Transcripts
1. Welcome to CapCut: If you're looking for
the best beginner friendly and free video
editing software, then you have come
to the right place. Yes, I'm talking about CPC. CPC is the best video
editing software if you want to start your
video editing journey. There are thousands of dragon
drop effects in CPCirT that would make your videos look like it has been
professionally edited. CapcIT is so powerful that even the professionals
are switching to CPC. And in this master class, I would be guiding you through every detail of this
amazing software. Whether you're a
professional video editor or if you're editing
videos for the first time, this class would be
super easy to follow because I've broken down
everything step by step. And of course, whatever
I'm editing in this class, I have given you raw video file, so you can actually
edit with me, and that is the best way to
learn any editing software. Together, we would be working
on two video projects. The first one is
for someone who is looking to edit
YouTube videos or some commercial
videos and someone who just want to learn
simple editing technique. And in the second video, I would be going
deep into Cap Co. I would be teaching you
all the transitions and effects that you have seen
on Instagram or TikTok, all the influencers using them. They look really difficult, but they're so easy
to edit in CAPCO. So if you're ready,
then let's get started.
2. Class project: The project of this class, I want you to edit 60
seconds of a video. That video can be a travel video or just a talking
shot like this, and you must use at least five video effects what I'm teaching in this class. And of course, more
information about the class project is
in the description.
3. CapCut Overview: First off, let's
open up Cp code. I'm hoping that you have
installed cap code, so you just go to
their website and install it. There
is a free version. If you want to have a paid
version later down the line, then you can opt for that too. I have had the paid
version because I just love this software
so much that I was like, Yeah, it's a good investment. It's super cheap as
compared to what other softwares are
of this caliber. Let's go and start
using cap code. So if you open Capcut
this is how it opens. These are all my
previous projects, which is not really
important now. The only thing what you need to do is it's really
straightforward. That's a good part
about the software is everything is just so
easy to understand. I have just pressed
on create project and the project opens. I'm just going to
make it full screen. The first thing,
what I'm going to be doing is I'm going to be changing the settings
of this class project. To change the settings, what I would be doing
is I'm going here on the right hand corner
because here if you see here, the name of the project is 3252. We can also change it to Cap Curt class that is
the name of the project. A aspect ratio is original. Aspect ratio is how the
project is aligned. Is it like horizontal project
or is it vertical project, we would be keeping it original, which means that
it's going to copy the aspect ratio of the videos, what we're
going to be using. Resolution adapted as well. If my video is a four k, it's going to adapt
it to four K, but I have to change that. Frame rates, I want
to keep it 24, proxy, I would turn it off. But yeah, let's go to modify and let's change
some project setting, so it's going to
make more sense. I'll just click here details,
name this, this this. Then imported media, I would just say stay in
original locations I don't want the software to copy my media somewhere else. Aspect ratio, I
would go for 16 by nine because That's the aspect ratio we're
going to be using. Resolution, I would go custom and then I
would go 1920 5,080. The reason why I choose this
resolution is that because if I do four resolution
already in the timeline, the software might
lag a little bit. That's why I think
that it's good to have high definition resolution in the beginning and when you're
exporting the project, then you can export
in four k. It really doesn't matter what resolution you chose in the beginning. Frame breads, you can choose 24 25 or 30 frames per second depending on what is a
frame Brad of your footage. But if you want to have
a normal speed video which looks cinematic, I usually go for 24 or 25. Then color space, I would really suggest not
to touch it at all. Keep it to SDR c seven and nine. Do not do it high HDR
because I'm assuming that you're not really editing
HDR image and arrange layer. You don't want the software
to arranging the layers in the timeline by themselves,
don't worry about that. Then we go to performance. If your system is
not that strong, it doesn't matter if
it's a Mac or Windows. If it's not that
strong, then I would recommend you to
turn on proxies. What this is going
to do is that when you're playing back the
video in the software, it's not going to play
in the resolution, what we chose, which is the
high definition resolution. It can play in five
40 or seven 20. Five 40 is half of the size of the high definition
resolution, and which means that
it's going to show you it's going to play back
in half of the quality, and that would help
the software to play smoothly because if you don't have a
powerful system, it's recommended to use the playback in
lower resolutions, and when you export,
then you can export in high resolution,
that doesn't matter. But this is just
for the playback. If you don't have
a powerful system, I would recommend to go for
five 40 or seven 20 P. But I would just keep it to normal because in the
past with my Evan Mac, it's playing super smooth, so I wouldn't change anything. Let's just do save. These
were some really general, really basic project settings. Now I would be giving you
a general information about this entire work space, which is really straightforward. Let's start from this
left hand corner. The first thing what you
see is auto saved 15530. So it is currently 3:00. And that's a good part
about this software is that it really auto
saves in real time. If your computer crashes or
if something goes wrong, you would have recently saved file open up when you
open cap cut again. So it really saves
everything in real time. So you really don't
have to worry about pressing control S or command to save
it all the time. Even though I'm used to
it because I have also used other softwares where
I have to keep saving it, but in CPCut that's
not a problem. So that's why this
auto saved is here. The first thing what
we see is import. So device import. What does this mean is that
this place is where you're going to import everything and those imports
would be stored here. For the project, what
I'm going to teach you, which is also linked
in the description, all the raw files, it's
going to be somewhere here. Cap cut resource. It would be in this structure. I'm sure I might add a
little bit more folders, but you have to
go in raw footage and I would import a roll video, and I would import roll
video video and music. What you can do is
just drag and drop. So I have two screens, so that's why I've dragged
it on the other one, and then I'm just dragging and dropping here in the import box. What this would do is
that this would literally replicate all the
folder structure, how the floor folder
structure is. Of the same format as how it is, how it was on your computer. There is one music. There is some role means just normal talking shot,
what we are doing now, and B roll means the what comes on top of the
shots, what I'm talking. I'll explain you. Don't
worry about that. This is where all
the imported media is stored from your system. Then if you go to spaces, here we can also put some files which can be on the cloud. So if you open cap code
from a different system, you would still have the
clips or the audio here. Then stock stock materials, I would just increase this. Stock material will give you
unlimited stock footage. If I just have to
say press rose, that's going to give you so many just unlimited
amount of rose footage. If you want to do say horse. I don't know why I came
of the rose and horse. But, you see you
really don't have to go out and film if you
don't have a B roll. Just type it here and Capcut would give you
all the stock footage. If if I just do
graphs and chats, you see, to install it in your computer, what
you can do, you see. You also need to use this, you also need to be connected to the Internet because it
is on the pcutsCloud. If I press this, then it
downloads it super quickly. If you want to use
it in your computer, you just drag it
on the timeline. But I would show you
all these things later. That is stop material. In this material, you
can go to background. If you on a background layer, if you want to go to green
screen, that's green screen, intro it is just so cool because not
even back in the day. The software the other
software is what we use now. In that software, what we do is we are editing
in that software, and then if we need role of something which
we don't have, then we have to go to the
stock footage website. You need a membership for that, and then you download it drag
and drop in the software. It's like three four steps, but in CPCAts just there. That is stock materials. We're going to be using
stock materials as well. Then this is brand acid. You see CPCAt logo, and there's no video here. Brand acid means
that if you want to create similar kind
of videos every time, then you can put the things, what would be used
in all those videos. For example, if
you're a YouTuber, you can put that
subscriber icon here. If you want to put the logo of your company or logo
of your channel, you can just put it here. So every time when
you open cap cut, those things would be
stored in brand acid. And whenever you're
going to use it, you don't have to go to
the computer search for that icon again and then dragon in the cap cut, you
don't have to do that. It's going to be
here every time, or if you're using any sort
of sound effects every time. Just drag and drop it here. So that is what brand acid is. It's like your brand acid. So that's it about this panel. Now we're going
to move to audio. Now we have unlimited
amount of music option, sound effect option in
Cap Cut. It is crazy. You can do a most common ooh. Woo, sound effects, it's
going to be there, see? Okay. So you have tons
of sound effects here. If you're going to go for music, you have tons of non
copyrighted music as well. So you can also choose
what genre you want. That was the audio
for copyright. You can also check if it's
copyrighted on TikTok. It's not going to
guarantee that it is copyrighted on Instagram, if it is copyright free
on Instagram on YouTube, but you can check for Capcot because Capcot is
owned by TikTok. Extract audio is a thing
where you just drag a video and the Capcot extracts
audio from that video. TikTok sounds for this, you need to link
your TikTok account. Brand music, same as what is the music of your brand which you're going
to use every time, so you can drag
and drop it here. Every time when you're
editing, just drag and drop on the timeline. That was audio. The next is the text. This text, I would
show you later because it is just a
whole different world. So all these texts, if you see P, I have the
pro membership, but if you're using the
free cap cut version, you still have all
these other text which doesn't say pro here. It just keeps on going. It is insane. Back in the day, we would have to go somewhere or
download from Torrent, all these text animations. Those were the texts, if you go to stickers, same now if you want to download any
stickers, say, money, you would have all
this PNG file, without background file
of these stickers, you just drag and
drop, and then you can later on increase
or reduce the size. But we're going to show you
later all these things. Those were stickers, you
can just say turkey. Turkey. That is turkey, say pen. I don't know what I think
going to show with pen. Yeah. It is just insane, how much stock
footage stock music is there in Capco Then
effects transitions. We're going to show you later. Filters are the lots which
you can use on your footage. Okay. Cap Cut has just
so many amount of beautiful filters
that would change your footage from zero to
cinematic in 1 second. But I'm going to show
you all these later. Adjustment is if you
have your own preset or if you have your own lots that you can also
import in Capcut, but I'm going to show
that to you later when I'm going to
teach color grading. Here we go back to have
discussed this panel. So we're going to go
back to this device, so we have these folders, and maybe I'll just
drag one video, then you have a bit more idea of what is going on
on this other side. I'm just going to
drag this arrow The plan is that I have
this stocking head shot. It's like I'm teaching
some other course, I have this stocking head shot, the intro of that class. The first thing is to take
out all the unwanted paths, all the parts where I've messed up or all the paths
where there is a gap, just chop it out, put the
refined path together, and then later, I
would add B roles on the top with some animation,
some transitions. And once we're done with that, then we would add some music
and some sound effects. After that, we're
going to be adding some text animations,
all in this project. After that, we're going to be adding some creative subtitles. We're going to be doing
a lot of stuff and they are all super really simple. Let's just drag this file here. This is the place where that
would be the main playback. Now the playback is
in high definition. It's exact same as the timeline
resolution what we chose. It is not proxy, if I want to increase the
size of this footage, just increase it here, like so. And if I just press
Z or control Z, then it comes back here. You can just press space. You can just press lens
here to zoom in zoom out. If you are sort of doing
any color grading, if you're putting any effects, and if you want to see
how everything looks, you can zoom in zoom
out and custom. Custom is, again, you can do different kind
of resolution sizes, four by three, or if you have to go 16 by nine, two is to one. Usually for reels you can use this resolution and to fit
it on the real screen, you have to kind of zoom it out, then it's going to look
like this, you know, But we would go here 16 by nine, it's zoomed in because we
zoomed in in the last part. The scale here, we
increase the scale, so I'll just refresh it. But, don't be overwhelmed. I'm going to show you
everything in detail. That was it for this section. I think this is the audio bar. Videos all by myself.
And over the years. You see this is the audio bar. This is the full length of
the video, which is 3301, and this is the time where
my current this line is. Here, if you want
to go full screen, you just press that, but we have a shortcut
for that as well. Talking about shortcuts,
I would be showing you a lot of shortcuts
in the upcoming section. In this player, you also see something here
in the corner. So color oscilloscope, this is a little
bit advanced thing. So as you can see this, we're going to be
using this when we're doing color grading.
