How to Draw JASON VOORHEES

1. How to Draw Jason Voorhees: Today you're going to learn how to draw Jason Voorhees, one of the, if not the most famous horror villain of all time. Incredibly iconic design. Really, really cool. Basically, I'm going to break this all down for you and give it to you so that you understand how to draw Jason from your mind from now on. So sit right in. If you're a horror fan, you're going to love this. Let's go over very quickly what is in this course, okay, step-by-step. Number one, we're gonna go over how to draw his iconic mask. It pretty much has literally one design that he used through almost the entire thing. There are little differences, but mainly we're gonna go over where the placement of the dots are, kind of the formation of the head and give you some choices from there. Second step that you're going to learn, side view, side view of Jason isn't often seen, but it does matter. And I'm going to walk you through that entire step so that you pretty much know exactly what you're doing with this. Then I'm going to go over some various outfits and we're going to talk about them because it's clothing does change a little bit, but he's usually wearing something very, very similar. Almost every single movie. I'm going to talk to you about that. And then I'm going to go through folds. That's a big part of his outfit, right? Is where things fold and how to draw basic folds from your mind to kind of like be able to do that with especially as upper torso. But that's pretty much it. I want you to kind of sit back, listen to the demonstration as well at the very end. And then all of this stuff you're going to know for the rest of your life. And that's the cool part about it. Relatively simple character, just iconic and amazingly fun to draw. So let's just hop right in. If you click Yes, right now, we can just start this right now and you can be drawing this in an hour. So let's draw Jason. 2. How to Draw Jason Mask: Okay, let's go over really quick. We're going over to Jason and his mask first. That's really important. How do you memorize the holes on his face? How do you just going to memorize them? And in general, we're gonna go through that in this lesson, okay? And you should be able to fully understand it. So first off, the shape of his head, shape of his mask. I like to do it that kind of upside down egg way where it's kind of like squarish at the top, square or round down over here, down over here. And a little bit pointed at the bottom because that's the chin area. Right? I mean, the other ways to do it, I guess you can do just 100% round or you can do like 100% like a marshmallow shape right here, like kind of oval. Like, I'm sorry, I kinda square rounded edges. I have seen that Cl this is more square than that one. So I mean, you you kinda have like there's a little bit more of a blocky form but like rounded corners. And over here it's more of a straight up oval. But like I said, I like the pointy bottom and I like the square ish like obviously slightly squarish top, pointy bottom. That's kind of normally the way I like to do that. How do we go over memorizing the dots on his face? I have a system for it that I really like personally. Let's do this kind of shape over here for placement. So let's just say we've got the his eyes are definitely rounded circles. So they're like, essentially they are literally marshmallow shapes, in my opinion, for the eyes. And maybe you can fit in one to one on this side and maybe one of the middle, half, one over here. It's going to, again, general broad measurements. But I think what people struggle on is the dots on his face. And they don't really know how to memorize that. So I memorized it so I'll show you how I do it. If you were to connect the dots on his face, they make a very obvious patterns. So right here, let's just connect the dots first. There's like a box right there. And what I mean by that is normally the holes on his face, hockey mask have those corners. These corners.in the middle here down and then two dots in the center. And that's kinda the way I memorize it. Personally. Over here, the side there is a triangle. Or you can just do a V, like that's on the temple. You could do triangles. Over here, line on the side, line on the side. This is not including those red lines that he has on his face. Okay. Like I'm just using red to make it easier.in the center here, That's Liz, really kinda one lone dot down, down out. Okay, so let's take a look at where those dots are, where the holes are in the triangle. There's one hole on each corner on the temple. Over here. Same thing. Blindness ways is only two. There's two over here. Obviously the dot and this phase isn't one hole. And then going down the front of his face, it's always three connecting down. This is the only one that has for the one on top of his forehead right there, a cross a has four holes. Everything else is like Rosa three or less. Okay. And that's like kind of a network. So if I was to take this map or if I have that memorized, I'd go to him over here and I would put i'd, I'd start with a dot above the eye, dot above the other eye. It's stacked two more above that to more above that. Remember