Transcripts
1. Introduction: [MUSIC] Did you know
that you can use a household item such as a toothbrush to create
watercolor florals? Join me today as we
learn how to paint watercolor anemones using
the layering technique, and of course, with the
help of a toothbrush. Hi. Welcome to my
Skillshare class. My name is Joly, and I'm a watercolor artist based
in the Philippines. I'm also known as
jolypoa on Instagram. That's where I post
all my paintings, my process videos,
time-lapse videos, and anything about watercolor. Today, we are going
to learn how to paint watercolor
layered florals, and I'm super excited
to share with you this class because
this is suitable for beginners or for
anybody who wants to try a different way of
painting watercolor florals. In this class, we're going to talk about the materials that we need and one of them
is the Surikomi brush. But instead of a Surikomi brush, we're going to use a toothbrush, which is a common
item in our homes. I will teach you how
to add texture to our florals using
just a toothbrush. One of the things
that I love about painting with watercolor
is being able to achieve that transparency where you can paint several strokes on top of each
other and still be able to see the
layer underneath. That's what we're
going to learn today. We will also learn
about the do's and don'ts of layering
petals and leaves. As an exercise, we will do
simple florals like this that will serve
as a mini project before your final project. After learning how to paint the layered petals with
the anemone flower, I'm going to teach
you how to add that 3D effect to the center
of the flower using gouache. At the end of the class,
you'll be able to paint a half-wreath like this. You can write the code
in the center or write your initials and then put this in the frame and the
[inaudible] in your home. I'm pretty sure that you're very excited to start painting. Let's grab our brush and
move on to the next lesson.
2. Materials: [MUSIC] Let's talk about
the materials that we need. For the brush, I'm using the
silver brush black velvet. This is a round
brush and size 6, but you can also use a size 8. This brush is a mix of natural squirrel hair
and synthetic hair. If you prefer a synthetic brush, then I will recommend to you
the Princeton Neptune brush. Even though it is synthetic, it still works like a
natural squirrel hair brush. The next brush is optional. This is the Princeton
Heritage brush and size 2. It's a round brush that
we can use for details, but you can also use your
size 6 brush to create the detail so that
you don't need to use two brushes anymore. For the paints, I'm
using the Shinhan PWC, it's a Korean artist
grade watercolor paint and it comes in tubes, so you can just pour it
into half pans like this. Then we need a white gouache. I'm using the Holbein
artist gouache. This is in permanent white. But if you don't have gouache, you can also use poster paint. For your pencil, I'm just using an ordinary mechanical pencil. In this class, I'm going to use a ceramic palette as
my mixing palette. If you cannot find special
mixing palettes like this, then you can also opt to use ceramic plates or you can
use plastic palettes. Then we need to prepare
a jar of clean water. We also need tissue paper to dab the excess
water in your brush. As an alternative to
the Surikomi brush, we are going to
use a toothbrush. I find that they make similar brush strokes by
dabbing them on the paper. Since the Surikomi brush
is a little difficult to find and not accessible
to a lot of people, the toothbrush is a
really good alternative. For the paper, I'm using
Fabriano Artistico. This is 100 percent cotton
paper and it's cold pressed. I also chose extra white because the colors pop up more
on this type of paper. Like any other classes, my tip is to buy
a large sheet of watercolor paper and just cut it into smaller
pieces for practice. If you don't have this brand, I suggest to choose a watercolor
paper that is 300 gsm. That's it. We're ready
for the exercises.
3. Surikomi vs Toothbrush: [MUSIC] In this lesson,
we are going to discuss how to use the Surikomi brush and the
toothbrush in our paintings. Let's start with
the Surikomi brush and I'm just going to dip the bristles in the water and we are just
going to dampen it. I have some paint squeezed out
on the ceramic palette and now we are going to grab some paint using
our Surikomi brush. I'm going to show you
what will happen if there is too much
water in our brush. As you can see, having
too much water in our brush will produce a puddle. Let me just zoom it in for you so that you
can see it better. Now we need to avoid
these puddles. In order to do that, we just need to grab our tissue
paper and let's just dab the excess paint in our
brush and let's test it out. That's better. Now we can see the
texture from the brush. Let's just dab it on the paper. Now I'm just grabbing some more paint and
then making sure that there's not a lot of water so that I can get a
deeper shade of green. I am still using the
shade sap green. As you can see, the color changes depending on how much water I
added to the paint. Now I'm adding a
little bit of indigo because it makes this
look more interesting. You're doing this exercise
because this will be the center of
our anemone later. Let's move on to
using a toothbrush. Now I'm just going to moisten the bristles
of the toothbrush. Of course, you have to make sure that we don't have
too much water in our brush. Right now I'm going to show
you what will happen if there's too much
water in our brush. As you can see now, there are puddles every
time I dab it on the paper. In order to remove the
excess paint in my brush, I just need to dab it
in my tissue paper. Now let's grab more paint. As you can see, I didn't really add that
much water in my paint anymore because the
bristles are already wet. When you are about
to dab the bristles, just use about one-third
of the bristles, just along this
portion of the brush, so that you can create
those nice marks. Now let's just repeat it by dabbing just the
tip of the brush. Now let's try to
add some indigo. As you can see, I also did not really add a lot of water in
my paint because I know that the bristles
are quite wet already. If you compare the markings from the Surikomi brush
and the toothbrush, they are not exactly the same, but they do look similar. That's why I think that it's a good alternative to use
a toothbrush instead, since it's difficult to
find a Surikomi brush. I hope that you enjoyed
doing this activity with me and now let's move
on to the next topic.