Don't worry about that. Let's not talk about that. Preview is show full retion of the video best performance. This is where they
can use proxy. Play video. What is
your preference? That's how you can
choose the preview. We're going to do
best performance possible and export
still frames. If I just want to export
this frame, I press this, and then you can choose
would you want to export it in PNG or JPEG and
then export it, say on dextop or whatever
folder you chose. Then after that, we're going to come here
on the top section. Here, layout means
how it's looking now. Yeah? And that's
what it's called. That's what they have chosen
as a default default layout. But if I want to
detach media panel. So media panel is this thing. If I want to detach it, then what's going to happen
is It goes everywhere. But you see the media
panel has been detached. If someone is using dual screen, what I'm using now, you
see it went back here. Let's detach it again. If someone is using
a dual screen, then it is really handy for them because then the media
panel can be on one side, and then you have just
this spot on one side. So if I just drag it on my other screen, the
media panel is there. Now, I cannot show
you the other screen because you're doing
a screen record, but the media panel is there. And here now we
have a lot of room to watch this playback. So we're going to be
using this property, then we're going to be
doing color grading. I'll just back the media panel, and then I would
just go restore. I restores here. Similarly, you can
detach everything. A lot of times it's
also handy to detach the timeline so that your timeline can be
shifted on one window, and then you can just see
the playback on this window. But it is not super handy if you if you don't
have a dual screen, yeah. But shortcuts, shortcuts, I'm going to be
discussing later. Capcut has their own shortcuts. But because I've been editing on this software for a while, I do a lot of projects
on the software. I have made my own shortcuts, which is really similar
to the shortcuts, what I use in my other
editing software. I would be going through
shortcuts with you and then you can choose what
configuration you want. If you like my configuration, then you can just
pause this video or screenshot what I've done, and, you can change it in
your computer as well. These are all shortcuts, and this is export. This is just account
information and all this stuff. Export is if you to export
the video straight away, you can just press export
and it's going to export it. We'll go through the best
export settings later. Now this panel, this is also one of the most important panel cut. Here, there's video. It's really straightforward. There's scale, so
I can just change I can zoom in Zoom out. I'll do that, you can
change the position. If you go up here, you can
change if you go like this, you see the value of
this is changing, if I go here, the value changes. Rotation, you can rotate it. It's really
straightforward, and this is the positioning of the image. Say for example, if I
zoomed in this image, and I'm not sure if it's
in the middle or not. Then I would just press
this and that's going to bring not me but the entire
image to the middle. If I go on the side,
then it goes this side, if I go If I want to make
sure that the top is here, that's where the
top is, you see. If I want to make sure that
the bottom, I can see, that's the bottom and
if I to make sure that the middle line is in the
middle, then I press this. This is not the most
important thing. But if we would be
using it later. Don't worry about
that. I'm just going to scale it down to 100. Uniform scale means that
if you turn it off, then you can change the height and the width independently, but we're not going
to do that, we just leave it to uniform scale. And then blend how
you want to blend it. If you want to change
the opacity of this, then you can change the opacity. But all these a lot of things, it's not that efficient if I explain you now
and then I have to explain you again when I'm actually editing the project. It's better to just have an idea that these
things exist here, and then let's move on to the
next tab because otherwise, you just going to waste a lot of time learning the
same thing twice. This is where you can do a
lot of changes in this video. Okay. And then
remove background, we're going to show
you later mask. We're going to show
you later retouching. Retouch. Most of the properties of retouching is in pro version. So if I want to sort of change my face or if you want
to smooth in my face, you know, if you're going
to put a smile lines, bright eyes, dark circles, you can do all this sort of
weird stuff in retouching, but most of them
is in pro version. Audio. Now let's
go to the video, video, you can change
the volume up and down. It goes in plus and
minus decibels, fade in, fade out, we're
going to be showing you. This is where you can change
the audio of the video. I'm going to show
this to you later. Speed, you can change the
speed of the video, animation. Animation is you can animate certain things if I want
to animate this thing, say pop in, you see with one
click, there's an animation. Or if you're going
to do water drop. So there is another animation. But we're going to be using this animation properly
in the upcoming section. There's in and out of animation. So if you want how do you want the clips to come
in in the frame? That's the in and out is, how do you want this clip
to exit out of the frame. So then you use out. Combo is it can come in and come
out with the same effect. And then adjustment is where you do some sort
of color grading. So I'm going to be
showing you a full color grading tutorial in
the upcoming section. Don't worry about that. And
here, there is a timeline. So I think it's
easier to explain timeline when I'm actually
editing the projects. But yeah, for now, this is the overview of cap cut, and it's really straightforward.
What do you think? I think it's really
straightforward, yeah, I think we should move on to the next section when
I'm going to show you everything about this timeline because that is also really important because
that's where you're going to be mixing
or everything, that's where you're going
to be cooking mostly. Yeah, let's show you
how the timeline works.
4. Introduction To CapCut Timeline: Here in this section, I'm
going to be showing you timeline and basic cutting
and trimming the clips. This is the timeline
and this is my clip. As you can see, if I zoom in. Zoom in is just from
here on the right side, if I zoom in, you can see
small small graphs here. Those are the audiograph. What I do personally is that I separate the audio because that's how I also work
in other software. I extract the audio. The audio is separate,
the video is separate. Then what I do is that
I group them together. If I move this thing, the audio also moves. Now I'm going to zoom out. Why I chose this method is because now I can
see these graphs. If I zoom in here, you can see the audio graphs, which is not really visible when the audio is hidden
in the video. Yeah. Let's start from here. Here in this corner
you see this arrow, this arrow also has a shortcut. It might be different
in your cap cut because I have chosen this shortcut to be because that's how used to be editing, and then split is B. What this thing does is that. You see now there is an arrow. If I go here, there is an arrow. But if I press B, which is the
split thing, then you see. Now, there is an arrow. If I press B, this thing changes to something like a
blade to B for blade. If I move, for example, if I move this
timeline bar here, and if I want to split it, B splits the video section. Then I also want to
split the audio, and then you see these things
are all split now with B. But to change it, because every time if I
click on the thing, it's just going to
chop everything. What I would do is
I can go back to. Okay. So here if I do B, it's just going to
split everything, and then if I go V, it goes back to the normal mode. I'm just going to control
Z control Z everything. What I also figured out is that, remember, we did
this group thing. But the thing with
the group thing is that which I also
discovered now, is that if you want this
cut pot to come this side, it's still taking
the entire thing. What are we going to do? Going to just
ungroup everything. Now these files are independent, these files are independent. That was the blade tool
then skip select left word. That is from the upper
bracket. Select left word. If I go here and if I
press the upper bracket, this Now if I just
click anywhere, it's going to select everything which is on the left hand side. But if I choose
the other bracket and if I just click here, it's going to select
everything which is on this side of the timeline. That is really handy
if you have a lot of files because otherwise, what are you going to
do, you have to select the entire time line and
then move them this side. With this shortcut, you can
just move it like this. We're just going to
control, control, keep our role intact. Those were these four options, which is really
handy and this is under which is quite
straightforward, and this is really interesting. You see this tool here. What this does is that
this is a split tool. The blade would give
you the option that you come here and then you then you click on the clip to cut it. But with the split
tool, what do you do? You go here, and
then you click here, and then it splits, and there
is a shortcut for that. Here, if you just
move your mouse here, it's going to show you what
is the key to splitting. I cannot see it because I have this cursor thing on
the yellow thing. But if you go here,
it's going to show you which button is for
splitting, for me, I have chosen C. If I just put my timeline
here and if I plus C, it's going to split this thing. If I go here and
if I press this, then it's going to
split the audio. If I press both of the clips, the audio and the video, and if I press C again, it's going to split both. You see you can
work simultaneously with the mouse and the keyboard. Okay. And this is another tool. Now it's showing splits, and this is another tool
which is delete left. So how this is helpful is that I'm sure there would be a different shortcut
for you as well, and how to change the shortcuts, I'm just going to
show you really soon. Here, what you can do
is that whatever key they ask to press in this clip, if you want to
delete everything, until here, which is
on the left hand side, then you press Q or this key. You see, If I press the audio
press here, it's deletes. Same thing if I just going to delete everything
from this area, it goes delete, delete here. If I press this button, which is everything
splitting on the right, it just gets rid of everything
which is on the right, and you have to do the
same thing for the audio. That's the demerit when the audio and the video
are separate because then you cannot split both of these things unless you
selected these two like that. But if they were together, how it was before, then you can just
cut it together. Those are these things
and I have chosen, of course, the shortcuts
according to how I want it. Then delete is x. Of course, I think For original
format, it was backspace. For Delete, what you can
do is just press this. You don't have to press the
delete button and it's gone. In your case, it
would be backspace. Now as I promised, how to change the shotcuts If you go here, say we were talking about
Delete, where is Delete. Player. You have to choose here. Most of the changes
I do is split. I want to see. I want to see, so I did C and then you
save it, split all this. Selection mode was something
else in the beginning. I think if I go here, that was all the default ones, and that's what I have
changed to how I want it. Whatever you want to
change, for example, one more thing if you want
to zoom in in the timeline, you can zoom in through this, the plus thing in the
corner, right hand corner, but I have did it to
S. If I press S S S, it zooms in in the timeline. Same thing to zoom out. This thing this minus
here. It has a shortcut. But if you just press and select whatever button you want
to choose the in my case, I've chosen A, so it can
zoom in zoom out like that. It also works with the mouse. If you're on Mac, go command,
if you're in windows, go control, and then scroll, then it zooms in
in the timeline. If you are in the mac
and option or alt, then you can press that and then scroll the middle mouse button, then the whole time
line goes this way. These shortcuts, I would really recommend you just have a look. You can also change the
shortcut for player. This one I've
changed is to enter full screen exit full screen to P because that's
what I'm used to. You can choose it
to something else. The basics are
control, copy, cut. These are all the basics. In the mac it will be control C, control V, in the windows, it is command C, command V. I don't think there's any
significant button here, which is we should
really discuss, but these are a few
of my shortcuts. If you want, you can also
take a screenshot of that. I wouldn't save
anything because I don't want to mess
up my setting. These were here and
that is a marker. Say, for example, at this point, you felt that there's something important in the timeline. For me, I've put
it in the marker. I was not sure what was before. If I go, you see there
is a marker here. With the marker, you can
also edit the marker, just make it red. If you just here and I
just put it important, so it's going to
show here important. That was it for this
side of the timeline, and now we go here this button, that is also a really cool
feature about Kp cod is that whatever be roles is playing or whatever
video is playing, if you want to do a
voiceover on top of that, just press this button and the computer would
start recording. So if I Okay. Today, I run a full
time YouTube channel. Of course, you shouldn't
play on a clip, which is already talking, so I would just go here. Then if I go like that, and let's see if the
computer records in now. Now if you see here, there is a red thing here, which means that there's an audio track being
created as we are talking, but this audio would be
from the mic off my laptop, which is not the best, but
it still does the job. So if you want to
record any audio, you can just connect a good, a professional mid to
your computer and didn't record the audio straight to
the software. Let's hear it. Okay. Now if you see here, there's a red thing
here, which means that. It's not that bad. That is how you can record
audio in real time. It is really handy
because a lot of times you can just
see the B roles, and then you can do the voiceover according
to what you see, so it's really easy, super easy. Then these things. This
is turn on track magnet. What happens is that if I
want to move this file here, I can't because this
magnet button is on. What does this means is
that if I put it here, it goes back again. That helps us when we are
when we don't want to leave any intentional gap in
between the clips by mistake. That is really helpful then. But I usually switch it off because for me,
it's a bit annoying. But this one, I turn it on. Auto snipping. Sometimes if I just zoom
in in the timeline, so you can either zoom in
from here or you can zoom in from whatever command
is here available. If I go here, if I go auto
snipping, it just snips. You see how quickly just adjust until the
end of this clip. If I have this off, then I have to manually make sure that it is
touching the clip. Sometimes it overwrites it. Sometimes if there
is a gap here, you see there's a gap here now. But if I turn it on and
then I go like this, it snips it together. That is really
handy because that makes sure that there's no
gaps in between the clips. Then this one, I never use it. This is something
turn on preview axis. So it just shows how the
preview axis is here. It's not that important, so I leave it off. This
is a really important. So, for example, if I have
zoomed out on the timeline. And if I want to see the
entire all the clips, and it should fit the timeline, just press it here.
It's like this. Same if I have zoomed
in all the way. If I just press this, you
can see the shortcut. I think it's shift plus z, but I don't really use it. Just press that and the entire
timeline fits everywhere. And this was zoom
in and zoom out. That was it for the top section of the timeline. Now we go here. There's the audio. If I want
to make another audio track, I can just wait. I can just drag this thing here, and then there's another video. If I want to make another
video track, just go here. Everything which sits on the
top would be on the top. If you cannot see this clip until I
moved this thing here. Everything what sits on the top, it's on the playback. Let's just get rid of all this
because it's a bit messy. Let's show you the
timelines here. If you want to lock this, if
I have finalized everything, what I have tgged here, and if I want to lock
this, I can lock it. By mistake, I cannot
do any movement here. Same thing for this audio track. If I do anything,
it wouldn't move. That is really handy if we have a really polish sequence
that you don't want to touch it at all to just
lock it and then work on the other things
on the timelines here. Then I can just move
these things here. That's why it's really
handy to lock it. This thing is to hide the track. If I don't want
to see the track, say for example, if this
thing is on top of this clip. But I want to see this clip and just hide this momentarily, and I just hide it, and then I see the clip, which
is at the bottom. That is really handy
in some cases. Then you can also mute the clip. So you can mute
this entire track, but there's no audio on this
track so that wouldn't work, but you can mute it here. This was a little bit of
introduction to the timeline. But now what we're
going to do we have this I'll
delete everything. Let's go to import all Now we're going to do
what we're going to do. We have this entire long clip where I've filmed and
introduction of a course. I've done a lot of mistakes. There's a lot of gaps. I've
repeated a lot of times. I have to really crop out
the polished version. That's what I'm going
to do with you. If you're going to
edit with me, just go in the description below in the resource
section and you we can download all
these video files. I think it's really
handy to edit together so that you
can learn better. What are we going to
do in the next section is just chop everything
out and that's what I'm going to show you in
the easiest possible way and then we'll go from there. Let's move on to
the next section.
