should work, can legally mine owners, Rodinia? Clicking up, go monotonically, should not come easy. Colombia, beans on kosher. He not a leak in cushion anyway, look. Comitia coming up, which I do. Love own angel beat GI Joe Pesci for choosing the key party out today. I hope you learned something from this video. I'll see you in the next 20 Lindy care, Bye-bye. 12. Shooting a scripted video: Hey guys, welcome to the video. In this one, we're going to just quickly demonstrate how we showed that, hey, I miss you video we shot at this location during this, whether we have already shot that video. So we're just going to demonstrate the same thing again. How Sirica took all the shots for me. I just quickly as done and she took all the shots. So let's start it. Just type in my phone and then they close up. And then that's how you're gonna go. Let's start it. And now you start off me. And then the dates on this side like this. Then we do the same thing. Do you think the shark swimming? Yeah. Now take it blows up. Now take it moves up sort of me. I'm typing. Same thing. Started the occlusal. Started The girl. Standard. Hey, I miss you. So yeah, that's how we took multiple shots and then in editing we combine. So we took few charts from here, few shots from here, and futures from the closable, the phone type in there. That was the simple real and I pre-planned everything how I wanted that shot and that's all we got it. So I hope you learned something from this video. I will see you in the next one till then, take care. Bye-bye. 13. Which Mic to use for Voice overs: Hey guys, welcome to the video. In this one, we're going to talk about which Mike to use. That over the period of time, I have tried couple of microphones like I have one from the road, one from comic audio, one from sanitizer. And these are all good my eggs, but the best one is till now I have used this one from the focus, right? Because this is a scarlet studio solo. This comes with the preamp. Any Mike, I guess with the preamp will be good because it amplifies the audio in when before it goes to your computer. So whatever you're recording, it goes to preamp and then goes to computer. I don't want to suggest to you any other mic, but just get this one focus right. Studios solo because this is the one I have been using. I have not used all of the Mikes that comes with a preempt. This is now one I've used that comes with a premium and I guess this will be really good. You have seen my voice-over. I hope you have seen my voice over and I'll show you everything, how I record, how I process. And you will see a major difference from start to end. And that's what I'll be teaching you in the coming videos. And you also need to get one mic stand. Also, this is the one I have. This is the one I have. This is the one that I got from amazon. I guess it's around 802 thousand rupees. Whenever you're recording the voice-over sound best when you just stand and then record it. So you need a mic stand. That's what I want us to just, you also need to get one op filter. This will cost you around, I guess 300 rupees. So when you will recall the voice or it will not pass the air and your voice will sound better. So with that said, I'll see you in the next one. Bye bye. 14. How to Setup Studio Mic: Hey guys, welcome to the video. In this one we're going to talk about how to set up your mike, which software to install in your laptop so that you'll be able to connect and record the voice. So first of all, let's set it up. This is the mic, and then you will get this XLR cable. So we'll just have to connect. Then you have to connect the other end on the preamp, like this. And then they will be one more cable that you have to connect here, the preamp, and then this USB cable that simply you will connect on your laptop. That's it. Now, once you will do that, it will connect with a laptop, but you still need to install one device driver that comes with a focus, right? So what we'll do is we'll go to the focus straight website will download that driver and then install it in the laptop and then we will reboot the system. So let me show you on my screen. So what we'll do is we'll try to focus right? And downloads. Then we'll just open up this one, downloads customer portal. And then we'll search here, focus right, pick your brand, and then we will pick product. So we have focused right? Scarlet Solo, second gen, third gen. So you should see that which one you have purchased. Let's see, I purchase Scarlet Solo second-generation, and then we kill product by range. Okay, So we have Scarlet Solo. And then we'll go here and we see that is Windows USB driver. That's it. All you have to do is just download this driver and it will be good to go. So just download this driver and then install it in your laptop. That's it. Go to next. Next, install. That, just click Restart. Okay, so once you will report your laptop, your route, and then store your scarlet studio is connected and you're good to go. So that's it for this video. I'll see you in the next one. Bye bye. 15. How to Install Software for Recording Voice overs: Hey guys, welcome to the video. In this one we're going to talk about which software to use, how to install the software, and how to finally get ready to record. So let's go to the computer and I will quickly show you. Now, just go here and search a UDL audacity. And just go here and then go here, download Audacity. That's it. It's a free software. You just have to download it. It's one of the best software to record your voice-over. So I'm just going to download. Once it's downloaded, you just have to install it. It's already installed in my laptop. So once it's audacity is installed with the double-click next techniques, That's it. It's very simple. Just go here and search a UVU density. And click, Okay, now how you'll figure out that your focus right, solo is correctly installed. You will go here and see that. You will see this. And log one plus to focus, right? You just need to see that whether focus, right, you're seeing here or not, if it's not correctly installed, you will not see any focus right, written here. So in that case, what you have to do, just have to make sure that you have correctly installed the driver for the correct version. That's what you have to do, okay, once you see that this focus is here, I just have to select it. And that's how we are making sure that this focus right is now selected and whatever we going to record, it's going to record through this device, not through any other microphone. So now everything is ready, your software is installed. Now you have to start regarding the voice over. So that's, that's it from this video. I'll see you in the next one. Bye bye. 16. How to write Voice overs: Hey guys, welcome to the video. In this one, we're going to talk about how to write voice-over for reals. Even before going to record the voiceover, I want to talk about this topic specifically because that is really important for your Rails to do good with the algorithm. Now, first of all, your voice-over, whatever you write should be in very simple language that we are writing in the English. Just use simple words. Don't use complicated words. And second of all right, something which most of people can relate to. Whenever you're writing anything, think of it. How many people would be able to relate to this line? What I'm saying, think from that perspective and then start writing. Let's say, if you're not good with writing than what to do. Well, this is what I do. What I do is I listen to songs. I listened to a lot of songs. And I think about, I imagine and think about, okay, what are the words of this song? And I just tried to ride around those lines. And then that's how I do it for some of it. Let's say if I'm just sitting and what I'll do is I'll just start writing and I'll write ten to 20 voiceovers and then I will just refine it. I'll just write some initial lines and then I'll try to refine it. Okay, This is the second way and the last way is let's say if you're not good at all with the right, and what we'll do is just go to the Google and search any topic. For example, if you want to write something on nature, just search nature quotes. Write something on love. Just search, love quotes, whatever you want to write such that and with the quotes and then you will find lots of pages and then go through it and then don't copy exact those words. Just take the motivation or inspiration from those words and then think of something riding on your own, or just take those codes and then modify a bit according to your need, a valley if you go and do that also, then just start picking up those quotes. That should be the last option. And then you can slowly start with the voiceovers. And then when you will keep doing it for so many days, then you will get lots of ideas on how to do it. For example, I'll give you one very good example. Yesterday I was listening to one song. This is the song Bella and I shot. Whenever I listened to this one, I just thought, okay, I just try to imagine the scene, how I want to shoot it and what I want to write it so fast I thought of, okay, let me write, Hey, I love you. And then that tune starts talking about, No, No, No, This is not going with this. Let me think of something normal which most people would relate to. Let say, Hey, I miss you. And then that tune goes. And then I think about, Okay, I want to shoot it. For example, I've, I'm just typing on my phone, Hey, I miss you. And then I think about it in the music goes and then, Okay, I just don't send that message, I just remove whatever I wrote. And that was the deal with such an amazing idea. So see this real, then you will understand, hey, I miss you. And this really just went viral in two days. I got a million views. I mean, it's really happens that you get in two days, you get a million views. A lot of people share this real because they were able to connect. So that's what I want to say that right? Something which most people can relate to whatever VoiceOver you're doing. Either you're trying to find it on Google or either you writing it by yourself, just try to write some simple words and then think from a people perspective, they would be able to relate or not. So that is my thought on writing voice over. So I hope you can learn from this video and just start writing it. Hey guys, I was just editing this video. And I also created one more real, so I thought to share an interesting idea with you instantly. So I just created this real just see this video. Exocrine some LTS bearish. It was raining outside and then I went downstairs and I recorded a simple video of rainfall. And I thought, okay, what I can create, what I can write on this one. So what I did is I thought of music and I think the music went really well. And then I added all of the side effects and then. I thought, okay, what I can write over this. So I knew one thing that when it rains, everything looks beautiful around you and you're like you forget everything and just enjoy the moment. So that was the thing in my mind. And I thought, okay, what I can write over this. So I came up with one line, so it feels good. It just feeling out there. So you feel good. And what cushy multi-year. I thought of this. Okay, you feel happy. And then I thought, okay, exocrine some, somebody like us by Java, abolish, click the OK. Chips are so-called something else that you feel really peaceful. You feel strange happiness, you feel strange piece inside you. Our jeeps or so-called mill that is bearish could take it gives us a window that's very cushy single dispatch codec. This is the first-line and then I thought, okay, now what? I can write it as a second line over this one, then it could Gypsy, cushy, middle Diego Jeeps are so-called mill tires. Bearish me for the timing. You forget everything and then just be in the moment. So by locally which time Gillick, which worked clearly up sub pulls out the order. Salami, Go enjoy Curtis LeMay me that so that's what I wrote. And then I thought, oh, no, no, no, what I can, what I can write as which worked clearly up, so push out the hook which worked really up, sorry, gambled shadow. This is also good, okay. Which Palo Gillies sub group later, okay, This is also good for the timing. You forget everything for the timing. You just for the diamond, you forget everything. And then I thought of one more. Everything around to look, looks beautiful up Gaspar subgroups, root luck there. So then I thought, okay, what I can try it. Okay, Then let's go with this one which BY locally is subunits which are localized sarcoma Capulet. This also sounds good, but this is a little sad. And the other one is, I hope so, good luck there. So then I thought, okay, it achieves us because heaps or soon will die is bearish me. Which Balochistan, which BY locally, sorry, gamma globulin for locally up subsiding ambush audio. So that was the final one was I execute some delta is bearish me, which colloquially cited gum, pull our data. That's what I said and I got upset the same thing like excludes some l that is bearish me, which colloquially up sub-bullet gave us was lumpy. Go enjoy God, there was a slum hemiretina. I could have said that also. One more. I got upset. X equals a midrise bearish may or lactic is in the capsular there. So that's how I wrote. So you can you can dry it according to what you think and you can just write different lines and then think, okay, what suits the best, what works the best for you? In which line you feel you feel most unrelated. So that's how you can drive. So yeah, that's it. So yeah, I hope these tips help you. I'll see you in the next one. Bye bye. 17. How to Practice Voice overs: Hey guys, welcome to the video. In this one, we're going to learn how to practice the voice over even before recording the video, you should practice with your voice. Now, when I started voiceovers back in 20182019, I was not good at it. But over the period of time, I practiced and practiced a lot and I figured out what works the best for me. Now, when you're recording the voiceover, your voice should have ups and downs. You should have. Maybe you can deepen your voice, maybe with a husky voice, and maybe you can be little bit emotional. Whatever you're trying to say that you have to feel it inside first before even recording the voice-over. If you can't feel it, it's not going to connect with the people no matter how good you write, how you edit your voice, whatever you're saying should have a feeling. And that's how people are going to feel the same over the bid of them. I have figured out that this deepened voice, this husky ways for me works the best. It can be different for you. You have to figure out on your own. Now some of the people, they can think, my voice is not that good. What should I do? Well, I want to say that everyone's voice is unique. Your voice is good too. You just have to figure it out how you want to recall it. Now, whenever we sing, right, we say that you should realize you should do practice. Wb up, good, record, curtail the song. The singer, they always do practice, re-ask or negative. And that's how they become better. So you have to practice the voice-over also, and that's how you will get better. Okay, So that's what I want to say, that now, I will just say a few voiceovers with the different ways and then you will feel that how it's sounding. For example, let's say, Let's say, I'm say, I'm saying quantum heroin is a touch-up. Drm could harden amount, look so fill it up. The tomb could write one more thing. I want to say that you have to take a pause wherever you feel like you should just not read out, you just feel it right. For example, R1 is at the time couldn't normally. Whenever I record, I just recalled with the multiple takes a positive different places. And that's how I feel in editing what works the best for me. So let's see. Guadalajara dub, dub, dub, DOM code, Hanuman law. Now it sounds different. Septa, couldn't normal low law and glutamate hedonic sector that the dome couldn't normally low. Like it all sounds different with this. I just want to say that you have to practice. Now, let's pick up something else to nibble so they will be met to make a beak any buyer keep water middle. C. Now let's record in a different style. The moderately parcel Derby, Mathematica bikini by our keyboard to middle. It sounded different. Let's go more deeper. Let's go more Husky. I mean, let's record it in different style and just want to show you a tomato nib boss or Derby mathematical trick. Anybody give a tomato? Tomato, they pass or they will be met. Omega began in the middle. That's how you practice. Now let's practice one more and then we'll end the video. So this one goes like he said, punch any Gaelic and you say Michelob auxiliary. So we'll try to say in different style. We'll take a pause at different places and then you will feel the difference. So I'll figure it out. Go Haber-Bosch, Nickelodeon now. Take one, marginalia, Nikola, but they do not use any color. Well, hello everybody. See how I took pause at different places and you feel the difference, right? So now select which one works the best for me. Now, if I have to say in one more style, punch Nikki Lee sending a lab order to do. That sounds completely different. And now let me just play the final outcome for you, which we will be learning in the coming lectures. But just to show you the excitement and the parcel dew will be met. We can pick any biography, give it to me too. Now let me play the next one for you. But partially Guinea and that'd be played The next one for you. Jeff took could say, yeah, that's it from the video. I'll see you in the next one till then, take care. Bye-bye. 18. 5 Things to know Before start recording Voice overs: Hey guys, welcome to the video. In this one, we're going to talk about five things to keep in mind even before I started recording. This is really important. Now the first thing is never regard the voiceover in an empty room. Never do that because whenever you're doing the recording, the voice, your voice is going to go to the wall and it's going to reflect back. And then it's going to go into this recording device and it will not sound good. So like always regard in your room, which is filled with stuff like here I have curtains and this side, I have This sound panels, which is basically just to absorb the sound so that it sounds better. And the second thing is always use a pop filter because it will control the air that will pass and your voice will sound basically good. So always use a pop filter. And then the third thing is always keep the distance with the mike, either one finger or two fingers. Figure it out. What works the best for you. I keep it one finger. So this one sounds good. See the gap between the pop filter and the mic. This much minimum, you should keep it. And the next thing is the fourth one is always record from this side. This is the scarlet studio. It's written, never record from the other side because the, because the mic is here. And so always just make sure that's colored studios written record from that side only. And the last one, which is really important one, always use a headphone with your mic. You will get one with a scarlet studio. The one I got, it's not working anymore, so I'm using some other headphone. But this is very important because whenever you are doing the voice-over, you will hear it back whatever you are saying so that you will immediately figured out how you are sounding. And is there anything you want to correct. So that's really important. Okay. Yeah, these are all the things keep in mind. Now in the next video, we will actually start recording in Audacity. So I'll see in the next one till then, take care. Bye-bye. 19. How to record Voice overs: Hey guys, welcome to the video. In this one, we are actually going to record a voiceover. So before that, I want to tell you one thing, just one last thing. See in your device, in the focus straight. See this level. Always. Just try to fix it around here. Or maybe you can change it according to how far and how close you are to the mic. And then I like to keep it here. Here, just in the middle. So this is the preempt, this is the gain. You can make it full. And it's going to sound bad. So make sure when you're recording, see this, this, this should never turn into red. There should always be green. So see, it's turning red. So always try to fix somewhere around here. That's the last thing. And I have connected this headphones and everything is just now connected. So we'll go to the screen. So you will see that here. I have selected this and log one plus to focus, right? If you see any of the number, but if you see this focus right, is selected right here, and then just start recording. Now once you start recording, you have to be just very silent. First five to ten seconds, because I'll tell you later why in the editing process, but you need to be silent for past five to ten seconds. Okay, So we'll just start regarding our voice-over. So let's just hit this button. Record. Okay, So it's all set. And now it'll be this much close to the mic. Hello, hello. Hey. Okay, so let me just test it. This much works fine for me. Yeah. Start recording the voice-over. Let me open it up if you voice-over. Okay. I'm going to record five to six voiceovers and then we'll just record it. And then in the coming videos, we'll edit. We'll do the basic editing, we'll do the advanced editing like I do, so that you will be able to edit like this. Now, let's go and record 123. Start. Quito. Mahogany sector. Could add them. I know that was not good. Glutamine. Glutamine. Glutamine is eta. Could have norman law. I think this was nice. Let me record one or two more times. Just increasing the gain a bit. Quito mahogany sector in Chapter could harden