Transcripts
1. Introduction: Are you passionate about
drawing and looking for a solid foundation in
portrait sketching? This beginner friendly
class is designed to introduce you to the essentials of drawing facial features. Throughout the lessons,
you'll learn how to sketch individual features such
as eyes, noses, lips. And ears with clarity and accuracy using simple
pencil techniques. Well, then bring everything
together by exploring the proportions of
the entire face and creating a
complete portrait. This class is the
perfect starting point for anyone who wants to build confidence in drawing faces and develop a strong base for
more advanced portrait work. Before we want to
start our work, I'm just going to tell you about the tools that we
need for our work. It's just a usual etched eraser, a normal pencil,
and a basic pencil. So with only these three tools, we are going to start
our work. So let's go.
2. How to draw a lip: Hello to all of my dear
friends and welcome to a new chapter of
sketching Tutorial with me. But this time, we
are going to see how we can sketch a face. First of all, I'm
going to tell you how you can create
different parts of a phase. And then at last, we are going to place all different kinds of face parts together
and have a face. Okay? So that's what
we are going to do during this whole chapter. We are also going
to tell you how you can place them right
next to each other, aside from sketching
them individually. Okay, so let's start together. In the first part, we are going to work on one of
the face parts, which is the mouth or more
specifically the lips. So just right in the beginning, I create a straight line, a horizontal
straight line. Okay. Now, over here, first, we should create two ovals which are actually kind of sideways, and they're kind of
sleeping on the line. So it's very easy up to here. And between my two ovals, I create a circle Okay. Now I've got the
exact same thing as the ones that I
did above my line. But this time my
ovals look like this, and they look a bit
more like circles. So I determine the
beginning and the end of our lips or better say the
two corners of the lips. Now, with the help of these geometrical shapes
that I've created earlier, I'm going to create the
shape of my beautiful lips. And then little by little, we're going to pay attention and take care of the details. So you start very generally, and then we add more
details to them. So, for example,
I've got a curve here on the top of the lips. I sketch it a bit more, then I calm down. Then exactly similar
to that side, I do on this side, keep that in mind that your lips should look symmetrical
on both sides. So don't forget that. Whatever you do on one side, you should do it
on the other side. Then I go over this line, I come up and down on the
circle and then go up again, which creates the line
between the lips for me. And then again on the corner, I come toured up a
little bit more. This is our upper lip. Now let's see what we can
do for the lower lip. Between these two circles
that I've created, I create a curved in part, then I create a part coming out and then
I bring it again, toward up creating the quarter. Well, the shape of the
lips are very general, but based on the face
that you're sketching, based on the other
face parameters, you can choose how big
you want your mouth to be or how thick you
want your lips to be. So I raise these extra
shapes inside of the mouth, and then I start
shading the lips, so the lips would actually
get a volume as well, so I can show that
in some parts, they are more prominent, and in some others, they're not. For example, over here, we've got some
darker shades near the lip lines then from here, I'll do the same thing. Basically, for shading the lips, you should keep that in mind. You should notice that we are going to shade darker
around the edges, and then we are going
to keep it light in the center because the
center of the lips are usually more popped
out and more prominent. Another thing that
you should keep in mind is that you should fade all of your lines toward your negative space or your
inner space of your work. So we do not Actually, we shouldn't have
any specific lines or borders in our sketching. All of our lines should
be definitely faded by shades and mix and fade
into the whole thing. Okay. As I told you, I'm going to dark. I'm going to shade darker around the edges and on the
side of the lips. And as I move toward
the center of the lip, I make it lighter to show that the center of the lip or
the middle parts of it are, you know, more prominent. That's how we do it. Okay. Now, right from here, we should start shading
again in this direction. And you should also pay
attention to the direction that you're shading because
that direction actually shapes the volume, the directed volume of your lip. You know what I mean? You should show that it's kind of around, and it goes up in around shape. So that's what you should do. I also do the same thing from this area at the top
part of the lower lip. You should be careful
about that, too. All right. Now, again, I say, the thing that you