5. Cut, Edit and Trim Clips: In this section, we're going
to be actually chopping down all the unwanted material
that I discussed before, and we're just going to make the finished version
of this a role. So whatever audio or whatever
video clips that I need, I would be putting it here. So let's start. If I just zoom in
in the timeline, usually the clips,
they look like this, you know, I I zoom in, so I'm zooming in with
S, and if you see here, I have chosen it as S, but it could be
something else for you. So I would really recommend to just make the short
cut as S and A, S if you press S, it kind of zooms in, if you press A, it kind of zooms out. If I zoom in, you can see
that the audio tracks, like you barely see them. Usually, most of the cut, what I do is based
on the audio tracks. What I'm going to do here is I would be just
extracting the audio. So if I extract the audio, it comes here just
under the video file. And from here, I can actually
see where are the pauses. If I want to start from here,
then I start from here. If I want to start from here,
then I can cut from here. Let's see what I have
said in the video. And according to that,
I can cut it out, cut the unwanted pad out, and I'm going to show
you in the easiest possible way using shortcuts. Let's see what I'm saying here. We're going to be again for the. You see, in this section, I can already see that
there's not much happening. So I would start from here. There's nothing more
painful, so here we go. There's nothing
more painful than having this amazing video idea, but there's nothing
more painful. So you see from the audio clips, I can already see that this
section is not really usable. But I would listen
further because I think I've taken
a lot of retakes. So let's just listen first, and then you can keep an
eye on the sound bar that from which part to which
path is actually usable. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to film you. Your friends are too busy. Yeah, so I can now tell
that this pt is not usable. So what I'm going to do here, I would select both of
this audio and video, then I can go here. Delete left. Everything
from here towards the left would be deleted or I have chosen the shortcut Q, but it would be
something else for you. I would not even go here. I would just press que and that already gets rid of
the unwanted part. You see, if I delete this, I want the clip to
shift this side. And to do that, I have to turn on the main track
magnet. You see? It just goes this side, and
then I would also do this. So then we kind of have to drag the audio file because that is only sort of bringing
the video file. And that's the demerit
of extracting the audio. But if you would have
done them together, the audio and video, then they
would just move in one go. But yeah, there's nothing more painful than having this
amazing video idea, but you do not have
anyone to film you. Your friends are
too busy or worse, they are not interested. Trust me. I have been trust me. You see, until here, I
think that's a good part. What I'm going to do
now is that I would put a trim there so that I don't
have to touch this pot. To put a trim there, what you
can do is to put a split. You can use the split tool. You can either press
this and that would put a split in between,
but I would undo it. Or you can use a shortcut, whatever shortcut is
there in cap cut, but I would be using C.
So if I'm just here, press C and that
already trims it. Why I'm trimming it now,
I'll show you in a bit. Trust me, I have been. Trust me. I started
my filmmaking. Trust me, I had been there. I think this part is usable. You see, from here, I have to chop everything
on the left, but I just want it to
be chopped until here. That's why I put a trim. But if I didn't put
the trim in between, and now if I chop left, whole thing is gone, you know, that's why I had to put a
little trim here, you know. Trust me, I have been there. Now just chop everything on the left CC audio
go the video goes, but the audio so I just
have to leave it here. Interested. Trust me.
I have been there. And until like here, you see there's a bit of gap. So I would already split it and then just
hear from there. I started my filmmaking
journey seven years back. And at that time, it was not
that cool to film yourself. I know that this gap I
can just get rid of. I'll press Q and
then just move it this way. Move it here. In Journey seven years back. And at that time, the
film yourself. Okay. So as I'm finalizing that, okay, this part is really usable, I'm sort of putting a split. And that time it was not
that cool to film yourself. So naturally, every I started my filmmaking
journey seven years back. And at that time, it was
not that cool to Okay. So I think that this
part is not the best. So what I'm going to do is that now I'm going to
chop on the right. So I would just go this and then W. So everything on the
right has been chopped off. Pennies back. At that time
it was not penis back. And I can see that there's
a bit of a gap here, so I would close that gap. Okay. And that time it was not that every
time when you cut, kind of just play a little
bit from the beginning. Not from the beginning,
just play like 1 second before so that you know
that the cut has been good. And that time it was not
that cool to film yourself. So naturally everyone said no. So that's exactly what I'm doing now to get the most out
of this clip is that I'm already putting splits after the point before which I think that the footage
is really usable, and then I'm getting
rid of all the gaps. And then also I'm getting
rid of unwanted materials, which is on the left or the right hand side by just
using shot cut in my case, which is Q or double
or the shot cuts here. This kind of trims everything on the left and this kind of
trims everything on the right. And that's what I
would be doing for the next 5 minutes
not in reality because I have already
chopped out everything here, and I've also locked this. So if you are obviously using
Cp coot for the first time, I would really, really encourage you to get the most
out of this clip. Just chop out according to what you think is
the usable part. And I have already done it this morning before
filming this class. And you see, and I've put
it on a different track. And you see also one more important
thing what I've done is that I've locked this. So if I sort by mistake, move this timeline or
do something and if this thing moves like this or if this thing
moves by mistake, like here or so, then
that's a big problem. You see, there's
already some gaps here. So that's what we have to avoid. And how I have avoided that is that by just locking this track. I've also locked
the audio track. But now what I'm going to do, I'm just going to delete
it unlock the tracks, and then I would just move
this in the beginning. I would just move this
forward. I would just lock it. Okay. Move it all the
way to the front. Then I would also
bring the audio and then move it all
the way to the bottom. This is how it looks now. There's nothing
more painful thing there's nothing
more painful than having this amazing video idea, but you do not have
anyone to film you. Your friends are
too busy or worse, they are not interested. Yeah, this is how you
can trim everything, and of course, try to get
used to using shotcuts. Of course, it's going to
take a bit of time for you to get used to whatever
keys you have chosen. But then later if
you practice a lot, you would reach to a point where you don't even have to look at the keyboard and just press the buttons and
everything is super set. So your right hand
is working with the mouse and left hand is
working on the keyboard. That's why I'm really
encouraging you to practice this by yourself so that you
get used to the software. Now, in this clip, you might have seen
that a lot of times I'm looking at my laptop. And then very few times
I'm looking in the screen. And when I'm looking
at the laptop, at that point, I want to put
some B roles on the top. That is the main job of B role is that whatever you
are talking about, you show the audience. I have a lot of B roles, so I want to put some nice
beautiful clips of me filming myself so
that I can also show the people that I
can actually film better videos by myself because this intro is from a class, which is how to film yourself. So that's why I want to show it. And the first clip, what I
want to put is this one. So what happens now is that If I play this
clip, if you see here, if you can zoom in and
see here on this clip, if there is a little line, and this line is showing me where the clip is
being played in the entire video because
this video is for 1 minute and 11 seconds and
I just want maybe 2 seconds. I think this part looks nice. Here what I'm going to do. I'm not going to
drag the entire clip and then cut it from here. I can do that, but the
easier way is that I can just maybe I want
to use this part. What I'm going to
do here, really pay attention. I'm
going to press. You see it has led
the other part out of this blue rectangle. Then if I go here and
then I'm going to press. What these are doing
is that putting an input point in the rock clip and an output
point in the rock clip. And it is extracting just 3 seconds out of this 1
minute and 11 seconds video. I can either press plus, but if I press plus, it's going to bring that
video in the main track, but I want it to be on
the top of this clip. This is the little
section we have chosen. Yeah. What I'm going to do, I'm going to bring
my mouse here, drag it on top of
the video clip. You see if I just drag it here, then that clip is on the
top of my talking head. And if I want to see
my talking head, I can just go hide
track and that would show the clip, which
is underneath that. There's nothing more painful
than having this Okay. So I think I just want
this clip until here, say maybe first 2.5 second or maybe just
2 seconds because it's an intro and I
want snappy clips going one after other, and you can see
the seconds here. So for 2 seconds, I
want to put it here. So to delete everything
on the right hand side, I'm just going to
press W. You see? There's nothing more painful than having this amazing video. Now I want to put
some other clip. So the other clip, what I can choose
is maybe this one. This looks like an
impressive clip. I'm just dragging it
along the timeline, and maybe I want this part, so I'm just going to play Okay. And then I pressed I here,
and then at this point, I will press and then I'm
going to drag it here as well. Painful then having this
amazing video idea. So yeah, that's how you can put a B roll on a talking headshot. I'm going to be doing this for the next 5 minutes and
that's how you can do it too. So you can put any
B roll you want. I have provided a tons of be rolls maybe I want
to put it here. It's a bit of a dramatic
scene, but yeah. I have put it here, I'm
going to drag, drop it here. Even if I remember I was
saying that you press plus, even if you press
plus, it drops here, you can just bring it up. This timeline would
recover itself. Maybe what I can also
do is lock this because I don't want to do any
movement on this part yet. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to film. I'm going to play
another video sequence. And then I'll press. You see now that I have locked
the main track. Now, all the clips,
if I press plus, it's coming on the top track. Wonderful view. Your friends
are too busy or worse. So you can choose any
be rolls you want, so that's the next task
that from this clip, every time when I'm
looking at the laptop, you have to drag any
be rolls from the top, and whenever I'm
talking to the camera, just let that part be as it is. Really practice
dragging be rolls as well because that's literally
what video editing is. You have an roll and then
you put B rolls on the top. I will be doing that
for the next 5 minutes. I would fast forward this video. And once I'm done,
I'll get back to you.
6. A Quick Tip: And one quick tip, I can
show you what I mean is you see a lot of
videos, they have audio. For example, if I'm dragging
this clip on the timeline. You see there's
audio in this clip, and I don't want the
audio to be played. What I'm going to do, press
right click, extract audio. The audio splits from this video file and then I
can just delete the audio. To delete something,
you can either go here. Or you can choose whatever
shortcut cap cut has. So for me, it's X. You can choose whatever
cap cut provides or you can choose what
she has selected. So I would delete
that led the role. I saw the filming videos. So yeah. Now, yeah, let's go back to
editing the B roles.
7. Enhansing Your Editing: So here we are. Here I have done all the be rolls on the top of the rolls, and
I can show you. And then I can also give
some tips meanwhile. So I'm sure you are
following this as well. You also drag some be
rolls, but yeah, let's go. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to film you. Your friends are
too busy or worse. They are not interested. Trust me, I have been there. I started my filmmaking
journey seven years back, and that time, it was not
that cool to film yourself. So naturally, everyone,
said no, but guess what? I didn't give up. I started
filming videos all by myself. And over the years, I learned about framing and compositions, lighting techniques, and
many tricks to film myself. And when my friends
saw those videos, they couldn't believe that I filmed those videos
all by myself. And today, I run a full
time YouTube channel, and I also work as a
freelance videographer. Whether you're a filmmaker, a content creator, or just
want to document your life. Knowing how to film yourself is the best asset that you
can learn these days. From camera gear, the
best video settings, frame and compositions,
different lighting techniques, and of course, editing. I've compiled everything
that I know about how to film a cinematic
video all by yourself. I think it looks pretty
good. What do you think? Here, what I would be doing is whatever B roll
you have chosen, if you want to change the size of how long
you want the clip, you can just drag you can just
drag the clips like this. If I want this
clip to a bit more bigger, I can do like that. Or if you want to scrap it to scrap with the chop
off left side, which is Q or you can
go to this shortcut. This is how you can just drag B rolls on top of an a roll. Now what I'm going to do is
I'm going to add some music. I've already chosen
the music, I suppose. This is a non copyrighted music. You can, of course, use
it too, it is here. Let's just put it
in the beginning. If I just zoom out,
let's just play it. And as you can see that my audio is just gone
because music is too loud. Also one more thing,
you might see that a lot of clips
are super faded out. There's no colors. We would be doing color grading, so
don't worry about that. But now let's take care
of this audio clip. So you see in the first
row of the audio, we have the audio from the A
rows and in the second row, we have the audio
from the music. And in the third row, I'll
put some sound effects, but I'm going to
talk about it later. You see how do you reduce
or increase the volume. So if I go to the music clip, and if I see this white line, as soon as I go on
this white line, there's this anchor
kind of thing. If I drag it up, it goes up to 17.2 DB. If I go it down,
it goes in minus. DB is decibels. It's just the unit of noise. I think I should go really low, maybe 20 and then just see. This is also the
trial and error, see what sounds good
for you because obviously I want this high
energetic music in the video, but I also want audience
to listen to me clearly. There's nothing
more painful than having this amazing video idea. I still think it's a bit too, you know, a bit too
loud the audios. I'm going to go with 25. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to film you. Your friends are
too busy or worse, they are not interested. Trust me, I have been there. I started my filmmaking
journey seven years back. And that time, it
was not that cool to film yourself. I
think it looks fine. I filmed those videos Whether you're I'm
just dragging along the whole timeline because
sometimes what happens with these audio tracks
are they're not that loud in the beginning
and they become loud later. So I'm just checking if I
could hear them clearly. It is the best asset that
you can learn these days. From camera gear, the
best video settings, premium compositions, different lighting technique
I have a feeling that it kind of gets louder because
if you see these graphs, they kind of become
more dense here. Let's zoom in. If you
see these graphs, you see in the beginning, it's really less and
then it gets more dense. What I want to do is that I want to keep the audio level
same in the beginning, but then I want to
reduce it later. If I just click on
the audio track and then if I go to
say this position, and then if I go on
the right hand side, which is the settings
for this audio. So make sure that you have
selected the audio track. It is selected, and then
you go to the basics. In basics here, it
already shows me that the volume is
about -25 decibels. What I'm going to do is I'm
going to put a keyframe here. Keyframes help you preserve the video settings at that
point in the timeline. If I put a keyframe here, which means that
if I zoom it in, there would be a diamond
like structure here. You see? At this point, the audio is 24.9. If I go here and then if I put
another key frame and then I bring it down to say 27 or 28, then you can see that there is another key frame. What's
going to happen is You see, as I'm
dragging the mouse, the volume in the corner, right corner, it kind of
reduces and reaches up to 28. So it's not that
the track is at 25 and in the next frame it
just goes directly to 28. It goes slowly, so the audience
wouldn't even realize. So let's listen to it. Taking
journey seven years back. And that time, it was not
that cool to film yourself. So naturally, everyone said no, but guess what? I
didn't give up. I saw the filming
videos all by myself. And over the years, I learned about framing and compositions, lighting techniques, and
many tricks to film myself. I think it's still a bit loud, so I'm going to put
another key frame here. You know, select the
audio, put a keyframe, and then reduce it to maybe
31 and see how it sounds. Over the years, I learned about
framing and compositions, lighting techniques, and
many tricks to film myself. Content creator or
asset that you can learn about how to film a cinematic video
all by yourself. So let's get started. Oh, yeah, I think
that sounds good. You see, also from
the audiograph it is a little bit dense, a little bit high in the
beginning and then it goes down down down. I think that sounds really good. This is also really subjective. It also depends on what
device you're editing. Sometimes if you're
editing on a big speakers, they mostly tend to make the audio the music volume a bit more
higher than the vocals. I usually I don't have
any fancy speakers. I just use the speakers
from my Macbook Pro, and that does a really good job. That's how you can
add music and you can add another track,
another track like that. So just to be clear, my first track video track
video row is for the rolls. The second video row
is for the B rolls, and if I want to
put any effects, I'm going to put on top of
that in the third video track. Same goes for the
audio first audio is for rolls and the second
audio is for the music. I'm not going to
touch any of it. You see, we did the key
framing for the audio. And now I also want to show you the keyframes
for the video. Let's check a video part here. Knowing how to film yourself is the best asset that you
can learn these days. So here, what I want to do is that you might have seen
in a lot of movies or any videos that
the video kind of slowly zooms in on
the subject's face. So that's what I
want to do as well. And the reason why I'm choosing that effect is that because I want the audience to focus more when I'm saying
something here. Here, my goal is to kind
of zoom in in the image. If I go here on transform and
if I just put add keyframe, my video clip is at 100% here. Yeah? And it would remain
100% before this keyframe. If I go until the end, I can just press the archy here. Here I want this to go maybe
110, maybe it's too much. I don't know. We have to check. Here you can see
there's another diamond here and there was
a diamond here. Let's play and then you
would see a gradual zoom in. The creator or just want
to document your life. Knowing how to film yourself is the best asset that you
can learn these days. From camera gear, You see, it looks so cool when
you're zooming in. That's what I would
recommend as well. I also see here that this
clip is a little bit jittery. Freelance videographer. You see, there's a little bit of shake. What I'm going to do,
click on this clip, and then you go stabilize. Stabilize is also
in free version. And there's different options. One is minimum cut, so the minimum crop
in in the image, I want to do most stable
just to see how it looks. Freelance ideographer.