this is the only one with four dots for four holes. Even those out in their triangle on the temple here. They're triangle. A temple here. Dot over here for the nose. Two dots here. Remember, going back here, kinda fall along those dots. So there's two rows of three dots down here. And then two off here too off here. It looks like a mess, you know, initially, but like within your drawing, It's going to look proper, right? With stuff I'll tell you next. And then you have the actual design, right? I mean, this is my mix it up. So I'm actually going to, so he has a real red design on his face, which I shouldn't use blue here. But over here he's got an upside down triangle in the center of his head. Line over here. Line over here. We're going to fill that in. Fill that in those triangles are pointed to the center of his head. Like right in the center all its features. Sometimes they have them where they're pointed out the eye. But I would say that's pretty much kind of a way to do it. In my opinion. As far as squares go, we have the latches on the corner right, which, which ties the mass to his head. So it's usually represented with a square right here next to the AI at the edge of the head over here as well, opposite. And down here. Sometimes they they burst out a little bit. First set of that mold a bit. And that's it for the structure of just his mask. So just kind of like these are a lot of little points to remember. But once you remember it, it's gonna be like nothing. Like you only have to think about. You're like, Oh yeah, cool. I think about this now. Okay, that's square and his head is so easy to identify. And then the basically the top right here is he's identified right here as well. And I think once you remember those super, super simple, you able to draw adjacent from your head. Easy, easy, easy. That whole network will make it hopefully this made sense by the way. So let's move on to the next video and we'll kind of go over that. 3. How to Draw Side View of Jason: Okay, let's talk about very quickly. We're going to talk about kind of a side view of Jason's head, which nobody really talks about. So there's a couple of important things I want to note to you. So there's going to be really short this lesson. So with any head, right, this is the number one mistake. I see. The number one mistake I see is that people make the back of the head too small. And I think that's more important with someone like Jason, who realistically we really think of as mask. But you kind of forget that he has the back of his head. So let's really quick, kinda put in the front of the mask over here. There's a real quick shape, right? Let's just say that's his mask, front of his mask curve over here. We have that hockey mask square right there where it's going to latch. Where is that going to latch to? Okay. I think that's something that it's kind of important. Number one, Jason has a few different looks, but my favorite look is where he's kinda Zomba fight. He's like a zombie. Things like I think it's like on Friday the 13th. For I think that would probably the best one. It's got that back of the skull. Back of the skull is gonna go downward into the neck area and it's gonna slow, slow back. Okay. Let's put his eye in here real quick just for reference. Forget about, you know, stuff on his face. But let's obviously he's looking that way. Under the chin here. Sometimes the back of his jaw is sticking out of the mask there. A under the neck right there, and the actual neck here. So something I want you to concentrate on is this area here and I'm going to draw it with a red. This area. People always forget about that. The fact that we haven't brain is funny, like the fact that people really, really forget this area. They kinda draw like, oh, like the head here. The number one mistake is to make the back of the head too small. Let me give you a couple of rules on that. But right now really fast, you would have like let's say his strap over here, strap over here. Sometimes I could go higher, right? You can make it a lot higher. Sometimes he has no ear, and then sometimes he does have an ear. Right? Really quick. As far as measurements go for this is for all human heads and not just him, but it applies to him a lot. So when you want, when you want to draw it like a human head. Let's go over here on the right, over here. Here we are all human head. Circle for that braincase is really big. Front, back over here, so the back of the jaw. Okay. And the total profile, again, we're looking in the same way. The back of the jaw tends to be halfway. Halfway between the front of the face and the back of the skull. The back of the jaw. It tends to be 50% of the way from the back of the head to the front of the face. Does that make sense? So over here we've got this back of the jaw right here. Right. And that's roughly going to be halfway right there, right at the back of the throat. And actually that's the same thing for the ear. Right? So if we had his ear in here, right? If he had that ear, sometimes he hasn't, Sometimes he doesn't. It would be on that line. It'd be right there on that line. Does something really important to pay attention to. And his face, he, you also want to draw in the lower. He has a throat. Everybody has a throat. So from the chin you draw a line into the neck and then you draw the neck down, right? You draw this area right here, make sure this area is exists. Because if you don't have that, this this under the jaw thing right here, this area. If you don't have that, It's going to look very disjointed. It's going to look like he's a mannequin or an action figure. You really want that to kind of join in on the rest of that. That's it. Very simple, very, very simple. Just kinda remember this for all of drawing. And you'll be good. Alright, let's move on to the next lesson. 