Transcripts
1. Introduction: Hello folks, my name is
Gabriel Felix and I developed this course for intermediate
and advanced players. Do you have a hard
time to figure it out? Watch your hero spleen
the Sung's you live. You might be stuck with
the same legs than played over and over
again. Don't worry. This is the right
course for you. I searched my FIOS to teach a wide selection of glass
and links and phrase. We will start pretty simple, but you will learn
some more advanced and leaks in concepts as well. In this course, you'd find
lessons about how should play more than 20 guitar
licks with tablature. You're going to find
rock matt taboos and jazz guitar licks, five famous guitar solos to
develop speedy and a chorus. So we are talking about
Aerosmith, strokes, art chemokines anymore,
the fury, be hanged legs. In learning how to modify it, in how choose the scales. We're going to talk about
pentatonic minor scales, blues scales, Greek modes. In, of course, Dorian Phrygian leading into the
auditor moves as well. If we're going to
find exercise to develop your skills
and the guitar, how to create your
own guitar licks, how to use our beige use That's
very important technique. And of course, how to provide solids and
leaking much more. Teach you the correct techniques in exercise to incorporate into your practice so you begin to establish the
rag Brex habits. So see you in lesson
number one, Bye-bye.
2. Pentatonic m7 scale: Minor seven pentatonic scale
is a scale with five nodes. Gabriel, you wrote
to a minor scale, there are seven notes. That's why you need
to get your notes. Number 26. Instead
of minor scale, a pentatonic minor seven escape.
4. How to play all 5 shapes of pentatonic scale: Gabriel, how can I
apply all the guitar shapes in my fret board?
It's really simple. Let's practice with
minor pentatonic scale. So the first guitar
stripe is this one. Minor I'm going to play
the guitar shaped me. Always thinking streaming
number six, F, F sharp, G, G sharp, and a
sudden going to play the guitar shape in a fret. Number five, Gabriel, I, how can I apply the
second guitar shape? It's very easy if you
play your first guitar shaped in the note number one. This example, a, the
second guitar shaped, who would be the second node? So see secondary, tertiary, and C sharp, G sharp, a, a sharp, B, and C. You need to count your notes. Star-shaped number,
tree, node number three. You need to find denote
in this ring number six. F, F sharp, G, G sharp, a sharp, B, C, C sharp. And the guitar
shaped number three. You can do this step-by-step
in every single scale. So far, Let's find forth guitar shaped pastas video
and try to find the scale. You should warn us
to this concept we are going to play right here in Fred number 12. So think of me as the first 1, second, 1 c, d, The third one in my
fourth guitar shade. So the last guitar shape where it can replay it. If you really understood
this concept, we're going to play
hearing threat number 15 or the same note
in fret number three. The last one. Let's count. One, c to d. Fourth note is z, and the last node off my pentatonic minor
pentatonic scale is G. So that's why I start in
genome is pretty simple. Just need your practice.
5. Music techniques hammer on, pull off, slide and natural harmonic: Hammer ons can be done
anywhere on the fretboard. But for the beginner, diseases using an open string
to quickly learn, drag and an opening
on the first string, Y denotes steering
quickly and firmly. Press a finger on the
third fret. If you don't.
6. E minor pentatonic guitar lick : It's guitar lick is very nicely developed speed and technique. It's a great exercise for
your fingers. Check this out. Guitar lick, it looks
very difficult, but it was not so
def co as you think. So let's take a closer
look to the first part. New spot right here. We're going to play
a minor pentatonic, E minor pentatonic Soviets tree. And 0, a pull off
to 0 open strings. So every few on the
string number one, we're going to play
the same thing, however, on a string number two. So nope is drained. In this case string number Chu, Chu and open string. In his example, string number tree. This
is the first part. More time simple, right? So you're going to
play this two times. After these are
going to play 20. If a boo off on a
string number tree, exactly why you play
a few bars before. You're going to play
this more two times, the first bar, times
the last four. Alright, this is
the main melodies, so let's play everything
together very slowly. However, during the second time, you're going to play a
little bit different. Check this out. Instead of play to BU off to doping strain. So jeep going to
play on a slide. Lied to tree, come back to
to open string, number tree. All right. Completely fair. From
number two or number three, it's up to you. So let's play everything
together very slowly. Guitar riff, It's going to
sound very nice if you play fast and you can
improvise, does lake. Every single song that has the
key is E minor or G-Major. Sounds very nice. I hope you enjoyed this class and let me know if you have
any kind of thoughts. Okay, I'm here to help
you. Thank you so much.
7. A minor blues pentatonic guitar lick : Now it's time to learn a
new pentatonic guitar lick. It is exempt and we're
going to play a minor. However, I got to play with with the better number
five, the last pattern. So just to remind you to look is like this example, I had a different node. Blues note this. You're going to lay my D-sharp, E-flat, going to add one more note in my
pentatonic pattern. So let's take a closer
look to the first part. Five on a string number one, tree on a string number 15
and a string number two. So next part, you have a hammer on four to
five on a string number two in this part might advise
si's play with a hammer on. Number two entry. He's tree string number one. Come back to the string
number of Chu in play. For entry. The last node is gonna be C. String number treat
prac number five. Not steering important
because it's the minor third of the
pentatonic minor scale. So you can a vibrato,
his last name. It's going to sound very nice. Let's play together various
Louis, gesture practice. Just reminded this
type of guitar lick is a very nice exercise
to develop speed, technique and a courtesy
on an instrument. I don't like to
teach my students with some barring the exercise. I prefer to develop this part. Real guitar licks. All right, so let's play together for me, okay. Now a little bit faster. Guitar lick sounds very nice. You can provide his
guitar lake in songs with the key of E
minor or C major. All right, I hope you
enjoyed this class. Thank you so much. Bye bye.