Whether you're no, I think it's too much crop. Let's go minimum crop because
I also want people to see the drone and still
stabilize. Let's go and check. Freelance ideographer. You see, before the stabilization,
there was a little jitter. I don't know if you can see it. Freelance video. You see,
there was a little jitter. I was shot on a gimble, so the gimble moved
a little bit. But if I go stabilize
and go minimum cut, because what happens is
every time footage is stabilized the software zooms
in crops in in the image, and I don't want
too much crop in. That's when I'm
using minimum cut, and it still does a decent job. I think now the jitter is gone. Freelance videographer,
whether you're a filmmaker, content creator or just I
think that looks great. Of course, I have learned how
to chop and trim the clips, how to add V roles,
how to add music, how to use keyframing, the basic concept of keyframing. Now it's time to use
some transition, some effects, some sound
effects, some video effects. So that's going to be
in the next section.
8. Advance Video Editing: Let's start with transitions. I think PCAT is the
software in which transitions are the
easiest thing ever. I remember back in the day, you have to go to some
random dodge website where you have to download
this transition pack, or if you want to make
your own transition, you have to buy it
from somewhere, and here in Capcut
it's all free. Crazy. Transitions are something which are this mini video effect, which you can place
between two clips. If you see the gap here, Now there is just a jump. Having this amazing video. From one clip to another. But if you want to put
any effect in between, that is called transitions. Transitions are just
on the left hand side, and everything which says P is of course for
the paid version, but everything which
doesn't say nothing, that is for the free
version as well. Let's use sliding memories. What I'm going to
do, just click on it and then drag it here. You see it is in
between the two clips, and I can also reduce or increase the size of the
duration of the transition. But let's see how it looks. Nothing more painful than having this amazing Having this am. What you can also do is just
click on the transition here and you can also change the duration
from here if you want. But I don't quite like it, so you can just click
on the transition bar and then just press delete. Now I want to try
something else. Maybe the vertical blur. I don't want to do something
crazy because it's not it is just a normal
intro of a class. I don't want to go super verb painful then having this
amazing video idea. But That looks fine. There's nothing more painful
than having this amaze. And what I can do now with this transition is that I
can add some sound effects. Let's go here because you see. There's nothing more painful
than having this map. So there's a oh or something like that.
That can look nice. Either with the audio,
what I can do is goo and let's search if
they have nice oohes Okay. I think that sounds a
bit more impactful. You see here as well, you can see where the graph is for the woo, so I
will just go here. I would chop this part because I don't know
why it is so long. Now let's hear it again. Than having this
amazing, it is too loud, so I'm just going
to reduce it down and increase the volume
of the overall video. There's nothing
more painful than having this amazing video idea. But I think I can put another transition here because the music is super powerful. Let's add another transition. Now maybe we can go split. This is how it splits. There's different types of transition glitch
distortion slide. It is just insane how many transition it is there and it can almost become
super overwhelming. Okay. And also, I don't want to make it
cheesy at the same time. I would maybe go with
something a bit more neutral, some effect, I do I want to make it a little
bit smaller. But you do not. Maybe something else,
some other sound effects. I also have put some sound
effects in the raw folders. So maybe another oh, I think. Yeah. That looks pretty
promising and just make sure that the graphs of the oh is kind of matching the duration
of the transition. So it really looks like
in a sink, you know. But you do not have anyone
to film you friend. Here what I can do is that
I can use some glare. I love the glares and you can
also search it here just to glare This is the most
common transition ever. I don't want it to be too big, and then I have a
sound effect for this. If I go in my audio, I think I can do this one. There's a switch sound effect. Let's see how does that look. I'm just going to reduce it. You friends are too
big. You see in what? 2 minutes, I've already put three transitions
with sound effects. Let's watch it from
the beginning. There's nothing more
painful than having this amazing video
idea, but you do not. You know what I
also want to do is that give a little bit
of dynamic movement. What I want to do
is I want to slowly zoom in in the images because now they're
a bit more static, and the music is powerful. There's nice transitions. I also want a little bit
of movement in the frames. I do this technique a lot. Just put the key frame here
at 100 and then go here. And obviously, I cannot see the clip because there's
transition going on. Maybe just put 110, how we did before and
then do here as well. On this clip, put a keyframe, which is at 100 and then go 110. I can do it here as well. Now you would see
the difference. These little little things can add so much
value to the video. Let's go 110, and
also on this one. Let's go 110. Now, let's watch it. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to film you. Your friends are
too busy or worse, they are not interested. Trust me, I have been there. And what I want to do here
is that when they say trust. When I'm coming down
here after this clip, I want to reveal myself, maybe the film light. What I'm going to do, I'm
going to put it here. This is, of course,
in the SFX folder. Here what is happening
is, you see, I'm going like this, and then this fire thing
comes from here. I'm just going to get rid of the left side because then it's just taking a lot of space. Then once it's out, I'm just going to do it here. But now you're going to say that It is overlapping the clip. I have a solution. I've selected this clip and now I go to blend. In the blend, this is, I'm sure you would say
that I can just reduce the opacity, then it looks. But the thing is that as soon
as I reduce the opacity, this black thing comes as well. I'm going to keep it 100%, just to have this clip here, then I'm going to go to mode, and then in default, I'm going to choose screen. What screen does is
that it gets rid of all the dark areas in the image. Now if I go frame by frame, you can see that the
fire comes and it's kind of bringing the new clip.
That's how it looks. Interest. Trust me. Trust me. Interest Trust. And I think maybe some sound
effect here. Let's go. Maybe there's different kind of oohs, which is really great. I'm just going to put the
oh in the middle of this just when we are doing the
transition, and let's hear it. Trust me. Okay. Maybe
a little bit lower. A lot of times when you're doing sound effects or transitions, it shouldn't look
like you have put it. Your audience shouldn't
really see that, oh, there was a transition,
Oh, there's a oh. It should just flow in such
a natural way that people don't even realize that there is a transition. Let's
check it out. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to film you. Your friends are
too busy or worse, they are not interested. Trust me, I have been
there. I started. Here what I can do
when I say, me. I have been there. When
I say I have been there, I can zoom in to my face. So how I would be doing is, I go here, before I
say I have been there, then I press scale. I'm also going to
keyframe the position. I'm going to position
the key frame and then I move say three frames
towards right. I'm just pressing the
arrow key one to three. Then what I'm going to do,
increase the scale here. Then also increase the change
the height of the video. I'm just pressing clicking
on the video and moving it. Now you can see that
the position has changed as well and
there's a new key frame. If I just zoom in, this
was the initial position, everything is at 100 position here at x axis and
y axis is zero. On the third frame
at this diamond, the scale is at 1:28, position is -35 and minus 1709. Let's see how this looks. Fst me, I have been there. I have been That looks great, but what I want to do now is that I hope you're
not moving too fast. If you really want to grasp everything, keep
editing with me. If you think that I'm
going to quickly, maybe pause the
video, edit yourself, and if you get
stuck, rewatch it. That would help a lot.
Here, what I'm going to be doing is say motion blur. Okay. So I went to the effect and then I'm
just pressing motion blur. So what I'm going
to do here is that I would be dragging
this video effect. It's free effect as well, and then put it on this video. Then what I'm going to do
you see this blue bar, so that is the motion
blur effect. Yeah. I just want this
motion blur effect just at the Zoom position. So I would go here, and then I press effect. Effects was motion blur
and how do you change it? I would reduce down this blue here and then go because that was the place
where the diamond was. If I click on the video clip, the motion blur disappears. And you can see the diamond. But if I would just go
here to this diamond, then I'll go here to effects.
I have the motion blur. And if I do any edit
in the motion blur, I have to go to this pencil. So I'm going to go
to this pencil, and then I want
the motion blur to just be until the transition. So now let's say let's First me, I'll be that looks
extremely bad. But what I'm going to do
is go to motion blur, edit here, and the strength. This is the strength
of the zoom. I want to keep it in the middle. It's I don't want
it to be too crazy. I just wanted to really
be super minimal. Yeah. So let's see
how does that look. First, I have been so there's
just a little bit of motion plurFst or I can also see some Zoom plur Maybe I
found some other effect, which is much better. If I want to delete
this, I just go to the effects here on the right
hand side and delete it. The motion blur is gone. If I have the minisoom, I can go here, I
have been there. That is not going to happen
MiniZ Particle blur. That blur looks fine, fast zoom. My if I go here. That's two month zoom here. What I can do is that
go to this magnet, fast zoom here, strength,
super low, Okay. Keep it like this and
reduce the zoom to here. Then I would also
reduce the zoom to here and let's see.