them and low. One more time. *****, me hedonic. The book. Tim could have common law. This was on fine. Now let's do the next one. He he, I miss you. I miss you. Good. Let's do another dig. He I miss you. Okay. One more time. He I miss you. I miss you. Yeah. This one's own. Fine. But I guess this was little sad. So let me try to record again. He I miss you. Yeah. Perfect. Let's do the next one. This one, the moderate and they pass her therapy, mental makeup, pick any buyer, give a tomato tomato it and the parcel dew epi meant to me, can pick any buyer k. Give a tomato one more time. Tomorrow it may pass or there will be metal, a metal megalithic antibiotic, a tomato. Good one. Tomorrow, Sydney parcel delivery man. Mccarthy Ghani by our gay. Give a tomato. No, Not good. See, I'm listening at the same time. So I feel, you know what I'm saying? So sometime I feel like it's not going good, so I'll do the retake. Tomorrow evening, paths, are they being demanded new password to be met to me? Tomorrow it may pass or Derby mathematic, cubby canny via give a tomato. Tomato ethnic bias or Derby metal may be canny by Aggie. Give a tomato. No, no, no, One more time. Okay. One more timeless. Just feel tomorrow evening pass or Derby meant to me. Can pick any biography. Give a tomato. No too much deep, deep. Tomorrow Sydney Paso Derby metal may be Kenny by archi. Give a tomato, tomato, basil Derby methylome. Can pick any buyer. Give a tomato. Okay, This one was good, I guess. Now let's go to the next one. Yes. Hi, I'm locked up. Talk so much money. I'm locked up. Somebody's done anything about the ham looked up so much that has looked up somebody's darling, your day job, I'm Buddy. Buddy looked up so much. Daniel digital, somebody particularly somebody everybody got there. Yeah. I'm locked up so much that the German me the tone is not good. I can feel see that's how it goes. And I shine on the AC is off too, because I don't want any disturbance. Has the burden of Egypt has looked up someone's done in usage of them. But anybody by taker, they're bulky hem look up so much that all the edge of HM, shortage already, but there's so much any luck there. This was one good. I'm locked up so much, darling, your day job. Hm, looked up someone's done in your day job. I'm very, very bad. Thicker, they're bulky. I'm locked up so much data out there, Japan, 2030, buddy, so much any luck there? Yeah, I think this one was good. Hmm, looked up so much data usage of them. But anybody about Descartes, they're bulky. I'm locked up so much Dato the angiogram showed the body. Somebody like they're bulky, haven't looked up so much Dato, they're bulky. Him locked up so much data out there and Joham shortage already, but there's so much they liked pair. Yeah, I think this was one. This one was good. Look. Hmm, looked up so much Dark Age of them. But anybody bradycardia, bulky, having looked up so much data with Android Home Depot, There's so much they like their bulky. Haven't looked up so much done. Anybody has looked up so much that they haven't looked up so much done a youth age of them Buddy, Buddy partake or they're bulky, haven't looked up so much data out there in Java maturity to antibodies so much any luck there? I think this was one good, bulky like the, like the way you should, you should be happy when you're seeing this word bulky. Looked up so much that many of the semester. Hmm, look up so much done in your day job. I'm Buddy, Buddy partake or they're bulky. Haven't looked up so much data out there. Shortage or tea parties so much. I think this was on good. So what I've done is I've taken multiple takes and then I'll select those lines which are really good. For example, like say, I did the first day, I like few lines. From the second day, I like few lines. I can just combine it in the editing. So that's what I've done. Now, let's go to the last one. Okay. We'll just do the last one. Okay, two more. We'll do two more voiceovers. Go here. Now. I use any color blowhards at ODU? Yeah. Yeah, this one well and good. Biogenic Eliana can use any color. But Hadza, Rodia, cohabit bargaining really going say Nicola Bahasa duty? No, no, no, no, not at all. Going to be biogenic earlier. Going cynical up Bahasa duty. Yeah, I think good. Last one. Deep sea. The images each account. Okay. Let me just okay. Pick a gypsy because you are the images each account B or there's a lag time. I want to travel more. You know, what? You don't want get Inaki live in the moment. This is what it means to me. I get excited, I get emotional, I feel everything. I think this was this. This is just to start. I like few lines but I didn't like the whole voice over. So just record this one again. A gypsy could show them as a GP because your theme, which EC2 hobby or deselect that again, I want to travel more. We're getting lucky, Live in the moment. Well, this is what travel means to me. I get excited, I get emotional. I feel everything. See the way I'm recording right now. This I get excited, I get emotional. I'm just saying it normally without any husky voice, without a deep voice because I felt that these lines, these two lines just need a little bit of drawn as a gypsy because you're dealing with Jesse. Just pause. Ica, Gypsy Cassio the images each hobby or does it look tacky? I want to travel more. Okay, then I get to live in the moment. Okay, Then I can live in the moment. Will get energy, live in the moment. Well, this is where Trello means to me. I get excited, I get emotional, I feel everything. Let's just one more last time. It achieves equals showed the images each and hobby. Or as a luck diarchy. Gypsy because you're the images CGRP or Gypsy because you with the images each account B or I want to travel more, you will get the energy live in the moment. Well, this is not good. Eq equals your team, Jesse Jacoby. I want to travel more. Okay. The Inaki live in the moment. Well, this is what it means to me. I get excited, I get emotional, I feel everything. I think this was one good job seeker shooting with what does it look tacky? I just wanted to travel more. Look at anarchy, leaving the woman. Well, this is what it means to me. I get excited, I get emotional, I feel everything. So that's how I've recorded a few voiceovers. And now we'll go to the next video and we'll start editing. This one, will go to the next one and then let me just stop this one. Stop the recording, this click this one. The stop button, and then the recording and stop. The first thing that you do is to save this, save this audio. So go to File, go to Export, Export As wave. Go inside to save this audio. Just click and it's going to save and then save the project as well. Do you have saved the audio would save the project as well so that you never miss this raw project. So I'm just going to save project, Save Project as go to the recording. And this one was through save it. Give a meaningful name. I've just given this name as pro. I hope you learned something from this one and you can practice with the voice-overs. So just practice it. Try to say this in different ways. Take pauses at different places, and try multiple takes and see which one sounds the best, right? So with that said guys, I'll see you in the next one till then take care. Bye bye. 20. How to do basic Voice over Editing: So guys, In this video, we are going to learn how to do basic editing of the voiceover in free Audacity software so that you can start editing your voice-over. And then after that, in the future videos, I will create how to advanced editing, which I use for all of my voice-over on the real. So what I do is I first used Audacity, which I'm going to show you right now. And then I moved to, I don't want softwares and give the final touch-up. That's how I do it and I'll explain in the future video. So for now, just let me go to the Audacity and explain you the basic editing that you need to do for all the voiceovers. And yeah, that's it. Let's go to the screen and let me show you. So this is the software where we recorded our voice-overs. So the first step that we are going to do is to remove the noise. So that first few seconds that we took was we just took the samples from there and we will remove the noise. So see the steps that I do. So select the area, just drag the mouse over it, and then go to Effect, and then go to noise reduction and then get noise profile. So this will get the noise profile from the first few seconds. And now it knows the software knows that this is the noise. Have to remove it from the whole audio. So now we will do control a. This will select the whole audio. And then we'll go to Effect, and then we'll go to noise reduction. And then this is the option we're going to click, Okay, and see my number which I have selected. If you see some different, normally you can keep the number same 1651. Now just click Okay. And it will do something and remove the noise. That's it. Now the next step that we're going to do is to use compressor over it. So go to Effect panel and go to compressor and then select the settings. If you see anything different, you should use the same settings. Minus 12, minus 40 to two ratio, 1.21212. Yeah, that's it. And just keep the settings same and just click Okay, nothing else. Ok. And see how compressor has changed the wave forms. Now what we'll do is we will just go here and select this option minus minus. So we will be able to see the whole audio that we have recorded. Okay? And then the next step that we're going to do is just go to the Effects panel and select this filter curve. And here we will just decrease the low-frequency and high-frequency those. So this is the low frequency area. This is the high-frequency area. And I'll see that I just create different points. And then I'll just decrease a bit, nothing else. And then just increase. Just increase and then just decrease. Yeah. Something like this. Now we will click, Okay, see the settings. So I have just increased the low-frequency and then increased this mid-frequency from a 100 hertz, 2 thousand hertz. And then later when we're going towards high-frequency, I just decreased it again. So that's the waveform I have created. Now. Just click. Okay. So now what's the next step we will do is if it's unselected, just select again Control a and then go to Effect Amplify. Amplify. You will see that the number here is by default 0. And if the software finds that this audio can be amplified, it will give the automatic number to us. But here it's saying that it's, it's 0. So what we'll do in such cases is we'll select the manual audio. Why it's not able to amplify it. Because see here, you see this one line. It's touching the highest peak. So it finds that it cannot amplify this audio or because it's already touching very high. So what we'll do is we'll select will select the metal audio. Okay. Yeah, we select that. And now go to Effect panel and go to amplify. You will see the automatic number is 1.7 now. So it can increase this much. Okay? And now we will go to the starting and we will do this for the full audio, will go to one-by-one small portion and we'll try to amplify whatever we can do. For example, let's just go here and zoomed in here. Plus, plus, plus. Can go to the starting and see this. And select this whole portion like till here, and go to Effect Bell and amplify. See we can amplifier. Now go ahead and select this small portion. Select amplifier. This amplifier a bit because it's touching. So we'll do is we'll just amplify. It says that 6.9 and we'll just increase by four. And now we'll select this portion and we will effect, amplify. This. Just increase his getting too much. So we'll just increase by one. Okay. Let's go here. Just amplify this, also. Select this and try to amplify this one. See this VC, this numbers. So just select this number is three. Okay, Now let's move forward and select this audio. And just go to Effect will amplify and just let's say by two. And let's go next. Select Effect, Amplify. That's it. So basically we are just increasing the volume so that our voice-over which we recorded sounds fortunately equal in the volume. So what happens is when we record the voice over the first few words we say louder and in the last few words we don't say that loud. So that's why we need to amplify those portions. And now we are ready with the first export. We can export this audio. You have done the basic editing, whatever you have recorded, it is going to sound better. Now you can just listened to before and after. C, listen to this voice before. Homeless. How much does each of them, but anybody but they got their public-key haven't looked up so much data out there. Shortage or tea parties so much. And now listen to this one after editing. Hmm, Look up so much done. But anybody partake or they're bulky, haven't looked up so much Dato then gentlemen shortage or tea parties, so much luck there. So this is just the basic editing and you can export it. You can use this audio, but if you want to enhance it further, you want to do some river. We want to use some delay, and you want your audio to sound very crisp, then in the coming video, you are going to see. So now let's just export this audio. Go here, export as wave or MP3, whatever you want. I just explored always this way. You can export as Mp3 also, let's just give this name. Recording, voice-over and density. That's it. Okay, and give edit. Just to save. And you can hear give the artist named drag name if you want. I don't give anything, so I just click OK and it's going to export the audio. So guys, that's it for this video. I'll see you in the next one. Till then, take care. Bye bye. 21. How to do advance Voice over Editing: Hey guys, welcome to the video and this one we're going to do the other ones, editing of the voiceover in the previous video, you must have seen that. I have shown you the basic editing in the Audacity. And in this one I'm going to use three major software. First one is isotope nectar to, the second one is a first studio, and the third one is Premier Pro. So all these steps, these are really simple steps and it took me a lot of time to figure it out to make the best voice-over. But it will be really easy for you once you will see that, you will say, Oh, these are, these are really easy steps, just simple clicks, and you will see the difference at each step. I'm going to show you before and after so that you can listen to it and you can feel the difference. So the first one that we're going to use this isotope nectar or isotope negative two, whatever the latest version is, it's a plug-in that you need to install in Audacity, it's not a free plug-in. What I'm going to do right now, nothing is free. Every studio is also paid. Premium is obviously paid, and this one isotope nectar tube is also paid. So what you have to do is just such isotope nectar and then you will see something like this, nectar three. And then by now, and you can buy the plugin from here. I already have the plugin. So once you will and download the plugin, here is the option to install it, add and remove plug-in. See in the Audacity, audacity isotope nitrogen is already here, so I'm just going to select this one. Whatever the previous editing that we have done in the previous video with the basic editing. After that, we will just use this step isotope negative two and you will see something like this. And then what you have to do is you can go to this click here and you will see lot of inbuilt preset. So what is isotope negative two? Basically it has lot of inbuilt presets. And then you just have to apply those preset. And it will going to change your voice accordingly according to the a, which piece that you use. I really like this one. This simple upfront that I applied on all of my voice-overs. And then you can try out different presets. So you just have to click this. Let say if I want to select this simple upfront and then just click one and then hit Apply. It will automatically doesn't magic for you. And also you can check the preview as well. For example, if you select this one and if you will hit Play, it's going to play the audio track for you and you can just listen to it and feel whatever works the best for you. So you can also select this voiceover dialog option. In this one, you can select the scale voiceover or radio commercial, male or female. These are really good. But my personal favorite is simple upfront and you can try a lot of different presets. So just click this one and hit Apply. That's it. It's just going to do the magic for you and you're going to listen before and after isotope negative two and it takes some time to process the audio, but once it's done, it's going to be fantastic. Now once it's applied, you will see that the waveform is now changed right? After that. You can also change the reverb and dry and wet and change the page and everything. I don't change anything but you can just add the reverb here. Also, what I like to do is I like to do the reverb, The FL Studio software because I really liked that revoked. You can do play with the reverb here also and just change the delay and just try to listen. If it sounds good, you can just hit apply and it will apply. But for now, I'm not going to do this, so I'm just going to close this one. And that's the audio I'm going to export again the same way. Now, listen to it before him look up, someone's done. But anybody partake or they're bulky, haven't looked up so much data that I'm shortage or tea parties so much they look there and after him look up, someone's done. But anybody partake or they're bulky, haven't looked up so much data out there. I'm shortage or two parties so much. I hope you liked it. Now what we'll do is we'll just hit File Export as wave and just select Audacity edit and then add here nectar to just save this wave form. And then what we'll do is we will go to the FL Studio. So I already have this installed. So we'll just click this one. I have FL Studio 20. Now what we will do is go to the recording and we will see that this is our audio edited from recording know Audacity edit nectar to. So we're just going to import here. And I'm going to do only one step here with the reverb and delay. And it's going to just change the order. You like crazy. It just makes the audio sounds really amazing. And most of the musician use this FL Studio, but I use it only this reverb option in this one. So what we'll do is we'll just select this one, go here and select this option. I know that it is really complicated. You don't need to learn anything here. I also don't know most of the things here. Just select this option and go here. And in this one I'm going to apply that revolve. You will see that it already has a preset called fruity reverb to, I'm going to hit this one. And what I'm going to do right now is just, I'm going to play the audio track and I'm going to listen to this one, and I'm going to change these settings accordingly. So what I typically do is I just do something like this. I changed to this one and then increase deck a bit, increased dump a bit, base a bit, cross a bit, and then just add a little, just a little bit. And that's it. That's what I apply. And you can change the different settings. You will see the difference. For example, if increase the vet, it's going to change the audio. So you have a play with this one. I like to just keep it here, vet here, damping here, and deck here. Once you are done with the changes, you can save this as a preset. See here, Save Preset as I already have the preset here, see reverb on kit. If you will see that this, these are the changes I have done here. Dry, full, ER, wet here. And I'm going to give you this preset for free and you can install it in this one in, use it. Once it's done, you just click, Okay, and you'll see that this fruity reverb to is all reapplied. You can listen to it with and without. Once this reverb to is applied, all I will do is I'll just go here and save the audio. That's it, guys. That's it. Now, listen to the audio before we took it to FL Studio. Homeless, so much done with them. But anybody partakers, they're bulky. Having looked up so much data out there, I'm shortage already, but there's so much they look there and now offer we have applied the reverb. Just listened to this one and you will see the major difference, hm, look up so much done heritage of them. But anybody partake or they're bulky, haven't looked up so much data out there. I'm shortage or tea parties so much they look, they're just go here, save this one and save the recording as wave. So we can just hit this as negative two and then add the name FL Studio and hit OK, save it. Start. It's going to export the audio for you. And that's it. It's done guys, this is the only thing that I use in the FL Studio. Now, your voice-over will be sounding much better from where we started. But still there is one last step that I do, always do on all of mice. The reals are all of my voice or whether I'm doing it for YouTube or reals. That is in the Premier Pro. So what I've done is in premium pro, I have change a few settings and I've created a preset. So I just apply that piece it all the time on all of the audio. So I'm going to give this be set free for you. You can Important this preset in the Premier Pro and you can use that preset. So the step of applying the preset in the Premier Pro, I will show you in this section where I am showing you the editing of reals in Premier Pro. That's the last step I'll use there. So yeah, that's it from this advanced editing of the voice-over, these are all the steps that I do. So how we started, we first edited in Audacity and then after doing the basic adjustments, we applied simple upfront preset in the isotope nectar to. And then we exported the audio. And then we imported the audio in FL Studio. And FL Studio we just applied