should pay attention to is that on both sides, we should have the focus of our darkness, and in the center, you should have less darkness, and you should actually
work more with the lights. So we can also have a
good volume for our work. See? So the focuses are
mostly on the corners of the lips and also near the
line between the lips. So all in all, most of the
edges and sides of the lips. And at the same time that
I'm doing the shading, I'm also trying to
fade all of the lines that I have left in
my work specifically. So I'm just trying
to fade all of them as much as I can and just blend them into
the rest of my work. For this part, below
your lower lip, you should also create
another shape so you can clearly show that your lip is actually coming
out of the face. You know, the whole
mouth is more prominent, and this shade below the
lower lip just emphasizes on that fact that we have a dip
right below our lower lip, and then we've also got a
dent above our upper lip too, then I'm going to create
that later as well. So when you do that, you are actually
separating the mouth or the lips from
this whole area, which is the thing
that you should do. As I told you, we also have
another curved in part. Dent over here above the lips. So above the upper lip mostly. It can also have a better
volume over here, you see? It's really like it's coming
out of the paper even. It's been separated
from its background. Okay, I also don't forget about the corner lines of the lips. Okay. Let's move to work on another way of sketching
the lip. Let's see. Maybe this time, I
want the lips to be sketched in a way that we
can see a bit between them. We can even see a
bit of the teeth, so the lips are a little open. They're not totally
closed. Okay. Now, this time, I
also want to create the lips in a way that they are almost in a three faces view. So this is the open parts between the lips that I've
created with this oval here, and then I create the rest of the
geometrical shapes here. I place my circle here, an oval on top of it, one on this side, and one on this other side. As you can see, one of
my ovals are showing bigger is showing bigger and more stretched
because as I told you, my face is a little
turned this time. Then I should determine
the ending part or better say the corners
of my lips and my mouth. That's why I go from
here to the sides. And then on the lower lip, I should create two bigger ovals because the lower lip is
a bit more stretched. And again, they're sideways, not totally straight. Okay. Now, let's start
shaping the lip, the lower part of the upper lip. I also have a shape
like this going up. And then from the
top of my upper lip, I have a heart
shape, we call it. And then I come down toward
the corner of the lip Okay. Now, I do the exact same thing. On this other side, again, I emphasize on the fact that you should
pay attention that your lips should be
totally symmetrical. Even if they are sideways, I mean, the shape
should be symmetrical. Maybe the sizes are a bit different because of the
perspective and so on. But the sizes should
be symmetrical. For example, the thickness
and stuff like that. Then I've created the
teeth between them, and then I want to work on
the lower lip from here on. Then from the sides
of this oval, I continue to work
up my lower lip. And then I'll also do the same
thing on this other side. And on the bottom
of my lower lip, I also create a
small little curve, and then I connect it to
this other side as well. Okay. Here we go. Okay. Now, I'm just going to erase these extra lines
from inside of my work. So I can show the main
sketch better to you, and you will get, you
know, confused, as well. And, of course, I want
to start shading it, so it should be pretty clean. I don't want any unnecessary
lines or shapes there. First of all, I'm going to
shade this part completely dark because it shows inside of the mouth right
next to the teeth. Okay, now, I start from
this corner of the lip. And then I start my
shadings right from here. Then I also work on these edges And as I told you in the
previous session, the previous part, better say, we should definitely fade all of the lines that
we have in our work. We do not need any
specific or separate lines in our work, in our sketches, in anything that we're
creating and shading. Okay. As you can see, I'm just doing the same thing. And also from here. As I told you before, we have two prominent
parts on the lower lip, so I just try to
keep them really light by shading
all around them, mostly on the corners and a
little bit in the middle. Just a touch, see? Don't forget you should
shade the whole thing, but it's the intensity of the
shading and the amount of your darkness that
shows which parts are more curved in and which
parts are more prominent. That's what we're
doing right here. Okay. We're almost done. As I told you don't forget to shade below your
lips and above them, to separate them from
their background and show that they're popping out from the face or your paper. So very easily, we created these to be
beautiful lips and mouth. I hope you've enjoyed it. You've learned it and
practice over and over to get the result that
you want see in the next part with
next face parts.
