Everyday Object Drawing with Pencil

1. Introduction: Hi, everyone. Welcome to the everyday object drawing with pencil course. In this course, you'll learn how to draw everyday objects step by step using a simple mechanical pencil from vases and chairs to sofas, drawers, refrigerators, and finally a complete room interior. I'll guide you through every stage of the process. You'll discover how to build complex forms from simple shapes, understand proportions and perspective, and add realistic details through clean line work and shading. This course will help you sharpen your observation skills and gain the confidence to draw any object around you accurately and beautifully. So grab your mechanical pencil, and let's start sketching the world around us. One object and one line at a time. Hello to all of my dear friends, and here we are with another beautiful course for you with creating objects. In this course, we are going to create different objects. So I'm just going to tell you about the tools that we are going to use. I'm using ED or mechanical pencil. And the tip of it should be 0.5 and two B. Why? Because I needed to work as a pencil. See if we want to work with a pencil, we can use B six or B two or B four. But, you know, because I want our lines to be thinner and more delicate, I use etch it for it. You can use normal pencils for this B two pencil or mechanical pencil like echids. If you want to work darker or you want to show shadings a little bit more, you can use B six, B four, and so on. It depends on you. I'm also going to use etched eraser or mechanical eraser, and I also use a brush for cleaning the residues of my eraser. So there will be no trace of the eraser on my paper. These are the tools that we need for this beautiful course. So get them, and let's get it started. 2. Vase Design and Sketching: Hello to all of my dearest friends. Welcome to another of our tutorial sessions. In this session, we're going to create several vases and plants together, and we want to see how we can actually work on them. So start with a flower pot or a vase, and I'm going to create them in different models and shapes and put a different plant in each one of them. Okay. Our vases or flower pots can be in very different shapes. For example, here on the top, I have a wider shape, and as I go down, it would get more narrow and thinner. Or not, we can create another shape with our vase. For example, it has a volume and it's coming from the top, and as it gets down, it would have a circular shape. Then for the bottom of it, we can consider a shape like this. Our vase can be simple. I can have patterns on it. We can have anything that we want for the shape of our vase. For example, for a vase like this, We can calm down a little. And then we can actually bring it down a straight. Okay? Okay. So it might have the same size at the top and on the bottom. We can have a stand at the bottom of it like the one I have in the middle or we can just have it simple on the bottom. So it depends on ourselves. We can even create a vase that we can see the inner part of it more. Like this, we create a wider oval and then we start creating a volume from the back behind our oval, and then we bring it down. In this area, with this wavy shape, with this wavy line, I'm going to show the soil. Then we can start working on our plant from here. Again, with these wavy lines, I'm showing the volume of the soil covering around my plant. And obviously, we have to erase this area because it's behind our plant and it cannot be seen. Our plant is basically covering that part of the vase. Okay, later, I'll create plans for this upper vases, as well, so you would see how we can have different kinds of plants. Okay, let's start with this one. We can start with cactuses. So as you know, cactuses have so many different variations themselves, so you can choose any one of them that you like, and you can have them as you're pleased. Any kind as you prefer. They can be wider, they can be more narrow or thinner, can come down, they can go up. Just like that. Even a little one here on the side. Then for this part, again, for the inner parts of the vase, we can create two lines in order to show that there is a width here, and it's not that simple. We can separate the vase with these lines. We can even give it some patterns or not. Now I'm going to create some thorns for our cactus. It's actually a very fundamental thing for the cactus. I also create some vertical lines to show some dimension in it. And as you can see, I'm creating these thorns randomly because it would make our work even more attractive and more realistic, just like that. Okay. Here we go. Now, our ways could actually look like this that our plant would have some leaves. As you can see, I am creating the leaves here. And these leaves might actually be next to each other or a little bit apart from each other. But just make sure you should create your work in an asymmetrical way so it would look more natural and more attractive because if you make them too symmetrical, it would look more artificial. Nature is a bit more random and if you're putting a leaf underneath another one, you should make sure that you do not create the edge of that leaf. But if you are going to do that, you should create this heart shape at the bottom of the leaf. So it would look prettier and more natural. And if your leaf is going underneath another one, you don't need them. I also create this line in the center of the leaf. Okay? It can even go up and have a direction like this, or it can come down in this direction. These are actually several small hints that if you pay attention to them, your work can actually go from simple to professional, and it would be much more interesting. Okay. So you can add as many leaves as you want and fill up your vase as much as you like. Mine is actually pretty full. I like it this way. You can also shade some places, so we can show that it has a dimension. It has a volume, and there are several are leaves in the back as well. Okay. I also create another plant for this one. You can actually play with the shapes a lot and give them so many different shapes and kinds of plants. Okay. Just be careful that some of the leaves are more in front, some of them are more in the back, it's the same for the petals of the flowers. Some of them should be more in front and some of them should be more in the back. So while you are creating them, you should pay attention to these details as well. Like this one, see. You can even shade these inner parts a little bit, so you can show that they are more in the back like this. Okay. This is another different shape. There are too many different shapes that you can create. I've just created several of them for you here, so you'd know how to do so. You can even use several lines on your vases in order to show the volume or just add some details, some patterns, even some shadings. For example, here, you can add some lines like this, a little bit more curved. And you can do anything that you like in any part of this work. For example, you can even shade the inner parts of the vase. Like this, you can create some space between the inner part and the outer part. Just giving it more volume. You can even not create this line completely, create a part of it like this. So you can do so many things with your work. Just use your creativity, use your imagination, and you can also even get inspired by what you see around you. Just shade the inner part like this in order to show the dimensions and volume of your work even better. Here we go. You can do it in various ways, and I hope you've enjoyed it and learned how to do it. 3. Refrigerator Initial Design: Hello to all of my dear friends again. I'm here with another tutorial session. And in this session, we are going to create a refrigerator together, which its door is open, and we want to see how we can do this. So first of all, I'm going to create a general shape and consider a general shape for my fridge. It's basically the volume of the whole object. You can create this object as long as you like or as wide as you like. That depends totally on you. I consider a rectangle like this. And this would be my fridge. No, I want to create a door as well, and in order to do that, I have to show this door is connected to this body. So I'm going to use this line, and based on the fact that I want my door to be open this much or more, I should consider that it should be more open or less. Okay. I want the door to be open, and I'll continue that till the bottom. Again, on the bottom, I consider a side line over here because the store should actually be closed and be fixed on this object. Therefore, we need a little bit of a steep and a slide lines on the top and the bottom. It's like I'm taking this into perspective a little. I also create a straight line from the top to the bottom next to my main line because I want to show that it has a thickness and it's not just a flat object. It has a dimension like this. Okay. Now it's time for me to create the inner part of the fridge. Again, from the side, I divide a little part for the volume. And then inside of that part, we will have the actual fridge and its plates. Okay, we're also going to determine several volumes on this part on the door, so it would, you know, actually be fixed on the fridge itself. You see, these parts should match each other because this part of the door would actually go over this part of the fridge. And here we've got another shape and because we want to show it's the shape, we should bring it a little bit toward inside of the fridge. Maybe it's a place for eggs and something. And the space