I have been there. Now what is happening is if
I just go frame by frame, there is a bit of
motion blur here. If I reduce the effect, you see there's no
blur effect on this. You see that is happening
is that I am in, but there's also a
bit of motion blur. This is a pro feature, but I'm sure there
is blur effect. Which you can use as well
in the free feature. You see there's slow
zoom zoom lens, mini Zoom for the Zoom, there's the fast zoom blur. There's a lot of blur
effect which you can use and which is obviously also
not for the pro version. Here, what I want to
do is that I want to put because this is
seven years back, I want to put a
old movie effect. If I just go to the
retro in video, then I can see that these
effects are existing. I can use these effects. Maybe I think this
one looks nice. That gives a bit more
dramatic feeling. This affect what she can do, it kind falls over the video
and that would stay here. That is another video
clip on this video, another video effect clip. That is the film frame. That like a nostalgic making
journey seven years back. And that time And there's
not much details. I thought that I could
change some setting, you know, change this,
but you can't do that. Trust me, I've been
there. In there. I started my filmmaking journey seven years back at that time, it was not that cool
to film yourself. Naturally, everyone said no. So here what I want to do is that when you say
everyone said no, I don't I want it to
be complete silence. So what I'm going to do
is just pressed here. I went to this audio track, selected this, and
splitted it out. And here what I'm going to do split it again because obviously I want the audio to start from here. So I would
just delete that. Naturally, everyone
said no. But Okay. And here I want to do
some text animation. So. So naturally, everyone said no. When they say said no, I want to do some
nice text animation. I hope you are catching
up until this far and now we have just
edited the 20 seconds. I think we have used
so many effects, and the coolest part
is that it also runs really smooth and if
it's not running smooth, then you can go back
to using proxies. Let's do some nice text
effect AI generated. Let's just do effect. There are so many options in C. I think I'll just
go for this guess for. Okay. So all the effects, they just go on the top here. One said. So here I'm saying said no. No, and of course, I can do some changes
in this text. This text would be
just until here. Font size, I can change, and I can also change the
color of these bottles. Everything, what
you want to change, you can just change from here. What you can also do Capc
also gives another set of text presets. You
can choose this. There's just so many options. This is one of my favorites. I also want to choose nice font. Okay. There's just so many
font options as well. I would go with something
a bit more bold. Yeah. I think that looks nice. I chose this one, the the bowl by one. I also want to choose
some effect on this text. Let's go animation. How I want this text to
come in in the frame. You see, I have
this in animation which would determine how I
want this text to come in. I just wanted to be I don't
even know what I want. Maybe bounce left. Said. You see? Said no. Okay. And how do I
want it to go out? Let's choose the out animation. Okay. There's just
so many options, guys, even in the free version, I would just do pop
down, just kind. Said no. But guess what. Here what what I can
do if you zoom in, you can also change
the duration. You can also change the
duration from here. You see? That is the in and
that is the out. Because I also want this text to be for a bit on the screen. That is the speed of
the in transition, and that is the speed of the
out transition. Let's see. Said no. But guess what. I said no, but guess what? You see just so easily
we can just create so many animation,
so many effects. If we just watch it
from the beginning now, I am just blown away by what
all things CAPCuT can do. There's nothing
more painful than having this amazing video idea, but you do not have anyone
to film you one more thing, if I want to watch
it full screen, I have chosen the full
screen option to P. You have to go to the setting to the shotcuts and see what is the full screen option
in your computer. But let's watch it
full screen. Why not? Or if you want to go full
screen, you can go here. That also does the same thing. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to film you. Your friends are
too busy or worse, they are not interested. Trust me, I have been there. I started my filmmaking
journey seven years back, and that time it was not
that cool to film yourself. So naturally, everyone said no. But guess what? I didn't
give up. I started. So when they say said, no, I have this pop sound effect. Which I had it in my gallery. So let's pop it here, and I want to do it when the text kind of pops
in in the screen. Said, no. Said no. But said no. But guess what? I didn't give up. I saw it
filming videos all by myself. And over the years, I learned about Fram and compositions, lighting techniques, and
many tricks to film myself. And when my friends
saw those videos, they couldn't believe that I filmed those videos
all by myself. And today, I run a
full time channel and Here I say today, I run a full time
YouTube channel. Here I also want to show them. So just to rewind back, I thought that there was a lot
of transitions until here. Here, I also want a bit
of rest in the video, a bit more calmness so that it's not overwhelming
to the audience. That's also a lot of times
and beginner editors, they make this mistake
is that they learn something and they want to
just put it everywhere. You shouldn't do
that. You should put it wherever it's necessary. If it's not necessary,
just take it out. Just keep the normal
looking footage normal. Here, When my friends
saw those videos, they couldn't YouTube
channel. I run a full time. Here I'm saying I run a
full time YouTube channel. I also want to show them
that what is my channel? What do you mean by full
time YouTube channel, and how can you show someone
that you are a YouTuber is by number of subscribers
or just a video and stuff. Here what I'm going
to do is that when I say full time
YouTube channel, I want to pop out
my YouTube banner or YouTube subscriber list
or just to show my channel. I'm just going to put them
here. But here's the thing. I run a full time
YouTube channel, and I also work as a Channel. And I also work So I just
wanted to be until here, yeah. And then I want this
clip to come on. Also work as a
freelance videographer. Whether you're a filmmaker, run a full time YouTube channel, and I also work as a
freelance videographer. Okay. Okay, I'm going to explain
to you what I'm doing here. Here is the clip. Yeah. Then of course, I don't want this to be visible. So I have this another
background layer. So I'm just going
to drag this green here and then grab
this screenshot here. Oh. Today, I run a full
time YouTube channel and now I think that it's
a bit small this banner. What I want to do is
that increase the scale, so I'm doing it on
the right hand side. And I want, of course,
bring it down. I just want them
to show it here. Now I want to get
rid of this thing. You see the search
bar is visible here. Now I want to crop this image. What I'm going to do is hang on. I have just pressed
here, crop ratio. Here, it's going to show
me the entire video. I just want to crop
it until here, and then I also want to crop
from the top a little bit. Once I'm done cropping,
just confirm. Now I've also zoomed
in in this image. Let's zoom it back to 200%. Okay. So you see, it has cropped in, but the position
has to be changed. I would maybe zoom
out a little bit. This looks nice. So here
what I'm going to do. And today, I run a full
time YouTube channel. Okay. So I want this to come
in in the screen. So here's what
we're going to do. We're going to do
another keyframing. We're going to do add keyframe, or we can just do transitions. Why waste our time
in keyframing. Not transitions, we're
going to do some animation. So I want this to be
in with some effects. So I just clicked on the clip. I went to animation, and then I want it to be
coming in a certain way. Maybe you press this full
time YouTube channel. Today, I run a full time here you can change the
duration of the animation. Today, I run a full time
YouTube channel and Okay. I also work at here I
want to keep this clip. Maybe what I can
do is that I can just put a transition
in between. All these things,
all these decisions, you can just make it yourself. I would maybe go to camera, use some crazy transition. Let's just try this law.
Zooming reduce the duration. Today, I run a full
time YouTube channel, and I also work as
a freelance victor. So when I say
freelance geographer, here you can see that
I'm flying the drone. After this, I also want
to show a drone clip. So I have this drone clip here. What I'm going to do. I would
just drag the button here. And then just this until this because I just want
a little clip, so maybe just put it this
Freelance videographer. Whether you're a filmmaker,
this until videographer. Whether you're a filmmaker, content creator or just
want to document your life. Maybe here the Zoom
in effect again. I think we are nearly
done with this video. I would do is that if you
want to keyframe everything, what you do here,
you can just go on transform and put
a keyframe here. But I just want to
keyframe the Zoom part. So I'll go here, and then
I'll go until the end, which is this button, And maybe just 210
again and let's see. Editing. I've
compiled everything that I know about how to film a cinematic I know about how to film a cinematic
video all by yourself. So let's get started. There's nothing more guys, that was it for
adding transitions, effects and some text
animation in this video. I hope you learned
something from this. Of course, in CAPCA there is just millions of transitions, millions of effects
that you can do. Also, if you are feeling
a little bit overwhelmed, just take a break and just
watch this class tomorrow. You don't have to learn
everything today. I didn't learn all
of this in one day. It took me years to learn. Take it easy and
enjoy this course. Of course, if you're
liking it, give a review that helps me and that helps this class to be discovered by other students. Now let's move to color grading.
9. Color Grading In CapCut: Now it's time to
learn color grading. So let's just start
with the first clip. As you can see that this clip
is a bit more desaturated, and the reason
behind this is that that was filmed in log profile. And what log profile
does is that it gives a flat image straight
out of the camera, and then you can do a lot of crazy color gradings and the
footage wouldn't fall apart. So the first job
of us to convert this log footage into a normal looking image is
by using a conversion lot. And speaking of lots, lot LUT, lots is just a preset, what you can put on
any image, a filter, what you can put on any image, and that would make it look
cool by just one click. And if you go here, if
you click on this clip, and then if you go to video,
that was the beginning. That's how it looked before. That's what we have
used until now, then you need to
go to adjustment, and that is the
color grading panel. There's basic, there's
tto curves, color wheel. We're going to
discuss all of this. But the lot that filter, how can you access that is that, you have to go here,
and then you have to put this arrow down and
then you would see a list. I'm sure you wouldn't be able
to see that list because you need to import your
lots in Capco as well. Good news, I also give a lot
of lots with this course. How you can import the lots
in Capcurs by this way. If you go on the left hand side, go to adjustment, that is the color grading
panel as well. If you go to lots here, of course, you wouldn't
have anything here. You just need to press import And wherever you have
downloaded the clips, all the raw footage, it should be there. So I would have I don't
even know where I'm going, you go to pcut then
you go to resource. In resource, you
have to go to S log three and select everything
and import all these lots. I have already done it,
so I wouldn't do it. The first thing what we're
going to be doing is convert this image into our rec seven nine image,
a normal looking image. That you can do is
with this S log three to Rec seven nine. The image was shot in S
three in a row format, and this is just converting
it to make it look normal. I'm just going to
press that. Here what I would be doing is
after I've done it, There is an auto
adjust if you want, you can do it too, because in the beginning the image
was looking like this. And if I just do autoadjust you increase the intensity that changes the intensity
of the image and makes it look a bit more
neutral of the color. I think this can give us
a good starting point. I would just make
it 100 because it is doing really
perfect auto color. Then you can also change
the intensity of the lots. I wouldn't do it.
I would keep it 100% because it's
a conversion lot. Then if you go down here you can change the temperature
of this image, if it's too blue, then you can make it more
blue or if you want, if you want to make it
warm, you can make it warm. What I would be doing is just
make it a little bit warm. You can always say
before and after. If you go click here, that's before, click
here, that's after. There's a really subtle change. You don't really see much. But I will show you a lot of changes in
the upcoming session. I'll move it more
towards greenish side. Now if you go before and
after adjust, You see, there was a little bit
bluish in the beginning and now we make it more
of a neutral color. You can also change
the saturation of the image. We are
not going to do it. Here we can change the exposure. Obviously, you can change
the exposure contrast. I would want this image to be a bit more contrast as well. Just a little bit. I would reduce down
the highlights. Highlights, if you go higher, All the brighter areas would become more
brighter, you see. If you go a little
bit like this, it becomes a bit
more softer image. Shadow is all the
shadow darker areas that would increase
the shadows here, but I want to keep
it in the middle. I think I would just reduce
down the blacks a little bit. Blacks it's going to make the darks a little
bit more darker. I would just go down
with the blacks here. Brilliance is just another
way of enhancing the image. I wouldn't touch it.
Sharpness, the image looks already really sharp. I would reduce the sharpness. Vignetting Vinting is something
like I can just show you. If you do like this, it is increasing the
whites on the side. If I do this, it increases
the blacks on the side. We're not going to
use in this image because the sides are
already a bit dark, so I'll just put
it in the middle. Then if you want to
see before and after, you can just click on the. You see how it was before
and now we have made it now. It already looks so
much better now, but this is not
even the beginning. Now we're going
to go to the eso. So HSL is hue saturation
and luminance. Here what you can do is that. You see there's different
different colors. Here what you can do is
that if you press red, and if you just scroll this, you can change the color of
all the reds in the image. You see the reds were
looking like this. If I go this side, it becomes more yellowish, if
I go this side, it becomes more pinkish, and you can also change the
saturation of all the reds. So you can play with that. And here with lightness, you can also change the
brightness of all the reds. That's a really cool
technique that you can just pick a specific color and you can change
everything about that color. I would maybe make it
a bit more warmer, so just bring the tint
here, and that's it. These are the oranges. I would make it because there is a little bit of
orange as well, I'll make it a bit
more warm as well. Saturation, I'll
leave it everything like that. Here the yellows. The yellows, I want to make
it a bit more reddish. And now that comes to blue. The blue, what I'm going to
do is that make it more teal. If I go this side, it
becomes more bluish. If you go this side, it
becomes a bit more teal image. I would reduce the
brightness of the blue. It is really subjective, so you can just play around
and see what do you like. I would reduce
this down as well. Here you see all these blues. Now they're going
to turn a bit more greenish because I'm going
more towards this side. That is what they exactly
do in the fancy filters, and here I'm just making
it from the scratch. I think I'll keep it this way. Saturation, I'll just
keep it in the middle. The lightness, I can make it
them a little bit darker, and then we go to curves. That's what HL is doing
is that it is picking up specific colors and then it can change the
color of that color, the saturation and
the brightness. Now let's go to curves. Curves is a really
interesting thing. I'll give you a basic overview. These part of the
curves would control the brighter areas
and these part of the color curves would
control darker areas. Then if I put a point in
the middle, just click it. If I go here, you see all the brights
are getting brighter. If I have to reset it, go here. If I go here, I'll just
put the.in the middle. If I put a.in the middle,
it would just affect this. If I go here, all the
darks becomes darker. So now, what I would do, just make a little bit of
S curve so that can make the brighter areas a little bit brighter and the darker
areas a little bit dark. What is this doing is just giving a little bit
of pop in the image. You see this before this
after. You know what? I was honestly liking the before version, so I'll
just get rid of it. That's what the curve is doing. If some image is really dark, you can just do this and
that image becomes brighter. So you're kind of pulling the brighter areas and the
darker areas together. And here you can change
the color of the reds. All the reds in the brighter
areas would become bright. If I put this in the
middle and all the reds in the darker areas would become dark. That's what it happens. But if you are just a beginner, I wouldn't recommend
to play with these. You can just play
a little bit for crusing or reducing
the brightness, but yeah, not much. Here are the intensity. This is color wheel is
in the pro version, so I wouldn't go through that. It is not that handy
because I'm going to also show you a lot
of filters from Cc which is going
to blow your mind. These were some of
the important things that you can do
in color grading. If you feel that some
image is not sharp, you can increase the sharpness, but I think this
image is already super sharp, same with clarity. If you go like this, then you can increase the
grain in the image, make it look a bit more old. I really like this
look and fade I think it makes the image
a bit more softer. You see M phase, it looks a bit normal and here it becomes a bit more soft. I think I'm liking this look. What you can do now is that You can see the before and after with
just go like this, like that. That's the
before and after. If I want it to be on
the upcoming clips, for example, if I just chose
this x seven and nine lot. If I do this as save as preset of this image,
then it's going to save. Where it would save is here. You go to adjustment and
then you go to adjustment, and then you have
the preset here. That is the preset
your custom presets. Here in this image, if
I want to have the lot, what I have put here, on the upcoming image,
which is this one. Then I can just do add plus. Now, what it is doing
is that it is making an adjustment layer
on top of this clip, not here, just here. Then this adjustment layer, you can also bring it here. You see this without
the adjustment layer, this is with the
adjustment layer, and I can also bring this
adjustment layer until here. You see this is without with. That's how you can
also make your own preset and just put it
on top of all the clips. Now let's move on
to the other clip. And in this clip, what we have done is that we
have already changed the color to the wreck 709
by this conversion lot. And now, what we're going to
do do some auto adjustment, just increase the intensity
to see how this looks. I think it looks doing
a pretty good job. So yeah, this was
how it was before. This is how it is after. And now what are we going to do, we're going to use some
lots for this image. To use some lots to
use some filters, you have to go here
on the filters, and I am not sure which one to choose because it
is just so many. All the pro is of course a
pro. Let's try this one. Of course, these things are
all in the capcut cloud. I also think once again, I also think this image
is a bit more yellowish. I want to adjust
the white balance. If I go here, temperature, if it's a bit yellowish, I can adjust it by going
more towards the blue side. It also looks a
bit more greenish. To counterbalance that, I go to just a little bit
towards the pink sides. This was how before. There's a really subtle change, but now my eyes can rest. Now let's go to the preset
and let's try this one. It's all in the
cloud, as I said, but he can still download it. If I just press this.