3. How to draw an ear: Hello again and welcome
to a new part of Tutorial or Face Mart
tutorial with me. Okay. This episode,
we are going to work on the nose sketching
and the ear sketching. So First of all, I'm going to start with
sketching the nose, and let's see how
we can do that. First, for creating
a nose very easily. First of all, we
create a circle. See? This would be the circle. Okay. After that, you've
created your circle. Just create two kind
of lines going up. But as they go up, they should be also a bit
curved toward the center. The curve should
not be too much. It's just a normal no, so the curve is not too much. We just want to create
a natural nose. That's how we do it. Now,
another thing that we should do is that we should divide the circle into
half horizontally. Then again, I divide the
lower half into two parts. Now, this place would be the placement of the
nostrils like this. Okay. This area would be the nose tip. The ending part of
the nose bridge, which is actually our nose tip, the most ending
part of our nose. Okay. Then let's work on the sides of the nose and
the nostrils, as I told you. These sides of the nose are exactly looking
like parenthesis. I'll do the same thing
over here, just like that. Okay. Now, how
much I should just continue the volume
of the nose sides, they should just form
a triangle together. So the sides of my nose
will come all the way up until they hit the
nose bridge. See? For example, they would be
finished here and Okay. So these would also be
shaded. Don't worry about it. We finish the lines there, and then later we
shade the sides of the nose and nostrils and attaching them to
the nose bridge. Okay, now, if I want to divide it like this and also I
drag it up like here, this part of the nose would
be the very tip of the nose, which would be the most
prominent part of my nose and which leads to be the brightest part or the
lightest part of the nose. So based on these facts, we should just complete the
nose and start shading it. So you should also connect
these two parts together, and then we can
start our shading. Okay, let's start. First of all, in the shadings, I start from the darkest
parts of my work. So, of course, in the nose, the nostrils would be the darkest parts that we
can start our shading with. And as I move on, I try to fade this darkness into the
upper parts of the nose, also fading the lines. Okay. Now, right. From the darkness that
I've created here, I try to shade toward that circle that I've
determined as a tip of my nose. But as I'm doing it, I try to fade it more
and more because that part is the lightest
part of the nose. I also do the same
thing from the sides. You see? Also I'm doing
it from this side, moving towards center
and fading it. Now, beneath these parts should definitely be darker
because we want to show that depth inside of
the nostrils and also the separation of the nose from
the face and other parts. It also pops out, so we should do that. Okay, so try to getting the nose similar and
symmetrical on both sides. But the point that you
should pay attention to is that the faces are
different from each other. So what we're saying
here is only about the basics of each face part, but they're going to be much
different in each face. Then right from here from
the side of the nose, I start shading it and connecting it to the
nose bridge going all up and I'm shading in the exact same direction of
the step of my nose bridge. So this way, I can have a
better volumizing in my work. I can give him better
volumes and better shapes. And as I told you, the shades of the nose should
just continue all the way up to the top of
the nose bridge. Okay. I've got right over here. And I'll just try to work on each one
of the darkness that I'm working in my nose and fade each one of
them with the lines, blending them together,
and at the same time, I'm paying attention
to the direction of them and also the
placement of them because in the center of my nose bridge and
on my nose tip, I should keep it lighter
comparing to the sights. So that's exactly
what I do here. As I told you, I'm
also shading a bit on the side of
the nose itself, so I can separate it
from the background. You see? I also shade
the center part, but it would be
very, very light. I don't want to leave
it white. Okay. Now, for the bones on both
sides of my nose *****, I'm actually getting the volume
of the nose pretty well. Then I also shade this
area on the nose tip, making it even darker
just below here. And I'm getting the volume of my nose perfectly, you can see. Okay. Just like that. Very easily. I'm just mint. Okay. Here it is. It's all
shaping very well together. Then from this ending
part of the nose, I also bring a darkness upwards just to make the shape
better and more complete. Then I also shade a little
tour downward as well. So this is the
completion of the nose, and we've sketched a nose in the easiest way possible,
and we shade it. Now, let's start working and
sketching the ear together. Just like the previous parts, we are going to start
with geometrical shapes. The whole shape of
the ear looks like a peanut or a nine number. You see? It can be a six or nine depends on
how you're looking at it. But anyway, the whole shape and the general shape of
it looks like that. Now, from this semicircle
that I'm coming in, I just go in from
the center of it, from the middle of it
exactly like a nine. From here, I'm going to connect to this
bottom part as well. It looks like a beam now. Okay. Okay? Now, again, I make the general shape of this
ear a bit more deformed because I don't want it to be totally with the
straight lines. No ear looks like that. You know, I want it
to be more realistic, so from here that I went
in, let me erase it. From here that I went in, it's just like I'm
creating the same shape, but in an inner layer. So we can say that 80% of the
ears look like each other, but they've got some
different details, but the general shape of
them is the same mostly. Unless it's broken or
something, you know. Okay. Also, from here, I come toward inside to create the ears whole, and it comes back again. F over here, it's got a bump, and it goes toward
the inside again. Looking like this. Okay. Now, we finish this part together. And then I've also got a
prominent shape over here. Well, definitely, it's
going to show that it's prominent
after the shading, but now I'm just creating
the shapes of them. Okay. If it's too hard for you, you can also place a
model in front of you, a picture of an ear to get the lines maybe
a little better, but do a simple one. Don't get the complicated ones. Okay. Now let's start our
shading together. First of all, I just want to
shade the ears lines toward the negative space around it in order to just fade
the lines out of it. Okay. You see? This way I'm separating the whole ear from
its background with shading toward
the negative space on the lines on the edges. They'll do the job. Trust me. Okay. Now I would also shade this
part a little bit more, just a bit making it
better background. Now I would also like to work
on these deep parts here. And then I move the darkness toward the
lights just like that. I'm starting my shading on the darkest areas and then I
move them toward the light, decreasing my hand pressure in order to get the
lighter shades there. Okay. These parts are
really curved in, so they should be really dark. And obviously, over here, we get to the ear hole. So what do you think? Of course, it should be
definitely and strongly dark. Okay. I would go like this. Then I also shade the lighter
areas a bit more, just to give them a color, not to leave them totally
white and unshaded. Because I want the whole
package to be shaded. I want them to look
cohesive, you know. So this way, they turn from
a surface to a volume. That's how we do it.