you put between these parts is dependable on your own taste. So it depends on you, how many of them you want, and how far away from each other you want them. And if you want to, you know, even create several things for it, you can even place more space between them. For the bottom, I don't want to create anything. I don't think so. So I just have another shape like this. Here we go. For the part which is more on the bottom, this one, because we want to show that it's more toward the bottom of the fridge. We'll consider a shape like this more because we can see inside of it. As we move up, we cannot see inside of these parts and these compartments. That's a simple matter of perspective, as I said. Okay. Now, for the bottom part of my fridge, I consider two drawers. You can even consider more if you want, but two is enough for me, one on top and another one beneath it. Okay. And then I even place two handles for each one of them. Just generally, I don't want to go into details now. And later, I will work on it in the details part. I would also need a stand at the bottom of the fridge. I need two of them. So I can show it's standing on the ground. Now I'm completing the inner part a bit more. And for here, I can create as many floors as I like. So many of the frigers have some part like this. Again, two more drawers here. So I create them too. To drawers here. On the same level, but, you know, divided in the middle. And then I determine these floors and levels. We can even create several things inside of it like snakes, fruits, et cetera, to show that there is a space here between each one of them. I'm going to consider four levels here. You can have less or more for your own creation. I'm having four for mine. Okay. I also work on these parts, and I create two lines for each level in order to show that the levels have a thickness, and again, they have a dimension too. Okay. 4. Refrigerator Complete Sketch: Now maybe it's time to fill the fridge with whatever I want. For example, in this area, I can consider a cake shape. Here we go. With some maybe cherries on top or decorations on top of it. I can even create some chocolate, some chocolate dripping down or even cream on it. It's a cake. You can have any decoration that you like. Over here, for example, I can have a pineapple. I just creating different objects and different snacks and groceries, you would see how you can do and make each one of them. Several lines like this. Okay. Just like that, I create my fruit. Another fruit maybe next to it. Just several general shapes in order to show that we have a fruit here. That would be enough. Okay. Then for the lower level, I consider a jar maybe or a picture. You can do any of them that you like. I'm considering a jar here. And with lines like this, you can even give more dimensions to your jars, emphasize on its material, that it's glass or something. You can even consider a shape like this and inside of it creates several shapes to show that for example, it's a pickle or it's a jam or something else that you like. I can create a picture over here. Just like that. Again, I can even create several inner parts like this in order to show that there's some liquid inside of it, maybe water. It needs a volume, of course, and I can consider an apple here, just like that. And on the lowest level, here I can even consider a bowl of fruits filled with different kinds of fruit. For example, grapes, Another graves here and another one over here. Okay. Just like that. So you can actually decide whatever you want to create in your fridge and to put it here. Even in my drawers, I can create some shapes as the shape of fruit like melon and stuff, and then I can even create these side lines in order to show that the texture of this part is glass and that's why we can see through it. For example, here, we can have several fruit like oranges and so, then again, showing the glass texture with these lines. All right. In here, I can consider eggs sitting next to each other. As you can see, and here we go. Okay. In this upper part, I can also create several jars, for example, a bottle of milk or something. Okay, here we have it. In this part, I can have, for example, a packet of corn flakes or milk or anything else, packet of juice maybe carton of juice. I can even create several writings on it and another bigger carton right next to it. Then again, I can shade and hatch these areas in order to show that it's something. It doesn't necessarily need to be writings. And on the last shelf, I'm going to create another bottle. Here we go. And you can even fill inside of it. It's some liquid. Give me milk, juice, wine, whatever you like. Here we go. For these parts, I'm also going to shade these areas and then later we're going to erase all the extra lines and then you can even see the work better and more attractive obviously. Don't even worry if in this part your work looks a bit messy. When you erase the extra lines or create your lines neater, it would look much more better. In this side part, we can actually emphasize on some parts with going over them several times. And we can actually emphasize on the fact that the door has been split into two parts, and the doors are separate. One of them is for the fridge, and one of them is for the freezer, probably. Also for here on the edge, we can add some more lines in order to show its volume. We can even shade and hatch these parts just to give them some dimension and some color. Here we go. I would also like to work on these drawers here with the handles, one on each side, and I'll do the exact same for the one above it. You can create the handles very simply, or you can give them some abnormal shape that depends on you. Again, I'm going to use some hatches and going to give this place in this space a bit more life and a bit more dimension. We can even use some lines in order to make our work more attractive. Here we go. It's a very simple looking fridge filled with quid fruit. A anything else you'd like. Can even add several lines here to show that our fridge also has a depth. It goes in. It has a depth, like this. Now, we can even separate this upper part with several lines and hashing all these parts wherever we need some dimensions, some depth, and some perspective, maybe. And then I would definitely erase the extra lines. Wherever I can see them, I just go ahead and erase them. That would make my work much more cleaner and more attractive and more beautiful. Even if in this case, you actually accidentally erase some of your main lines, you can always do them again. And I would brush off the residues of my work, residues of eraser. And you can add as many details as you like to this fridge. As I said, it totally depends on you, how much you want your fridge to be detailed, how much you want it to be shaded, how much you want it to be filled even you can have an almost empty fridge or a filled one like mine, or maybe even sometimes more filled than this. No, I feel like this is an empty place here. I can create another jar here, maybe a jar of honey or something. So I'm gonna have it anyways. As I was looking at it, I saw that it needs to be filled as well. Okay. Just going over these lines of the shelves one more time. And here we go. We can also add several vertical hatches in these parts. Again, we would show that there is a volume and there's a depth even in the door of our fridge. All right. Here we go. 5. Chair Design and Sketching: Hello to all of my dear friends. Here I am again with another tutorial session for you. Well, in that session, we are going to work on a chair together, and we want to see how it's done and how we can create a chair. All right. First of all, I'm gonna determine the placement of my chair on my sheet. Then based on the shape that we want our chair to be, we start our work. I want a chair to be in a three faces view, but you can do it from the slide view or the front view. Doesn't matter you've learned how to do it before. So based on the volume of my chair, I determine the general shape of it. Then I start creating the legs of my chair according to the four corners of the chair. And I'm just determining them generally right now. I can determine their length as much as I want. I want them shorter or longer, but be careful. When you're creating the legs, you should create them in coherence with the first volume that you've created for the seating area of your chair. So first of all, we have to do a general shape, so you'll get to know what is what and if your proportions are right or not. And then you can finalize it. You can bring the legs a little bit outside, or you can create them straight. These are all the variations that you can give to your work while you're doing it. As you can see, I'm creating the legs a little bit more steep and toward the outside. They're a little bit wavy. You can do it this way or you can do this straight. Depends on you. Okay. Now we want to create the back of the chair and I want it to be attached to the sitting area with four parts of wood. First of all, I'm just going to determine their placement generally with the spaces I want between them, and then I'll make my work more complete. Just like that, I start working on these parts and you can even increase these spaces or decrease them or you can even do them in one in one piece for the back. All depends on the model you want to create. Then for the top part of these four woods, I create a shape like this going around on the sides and more crescent on the whole. You can create it in any shape that you like. You can make it bigger or smaller, more angular or more rounded shape. Depends on you. Right here, first, I'm