4. Jason's Clothing Choices: Okay. So if we're going through all of Jason's outfits, obviously he's had a change in outfit plenty of times. Nothing is crazy as Jason ten, where he had like a feed trough it forget that. We're going to ignore that. But the commonality between his other outfits. So there's always a common theme. And the common theme I'm seeing over every single outfit is layers. He's layering his clothing. He's usually wearing a shirt, then like a sweater over that and that thing is ripped. And then like on top of that, he's wearing like some form of blazer jacket over that. The pants are always the same. They're always like some form of genes or say khakis. Are there just some form of just simple simplistic pants to be honest? I would say genes like loose jeans and then boots. And that's mostly at, but I want to focus more on his upper body because it's upper body is going to be the most obviously the most dynamic because it's moving it the most. So yeah. And I know sometimes it was like a homeless man as well. They have that look as well. So that's kinda what we're going to focus on for this one, I'm going to focus on his upper body and kind of talk about the folds in that area. 5. How to Draw Clothing Folds: Okay. So let's go over Jason's clothing really quick. So Jason, and where's this code? And you're really going to have to learn a couple of folds when it comes to Jason's code, right? So the general code, if we were to take it would be. All right, Let's just draw a simple outline to this coat. So if we have this really cartoony ask kind of version of his coat, there's a couple of landmarks you want to remember. Number one, you really want to remember the seams, okay? The seams are incredibly important. I don't know if my red is, you gotta remember the seams and they're always like here. Right there. Right there, right? Let me draw that a little bit bigger. So right here in this area. And right here in this area. It's going pretty important because a lot of that will, there's a lot of crumpling and there's a lot of like folds that come from within that area. And obviously there's folds all along this, basically the coat. So there's a couple of fold I want you to learn and memorize if you're able to, which I think you will be. This fold down is there's some very common in jackets like that. It's called a pipe fold or I'm sorry, zigzag fold. So when you have cloth kinda going downward, you're going to find there's two kinds of folds or zigzag folds. So e.g. they fold in there, collapsing in on themselves with gravity. And then that in turn, right? This fold creates a counter fold on that side. And that creates a counterfeit. So it's like a zigzagging line downward. And obviously there is a lot of randomness to it. But I think once you learn that zigzag pattern down, you can create varying sizes of that pattern. Something like that. So just kinda like, again, this exact thing. So it's essentially the pattern is like a zigzag down what you're trying to make it more organic. In the fold here. Write something like this. It would have a counter fold over here. Like so. And you kinda see that a lot in his in his clothing, especially when the arm is at rest. That's something again, very important to do. Let's do another version of that zigzag fold. So e.g. down here, down here. Any of these fools right there. So e.g. it kind of pops out of the actual silhouette for a little bit. Alright, you've got that full there. You gotta fold here. I fill it in a little bit. You got a folder here, kinda ends in that side. And you know what? The thing is, I actually still recommend you use reference, but now you know what you're looking at. It's not just like a mashed up mess of different stuff. You really, you're like, Okay there you can see kind of like the compressing going down. But I still recommend you still use reference. But in case you don't have it, maybe you can fall back and try to do that, but I always recommend you still use reference. The second kind of fault, that's a zigzag fold, right? You have that again. Zigzag pattern. That zigzag pattern all the way down because things are cloth is compressing on itself. The other one that is very, very common is spiral fold, and that's normally around this area. It's normally right around the actual kinda forearm more than anything. And it's very similar. It's just like another form of the zigzag. Zigzag, zigzag folds right here. And then over here a spiral folds. So very similar. Just again, a little bit more. A little bit more of a