How to create fun Mock Ups using Procreate

1. Intro: Hi and welcome to my new Skillshare class. My name is Brenda Bucher. I'm an artist and teacher based in the Netherlands. In this class, I'll be showing you everything about creating a mock-up for our use of Procreate. I will tell you everything about how I do my setup, how to record, showing my hands on screen, also everything, how to fix your photos, ready to get started. And after we created our mockups, we're going to do, of course, some fun things with it. The first thing we weren't going to do is to draw directly on the photo. I will draw a kit and it will look like the cat is coming out of the picture. And the second thing we're going to do is to import a ready-made drawing into the mock-up. But then what if your hand is in the way that I've got a solution for it. So if you want to know everything about that and want to have some fun with creating mockups on Procreate, then you're in the right spot. So let's hop in and let's get started. 2. Showing you my set up: So this is just a recording with my handheld phone for just a couple of seconds. I just want to make sure that you know, how my setup is placed. So I've got a flight layer made of my iPad, my pencil, my lucky charm bracelets. I've got a nice little blend in the corner. And because my light is coming from that area on the right, I have put down some white curtain in my case, but you can use anything wild like a cardboard, anything else? So you get some reflecting light on this side as well. Um, I can't avoid all the shadow here, but without the screen promised, I, this is way darker normally. On top of my iPad, I've got my phone, which I'm going to record with. So you can see my setup for everything you can see. Here. I'm going to make a short video from which I take my screenshots later to create some fun mockups with my hands on it, because everybody wants to know how I get to create a picture in my head in the video as well. So you can see just a little bit off the plant in the corner, my lucky bracelet, just to touch. Not too much. I'm changing my hands right now because I want to show you something. When I tap on my screen, I can choose lightening a little bit so I can play a little bit with light and dark. Don't do it too much because you can always fixed video later and well, let's get started. So I'm going to turn off this device. I'm going to record with this one here. And we go from there. See you in the next chapter. 3. Recording poses for Mock-Up: Hi. Now I've put up this camera on top and I'm going to create some flood lights. And I'm just simply recording some things with my hands now. I'm going to move them. I can point at something in the picture and I can create like this just by tapping on it. Has my hands on the side. I have my pencil on top, my pencil next to it. Let's leave it there for a couple of seconds. I can find just a short video and I keeping my hands quiet for quite short time. And I'm also going to do this with a new screen, screen size. So I can put down any picture I like in any painting. Just create some mockups with my hands. Mostly I left my hands lay easy resting on the table. Of course, I've got a light interface, but if you want something different, go to your wrench tool preferences to put down light interface. And then you've got a black interface as well to create something different, or perhaps it's better for your colors. You can also change that back to your square canvas and create some lovely mockups. With your hands on it, the pencil on it do as you're drawing, drawing on the side. So I think you quite know what I mean by this. So I'm going to put down this camera again and go back to my other camera. 4. Export recording to iPad and taking screen shots: So here I am back to my camera. Here's my video I just recorded. I showed you. I'm going to tap on this video and you'll see this sharing icon here. It's a little well note with an arrow pointing outwards. So for exporting, hit on that. It's selected here. I choose next. Right here. I'm seeing several items of mine in well, I can see my husband is also here. I'm hoping for my iPhone and now you can see it moving directly to them. Sorry, I'm moving it to my iPad below. And it's now going down to my iPad's below. And yes, debits, yolks. That is automatically done. So let's get over to this iPad again. I'm going to record again from this angle. So hi and welcome back into my recording from this one. Again, this angle. I can see my video. I still in the first spot here, but I can show you later on how we can rid of that. Again, also in Procreate. What I'm going to do next is take some screenshots of this video, preferably when I hold my hands still. So I'm going to run this on my device. I can take a screenshot just by hitting the on-off button and the louder. And what is it? The plus button? Yes, the plus button