going to erase the extra lines in this step, and then I'm going to move on to add any kind of details I want to my chair. So first, we got the sitting area, then according and based on its proportions, we created the legs. Perspective really matters in that point. And the proportions, you should be very careful that your legs would be appropriate to your sitting area. And then we added the back part. So, here we go. I erase the ra residue of the eraser and now I start adding the details from the top part of a chair. First of all, I create a curved line like this because I want to show that this part is curved in and it's also made of wood. Also here, I use a line like this. I'll do the same thing on this other side, just like that. You can see the curve actually in it. Then I'm going to work on these four parts going down to the sitting area and making them more prominent. And I want them to be seen more. You should pay attention that in this part that's actually going to be attached to the top part, we will have some shading, so I'm going to use my shades here on the top and make it darker so I can actually show the volume of my work because the shadow of the top part is going to be appeared and affected on these bars going up and attaching the seating area to this top part. And the shape of them also depends on you. You can change them or you can just create them as this. Okay. For here also, I'm going to hatch this part and shade it so I can also show the dimension and the volume on the side part of the wood. Here again, I'll make the corners bolder and I emphasize on the lines and the corner in order to show the texture and depth or better say thickness here. That's why I hatched and shaded the side. Okay. Don't forget about these parts that you can see from the back between the bars. Now let's move on to the legs of the chair, starting from this one in the back. Because our wood has a value, obviously, we should take one side toward inside and then with a vertical line like this, we would be separating these two sides from each other and we would shade the inner side. We would do the same thing for this side as well. I consider this part as the corner, then again, with a vertical line, I separate these two sides of the leg. I also show this step a little in my work a bit of a curve. And then I hatch and shade the side area. Although the same thing for this leg in the back, Again, dividing it and shading it, shading the inner side, of course. And I'll do the same thing for this one side in the front. Again, I'll do it. And just like that, I'll turn the work. And then I shade the inner side completely. Okay. Now, there is one part over here we can actually hatch this area and shade it in order to show that our chair is placed on a surface or on the ground. But this is actually my own taste, and you may not even like to do it. But I like to show that my chair is placed on the surface. Now, in the middle of our chair in the center of the sitting area, we can also create a shape like this in order to show that work has a dimension and also specific texture in it. I do it, so the shape would actually show itself better. Okay. Even for these wooden bars, we can create some small patterns or hatches just randomly in order to show the texture and to show the dimension of the work, because we want our work to look better, you know. So this is our chair together. Now we can have it so simply. We can even use the same thing that we did on the top on these bottom parts and on the legs. I mean, because of the shadow of the sitting part on the legs, we can shade the top part of the legs a little to again emphasize on the volume. We can even shade this inner or better say back leg because both of its sides are toward the inside, and we can show the dimensions much more better. So this is the chair. 6. Armchair Initial Design: Hello to all of my dearest friends. Welcome to another one of our tutorial sessions. Well, in this session, we are going to create a beautiful couch together, and we want to see how we can do this. You can make an armchair or a couch. The basics are the same. So First of all, I'm going to start with the general shape of my couch or my sofa. And then I will dive into the details. I'll start by creating the back of the sofa just like that. And then I would add the sitting area just like this. Okay. Because I want our shape to have a specific volume. I'll make this area with two lines so that we can show our work has a dimension. Now it's time for me to add the legs. Again, I say, with a general shape, I'm determining the placement of the legs, and then later, I would give it some specific shapes and details so it would get out of this very simple general shape. Okay. For now, we're just determining the general placements. So we know where everything goes. Okay. Now I want to work on my sofas arms. As I said, this is something between an armchair and sofa. An armchair needs arms. Like this. And because I want my work to be definitely symmetrical, I continue this line until I get to this side, and I can create a symmetrical arm on this side as well. And over here, I create the other arm. I'm using some guidelines to get this one as a straight and on the same level to also have a symmetrical shape. Just like that. Okay. Now that the general shape has came out, I'm just going to erase all these extra lines and main lines as are in guidelines. And then I can move on to the next step, which is getting these raw lines out of their general shape and transform them to a very detailed, beautiful armchair. Okay. Erase as many extra lines as you can see, as you can. Here we go. Don't miss any of them. Okay, then brush it off, and let's get to work. Obviously, as usual, I'd be starting at the top of my armchair. I start shaping and creating these areas. So first of all, I separate the inner part from the outer part of the back of my armchair like this. Sometimes you can even add a cushion here. That depends on you, though. Some people like to have it, some people don't. Okay, this is the inner part. 7. Armchair Adding Details: Now I want to work on the wooden area around it. And in order to show that, first, I'm going to emphasize on the corners and getting them around, creating the shape that I like, and I don't want it to be too simple, so I can actually create some design on top of it. The design is very specific to your own taste or what you've seen around you. I'm just adding several designs on this part and I'm having my own design. Shaping this area just like that. From this other side, I try to do the same thing because as I said, I like my work to be symmetrical. Maybe a little bit more curve here. You should just make sure that these two parts are on the same level. Even your curves would be on the same level. It's not a hard thing to do. You just have to double check every line that you draw. I try to keep the design the same on both sides. Maybe it gets a little bit asymmetrical here because I'm just doing it very fast for you to learn. And also, I'm not using any measurements or stuff. And yep I'm just showing you what you can do. Okay, you can even use wavy lines here. I just make these lines lighter, as you can see, I'm going over them with my eraser ones so that I can get the design that I want with the wavy lines that I want. Something I can actually apply. Here we go. I can even change the design a little bit because it's my own design. There are no restrictions or no frameworks. I can add anything that I like in here or change it whenever I want to. So don't worry about being too literal or too classic on this. Use your own creativity and create what you like. Okay. This is the top of our armchair. Crown shape on it. Now, over here, I even add some more details into my design and maybe even some lines going very close to the edges. Then After I went through the edges, I can bring a line like this all the way down. Now, for this inner part of the back, I can use some buttons and as you can see, I can have a specific design for inside of it as well. Just creating some buttons and attaching them to each other with these lines, shaping diamonds. In this way, I'm also emphasizing on the fact that this inner part is made out of fabric. If you've seen it on the sofas and armchairs, you know what I mean? They kind of all have this kind of design inside of this fabric area on the back. And it's very common. These diamond shapes made by the buttons went into the fabric. So here we go. I also continue these side parts, as much as I can see them. Okay. Now it's time to continue on the arms. I'm going to shape the arms, again, in any way that I like, I can have any design for the arms as well. But because we are considering some kind of royal and elegant style for our armchair according to the crown on its top, the fabric in its back, and so on. We can create a specific shape for the arms that would actually reflect that elegance in it. So I just shaped the arms in a more beautiful way. And then we also complete the side of the sitting area. Then we move toward the other side, and again, we try to keep it as symmetrical as we can. I'm just trying to duplicate my work on this side and create the exact same shapes for the second arm. Okay, here we go. Just make sure that wherever you have that arm, you would be placing the second arm. You want them to be on the same level. For example, I think it should go a little bit back and I get this side as well. Again, I say I'm doing it a little bit faster than usual. It might get a little sloppy because I just want to do it faster, so you would actually learn more. But you should do it over