fruity reverb to and then we exported the audio again. And after that, we'll just take the audio into the Premier Pro, Edit the cinematic feel. And then will there we will apply that preset, which I'll show you in the other section. So that's the whole process from writing voice over to practicing the voice-over to record, to finally do the basic editing, to do the advanced editing. And that's all the small things make a huge impact. Your audio sounds way better with the soil. We add some amazing music, which we will see in the other videos. And it just creates a different feeling and people love it. People connect it up so much done. But anybody partakers there, bulky, haven't looked up so much that old German shortage or tea parties, so much data. And that's the whole process. So I hope you loved it and I'll see you in the next one. Till then, take care. Bye-bye. 22. How to get Ideas from Music: Hey guys, welcome to the video. In this one we're going to talk about how I get ideas for the reals. I mean, for view videos, it's just okay to put up random videos, created voice-over that, and add a music and then just upload the video. But for some videos you can be creative, right? So for all those kinds of different videos that I've created, I'm going to share ideas so that you can learn from this one. Now let's go ahead with the first one. Watch this one. John Doe Tomasa, dude who watch them could be milling. It. Can push a button and get them to near miss so much stone to real dire. Particularly older category radio Tim to copy Bagchi, the other whisker, Baha'i. Good. So how I came up with the idea of this one, I was just going for a run in the evening and I was just listening to this particular song. And I just thought, you know, I just got the idea, okay, a guy is missing a girl who is not in his life anymore and he just want to talk to or maybe it's just missing that girl. That's it. It's okay to be not in his live anymore, but he's still miss her. So that's how I got the idea. I came back home and I wrote all those lines. And then I thought, okay, How I want to shoot this? I want to go for maybe a walk, the backpack and then in the evening time. And then suddenly at the end, I just revealed that I'm writing all those lines for her. And the last thing I showed that the guy is missing. They used to go out and now he's just alone. So something like that. That's how I got the idea. So like listening to songs can give you great ideas. Listen to a lot of good songs, you'll get ideas. Now watch the second one, but they can get the worker. In fact p. So how I got the idea for this steel? Well, nowadays, obviously, I'm at home. I am not going out because of the lockdown, because of the situation we have right now. And I just wanted to go out and travel freely without all those bad things. Like the way we used to travel in 2019 Soviet, the hope I think everyday like this time shall pass and just waiting for that one day. I was just standing in the balcony in the evening time and I was just thinking all these thoughts. I want that time. So that's how I wrote those lines and then how I want to shoot this. I obviously wanted to shoot at home because I am just thinking about that time when I'm at home. So I thought, okay, I'll just shoot this in the evening time. And because nowadays in the June, it's like it's beautiful. The sky every day is beautiful. So I thought, okay, I'll just shoot with a tripod. And then I thought, okay, I'll just go and stand there for some time and then I move out of the frame and then let the camera record the video for some time so that I can create a time-lapse over it. Then in the editing, I wanted to combine it together, like the time-lapse and me standing on the balcony showing that time is passing with the name labs. And then for the song, I selected six different kind of background music and each one was looking good. But the one that you just saw is the final one. I have five of which are equally good. Yeah, that's how I got the idea for this v. Now let's move on to the next one. See this one, Ginko Jonathan Lazar there. This video was very simple. I knew that someday I'm going to write some sad lines. So I need to shoot something, something like this. Like I'm just sad. When I was in Goa, I just took all those shots and then I thought, okay, someday I'll combine this with the voiceover. And then when I came back home, back to puny, I wrote those lines and then I combine it with a nice music. And that's, that was a simple idea, and that was the video. Now let's go to the next one. Gentleman daddy. Much earlier. Hi, I got the idea for this one. Well, I was just driving one day and I was listening to this song. And then like these lines came up in my head, like, I need to go. But the guy says, Okay, Please wait for some time. So these are simple lines. That's how I got the idea. I actually wanted to act in this video, me actually saying those words and then recording the video, but then we couldn't record. So I thought, okay, I'll just combine it with the voice over n. Now watch this video. I miss you. This video has crossed Dan billions on Instagram right now. And this is just so crazy to think about it. How I got the idea for this one. Well, it was a simple line right here. I miss you. I was just listening to the song again. And I thought, okay, I needed to write something around that music. And I thought, Okay, Hey, I love you. First I thought about this, and then I thought, okay, now, let's try it here. I miss you. And then a simple line and then I thought how I want to shoot this video. I'll just record it in the evening, obviously. Just type it in my phone here, I miss you. And then after that music starts, and I just don't send that message. So that's how a lot of people were able to relate to this one and that's how it got a lot of shares and listen to this last one and the parcel dew will be met. We can pick any bye. Okay. Give it to me. So how I got the idea for this one? Well, again, I was just listening to this song and I thought, okay, I wanted to write something around these lines because this song is just so amazing. It's hitting on my heart. So I came up with these lines, like tomorrow it may pass or to be met to me, could be canny by oaky Tomato. It happens with some of the people, right? They can't express their feelings sometimes. So that's, that's how I wrote those lines and combine it with the music. And it looks just amazing. So yeah, that's all I got the ideas for these reels. Well, most of it, I got it because of the music, because of the song. I keep listening to a lot of songs and I just try to ride somewhere around that song. Or maybe sometime with the voiceover, I just tried to find a good music that goes there. That's how I get the ideas. Start listening a lot of songs and I promise you will get lots of ideas, lots of imagination in your head. And you can just portraying that on frame. That's it for this video, I'll see you in the next one. Till then, take care. Bye-bye. 23. Choose the right music - see this reel with different songs: Hey guys, welcome to the video. In this one, we're going to talk about why music choice is so important. Because music is kind of a bridge that connects your voice-over with the video. If you're not using the right music, is the music that goes with the voiceover. It's just not going to look good and people will not feel. So it's all about connections, right? When you're creating reals, It's just all about connections. You are creating feelings, and that is all because of the music. For example, if you want to write something really motivational and if you choose a really sad music, it's not going to go obviously. If you are saying something very sad, very emotional EMF, and if you use some high-pitched song, it's just not going to sound good. So you have to figure it out. Like what kind of music you want to choose for your videos. If you are creating something, something sad, you obviously want to use a sad music or maybe that goes with the vibe. Yeah, that's what I wanted to tell you because I've seen a lot of people just using random music and then enum voice and it just doesn't sound good to get to always fine, perfect music. Sometime what happens with me? I just record a voiceover. I have the video also, but I'm not able to find the right music for, for my real. So sometime I combine a lot of different kinds of music and then I see which one feels the best. Just try to use different kind of songs with the voiceover and see which one feels the best. For example, just for the example, I'm going to play this one real for you with the different music so that you can feel and Latino, which one sounds the best to you? Because he teaches kid walker tau p times p times p. So you can choose good worker. In fact, pizza. Welcome. Peter said tell me which one you like the most. For me, it's the last one. So I just wanted to give you a chest that tried to combine a different kind of songs with the voiceover and which one feels the best you can use it. So yeah, that's it for this video, I'll see you in the next one. 24. Why Creating a Music Library is so important: Hey guys, welcome to the video. In this one, we're going to talk about why creating a music library is so important. Creating a music library basically means collecting all those different kinds of songs. Even though you've not written any voice or as I told you in the previous video also, like I keep listening to the songs on YouTube. So maybe scroll through reels on epidemic of music. But I just keep listening to the songs and keep collecting them in one folder. Because when I have written something and if I have the video at that time, I don't want to find the songs online. I want that in my library where the different folders, you can create different folders, maybe some songs for the motivation, some songs, the sad samsung for the emotions, like different with a different theme. You can create different folder and keep all those song in those folders. And it'd be really easy to figure it out when you are editing those videos so that you can just quickly look up to that folder and use that song. Otherwise, finding the song at that time, it's going to be really difficult and you may not find the perfect song. So that's why you should create a music library. You create different folders, collect all those songs in the different folders with a different theme. So that when you are editing it's going to be really smooth, really easy for you. Hope you got the idea. And that's how you will be sorted as well. So I'll see you in the next one. Till then, take care. Bye-bye. 25. One simple tip I follow for Music: Hey guys, welcome to the video. In this one, we're going to talk about why you need to listen to the music and imagine at the same time, that's how you will get best ideas. Like maybe if they're driving, maybe you're going for a run. Maybe you're making food, or maybe you're just sitting and listening to songs. Just whenever you listen to songs, just try to imagine. You can imagine anything, any scene. Just try to elaborate and listen to the song again and again. Like some like a lot of times, what happens with me when I am driving? I just tried to listen to the song, few songs again and again, if I imagine something, and when I get the idea, I just write it down immediately so that I don't forget. And that's how I keep writing all those ideas, whatever I imagined. Because I know that when I'm going to create this is going to ****. And I write that song that I'm going to use, I just write the idea. And maybe when I start writing those voiceover, I just combine that music and then idea together with the voice over is going to help you a lot. So whenever you're listening to music, just try imagine whatever you imagine. Just write it down at that time. Just don't think that okay. I'll just see some other day. No, just write it down immediately. Okay. One more tip. Whenever you're listening to music, just tried to figure out which part you want to use, because the whole song you may not want to use over the few particular beats are few, few seconds the music and we'd really good that, that can intimidate you. And that's also you can, right? So that's all about the music I wanted to suggest. And with that said guys, I'll see you in the next one. Till then take care. Bye-bye. 26. Different ways to find amazing music: Hey guys, welcome to the video. In this one, we're going to talk about how I tried to find songs on YouTube other than the normal songs, what I really like about it and how I tried to find it. So that's the two important things I'm going to tell you, which I like. The first one is, now it is lo-fi beats a lot of songs that you can find on YouTube that I really like it. You just have to go to the YouTube to strive to search any song that you like and try to write. Just Lo-Fi LOF phi. After that, you will get lot of songs with the lo-fi beats. And that is really amazing. And the second one is I tried to find movie be GMs. Medium is basically the background music. So I tried to write this, the movie name, for example, let's say the Marcia. And I just tried the Marcia, BGN or hegemony hegemonic, PGM or Jove Matt, BGN, or your Ziggy normally get about AB EGM. So just try to find those BGN and you will find a lot of amazing tunes, the background songs. And it just sounds so beautiful and go to the YouTube and just try to do what I just told you. You'd be amazed to find a lot of amazing PGM background songs. That's it for this video. I will see you in the next one till then, take care. Bye bye. 27. How to Install Video Editing Software - Premiere Pro: Hey guys, welcome to the video. In this one, we're going to learn how to install Premier Pro in your laptop. So from next lecture, you can actually start working on editing. So let's just quickly go to the computer and let's start it. For Adobe Premier Pro, you need to install Adobe Creative Cloud. And if you will, see this application, it has all the Adobe Premier Pro software. See here I've installed Photoshop lightroom Premium Pro After Effects in Lightroom. But for our course we just need Premier Pro. So what we will do is we'll go to the Google and type Adobe Creative Cloud, Adobe Premier Pro. And click on this link and go here and select, try for free. And see here if you see Premium Pro, you have to pay 1600 per month. Or if you need all applications like I have installed a lot more applications. I've got the complete bundle. So this is the price you have to be. But let's just go and see all the plants and pricing. If you select students and teachers, you will get all the applications for 1500. And you can install all the applications. But let's say we just need only one application, we need only Pima Pro. You can go to the school and university and you can select a single app, 2 thousand bucks. Select your plans, go to Premier Pro and select it by now. And just put in all the details and then you can install Premier Pro in your laptop. I know that this is the initial price you have to pay. You're not earning and painful for Premier Pro, but over the period of time and you will start earning and you will grow, this will all be covered. This is just your initial investment. You have to do it. This is the ultimate software. That's what I use for all of my editing. And this is the software you can install, both in Mac or your Windows, is someone that people use FTP or some other software as well. But I prefer this one because this is the industry standard from beginner to pro level people. This does offer that everyone uses, so that's why I'm using it. And there are lots of available information online there. And again, just learn very quickly. It's very easy. It's the most efficient, so that's why I use it. And that's how you can install the software. Or you can just go to the Google and search here and Adobe Creative Cloud and start your free trial. And then you can get all the apps like that. Start your free trial. Select students and teachers. And then from here you can go download this Creative Cloud and install Premier Pro. I'll see you in the next one. Till then, take care. Bye-bye. 28. Which Laptop is good for editing: Hey guys, welcome to the video. In this one, we're going to talk about which laptop to choose which works the best with the editing. You will be able to add it very smoothly. So let's go ahead and let's start it now for me, let me tell you I am using as of now GP 75 model from MSI, which is really good. But I don't want suggest you any particular model in general, I like MSI brand because they provide really good specification at a really good price. But I'm not going to suggest you any model, any company I'm going to talk about the specification that you need to look for in any laptop to start editing videos. So let's go ahead with the first one. The first one is your RAM. Now you need at least a minimum of eight GB of RAM, or 16 GB is really, really good. So start with the eight gig, just write it down. This is the minimum that you need, okay, The next thing is CPU. Which one you need? A I5 is the minimum that you should use. I7 is really good and IE9 is we next level. So start with the i5 or I7 is really good if you can afford it, just write it down and in the processor also look for the number of the course. For example, with the ISM and you can get six course, you can get eight cores. So just try to see that. I would recommend that you should have at least six cores in your CPU. I7. Eight cores is really good, but still write it down I5 as a minimum processor, six cores, you at least need it. Now let's go ahead with the next specification, which is GPU. Your graphic card, you need at least a four gig of graphic card. For example, 1050 from any media is really good to 060 for any media is really good. 3060 from Nvidia is really good. But there are a lot of good processors from AMD as well, but still see that you should have a minimum of four gig of graphic card. Now let's go ahead with the next one, which is also important. Your hard disk. No, don't go with the normal heart desk or HDD. Just see that if your laptop has SSD, which is really, really important because when you will be editing your videos, your software will be reading data from the disk. Now, if your disk is slow, then you're editing will not be very smooth. So just try to see that if your laptop has SSD, yeah, these are all the specs that you need to look for in a laptop. That's it for this video, just go to the Internet and tried to find these specifications. And yeah, I'll see you in the next one till then, take care. Bye-bye. 29. How to organize data: Hey guys, welcome to the video. In this one, we're going to talk about why organizing your data is so important. So let me share one story. Back in 2016 or 17 when I just started learning with geography, I was just shooting a lot of videos editing in the random folders. Just nothing was organized. And now if I have to look for those folders, It's very difficult to find those videos. Trust me. I learned my lesson and from 2018 till now, I have always been organized. For example, if I go on a trip, I just create one folder and inside that I create multiple folders. One for the video, one for the photos, one for the poster, one for the Premier Pro project, one for the music, one for the export, one for the sound effects. I mean, basically different folders I create for different things. So I'm always organized and men hour I started working on a new video. Then I create a new folder. And inside that I create all these same folders which I just told you for the real, specifically for the reals, what I do, I have created just one folder for the real insight that all these folders with a voice or music for the project, for the camera, inside camera I have lot of multiple folders for gamma one, gamma two, gamma thing. As I keep adding more videos, I just create a new folder inside gamma. So my this project might, this real project is always organized and I added all of my real videos. I think I have created more than 150 reuse till date, and I have just edited in just one projects. So everything is organized in the project. I would say the project on the desk everywhere. If I have to look for it, It's just so easy. If I have to edit any, all the real, it's just in the same project and I just go through one by one and just, you know, if I have to change any song, if I have to change any voice, so if i between any video, I know that where it is. So that's how it helps. And I always encourage you, even if you're starting out, just be organized from startling. This is the lesson I have learned and I hope you just follow this from the start and that's it for this video, I will see you in the next one. Take care. Bye, bye. 30. The Basics of Premiere Pro: Hey guys, welcome to the video. In this one we're going to talk about how to start editing videos in Premier Pro. What are the basics of Premier Pro software? The things that you need to know to start adding videos efficiently. So it'll tell you all the important things that you need to know and you'll become a really efficient, really fast in editing videos. So let's go to the computer and it started. Now let's start with Premier Pro. This is the latest version, Adobe Premier Pro to Newtonian, just double-tap and it will take some time to open. We will wait for that time. Now, this is the screen that you will see and you will see that these are all my recent projects. In your window, you might not be able to see anything. So from here you can select the new project as we will create a new project. You can cancel this. And if you see this window, go to file and select New and select the project. So we will say select here a new project. We'll take steps one by one. This is the