spiral. If we have like, let's say a thin line here with a thin line here, and draw on that one. I can do this on like in a different color just to kinda make it so you don't mix it up. Let me do this one over here. So the fold itself is gonna be wrapping around the tube as well. Right? And it starts to look like this twist. It starts to look almost twisted, really. Like it's twisting around. Whatever it is, whatever the object is. So we pulled down on over here again trying to try and make those lines a little bit more organic line over here. And there's kind of like a twisting around as opposed to a collab. It's still collapsing more like an accordion. This one's more, again, you can see the kind of zigzag and this wire right here. It's more it's more just a compression but like a twist and it forms, this looks like spiral paper around something. Let's do another one where here in black. And just kind of show you a little bit better to just do that down, down here, here, here, or here, or here, or here. Something like that where it's twisted but it's still organic, right? And there's a big difference between this not huge difference, but there is a difference between these two. But that's the number one folds I keep seeing on Jason's attire because he's always moving his arms. He has a little bit in his leg. The other fold I see a lot is right here in this area. And so I would say these are mutually in the forearm for whatever reason, I don't see them at the top. They are at the top as well. But for now, let's say the blue is the other type. Designate them by color. So the blue would be the spiral fold. And so what I need you to do, start identifying these on Jason, like maybe look at pictures of Jason. And you're gonna be able to identify them way, way, way, way easier. And then soon you're just going to, you should be able to draw a lot of them from your mind. But again, you want to look at for reference and then identify it and then you kinda like make it look better in your own way. So the last one we're going to do is a Diaper fold, which is a very, very common one where they teach you in art school one-to-one. Let me grab a green for this. Just going to work on to see how this will work. So the spiral fold is where it is. It's usually around the shirt, this area. Okay. And what the spiral fold is is basically when what did I just say? The Diaper fold, I'm sorry. Diaper fold. The Diaper fold is as I'm talking, it was around here, that's a green Diaper fold. And that's essentially when you have things like like pin to the wall, like from two points. And then its forms this like curve here. A little bit about another curve and then a more of a loose curve. And a loose curve and a loose curve. Right. It's kinda what does it look like right there? That looks like the front of his shirt. That is pretty much exactly like the front of his shirt. Lot of t-shirts have, especially when they're kinda loose like his his t-shirt tends to have that around the neck. That one is pretty, pretty important as well, but it doesn't come up as much as the other ones, but it's always there. So that'd be the Diaper fold. I'm going to show you how to do all these by the way in the next one, the demo, so don't worry about it. You're literally going to see all of this stuff in action. So like, right, so you have like the top of a shirt there and then boom, boom, boom, he had it gets looser and looser. And you're going to see there's a lot of t-shirts pretty much. But anyways, let's, you can barely see that right there. But we're going to hop into the actual demonstration and I'm going to talk you pretty much through all of this stuff. So let's hop into the demo right now. Okay, let's do it. 6. Full Demonstration: Okay, let's go over a quick demonstration of Jason here. I'm actually going to go through this first layer with markers so you understand what's going through my mind, okay? And kind of a way you should approach it to. I'm going to start with a simple shapes of JSON. And I'm thinking I'm gonna do this in marker, but keep in mind, I'm going to put this under another layer of paper to kinda show you the next step. How would I do in real life? I would kind of do it like this. But I could also do it in pencil and just erase and move on. But let me just show you what I mean. So I'm gonna go over here and I'm going to actually draw like kind of a oval type shape here for his head. And I'm gonna be loose like that. That line is a mistake, but I'm going to be loose because I can, I'm just going to draw right over the whole thing. So I'm thinking of just kind of that oval shape for the head. Alright. I'm gonna go down, down. Um, my, my, I kinda wanna capture most of the upper torso. And this going to go over here and I'm going to actually throw curved shape over here for his shoulders. And I want his center line to be a little bit away from us right there. So center line, he's going to be, his body's torso is gonna be giving away a bit. I'm gonna go over here now. Curve down here. And I'm thinking of that centered upper torso. When I'm thinking of that, I'm going to draw a line across almost like it's a bit of a box at the top. Down over here thinking