at the same time. That's the point. I can take screenshots. So I'm going to run this Mophie and take several screens, screenshots from that. So let's play. And here we go. I just do a couple of screenshots. Getting rid of deaths. When it goes too slow, I can see my next angle. Just find something nice. I think this one is also nice when I'm drawing directly on it. Here, I've removed it. I saw that in the picture, but I can show you shortly how I did the other part. So this is a nice angle. I was too slow for that, so I'm going to hold that. Go back. Maybe you can leave your pencil a little bit longer than I did. Yes. Just fix it in just in time. Binding. And I just pick the ones I liked the most. Yes, here we are creating, we don't even background. And creating some parts with darker ground. Darker interface. Snapshot, screenshot. I want that's even better when I'm in the middle. And I think I have quiet enough right now we can play with. So see you in the next chapter. 5. Clean up and preparing the photo: The thing I want to do first is go to my gallery and find the picture I want to show you the first. So with this box. So I'm going to teach you right away how we get rid of this one. But before we do that, I want to change it and get rid of these small bars on top and at the bottom. So I'm going to change it. I'm going to resize it by pressing this arrow, bringing the top-down and bottom-up. And I choose this size because it's screen sized for my videos, but you can choose any size you like for your mockups. You can also look for a square if you want. So let me check. Let me show you how we get rid of this 1 first. So it's okay. And now I'm going to import that into procreate. Now I'm going to import that photo. So I choose photo. I take the first one. And here we have it in Procreate. I'm going to switch to my light interface because I'm used to working with that. I like that more. So I want to get rid of this piece. What I'm going to do for that is go directly to layer which the photo is in. And I'm going to, my magic one's going to clone import of increased size, getting it right next to it. And then let me see what brush do I have? Doesn't matter. Something which is quite opaque would be nice. So what I'm going to do is I'm going to draw over this. And it's copying the area, it's here. So when I erased it or blended, I could get a different angle or a different kind of texture in it and I don't like that. So that's what I want to do. These little spots are in my table because this is not a normal white desk. So I think those are fine for having it there. So this is what I did to the photo and nothing else is going to be done to the photo. I'm going to lock this layer. What this mock-up, we can do several things. And I'm going to show you this in the next chapter. But first, this, I also create a couple of mock-ups without my hand on it. And that's what I also like. I see here. I have adult, which I won't like as well. So we're going to get rid of this as well. First thing we want to do is to change the picture because I want to get rid of the part on the top and the bottom. So I'm going to choose the square. I can drag this down, just up till here and move this one upwards up to here. Yes, it's correct. I made sure I kept a little bit of free area around the iPad. I also going to change some lightning here I want to get is a little bit lighter. So I'm going to check on my lighting a little bit. Right? Nets and light here as well. Maybe you can change it a little bit. Yes, I think that's great. Darkness contrast, clarity. A little bit up again. Yes. I think it's correct. I'm still going to get rid of that bark, but I think for now, this one is free to go into my Procreate. So I go to Procreate and I'm going to import a photo. I've made one here before with my hands on it, but this is one I like. So I'm going to import a photo and a is this one. This is the one we just created with no hands on it because we're going to do some fun things with drawing something that comes out of the iPad first. That's the first thing we're going to draw. It's also quite fun, right? So I'm going to get rid of this part first. Again by going to my magic wand, going to clone, dragging this area here. Mostly, this is the part in the circle which you'll go into clones. So get it next to the part you're wanting to get rid of. Let me show you. It's automatically choosing the brush and I choose a brush which has an opaque part of drawing. I'm going over this and it's not visible. Make sure that like when I've got it here you see black and white and I'm going to clone that one. You see it's perfectly going to clone this piece. So that's makes sure you're going to choose an area which is fairly next to the part you want to clone. Because when I did it right here, you see two darker color. It instantly gets darker color right here also. So make sure