Shading the prominent parts lightly and the
deep parts darkly. Okay. So here is a general
normal basic ear. Again, I say, each one of these body parts can be
different in different phases, but it's good for you to train and practice on these
basic shape so you can get a hang of them and
you can actually be more skillful about
the body parts sketching. See you in next part and in
next tutorials about the rest of the pace. A
4. How to draw an eye: Hello to all of my dear friends. Welcome to a new part of this face sketching
tutorial with me. Okay, in this part, we are going to work on
the last part of the face, which is obviously the eye. So for creating an eye, first of all, we need to
consider the eyeball. Sure. Our eyeball is looking
like a ball, of course. Basically, our eye is
created by an eyeball, eyelids, iris and cnia. Or people. Now, if I separate
this eyeball into two parts right from the center
and like this from here, you see, this is the
shape of an eye. Okay, now, right here in front, I've got the inner
corner of the eye, which is the place of there
are tears coming down, and then I bring it up in order to create
the whole eyelet. I'll do the same thing
for the lower eyelid and keeping it close at the end to make the
outer corner of the eye. Again, I emphasize that each
person's eye is different, but you try to just make
it as similar as possible. This is a general shape. Now, over here would
be our upper eyelid. And over here on the lower part, we've got the lower
eyelid, obviously. Now, if you close
the inner corner of the eye and we already
close the outer corner, how can we place the
pupil inside of the eye? See, basically,
inside of the eye, we have the place for
the size of two pupils. So, we should place this
pupil in a way that the rest of the area should actually include another
pupil in itself if it wants. In the centre of our pupil, I've got the iris. Okay. Now, the
lower part is here. Let me just make this
into a lane here. This lane is the eye gum or the placement of the
eyelashes to grow out of it. I have the same thing for
the upper eyelid as well, but you can only see the upper eyelids gum or the placement of
the eyelashes growth. You can only see them in
a position that the eye is looking up and you're
looking down from it. You're seeing it from below, and the eye is looking up. That's the only way
you can see them. This is the behind the eyelid. And again, I say, it's
different for each person. So you should do it based on the face that you are
going to work on. Okay. Now we should also work
on the eyebrows, too. They start from this
inner corner of the eye. Then with a distance and with a space between the
eye and the eyebrow, I take the eyebrow higher and then it will start
to grow like this. Also, again, I insist
on the fact that even the eyebrow shape is
different based on each model. Okay. Now let's do more
of the detailing and say shading of
this eyes model. So first of all, let me take this. I consider a light inside
of the pupil like this, and then I color the rest
of the iris totally dark. Then I fade this darkness toward the sides of my IRS or better say
throughout the pupil. You see, I'm just
fading this darkness. Now, from the sights, I move toward the
center of the pupil. And it would look like
this. Here we go. Okay, now we cannot
see this icon, but still, this is the eyelid and it has
some eyelashes on it. So I'm going to shade it dark, and it is also going to create a dark shade toward the
whiteness of the eyeball. I also give the eyeball a little shade from
the surroundings. I don't want to
leave it too white. So I try to keep the shine
inside of the eye, as well. I also should create some
wines in sight of the eye. Okay. Now I want to work
on the lower eyelet. Then I just leave a lighter space in
our lower eyelid gum, and then I start shading