If I just press this. Then it shows me how the footage would look
after this preset, but it has not yet applied yet. It's just giving me a preview. I don't really like it, so let's try something else.
Let's try the pumpkin. Pumpkin looks
really interesting, but we're not going to
do it. Let's try back. You can choose
whatever you want. I would go for. That looks
good. Here is the thing. I can just do plus, and what's going to happen is that as soon as they press plus, it makes an adjustment layer
on the top of this image. It wouldn't go until this image. I have to make sure that
it's not going here. Otherwise this image would
be affected as well. This previous image, if I go
here, but I don't want that. I just want it to be until here. And maybe just until here, here, I would just press the chop
out key which is W for me. You see, that is the
Las Vegas preset. But now I think it's
a bit too much, so I can reduce the intensity.
That's really important. As soon as you go on
the right hand side, increase or reduce
the intensity, and I think this
looks pretty good. Here I can do some basic
changes because I think that we can bring in some
contrast in the image. I would just go up,
bring in some contrast, not too much, and maybe bring the blacks a
little bit low. Okay. That looks good to me.
What do you think? You see with just a few
little clicks with a mixture of the preset from cap cod and our own
knowledge of color grading, we can just generate
really beautiful image. This one is really interesting. This just has this conversion
lot on top of this. What I'm going to
do, I'm going to make it a little bit brighter. Let's just go auto
make the AI work. This is how it looks. I would
do some contrasts as well. This time we'll go contrast. This time we will
increase the contrast with this curve panel. We'll increase this a little
bit the brighter areas. And then reduce the darker
areas a little bit. You see as I'm reducing it, I'm bringing a lot of difference between the
brighter and the darker area. This was before the
curve, this is after. You see this is my hero shot. Now with the color wheel, that is for the pro,
what are we going to do, maybe do some changes with the H or I also want
to try some lots. You know? You know what? Let's go Oppenheimer. I would just do plus,
it jumps on top of it, and let's see how it looks if I reduce the intensity down. Okay. It looks quite good. You don't judge the
lot by its cover. Maybe just put it
and then reduce the intensity, and
then see how you go. Here in this case, I don't
think open amor looks good. Here in this case, I just
wanted to be a bit more bright, a bit more colorful image. I think I would just do
color graded myself. I have done auto adjust, and then I would do
the temperature, make it a bit more pink
bit more on the blue side. We're going to have to increase the contrast a little bit. Okay. Maybe bring down the
blacks a little bit. You see? Now we are bringing a bit
more detail in the image. Let's go before and after. I wouldn't touch this here, I can just do the vignetting. The corner is a bit more dark. Now let's go to the edge. Here, I see that the sunlight. I want to make it a
bit more reddish. This yellow color, I think
that's the sunlight. If I go here, you see that was the yellow
you just have to spot which color you want
to change and all this orange so I want to
make it a bit more. You see my skin tones. If I just move it this way, that changes if I move it
this way, this changes. There's no blue, so I don't have any business
touching blue here. Yeah, I think this
looks pretty good. Let's go curve and let's
increase this a little bit. Let's see how far we can push and let's reduce
it down a little bit. I think I pushed it quite far because the image is
blowing out here. So I would reduce it down. So yeah, these are a few
color grading techniques, what you can do in cap cut. Now, of course, I've done
adjustment in these cliffs, but I also want to color
grade just my talking head. Here I wouldn't just
go so much crazy. I just want this image just
to look a bit more natural, a bit more colorful, because it's still
a bit desaturated, so I'm just going to
go auto adjust and increase the intensity and see
what cap cut has to offer. I think it already looks good. One thing I would
change is that because all the surrounding areas
are also super bright. I would go all the way down and increase the vignetting
a little bit. Okay. So you see?
That is how it looks. This was before this is after. A lot of times, you don't have to go crazy in color grading. If it's a neutral image if someone is talking or if
it's a corporate video, or if it's something really neutral without
so much emotions, you can just go auto adjust and increase the intensity and the
software would do its job. You don't have to be
a col grading guru. But if you want to make
it look cinematic, then of course you
can make it look cinematic. Let's go here. This is the image which
doesn't really require any conversion
because I have just shot it in a normal profile, and I want to use some lots
to make it look nicer. Let's go freedom. Okay. Yeah. This
looks a bit weird, but trust me, if I
reduce the intensity, I think it's going
to look really nice. You also have to do a lot of trial and error with the lots. I would choose freedom, reduce it to half or
a bit more higher. Now what I'm going to do the
image looks a bit more dark, so I'm going to choose the
image, go auto adjust. Here, what I'm going to do, scroll it down, maybe
increase the shadow. There's a bit more
light on my face, increase the exposure
a little bit, and maybe reduce the
intensity a little bit more. You see how nice
the image looks. This was before the lot
and this is after the lot. You see it looks
quite cinematic. Cast that is how you can do colobrating
in cap cut off course, if you have more questions regarding calibrating,
please let me know. And this was just a basic
color grading tutorial because I don't want
to overwhelm you. And of course, with general
basic settings as well, you can achieve so many looks. I would really recommend you to just clear on with these
lots because over time, you would find your
favorite lots. As soon as you would
go to colorading, you would have your
favorite lots. And you can colligrd them. The more you coll grade, the more you would know about different lots, and of course, then you can also choose your
favorite lots from here. That was colligrading. I hope it made sense if it's overwhelming, just
watch it again. I'm sure you're going to get
a lot of value from this.
10. Mastering Captions in CapCut: Now it's time to learn how to
make subtitles in CAP good, which is again, like everything, it is super easy. I'll just expand it. This was our final sequence. You can, of course,
go up and down, just scroll the mouse, and let's make subtitles. I don't have any subtitles yet. What I'm going to do that I
would go to the text here. So we go to autocptions and
here, You can, of course, choose English as the
language, translated language, there's a pro feature,
so you don't have to worry about that
and then go create. Then CAPCAT takes about
I think 15 seconds. I think it just took 10
seconds or 5 seconds now, and it already created some nice subtitles and
it is pretty accurate. You see here there's subtitles. I'm just zooming in in the
timeline. Let's check it out. There's nothing
more painful than having this amazing video idea, but you do not have
anyone to fill you. Your friends are
too busy or worse, they are not interested. So yeah, the sub tiles, they
look pretty accurate and you can also see that they
are just really basic. There's not much.
There's no effect. It's just a simple font. Even though I like it, I
want to teach you more. If you click on the subtitle, if I go here, then again, in this settings panel, it shows me a lot of feature. Here, what I can do is
that I can of course, change the size of the
subtitle like any other text, make it bold, make it
underline and all that stuff, make it uppercase everything. Let's make it
uppercase everything. Then you can also
change the alignment. You can also change any changes what you can do
in a normal text, you can do in subtitles here. But I would just do that. Now what I want to do show
you is something different. If you go here to captions, How I want this subtitle to be is not more than two
words in a sentence. I would just click here.
If I go to captions here, I would go from the beginning. Here, there are
all the captions. If you want to say if there's a spelling mistake or
if you said a word, I'm sure there must be a
typo later down the line, which I can correct
it from here. If I want to correct something, then there's nothing more small. If I want to write or if
I write just anything, you can just change
it from here, and that would give you a
live preview on this window. If I just want to put two
words and I want this more painful to be on the second line, I
just press enter. And it goes on the second line. Same if I want to just
make two words here, press enter goes on
the second line. This is what you can
do. A lot of people, they just do single word, you can do that as well. But later on, I'm also
going to show you some caption presets that would already give you
the single word captions. Now if I go like that, there's nothing more
painful than having this amazing video idea You can also see
here one more thing. If I go zoom in, having
this amazing video idea. The video idea sound, it comes a bit before, when it shows the video idea. You have to keep an eye here. Then having this
amazing video idea. You see? I can go down here to see am I saying video idea? Having this amazing video. I think that is the v. What I'm going to do
is I would just reduce the size of this subtitle box and then I would
increase this here. Now I think it's going
to be looking really s. Having this amazing video idea. But you do not have anyone. So you see can also because a lot of times the
AI is not that good enough now
that it's going to really sync to exactly
where you are saying. Sometimes there might be
a little bit of delay. Sometimes the word
can come a little bit before when they are
spoken, so you can, of course, change the position of those words through here. You know, through these boxes. In these boxes, you can also
see that what it is written. So that's really also
handy for C. And if I go here to the text
setting in this tech setting, if you can do a lot of changes. If I go in templates. You see if you have
the pro version, this is a really
cool feature about this cap cut is that if
you have the pro version, then you can have so many
beautiful subtitle presets. Let's show you this one. I
think this is really common. But you do not have
anyone to film. Your friends are
too busy or worse, they are not interested. Trust me, I've been there. I started my filmmaking. This is so cool, and of course, this is in a pro version, but there is just
so many captions. This one is really common.
This is not in pro version. You see in this one, you can already see the
little preview. That they're going to just
play one word at a time. Even though this is a full
on sentence in this box, they're still going to
play one word at a time. What I did here to break down all the little words in single boxes, you
don't have to do that. If you choose a preset, we just pops up one
word at a time. Let's go from here
because here we have a full sentence
in one line, but yeah, the preset still breaks it, so
let's see how it looks. But you do not have
anyone to fill you. Your friends are too busy or worse They are not interested. Trust me, I have
been there. You see? I want to show you
one more thing. One said no. Here, everyone said no, there's already a
text coming here. That time, I don't
want the subtitle. Then what I'm going to do
is I just delete from here. Same button trim left for me, it's W. I just chose this icon. Delete right was W, you can choose whatever
icon you have. Said no. But guess what? I didn't give up.
And the coolest part is even if you have
chosen a preset, you know, you are not
restricted to the text, what this preset gives. You can go to basics, and you can also
change the settings, the text, you know, you can change everything,
what font you want. You can change the
size of the font. It is just so cool. Here, of course, you
can change the opacity, you can play with a lot
of stroke, you know, stroke is like a black
line around the subtitle, I think that makes it
look a bit more visible. You can increase the
opacity of the shadows, you can increase the
blur of the shadow, which is really handy and you can also change the
color of the shadow. If you want to make
the shadow say purple, you can make it, you're
going to do green. You see you can
customize everything. Even if you choose any preset, you're not really
stuck to the preset. I'm going to show you also
one really cool thing. These effects are quite basic. These are just normal text, but if you go to animation, Here, usually it's in, but you have to go to captions. If I want an effect
just on this box, just on this letl box,
you can do an effect. Well, I just want to show you which is not in the pro version. Maybe this one. I learned
about frame. You see? Now, this effect, what I've chosen is just
applicable to this box. You can see here, it's
really normal myself. Over the years, I learned about framing and compositions,
lighting techniques, and if you're going
to put this effect to all the captions, then what I'm going to do
to select all these boxes, and then which one was it? Oh, I think I lost it. Say, if you want to put
any effect from here. Slide up. If I want to just do slide up effect on
everything these days. Now you can run a full
time YouTube channel, and I also work as a
freelance videographer, whether you're a filmmaker, content creator or just
want to document your life. So that's how you can create
captions in CAP code. And, if you have any questions, please let me know
in the comments.