8. D minor shape 2 guitar lick: So guys, now it's time to learn
a new York thorough lake. It's a very nice guitar lick. Lick is in D minor. I apply here the second
guitar shape first, and the second urn, a pentatonic Myers KU
music sample D, D minor. So I begin. Brett number 13,
stringing them one. After does 15 and 13th
string number two. Next node is Fred for
teens drink number tree. Once and again. The last part is 13 in 15
on a string number Chu, have the first part
of this guitar lake. Alright, so you're gonna play
this more than one time. So the next part is
exactly the same thing. However, the read them changed a little bit in the last note, he's just 13 on a string
number two for his part. Second part. Alright. I don't believe 15th. Dirty Jews, flea, dirt. Have the first bar of normality. Doing a second time, I'm going to play
exactly the same thing we fuzzy for renaming. So instead of plate fracture 13 on a string number two, I play threat 15 on
a string number two. If you play this
guitar, lick very fast, it's going to sound very nice. Check this out. Coup, isn't it? You can add a few him around
some *** off as well, but it's up to you. So try to follow this step-by-step and play this
guitar lick correctly.
9. A minor blues lick shape 3: It's time to learn
new guitar lake. And this time I'm gonna apply the better number tree of the pentatonic
minor scale, right? So we have the first
pattern right here. We already a minor second
fatter and fatter number of trees however I want and wet. Blues note. So it's a sharp four.
10. D minor lick how to play 2 shapes together: Hey guys, I haven't
near guitar Lake for you in this time. We are going to
apply a few guitar shaped shaped number one from, from the clinic minus
K0 and shape a number to the tonic Myers gave. All right, so just to remind
you, shift number one, we are in D minor
shape and number two is like this kind of blues guitar lake. I have a one, read them pattern
in these very important to understand this reading I
believe was for sweep, okay. Number 1212. However, the first draft
isn't a string number. For the node number 1012. The last two notes is owned
a string number tree, okay, So does true first node. We have sweep. So I'm going to pick in
this direction right here. Take your pick and pick left. This is almost a Corp. And I play the
last note, that's 12. Okay, so you're gonna play
this guitar lick right here. Next we told like is
exactly the same thing, however, applied right here. 1413 on a string number 215
on a string number two. Okay, so the last shoe notes, they're kind of ban the fret number 13 on
a string number one, it's just a half-step, Ben Zara to F-sharp. Deep on a string number
Chu friend number 15. It's going to sound very nice. This isn't the kind of blues, jazz guitar lick, France
sandwiches and 60s. Very nice to rock and
roll, blues and jazz. Hoping dry it as garlic
and fracks, very careful. Be careful within the sweep. So half-step band for sure.
11. B minor pentatonic lick shape 5: So guys, now we have
a new York TO lake. We've been a tonic minor scale. We are in this example,
we are in beam. And I'm not going implied
the first pattern. We're gonna apply the
pattern number five. Number five, pattern
number ones right here. B minor or k. Bachelor number
five is right here. So it's guitar
lick is like this. I have as lied ever few
industry number one, okay, So five to seven and play
five and once again, so now I have another
group of nodes. So these seven note number five. However, seven is two, number 2500, assume number one, so come back to seven. All right. So Slide 757. This is the first part.
Truck believed me. Slowly. Alright. Next board is have a hammer on five to 75. Atrophy on a string number two. So last few notes. On a string a number
tree, d and b. Okay, So Frank number
seven and Fred number for minor root note
off our scale. Hammer on Play, 575 with a hammer on the
last few notes I pick. All right, so let's
play the guitar. Lick very fast. Very nice. Very important to memorize
this type of garlic. Because during improvisation, you need to access your brand, your database, and blamed his guitar
legs during the solar. Alright, now it's time
to Brex and have fun.
12. How to speed up in B minor: Hey guys, Now it's time to
teach you a new guitar lake. Let's take a close look. Guitar lake looks very
difficult, but it's not. So they've believed
this disease, beginner slash
intermediated guitar lick. We are going to apply to
pentatonic guitar scale. So first pattern, we
already being minor, and a second pattern, B minor as well, right? They're gonna divide is a few parts. This
is the first part. First string, string number
one, correct number. Dan Bu off just seven. On a string number two. You're going to play this twice. You can play with your
finger number tree. One into. Next part is going to
break Chu Pong cloths. So Dan to seven,
Dan, just salmon. Once, once and again. A second bar here
are going to play exactly the same
rhythm and pattern. However, if different and notes, instead of blade pan on
a string number one, you played on a
string number one. You don't need to
play with your pinky. Alright, So once again, let's play the first pattern
and a second barton. You complete his very
fast sound. Very nice. Trach, Brexit very carefully and fall into tablature
on the screen. Let me know if you
have any kind of thoughts. Thank you so much.
13. B minor lick idea to play in rock and blues: Hey guys, Now it's time to
teach you a new guitar lake we are going to play
be pentatonic scale. However, be minor
pentatonic scale needs you're following
the phrase better. Thank you. This is the first pattern
and the most important as the first pattern and
the most important thing. You need to follow on the most important pattern in
pentatonic scale. The first one, this guitar lake, is just to give you ideas and suggestions to develop
your own legs. So I'm gonna play the
first part and you can improvise the second
Park. For example. This is the first part. And after you play
this first part, you can provide, for example. Alright, so I'm gonna teach you the first part and
a second part. You aren't going to improvise improvisation and will
be very important to develop your skills in
soloing and techniques. All right, so this guitar lake, several puffs, I play it blew
off on a string number one. So Dan, seven,
string number two, same thing and shoot seven
and a swinging number 397. Okay? That's why I play like
a very core right here. Makes everything easier for me. You're gonna make
everything easier for me. Dr. Blaze, me very slowly. Watson again.