the rest of the eyelet. Again, obviously, it's darker on the corners and then
lighter in the center. As we move on, the center would be lighter, of course, and the
sides are darker. So we can have a better volumes. Then I faded toward the corners and toward the
negative space, of course. I also consider darkness to
separate the lower eyelet, and then I do the same
thing for the upper eyelet. Again, first, I just do a
general shade to blend it over, and then I'm going to work
on the details a bit more. Of course, I'm going to say the prominent part
less as usual, in order to show that it's prominent. Okay. Then moving up, I try to guide the shade until I hit
this bone above the eye, and I would even have
less hand pressure there and also less shade. These parts should be darker because they are more
deep and curved in. Okay. Now let's start working
on the eye lashes there. For the eyelashes, make sure that the tip
of your pencil is totally sharp because we need very sharp lines
for our eyelashes. Okay. Then with your sharp pencil, start creating your eyelashes from the outer
corner of the eye. One of them would come right on top and the other
would go right under. The whole principle
and the whole rule of creating the
eyelashes is this. One of them is coming out
from the top and one of them is coming out from below
until I get to the center, and as I got to the center, I change the direction and
the angle of the eyelashes, and I even decrease the
number of them as well. And also, I make them shorter. Okay. Now, for this lower part, I'll do the same thing. But of course, these
eyelashes are shorter. I don't start my eyelashes
from inside of my eye. I do them from this gum
or here, as I told you, this lane, which is the placement of the
eyelashes to grow in. And again, as it gets to the
inner corner of the eye, it gets less and also shorter. Okay. Just like that, I finished
with the lower eyelid. And let's just work on
better eyebrows for it. For the eyebrows,
it's the same thing. For both eyebrows
and the eyelashes, try to make lines which
are sharp at both ends, starting sharp and then letting go of your hand at
the end of them. That makes your lines to
be sharp at both ends. So it would be less darkness
on the ending part. And in the center
of the eyebrow, which is the focus of the
growth of the eyebrow, we would definitely have darker
shades and darker lines, which means we have more
lines and making them darker. Okay. That will be the
crown of the eyebrow, the beginning part
of it, basically. And it would go lighter again, 'cause it gets
actually to a part, which is, you know, we have less concentration of
the eyebrows there, soo. Again, we get back to the last outps and the last shading that we
should actually apply here on the eyelet or
above the eyelet in order to make the volume of our eye even better
and more than this. For these parts, I'm just going to use
a bit more of shading. And shaping the whole eye. As you can see, it's
coming together more and more as we proceed, don't worry about
its initial shape. Never do. And as it goes, that will be the outer
corner of the eye. Again, we get to the
concentration of the eyelashes, making them better and more. Okay, don't forget
to shade this area. I'm doing some last touch ups. No anything major. Okay, here we go.
Just like that. And here we've got
our beautiful eye. Add some more darkness here, placement that our
eyelashes have grown. Again, I want to add some
more eyelashes here. And that's it. Again, I say that so many of eyes are
different in many shapes. The eyes, the eyebrows,
the eyelashes, the pupils can be much
different from each other. But this that we have
touch you here is a very basic and general
shape of an eye. So these are all the face parts, and now we are
going to see how we can put them right
next to each other. So follow us in next parts.