about the sides. I'm going to do this just so it's really clear that they got that side. It's almost like a chunk of bread or something. Gonna go right here lying down, line down from the trunk of his area. Curve. Right almost like a wheelbarrow underneath like a barrel. Then downward here for the rest of his torso, move his legs aim and out is like zooming out there but that would be that lower torso area. Gonna go over the arms. I'm thinking of like a line out over here thinking of like the bone, what it would look like, right? Like almost like a stick figure down over here. Kind of the cricket, the elbow maybe over here. Going over here on this side, you're going to see his shoulder, but it's gonna be hidden behind a little bit, right? So if you were to draw that same line of VB over there, if you're thinking in 3D out over here, right? Then I'm thinking of what's gonna be in his hand. So I'm drawing his hand is a square. Can do the same thing as well here almost like a Coke can or something. Again, this is just what's in my head, right? In reality, this line which is hidden behind the chest, which is in front of it. And that's literally what goes through my head right now. So that's layer one, right? I'm going to grab this and I'm going to slide this underneath the other piece of paper. And this is regular printing paper, by the way, regular, like the stuff that comes right off the printer. That's what I'm using. Let's go over here to layer two. I can kinda see through that. I'm not sure if it even shows up on camera, but I can kind of see through that. So now I don't have to think about the posing or the how long the arms are going to be. I could just go in and maybe start throwing some details there and then do the same thing we did with a mask, right? I'm gonna go over here. Curl if the top of that mask. Pulling down over here for the side of the mask, it's going to curve down underneath here. Over here, on this side, downward over here. Okay. We have that. So far, so good. You want throw a latch on the right side of the mask and a latch over here. We talked about that. Maybe the latch at the top that's holding on the mask or the tops is curved down here. Circle right there. Let's go over here to the eyes. They're like marshmallow shapes, those eye sockets essentially. And then I'm going to fill those in, completely. Fill that in, right? The darker the I like. So I'm going to pull down here. Down here for the neck. Now we're going into the outfit, which I'm gonna go through right now with you. Curve underneath for kind of that. Basically that shirt underneath that shirt is a big descriptive thing that he wears a lot, right? You gotta be. So that shirt, maybe there might even be another layer in there with the sweater. He's like a shirt, sweater than jacket usually. Over here we've got the back color of usually towards like some kind of a blazer. Not always, but usually. Color right here on this side. Color right here on this side. Pull up on that corner, right. You want to make sure in your mind's eye it's going to meet here in the back. Like just imagine it kinda going through it don't make this super low and this one high. You want to kinda merge them. They want make, it needs to make sense, right? Just looks better for it to make sense. Line out over here to the shoulder. Let's go over here and find this side of the color right here. And I'm gonna go down curve right there. Alright, downward over here. If you want, you can find that open blazer now, like curve out. ****. You know, that's totally possibility. Go over here on this side, remember it's kinda roll off his chest downward. Okay. Roll off his chest down a generally. Okay. Right on. So let's kinda keep that moving them over here. And then we're going to actually go to the edge of this code right here. So it's gonna be sewn together. So you want to curve right there for the arm. Cloth is going to hang a bit, pull back out, but generally out, pull-down. Little bit of a fold here, a little bit of a fold here where it crunches. Then down here for the rest of that jacket coat. More or less flat, maybe link a little bit wavy over here. Now, you're going to take this, go from that point, pulled down a bit because here's a little bit of bunching here. When it's sewn together. Then maybe it'll, it'll come out here. Like so. We could throw more folds in there when we come back to it in a second. But right now, just kind of draw it straight right there. Over here in this area. Little bit fold jacket down right here. Kinda sags like so, right? Just gonna get the basics in here on this far end. Out. Curl here for the shoulder, in curve up. Same thing away for the rest of that jacket more or less kind of leaving it flat. I'm going to throw in some folds in a bit here. Over here, a line Up, line over there because he's had their hands on the back side of his head there. Underneath. You've got the ribs sweater. So we can kinda emphasize that he's got a belt or a simple two squares. Zippered his pants. They're a little bit of a fold. A little bit of a fold over here for his legs. Pretty much. Alright. So it's another pass. We'll get into the hands and stuff like that in a