14. Greek Mode Theory: Hi, I wanted to make it easier. You work with a C major
scale as example, we already know which
one is the Ionian mode. It is the on major
scales, the same thing. C, D, E, F, G. The next mode is
called a Dorian. It's nothing more than the same major scale we are working with both starting deep. It is a minor scale
with a major six. Now we will use C major scale. Start with the sequence
will be like this. Region scale, ie. It is a minor scale with
a second minor degree. The next grid mode
is the legion. It starts with the fourth
degree of the major scale. So B is the major scale
we've augmented fourth, the 50 grid mode is
the mixture region. It's a C major scale, which the fifth degree in G, a, B, C, D, E, and F. It sees the major scale
with a minor seventh. The next mode is
the Ionian mode, and it's corresponded
to the 60 degree. In our example, the
sixth degree of C is a. It is the natural minor scale. The seventh and the last
one mode is the lacrimal. It's a minor scale with a minor second and
a diminished fifth.
15. Greek Mode Practice: Him. Okay. Him.
16. Ionian Lick: For now it's time to play a very nice
leak in CIU onion. And we have a ***
off rockier, C to B. So H7 on a string number, one, on a string number
to come back to seventh string number
one and another *** off. In this case, Dan Chu eight
on a string number two. The last mode is nine on a string number
treated as eNode. You can play with your
pinky finger as well. We have our ring
finger to zip to you. Okay? But the most
important thing here is to start and finish who've
worn off the tree notes. I always tell you about that just because it's
very, very important. I have a few students that they know how to
play all the scales, but they play leaks like this. Sounds terrible. Just
because they do not know when it's dark and
when finished the lakes. Alright, so it's important
to choose the rhinos.
17. Dorian Lick : Now it's time to plan
Neolithic and check this out. Dri for fairness snake, he isn't it. So you are playing D Dorian. But he has started in C array. So it was a kind of
Dorian in C major sound. Okay, so D Dorian
slept. See me results. So nine and a string, a number of tree,
come back to Dan. Dan arise. So I play with my middle
finger and index finger. After this bar nine in the
end, stream number tree. Stopped my league here in
12 on a string number two. So my B note the Daria node 13, piano, string number two, right, so wrong it out. Sorry. If I want to
sound more daunting, just stop my lake. In B. You're going to
sound more Dorian. Remember him taking
several type of leaks in a blind modes and apply the
ideas of improvisation, okay, the most important nodes that you can and
cannot stop array. So it's important to
practice like this. I don't want, to, don't want you to become a student that knows how
to copy all the leaks, know how to play all the scales. I need you to Brex interests form
everything you know in music, everything I teach you in music. From these, it's important to
understand oldest concept.
18. Phrygian Lick : Tree for I know lick a new leaky near
Friesian and we start in him. Be notes. Okay, So fret fourth string of 51415 on a string number four. I play with my finger. Want you in tree, okay? I repeat the same
pattern. Try so. But this time I do
not stop at goes to 14 on a string number tree into wherever on his
drink number treated. 12 is G notes, right? So this links very nice sounds a lot on a lot
of Friesian just because I stopped math notes or Greek. So my last note is G. So a flatter. We think in Frazier, It's going to sound perfectly. But please take this idea of COP my lake and it provides only, alright, so great
something else. For example, take the
first born complete with something else, whatever. But it's important that
you practice like this and try to exercise your
creativity as well. Creativity, your knowledge and scales and guitar
shapes in Armani, buf of Deanna, very important.
19. Lydian Lick : Tree for new leak in. You can listen this
leak do not sound F Lydian Jews because
my last note is C. You, alright, sees one off. The triads of F is
a perfect fifth, but I do not stop in B. That is the most
important to F Lydian. So B's right here. But my last node is C, Okay, if I stopped my lake in B.
20. Mixolydian Lick : This week sounds very
nice and looks at kind of familiar, he isn't it? If you watched the TV show, France, sounds a little
bit like France. At least the first
part right off the melody, the
soundtrack melody. But let's go, let's get started. Start here and in notes. So I played twice. The second time I played, I had a boo off to frat
number, number two, okay? In a same strength. So
string number tree. From this born I play 53 on a student number four
in five on a string. Number five, come back to
tree and five on a string, on the floor, shoe on a
string number of tree. And the last note is five and
a stream of a floor, right? I play Tiger Lake, we've just drew fingers, so my my ring finger and
index finger. All right. So you can add up who off? Wherever you want. On 53. Okay. But I think this link
does not sound chew much g Mixolydian GIS because
I do not stop enough. But as starting major
third, taffy Africa. But it's not a do not
stop to max, right? In my last note is G. So
that's why I think this is more like join him, Oh Dan, a G, mixer leisure. But it'll actually put
this kind of guitar licks. And in our course, Just because it's important
to you to understand the difference between
the mode sound and the major and minor sound. Just because sometimes
people faint they are playing and Mixolydian
Dorian, Phrygian mode. But GIS planning
major or minor mode. It's important to
think about the notes. All right, so take this idea
and provides your own leak.
21. Aeolian Lick : 34. We have a very nice guitar
leaking AIR blend mode. And we are going to
start right here with the frack number five on a
string number one anode. The next note is
the perfect fifth. Sixth note number three
and pull off to five, come back to five on a
string number, true? Alright, so sinful like that. In the last few notes, 75 on his tree number tree. My last note is C. C is very important because
it's a minor third. So three most important nodes on each node is the root node. Flattery. See Ghana,
perfect fifth notes. So you can change this melody, the rhythm, the approach, but provides with denotes a few. Shape. For example. Just use your creativity.