and over again to get them exactly the same. And just based on our guidelines, we can create these shapes more similar to each other as similar as we can have them. There we go? The side of our sitting area. Okay. Let's see. We're almost done with the arms. 8. Armchair Complete Sketch: And now it's time to work on this part, the sitting part or the basically seat. I can even shape this area a little bit too, maybe a curved shape like this. It'll be beautiful. Now, for the seat, we are going to almost use the same pattern that we have used in the back of our seat. Just we consider that because we want to show there is a curved in part, and there is a prominent part. We use these lines as curved lines. You can see that in the bottom areas, we want to show that it's a dent or it's been curved in then I use these lines, these curved lines to show that they came up and are more prominent. We can basically show the volume of our seat. Then for the inner parts, because they would go into perspective. We create smaller lines. We can create these parts like this. So again, I say, we show that these parts are in perspective, and at the same time, their texture is fabric. Okay. Then I'll follow these lines to get to the next button and the next one. Again, we make the shapes smaller as we move on toward the back and as we move further. The lines are still curved a little, but they're obviously smaller. And we follow the path to get to the next bottom. And the furthest parts are obviously the smallest ones. As you can see, you can barely see them as much for us to see the pattern, that would be enough. You don't want to overdo them or, you know, disrupt our perspective. So be careful about that. Okay. Bring these parts in. And that's it. Okay. Now we're done with the sitting part. We can even create several vertical lines here. And we are using these lines in a correct direction in order to show the volume and the dimension. As we get to the center, our lines would get more straight. And as we move on to the sides, the lines would be more curved. I mean, the vertical lines. And then I also create a curve right here in the middle and front. Now, the only thing left are the legs. So the only things that are left. Again, I start with one of the legs, the left one. And again, we are going to take these legs out of their very simple shape and transform them into something more elegant, like the arms. They should, you know, go together. I can't just create a very elegant shape for the arms and then leave the legs simple. Okay. And here, I can even give it a direction, you know, and we want to show that this part has a volume, and it also turned toward the inside. That's why it's shaded. Okay. Then for the lower part, again, we create another curved shape, and we can bring the design that we had on the top here on the bottom as well. It can be a little bit simpler or it can be just like that. But basically, we can bring our top design to the bottom part of the work. Some might say it makes it more interesting. So these patterns, these designs are totally dependable on your own taste. It's your creativity. It's your design. So you might just omit them totally or go a little bit more into it. We can, for example, consider patterns like these something on the top of my head. Again, as I said, just to show that our wood has a pattern, and it would go with the top of our chair, our arm chair. Here we go. Just make sure that your patterns are symmetrical on both sides. Either they're on the top or the bottom. I mean, on the bottom, they should be symmetrical. On top, they should be symmetrical as well. Now I move on to this side, and according to this other leg, I create the same design. I start from the outer side, and I try to create the design I had for my left side. Here we go. Bringing it out and going back in again. I need the legs to be symmetrical, as well. Again, I give some more dimension to this part, the same way with some shadings, just like that. For this part, we can even create some spiral shapes to give it even more detail and more pattern. Because we want our work to get out of its simple shape, obviously. Now it's time for me to erase all these extra lines and guidelines so that my work would actually show itself with the details we've added and it would be neater and obviously much better. Just remember to erase all the extra lines you see here. Okay. I sign here and on the side, and in the arms. Even between these two parts, Again, as I usually say, even if you accidentally erase one of your main lines, you can always go back or even one of your details. You can always go back after it and complete them again. Or even add some more details after you've finished up with erasing all these extra and guidelines. Here we go. And we almost have it. Okay. Make sure to go through all the parts and when they are erased, you can see the authentic and original work that we want to present. This is the outcome of our work after brushing off the residue as well. And then, as I said before, you can go over some lines that got accidentally erased. These are our main lines. So we have to go over them once more to make them bolder and more complete. Okay. Here we go. I even shade this area a little so I can show the shadow of the arms on this part. I want to show that these circular shapes are more prominent so they have a shadow underneath them. That's why I shade. And it works. So I hope you've enjoyed this tutorial as well. This is our beautiful armchair. It's some elegant design. And I hope that you can use it and make your own designs. So, good luck. 9. Drawer Design and Sketching: Hello to all of my dear friends, and welcome to another one of our tutorial sessions. Okay. In this session, we're going to create a closet together or a wardrobe. And we want to see how we can create it easily and beautifully at the same time. Okay. Obviously, I'm going to start with a general shape for my closet. I'm just going to create the volume of my clotht in a shape that on the top, it would be wider, and as it comes down, it would become more narrow, just like this. Okay. Then after that, I'm going to separate this part, which would be the surface of my work. You can just determine it as big as you like. For me, this is enough. Then I would also consider two drawers for that. Like this. And maybe another one below that. Okay. Here we go. And then I'm going to work on the stands or the legs of the wardrobe. I can consider only two stands for it or two legs for it, or I can consider one big leg for it in the middle. So that totally depends on you. I'm going with two right here, and I'm also creating this line as the surface it's been put on to also get my legs on the same level. Even if you look at the legs on the top, they are more narrow and on the bottom, they would be wider. Again, I say these parts totally depend on your own taste, and you can do it however you like it and whatever design and shape that you prefer. Okay. Now, for the handles of our drawers, I want to consider a shape like this. It's kind of a U shape. And it looks like a shoe horse, as well. You can, again, have any kind of design for your handles, as well. You can even create different handles for each drawer, but I'm going to do the same thing for both, and I'm going to use this shape and this design. Okay. Now because I want to give my work some dimension, I'm going to divide my wooden area into two parts, so I can get a volume like this out of it. You can clearly see that now it has more volume and a better dimension. Here we go. Okay. And even I can work on the details of the drawers a little bit, maybe even make their corners more round instead of being so sharply angular, I'm using round corners for the drawers. Again, it depends on your own personal design, but you can give any shape that you like to your drawers. I'm going to do the same for this lower one as well, making the corners more round and going over its main lines just like that. Okay. Now, you should be careful that for the lower part, you should consider that area, and you should consider the lines of that area thicker because it would actually show your works dimension more because the part which is lower and more on the bottom should have a specific darkness because we want to show that volume has actually went inside of another one. So it would get darker. It's also below something else. All right, now it's time for me to erase the extra lines and all the guidelines I've got here, and then I can finalize it. Yep, that easy. Make sure you erase all these sharp edges and corners. So you can have these beautiful round edges and corners for the final outcome of your work. If you want, you can do it softer, more round or the opposite way. It depends on your total design. Which way you want to go softer or sharper. Okay. Now, I'm finalizing these lines just like that. And continuing this all the way toward the other side. Okay. Okay. You know, you could even work on this outer edge to make it thicker and make it more dimensional, but say three dimensional. I'm just doing some separations here and there. So my work would have a better volume. That's what it's all about. Okay. For these parts, we are going to consider several lines. Some separation lines maybe. We can even bring them to the center of our work as well. And just like that, you can add as many details as you like into your work or just leave it a little bit simpler. I'm also going to use the same lines on our drawers. We can emphasize the darkness on these lower lines of the handles, so we can show that it has a volume, and obviously it has a shadow on the rest of the