11. Best Export Settings: In this section, I'm going
to show you how to export the highest quality video
possible in Cp god. Now that we have done
our project here, what you should
do is press here. I would be the select
endpoint and press here. Just bring the
cursor here, press. What happens is that if I
just move this thing around, you can see here that
there is a little dot. You see, there's a
little blue dot here. That is telling Capct
that I just want my video to be
rendered from here. That is the point. That's
how we selected the point by pressing out point we have selected is by pressing.
That's how you do it. Then if you want to export it, you go on the right hand
corner here on the top. You go then here, name of the class, you can just choose any name, what you want. You can choose the location. I can maybe choose it to dextp. Remember the
timeline resolution, what we chose was 1008
P. Or high definition, we want to make it to four k because we want the
highest quality possible. Bit Rate, we also
want it higher Code, you can choose it to
264 because that is the most compatible with the
smallest size possible. This is H VC is smaller size, but the quality is
not that great. If you want a really
big, big quality, now it shows 2207
B, the file size. But if I press
here, the file size may be a little bit smaller, or if I go to Apple Pros 444, this is the highest
highest quality, and the file sizes are massive. You can see 11.12 gigabytes
for just 1 minute clip. We're going to go
back to SO 264, and the good part
about SO 264 is that it is compatible
with all the systems. You can either choose
MOV or MP four, really depends on you. They both give
really good quality, and then frame brats, our
project frame rate was 24. That's why I've
chosen framerate 24. If your videos were shot in 30 or if videos were shot in 25, then you can choose 2205. Here, color space, that's
what we also chose before. It would be a
neutral color space. In audio, if you want to export the audio separately,
you can do that as well. If you want to export
the captions separately, you can do that as well. Because sometimes you also want to import the
captions on YouTube. You can do that
as well with also externally exporting
the captions and now I'll press export. CPC is they export quite fast. It's a really fast software, and of course, in the end, it depends on your system. Even if you have been editing all the project in proxy format, the export what they're going to do would be in the
highest quality. So really don't worry that you were seeing the video in half of the quality because the
speed of your system was not that good.
That's really fine. When you export it,
the videos would be in the highest quality if you chose the setting what I just
recommended to you. And the video is done. They also ask you to share, but
I don't want to share. I just want to see
the video where it is exported CCA class. This is where
everything is exported. You see, we have three files. We have CPC class, the MOV file, the video file. We have the audiophile
and we also have the text file, the captions. This you can also import in YouTube if you want
to put captions, if you want to put
subtitles in the video. That is really handy. Of course, if I go to get info, I can see that it was
shot in four K. Yeah. That is how you can export in the highest quality and same goes for the vertical
video format. But yeah, speaking of vertical video format,
in the next section, I'm going to be
teaching you some really cool creative
transitions, some creative techniques
to really grab audience's attention when
you are making a real. In the next section, we
would be editing a real
12. Editing Creative Reels in CapCut: Okay. So in this section, I'm
going to be showing you something creative
as I mentioned before. But first, I want to
show you this video. So this is also included
in the raw clips, and of course, you
have to chop it down because I've done a lot of
mistakes while talking. So let's just listen to it. It's like a really stupid
thing, but just listen. Today, I'm going
to show you how to make the best pizza ever. First, go to the supermarket,
buy a frozen pizza, and then put that frozen pizza in an oven and just like that, your delicious pizza is ready
in less than 5 minutes, and that is ten times
cheaper than the pizza, what you would get in
your nearest pizza chain. That's how many 17
seconds long short. I already see that there's
a bit of a gap here. Then you can see if I
just do extract audio. There is a bit of a gap
between this audio and that you should be avoiding when you are
editing short videos. The shouldn't be too much
gap between two sentences. Otherwise, it becomes
a little bit boring. I would just do that. I'm
just trimming it out. You should also do it if
you are editing with me. I extract all the audio out. And let's hear it again. Ever. First, go to
the supermarket, buy a frozen pizza and then put that frozen pizza in
an oven and just like open and I think
there's repeated twice. Pizza in an oven. This is the, so I'm going to get rid of it. In an oven and just like that, in an oven and just like that, your delicious pi is ready
in less than 5 minutes, and that is ten there is a
little bit gap here as well. So that is ten times
cheaper than the pizza, what you would get in
your nearest pizza chain. So here it is a little
short pizza commercial. So what I'm going to do
now is that I'm going to show you some really
creative effects. And the first effect, what I want to show you is the effect where
you can see that there's things popping out in the background of the
image of the subject. So that's what I'm
going to show you. But before that, I want to when I say that I'm
talking about pizza, I want to show pizza already to the audience just to
grab their attention. So I don't have the B roll. So what I'm going to do
as I showed you before, I go to the stop footage. And then if I just
do pizza, Okay. I think this is a video clip. Maybe I'll download
this as well. I'm just going to go plus. If I go plus, it just
downloads it here. I would just go up here. Then I think it's a
really long clip, so I want to make it short
there's a green screen behind the pizza slice there so maybe we can do something
creative with that. I'm just going to so it here, and I think this is
what I want to use. Okay. Maybe I also want to increase
the speed of the clip, and why I'm going to
show you in a bit. So you select this and if you want to increase
the speed go here, maybe increase to
1.3 or maybe 1.2. Now let's see. Today, I'm
going to show you how to make the best pizza ever.
First, good. Okay. What I'm going to do, I'm going
to move this a little bit higher and I'm going to
make another copy of it. Then you can see that
I'm coming on the top. Here what you want
to do is that you go to layer one and that would show that the layer which is on the top is always on the top. You can just change
this and vice versa. So what's going to happen now is that have copied it twice, and how do you copy it twice. You just need to So if I just press this click and
if I press option, and then I drag this clip, and then I leave the option. Then it just copies again. In windows, it would be option and then you drag it with the mouse and it just
copies it again. But yeah, what I
want to do here is, I want to show you
the cutout technique, how do you do the
cutout technique? I'm going to make
another copy here. We have four copies here, Let's go that I want the layer three on the top. This
is a layer three. I'm guessing, this is
layer three on the top. I want to make a cutout. I'm going to select this, and then I go to remove
BG, remove background. Here I would do auto removal.
There's a chroma key. I'm going to show you later,
very interesting thing, and these are all
for the pro version, but let's go auto removal. You see as soon as I
press auto removal, it removes myself here.
I would make more sense. If I just disable all the
other tracks, you see, It removes my
background, you know? My goal is from this is
that I want myself there, and then I want the pizza to be somewhere here
in behind my head. So if I put the pizza here, if I just show the track here, then this pizza pizza here, I want to place it
somewhere here. This pizza, it does not, of course, it is there. But the black background,
it's still there. What I want to do what I want to do now is that
activate this clip. That would make the previous
clip as the background. Because now if I deactivate
this scrubbed out clip, then my head is
behind this pizza. You see? Now, my head
is behind the pizza. But if I activate the top clip,
which is the cropped out, then my head is in front of it because that
is on the top, and that is cropped out.
I hope it makes sense. I'm sure it might be
getting too complicated, and then I'm going to
activate this track as well. Now what is happening
is that I am here cropped out
and I don't have any background in this
clip and then there's pizza and then we have the
base clip what we used before. Then if you go to auto removal, you can also choose
different different things. If I want to do this, you might have seen in
a lot of videos, if I want to do stroke
around the subject, you can also choose the
size of the stroke. I would maybe make it
like this and maybe change the color to not yellow. I think white looked I
think white looked good, or maybe something lighter. Maybe this that is
looking fine. Yeah. That is the cropped out image, you might have seen
in a lot of videos. And now, what I want to
do is from this clip, you can see that it's a bit
harsh here, this boundary. I want to make it
look like it's a little bit blended in the image. What I want to do now
is that I click here, and then I'm going
to go to mask. If I go to mask, it would be
masking this entire screen. If I go here, mask horizontal, So it's going to mask
the whole pizza. Then if I go like this, I
can increase the feather. But if I bring this line down, you can see that below
it's not masking, but you can mask
this entire layer. It's like crop. You can crop
this entire layer like this, but I want to keep
it until here and maybe increase the
feather a little bit. You see now how it looks. I still see that
there is a bit of a harsh boundary here which
I want to get rid of. Maybe I'll get rid of this if
I go the feather like this. Yeah. I think if
I go full screen, now it looks a bit more
decent rather than having a really
strong background, a really strong cutout. So I'm going to press scape. So Now here, you can also see
that it's a green screen, so we can do something
really interesting. That's why I have
two layers here. If I go select the
Pizza again and I can get rid of the green
screen by doing this, remove BG, then you go Cromak. Cromak is a feature in any video editing
software where you can key certain colors
and that color, you can make it transparent. For example, in this case, if I just select this
thing, this marker, and if I drag it on the green, Then I'm giving this
software a command that I want everything green
to be transparent. Now nothing is transparent, but if I increase the intensity, you can see if I
increase the intensity, this goes transparent. Behind me, you can see the door. In this case, we're going
to get rid of the green. I would just increase
the intensity. I can already see that
the color is selected. And now I want to do is because if you do make
the intensity too much, that's also fine, but
you can see that there's a little some weird
artifacts coming here. So I would just keep the
intensity in the middle. And now what I want
to do is that it's making this cover transparent. So I can put my face there. You know what I mean?
So if I just make it small and if I just
put my face there, then it would look like my face is appearing out of a pizza, and that is why I made two layers here
because this layer, this layer here, is
this one, small one. If I didn't have this layer, if I deactivate this, then I have this black
screen behind it. That's why to create a
background, I wanted this. Now if I play this, we have a really interesting
thing going on. Are you ready for it?
Today, I'm going to show you how to make the
best pizza ever. First, go to the supermarket,
buy a frozen pizza. So you see what's happening. So we did we cut it
out myself here, you know, and then we put a pizza thing in the background. And now we got rid
of the green screen, and then we have
put another image. And now I can also see
something else here. So if I just zoom in, so that is why you
need this zoom in thing. If I just zoom in. And to scroll up, I can
also see myself here. You see my sweatshirt here. What I want to do now is that I think that is this
file which is there. That is why the zooming
technique is also really handy. What I want to do is that we
just want to crop myself. I can just go maybe
do another mask. If I just mask myself, if I go horizontal, I can just go and scrap
myself until here. Then my jacket is gone. You see if I disable the mask, you can see my jacket here. If I enable it, you
can not see my jacket. Now if I zoom out, you
have this funny image. So you see once you
know the tools of pkt, the possibilities are limitless. I hope this effect makes sense, and here what I
want to do is said. I want to make another effect. So let's just watch it. Today, I'm going
to show you how to make the best pizza ever. First, go to the supermarket,
buy a frozen pizza, and then supermarket,
the best pizza ever. First, go to the supermarket. When I say buy a frozen pizza, then I want to show
a frozen pizza. What I can do is that I'm
just going to crop this. Also, maybe just leave this there and maybe
just search for frozen pizza Brea frozen pizza. Yes. I think I found you
see Capco is just amazing. Oh, yeah, maybe I
can do this one. This looks like a
supermarket pizza. If I go add, it's adding
in the main timeline, but if I just go like this. Here. Here, of course, our thing is vertical. So what are we going
to do? We're going to just rotate it to 90 degrees. I've selected this file. I'll just rotate to 90. Okay. And it has
been rotated to 90, so I'm just going to bring it
to the size of this thing. Bifrozen pizza. Bio frozen. Now the frozen pizza is
just like you just there. I will just put a transition in here and to add transition, I'll just go in the beginning
to select this clip. We go to animation. We want the in animation, what I showed you before. Okay. And then we can maybe choose this Frozen supermarket
bifrozen pz bio frozen pz. I can see that the
transition here gets over and then the
image is a bit static. You can see from this arrow, I want to make this transition
a little bit longer. So what I can do is that I can increase the duration
of the transition. Frozen. So you can see
that the arrow increasing Frozen then and Frozen pz. Yeah. Now the movement, the transition is lasting from the beginning of this clip
to the end of this clip. I buy a frozen pz and
put the frozen pizza, and then put the frozen pizza. Put the frozen pizza oven. Okay. So when I'm
saying in an oven, I want to put another thing. Here you can also
see that I'm just going to break it
down really slowly. Put the frozen pizza in So here I'm saying put the
frozen pizza in an oven. So when I'm saying put the
frozen pizza in an oven, I want to show you know
someone using an oven. Because that's the whole
thing about making a really effective video is
that whatever you're saying, if you can show it
at the same time, that's the best thing ever. Let's go to imports. Let's go to stock footage, ven It looks like now this is a photo. If there's a time slot here, that means that it's a video. That's the 11 second video. Let's check it out.