you have everything in the right spot. So I think this picture is good to go. 6. Drawing the Sketch: A creative person can change your mind, right? So I have to choose for one with my hands on it after all. And this is the one we're going to play with. I'm going to lock the screen so I don't get to draw unintentionally on my picture. So let's get started. So let's create a new layer on top of the background, because we are now going to use this as our background and we're only going to draw on top of that. So we started out with a sketch for this. I'm going to use my six B pencil and black. You can choose whatever you like. And I'm just using it as my playground. I want to draw a little font gets. So I'm going to draw a circle, like an oval shape. This is just a rough sketch, so don't bother too much. We can actually see it's hand-drawn because that will make it more fun when you are going to create your painting in it, your drawing. And this is a fun kids with lovely sweet eyes. And remind yourself, Well, I'm not a picture perfect painter, but I like it. If you can see it's not perfect. So it's actually hand-drawn and not a painting or a photos of just a sketch. Create a little snout is nose and just a sweet little mouth. So whiskers. Maybe tilt his head a little bit. Like so increasing the size. We're in the middle. Yes. I'm getting distracted by this line, so I'm going to remove it. We just want to give him a little buddy, small bodies, small cats. And just to having him pop out of the, I bet we're going to create some lovely little false just outside the pipette. Some ovalis, circles approximately the same size. Maybe this one can be a little bit more towards this one. Yes. So it has to pop up on top of that a little bit, maybe a little bit more. We can also do that by liquefy. So we're just popping in higher for this one. Yes. Maybe shape a little bit more like this. So it's false will be look like they're more inward. I think that looks lovely. Are ready for our primary sketch. It's going to be looking for it. Certainly. It's lovely and fun kits. So we sweet ice. Some white in it. Just for the sketch. So we can see it more clearly. So I think our sketch is ready. I hope you can see it because the screen was now a little bit smaller, but I hope it was feasible for you as well. Yeah, and I wanted to see the whole picture. That's why I zoomed out a little bit, but I hope you can see it from here. So this is our rough sketch we're going to create a drawing with. So I put this on multiplying and lower the opacity. And now we can draw on top of it and we can create our little kits. 7. Drawing base with flat colors: Okay, so we've got the sketch on top and we've got the locked photo layer of the bottom. We're going to create a new layer in-between that we're going to choose a grayish blue with the dry ink brush. Every going to draw the cat. First make the outlines. Doesn't have to be perfect. I'm not perfect either. And neither does my kids. If I were to drop fail, like this, it will be completely filled and you only have two textures on the outside. I won't like that. So I'm going to do everything by hand. Just a couple of seconds. Nothing hard. Nothing really. It's worth it, I think, and it's more fun when your pet is actually looking like it's hand-drawn. Because we're going to make an illusion with a hand drawn drawing. So that's way more fun. If you think you have got way too much open gaps, just lift your pencil and go over them again. Just make sure you're leaving some gaps in there and nuts, removing all the textures out of your drawing. Once you have the shape of the head, you can create a layer with the body and you will do it behind or underneath the head. We're going to create this one. I'm going to draw until the end of the paper. And I've went over it a little bit, but that's okay. I can always erase that part. Always make sure when you erase you do it with the same pencil so you're keeping the textures fitting to your drawing. Otherwise it will be looking very smoothly. Well, actually in this case, it could have been because you're at the border of the iPad. So that will be okay if it was like that. So not erasing, just getting rid of a little bit more texture on a new layer. All the way up. At the top I want to do is pause because the body would come. And then in front of the body, it will be his hat and bars will be all the way on top. So that's what we're going to do. All new layer. I think it would look lovely like this. A little bit flattened at the bottom. Let's get rid of the drawing for a second and see if it fits. I think this would fit lovely. Just making sure my texture will be a little bit more, right? So we've got a floodlight of the get's ready. Let's do it on for the shadows and let's bring some color into the cat, will be doing that in the next chapter. 