22. Locrian Lick : For this links, very nice. And I play with palm watching. So I play fret number nine on his drinking
before we've found moving. So you just put it as part of
your hands on your guitar. Play. Want you 341234
plus 37 times, right? So once you true for, once you treat
seven on a string, number tree, a flat tree re, come back to be so 91 more
time and a string of reform. That is our C note flat shoes, a very important
notes for block run. Not a very important
note as well. So it's a flat five. I finish right here in ear. So frat number 900, a
string number tree. I can add more. My lake naff as well, so it's going to sound more
locker. So check this out. 34. So it's gonna sound you've
finished right here. It's going to add a tumor
and spice at least to me. Okay. Locker is very
hard mulch work with just because we
have too much tension. So it's very difficult to find a sung with key with the lacrimal. That's why you need
to be careful.
23. Sound Like Joe Satriani: 34. This is a very nice jury
saturating guitar league. I saw up live show
here in Brazil. And I blame lake very
similar to this one. During his position
in such random mix, a lot of minor pentatonic
and the Dorian mode. If you analyze minor
pentatonic in dark mode, you have the older nodes
are completely the same. However, Dorian mode
you have a major sixth, so he had the major
six right here. In this case, we are
already in the minor. He had right here in. That's why he plays a
kind of band right here. It has step being do not
play a hold step bands. Fernandez, my shortcut
for you guys, if you want to sound
like Drew saturate any, he is PQR, minor
pentatonic lake. And add a major six. Coming to add this
sanctuary and inspires. Carlos Santana. Place the same trick as well. So RF guitar players
play like this, just because Dorian in minor pentatonics
are very similar. From this, let me teach
it as guitar lick. You are going to play
on a string number two, a half-step band
goes up, goes down. Bu off to Dan, 12 and Pamela more time. 13, shelf Dan. It's largely 12. Come back to Dan
and the last node is nine on a string number tree. I pay almost my entire lake
on a string number two. And of course you can
change the rhythm a little bit and add
a few hemorrhoids, Bu ofs in slides. All right, So if you can, you should want to add
as LAD right here. It's going to sound very nice
as well. That's up to you. The most important things
to understand this, that such really mix
all this patterns. Sometimes you play chromatic
guitar licks as well, but this lesson is about
Dorian and a minor pentatonic. All right, let's bring
one more time tree for right now it's time to
create your own legs.
24. How to play fast and clean: Three for very fast
to play, isn't it? So it's a very nice
lick, true? True. Practice your scales
and off course, exercise your fingers, right? I like to play jazz. We
figure number one, tree. Sorry, want to entry? So index, middle finger
and ring finger. But juries such Ronnie, amazing guitar player he plays with figuring out
before as well. All right. Sometimes he plays with
finger number four as well. And he placed a lot
this type of approach. And the idea here is to
connect the demotes very fast. So here he plays the darren. So he is in a minor
key, C major key. So he plays a door in here, and Friesian right here. The ADA is oleic with one of the most important notes
of your EMI retry. It finished garlic. One of the most
important two notes of your Myra tried in this case, a is the root and
sees them martyr. That's why he started he an
intent and finish in 13. The other idea is
to play the mold denotes off your mods
very fast and connect. Often. He can create any
kind of pattern. For example, he can
start right here. In play mode number two, tree 45, sorry, mixer, leader mode right here. Alright, So he is the
root of this scale. So this is a very nice idea. I need to, first of all, I need to teach you today
they guitar lick, isn't it? So gesture, you've a bad idea. So the first thing is a poor
him around and chew off and touching on a string
number two, just once. Same pattern, one string down. When I played 13 ICANN Act 15 with his line and come back. So 15, searching in 12. So it's going to
sound like this. Sorry. It's going to sound like this. After you played disbar you
play to F on a street number 11513 and chew up on his dream number Chu income back to the last notes, right? So one more time. Please do not add distortion. When you are going to practice this type of guitar lick
your Kate's veering, fortunate to practice your data lakes doubt,
distortion, effects. All right. You should put extortion. Gonna, he's gonna be much
more easier to play. Play your guitar licks when
you are studying music. Clean, just blew your guitar on your amplifier and he played
his guitar lick clean. It's much better because you can see if you are really playing the notes with
the right a chorus. Just practice with clean guitar. I hope you understand this idea. You can repeat this type
of patterns as well. You can apply
respect the tonics. Tree nodes are strings. You can creating a kind
of pattern like this. You just have to be
worried with true things, the first and the last node. All right? So it's important to be worn off the denotes off your triad. Connect this, this
pattern very fast. Blame. Most of the case.
Tree knows best. Shrink bursts string,
okay, So that's fine. I play it right here. Right here, right.
25. Horizontal Basic TRIADS arpeggios on string number 5: Now central player pages
on a string number five. I went to play as triads. First example will be E major. Bedrooms and courts are
the same thing for this. We need you to take
notes number one, tree in five of our SKU. In this example. G-sharp B. Okay, and we're gonna
repeat a few times. So sharp India ink
and NADH right here. All right. So going to be middle finger friend
number seven on a stream, number five, index finger, Fred, number six on his
dream number floor. Finger, ring finger. Are your finger number
four, It's up to you. Fred, number nine
on a string number for bringing finger frat number nine on a
string number of tree, ring finger once and again fret number nine on
his dream number Chu, index finger, breath
numbers seven, stream number one in Europe. And finger breath number
12 on his tree number one. So you have three
types of basic triads, a major triads and
title we play. Minor, try it,
that's very similar. However, you're
going to change this once and go notes that of play breath number eight
on a string or flora, you play Fred number ten
on a string, number five. So instead of play friend number nine on
a string number chew, you play fret number eight
on his dream number chew. This is a minor arc beige or if you want to
play in Lauder, keep an array, for example, F minor, you can play the
same phenotypically ray here. One whole step ahead. So on you can play any
kind of minor pain, Zhu, if you follow this pattern in
the last pages of diminish, It's a minor Beijing. However, you need to change
one note that I'll play. You play B-flat instead off the fret number nine on
the string number floor. Play Fred number eight
on a string or floor. Instead of place that number seven snow on your
belief, prep number six. Going to sound like this. Manifests for you guys. Use memorize this guitar
shapes in brackets a lot. Apply this type of techniques
in your guitar solos. Okay. See you later. Bye.