surface as well as we did for the lower drawer. We do the same thing for the lower drawer, do not forget about handle. Just like that. I emphasize this darkness here on the lower handle. Again, I use these kind of lines, these curved lines in order to emphasize on the volume and dimensions. Do not forget about the legs of your work. Again, for the bottom of the legs, I'm going to do the same thing. Increasing the darkness because I want to show that it's placed on the ground or floor, something, some surface. And I also use these horizontal lines to express the ground. I can even shade the edges a little bit, too, or I can use just simple lines. All of these together would actually show a better volume of our work, and it also depends on how much detail you want to bring into your work. So this is our wardrobe or drawers, and I hope you've liked it and you can enjoy it. 10. Sofa Initial Design: Hello to all of my dearest friends. I'm here again with another tutorial session for you. And today, in this session, we are going to create a sofa together, and we want to see if you want to create a sofa, what steps we should go through. So first of all, we should determine the direction of our sofa. So in order to do that, first of all, we are going to create a general shape for our sofa. H and then we will start our work with the main lines that we've got. So now I'm just determining the placement and giving a very general shape for it because we want to show that our sofa has dimensions and volume. So first of all, we will create that volume and dimension with general and primary lines. These are the arm rests, and then it would definitely have a back, a sitting area, and also legs. Again, I say I'm just generally creating these volumes right now, and then I can step into the details later. Let's see how we can give some angles to the sofa. For example, I want to create one side of my sofa to be longer. And you see, right now, my sofa includes three people, but I want the third part of my sofa to be longer, maybe even a bit taller. So from the point that I want to make this change, I add another volume to this part. You know, I only did this for you because you would want to know that if you want to add an extra volume to your original shape, how should you do it? First, you should determine where you want it, and then you should bring it into the same perspective in the same direction. And according to your previous lines, you can create the new ones. Okay. So first of all, I'm going to separate the back of my sofa from the seat and the sitting area. So we also see how much this line should go on. I'm going to consider this size for the back and for the sitting area. In this part, we have the wooden part of our sofa. And over here we have the cushions, the seat cushions that we've got here. One, two would be placed here. And there goes the three. It looks like an L shape, if you want to look at it. But here we go. So this is for the third seat. Okay. Now it's time to work on the back part a little bit, as well. Like creating a cushion for the back, too. I'm going to bring them higher above the arm sets or above the edges of the sofas back. You can create them on the same level, but I wanted them to be more extended and higher than my original edge. I'm doing it different for you, so you would know how you can create them differently. You can put them on the same level as the edge of your sofa. Alright. We should also have another arm wrist on the other side. So I'm just going to follow these measurements in these lines. Therefore, I can get it in the same level and get it symmetrical. So it should start from here and it should go on up to here. And obviously, because this side is further from us, we should pay attention that the sizes are smaller. And they would look smaller as well. It means that they are smaller comparing to the side, which is closer to us. Okay. Then for the cushion of our third seat, which is longer, I would also determine a shape like this. I want to show that it's not flat. It also has a cushion, but it's a longer cushion because it's an ill shaped sofa. Like this. Here we go. You can apply any changes that you like. Now it's time for me to create the legs of the sofa. One for here. Another one for the front side. And several legs for these parts, which we've added into our work. Then later on in the work, I will add to the details of these legs. Now that the general shapes of our sofa is determined, I'm going to erase all the extra lines and then we can move on to the next step. I Okay. Now, in the first step that your work is still with the primary lines and the general shapes, you can use as many guidelines as you like in order to get your work in a very balanced shape. Everything would be on the same level. If you want to create symmetrical parts, they would be symmetrical and so on. Don't be afraid of creating guidelines as long as you create them lightly and draw them lightly, and then you can erase them now. 11. Sofa Complete Sketch: After we've erased these extra lines or the guidelines, we can start our next step, which is adding the details into the work. This would be the back of our sofa that we're adding and maybe even add some parts to them, shading some parts of them in order to show that these cushions also have some depth and width some thickness. We can even create these parts with wavy lines because we want to show that the texture is fabric and it's not always very straight. As I said, you can include these spaces in between them so we can actually determine our volumes better and more. We can even use very light shadings these to add several lines. Again, in order to emphasize on the texture of our sofa and specifically the cushions because we want to show that the texture is fabric. No with or anything. I'll just repeat the same pattern on this cushion as well. We saying this back cushion, as well. And here goes the last one. Which is basically the first one, if you look at it from this angle. Here we go, creating the same patterns, but as much as we can see them. Because we want to show that there is a volume here and it's such a flat area. I'm doing these patterns with these lines mostly. Again, I can go over the corners of the armsets and rest of the sofa in order to make them more round. I like round corners and I really prefer them especially in furnitures. We can actually shape it a little and come all the way down and this part would be wooden. Then we would also use hatchas on these parts. And we can work on them. And then I would want to work on the legs of my sofa, at least the ones here, and wart rush it, move part by part. Again, because you want to show the volume, you can shade the inner side of it. Then for the lower part of my work, I'm still continuing and obviously because it's in a three phases view, we can shade this part and create it smaller and bring it toward the inside, shade it to show that it's not really in the front, it's more on the side. All right. Now I'm going to complete this part. Basically the wooden area. And with several lines, I can actually add some hatches here. Again, I say, these things are also very optional. You can skip them or you can do them even more than I do here. I also consider a very little space between the cushions, the sitting cushions and the wooden part of my sofa because we want to show that the cushions are volumes which are on the surface of this wooden part. I also shade this space that I've created because they've been covered by the cushions and they've got shadow on them. See, whatever I do is just to express the volumes and the dimensions of my work. Again, because I want to show that this cushion hasn't been, you know, just interrupted or caught suddenly, I shade this corner a little so I can show that the rest of it exists, but it has went behind the arm rest in our view. Okay. Now I can move on to the next one. Then just like that with several lines, I will separate this area from the area below it. As I said before, I've got to shade it and darken it in order to show that. This part is separate Then I would also use some hatches and shades in order to give my work some dimension. Okay. Now, wherever we want to show that there is a volume on the corner or it's deep or it's been curved in, we can use shades in order to show them. On the part that's been curved in and the prominent part would be lighter in this way. Then I'm going to finish working on the last sitting area, the last sitting cushion, which is longer than the others as well. And then I'll show its volume as well. Here again, because we want to show that these cushions are separate, we can start hatching and shading this way. I'll do the same thing for the wooden area too. Just some shadings to show that these parts are connected to each other, but they are separate parts. They're not one single shape. Again, just like we did before because we want to show that there is a space between the cushions and the wooden part. You can create this over here as well. Okay. As I said before, we can use shading to show this line. Maybe something like this. Maybe this would help. Just like that. And then for the legs, I'd be working on their outer side and the inner side. Shade them. And here we go. Okay. Do not forget about the other armors. That's what I'm going to work on now. Again, I say, it should be similar to the one we've already created. And make sure it's more symmetrical because just it's in perspective. Obviously, it's a little bit smaller and we cannot see complete shapes of it. Okay? And for these parts, again, we can start shading to reflect and express the cushions next