location from where you can browse and you can select the folder where you want to save this project. So for example, we're starting with basics of Premier Pro. This is my project name. Guys, you don't need to change any other settings. Just make sure that you don't see here software. And only if by default your software shows that this is Mercury Playback Engine software only. Then select this other option called R or OpenCL. This is by default the cuda. And with this means that it is going to use the GPU, it is going to use the graphic card. If we select only software only, this is not going to use a graphic card, so this is the only setting you need to change. Now, select, Okay. This will open up a new window for you. This is our project window, so I will go and explain each one-by-one. So this is our first window. This is you see here project basics of Premier Pro. Remember this is the name that we gave. Here we can import all of our footage, all of our videos, all of our music, voice-over, whatever you want to import from your computer, you will import from here. See, this is also written import media to start. So you can import the media. Let's say if we import one, 233 videos and just click Open, you will see that there are three videos now showing up here. There are different ways to import videos, but for now, let's go ahead with this one. And now let's say if you want to change the view, so this is a list view. I always use ListView. But if you wanted to change the view, you will see this is the icon view. And you can play the video very quickly from here. And this is going to just increase the size. I always use a list view. So I'm just going back to the list option. I really like it. Now see here, I am going to use, let's say if I create a folder here, this is the way you can do it. New bin. Now you might ask me, Hey, and get, why do I need to create a new folder here? Well, to just stay organized, because your videos, your audio will be shown here only. For example, let's say if you select any music here. Now you will see that all of the things are showing up here. So what we can do here is we can create a new bin here. Let's name it camera. And we will just select all three using the Shift and click and just drag it. Now see that this looks way more organized. We can create a new folder music. We can just drag the music over here. So that's how it will be organized. And now there's one more thing I want to show here. Let's see if we click, right-click here and you can create a new item here. This is, I'm going to explain it later on, but for now, just understand this. You can click right and create a new item here. Now, let's go to the next window. This is your effects. No, effect means all of the video effects, all of those audio effects, all of the presets will be here, only. See all of the presets, all of the effects will be here, only transitions, everything will be on this window. Now let's go to the next one. So this is our source clip. So you see here is source, this is no clear. This means that all the source clips, all the sorts of videos will be played here. For example, if we go here into the camera and if you double-click, you will see that you are able to see now the video and you can play the video. You can select different video you can play. This is our source monitor, means all of the source videos, photos, music, and voice-over. Everything will be shown here. For example, if you go ahead with the music, double-click on the music. Now you will see that this is the music window. Okay, simple. This is also a search bar. You can search it here. For example, if I need to search hazy, so this is a solid, you can find. This, you will need a very big project. You're not able to see all the files you can quickly search from here. Okay? Now this is the source monitor. So in the source monitor, what you can do is if you want to select a video, for example, if you want to use this portion, you can select as marking and mark out to Select. And just click. You will select this video. Now, we'll talk about how to drag this video onto the timeline and we'll talk about what is timeline and everything. But that's how you can select. Now you can drag just a video, can just drag audio, and you can just drag the audio and the video at the same time from here onto the timeline, okay? And from here you can play C. You can stop. You can play and pause using the spacebar. Spacebar. And you can change the size. I always select as fit. And you can play in the resolution for now, I am playing in the full resolution. I can play it in the one by four. For example, when you're not able to smoothly, you can just select this as the lower number. And these are all the things in the source monitor. And the next one is your Effects Control. As we just recently saw, that this effect panel, in the effect panel, you see that all of the videos effects and audio effects. So whatever the effect we will apply on the video, you will see here. For example, I'll click quickly show you, let's say you drag this video here. And you see that on the video and the audio at the same time, these are the audio layer. This is the video earlier about one. And you will see in the effect control, now you are seeing these are the basic, basic things that the Premier Pro shows. This is motion. In the motion one, if we go here, we can just scale. We DO see. We can change the position of the video. Up, down, left, right. You can change the rotation. And this is the volume of the video. You can increase, decrease. So basically, let's say if we apply any effects here, Let's see if we go here and search the video effects, and we go here and search sea levels. Let's say if you select this and drag this onto this video. Now you will see that a new level is showing up soon, new factor. So you can change all of the things from here. And you can disable this also. If you don't want this, you can disable this. You can delete this, clear this, but you cannot clear these motions when this rotation or everything because these are the default one from the Premier Pro, but you can disable your one and you can enable it back. Okay, now we will go to the next one, which is your program window. Here. Obviously, this is the source window where you will be able to play all of the source clips, see here in this one, you will be able to see all of the clips onto your timeline, which is on the timeline. For example, if you drag this video, now we can go through this video from here, okay? In the program panel. In the program panel, obviously you can play pause. Using the space bar. You can play pause. Okay? That's what we can do and we will see the same thing here also. Fit 1150% per cent and fit. I use fit all the time resolution. You can slow it down one by four and you can use it. So this is your program window. Now, we didn't talk about this timeline. What is this timeline and what we are doing here. This is the place where we will edit all of our videos. So you see this A1, A2, A3. These are all the audio layers. See, you can drag, you can drag, you can drag, you can drag. These are all the audio layers. And Taobao one, you can drag the video. This is the video layer. It will automatically a new video layers. You can drag it. You can drag this. You can drag this. So this is the timeline window that you will edit your video. Now, how to create a timeline and everything I'll talk about in the other video in this section. But for now, understand this, this is the timeline with you will edit your video. And what is this? These are all the tools, guys. For example, if you want to cut this video, you can use this razor tool. See the select this and you can cut it. And you can select this first option selection tool, because this will select the video and you can drag, you see you have got the video. But we're not going to use these tools because these are really slow. So what I will tell you a really efficient with, I will tell you a few shortcuts which you have to just write it down and just memorize it and use all those shortcuts, for example, the same way if you want to cut this video, let's say control, then this was the video. You want to cut it either you can use the eraser tool or you can use Control. K. We have got it. This is really fast. Just write it down. This is controlled k. This is the way you will cut it. You will use this a lot of time. Just write it down Control key. And for the timing, you can just learn about these tools, but in the long run you will not use any of these tools. For example, if you want to cut the video from the ends, let's say from here, you will just select this and click on the mouse. Mouse and just drag it. That's it. And I'm just dragging it with the click the mouse. So you see that I am able to cut it and I'm able to extend also. See, I can extend, I can extend, I can cut. I can do everything. This is really fast, but just to cut in the middle, you need to use Control K from the ends. You can use this. Okay? And I'll talk more about the shortcuts in this editing section. But for now, understand this and you'll learn slowly one-by-one. It's okay if you're not able to get all the things at the same time, you can watch the video again and grab it. And most importantly, you need to start editing by yourself. That's how you will learn. That's how you will memorize all of the things. Because I remember when I started editing the video for the first time, it was difficult for me also, but along the period of time, I learned all the things. You have to just start editing, you just have to start learning all those things, whichever I just showed you. For example, this is the project panel. Go through it. This is the effect panel and just go through it, the effect control. All of the sections just go through it one by one and you will understand all these things slowly. Now there is one more thing I want to talk about. For example, if by mistake you just close this panel and let's see if this happens. Something, something bad happens. And now you don't know what to do in such cases. What do you have to just go to the Window, go to the workspace. Reset to saved layout. Will see the Saved Layout. Okay, we don't need these media browser library. I'll just go get this. These are not important one. So you have now, got it. See here we are in the editing workspace right now. So you can change the workspace. Let's say if you want to change the lockstep space to color. So you will see a different window here is, is the Lumetri panel, you can change the color. You can go back to the editing workspace also. You can just try out different workspace and you can create your own workspace, go to Window, go to Workspace, and save as new workspace. And you can give this name as, let's say for now I'm saying on Git. And I'm just saving it. And let's see if I just close this panel. You see here right now in Ankit. And let's say if messed up few things, let's say if we did this and oh my god, what we did. So in such cases, what you will do, it will go to the window, you can go to the workspace and you will go to reset to saved layout. So it will reset it back to where we were. Okay, this is just an easy step. And one more thing, we don't need this, so I'll just close. I'll just close. Okay, So these are all the basics. Now, what I want from you guys is to just open up the Premier Pro and start playing around with this software. Just go to the File, go to the edit, just go to the clip sequence, all these things one-by-one. Just go here and see what it all does. Does try to do different things. See Noel click. Let's try to do different things, whatever I have told you and explore it on your own a bit and you will learn a lot, see what it does. For example, Lumetri color. You will see here in my workspace that you are seeing now. Lemon tree workspace, for example, if we go to this clip, you will see the effects in the effects control panel, all of the things. And let's go to this clip. You will see that in lumetri, color is applied, but in this one there is no Lumetri color. So let's say if we change this setting here, now you'll see that a new effect is created immediately. And what we can do is we can go to the Effect Control. And we can select a video effects, and we can select as levels. Let's say if you drag the levels, you will see that level effect is applied on this glib, but not on this one. See you're not able in our thing here, level effect. So these are clipped base. This effect controller is only clip base. So that's how you can experiment on your own. You can zoom in, zoom out, and you can select it. You can change it to try out different things and see what it does. Okay, you can close this panel. So these are all the basic things about the Premier Pro. Now, as we will move ahead with the next videos, you will learn a lot about this one. I'll share a few tips and tricks also. And you will learn along the way, the best way is to just start it right now on your own. Okay? So yeah, that's it. These are all the basics. So guys, that's it for this video. I will see you in the next one till then, take care. Bye-bye. 31. How to Import Footage and Create Timeline: Hey guys, welcome to the video. In this one, we're going to talk about how to import footage, your voice-over music into the premium row and then create a timeline in the Bremer so that you can start editing the videos. So let's go and started In the previous video, you saw that we double-click on this video and we imported the video, Let's say this one. And you got the video right. So there is another way also to import the video, for example, from here, you can just directly import the video. Or you can just right-click and hit Import From here. You can import the video, music and everything you can import using all three methods. So that's how you will import the photos, videos, voiceover, or whatever you want to import into the software from here. And you can just drag it all into this camera so it looks nice and clean. This is our timeline. So let me just quickly create been timeline and just drag this into this one. So this is our timeline where we will edit our video. So let's say if I need to drag this video over here, and it will ask, say, keep existing settings or change sequence settings. So I'll just use keep existing settings so that it will align automatically according to the timeline. Now, how to create this timeline? Obviously you can just, you know, let's say I cancel this and let's say you drag any video here. It will just create the timeline of that dimension. If we go here in the sequence, you will see a sequence settings or the timeline settings. You will see that it is 3840 by 2160. So this is not the way we want to create the timeline because we need it for Instagram Reels. Now, I'll tell you a better way whether you're creating a YouTube video or Instagram yields or whatever video you are creating, there's a better way. So for that, what we will do is we'll just hit Control N on keyboard. And you will see here a lot of options for the sequence. For example, I have created here custom sequence reads timeline, let's say you don't have this one. So let's say I delete this one, okay, Now this is how you are going to see for, so what you can do for the first time is, let's say if we go here and digital SLR and here ten ADP and to select this one and then go to the settings. Here, we will change the settings. Here you see that this is the frame size, 1920 by 1080. So for the reals, what we will do is we'll just change the numbers, 1080 by 1920, okay? And we'll just keep the rest of the settings same. Nothing needs to be changed. Only save this as a preset. Just hit and let's say real timeline. Okay? So we are now saving this as a preset. So the next time you will create, you will find this preset and you'll just click. Okay. So let's say we name this as you see here, custom reals timeline. So let's say you create here my really just digging example. Click Okay. And now you'll see that a new timeline is created here. And you can just drag the video. And it will last for the first time. You can say keep existing settings and you will see this is the timeline. Okay? So let's say if we delete all of the timeline, whatever we have, it's clean right now. See, let me delete all of it. And now you see that we don't have any demand right now. So what we'll do is we'll just double-click and you will come here. You have already created a preset, so we'll just hit, Okay. And you will name this as, let's say any pre-visit. My real. This will automatically create the diamond sequence for you just hit Okay. And you will see that a new timeline is now created. Here you can edit any video, okay, let's say we drag this one. Keep existing settings for the first time. It will ask. And let's say if you drag this video, it will not ask. See, you'll get it. So let's say if this is the video that you will get, because the resolution is different for the reals. So what we'll do is we'll go to the effects controls panel, as I have told you in the previous video. And then here you will scale this video according to the real. Okay? So I said this number to 179. Okay? And now you will see that your real resolution is now created. Similarly for the other video also, you can set this as 179, and now you can change the dimensions also. See here from the hair, you can change the position, whatever you feel like. That's the I like this frame. So I'll just select this one. So that's how you can do it. And also let's say you just want to delete this audio attached with this one. If we zoom in using the plus sign on the keyboard, see, if we just drag this, you will see that there is the audio attached with the video, right? You have moved it from here and see you're now getting the audio as well. So what do we want in such cases? Let's say if you want to remove this audio, so what we'll do is we'll right-click. We'll set unlink. This will unlink the video and audio. And then here you can just delete this clear. Now you will see that you have only video, no audio. Or if you want, you can just directly select the portion from here. You can just directly drag the video, not the full audio. And if you want just the audio here, you can drag the audio. Okay? So these are the ways that you can do it. That's it for this video. One tip I want to give that be organized from starting whatever you're doing in Premier Pro, whatever project you're working on because that is going to help you in the long run. Yeah, that's it. I'll see you in the next one till then. Take care. Bye-bye. 32. How to Go through Footage and Edit on Timeline: Guys, welcome to the video and this one I will talk about how I go through footage, how I select VoiceOver, select music, and then put it on the timeline and how to start working on your timeline. So yeah, let's go ahead and start it. So how I go through is I just, let's say if I have to create one real than the, let say these are all the videos I have selected. And I want to create a real from only these videos. So I'll just go through each clip one-by-one, for example, let's say I liked this portion, so I'll just select this and that's it. I'll just drag it onto this one and keep existing settings. And then I'll zoom in using the plus sign on the keyboard. And then I'll just drag it. The starting. This is just I'm going through the footage. This is not the final one. Okay. So let's see the next one. I'll just go through each one. And I like it. So I'll just select it. May be like here. And then I'll go to the next clip. And I'll see, Let's see, from here. From here, I want to select. So I'll just select it here. And I'll just go through it and just drag it onto the timeline. And then I will go through the next clip. Let's say from here, from this point I want to select, so I'll just select using the mark in. And then till here I want to select, let's say, so I'll just drag it onto the timeline. Okay? So let's say from here I want to select, so I'll just select it and delete here and then drag it onto the timeline. And let's say for this video, I want to select from here. So I'll just drag it. Let's say here I like it. So it'll just drag it onto the timeline. And let's say, if, let's say I like it from here, okay. So I'll just select it and drag it. And let's go through the next footage, for example, from here I like it, so I'll just mark in and let's say mark out. And let's see. This is the one from here. I want to start and I like it till here. So I'll just drag it. Now. Here, guys see that I have dragged all of the videos, but few are not in the frame, and few are just not according to what we want. Like. You see the black bars and then in the view, you see that little of frame. And let's see if I want to slow it down also, I want to add some slow motion to this video. And again, this is not in the frame, and this is again looking different. So what I will do in such cases, Let's say I like this one. I don't want to change anything. But I want to zoom in a bit. So guys, In this video, I'm just going to explain you all of the small things that you can do with the clips. This is not the final real that we're creating here. We're just selecting the clips and we're just making a few changes according to what we need. Let's see if I want to scale it a bit. So I'll just create a point c. I created a point with 100 number. And then let's say I'll go till the end and I'll create another point, C, add or remove keyframe. Now you have to keyframe. Here, you see the blue here, it shows that it's the keyframe. Now we can increase a bit, Let's say till 120. Now you will see dragged till n. And now you will see that this video is just scaling the right. As you see the number. And you can change the position accordingly in the same