26. Horizontal Basic TRIADS arpeggios on string number 6: It's time to learn art. Pages on a string number six. Pages are the same
thing as courts. From this, we need to think
about cars is exempt. I going to play C major chord
from this seat. Number one. Node number three of my scale. Jeep. Turn out number five. Gonna play with your
middle finger, Fred, number eight on a string, number five, sorry, six. Brett numbers seven on
a string, number five. Okay. With your index finger. Big finger, Fred number
down the stream of five. After this part, New Play. We feel our ring
finger breath number, Dan on the street and before middle finger friend number nine and the stream number tree. Index finger threatened number eight on a string number
four or number two. Check this out. The last note is number eight
on a string or a one sound. The other pattern is
a minor patterns. So instead of, it's the same
things at listening fee, sex cycle, the same notes. However, you need
to change E note, status, play E, E-flat. My advice he's put this first E-flat stream
number six, front number 11. So a second flat breath number eight on
a string number tree, it's going to sound like this. The last page ALL is diminished. So we needed to play
exactly the same thing as C minor in changing
worn more notes. So G-flat set of play if bad number ten
on a string or five, replay for that nominal nine
on his tree. Number five. That off play frack
number eight, deeply fret numbers sat
on a string. Number two. If they play, everything is
going to sound like this. In this type of aphasia is very
important to understand that concept and
memorize the pattern. Because if you want
to play, for example, let's come back to the
first major, our painting. I don't want to play
C, I want to play D. So we need to find dynodes
on a string number six in play exactly the same shape. Simple like that. That's why he's important to
memorize the pattern.
27. Horizontal 7th ARPEGGIOS on string number 5: Now Stanford and
Sabbath arpeggios. I'm going to focus on
a string, number five. Alright? So gesture remind you. You need to choose a scale,
okay, and there's exempt, we are going to choose C major
scale in play notes number 1357 are fewer scale. Alright? So in this example, you see nb in, we are going to repeat
these two times. So GNB, bachelor is
gonna sound like this. Step off patterns very important,
provides guitar solos. It's gonna help you
a lot, you know, being able to play it
ourselves like this. The first node is C, middle finger, Fred number
tree on a string, I'm five. Index finger, Fred number, chew on a string number
for your pinky finger. Brad number five on a
string number floor, ring finger, Brad number four
on a string number tree. In figure one more time. Though, Fred number five on
a string number of tree. Our finger, breath number
five on a string number Chu, index finger, Fred number
tree on a string number one. And your pink fingers,
red numbers on a string number one. Issue. Want to change your fingers to complete like this as well. Instead of blue
sharpening finger, play with your ring finger. This is C major or
a major seventh, though, BZ major seventh. If you want to play a
major minor seventh, you need to play
exactly the same theme, Kate, but you need to
change one single node. That is, instead of play for them sworn
string number tree, you play bread number tree
on a string number tree. That off play nine on a
string number one, you play. Sorry, let me start off
please. Seven on the stream. Number one, you play six
on a string and a low one. 11th. Microsoft. Mine birth pages with
a minor seventh. A little bit different. You need sure. Ship, yard, minor seventh,
fret number, treat. Breath number six, exactly the same
arpeggio replayed before a major breakthrough
with a minor seventh. However, we need to change,
warrant more notes. So instead of play, we
need to play D-sharp. And instead of play here my
advice is played on a string, number five is gonna be easier. So number six on a string number five,
keep the other notes. You need to change. Frat number five as well. So instead of play
friend number five, you play breath number four
on a string number chuh. Sound like this. The half-diminished sharp Asia is the same finance. This lesser patient.
And you need, you're changing a
lot more minutes. So instead of plate, you play G flat or
at Sharpe from this, you need to change
this note right here is where I
forgot about that. So he set off play, G, F sharp. So it's going to
sound like this. C, E-flat, G-flat, B flat, E flat, G flat, and B flat. This is a half diminish our patient with a
great exercises. Play the Artesia's of
the C major scale. For example, C major. We've had major seventh. Second chord of C major
scale is D minor scale with minor seventh chord number
treaties E minor scale from minor seventh chord
number four is F-major. We felt major seventh. Chord number five is G
major with a minor seventh. Sound like this. Core number
six is a minor seventh. The last chord is
B, half diminished. So after you memorize this for patterns, you can practicing
auditor scales. But it's very important
to apply this type of techniques in New York guitar solos
and your improvisations. Tragic compose your own
licks and applied stacking.