second. Now. We're gonna go into slightly more detail. Okay, that's kinda what we're gonna do now. So let's kinda push in a little bit more. Just a little bit more. We're gonna push into that, let kinda detailed stuff. So right now we want the rest of the, maybe, maybe a little bit more of a color to show right here. Before anything else. Let's get that face done. So 123456 is a video on where to put the holes there. I'm going to put a little bit of the back of the skull right here just a little bit. Because he's wearing something right down over here. Just to get to having like, seem like he's wearing that mask. Like an Adam's apple here. A little bit of an extra bit of the color there and there if you want. And then now we start to kinda noodle things around, right? We're throwing in a little bit more stuff. So right here, pull on the head those two. Right there. Three and the cheek, 123123. The same thing over here on the head. Fold. We're going to put the Diaper fold in the middle already. So let's take another quick look at them. What we're going to add a lot, obviously, it's the hands. We're going to mostly add folds around his clothing or ribs. So e.g. on his chest he always has like a rib. Draw a line there. Not over here. You can even fill that in. And then right below that you can draw maybe this like a cloth, right, that tear. Same thing over here. I'm just gonna throw another one. So like a ripped whole another rib tool. If you want, you can throw a little bit of a, like a cloth is hanging from here. You don't have to do that. But it's a good idea. Same thing over here from the bottom. And it's kind of indiscriminate, right? Because he's kind of like screwed up every movie for the most part. You can do curve here. You can do the Diaper fold across here. So e.g. remember the shoulder, somebody who's gonna be a little fold here are the fold here. A little bit of a hanging fold right there. Okay. And already it's already starting to look a little bit more organic. A little bit more. How do you say convincing with the end of the work that he's like over here in the shoulder. So it's going to be round and round. We talked about this, the other one, spiral folds and zigzag folds. So e.g. here, line. Fill in some of that. Okay? And maybe down here it will be another one right there. Lineup up over here. Same thing, pulling up, thinking about where the tension is going to be right there. And it's gonna be kind of around the shoulder there as it, as it comes down. Line up over here. Right for that fold. Same thing over here on that elbow just a bit. And it's pretty, it's interesting because our idea, Let's do the fold of the elbow. So this, this part right here. A lot of it is just knowing where tension is and then deciding where you're going to pull that fold in. Because sometimes you might decide based on your mood like, oh, you know what, I wanted to pull out somewhere else. I'm going to pick on that a little bit to make it look like a cloth is popping out right over here. Sometimes you might decide like, Hey, you know what, I wanna do it down here. So that's kinda cool to do that again, I would recommend the most to grab reference. I'm doing this without reference. So, but just to kinda tell you that you can do without it. But I'm going to do, we'll be doing it with reference as far as the folds. Alright, right here. This cloth laying upon itself, right? Right. It's kinda coming downward and it might it might hit that side a bit. On over here. Line up there. Right. We're still just kinda looking at this. Whenever you put some something, Danny, take a look at it. You're like, okay, going well, you know, like a shadow here below neck because that tends to happen when the light source is coming from roughly above. Obviously in horror movies, the lights was kinda coming from all over the place. Usually it's still from above, from artificial light or the moon. You might have some other stuff down there to full line down here like this because it's like draping over his shoulder there. So you might have some longer folds here tripping over the shoulder, trying to make them a very a month because right now it looks like he had stripes right there. If the kind of vary up the size or thickness of them to make them look a little bit more different. And I would say that's probably a good thing to do is sorry about that. Let me Angular microphone little different so I can talk more easily. Hopefully it's making sense for you. All right, let's go right here. Can you hear me better? Whoops. Hello. Hello. Okay, let's go here to the far end. He does have pockets on this thing. Usually, not always, but let's draw it. Let that pocket right there. That sort of shape. And he works different blazers, so it doesn't always have to be this, but usually the pocket has a little bit of a fold in the middle of it. Same thing over here on the far end. Gonna be a little bit more squished though, because we're seeing it from the side angle. One over here. Line up just a bit. There's a crease in there. Usually. You could also makes some little shredded shapes here with a thin, little bit of a thinner line right here. The bottom of it could be shredded up. One