8. Drawing the face: So I want to give him a lovely face for that. I'm going to take some light blue keeping still on dry ink and I would color in his eyes. Make sure I'm on a new layer. Maybe a layer on top of the head that will be easy. Maybe I would group them later. So when I think their head is too big or too small, I can group them and, um, change them at once. It's always welcome to have them all in the same area. So just coloring those lovely, cute eyes. Maybe getting rid of the sketch for awhile. So you can see the shape of the eyes if there are to your liking. Maybe turn it upside down. Sometimes you can see it's easily like so shape is to your liking. Again, it doesn't have to be perfect, but we want a lovely drawing 13. So I'm going to draw a black pupil, blackish. I'll be doing this on a clipping mask. And we have the sketch layer on again. I'm going to draw in his little lovely eyes. And I want it to be searched. Some pools in boats kind of eyes. He's begging you for something lovely. It is one is too big, so I'm going to yeah, I could I could have duplicated it, but, you know, then it will be too perfect and I don't like it. It's too symmetrical. I'd rather be imperfect than symmetrical also with my drawings test to be kind of working, not exactly working. That's okay. I can create some light dots again on those as well. My neighbors starting to drill again in his garden. And maybe some lighter reflection at the bottom. And smudge that a little bit. So big. And he instantly has killed her eyes. So let me get rid of the drawing. I think this would look lovely already. So I'm going to create some outlines for the eyes and I will do that on top of the eyes. Just some lovely lines that won't go all the way through. Just don't close them all the way. Let me see if that's what I like. And we can always zoom in and zoom out every once in awhile. So make sure you do that too, because when I'm zoomed in too much, I can't see how it's looking. So yes, I think that's looking great. Maybe behind that, I want some shadow, so I'm going to go behind the blue eyes and I'm going to choose willow charcoal. And maybe what size? Not too big. Let me check what it looks like. Maybe even smaller. Creating some shadow like his eyes would lay deeper in his face. That's why we can, we can use the shapes to close it a little bit, but not too hard. The lines. I think it would look sweet like this. Maybe a little bit like so it's like he's raising his eyebrow. Don't like it there. I just go with the flow rate and erase the parts you don't like it's okay. And go to my dry ink brush again for the one on top. And I would like to be for this one to get it even more out. Like so it will make his eyes look more sweet and little bit more begging. And I think we're going to create some little shadows in his eyes. So I'm going to this part on top of pupils and go create a new clipping mask. So it will be all the way only on the blue. And I'm going to create a little shadow part. So I'm going with my willow charcoal again, small, small size because my picture isn't that large. And I'm going to create a little shadow at the top and a little bit in the corner of his eye. And I'm going to lower the opacity. Just a little glimpse. And it would make his eyes more shiny. Then. Maybe take the blue and put it on lighter part. Lighter and creates a lovely whitish, more light blue, bluish color to brighten it also a little bit. So I think he would already have a lovely eyes. And let's go over to his little nose. And for that, I want to choose a little bit more pink. Let me see. A soft pink, pinkish, reddish. I'm going to use that same color, so make sure you will be using a new color palette for that. So I'll go to my Palettes, create a new one. And I'm going to save that pink. And I'll be using the same part for his ears and the little cushions on his boss. So I want to play with that color again. Go to my dry ink and create a small little soft, roundish triangle. And create with a little bit of white. Let me check this one. Light pink or white. It's okay. A little bit. And blend that as well. A little bit into color. And maybe darken it a little bit for this side. And blend that as well. Yeah, I think that would look lovely. Now, his little mouth. I did it without the sketch. Okay. It's okay. I'm not always says sticking to plan and that this was a little bit out of its way also. So I'm a messy painter. Those those of you who know me know that by now. So a little bit like so. Oh nice looking sad, sad, sad, but lovely. Yes, I think this is lovely. I also going to give him some whiskers as well. I think I can do that on the same layer as his nose is. Like from here, some little Katie, Katie, Katie strikes. And I think his facial expression is ready. 