way, let's say create a first, create a toggle animation. And we go here, let's say we change it here. Just for the example I'm showing you. And drag the end. And then let's play. Now the position is changing. And you can soften the effect. Soften the effect means This is like very linear motion. See, just changing. I mean, so we can just slow it down at the hair. Just add auto bezier or ease in. Just add ease in. Now you will see that it will, at the end, it will just become smooth, slow. See, I hope you are able to notice. If you're not, just try to practice this, okay, That's how you can change it. Now let's go to the next clip. This is not in the frame. This is again not straight, so we'll just change the position. We will rotate. It looks straight. And we will just scale it a bit. Let's say from hundred two hundred six, just a bit. And drag till end. It means that it's from start to end. We will just see that it's changing C. So let's select from here and just cut it. Now. See, I think there are, so see that it's changing and it's rotated a bit. Also. You can also cut it and you can select the point and you can just reset it from here. C, D said keyframe, so it will set it back to 100. You can change it to any number, but I'm just going to set it here as a 100. Now see that it's zooming in and we can just add an ease in and here in the starting as ease out. Always try that. Ease in and ease out. Ease in and ease out very slowly. So that's how we have re-framed it. Now in this clip, let's say I'm zooming. Selected, zoom in more. And let's say I wondered if in the middle. So I'll just zoom in. Now again, let's just see that it's very fast, rate, it's very fast. So I want to add here slow motion. How to see that? How much slow motion you can add? Just right-click here, go to the properties and see there, guys, it's a 100 frame rate. The frame rate is a 100. It means that we are using a Tony for frame timeline. And we have, we have shot in a 100 frames, so 100 divided by 24, which is almost equal to four times. So we can slow it down four times. It means that we can set this to 25 per cent and we will get smooth motion, but we cannot go below that. For example, if we have short the same video here in 60, then we could have slowed down till 40 per cent. How 60 divided by 2424 is our timeline. How to check that sequence setting? This is 23.9, which is almost 2460 divided by 24 is 2.5. So it means we can slow it down till 40 per cent because 40 into 2.5 is equal to 100. Or just do the math a bit, you will understand, Okay? Just Maybe you can listen to this one again so we can slow it down basically, del twenty-five percent. So I can right-click and go to the speed and duration. Here you will see that it's a 100. So I can set this to minimum 25, or I can just set this to 50. You can. For now. Then you will see that, see it's slowing down. Wow, it looks so smooth. And if you can set this to 25, you will see here it is even more slow. And let's say if we go below 25, earlier we were talking, let's say if we set this number to ten, then you will see that it's not smooth. It's not smooth, right? So you need, according to the frame rate, just check air. Always go to the Properties. Check here it is 100 frame rate and you can set it accordingly. Okay, and now let's say, and let's go to the next one. Here. I want to go to the properties and check it. It was shot in 100 frame rate, but I'm just going to slow it down a little bit. Let's say 80 per cent. Only 80 per cent, okay. And I'm going to zoom it and I'm going to change the position. I want it. I want myself in the middle, and then I will add a position also, let's say Toggle animation here, just click and see that I'm going out of the frame rate. But if we're not able to see just for the time being, I'm just going to color grade. I'll explain it later on, but for now, just for your understanding so that you can see. Don't worry, if you're not understanding, I'll explain it later on just for now. I'm just going to explain it so that you are able to see, now see that I'm going out of the frame rate. I'm going out of the frame. So what I will do here is I'll just go here and I will change the position guys see, it will automatically create the point. See it automatically created the point. Like something like this. And then I'll drag till the end maybe. And then from starting to end. Now you will see that I will be in the frame all the time. This is magic. See, I was going out of the frame. Let's see if I remove this one. Go to the position, just clear it. See this action will delete existing keyframe. Do you want to continue? Yes. Now you will see that there's no keyframe. Now, you'll see that I'm going out of frame. If I want myself to be in the frame using the keyframing. Okay, now let's go to the next one. Again. Just zoom it a bit, slow it down. Let's say, speed it up to 25 per cent and see the smooth motion. This is looks, this looks so amazing. Just for your understanding, see, this looks so amazing. Now see that here. Few things to do. Just keyframe, move position in the scaling and then very fast. So let's just check properties. See that it is a 100 frames, okay, we can slow it down to 25 per cent. Let's just set minimum number 25 per cent and you'll see, oh, it is so small. It just ends very quickly, so I'll just extend it a bit. C. Okay? Now see this one. Let me just quickly apply a color grading so that you are able to see very quickly. Yeah. Okay, So now see that this is very fast, so we don't want that. So what we will do is we'll just scale, mood, just reposition, and then we'll just create toggle animation here so that this person doesn't go out of the frame now from here, it's fine. So I'll just create a new point here. And I will not change any position because it's looking good. So I'll just go from yeah, from here to here. I'll just change. And then you will see see. Now it's in the frame all the time. And I can slow it down again a bit, let's say 60%. And I can zoom it a bit. Let's see. Let's zoom. Yeah. Start to end. Now you will see that this is our final frame. It looks so amazing. Now let's go to the last one. Oh, this is, this is completely rotated. See, now we will first check the properties. This is shot in 120 frames and full HD video. So let's first rotate this one to 6300. Okay, let's just make it straight. It looks almost straight. So we'll zoom in and we will just slow it down to, let's say 20 per cent. Why 20%? Because in the properties you go here and see it was shot in 120 frames. So 120 divided by 24 is equal to 500, divided by five is equal to 20. So that's how we can do the math and slow it down to 20%. And now you'll see we can select the frame from, let's say here. Let's say a quick color grading. Let's change the color here. Don't worry, I'll explain you more in color grading, but just for now, just to add a little bit of effect. So nosy. And let me just add a zoom in also. I mean scale. So yeah, you will see that the camera is also moving. It will look like C. And we can reposition this one here. I think that's how I go through all of the footage and change a few things according to what I need. So I hope you learned something from this video and you can make the changes accordingly for your videos. And similarly, we can do it for the audio. Let's go here and select the music. Let's say from here you want to use the music you will select. Let's say till here you want to use it, you will select and then just drag the audio. Let's say here. This is your audio layer, this is your video layer, and you can just play. And yeah, that's it. Similarly, you can do it for everything. Just select and drag and then played around. Okay, so that's it for this video. One tip, I want to add that whenever you're going through your footage, always try to find that footage which works the best with the voice. Or you can, you can actually feel that this video is being made for this particular voice-over. So always try that and then use the music accordingly. That's it. I will see you in the next one till then take care. Bye-bye. 33. How to Create 3 Layer Video: Hey guys, welcome to the video. In this one we're going to talk about three-layer video like this one. You must have seen a lot of reels like this on Instagram, and that's what we're going to create today. So let's just go to the computer and let me quickly show you now there are two ways to create. One is the easy one. Let me show you that one, but it is not the perfect one. And you might face large problem. And second one is way more efficient one and way more organized. So I'll show you that as well. Now let's go with the first one. For example. Let's go ahead and select this video and drag it here and keep the existing settings. Now you will see that this is completely filling up the frame. We go to the Effect Control, you change the resolution, it drag it up. Remember this might not give you the perfect resolution or the leg, the perfect dividing into three videos. Videos may get a little more resolution than other, other one. So let's just say we select this one and we drag it onto the top of this one. And let me just zoom in a bit using the plus. Now you see that it is about this one video. So we're going to change the resolution for this one. Let's say this one. Okay? Now let's select the last video. Let's say this is the one we select, and we drag it here. And we change the resolution back this one, and then change the position and then increase a bit. So in this method, sometime you will see that the position may not be perfect and it is not perfectly divided into three videos. But for now you will play, say, this is a new n into three videos. For now, if you will play, you can see that this is divided into three videos, but the resolution here is different. The size and the resolution here is different. It is not perfect. So I'll tell you a more efficient way. Now let's go ahead with this one. For that, you need to understand a little bit about math. For example, if you go here and check the sequence setting here as 1080 by 1920 means this video resolution is 1920, this layer, this big one, this is the 1920, and this is 1080. So if you want to create three videos like this one, we have to divide 1920 into three layer, right? So let's open up the calculator and divide 1920 divided by three. You will see here the number as 640. Okay? So we will create a new sequence, new timeline using the Control N. Let's give this name as 64 d, or maybe 100640. And you go to the settings and you will change the settings here, let's say 64 d. And you will see that a new timeline or a sequence is created. And if you go check the sequence settings, you can check here it is 100640, right? So now we just have to drag our videos, the same videos here. That's it. Let's just drag this video. Okay, keep existing settings and you will see that the video is not fitting and I'm going to change the scaling. Yeah, this, this fits here. And now what I'm going to do is I'm going to nest this. This is really important. All of the videos here in this timeline you have nested, let's say an S, this video. And then once we nest it, you'll see here that the position and the scaling is now changed and the resolution of this nested sequence has now change and become like 1000614. So whatever this original clip was, now it has become 1080 by 640. Like if you will go here, right-click check the property. You will see here that it is 100 by 640. So this clip, this original clip, this is the origin clip. If we check the property, you will just check here that this image sizes 3840 by 2160. So this equation was, this resolution was different right? Now we have set this resolution back to 1080 by 640. So once we have done that, we just have to drag this video onto the timeline here. Let's say if you drag this video here. And you will see that this, It's fitting perfectly. Now we just need to fill first video. In the last video, I'm in the third video, right? So let's just go back to this and let's select a new video. Let's say if we select this one and just drag the video here and change the resolution, obviously we have to change the resolution. Let's say this is the resolution. We can slow it down if you want, let's say 60 per cent. Now, guys, obviously you have to nest it so that this resolution is now changed. And now we just have to drag this video here and just got it. And you will see that this video is now about this video. This video right now here also I can show you the math, but for now, let's just change the number to 320. So you will see that it is perfectly lying on the top. Now let's just go ahead and select the last video. For example, this one just drag it onto the timeline obviously, right, this 1102 zeros by 640. Whatever you want to change, let's say fewer than two chain, that is Lucian, whatever you want to change a set it and next nested. Once you nested, then drag it. And then drag it above. And just got it. Okay. Now, just change the resolution to 1600. This position value, sorry, just change the value to 1600. Now you'll see that it is perfectly fitting. And if you want to let say, move around the clip, let's say if you want this middle clip to be the last one, then change the resolution of this middle one back to 1600. And just change the resolution of 1600 to 1960, just changed the positions. Now you will see that it is in the middle, right? And this will, this is perfect. And if you want to change, let's say this, this clip right here. And if you want to change this, so just come here, double-tap and then you can, let's say increase the size, whatever you want to do. Let's say this one, it will automatically be reflected here. See, it is changed, right? Let's say if you want to zoom in, I'm just going to crazy zoom in here. It will automatically reflect here c. So that is the benefit of it. Now you can put in any video, for example, if you want to put a new video, Let's say this one. We select this one and we drag it over here. We nest it, be nested. And we drag it over here. And let's say if we change the position of this one to 1600. So now see that it is changed right. Now. These are the nucleotides, so you can delete the old one. Now you might ask me how you got the number as this 3201600. So a simple math again. So this middle clip, this is the middle clip. You will always see that the number here is 960, right? Now, 960 is the middle clip, right? And we need a three clip video. We will divide this simply again by three. And we will get the first number as 320. So the clip which will be on the top, will have a number as three twenty, three twenty. So let's see if this is the top video. We'll just move it on the top. And let's say this is the last video, we'll set it to last, and this is the middle video. And we will delete this. We don't need this one. So let's just drag it here. Now you'll see that this is the top clip. See, this is the top lip. Visit the middle clip. And this is the last clip. Now you might ask me how I got the 1600. Well, again, this resolution is 1920, right? So if we need to set this clip at the last one, we will simply ingest 1920 minus 320 will juice to the number, and we will get the number as 1600. So this will be our last clip. And that's how I got the number. And you can check it using C, switch on, off, on, off, on, off, on, off. And you can just disable enable, disable enable. Right? Now you tell me which one you like more. This is more efficient when trade. You can change any settings. Again, let's say I change the settings to this one. This will easily be reflected here and it will be sorted from starting. I will always tell you the most efficient way and that's how you can create a 3D video. Real. It is so easy. And similarly, you can do it for the two, like I divided the number by three, you have to just divide it by two and you will figure it out. This is an exercise for you guys. Just try to create a timeline or a video layer or a reel of two videos like here I have created a three. And also Dr. therefore, this will be really amazing. Just try with the four videos. I've just told you the basics. Now you can go ahead and practice it, right, that's it for this video. Try to create three layer, four layer read or two layer real and see how it looks and you will learn a lot. So just practice it. I will see you in the next one till then take care. Bye-bye. 34. How to Write Titles: Welcome to the video and this one we're going to talk about how to write titles for your video. Let's go to the computer and I will show you very quickly. So let's say if you want to write the title, there are two ways. First using here, see, this is the type tool. You select it and just start typing. Let's say this is my real, just typing this one and then you can change the settings here. See, you will get all the settings in the effects control. Let's say if you want to change the size, if you want to add a stroke, fill all these different things you can add. Let's say you want to rotate. Let's say you want to change the position. C. Let's say you want to change the background. Lets say I can change the size, change the opacity. Basically, you can change all those different things here. Regular, bold. Let's say if you want a bold, this is bold and you can change the fill. Basically, you can do all sorts of changes here and you can scale it. Let's say we create a double point here and we just increase a bit. So now you'll see that it's changing. It's increasing the size. Or you can add a small transition. Let's say if we go ahead and search for cross dissolve, does drag it. This is the effect. Now you will see that it starts with fading out. See it's slowly appears. This is the cross dissolve. You can also clear this and add it using the Control D. You will get it Control D and then you can increase the transition, decrease it. So yeah, a lot of options are here. You can try it out and you can see how this works the best for you. Let's say change the font. See, that's how this is one of my favorite font. I use it TW, Cen, MT. There lot of things that you can try here, and there is one more way to write it, which is the old one. Go here. New legacy title. It says that it's old one. And then you can type in here as well. This is my new just anything in diabetic. And then you can say positioned horizontally, right-click position, or what they call center. So it's exactly in the center. You can change. Let's just select this one. You can change. You can change a lot of stuff here. Can change this position and just click it. Then you will get the title over here. And then you have to drag it onto the video. So you will see this one. For example, if I just make it black. So now you will be able to see, see, this is our title. So there are two ways to write the title. One is using the Type Tool and second is using this one. So that's how you can write a text onto the video and try different options. You will learn a lot. I'll just give you the basic option. Now try to be creative in this one, tried to add small things and see how it changes, okay? Try to play with the font, try to play with different settings. So that's it for this video. One tip I want to add that whenever you are editing your title, always try to use different options and see what works the best for you. Can try to use simple transitions like scaling a bit, maybe changing the position, maybe using cross dissolve. So it looks better. That's what I wanted to recommend. And yeah, With that said, I will see you in the next one till then take care. Bye bye. 35. How to Export Videos: Hey guys, welcome to the video. In this one we're going to talk about what are the best export settings for your real or for your video, whatever you exporting in Premier Pro. This is the best setting, and I use this all the time. So let's go to the computer and let's start it. So let's say you have edited the video and now you want to export this one. So what you will do is you will select the in and out point, like from here you want to export. And the last frame, we can zoom in using the plus sign. And you will see that you will have to just go one frame back. And then you have to select this one. So how you can move forward in the framing? Left one frame, one frame, one frame. If you will just press the left arrow on your keyboard, you will go one frame backward. C. If you will press Shift and left arrow key, you will go five frame back. Let me just zoom out using the minus sign. So Shift, Left Arrow key, Shift Left Arrow key. You will go five frame back and shift right arrow key, you will go five frames forward. And just right arrow key, one frame, one frame, one frame, one frame, one frame, one frame. So just go to the starting point and we will go here and select the endpoint. See this is I mark in or you can press just I on the keyboard. And it will set the in point. And it will just go here. And it will select the last frame, this the last treatment. Then you will select this one. For example, if you select here, is going to add one extra frame. So just go back and select this. And that's how you will go into select. Okay, let's see. This is a shortcut, I and O. So once you have selected, Let's just go to the file, go to Export and go to media. This will open up the export page. From here you have to select H dot 264. You will get a lot of options. So Ashdod to 64 and then just to keep it same Match Source, High bitrate. And here you will select the name and output name. Let's say you want the name to be discrete one folder for the export. And here in this export folder just let's say first. And then click Save. And just don't change anything. Only one option here, just said this to 16. Here you will see that the option here is target bitrate is 16. Always select 16. And you