28. How to use arpeggios to create licks and solos part 1: You already know how
to play our pages. Now it's time to compose
your own guitar leaks. So I have a few short
good for you guys. The first one is choosy 11, RP Asia, for example. C major triad. You can play the arpeggio,
create a mallard. Jews we've denotes off
these are patients and add an extra note
from your scale. For example, these
are patients C major. From this, we already
see me rescale, going to add, denote that is the second node of
D-major scale, right? So I have annual melody. Another example. Let's keep them with C
major Pedro and add notes. That is no number
six for our scale. So this is a very, he's approaching to create
melodies and get all legs and a second approach and
use europe, Asia. So let's keep we've
seen measure. Once training. I got to choose
strength number, Chu, going to play the scale,
horizontal position. For example. Let's go see my guitar lick
sounds very nice. And I choose string
number to simply be a. G. And G is not necessary to create a hose kale juice true tree or 4-node of this gear. Your beige. Okay, so let's play
one more time. Let's play another example. Going to see your patient, but I'm going to choose
the first tree. Can play. The same thing is example, I played deep, one
whole step band, so come back to D. C in deep. Sounds very nice. You can choose Ds are PGY2, there is another one. This is up to you, okay? You can finish any kind of beige on and apply these
two approaches. Now it's time to practice
and use your creativity.
29. How to use arpeggios to create licks and solos part 2: Now it's time to create
your own art beiges. As you know, our patients
the same thing as courts. So let's play one single chord. C major. Morning. Sir, we have C, G, C, one more time. E, G, C. Not necessarily to
bleed all dynodes. That's why you're
going to choose Jews. Few notes. Let's choose, see, it
trembles important nodes. Instead of six notes, have just treat notes. As you can see, I have warm more finger
might think finger. So let's add our new herpes
Zhu with this finger. So it has string number
one to add this new node. So you're gonna add deep. Now, I don't have to measure
B2v, have a seizure. So this is a seat nine chord or a C or B issue and can create
several types of melodies. Let's create another
very nice example. So let's come back
to see me record. Set up. Note number four. That is F, a C or a C4, corn, or C14 or aphasia. Usually when you have
a note number for, you cause 11th that off. Just for. Let's compose a melody. As you can see,
sounds very nice. Idea here is choose
a pattern and NAD, NADH or note for outside is pattern to create
this new or Piazza. And it's very important
to understand a lot about chords to
create these pages. For example, if I add D
sharp or a flat or E-flat, not gonna sound barrier
up because it's a minor term inside
a measure aphasia. So it's gonna sound Nice. That's why. Before you've
breaks this by puffing, it's very important to
understand a lot about chords, lot about scales by both
courts in the nodes inside the courts that after you want to
stand his concept, just Brex, lift his approach.
30. How to improvise guitar solos with arpeggios: Now it's time to transform
our pages in guitar solos. Dee, Dee Fink, our page RA, as another technique,
for example, a band or tapping technique. Hammered on but Bu off
or something like that. The main goal is to
apply their pain. Zhu Chu, improve your
guitar solo or your melody. Alright, I'm gonna
play a backing track. And his black back in track is in the minor from these fair dealing triply minor
pentatonic shape. And off course we are
going to use fewer pieces. Before we begin, we need
to check their paycheck. That works very nice. Mod. So if you are in D
minor, we can apply. These are busy right here. That is B minor page. You want a string number six. Of course we can
play here as well. A similar page with a different guitar
shaped, one octave. It's the same shape as this one. Another very nice shape
is this one right here, is a minor shape on his
drinking number four. And of course not necessarily
blade just be or pigs you, you can thinking
the B minor scale and see what kind
of courts we have. For example, quarter
number four, we have a minor from this, you can apply guitar
shape right here. This our patient shape, the same as F sharp
is a minor as well, so can play it. It is minor, it are shaped. We have 1357 and we
repeat the notes, or you can create
a flat surface. So 1357, sorry, 135135. All right. Step two, you an odd shaped like this one right here
is a major, a minor. He had the minor. However, we have
major and major, so it can create very nice leaks with these herbaceous, alright. So as you can see, you need to choose the shapes are shapes that
you've already memorized. Shape steady, you'd like. Just a heads-up is not
necessary to bleed. Just the shapes that I
teach in your course. You can create your
own door shape or pages are key, for example. Let me see. I have it. Shape right here. So 175 entry flat tree, right? So we can play a melody here. If I create a managers, we've four notes, four notes of meyer patient or a CAD forth. For example, if you've
gone into four, is going to play B
minor and add a note. And I create a very nice melody. As you can see, it's
important to use your critique as well. So now you already remember
a little bit there pages. I did find that
the possibilites, software patients in an hour, harmony choose your
the best or P2's you like and their pages you
are ready to memorize and know it's time to
apply your creativity. Apply your, our
pentatonic shape, alright, and improvise
a little bit. Alright, B minor. Let's begin with a
very nice or pages. So let's put eat. Come back to be
buying weren't page. Here's a tonic scale. Try it one more time. Other facial. As you can see, this G-Major
aphasia in a business sense, they're outside, isn't it? Let's play. Minor. F-sharp minor. Nice, isn't it? Supports which I'll come back
to be supportive to follow this B minor Armani in our song. Let's play fewer bedrooms. Sequence. Minor, F-sharp minor. B. Meyer. Let's go there. Nice, isn't it? So as you can see,
he's important to practice a lot,
lot, lot, lot. And of course, use your
creativity to create your own up our pages pattern, such as this one right
here, did I add, you know, of course, to mix with other techniques
such as him around him, Bu RF bands meets the DRP
Joe shapes for example. I mix this our page on
a string number six, be in my yard. Beijing. Sounds very nice. Okay. Homer. Homer, time. Minor. Minor. Minor. Very nice. Now Sam shipwrecks.