9. Finishing the head, shadows, highlights and details: Now we're going to give him some more depth because now it's still a flat color. I want to give him some more roundness. So I'm going to all the way on top of his head, create new layer, put that on clipping mask. And I'm going to the same color, gray by picking the color. Put in a little darker. And my own willow charcoal? Yes. I'm on willow charcoal, maybe a little bit bigger. And I'm going to give him a little bit of shadow. Just pick up the brush every once in awhile. Create a little bit more roundness. In his eyes. A little bit more shadow on this side was ear. Little bit also here. And I think we're done with the shadow part. We're also going to give him some lights. So picking up this color again, let me put it down here as well. And this was the color for the shadow. So let me pick that one again. For the shadow part. I'm going to pick this one also with a highlighter now. And I do that on the same layer. You can use any brush you like, but I want to have everybody have the same brushes. If you have a noise brush, that's also fine. Noise brushes, awesome. To do this. I created my original with brushes from the pigeon letters. I think the gouache brushes, but not everybody has those. So that's why I do this with all Procreate native brushes. So everybody can play with those. And procreate brushes are awesome themselves. So also a little bit on a snout. More to this side, a little bit less to that side. Yes. I think it would be lovely as if he had some stripes as well. So I'm going to an even lighter gray. Go to my dry ink again. Do this on a new layer. And will I do that below? Yes, I will do that below the shadow, a lighting because the colors will also be in shadow and light for him. So I create a new layer underneath the shadow related, but on top in the clipping mask of a face. So I'm able to draw. No, I can see it's hardly visible. So I have to play with that as well. I won't keep those here as well. And making a lot of darker color, even a little bit darker. Save it for you as well. And they are not feasible enough because they're underneath that layer. So I'm going to put them on top. Yeah. I think that's okay. Clean it up more. And I think he will need some pink ears. So we've saved that color. Luckily. We can also do this on a clipping mask on top using the same brush for eraser. And I will be doing a little bit more shadows in the ear. And I will do it with a willow charcoal. Smaller. Blended as well with willow charcoal. Soften it a little bit. Again, I'm not that precise, but I don't want the pink to be outside, so I'm going to erase that with my dry ink brush. I think he will be looking lovely like this already. So we're going to do the same thing with his body and his pulse. See you in the next chapter. 10. Finishing the body, shadows, highlights and details: So for his buddy, we're going to create a new layer on top of that. And we're going to set that as a clipping mask. We're taking shadow part, willow charcoal. On willow charcoal. I'm going to create a shadow below his face and that's a little bit harder shadow because there is way darker. Maybe this is a little bit too much. Again. We can play with that. Smart cheated a little bit. But it has to be really dark. In order to see the difference between his hat and his body. Also going to create a little bit of shadow around divorce. And some highlights. This part. And his belly going to smash that a little bit smaller than it. Then we already have a little bit of a rounded body. Important are the shadows around his false clause, clause pose, pose. I think it's false. And maybe a little bit more of a darker color. So they really stick out. Going to do the stripes again, we do it on a clipping mask on top, like we learned from the head. Clipping mask, go to my dry ink brush again. Did I use that color, right? Yes. And he would get some lovely stripes on his buddy. Don't make it too hard on yourself. Just some fancy little stripes there. And I think the body is ready. So let's move on to its. Paul's going to do a new clipping mask on top of the paws. I'm going to keep calling them boss from now on. Let's do it. We're going to use some shadow and some highlights as well. Willow charcoal for dense. And I'm going to use the lighter color on the right side because my light is coming from up here. Maybe they can't leave a little bit bigger and a darker color on the left and the bottom side. And I'm going to blend them a little bit. A little bit of typing and dabbing. It must look furry. Says for ripples. On top of those, I'm going to create a new clipping mask. And I'm going to do with the pinkish a little bit with dry ink brush again of its cushions. So they are something like this For me. It's my cat, my design I can choose however it will be. And perhaps it's not anatomically correct, but I don't mind my art, my garden, my anatomy. This is bothering me because also it here still has a little bit of a gap from the iPad, but I come to that later. I'm