will see the option here in the output. The output is 100 by 1920. This is as per Instagram real, and this is the input, okay? This is the source, this is our port, which is the same. So that's how you will be confirmed that this is nine by 16 ratio or plenty dB by 1920 and rest everything. You can keep it same. See, this is hardware encoding. You can drive the software encoding also. It might be a little slow. And yeah, that's it. I mean nothing. Just export hit Export. And it will just export the video for you. That's it. We're done. Now we can go to the folder and check it. See there is the real here and we can play this really. That's it. That's how you will export your all of the Instagram real video. And similarly you can export it for other format also like YouTube. You can just change the different settings, keep it same, and just just set it to the same one. And just yeah, exploited for other platforms. So that's it for this video. One tip I want to add that always try to shoot in maximum resolution, whatever your camera provides. For example, maybe for k. So yeah, whenever it's possible, always try to use maximum resolution. And that is going to make your video look best. Along with the export settings. That is really important. So that's it. I will see you in the next one till then take care. Bye-bye. 36. How to edit on Song Beats: Hey guys, welcome to the video. In this one we're going to talk about how I added music, how added particular songs in a hallway, select the bead and then combine it together to create a mix. And it just sounds so beautiful. So let's just quickly go to the computer and let me show you. Let's say this is the song I have, and these are all the audio layers you see here. This is audio to audio three. So you can just click on the mouse. And you can just move around. Move around on any of these layers. You can copy and paste, you can duplicate also, see you have enough two layers or you can just click Alt and drag it, and then you will have two copies. So for now I'll just delete this. Now. First of all, we will learn how I can change the volume of this song, right? So if you play the song, you see on the right side, these are the volume levels. It should never go beyond minus three or minus six. It should be somewhere around minus three or minus six. You should never touch 0, you should never get that red line over here. And whenever you just doing the voiceover, always make sure that the levels should be around minus 24, minus 27, or minus 30. It should not touch around minus three, minus six. How we can increase or decrease the volume of their lot of different ways. First of all, let's just go to the Effects Control. And C, This is the general volume. You can basically decrease, increase the particular channel. This is the left channel, this is the right channel. So if I'll decrease this, now you will only listen in the right channel C. You see here on the, here, on the right channel, we have the full volume in the left one and it'll be a very low volume because we have changed here. So you can increase, decrease from here, okay, let me just cancel it and make it 0. Another way to increase or decrease the volume of the song, just go here and see Audio Gain. Basically, you can increase or decrease the gain. For example, if I said two minus 20. So basically we're just decreasing the volume level by 20. Now see the volume, how it has decreased. If it will play, this is touching around somewhere around minus 21, minus 27. Because we have decreased the volume by 21, we can increase the volume again, Audio Gain. And let's say if increased by 25, now it's touching the upper level. So I think it's going to touch here on 0 and it's going to sound really bad. You should not do that. Let me just undo. You can also press G on your keyboard. It'll get Audio Gain and then you can set it, let's say minus ten. And that's how you can change the volume level. But what if we want to change the particular, at particular point nor the full song? For example, if you listen to the song here, the volume level is low, right? See, on the right side. And it suddenly increases. So if you want to decrease it here, increase it here. So what we will do is we will just extend this first. And now you see the line over here. So we can create a point on this line, for example, using Control and click on the mouse. So I'll just press Control and click on the mouse. So you see the point here. And let's say press Control. Click on the mouse and see you can increase, decrease the volume. C minus 27, minus 30, minus ten. So you can just change it. Let's say we set it to 0 here. Now, it will slowly increase from 0 to maximum. On the right side. It will slowly increase the dB level. Okay? See, it's slowly increasing. And you can create multiple points here. For example, if I create a point here and increase by five dB and I'd decrease here. So now you will see here. So there's one more thing we can do here is let's say these are all the linear lines, so it's very sharply increasing, sharply decreasing. We can make this sound soft. It will slowly do it. So how we can do that? We can just press Control on this point again and click. You will see this can change and make it soft. When you will try on your own. You will see when I'm talking about. So let's say if I play this audio right now and you'll see the volume load on the right side. It's going to be very low. It's very low right now. And we can also decrease it further. So you can just do a lot more thing here. You can increase or decrease the volume. You can create multiple points. Increase here, degrees here, increase it. See, it's again increasing. I decreased it here again. So that's how you can increase or decrease the volume of the song. Now how I got the song, basically, let's say if I'm doing the voiceover right, I don't need the Linux to be going on at the same time, I just need the background music. And then when my voice-over stops, then I need the Linux. So I go through and listen to the full song and a cut on the beat. For example, if you just go here and listen, you will just listen to the beat only, increase the volume. This is, we have the only beat, so I'll just cut it here and I will delete this. I don't need this. I just need the beats, the background music. And right here, I'll just make another cut using Control K. And I don't need this one. Let's see if I need the lyrics here. I'll just listen to anyone. Just listen to the song and see which one matches the best. Say from here. Just taking an example. So from here I'll just zoom in using the plus sign and just make a cut using the Control L. Just delete this and Dylan try to match the song. Listen to this one. And I'll just add a smooth transition so it matches both the audio matches using the control shift and D. Now we have added a constant power and it will just go smoothly from audio one to audio to see no one can even tell that. You have just remixed this one. That's how you have got it. Now, there's one more veil so you can just take this audio down. Okay. Let me just in extended and then you can match this from here also guys is drag it and then you get two points and decrease it to 0, k two points, decrease it to 0, and then you can match it. So you can just listen and match between sounds the best to you. So that's how you can do it. And I have done the similar thing over here in this real. So this is audio one. This is audio too. I have matched it accordingly, C. And then the same thing, and this is my voice-over. If you will play this video. We can't even buy. Okay, So that's how I have matched these two songs. Otherwise, if we extend this and if you delete this, and if we delete this point also using just delete it. And then if you'll listen, it's gonna, it's not. You're also listening to the background Linux. You know, that I don't want, so that's why I have got it and manage accordingly. So you can do the same thing. So I hope you learn and try this on your regal. Just try to play with this song. Just change the volume level and see how it works. So guys, that's it from this video. Just try to listen to full song and see which one sounds the best and select that part only and use that one. So yeah, that's it. I'll see you in the next one. Till then. Take care. Bye-bye. 37. Basics of Color grading: Hey guys, welcome to the video and this one, we're going to talk about how to do basic color grading for your videos, whatever you're shooting, obviously you have to color grade a bit. You have to give this your particular artistic look. Or maybe you want to change a few settings so that it basically looks beautiful. So let's just quickly go to the computer and let me show you. So basically to calibrate all of my videos, I use lumetri color in the effects panel. So I'm just going to search and I'm just going to go over to this tool and show you all the basics. So there are basically six different tabs, as you can see here in the Lumetri color. And these are all the mask that I think we need for right now. But I can quickly touch up at the end. But for now, let's go over to the basic correction. In the basic correction basically, if you see this is the temperature and obviously it is going to change the temperature. Let's say we change it to the right side. So it's going to turn everything yellow. Let's say everything blue and change the tint. See, it's going to make it magenta or green. And you can set according to your taste, just believe in you, I, whatever you feel like, it looks good. And this is the exposure, basically the overall brightness and contrast. And this is just the contrast. So if you want to, let me reset this one. So if you want to increase the contrast C, This is the highlight. This is going to affect the brighter area in your video. This is the shadow. This is going to affect only the darker side of your video. And these are all the whites. Extreme brightness and this extreme darkness, basically the black and white. So you can just change according to what you feel like. It looks best. Yeah. Like this. Then here you can change the saturation. See. Then here are all the other tab. Basically this is the creative tab here we can apply any light. It comes with by default, few labs here are all the less that it comes with. And these are all my leg back. Let's see if I apply my base lead. You see here instantly it changes. And then you can change the intensity also. See lower the number is going to affect very less. 200, it's going to affect maximum. This is kind of a faded look. You will see when you will just try and use it. I just use it to maybe up to ten. And then this is the sharpness. I don't touch it this much is just the white breads. And this is again the saturation. And this is the highlight and shadow means it's going to affect only the highlight area. For example, if I want highlight to be a little bit, Let's say yellowish. Then see how it changes. Earlier it was blue and we're making it towards the yellow. So it's gonna have done something towards green. And this is the shadow, this is going to affect only the shadow area. For example, let's make the shadow look like blue, look like green, look like, see you can change, affect all those areas. And this is the tenth balanced basically, I think I don't use it, but this is again, on the right side. It's going to affect the highlight more. On the left side, it's going to affect the shadows more. So That's how it works. And then this is the basically RGB curve. I'm going to do the same thing as we have done in the basic correction. So I think if you're, if you're good here, then you don't need to change anything in the curves. For example, if I disable this and if I start again with the Lumetri color, you're going to see that. Let's go to the curve and then let's create points, three points. And this is basically the highlight area. This is basically the shadow area and this extreme, or the blacks and the whites. So let's say if we go with extreme, if we change a little bit of shadow, if we increase or decrease the mid tones. And if we decrease the highlights. Let's say if we reset it and let's just change the overall. That's how you can affect all these areas. And this is only the red color, red channel, basically, like if you decrease the reds from the shadow area, this is the shadow area. Then the opposite of Fred is, see from here, the opposite of red eyes, it's D, right? So it's going to make it look like d, z. Making it a little bit deeper. And if increase it's going to make it red. Obviously. You can affect, change it. And let's say we create another points here to change the greens. The opposite of green is, you can see here opposite of me and I think it's measuring die, right? So you're going to make it look like Megan Darcy. If you were extreme. These are all the settings. Let's go to the blue. And let's say if we decrease this, do if we increase the blue in the highlights area. So that's how it's gonna work. So opposite of blue is yellow, obviously. See here, it's going to make it look like yellowish. And then here we have lot of hue saturation. Hue versus hue. Hue is basically a color. So for example, he was a saturation. It means color versus saturation. It means color saturation. So select any color and decrease or increase the saturation. For example, if you select, let's say green color, we create two points, we decrease the green color. So C on the right side you can see here everything in the green is getting affected and the saturation has been decreased. Let's say if we do the same thing for the blue, then it's going to decrease the blue shades. So that's how it works. Let me just reset this one and let's go to the Hue vs. Hue means color versus color. It means change the color. It means select any color and change it. For example, if you want to make green looks like yellow, we're going to go little up. Read this, go more. Pink, pink, pink. Let's make it pink. See, let's go down, change these. For example, if you select a blue color and if you want blue to look like t, take little bump, see how it has affected. Take little more of it's going to make it green. Let's take it down. It's going to make it red or whatever letter you can affect all these colors right? Now, we go to Hue vs Luma, yours aluminum means color vs Luma means that the brightness or the darkness, so color versus brightness increase or decrease the brightness of the color. For example, if we select this green, if you want to decrease the brightness of the green color, then just decrease it. It's going to make it a little bit darker. Let's go a little brighter. We understand. Let's say if we select the skin color, see how it is affecting the skin. Let me just increase. And this looks pretty good, but increase it. Gliese, whatever you can do. Let's say if we increase this area. But I think I'll see before, after. And this is obviously the same thing, right? Brightness was the saturation. So if we go and select this, this is the, this is the highlight and shadow area. And if we select this, and if we decrease this, then it means that it is going to decrease the saturation from highlights and shadows. This is all gain saturation was this exhibition. Let me just select this, see this basically It's going to affect, let's say this. Then it's going to affect only mid tones. Here it is. Shadows. See, see how it is affecting. These are all the darker area, right? So let me just decrease it. So it's going to decrease the saturation from dark area. And let me just decrease or increase the brightness. I mean, it is increase or decrease the saturation from the highlights AD also. So that's how you can affect all these things. The next thing is color wheels or match. Basically, you do the same thing, your shadows, mid tones and highlights. You can change the color from the highlights from the mid tones, from the shadows. And you can basically make it dark, bright, see whatever you have done. Here in the girls, in the RGB, you can do here an RGB, you can do the same thing here also to try and see how it works, okay? And this is basically the HSL secondary. I think I never use this one, but you can select particular color and obviously you can do change the color or intensity or saturation. You do the same thing that you're doing here in the bulk. I do it from here. So I never use this HSL layer. So I'm not going to go deep into this one, just cancel this one. Last one is the vignette. I think I use it almost all the time. I make it a 100100100 and then I make it minus five. That's it before and after. That is my usual settings. And if I want it more, I just make it 0 and minus one. Minus one. Yeah. See, that's how you can affect and that's how you can change all the colors. Let me just quickly go ahead and in the creative tab, let me select my LUT and see how it affects and then change, change the temperature, change the tint, and overall degrees of saturation. And that's how you can do all things. You can change effect and you can make it however you want. I hope you understand everything about the Lumetri and how it affects. Now I would highly suggest to do obviously try out on your own and see how it affects. Let me just touch upon this masking areas. That is masking areas basically, let me select this one. It's going to affect only this area. Okay. Let's say if we increase the masking feather. So it's going to affect only this area and inverted. It's going to affect everything else, but not this area. Okay? So when to use masking, let me just clear this. Let me just disable it, let me just enable it. Let's say this is our color graded video. And if you want to apply another Lumetri color. Now, an effect only particular area, just, I think we feel like it's a little bit dark or we want to make it little bit moody. So in such cases we can to increase the feather. And then let's see, inverted. And let's say we want to make it a little bit dark. Everything but not this area. We want the subject to look very bright and everything, right? So we want to affect only this area. Now C. So that's how you can affect everything is affected, but not this area. So the subject or subject stands out. Now let's say I, if I use another Lumetri Color and if I want to remove the blue from only the area, so what I'll do is I'll just use pen tool here. Select it. And just creating a rough mask over here. Let's say I select this and then extended. Then I increase the mask feather so it will make it soft. Then let's say decrease the saturation, will see only the masking areas now infected. Let's say we select here also increase the feather so it looks like blended completely. Now if it decrease and maybe change the temperature, not much, but let's say decrease the saturation. Now see you guys blues here, but it's getting affected only in this area so that you can use the masking. So I hope I have covered everything for you. Now you can take it forward from here. In the next chapter, we're going to go and use the presets to guide that's it from this video. Just learn this Lumetri pen. Just try to change each setting one-by-one and see what it does. And just spectators this for at least few days so that you will master it and you will understand how these works. How to change the colors, how to change the contrast, girls and everything, all the basic things basically. And yeah, that's it. I'll see you in the next one till then. Take care. Bye-bye. 38. How to color grade with Presets: Today I'm going to share how I calibrate my videos, the browsers I follow to create moody look. Let's go ahead and start it. Again. My name is Maria, and we'll come back to the channel. Now in this video, I'm going to show you how I calculate my videos. To create a moody look. You must have seen a lot of my videos that I like to create a moody vibe in my videos. And in this one I'm going to show you exactly how I do it. So for that, I have picked up five to six different videos and I'm going to color those videos and I'm going to show you a different scenario, different things that I try to come up with that look. So let's just quickly go to the computer and let me show you. So first let me tell you which tool I use to calibrate my videos in Premier Pro. So I use lumetri color all the time for all of my videos. And just let me show you. So go here and search Lumetri. Just drag it onto your videos. And this is the basic correction. This is the creative tab where you can apply the light and everything and then change the shadows and the highlights, then vibrance, saturation, even sharpen, fade everything going do it here. And in the Gulf, you can just play, change it to see. Just looks amazing. And this is the RGB. You can basically change the particular color. For example, let's say See, it can change the highlights and the shadows colors. And this is basically who was the saturation. You can affect a particular color or you can change the color. For example, if you want yellow to look like green or yellow to look like orange, you can just do it here in the Hue vs Hue and in the Hue vs Saturation, basically here in this one you can just change the color saturation. You can select that particular color and again, change the saturation of that color. So these are all the things I use. Now think of it. If I put all of these settings for all of the footage, it's going to take a lot of times. So what I've done to save diamonds, I have created a different kind of presets for different kinds of videos, and that is just a starting point. So apply those presets on my videos and then I color correct, or maybe then I change a few settings. Maybe J and J is just change basic corrections. Then I get the final look. So I'll just go through a lot of different sample videos for you. So it'll be easy for you to understand. Now here if