31. How to Improvise Guitar Licks Like a Boss: No, I have a personal
advice for you to create your own guitar legs. I tested this approach with several students and
works very well. It's very easy to
understand and to memorize the most
important notes. The idea here is to take a key, for example, a minor. I choose this key because a minor is in the middle
of your fretboard. And it is a very simple scale because we don't have
sharps, not even flats. Alright? The first thing is find a mine or on
your fretboard. So we're gonna be breaking
the pattern tile. We are going to place a
minor pattern pentatonic. Important to memorize
this pattern. The three most important notes
we aren't going to drink, provide something
or create a lick, is a note of your triad. So let's think about
a minor triad, 135 of Yahweh's kale. Alright, so the approach
here is the first node and the last node of our guitar lick will be
worn off those three notes. For example, that's
the beginning of, if that's number one, we need to find a
in this bar off the fretboard, c in here. Memorize this will
be very important. My first note will be in
the last node of lake. Maybe a as well. Denotes in the middle. It's not super
important right now, are being bought in the future, but it's not so
important right now. You are a beginner. So let's think. Simple. However, I just
have one simple room. Denotes in the middle, needs to be in our bathroom. Okay? You cannot play a note
outside. Your pattern. For example, D-sharp,
not gonna work. C-sharp is not gonna work
because it's not in my patcher. Alright, so the first note is a gonna begin my
league right here. I choose to say I could
choose this one to one, but I want to choose this one. And dynodes in the middle
should be in my, in my guitar. Pattern. In the last note would be a gonna play this
rock right here. So I have one guitar
like right here. Let's create another one. I have another one. Let's
create a third Darwin. So they're going to change my, I know I'm not going
to play this a, gonna play this one. I'm going to begin to link right here and finish right here. So let's try. Sounds very nice. Another device for you guys. He's tried to sing something, just seeing something before
you play, for example. And I don't know, maybe find those notes
from your guitar pattern. Sounds so nice. So I'm provides a little bit. But the most important
thing is analyze that my first note is a in my
last node is a as well. This is a very easy
step-by-step to follow. Knew why is it a
choose just one part. You're off your fretboard. It's simple just to help
you to memorize notes. Memorize the notes. And now we're going to
do step number two. Not the other node that
is very important. In a triad. It is the number of
tree off our triads. So in this example, we need to find c in this bar. So Cs right here,
here, and here. Usually you're going to
find two or three times. Denote on your friend board. The idea here is the same. Begin my guitar lick. We've seen the last node can be seen in the middle of the road and we have his play
the nodes of shop better. Okay, So let's begin right here. I'm going to my last
node to be here. Okay? So sounds very nice. Another example,
going to begin here. In my last node
will be right here. And see. Watch this video is gonna
look very easy to play. But remember, takes a lot of practice to do this
type of thing easily. You should practice during two tree and form of
this type of exercise. Not just wonky, but in
several water keys, is gonna help you to
develop your ears for sure. Memorize the notes
on the fretboard. Create your own guitar licks, though it takes time. In the last stop is think in
our fifth of our a minor. That easy. But we have another
keynote right here. You have it right here. And I'm going to
begin my leaky me. Finish my lake and Nada example. Beginning a and finishing e. Not an example. Finish, begin in and finishing. Remember you can do this kind of exercising every single key. And we've several types
of patterns can play. The same idea right here
with the second pattern. It can begin in and finish, and E are beginning
a and finishing C. Alright, so it's up to you. You just need to focus in
worn off those three nodes, a and C, and you every single
part of your guitar neck. But my advice for you, for your true beginner is beginning just want single
bark, nephew, memorize this. Barge off your fretboard. You can change. All right. Now it's time to Brex. Brex and Brex. Let me know if you
have any kind of thoughts. Thank you so much.
32. Aerosmith Pink Guitar Solo: Now Sam should play
pink by Aerosmith. The first part is, the
first note is true. Hemorrhagic 13 and come back to 12 on a string number two. After JCO, Plato and his
drinking number of tree.
33. Arctic Monkeys I Bet You Look Good On The Dance Floor: Now it's time to learn a back new look good in a dance floor. In the first guitar
riff, sounds like this. You need to play the first batch of minor pentatonic
in this example, F-sharp, frat number four
on a string and our four, yeah, Just a heads up. You are going to repeat
this four times. So 123412341234, every
single node four times. So first notes, string
number for Fred number 4. Second notes during
number, tree, fret number to
string number two, frat number for
string number two, correct number to string
number two, frat number five. Now repeat the same
thing once drink down. So after this, you have seven on a string. Number one, a few, one whole step bands. After this. 75, industry number 175 on a
string number two. So come back to 75. It's almost a pattern that
he repeats several times. So come back and play
the same fee like this. Up and down. You just repeat your time. So the last part, please, his light on
a string number 179. And come back to seven. So let's repeat everything. All right, After this part, 73 times five to five and
a string number, chew. Chew on a string number two, five on a string number one into when a
student number one. So in this last part, he's going to play the pentatonic minor and
the first patchwork, they're the same pattern with
blank for however, Google. Yeah. Okay, So the first nobody's tree times number two. You'll play five to a string. Number two goes to four on
the street number tree. Come back to chew five. More time very slowly. After this, four and choo. Choo times on a
string number tree. Please, for Intune a
string number four. So come back in and
bleed the same fee. However, just one single time. Plate number for a few
times and bleed is light. It's a little bit complicated. There's less part, right? So my advice for you guys is follow the tablature
earnest screen. You're going to
play teasing fire. Last part. Just one more time. Okay, fairly slowly.