to it. There sitting. This was our beautiful sofa. The last thing to do is to erase all the extra lines from the work to finalize the outcome. I'm just erasing all these extra lines. Again, I say, so we can finalize our work here. Make sure that all of your extra lines and all of your guidelines would be erased properly. We don't want any traces in the work. Then I'll brush off the residue of eraser, and we've got ourselves a beautiful sepa, which I hope you enjoyed learning. H. 12. Initial Design – Wooden Sofa with Drawers: Hello to all of my dearest friends, and welcome to another one of our tutorial sessions. Okay. In this session, we are going to work different furnitures like sofas, chairs, and at last, we are going to complete a look and a view for the room, and we want to see how we can put these furniture next to each other to have a good decor. Okay, let's see how we can start first. First of all, I'm going to create a chair, and I'll be starting with that. First, as usual, I'm going to start with creating a general shape. And then I'll add the details to it. Okay. Then I would also determine the placement of everything again, very generally and primary now. And then I would determine the placement of the legs again. Not very specific and precise, but I'll do it to see where everything will go. You can always change them. You can always replace them or better say change their positions in your sheet. But I'm going to do it like this here. And then I would determine the placement of the sitting area. These would be the parts for the drawers, just like that. And then I work on the sitting area. Then after that, I would consider two shapes of cushions on it. One of them looks more like a rectangle. And it would go out like this. This is another cushion. Again, I say everything in this part is just being created very generally because this step is just a primary step. Then I determine the placement of these drawers. I'm creating a combination of the works so that later you would get to know the more complex stuff and then later if you want to create it complex, you can do it. If you want to make it simple, it would be even easier for you. That's why I'm being a little bit more complicated here and I'm using different kinds of combinations. I also consider a surface for this drawer. And then this part goes behind the sitting cushion because on this surface on the top of the drawer, I also want to consider a vase and maybe even a candle. I can create one or two candles or, for example, even a frame of photos. So everything depends on us. Just be careful that if you want to create two candles, one of them should be taller and the other one should be shorter. In this way, your look would have a better combination. Okay. Then inside of my vase, I'd have to create a plant as well. Coming up just like that. Then I consider several leaves for it as I told you how to create them in previous sessions. Okay. Here we go. And just for now, we're going to create a very general shape for our leaves, and obviously later in the next steps, we will add more details to them. Okay. Just make sure that you have different shapes for your leaves and you don't want to create all of them in the same shape. They should also be placed randomly on the plants. They shouldn't be too symmetrical. That's what I mean. Because in nature, you cannot see the leaves or any parts of the plants be too symmetrical. It actually gives it kind of an artificial shape. Okay, I think it's good up to here. Let me just bring it down a little so you can see the top better. As you can see, some of the leaves are even deformed and in weird shapes. Okay. Now, I will work on several of the other parts a bit more. I want them to be more determined, and then I can move on. The side should be seen more. We'd be completing the wooden area more And then I would add more dimension to the arms rests. I'll continue this until the bottom. We consider the general shape for the legs. Okay. I would also determine the back legs as well. Here we go. Now the primary placement of our work and our object has been determined, and it's got a good general shape. We can move on to the next step, which is erasing the extra and primary lines so that later on we can add more details to it. Okay. All the extra lines should go away. And again, I say, even during this step, you just accidentally erase some of your main lines as well. Don't worry about it. You can always get them back. All right, you erase all these lines in the back, more in the front, and even these lines on the bottom. Just make sure to get them all. You don't want any extra lines in your work. All right. 13. Final Details – Wooden Sofa with Drawers: Now let's start completing our design and our work and even at the details a little bit. So I'm going to add several details here, and I'm not going to work with just, you know, straight lines. I want it to be more shaped and curved because this way, my cushion would look better. It would express its texture, and I can even add beautiful little details like these on my cushion. You can decide whatever shape that you like for it. Especially for the edges. You know, we can even consider some shapes for our cushions, as well. That depends on you. You can create them in different shapes, and also we can even add some patterns in our cushions so that they would have different looks. Okay. I also consider a pattern for it, that wouldn't be too simple. I don't want it to be too complicated as well. I would like to have some lines inside of them as well. Just two lines on the sides. And here we go. We also determine the cushion which is more in front. And because we want to show that they also have some volume and they're not just flat surfaces, we are going to emphasize on the sideline of the sitting area, and then with a curved line like this, we would give more volume to our sitting cushion or the sitting area. Okay, here we go. For the front cushion, we can also use the same pattern, or we can consider another pattern for it. So you would also have some variety in your work, as well. You don't want them to look all the same, you know. We can also add several patterns if we want. I mean, you can create another pattern for your smaller cushion. I decided to do both of them in the same pattern. And also with the same details on the edges. Here, we got to work on this wooden area below that. And then because we want to emphasize on the fact that this area is made of wood, we can actually add several lines to it, again, randomly, not specifically in the same places and symmetrical. These are some textures you can see on the wood. Okay. We're going to give some dimension to these drawers, as well. Let me just go over the main lines again. We want to show that it goes all the way toward back. And we go over all these main lines, and we can play it. Okay. Then we add the drawers or basically just go over its main lines. Even in creating the drawers, if you can see them, trying to show the dimension as well. I shaded this area so I can show there is a space between the wood and the sitting area. Then it's time for me to add the legs and go over them. Maybe starting with this leg in front. Then again, as I said, because we want to show the dimension, we create another side for it and we shade the side which is facing inwards. It's more toward back. And then again, we can add these straight lines randomly to show the fact that the texture is again wood. So they'd be having the same texture, the legs and this front part of the sofa. Okay. I'll do the same thing for the leg which is in the back. I'm dividing them into two sides. I'll do the exact same thing here on the opposite side. Then it's time for this last front leg. Again, I divide it getting it into two sides and shading the side which is facing inwards. Should go up from here as well. Do not forget about this armorst. Then again, we want to express the fact that this is a wooden area. So we need these random lines again. And it also makes my work more cohesive because I want to show that the texture of all the parts are the same, except for the cushions, you know. They're all made of wood and I even add another part to it, so I can show some dimensions to the arm rest as well. All right. Now let's move on to the vase. And we would also work on the vase. From the top, I want to have it wider, and as I go down, I want to make it more narrow and thinner. This is the shape I want for my vase. Then we can also add a pattern to our vase or our flower pot just like that. See? Just a simple pattern can make a big difference. Sometimes we keep it simple, but yet detailed and beautiful. Now let's work more on the plants. I'm adding the details to the plants, to the leaves as I'm moving on. And then I would work on the leaves which are above these ones. Say for the plant, I'd be starting my work from the bottom toward the top. You can also do this vice versa, but this is a bit easier for me to do starting from the bottom. And as I move up, I'm shaping these other leaves as well. And again, as I said before, do not create them the same way, the same shape. They should differ. Okay. And lastly, but not least, it's time for the candles. First, I'm going to complete this bigger one. I can play the candle. And then I can even create some designs and patterns to show that the candle is dripping. So it's been lit for a while, and now it's dripping down. It's a little bit more poetic, you know. And then would also create the flames, do not forget about them. And then I would also need some handles for the drawers, obviously. So one handle on the top one, and another one for