5. Facial proportions: Hello to all of my dear
friends and welcome to one of the last parts of
creating face parts together. Okay. Today we are going to know about the proportions
of the face parts. I mean, how eyes are going to be placed
next to each other, based on what balance
and what sizes. Okay. First of all, the face is being
created from a circle, so first, I'm going
to create a circle. Just try to be really
clean and neat around the circle
just like this. Okay. Now, another thing that you should know that
the face that I'm working for you on right now
is in a full front view. Okay, after I've
created my circle, I divided it into two
parts I divided it into half right in the
middle horizontally. You see? I have two semi
horizontal circles. Now, with a little distance
from the top of my circle, I create another line and again, I divide this area
and separate here. Then I'll do the exact same
thing from the bottom. So with the same distance that
I considered for the top, I come from the bottom
and I separate this area. Okay, then exactly as the size of this part
that I've got here, I come down and I
create another line on the bottom of the circle or basically below the circle. Okay, now. Now let's place our
face parts here. This would be the
placement of the hair. This is the placement where the hair of my character
will be placed. Okay. Now, Over here would be the placement
of the eyebrows. Then with a bit of distance
below the eyebrows, I create another line in
order to create the isolator. Okay. Now. Let's see. From here until here, it's actually a placement
for creating even five eyes. So I just divide this area
into five different parts because in this space between
the right to the left, I can place five eyes. Three, four and five. Okay. Now, between the two eyes, we should have a distance
as the size of one eye. So it's like we're placing
three eyes next to each other, but we omit the middle one. So first I placed
my eyebrows here this line was the line
for our eyebrows. This is their placement. And so here would be
the eyebrow part. I'll do the same
thing on this side, trying to create a
symmetrical shape. Okay, here we go. Okay. Now. This is the eyebrow
line and this would be the ending of the ear. The ear with a start on the eye line and it comes
up to the part that we have our eyebrows and then it comes down until the end of this line, this line is for our nose. We've got the nose here. So we've got the placement
of the eyebrows, the ears, and even the noes. So onto the end of this part
would be the nose area. Sorry, the ear area. I finish my ears
right there. Okay. Now, the shape of the face
as it starts from here, would come up it goes out a little bit based on the hair
that we've created. I also have volume. Then I also complete it
over here on the forehead, and then I bring it down to the sides right
next to the ears. Okay, so this is a hair
coming down to the ears. From here is the beginning of our jaw and over there would be the ending part of our jaw and our face or basically
our chin area. So here we've also
created the junk. This is a general shape
of our face. You see? We've also created the nose. We've placed the ears in the wrong placement in
the wrong position. Okay. So that's the shape of the ears, placing right next to the head, beginning from the eyeline
and ending on the nosline. This was the eyeline. So this is where I should
place my eyes, as I told you. Just remember to put a one eye size space
in between them. So it would be there is not visible eye
between our two eyes. Okay. I also create
a pupil form easily. Okay. Now let's
work on the mouth. You see my dear friends? This is, which is the
ending part of your circle. This line exactly
on the bottom of your circle is the
placement of your lips. So I create my model's lips and basically the mouth right over here on the bottom of my
premiere and first circle. Now, something that you
should pay attention to is that this is the ending
part of the nose, and the signs of the nose is as the amount as we've got the inner corner of
the eye, you see? As I move up my nose, it should go toward the
inner corner of the eye. But again, I should tell you that some people's
faces are different, some might have longer
or more stretched chins, travier face or bigger
nose or smaller nose. So these can be
really different, but in the basic shape that I'm just telling
you about right now, this is the most basic
face you can create. That's the placement
of everything. Now, for example, the
size of the mouth would be as the center of the eyes. You see, if I come down from
both center of my eyes, I can get both
corners of my lips. That will be the
size of the mouth, the size of the lips. And then over here, I've got the chin. See, I was really easy to create a face with
correct proportions. You just have to pay attention
to them and do them for several times in order to remember them and hack
them in your memory. Now, I'm just going to add a bit more details, for example, to the ears, creating some
shapes inside of them. Just like that. Okay. Now, we've also got the eyes. I'm going to darken the pupil, so it can be seen
better, of course. Also, maybe add a bit of details to the nostrils, darken them. Then also on the
size of the nose and bringing up the
nose bridge a little. That's the nose tip. Then again, I work on the lips, also on the lower one and
the chin. Here we go. Now, as I told you, the general shape of all faces and a very basic face
would be like this. So first, you should create the basic
shape of the whole face, and then you can
actually shade it or create ok. And then you can add as many
details as you like, and you can create your character based on the reference that
you're creating it from. So just remember before you
start sketching your face, you should analyze your
reference, your model, and then really look deep into the details of that pace and then when you're creating
the general shape, if anything needs
to be bigger or smaller, longer or shorter, you create them and then adding the details make them
really, really similar. So don't worry about it. You just have to work on your observation
on your reference and also creating basic faces or different ones several times. So that you remember
where everything goes and how big
everything goes. Let me also tell
you about the neck. The neck size would be actually
as the width of the head. You shouldn't create
necks like this. It's totally wrong. It shouldn't be that thin. The neck is actually as the size of the
width of the head. The width of the neck is
the width of the head. So this would be the
neck and I can even create some kind of clothes for him like this. Okay. We've got the color
going around his neck, bringing out the
shoulders from here, and as you can see, our character has
came up together. I hope you would
enjoy this part, which was the last
part of principles and basics of the face parts. Let's see in the next
exciting tutorials, which are mostly about creating a whole character together. Let's follow and enjoy. A
Amelie Braun, Artist & Cartoonist