going to choose a darker color. Luckily, I still had it in my history. I'm going to choose a willow charcoal. Every small. And for the darker color I'm using at the bottom. I think it would look lovely already. And maybe, maybe he's going to have some fingernails. Paul Neal's then a class outside of class. Oh, I don't know. Oh, I'm not good at English. I'm sorry. I'm sorry. Bleeding dry ink and black for me it could be blackish and just some little gloss and maybe a little bit of white highlights. What is my whites? Whites. I always mostly have a black and white somewhere. It's right. So I have the right amount of whiteness in. It's very small. Little highlights on her nails as well. Highlight. We have to be doing it with white. Now there are Polish snails. 11. Extra Pop Out effect: Most importantly, one thing that's very important for this kid kitty cats is it should have shadow around. It's false to make them more pop out. So we're going to do something. You never must forget when you're drawing something outside of your iPad into the real-world. So we're going to do layer, the bottom layer where your picture is, create a new layer on top. And that's where we're going to create another shadow. So we're taking the darker color, going to take the willow charcoal, and we're going to create a shadow next to it. Darker tends to be darker because it tends to be darker than this area here. So maybe all the way almost blackish. And that's where the magic of the illusion of something going out of the iPad is coming from. This is too rough. I'm going to smash it a little bit. So this shadow is really important for your drawing to get it right. Otherwise it won't be popping out. But the cat itself also needs a shadow. So what I'm going to do is get rid of the background layer. Get rid of this layer for now. I'm going to get rid of the background as well. So we only have to cut out the shape of the cut. And now we're going to do a three finger swipe down, copy all. And then I do a paste, create a new layer. And another layer I do with three fingers swipe down and I do paste. So now I have the whole kits behind the kits, I'm going to put everything on again. And the cat is still there. I'm going to select this one and choose black. I fill the whole layer of the cat black. Now I have the whole cat shape in black. I can really put it a little bit here, like so. I'm going to do a Gaussian blur for debts. So I go to my magic wand for Gaussian Blur and look what Gaussian blur does. It's going to create a little shadow behind the gut as well. So now it's looking like the cat is also coming off from the paper. And you may choose to your own liking. Mostly it's at its height at ten per cent. Check what you want to do. And because it's too hard of a color, we're going to lower the opacity a bit. So it's just the touch of a shadow. For the final details, I'm going to create a new layer on top and create lovely eyebrows with dry ink brush as well. And air coming off of his head. So maybe a little bit thicker. And those are really hard for me to get the same amounts and the same shape twice. So I'm going to duplicate this one. And I'm going to flip horizontally. And of course change the angle a bit. So a little bit like here. Like so. And maybe he can have a little bit more shadow on this side of its poles. I think that's possible. I can put this one together. So I go back to this pose. Let me see out error all the way up here. And I create a new layer so I can always remove that layer when I'm not happy with that. Popping more out, maybe a little bit more shadow on it's false as well. I'm creating a clipping mask on top of this one. So I took the dark pink, maybe a little bit darker, smaller size, maybe even darker, maybe even lighter up here. Perhaps I choose white for this one. Go on top of this. I do this now in different layers because I'm not sure if I'm will be liking it. So just playing around with all the colors and things I want to do. The more darker light you give it the more they pop out. So that's why I did that. And I think his head could also have more lightness now. So I'm turning back to that layer off the head with a lighter shadow. So I'm going to create a new layer. Also using white. Now. That's a little bit, maybe now I lead the shadows behind the cats a little bit darker. You can change the Gaussian blur, but you still can change and play with the opacity a bit. So this was part one of this class. Let an animal pop out of your iPads. 