the bottom one. Both of them should have these handles. You can create any kind of handle that you like if you think that another shape would, you know, match your sofa better and more. Well, that's what you got to do. Again, I add several curved lines, especially on the corners to show that it's got a volume and the textures are the same. And then, again, I can use my Esot eraser again to erase all these extra lines wherever I've still got them. So you can see the outcome of the work much more better and neither, of course. Okay. Don't forget about any small part that you've got your extra lines or even while you are adding the details maybe you've messed up a little. I can all go away here. And then you can see the result. Brush off the residues and here we go. This is our beautiful sofa with drawers on the side and plant and two candles. I hope you've enjoyed this tutorial, and you can use it to your own benefit. So, good luck. 14. Room Interior Initial Design: Hello, to my dearest friends. Welcome to another one of our tutorial sessions. Well, in this session, based on what we've learned so far, we are going to create a beautiful decor and scenery together. And we want to see how we can actually place the things that we've learned so far next to each other, and we'll have a great combination and a great scenery. Alright. First of all, we should know which objects we want to have in our work. I want to have a window, several photo frames, a sofa and maybe even a coffee table in front of it. And maybe we can even add a plant or vase in some corner. Let's see how we can start this work. We're going to choose one of the objects to start with, and then we create it in very general shapes just to determine the placement of it. I want to start with my window. So I want to consider these limits in these proportions for the window. And then I continue it all the way down. Okay. I want to have several photo frames on this side of the wall. The size of them and the shape of them are very different from person to person. I can have them in any size, in any shape that I like them to be. You can have them. You can have them in different shapes. Or you can have them like the ones that I'm having here right now. Okay. I'll also consider three frame photos. And now I want to consider a sofa here. Again, I say, you can have any kind of sofa that you like with any extraordinary or normal designs. I'd be starting with the sitting area of the sofa, and then I move toward the front part of it. And I gave it some more volume. I've been making this object hole. And then I create the wooden area beneath it. And then after that, I'm going to create the legs, and I'd be ttretching it to the arm rests and the arms of my sofa. I go all the way back, and this would be the back of my sofa. As you can see the back of the sofa, there's a little space with the beginning of the frames. Okay. I also should work on this outer leg. Now I'm using my guidelines in order to get the proportions correctly, and also I'd want my work to be on the same level. I don't want the whole work to be tilted, you know. Okay. Now that I've figured this out, it's time for me to create a coffee table in front of the sofa. You can place this table or any other table in any other place that you like, but I want the coffee table to be right in front of my sofa. It's more toward the left. And a part of it even covers the sofa. So I just create it generally, and as you can see. As I'm moving on, I'm completing it more and more. And obviously, I would need the legs. The length of the legs also depend on you, but because my sofa is, you know, short, I want the table to be short, as well. I can even actually consider some other parts for below the table, or I can leave it simple. Yeah, depends on you. You want to have a more elegant table or a simpler one? Okay. Don't forget about the legs which are in the back. Again, use your guidelines to keep your things on the same level, especially the legs of the sofas or tables. If you want your table to have two parts, you cannot see the legs in the back because it might have a drawer or something below it, and they would cover the back legs. Now, if I want, I can even create a plant here. If you like, you can consider your plant on the ground, place it, place the vase on the ground directly. Or as I'm doing here, you can use a small table working as a stand for your vase. This is a flower stand, and I'm determining its legs, and then later, I can get into the details. Okay. We can create any kind of plant that we like in our flower pot. I've considered a simple shape for here because we already have too many things going on in this beautiful artwork. I don't want it to get too busy. We already have enough. So I'm creating the main branches here, and then later, I'll add some leaves to it. Okay now we're done with the general shape. And later in the next step down, I want to add details. I would add the leaves and whatever I want to it. As you can see, I'm also determining the placement of our drapes and curtains. You can place them as open as you want. I mean, how open the drapes are depends on you. I would also have to have different parts for the window. That's what I'm doing here because the curtains are a little bit open and we can see the window. Here we go. Dividing the window into different parts into several parts. And now that you've got, you know, the primary shape of your work, and you can actually see them working together, going together. I'm going to consider several cushions for my sofa. If you want, you can skip it. I mean, it's not a must, but I want my sofa to have some cushions. For you, it might be different. Might not even like to have any cushions on your work. Here we go. I also create another one over here, another cushion. And maybe one of them is more in front of the other. So I've got basically four cushions here, and this one is covering another one up to some levels. Okay. 15. Room Interior Completion – Part 2: No. I'm going to determine the details for each part, and I'm going to move on part by part. I'm going to start with the frames because we want to complete the frames. I would consider the frames to be made of wood like this. Another frame above it. Okay. And here we go. That's pretty much all of it. And also in here, we bring the work toward inside so that our frames would be more complete. Es. Okay. You can create any kind of picture or photo inside of these frames. Again, that depends on you. You can create sceneries or maybe some family photos or anything else that you like, or you can just leave them as they are. Maybe they're just empty frames ready to be filled later. Okay. Now I'm going to work on the drapes and the curtains. Because our curtains are, you know, closed a bit, we should have some wavy lines and wrinkles on the top of the drapes. And then we will continue these lines downwards to show the wrinkle all through the curtain, and we want to show that it's been closed a little. As much as we close the curtains in the drapes, these wrinkles would be more and closer to each other. I'll do the same thing for this other side of the drapes. Create several wavy lines, and then I bring each part all the way down. Even as I'm coming down, you see, I'm not using very straight lines. They might have some ups and downs because these are the wrinkles on curtains and they're not really straight. All right. And this would be the end of the curtain. Okay. Let's see what is left. Maybe it's time to complete the plant a little bit more. We can have some some inches and some little small leaves for it. In this part, I'll also do the same thing. I filling it with small little leaves are cute and beautiful. But again, I emphasize on the fact that you can choose any kind of plant. You can have it in any specific design that you like. As long as it's basic and you can do it, it's good enough. You can even have flowers. It would have more work for you, but you'd have every opportunity to create any kind of flowers or plants you like. Even with the same one that I'm creating here, you can have it, you know, busier than I'm creating right here, or even simpler than I did here. We have some additional and sub branches coming out of the main branches. Just like that. Because the leaves are very small, you can't add too many details on the leaves, but you can actually add the number of them to make them more beautiful. And again, I say, when you want to add these sub branches, you should make sure that you're doing a rindom and not very symmetrical or in a specific place. So it would look more natural. So the sub branches are curved. The others are not. Okay. Here weco. Just keep adding these leaves and these branches until you start feeling good about it and say, Okay, that's enough. I want it to be this much. You can make it busier than I did here, as I said before, or simpler. Depends on your own taste and how you want your plant to be showing. I'm also going to complete flower pot or the vase bringing it down. Again, as I said before, my vase has a bigger mouth or a wider top and a thinner bottom. You can even add some patterns to it. Then I move on to its stand. I will complete a stand here. And I add some dimensions to it. And then I move on to the legs and complete it like this. Okay. Now, let's work on this coffee table in front of the sofa because it's more in front, we should complete it faster. I mean, we should do the coffee table first, and then we should do the sofa because the coffee table is covering some parts of the sofa. Okay. I can create this table simply or I can even place some objects on top of it. For here, maybe