you see I have reset here. This is color grading log. These are all of my different presets for drone, for GoPro, for phone, for studio videos, for outdoor videos indoor everything to create a moody vibe. And let's say this is a drone for days. So I'll just go through the preset and I just tried the first one. Let's see. Now this does not look good, so I'll just apply another one. I think this looks good. Let's just see another one. I think I like the second one. So for that I'll just, this is a starting point for me. Now. I'll change a few settings here. Let's say temperature. Let's change a little bit of temperature. Let's increase the contrast degrees the shadows. And then maybe change temperature a bit. Maybe change the tint a bit. And then let's see if I increase the saturation for orange. Let's say if I want to change the color, I think I like it, this one. And I think it looks good. Maybe just increase the intensity of the light. I think I like it. So let me show you the before and after and see this is v and this is without. This just looks amazing and over-the-top, I can quickly apply Crop. And C. Now let's go to the next one. So guys, this is a GoPro footage and let's just Scholar, great, this one. So I'll go to the Effect. Go and search. Which one looks good. So maybe winter one, maybe, let's try this one. Winter. Oh, this looks really good. I think is just one step. Maybe let's just try a different one. Let's say minimal tube. This also looks good. Let's just search GoPro to monsoon. Maybe if I go with this one, I have to color correct a bit. So I'll select this one maybe betwen. Oh, I like it. Only thing is, I find a here is it's less saturated in terms of blue. I want a little bit bluish color with the orange, so I'll just select a different one. No. I think I really liked this winter one. But it is little dark. See here. So we'll just go ahead and maybe increase the exposure a bit. And maybe increase the contrast. And maybe here I'll just go and Jane the vignette, increase all of these values. And I think I like it just right here, I like it. And maybe I'll just decrease the effect, just this one. And let's just increase the shadows as well. I think I like it. So let's just go ahead to show you before and after. This is again a drone footage, but let's see what I do here. First of all, let's just go to the preset NC, apply and drawn one I think drone to go really good over here because it has a good exposure. So for this drone to Israeli goods, so let us quickly apply. So see now it makes the whole scene look dark, right? So obviously either we have to change the exposure of brightness or change the curves also. Okay, so let's just go to the preset and see what we can change the exposure in the basic correction, everything is good. We have no change anything. Here in the basic correction on the second lumetri color also, everything looks good. So maybe I'll just go to the curve and see. Just let me reset this one. And I think let's just change the curve on here as well. On the second one. I think this I think this looks good, but I don't like the sky color and it's just too overexposed and the overall scene is still not looking good. Maybe I'll just increase the contrast a bit, but still it's not looking that good. So what I will do is I just searched on here another Lumetri Color. And then I'll just go ahead and apply the color grading. And then I'll create a mask over here because I want to calculate this specific area, this specific highlight area. I want to give it a little bit bluish lead with the leash look a little bit underexposed. So let's just go and create a mask. So just select here at twenty-five percent. And let's just create a mask, a rough mask and creating because that would be okay for this one. And I'm just going to increase the feather, but just set it to fit. Then using this mask only this area will be affected because we have created a mask. So now I'll just change, let's say temperature or maybe a little bit greenish tint like it. And then maybe decrease the highlights, decrease the shadows. Increase. Know, skip it like this. Yeah, I think I like it. Now see the before and after. This looks really amazing. And now I'll just go here and select another Lumetri. And this time I'll just change the downtown area because this looks little underexposed. So I want to change the color of this one. I want to make it a lipid, yellowish or little bit orange-ish. So I'll just create another mask over here and just select this one. And then I'm just going to extend the mask area and increase the feather. And then just go to the basic correction here, change the temperature a little bit, just a little bit of paint. All of this looks really amazing. And increase a level of exposure. Yeah, this looks really good. Now guys see, this is vivid and without. It just makes it amazing. Now see you guys before and after. This is before. This is after. Let me just play the video. Isn't an amazing, it just looks pretty **** amazing. Now this is just my process of collaborating videos. Yours can be completely different. I find this works the best for me and I'll just go to the preset and change a few settings and quickly get the look. So let's just go ahead and pick up another scenario. For example, this video. Let's just drag it. Now let's just go to the Effects and search here. Reading log, and I'll just go through the presets. Let's say apply this one. This looks good. Let's apply this one. Lets us apply outdoor too. This doesn't look good on this one. So like obviously all the presets will not look good on all the videos, so you just have to go through different presets. Now, I know that monsoon Mega good with this one. Minimal to, let's just apply this one. No, 3D LUT. I think I like it. I think I like this one. So what I will do is I'll just go to the Effect Control and maybe just degrees a little bit of highlights. Everything else looks good. Just decrease highlights or decrease a little bit of contrast. Increase shadows a bit. And I think it looks a little bit bluish. So just said the temperature back to 0. Maybe just change it more and just reset the tint. I think I like it guys. Seen this before. This is after. This looks really amazing. Now, if I want, I can just decrease the highlights from this middle portion as well. Let's just grab another Lumetri color and create a mask around here. As grew and grab the Lumetri color and maybe just create a mask, increase the feather. Let's just hear maybe degrees, a little bit of highlights. Highlights, and then this looks good. So see, this is before, this is after. And I think we can just increase a little bit of temperature so that it looks even and decrease the level of saturation. Just a bit. Not much. I think I like it. Now see the before and after. This is before. This is after. It was just easy to add it. Now, let's go ahead and pick up another video. Let's just see which one can use. I think this is again a drone shot. So I'm just going to search drawn and I'm going to apply this preset. And I think it looks just straight. Good. It's just, I think I don't need to change anything here in this one. So let's just move on to the next video. This is again, I think I showed this video recently in the monsoon. So what I'm going to do is I'm just going to search it in effect, does go through my presets and see, I think minimal. Know, I think minimal too. I think this looks really good, really, really good. So let's say if I want to change this yellow to green, so what I'll do is just go to the Lumetri and maybe just go to the Hue vs Hue. And here, just select this area and just select this one. See changed. So now we are quickly able to change it from yellow to green. And we can just decrease the saturation also because I don't want that clean look. So I'll just decrease the saturation. And I think guys, what I'll do is I'll just go ahead and search the Lumetri. And then maybe I'll just create a mask around here and then just feather a bit. And then maybe inward this mask, because I want everything else in the video to be just a little bit moody, liquid dark. So I'll just let me invert this and let's just decrease the shadows. Or I think it just looks amazing. So everything in the video will be affected other than the mask, my face is not affected at all. See, this is before, this is after. And I think we can track the mosque also. Because you see here, it is just changing. The clip is changing so we can just drag it with the mask also. So what I'll do is I'll just create a key point here. And then I'll just select it, let's say starting here. And then as the clip is moving, I'll just reset it and you'll see that it automatically drags it automatically generate, the mask is automatically changing, so it looks natural. Now, let's go and change another clip. Let me find which one looks good creating log. I think I'll just go and apply this outdoor preset C. This looks good. The only thing I want to change here, maybe the green looks over-saturated, So I'll just change the saturation of the greens here. Just a bit, not much. And maybe change the color also. See, I can change the color. Let's see this one. I like it. And then again, what I will do is I'll just create a mask around here and increase the overall exposure and just change the inward and just make it little bit dark. Everything other than the middle portion. See my face. Let's say if the mask is changing C, Again, I'll track it. Let's see here. I just roughly track it. And it will automatically track see, just change it over here. Now. See, wow, this looks really amazing. And the video that I'm recording right now, a similar one if I have to edit, Let's say this is the studio video. So I will just simply go to effect and again, go to my recent. And I think I really like the studio seven preset. It. I will just directly apply and see how quickly it is easy to edit. So guys, that's it for this video, I'll see you in the next one till then, take care. Bye-bye. 39. How to add Basic transitions: Hey guys, welcome to the video. In this one, we're going to talk about how to do basic transitions for your Rails videos. So I'll just pick a few examples and I'll show you. Let's just quickly go to the computer and started. So the first one is obviously it is Control D. This is very simple. Just cross dissolve. You can either use Control D or you can go to the Effects and search here, cross dissolve. And you can drag it onto your video. And it will just, if you're using between two clips, then it's going to fade the first one and start the second one. And if you are using at the end of the star, is going to turn from black to the video. It's a very simple, okay? So let's say if you want something like this, for example, like this, onto these two videos. So it's going to blend and smoothly and start the next one. See, you can obviously increase or decrease C. That's how you can increase. That's how you can decrease. Simple click. This is the first one, and the second one is, let's go here and search. White and black. Dip to white and dip to black. So basically dip to white means, let's say if you use here, it's going to go from one clip to another clip. Or at the end, you can just dip to white is going to start from white to video. And here also see simple transition. And you also have dip to black, such a dip, dip to black. And it's going to go from black to next video. It is very simple. So cross dissolve, dip to black, dip to white. And another one that I like is this brightness and contrast. So I'm going to drag this brightness and contrast on the clips. And then we see here in the effects control CV have effects. So just before the clip, just before, just before the clip, let me just create toggle animation point here and keep the value as zeros and select N As we're going till the end of the video, we're going to increase the brightness and contrast. Let's say we set the value as 6935. So you're gonna go to the next clip and we're going to start with the same value, 6935. Okay, and then let's go forward and just reset this value, make it 00. So now you will see that we go from this normal, too bright, bright to normal. So you see a simple effect. I hope you are able to understand It's very simple. Just try to do this the way that I've told you right now and see how you do it. And there are a lot more other effects also. Let's just go to the video effects and you will see a number of effects here. You can try how you want to use it. Let's say if we search here, cross dissolve, you see that it has in the video transitions that dissolves section. Okay, so let's just go to the video transitions. And you see here, you have also Zoom. So let's apply those zoom effect. Let's see how it does. Insufficient media that can contain repeated frames and click, Okay. This is because we have nested the clip and we don't have extra one, so it's just simply going to zoom it. It's a very simple effect. So you just try and see which one you want to use. Let's say you want to use a slide. That is simple, slide effect. And there are a bunch of dissolved as well. Cw why do to black and cross dissolve addictive too? So let's just go and apply that activity is all. Can see it. Just try it on your own. I guess in this video transitions you can find a lot more. I just use only these four to five, which I have told you right now. Okay, that's it for this video. I'll see you in the next one till then, take care. Bye-bye. 40. How to add Effects on Voice overs to make it sound Crisp: Hey guys, welcome to the video. In this one, we're going to talk about how I do voice over editing in Premiere Pro. What are the things that I do? What are the presets that I use? And some of the basic settings also. So let's just quickly go to the computer and let's started. Do you remember I told you in voice-over editing section then I'm going to show you how I edit voice or in the Premier Pro with the preset. So what I do is I just simply go to the Effects panel and search here and get my string final. So this is the preset that I use, and I just drag it onto the voice-over and see it creates three mu effects. So I have changed the few settings here. I'm not going to go detail into these settings because I'm going this preset for free so you can install it in your computer. So the preset file that you will get, you have to simply just go here and right-click Import Preset, and then you will get this file. Okay? So for now I'm just going to delete this one. And then if you want to increase or decrease the voice-over dB, so you can just change it from here or the audio gain, obviously, like just set the audio gain, maybe by four value by three or two. Whatever you feel like whenever you're displaying it. It should not touch 0. Okay, That's how you can change it manually if you have to do it. Obviously, you just create a point, Glick, Glick point, increase or decrease the particular let's say decrease this increases. See. Let's just decrease of it. So that's what you can do. And finally, two more things that I do is I search for base and I drag this over it. And sometime I like to decrease the base if I'm recording with a focus right Studio because it has a very high base. Sometime if I want to increase or decrease it as the set this value to minus five, somewhere around that. And I increase the travel. This is the travel. I increase it to, let's say 34 value. So that's what I do sometimes not all the time. If you feel like you are listening to a heavy base audio, then again, just add a base and in-degrees the base and increase the travel. These are only some time that I use it. I thought let you know, guys, these are all the effects that I use. So that's it from this video, is try to use this preset and see if it works better. If not, then you have already edited a good voice over in the Audacity and FL Studio. This is just one extra layer in the Premier Pro. So yeah, that's it. I'll see you in the next one till then. Take care. Bye bye. 41. The most amazing Video Transition: Hey guys, welcome to the video. In this one we're going to talk about one of my favorite transitions which I have used over the period of time for so many videos, for the reals, also for the YouTube videos. I have used this so many times and I'm going to show you how simple it is to use. Let us quickly go to the computer and let's start it. So let's say these are the two videos, and I want to do a speed ramp transition. Speed ramp means speed up or speed down. Go from one clip to another. So it looks like these are only get the camera is moving from one clip to another one. It looks like it's the same one. So what we will do is we will just extend this. And you see these two clips. So let's just select this one and right-click and go to Show Clip frames and go to time remapping and click speed. Then we will get this line. This is timely mapping. So we'll have to slow it down and make it fast at the end. So right now the speed is 50. And we have shared this video in 120 frames. So I guess I can slow it down till 20%. So let's just clean up wind. Let's just click Control and click here. So you see a new point is created. Now let's just click the mouse and just keep dragging. This is, this will be our transition. Now, what we will do is we will first slow it down till 20%. I'm just dragging it down. What it is doing is it is just beating up here. Now, let me play this. See, it's a simple one, right? So basically, right now here is the speed at 20%, here is the speed at a 100%. Let me make it till 150. Let me make it 200. Now see how immediately it becomes fast. So let me just select this back to 150. And then we will, just, then we will just drag our second clip here and do the same thing. Right-click, Show Keyframes time remapping speed, and then Control click, and then drag it. Here. What we will do is we'll just slow it down at the end, 20 per cent and then increase here. Let's say, I guess 150 is fine. I'm just going to try it. Now you guys, you see here, here the speed is 20 per cent, then 150, and then speed it again, 20. Okay, let me just move this clip a bit. So now see. We just have to align it. Yeah, I think I need to speed it up a little bit more. Let's say 300. And then the same thing. I'm just going to cut it here. And I think I'm just going to cut it here. And then just trying to imagine, see slow, fast, slow. That's how you can create the simple effect. You can go from one clip to another clip and it will look really, really smooth. And then you can even smooth. It just didn't click. And then make it soft. Just soft. And then click here and make it, make it soft. And it's trying to make it soft. And then he's got it and then try to match it to. And then C. It looks amazing. That's a simple transition. And I like it. I've used this in this region. This is the real, well, see this. I have used this symbol time remapping here. And with the brightness and contrast. That's it, guys, That's it for this video, I will see you in the next one till then, take care. Bye-bye. 42. Practice Reels - Part 1: Hey guys, welcome to the video. In this one, we're going to practice reels from start to end. Basically will just show you the breakdown off a lot of my reels. What are the exact videos, audio, voiceovers, how I use the music, and a lot of things that goes in my head when I'm creating those real. So that will be really helpful for you. And let's just quickly go to the computer and let's start it one-by-one. Let's go. I think the premier Pro is taking a little bit time to open. We have almost come to an end to this course and I am hoping that you have learned a lot. Now also you're going to implement it onto your videos and you will create better videos. So this is the first one, and now let's just zoom it using the plus sign. And now firstly, we will see that these are two audio layers. This is for the voice-over. This is for the music, the background song. Now if you've, if you see here, I have just started with 0 music than loud and then slowly decrease it. And then again, just keep it down. And then again when the voice or ends in Greece it, so let's just quickly listened to this 1 first. It sounds just beautiful if you see here, as soon as the voice-over ends, I start with the, with the lyrics. It matches perfectly. And there are some slow motion that is going on here. If you see these are all the clips have slowed down till 40, 40%, 20% per cent. If you see the real video is just gonna be very shaky. Let's just copy this. And let's just speed it back 200. And now let's just clear this. And these are the actual shots. See how bad it was regarded. We were just shooting handheld at that time and just taking random shots, but I knew at that time and I'm going to slow it down till 20 per cent because IV divided this at 120 frames. And I knew that is going to look beautiful when we will slow it down. So let's just do Control Z and now see, I just use that small portion of the video where I thought that it may look beautiful. And that's why I suggest you always record in slow motion, In always record with the higher frame rate so you can slow it down later. And for all of my videos, I have done quite similar thing. Now let's go to the Effect Control and see what I have applied here. I have just applied color grading here. And here, if you see, I have just changed the position because I knew that this video is not going to be in the middle. I record all of my reels in this rectangle, formal in the uniform it because I may use in future in my YouTube or maybe I am using some past clips from my YouTube videos. So that's why I always recording 16 by nine ratio. And then in this, in this real, I have just use that particular portion. If you go here and see the original video, Let's just go to the project. Ncc. That's