12. Importing a finished art work and using layer mask: But what if I have a mock-up like this? I want to use with both my hands on it and it looks like I'm drawing, but I have already made my drawing. That's easy. And I'm going to show you how this just a little trick. I'm going to search for a photo. I'm going to add, insert a photo. I've chosen this one for this because it's fully colored. So I can show you exactly what I mean. This is now on a new layer and I'm going to resize this a bit. Maybe I lower the opacity a little bit first so I can have a little bit of a see-through. And I can choose to resize it to about, approximately the size I need for my iPad. And you will see it doesn't fit because well the sizes are different. So I can distort this a little bit. I can drag this to the corners. And then it would fit. Almost. Make it fits. We make it fit. So I think this will be looking. Okay, so let's get to see how it looks here. It doesn't completely look okay here. Maybe one more fit. Yeah, I think we can do with it for now. But now my finger is underneath it and that is not correctly because now it's just a picture. Put on a picture. This is where we can use a layer mask. And the layer mask is often asked me, what is a layer mask? For me, a layer mask, I can explain it the most simply. It's an eraser. But it's a temporary eraser because when I make a mistake or I want to make some changes afterwards, I can still redo that without painting the whole picture again. This is what I'm going to do. I'm going to use this as a mask. So I click mask and you can see it pops up here. And my color is also mostly changing to black or white or something ray. Mostly we will be working with black. You see, now the whole picture is feasible and this is all white. When I'm going to draw with black on this layer, it will temporary erased area you'll see in the painting. So for the easy work, I'm going to lower the opacity so I can see my hand because my hint is going to be on top. So I have to erase this part in order to get my hand visible again. But I want to use it as a temporary razor. Why do I not permanently erased? Because maybe when I want to change the size or something, I can easily get it back with withdrawing with white. Again, I'm going to draw with black. And I'm going to use a mono line brush for this one because I want it to be opaque and no texture at all because my fingers are real and half now I have wrinkles. That's my only texture. But otherwise, my hand isn't having any texture on it himself. It's not drawn. Well, just my hint. So I'm choosing a mono line or for debts at a small size. Yeah, Like this, a little bit of controllable. And I'm going to draw on this layer, the mosque layered, That's the dark black blue. So I'm going with black, tracing a little bit with my fingers. My nails just do the outline, the pencil. And when I did the outline, I can increase the size. So it's easy. I don't have a lot of patients, so I want to go with ECS as fast as I can. Now. I can bump up the size again and again. And when I create a full opacity again, It's now as I've been drawing on top of the painting, so I can fit any painting I already pre-made and put it in here, thanks to a mosque. When I made a mistake, like for instance, if I went too far out of the lines like this, all I have to do is change to white again, pure white. And go over it again and instantly reveals again what's lying underneath there. So that's why we won't erase. But just use a mosque for this piece. I don't use a mosque often, but it's so easy to know how it works because sometimes you do need it. Here I can see I missed a spot. So I hope you liked this small bonus. Use overlay layer mask is very easy once you understand how it works. In this class, I've only shown you how you can make a mock-up of your iPads. But you can make mockups of everything. For instance, you can make a mock-up of a front picture of a plant. Well, this is actually fake because of my plants will dry out. But you can create done, you're painting on a bot or anything you like. Or you can use a mockup from your phone or your well, almost anything you like, you can use that as a mock-up. After all, it should be fun and you can explore everything, so have fun with everything you learned in class. So I want you for a project for this class. I actually, I want you to make two projects for this class. One with a little drawing that pops out of your iPads. One like this, where you have been forced to using a layer mask. So I hope you liked it. I hope you will post your projects in the project section below this class because I end every other students would love to see what you created out of this course after you follow this class, I hope you liked it. I hope you have as much fun as I am out of this one because I love to show this off on my Instagram and you can do as well. And please do tag me in your Instagram post so I can see it as well. 13. Mock up drawn sticker effect: I wanted to give you another fun bonus. For this one, I took a different mockup and I already created a drawing of watercolor leaf. And you can draw any shape, anything you like. The fun part is we're going to create stickers out of this one, and then we're going to put them outside of the iPad. So first, I'm