I can create a basket on the table. All right. I'm just creating this basket over here, so it wouldn't be just too simple. You know what I mean? I want to have a little bit more dimension. So that's why I've created this curved line. It's like we can see inside of it, as well. Okay. It can be a plate or a basket or anything that you like. I also create a candle in it, or I can create several of them so it would be a plate with a candle in it. I could even create another vase on my table. The flame of the candle is lit and obviously, it should be dry pink. That's how I'm going to do it. Yep. I'm showing it dripping, so it would look better obviously. Then also, I want to create another candle xt to it, shorter obviously, as I said before, but it's dripping as well because it's lit. Then I can move forward to work on the table. Then I can use some kind of lines like these, again, in order to express the wooden texture of my coffee table. Then I go back again and complete the table even more. Then I can move forward to the legs and then I get the inner side of it shaded, so I can show that they are on different sides. I'll do the same thing for the opposite side, obviously. Here, you should make sure that your work is symmetrical, and I'll do the same thing for the back legs, siding, sorry, shading the sides. And obviously, because they are further from us and more inside of the table, first of all, they should be darker, having more shades. And second of all, they would be shorter and smaller, as you can see. Okay, now that I'm done with my coffee table, I can move on to make my sofa more complete. 16. Room Interior Completion – Part 3: I start from the part which I can see completely, which is the left arm wrist and leg that are connected together. I take it to the back, bringing it down and then the wooden part of the sofa would be showing. As I'm moving on to the right side, I'm completing the sitting area as well. Okay. I can create the sitting area in one piece or not. I can actually divide it into two or three parts. I want this area, the sitting area to have three separate cushions, so I'm going to divide it into three parts with two lines, obviously. Okay. I'll continue the bottom of my sofa, the wooden part unless I can get out of the table and attach it to the next leg of my sofa. Basically, I follow the line until it comes out of the back of the table. Okay. Can I say the design is on you and as I told you, you could even consider the sofas sitting cushion in one piece, but I want it to be a little bit more different. Here we go. In this part again, I'm emphasizing the separation and I wouldn't forget about this side as well. Okay. First, I'm going to complete this wooden area a little bit more on the bottom. Like this. And then I can move on to work on the cushions more. I can create the corners of the cushions like these coming out and being pointy a little. It would look more interesting maybe and not too simple. Like our cushions have pointy ears. I can bring this cushion in front of this other one so you cannot even see the point ear completely. That was my second cushion. And as I said before, you can also create any kind of pattern that you like on your cushions. I'm using the two linary two lines pattern again, but you can change it the way that you like. And also, it depends on the time that you have. As I said, I'm doing it a little bit faster so I can teach you more. That's why I decide to create simple patterns. But you can create more controversial ones. Or more complex. I'm going to create another pattern for this one, wavy lines, but again, two lines. And here we go. I can even create some polka dots. Yep, some polka dots patterns for my cushion. As you can see, I'm creating each one of the cushions differently. So you can do the same or you can have the same pattern for all of them. Just be careful about these circles on the edges and corners because we cannot see them completely. Make sure that you create them in the right direction. Okay. Here we go. As I said before, inside of the butter frames, you can create any strip that you like, or you can just leave them and say, Okay, is there going to be foot later? When you work on these edges and make them more complete, you're actually giving your work more volume and dimension. So don't be worried about them and don't be scared of working on them over and over again. Sometimes they make your work more beautiful and more realistic. You can even shade on the edges of the cushions or the legs of the sofa. So basically, you can do whatever that you want with your work. It's totally personal. Her. Basically personal taste. Okay. Before I move on to the window, I want to make my curtains and drapes more complete. And yeah, it's time for me to get the eraser and erase all of these extra lines, all the guidelines and make my work more beautiful and cleaner. And something that you can actually say as a work of art. See, when you erase all these extra lines, that's when you get the shape that you want out of all the work that you did. It's very important. And it's when your work is going to show itself the most and the best. Just make sure to get them all of them wherever they are. And at the eraser is very good for this kind of work because it can even erase very delicate lines in very delicate parts. That's what we need here. Okay. Use your brush to make sure all of your eraser has gone. I missed some of them here. So don't worry about it. You can actually brush your sheet and then look at it again and see if you've missed the part, missed the place. You can use your eraser on it again. Okay. Then we're good. 17. Room Interior Complete Design: Now, I'm going to move on to the window and make the window more complete, as well. I'm working on these frames around the glass. These are look like frameworks, and they're usually made out of metal or wood, and they are going to hold the glasses of our windows. Basically after completing the frameworks, I can work on the curtain a little and the top of the window. And because I want to show that this is glass, I'm going to create these sideway lines to emphasize on the texture. See? I've already got some beautiful scenery here. You can even add some touch ups and some small lines on the corners of the cushions, so we can show that it has a volume. And it's a bit round and fluffy, maybe. Okay. Now, you can even darken this area a little bit more because we want to show that the sitting area or the sitting cushions have a bit of a space with the wooden part of the sofa. Okay. If you darken that part, the space between them, you can actually show the dimension better. In the curtains areas or the drapes, we can even shade some of the edges of the wrinkles. I'm just shading some parts of the some edges of the some wrinkles, just to show that this is also, first of all, fabric, and second of all, it's been wrinkled. It's not very straight, and it has ups and downs in it. It has parts that are curved in and parts which are more prominent. We're showing all of these with simple shades. Okay. Now, if you want, you can even create a rock underneath your sofa or your coffee table or both. Just to make your work even more complete. I'm going to consider a very big oval here for the bottom of our work. And this would be my big rock. Just be careful. I'm creating the oval only in the parts that I can see. And then I create a very background shape coming out from this side as well to complete the rock. This would be just, you know, it might be the final touch you need for your work to make it whole, to make it a complete, beautiful scenery and decor. To Here we go. Just like that, I'm making this part more complete. It can have some patterns on it or it can be just simple. But because I want it to look better, I'm going to add several curved lines on the edges or better say close to the edges of rock. All right. Then again, I get my ted eraser, and I erase these extra lines. I'm only keeping the final lines and main lines here. Eerase all the extra lines, all the extra shadings you've got here while you are creating the oval. Until you can have the result that you want. Okay, brush it off. This part got erased a little. And we're going to create the lines in the back as much as we can see them because we don't want the volume of our work just to disappear because we forgot to create several lines. Yeah, we don't want that. And here we go. These are just simple touch ups that you can do. As you can see, I'm just switching constantly between my pencil and eraser because I'm completing some details, and then I figure out some parts needs to be erased. Don't be afraid of doing that. Just rapidly do it until you get it right the way that you like it. I needed even some more emphasis on the edges of the table. These lines definitely show that our work is made of wood, and we can bring them to the surface of the table, as well, so that we can see the wooden texture everywhere. Maybe we can even complete this basket or plate and the candles a bit. Making them more prominent and showing more. And here we go. We can shade these inner parts to show the fact that they are more in the back and do not forget about these small extra lines inside of the candles. You don't need them. Two. Okay. This is our beautiful scenery and our beautiful decor. I hope you've learned enough from it and you've enjoyed this tutorial as well as you've enjoyed the others. So good like creating your own personal house scenery, decor or set, whatever you like. Now you know how you can make it. So good luck, everyone, and have fun drawing your specific in a special and unique place.