that's the full video. And I have just grabbed it accordingly. So there is nothing much here. Let's go to the next one. If you see here my rules are simple, different clips combined together. Maybe sometime I just combine different clips from different places. Some time I combine different clips from the same place. That just completely depends on what I am thinking, how this wheel is going on. So if you see here, I have combined different clips from my counterpart, strike that. I did back in 2017. It is combining to make it a beautiful video. Let's just play this. Like I say here, wash, Colgate. They could just try to do it. And then when the voice-over ends, maybe this time I'm not using the lyric song and just using the background song and suddenly the dune changes. That's what I always think. Whenever my voice orders ending, I just try to change the beats or maybe increase the volume and try to make it a little different. Just adding with some song or maybe just changing in the background. Like this one. Here I increase the volume. And if you go to the project, just to use the song, initial biopsy. And then I just added onto the beat. I knew that here. Here just the voice-over is ending. And then let's just change the beat. If you zoom in, see here the beat changes. You see. So yeah, that was the idea. Now let's go to the next reel here. If you see I have combined two different PGMs from the same song. So let's just go here and go to the project and try to see this is could a Johnny background music budget. Now, as I think this is, this has all the BGN, the background songs from bachelor. I see no movie. And I just got it in one song from YouTube and I'm just cutting it down from different places and then combine it together like that and no match it on the beat. For example, here the voice-over ends and then I'm changing the music again. So let's just listen to this one. Here. If you see the video. Bundle, a little miracle that I just wanted to show a guy and a girl and showing how, how happy the guy is seen his goal. And that's why I added this clip at the end from Dubai. I guess we shot this video in Dubai. And all of these different clips have been shot at different places but at the same time in the evening time and use field Eclipse. I shot here like this one, like the first flip. If you see, I have showed this video and in Goa, and then I shot this video in Dubai. This one, the y from Dubai, and this one I guess is from the partner leak. And if you see, I have again slow it down and I'll just create two different versions. If you see here. This is the original one. This is I created before and I get then I create a second time also. So in the first real, I just used a different video from the same time. I shot this video in permanent lake and then I wanted to reuse, reuse this video, dried re-upload the real. So I thought, okay, let's just add a few different clips. So it looks different to the people who have already followed me on Instagram and maybe they are seeing a different video. That's what they will feel. And you know, you, you should not feel shy to re-upload your reel because maybe your real fast time, it may not do good with algorithm, but second time maybe, maybe change anything or try to do slightly different things. Use different background BGN or change a few clips and maybe this time it will work. So that's how I have been doing. Maybe I've created 100 years and then I have used it in a different clips are different music and have created 200 yields. So from a 100 yields, I've created more than double. And that's how I have used because it's really difficult to create two reals every single day. So what I think sometime I just try to do a little change in few of my old reels, and that's how I use it. So it's a great thing for you also. And try that sometime near me real may not work in saying Second Avenue will upload. It may work. I have done the same thing. Sometimes you just don't change background music or video. Just after long time, after five to six months, I just uploaded, re-upload the real. And I've seen that it works sometime, you know, in first-time event app, Laurie, I got only a 100 to 200 K views and second time and I uploaded, I got around four to 5 million views. And that is a huge difference. I don't know how this works, how Instagram I have the second time, but just try that on. So let's just go to the next real, okay, this is the next one. Let me just play this for you. So when I wrote these lines, nourished to meet Doria, visa rehearsed yet and I thought about this song, you do area. So I thought, okay, I'll just combine this song. But I knew that I have to mix it up. I have to just cut down the song and try to use different part from the same song. So that's what I have done here. So if you go here and listen to this. So I've used the starting portion of the song and then my, my voice-over ends. I have simply added the song with lyrics, right? That's, that's when it starts. And I've simply combine it with the cross dissolve here and obviously slow it down again, same things and reposition the reals because I've shot to hold the videos in YouTube format. So if you see here, see I have just reformatted it. If you go and reset this, this is the origin and I just slightly change it a bit. And in this wheel I have just used the clips from different places. See, now that's it from the part one from this practice session, I want you to go and implement it. And then we will go guys to the second part of this practice session will go and go over to the few more reels and see, yeah, that's it from this video. I will see you in the next one till then, take care. Bye bye. 43. Practice Reels - Part 2: Hey guys, welcome to the part two of the practice session. In this one, we're going to go over to the few more reels. And yeah, let's just start it. So this is the real that I want to talk about. I really loved this real. I mean, this is one of my best read that I've created. Let me just quickly play this for you. One Kirstein AKI. Such you should have gotten. This just gives me the feeling. I just want to tell to some just go there. It just kills me. The vibe I'm in. When I was listening to this song, I knew that I had to break down this song and select the different parts. So let's just quickly go to the project C. So I selected this part. And then again, I combine it with a different portion of the song. But when I, when I wrote this lines, obviously I was inspired by one of the film and I just wrote these lines. And then I thought I had to combine some amazing song. Then I was listening to this one and I thought, okay, this just goes perfect. I just had to break it down. So as you see here, the voice-over ends and I combine it with the constant power. And from here it changes. And I needed a little dog videos over this one. Obviously this has to be a wild feeling. And I knew that I've shot lot of videos from Ladakh. Few bike shots view, just drone shots. Just have to make it look **** amazing. And when I, when I edited this video, I just watched so many dimes. So let's just see what we have done in this one. See here, I have zoomed in into the clip. The actual clip was not just simple clip and I zoomed in in the editing. And then I went over to the next clip. It just like I'm driving, going to some beautiful location, just crazy. And then, and then go to the next one. You see here also, I have just zoomed in just to give it a effect, just doing a close up shot. So see here in the editing and zoomed in from one hundred, two hundred fifteen. And then here's another shot, I guess I shot this in Thailand. And this is again from Ladakh, just showing the vile place, road trip kind of thing. And then again a bike shots simple. Again, just this this one I just shot on in Ladakh thing is bang on League. I shot this one. And then me riding the bike with this, this viewed like look at this view, something like that. I combine different clips here. If you see the last shot here in this one, this is drone shot and nice. I'm zooming in and I just, you know, just making the position and the scaling perfect so that I always look in the middle. Extra short, I was not in the middle, you know, this was shot on obviously 16 by nine ratio and I had to make it look in the middle. So always just play with the scaling and position in the motion tab and see how you can do it. Just creative and points. And let's try to match. Just play with the clips like this one seat, click this and see how it is going. And let's just go to the next one. This is a simple clip. I didn't do anything much. Anybody? These are just simply close. I shot this in quality pass from Oregon track and I just slow it down. That's it. I'm just selecting the background music and I made it. Let's just go to the next one. Yeah, this one. So see what I have done here is in this audio, if I start from 0 and then when I'm saying I just make it live below minus five dB. And then when the voice or ends, I just increase the sound so that you are able to listen much better. And again, just turn the volume down when I start seeing the voice-over. See here. Now listen to this one. Believer case SHE part but they can be skipped. Body heat will hear the beat changes if we zoomed in and see here the b changes as the drone shot starts. This is obviously not in the middle. So I have to again reposition it. I feel it if you go and go into the project is C. This is a lo-fi beat in project C. So I just selected the end portion here. I like this one. And these are just simple clips. There's not much to talk about this one other than just I increase the volume when the voice or ends. Again, the simple thing, Blakey Mengele. See in-degrees the volume here increase to, decrease it as the voiceover starts and ends. So according to that, I did it. Now here I want to talk about these two rays. These are same clips as you see, but the background music here is little different at the end. When the voice-over ends. Now listen to both and then you tell me which one you like more. The first one or the second one? Which a leader? Because he can only see when you go down. The second one is here. We'll have the actual voice with the song goes out and he can only see when you go further down. Actually uploaded both these reels and both go at more than a million views. I think people really loved it, but I uploaded the second one because I thought okay, the song with the actual the voice of the song, and it will perform better. But both did well. If this is simple, this is one song and I just got it from different places. If we go to the reveal in project C, This is one song. I selected the initial portion from here, and then I selected the end portion from here. So that's how have combined. I think it's by now you must ask him that I do this a lot. Cut down the song and combine it together and just create a mix. And again, these are simple clicks, just slow it down till 20 to 30 per cent as I have shot this in one dirty frames. And then again, these are all simple ones. Let's just go with this one. Yeah. Let's talk about this one. Now. This one I shot in Kashmir. And if you go ahead and see the original clip, let's just make it a 100 and see Jonathan Charles similar work. And then I simply slow it down high, just used one clip on this one, and I combine it with a voice-over. Again. If you see the simple tricks where those songs ends, I guess this is the song from hot list. See you again and I again cut it at different places. See, got it from here because the beat stocks here. So as soon as the voice-over and the beep start. Now listen again. Let's listen. Let's just play John Charles. Similar work that you take the columns, Emily Badger. One more thing I did. When ever the voice-over ends, I just cut it from the place where I am looking at the camera. See. So it gives an impact. So think about all these things. Now again, see I created this veal with one, just in one simple click. If I will show you the original clip, you will just laugh. This is the original clip. And let's just go to the project. And let's just play this video. So this is the clip that we shot in Kashmir. So if you see here it's not a straight, it's not looking dad good. And also the colors are not that good. So what I did is here in this one, if you go to the Effects Control, I just zoomed in a bit and then I rotated. So if you see here it let me just reset it back to 0. So this was the origin cable. So I just rotate it a bit so it looks street. And then I, and then I change the position and scaling and slow it down. And then I did a color grading also. If you see here, then without color grading see. So that's how it makes a huge impact. Now, if you go ahead and see the original clip, now see the final clip. Chickens to look MEK, ERK. In some cases the patch onto. Here if you see also, again, I've done the same thing with the background song. If you go ahead in the project, I guess this is one of the BGN from the japonica John. So this was, this movie has lot of good BGN. So I just downloaded from YouTube and this has a lot of different medium and I use, I guess this one. So stridor search it on YouTube, you know, with the movie name and with the BGN. And you will find lot of background song, especially from the movies, all those different fluids. D owns that you don't find in the song, that you can find it in the BGN. And again, I've done in your increase the volume decreased the volume. Here. I'm doing the voice over so I just decreased it ends. I increase the decrease, it increased it. And then I do a simple thing and it, these are all the small things that makes a huge impact onto your real. If you look at the original clip, you will be like, okay, this clip is not that good and I'm not going to edit this one, but think from just vision and envision it and then try to play with this and maybe rotate it a bit, scale a bit, position a bit, and then frame it accordingly, and then color grid and just create amazing one. And then I combined the same video with different background song also should consult with me. Got it. Gives me patch onto. Let's get canceled. This again, the BGN from Tokyo, Japan. I really liked both these. So I just made two different traits from one voiceover and one clip using a different BGN. And this is, I guess in this real, I just created a three-layer real. I've already told you how I created that. And then again, I use here a lo-fi song. This is on from, I guess kid or neither movie. And they just combine it. You know, I had a different place. See, these are two different sounds from the same song. Males bath because it Rosie made out of Dominica. Yeah. It was bad kidney, some shear. So this is the song and this is the voice-over. And these are the sound effects. I use. The simple sound effects in a bush won. So that when the song Jainism time, the beats, the beats are not matching. I tried to use a whoosh sound effects between the songs so it matches perfectly. See, it's just sitting in the middle of both the song tunes. And sometime I just like to just don't do any voiceover, just a simple song with a lot of sound effects. Sound effects where the evening that bird sound effects. And here in this one, we're seeing that a C in the backgrounds wave sound effect and all these different side effects with the song. So listen to this one. Yeah, simple one. Let's just go to this one. Again. I combine. I knew that this song is not going that good with this one, but I knew that this is going to perform really well because of the song. The song is really amazing. So sometime just try to find. The training songs. And that is going to give you a lot of views on this one. I guess I get caught around more than 5 million views because of the song. This song is really trendy right now. So I just use this song with this, with this real and let me just play this for you. Guess what settler name and partners either making more money. I just used few running shorts, Just few random shots with the one whoosh sound effects because the tune was not going well, had to cut down the song and use a different tone from the same song. And I was not really happy and uploading it because this is not one of my great work, but I knew that this is going to perform really well with the algorithm and that's why I use the song. And it did really well. So let me play the next one for you to bought up. Keep telling me here. Only came with a cool Giovanna. I guess this is one-off the lo-fi beats song. This is the lo-fi flip flop, flip, lo-fi flipper, rigid thing song. And then I just increase the volume here, C and decreased it here. And I just sometime maybe just think about, I need some white charge, some close-up shots if I'm using the clips from the same location so that it looks good and that's what I've done here. This is why chart again in close-up shot, again, a midwife shot and the mean diamond dancing. And as soon as the, so what ends and then the song starts. And how I created this one. Let me play this for you first. Say fairly thick there is that I was scrolling through Instagram to use and I listened to this one. And I searched this song on, on YouTube, just using the Shazam sometime if you want to find the songs. So if you're listening on to the real, let's say in one phone you are listening and the other phone you can just use a Shazam app as a zed am. This is an amazing app to find the song sometime you're not able to figure out which song is there. So you just play the Shazam and it's just going to capture the song and even give you the song name and that you can search the song name on YouTube and you can figure it out easily. Shazam helps a lot of time when I'm listening to new songs and maybe some non Hindi songs which I have not listened. And it just, it just create app. Let's try to use this one also. And I use a simple clip with a 20 per cent, I guess, slow it down until 20 per cent. Okay, 40 per cent. And I think I C3 position also. I am always in the middle. And then color graded a bit here in this one. Cellular vocabulary. So now lucky, yards into humus, stop codon, go up. Glutamine butter. Is in the Macedonians as a coach being a Yoda, Tommy Shaw. You can issue other kinds of Zachary. You. If you listen at the end, a guitar sound comes up and that's where I wanted to end my voice over and write simple title waiting for new beginning with the crop effect. If you see here, I have just edited crop effect with a title. That title appears like this. Going from left to right, somebody's typing it. Just a simple crop effect with the toggle animation like I've showed you with the position and the scaling in the editing section. And you can apply it on the crop. Just go to the effects and such, the group effects and apply it here. Piggy stamped on my iPad. Let me just delete this one and let's see if we use the song like this. Consumption is a ticky, unlike the other beat. So that's why I've used this and this is also a lo-fi song. If I go to the Project panel C tonight, dr. Mesh up. And I guess this is one of the lo-fi beat and this has lots of songs, so I just simply selected this one and used it with the clips are stamped on my iPad. So let me let me play this for you from the start. The idea behind editing this real-world. First, when I am seeing those words, I am just going to be alone and thinking, thinking about the goal. And then as soon as the voice-over ends, I am just showing you the guy, a guy and girl just playing with each other. And then the next clip is like, again, I'm alone, I'm thinking about it. I'm happy. And then again, guy and girl video and the next clip, I'm again alone. And then again finally at the end. That was the idea and, and just being alone from somebody. So that's how I thought the idea and, and combine these videos together. So how did we shoot all these clips will be wearing go off for more than 2025 days. And we were just shooting randomly randomly in guar with at different locations. We were just, you know, just trying out different things and see which one will go best with the real and just shot for you emotional clips, sad lives. If you have Eclipse view both of us together. A few in the few clips, I am alone, this random clips. And then when I'm actually creating the relay, writing the voice or editing the music. Then I just was going through all those clips that I charged and go and editing on to these clips. So none of the other clips, I guess most of it was not planned, but I knew that somehow I'm going to use it in the editing. And I knew that if I'm going to write something in motion, something sad, I'm going to use this clip. So let's just show it in advance. And then I will be editing. I'll just get the idea. So that was it. They actually two ways. Either you can write the voice-over and then shoot it in one of the real I have done it, or you can just shoot it and then add it later on. So when I'm judging when you're just shooting randomly or too short a lot of videos because you don't know what, which portion you would like and how you're going to edit that. So that was the idea most of the time as you're shooting it. And then in the editing section, I just go through all those clips and use it accordingly. Like this one. If you listen to this one, this is just a simple sad video. I knew that someday I'm going to use it. So yeah, that's how I use this clip because you're watching. So in this one I have these both are same clips. I just zoomed in to this one. See, this is 187, this is a 109. Just to give you a close up look so that it just makes an impression as the beat starts, as the voice-over ends. Just zoomed in. Just try to create your own videos and I'm really excited to see what you all guys create. So yeah, that's it from this video until then, take care. Bye-bye.