going to duplicate it twice because I'm going to do two different parts. So for one, I'm going to put off and we're going to work with this one. So for this one, I'm going to move it. We can see more clearly what we are doing. So for this one, what I'm going to do is I'm going to take selection automatic to outside of the leaf. I'm going to invert it. So it's selected everything outside. I'm going to feather that a little bit. And now you see a blue line. And now I want to give him a shape. Like if it could be a white outline in there, that's what you can think of. Like it will be a sticker. So then I'm going to choose my color white. I'm going to a layer below that one we're working with. And I'm choosing Fill layer. Now you see a soft, smooth edge around it, but I want it to be more heart. So what I'm going to do now is do the selection again, automatically go outside, tip on these ones because there are some open space that was hidden behind it. I'm going to invert it again. And I'm choosing Fill Layer. And now it's got a heart white outline. I didn't need this one because I'm going to copy this group right away. This is what I want to use. I'm going to get rid of this one. So this is my spare one here. So that will be remaining as a drawing on my iPad. This is the one I'm going to move. But first, I'm going to group these so I can move the whole group at once. So I want it to look like a loose sticker. So now I can have snapping on That's not very convenient for this. I want to move it like I want to. So one is laying on top of this one. Maybe like so using the same I have to keep him at the same size. So I'm just going to move it outside like this. So but now it needs shadow. So what I'm going to do is I'm duplicating this one. Selecting the one at the bottom, choosing black. Select this one and choose Fill layer. Now I've got a black background underneath it. Now I can move that a little bit. Tough to Gaussian blur and slide it a little bit so it will be slightly fake. You can see the difference that it makes by just sliding outside of this one and it's got to be believable on top. So remember this is 7% because we're going to use that again. This is what I like, maybe a little bit of opacity. So I can see a little bit of shadow, but not too much. It must be believable. So we've got to 7% of the Gaussian Blur and I'm going to do the opacity at 59. I hope I can remember it. I write it down for myself. 759% opacity. The reason why I want to do that, because I'm going to duplicate this group now. I have two of these, and this is the one we just did. I'm moving it a little bit smaller, so I'm working with this one. And now I can move the whole group while the whole group is selected. Now, I can move this one a little bit. But now as I'm changing the angle, you can see my shadow is no longer fitting because my light will come from a pair and now my shadows will be on the outside. So I won't, I don't want to move the cheddar with me. So I'm going to put this off. I will keep it there. But it's not feasible right now. And I'm going to move this one this way, not changing the size. I'm just letting this pop out of the screen so it will be conveniently lying outside. And now I'm going to duplicate this one again. I'm doing the same thing, but I'm moving the shadow to the same size and the same amount what we did with the one below with this piece. So I'm going to select this one again, select Fill layer with black. Moving it a little bit to this part. And remember the seven percentage of Gaussian Blur? And that's only because I did the other one with seven per cent. And the opacity was at 59. So I'm changing that as well. So here we have a believable sticker mock-up. I felt this is so much fun to not share it with you so you can do any drawing you like, but I already made this. So keep it simple. If you have an open shapes here, you can see with the sticker, it's close. And that's why we had to open these extra gaps by the selection, we just did. So I hope you had fun with this short bonus class and have fun creating. 14. Thank you: So thank you for watching this class until the very end. I hope you had fun and I hope you have learned something. We've been using a clone tool, we've been using layer mask. Now you can create your own mockup for your paintings in Procreate. And so you have a fun picture to show. Please do leave me a review on the end of this class, so me and other students will know what you think about this class. Also, don't forget to post your project in the projects and resources section of this class. Everybody would like to see what you made of it. And if you're on Instagram, please tag me because I would love to see what you make out of this class. And perhaps I can show it in my stories on Instagram for others to see what you've created. So thanks again for watching and hope to see you next time. Bye.