over here. Let me we're here. We're here. I'm going to fill this in. I'm going to put a little bit more dark there. I'm actually adding to it a little bit, but it's kinda bringing it together. Kind of that darkness right there, a little bit of darkness at the bottom. There's not gonna be much like in the way of shading. There's just like these very simplistic shadows like right here below the neck. You know what, Logisim, very, very simple stuff, nothing really wild, but see how we're looking at this and we're kinda like, you kinda look at it. You're like, okay, we're going to pepper and a little bit more. Again, there's folding, it's drapery on his shoulder. So maybe something like that for them there. And you're kind of it's, it's, you know, it is an art form. You know, you're looking at it. You're like, alright, what would work here? What would work here? And the issue I think a lot of people have with cloth is because it moves around a lot. And I understand how it's very intimidating because of that. But don't be too intimidated by it. It's, you know, that that might be too far right there. I wouldn't have I wish I could go back and erase that, but there's no erasing with this marker here. What is just a demo? All right. Over here as well. Same thing. It's kinda wrapping around his hand in a very I would say zigzag fold away. Kinda. It's gonna go up a little bit. But nothing too wild and not quite as spiral fold. Let's go into his hand really, really, really, really, really quick, okay, right here. I would probably add a little bit more to the bottom here. Right there, with the shadow looking into his pants. Same, a little bit of a same thing where you gotta remember gravity is acting upon this. So there's gonna be a little bit of bunching up as the clot, right with that cloth. But again, that's not the focus. So it doesn't matter too much. Just a little bit. You can draw the seam right here of the pants themselves, right here on the side as well. Very thin line. But nothing, nothing to, nothing too crazy there. Already. Here. Let's do a little bit dark in this area as well. You can put most of this in dark. Because again, this is just kind of framing our picture. It's not gonna be like, you know, this immense thing, like a focus on this. So a lot of this is just the frame to it. All right. Right on and maybe throw a little bit right here in the coat. Just kind of connecting a little bit right there. Just a bit, right? Like it's causing a little bit of a shadow in there. Alright, his first, let's do the easy hand right here. I'm just gonna give them like a fist. So he's gonna have a balled up fifths. So we have the kind of the portion. You can always look at your own hand as well. Something like that, right. It's got that fist right there in the bottom line from this part of the code over here. And again, you get through it like maybe some thinner lines try to make these thinner or else it's going to be too thick like this. This is already that that area right there and I could tell it feels open, but I'm not gonna I'm gonna leave that open right there. You have to have areas of tension in the areas of relaxation. I'm going to leave that there. So let's go over here on this side now, same thing goes for his, his wild, his hand over there. That's gonna be kinda holding that open right there. So I would say for this, we're gonna put we're gonna put his just a regular hand coming off. So you have this fat pad and his hand over here or over here? Thumb. For the most part, there's that fat pad. We're going to have this machete line right there. Lineup out down over here. Over here. We're going to have his hands kinda grabbing it on the other side here. Not totally, but just a bit. Curve for the bottom my hand here. And then let's draw that machete over here. We're drawing out maybe a little bit more. And then curve out down right here. Giant butter knife. Now we're going to fill this area in wearing gloves so you don't have to worry about the hand itself. Right on. And there we go. I'm going to see a line under here. And that's pretty close to done. Honestly, you can kinda call that done. You can always add like again, little more folds as long as it makes sense with the direction and Kennedy were kinda remembering the form underneath those. The reason I have this right there, It's because it's deltoids gonna be there. Cloth is falling on top of each other right here because it's more gravity. And then you can always throw a little more, especially in this area, I feel like this might be a little bit more. But that's mostly it. That is if you have any, any, any questions, let me know and I'll make another more basically instructional videos in talking about any little aspect you're wondering about. One last thing. I'm just going to do this as a bonus, is gonna be the bonus for the heck of it. Because I feel like I need to do it, is we got to put that, that design on his forehead. We've talked about line over here, triangle and its forehead in red. And then over here triangle on his cheek. Over here, triangle and the other cheek. Yeah. Anyways, that's it. Thank you so much. I appreciate it. Let's move on to the final announcement.