This looks like a funny This looks like someone is putting
something in the oven. I think this clip would do. I would just press plus. It's going to be a funny video. I want this clip
maybe just from here, so maybe when
someone is opening, so I'm just going to
trim to the left. And just like that,
you delicious I just want to show a video
of someone opening a oven. Pizza in an oven. Like And pizza in an open
and So once I am here, then I want to show this clip, you know, this clip being
played in the video, and what I want to do is I want this clip to obviously
come as a transition, and I want me to go a little bit lower just when
I'm bringing this in. So what I would do is that I would select my position here. I would just key frame the
scale and the position. Then if I go three
frames to the right, so I'm just going to press
the right R one to three, and then I would change my position to a
little bit lower. If I just go here and
just see how it looks. P P. Now it looks like I'm going
down a little bit slower, what I would do is that I would
just go maybe two frames. Now I can just zoom in here
and move this diamond here. Okay. Oh. Now it looks a bit more
Frozen pizza pizza in an oven. Frozen pizza. Here what I want to do is that I want this thing
to come from the top, animation, and then maybe
scroll down or maybe Zoom. Be swipe left. In an
oven and pizza in an. And here, of course, I
can do another, you know, the mask because I
want I don't want this harsh line in between
me and the oven picture. So I want to do the
horizontal again, and then just,
move it like this, do a little bit of
feather, you know, Okay. Maybe a little bit higher
father a little bit more. Yeah. Now I think it looks fine. So now let's check it out. Go to the supermarket,
buy a frozen pizza, and then put that frozen
pizza in an oven, just like that on, like that, your delicious pizza
is ready. Delicious. Delicious pizza. I would
just search for a pizza. That's a cool part
about Cp guys. You don't have to go anywhere
to make this cool videos. So Delicious pizza,
delicious pizza is there But I want more pizza. What I can do is I want to make another more clip
that looks like a nice vertical clip that actually looks
like a micro pizza. That's a good part about pCT is that you don't have
to film, you know, you can get all the
B rules and you can also are saying you can also find vertical
and horizontal videos. So I want this clip from here. Just like that, you deli. When I'm saying your
delicious pizza, I want this clip to be here, and then I want myself
to be in the corner. What I would be doing is
I'm going to make a split. Split was from this
button, split it out, and then I would be pressing option and then bring
myself up here as well. Now what I want to do is I
want to crop myself out, remove background,
easy then of course, I want to make myself
a little bit smaller. I don't know. Yeah,
maybe middle is fine. Yeah. Maybe a little bit bigger. It is a funny video, but yeah, I just want to
show you all the effects. So like that, your delicious
pizza is ready in. Delicious delicious pizza is ready in less than 5 minutes, and that is ten times
cheaper than the pizza, what you would get
in your nearest your delicious pizzas ready in less than 5
minutes, and that is. So when I say less
than 5 minutes, I want to bring a stopwatch. So let's see if they have a
stopwatch. Or you know what? Here, I also want to
check in stickers. They don't have anything nicer. Mm hmm. Maybe I'll go to
import again and stuck. Okay. Let's check for a
stopwatch here. Sometimes they also show
stopwatch with green screen, so then it's really easy to
remove the green screen. Let's check it out. You have to search you don't get
everything in one go. And I also want a stopwatch, which is kind of playing, you know, it should be a video. I don't know if I can get it
a bit more ambitious search. You can search here. If you
want to search for videos, you can just press your
videos. Let's search with time You see, when I'm
searching with Timer, then it's showing me something. There's also a video here. I think I've seen this before. That can work. You see? 5 minutes. That would work perfect. I don't know why I didn't
choose that before, if I go color picker, go to green, take
out everything. That's what we need. Maybe this comes here because if it's blue, then it's just going to
blend with this blue. 5 minutes. I want this to come in
animation because why not? Maybe swipe up. But I want it to be
a bit more strong. These are a bit more softer. 5 minutes, less than 5 minutes and that I want
the transition to be a bit more shorter because I want them to see the
stopwatch as well. Less than 5 minutes. That is ten times
cheaper than the pizza, what you would get
in your nearest. Okay. I know that
I'm teaching a lot of new effects
together in one go. But I think if you just rewatch this class and do
everything step by step, then you can learn
a lot of stuff. I still have to add some things, but I think maybe we
can do it in Part two. Let's just go through it again, and then I can show you
the part two as well. Today, I'm going to show you how here we did the crop out effect. And then I also did
here if you go here, if I did the mask effect
on this pizza clip, and then Pizza had
a green screen. So how did I remove
the green screen? I went to remove
background and I did this chroma key
with the screen. Then as soon as we
removed the green screen, there was a transparent
layer behind it, so it would show what is whatever is underneath
this pizza clip. Underneath this pizza
clip was clip like this. So that cannot fit
in that background. So that's why I chose this clip. I made this clip smaller, which is on the
second layer so that that clip can fit under
that pizza plate. And I also cropped this clip because you could see my
jacket, this thing here. So I cropped it again
with the mask tool. You see horizontal
mask I've used. Then if I go here, I've used the pizza clip, and then here, I am cropping out myself so that I can be on
top of all the layers. And then here I have
just frozen pizza? A transition where this
pizza thing is coming. The thing what I've
done here is that I've elongated the length of this transition so that there's movement
in this image. It almost looks like a video. Frozen pieza then And then here, what I've done is that Pizza. I've done a split screen, so I have made a transition
for this thing to come, the oven to come on the top. And then, of course, I have
placed the horizontal crop, horizontal mask on the top. And then as this
thing is coming, the oven, I am
moving myself down. Yeah. And how I
moved myself down was by using key
framing, which was here. So I just positioned myself. I just keyframed that original
position, which was there, and then two frames later, I have keyframed
myself below here. It almost looks like that
oven is pushing me down. You see? And then here delicious p. I've
used the same thing. I've cropped myself out
with the order removal, you know, and just to maybe
pop myself out a bit more. I can use this and maybe make myself red,
something, you know, just to be more
visible or something of a really a pink color so
that I am a bit more visible. I can increase the size as well. So I'm a bit more
visible in this picture. Then here, I have brought in
a stop watch and stopwatch, all the footage, what we found was from the stock footage. The stopwatch, again,
it had a green screen. If I get rid of the chroma here, that's what it how it looked. We have, of course, got rid of the green screen with
the color picker. We're going to leave
this for the Part one, and then in the part two,
I'm going to show you a little bit more
text animation. I know it might be a lot, but just go step by step and I'm sure you're
going to learn a lot. Let's go to Part two.
13. Advance Text Aniamtion: Okay. So here I did a
little bit of cheating, as you can see in my screen. So I'm just going to
move it a little bit up so you have a clear
overview of my timeline. So what I did was really today, I'm going to show you how to
make the best pizza ever. First, go to the supermarket,
buy a frozen pizza, and then put that frozen
pizza in an oven, and just like that,
your delicious pizza is ready in less than 5 minutes. You see all these animations. I have not done anything. They are in cap cut for free. Let me show you where
do you find them. You go to text here,
then text template. Then what I did was, I was just scrolling down, and then I found this thing, the awesome, and that's
what I've used here. What happens is as soon
as you drag them here, you can change the text. Anything you drag from here, you can go on the
right hand side, you can change the text, and you can also
change the font, you can change again, you can also find
the templates here, you can change the
effects again. I think this is already
a bit too much. Best pizza ever. First, go. And here I found another
template, and of course, you go to basic I
changed the text, and I didn't do anything with
the font style font size. Maybe we can make it
a little bit bigger. Buy a frozen pizza. And then in this one, what I did was, the
default looked like this. It's a lot of search. So yeah, I chose and all the templates, what I chose was free. Now, how can I find even
find it where it is. If you want to make
something as your favorite, you can just press star, and that would be in your
favorite section. That's the mistake, what I did. I should have already
put that on favorite. The food truck was here. So the favorite should be
one, yeah, second round. So I imported that
this thing here, and then what I did was, I changed the font, of course. I changed what we have to write. Then what I did was, of course, you can change the size, so I can put it in the center. And then what I did was, I click this arrow, what this arrow does
is that opens the room for any kind of text animation. Whatever text you want to put, whatever design you want to
put, you can put it there. I have chosen this design
because that just fits here. You can also change the
font size font, everything. But I think bangers, they just look really cool, or maybe just try
something else. This also looks nice,
delicious Argo. Then for the pizza, I just I hit this panel and
then I opened another panel, and for the pizza, I also chose a different
preset style from here. Of course, you can
choose the thick you can just
manipulate everything. That is so crazy
and it's just free. It is just insane. Really three years
earlier, all these things, you would have to buy it online or you would
have to spend hours and hours animating all these things, and
now it's just there. That your delicious
pizza is ready in less than 5 minutes
and that is ten times cheaper than here I want to also show
you something else. When I say that is
ten times cheaper. Ten times I want to bring
some money in the video. To bring some money,
if we go to stickers. I've already searched
for money icon, and I think this looks okay. Maybe I'll just go with
this one that icon. I've used this icon in the
past with something else. I don't remember what was it. I want three of them, and I'll show you why. I would just go click
Alt and another one, so there's three of them. Here's what we're going to do. Of course, I'm going to change
the size of this thing, bring it here or maybe
just bring it here. And then another size of this, bring it maybe here. Then again, this
one, bring it here. Now what I want to do is I want to just put some
imation in this one. Now they're just popping
up in the frame. I just want to make
some animation. That's the thing you can just
make animation in anything. All these stickers, they have a little bit limited animation. What I would do is swipe B then the swipe right and I
want it to come fast, so I'm going to reduce
the animation speed. And then this one is which one. Anytime if you're confused, you can just turn on and
off this track and track. Here I want to bring it
from the fth the peds, then I would reduce
the animation, and then I want to
do the last one. I want to bring it
from the top, maybe. Praeap than the pi here it is. Now why I placed them not together is because I want them to come one after another, you know, bring them together, so this is how it can look. And that is ten times
cheaper than the pizza. Now if you want to
just cut it out, you can just cut it ten times
cheaper than the pizza. What you get in your knee. So you see just with
little little things, you can make the footage
so much better and there's just so many options
in caca. Okay. Now that we have done all this, you can also do
the same thing for I'll show you one more
with the text animation. Ten times cheaper than the
pizza, what you would get in. Same thing, what
I can do when I'm saying nearest
supermarket. In your knee. For the nearest supermarket, what I would do is
I would just go to and just get something
neutral from here. Say this Nearest. So here I would just
go say near rest, and I would make it
capital so uppercase. And then of course,
I'm going to change the shape, maybe this. Yeah. In your knee I would, of course, make it bold and
bigger because why not? In your. When I'm
saying pizza chain. Pizza chain, I want
another text to come. What I'm going to do, I'm
just going to copy paste it. The reason why I did this
before is that because I want the font similar colors on the other ones or maybe
different color. We'll see. Nearest chain. Nearest and then this
one would be pizza. I would make it capital
as well and then chain. Okay. Chain, capital
as well. Your nearest. Nearest, I would
bring it up here. Maybe make it a little
bit smaller Nearest. In your nearest Pizza also
a little bit smaller chain. Then chain maybe
this one bigger. Here, what I can do is maybe
change the colors as well. You can change the phones. It's really up to you, make it more colorful,
make it more funky. Yeah. That looks nice.
Your nearest pizza chain. Here, of course, I can
add some animation. You see why doing this little
things you can do so much. I can maybe do
Nearest pizza chain. Then pizza, something
else chain. Then for chain, I can do some other animation
because of course, why not? Okay. So you see this animation comes
when this clip is over, so maybe I have to change as
some other animation chain. And maybe just shorten
down the thing. So let's just watch it again. 8 minutes, and that is ten
times cheaper than the pizza, what you would get in
your nearest pizza chain. Okay. And here the
clip gets over. Then I can press,
which is the outpoint. If I render this clip, then I can, of course, put it from point here
and outpoint here, and then I can render
this entire clip. But now what I want to do is
that I want to of course, add some sound bites
because these animation, they look really cool, but
if there's no sound bites, then it just looks
a bit more weird. It's sound bites. It's really up to you. What do
you want to put. That's the cool thing
about Capcot is that you can also find the sound
bites in their library. Where was it? Audio, I don't know what sound
I'm going to market, buy a frozen p. Best pi. Best pizza,
maybe a boom. Let's check. What do
they give me for boom? Ooh That's crazy. Maybe, Crackers. Fireworks, because that
looks like a firework, so it reads really
subjective. Maybe just this. So I can put the firework here and then just
scroll it down. Best pizza. Oh. Maybe just reduce the
decibels of fireworks. Today, I'm going to
show you how to make the best pizza show you how to make the I think
it's coming a little bit. Best pizza. Today, I'm going to show you how to
make the best pizza ever. First, go to the supermarket,
buy a frozen pizza. And the frozen pizzas, you can just do some boo, and here also you can
do some other thing, and all these things would
be here in the library, or I also have given a lot of sound effects
in here in the imports. That's in the previous files. Of course, I cannot
find it here. But if I would have put
everything in brand acid, then I would have found it. That's my stupidity. But yeah, I hope
that you learned a lot because I think
it's also a bit too much. But I think that was it for this advance editing
section in CAP cut.
14. Conclusion: Do you think about this class? If you like it, give
a review so that this class can be discovered
by other students, and just let me know if I
need to improve something, you can also give your
honest feedback down below. Yeah, I think I had a lot of fun editing all these things and editing a supermarket
pizza commercial. I hope you had fun
learning as well. As always, if you
have any questions, really feel free to coming down in the discussion
box or just reach out to me on my social media
and ask me questions there. I would be really really happy to help you out with anything. For the project of this class, go to the project
section and check out the description of what
project you want to make. It's going to be a fun project. Trust me, you really
want to go check it out there, and of course, finish the project because
there's no point in spending hours and hours just learning
unless you practice it. Really go do the project and submit in the
project section, and then of course, I
can give my feedback. Yeah, that was it for
the Capcot Master Class, and I hope you enjoyed it, and I will see you
in the next one.
Adi Singh, Videographer and Youtuber