34. Smashing Pumpkins Tarantula Guitar Solo: Now it's time to place
mashing them kings. And the first thing
you need to do is tune your guitar half-step down, okay, so in E-flat, E-flat, second string, B flat, E flat, D flat,
flat, flat. Okay? First parties. So as you can see, we have a very fast lie
on a string number one. Trap number five on
the string number one. Don't assume number
one. You're going to repeat this five times. 45. As you can see, I play
strings number one twice after I play my
slides, so twice. So I'm going to repeat
this five times. Worn shoe tree for
it by very fast. After this string
number two, an 11. So as you can see, Dan is treat times during the second
time, just four times. So the next part is string number one,
fret number 191715. Trick number two, same thing. The last node is 17 on
a string number tree. So next parties travel and his training number tree. After D is true
evidence dream number to come back to stringing
number of tree. Play 11. Come back to throughout
on a string number two, plate night on a street number, treat the last two notes. A string number, truth in 11. Gonna play this road
session. It's very easy. The last parties, It's true
number choose open string. And I play every few in
a string number 287. Have a very fast metallic
seven Walmart time in a play him around. Maturing 87. So goes
to nine, back to 77, string number treat 90 on
a string or treat come back to seven on its
training number four, the last node is
seven on his drink. Number five, homework
time very slowly. Gonna play. It interrupts solo, but
slowly away from me. Okay.
35. Metallica Nothing Else Matters Guitar Solo: Now it's time to
learn Metallica. Nothing else mattered. First portrait going to play
a Chernoff double band. I played a ban on his drink
number treating a frac. Number 14. I've ever put
my finger number 12. Well, if you're on a
string number two. Okay. We're going to play two times. Pratt 12-string number treat. After disbar you play. Next parties 1212 and Madelyn
on the string numbered, treat for 11 on a
string number tree. As you can see on
the tablet tour. After does well, 14th. Fret number 14. We feel finger number 112, you on a string number of worn. Be careful because it's not necessary to place
during number Chu. Once and again more time. After Jews, you
have a pivot point. Guitar lick, Soviets, 15121412. And okay, so very fast. Kick gonna place
since the beginning. Right after this bar. Have abandoned the
FREC number 14. Wherever your pinky
is gonna be in a threatened number 15
on a string, number two. Go to play those there. My advice for you guys is
put your finger number two on a fret number 13 to
help your finger number tree. After it is throughout,
industry number 321414. Next guitar lick. You're going to play his light. 15. My devices play
with your finger. Number two. Fortune once again, to where we are on a
string number two. So during the next di
did the second time, you do not come
back to you Ralph, you play Slide 15 to 17, known as string number one. Next part is, this part is
very fast, so bad thing. They're going to be 54 to hammer on to 15 and
a *** off to 14. Okay. The finger number two m1 to have on a street number
chew it wasn't again. Run a pleading targeted
second part. The last part. You're going to play 1214
to one hold of stopband. 1412. Unfortunate. Be careful because during
his band you're going to be 14 Up, down and pull off. So WAF and affords known
as true number four. As you can see on
the tablet tour. In the last part is once again in the tonic minor scale. So 14 band 121212. You can play like a buried for one whole stack ban on
a flattening of nephrotic 15 in 1512152 times in a very nice, very bright tone down. Once and again. Be careful, tragic tune. These last Bian by year. It's very important. Let me know if you have
any kind of doubts. Alright, I'm here to help you. Thanks so much. Bye bye.
36. The Strokes Under Cover of Darkness Guitar Solo: Now it's time to bleed as strokes under cover of darkness. The first risk is, all right, So first thing, number one, fret number nine
on a string number three. Number three, frack number
11 on a string number two, we've started thinking
breath number 12. You need to play. It is better to time. So after this, 11 on
a string number two, after 119, you want to stringing number tree in 11,
stringing number tree. First time, second time, 11911. And repeat 11 into evidence
during number two. All right, I'm gonna
play very slowly. After this. You play 11 is string
number of tree. 11, a string number
chew into auf. You repeat almost
the same pattern. 1111 Sue number, journal entry. Alright. Intercom back to
the first pattern. You play 11, come back tonight. First pattern, impasto 11, come back after Daisy stuff
goes to pattern number, true? Do you play? Number eight? And you have our pages. Eight on a fret on the
a string number tree, 11 or string number two. And number nine on
a string number 17 on a string number one. You can play 12 on a string number two,
it's the same notes. So our next parties, you play 15 slides, should 17 goes just 60. Lied, true? Seven,
everything on a string? Number two, you can, instead of play, we
fear it's lighting. You can play with
the band as well. But it would be much
more difficult to, to to next part. Play to Ralph on a stream number Chu 111211 or the
string number one, come back to seven, is likely to chew Ralph. Play 11. A string number one in manual is triggered
number two, right? After this. Play on a string number two,
fret number 1112. String number one,
fret number 911. Simple like that. After
this part we have a new total lake to come
back to the first part. So all right, frat number
nine on a string number one, you need to play a very nice Bu off on a string number two, so 119 to pick just one time. So 11, the string number tree and
come back to the first riff. Gonna play this
session very slowly. Check this out. After you played is
main riff Walmart time. You play on a
string number tree, six on a string number tree. So it's a very nice solid, is very facile as well. So my advice for you
guys is practice a lot. Watched his class one more
time, 90 oldest, step-by-step. And if you have any
kind of doubts, please send me a message
for the platform or shaq. Okay, I'm here to help you. Thank you so much.
See you later.
37. Final notes : The last lesson of our course, and I have three things to talk. The first one is, please
evaluate my course. This is very
important to my work. This type of feedback is going to help me to
improve my lessons. And of course, the visibility
here in this platform. So this reveal pour this feedback part is
very important guys. Second thing, you can watch
the course over again, kings, Not a problem at all. We have any kind of doubt. Just come back and see
the lesson over again. This is important,
very important. Because with this you
are going to absorb a 100% of the knowledge
Hanover tree is visit my profile have several
types of courses in this Florida form froms going to help in
the future, right? So think is so much
and see you later. Bye-bye.