4. How to Achieve Transparency: [MUSIC] We can achieve
transparency by adding more water to our paint. I have here my Shinhan PWC and this is the color turquoise. With a wet brush we
are just going to grab some paint and I'm going to mix it on the
ceramic palette. Let's just watch
this on the paper. As you can see,
it's quite opaque. That's because we have more paint and less
water in our mixture. So now I'm going to introduce
more water to our paint. Let's try to swatch it again. You can see that it's now a bit lighter because
we added more water. Let's try to add more water
to make it more transparent. I think we got the right
mixture of paint and water. This is what we will use for the petals of our anemone later. Let's just zoom it in so
that you can see it clearly. In this section, you're
going to learn how to layer and I'm going to show you the Do's and Don'ts of layering. Right now, I want you
to paint three circles. I am using the same shade
that we use earlier, and we just want it to
be quite transparent. So we're now onto
our second circle. For the third circle, I am going to add a little
bit of diluted sap green to my turquoise so that I can
get that bluish green color. It looks almost like mint and if it gets
a wonderful shade, and you will use
this as well for the petals of our anemone later. Let's try to layer now and
for experiment number 1, the base of our first
circle is not yet gray and I am going to
paint on top of it. You'll see that because
the base is still wet, the second circle just blends in with the first circle
that we painted. You can not clearly
see the stroke underneath because
they just merge with each other
because they are both wet and this is something
that we have to avoid. Experiment number 2. This circle right here is
completely dry and I'm going to paint on top of
it and as you can see, the layer underneath
is still very clear. You can see it well. That is because the first layer underneath is completely dry. It doesn't move or merge
with the layer on top. This is the ideal layering
that we want to achieve. Experiment number 3, this
circle right here is dry, and I'm going to add
a second layer on top and this time I'm going to
use a more pigmented paint. By using a more opaque mixture, we can't really see the
layer underneath anymore. This is why it's important to get the right mixture of paint and water so that we can
achieve that nice transparency.
5. Layered Leaves Exercise: [MUSIC] Layered leaves exercise. Let's start with
indigo and sap green. I loaded my brush with indigo
and a little bit of sap green and now we're painting
leaves using two strokes. I prefer painting
the darker leaves on the first layer and then just topping it off with some transparent leaves
on the second layer, which we will do later. Here, I'm going to paint the second leaf and you're
going to do two strokes, one at the bottom and
another one on the top. Let's move on to the third leaf. We are also painting
it in two strokes. Just remember that
you can always go back and fix the
shape of the leaf. We're now down to the last
leaf for the first layer. It's interesting how
we can actually use so many colors using
sap green and indigo. As you can see, I have used different shades
for the leaves and it makes it look more interesting and more pleasing to our eyes. I'm just going to let this
dry and after a while, we can check before we
add the second layer. With diluted sap green, I'm going to paint
leaves in the gaps. Because the first
layer is already dry, when you paint the
second layer you will notice that you still see the hard edges of the
first layer underneath and it did not merge
with the second layer. It doesn't look blurred at all, and that's what we want to
achieve for this exercise. Since I want to show you
guys how to layer leaves, I'm going to paint in
all the gaps here. But you can definitely just choose which gaps you
want to paint on. Adding second layer leaves
will make this look fuller. This exercise is helpful when we paint our
final project later, which is a half wreath. [MUSIC]
6. Painting an Anemone Part 1: [MUSIC] Let's start
painting the anemone. I have here my toothbrush, and I've just moisten
it with water, and let's just grab
some sap green. We want a more
pigmented mixture, so now let's try to
tap it on the paper. This will be the center of
our anemone and I am just creating some texture by tapping the toothbrush
on the paper. If you feel like the toothbrush
is running out of paint, you can always refill and
just grab more paint, and you can also tap
it on the same spot. Then let's grab a little bit of indigo just to get
that deep color. We want the center to
be quite wet because we're going to pull that color when you paint the petals later. Now let's get our round brush and let's dip it in
the sap green paint. We're going to put
some dots right there. Our goal is to create
a round shape center. It's difficult to
create that just with a toothbrush so with the
help of a round brush, you're just going to fill
in those gaps on the side. We are done with the center. Let's now proceed to
painting the petals. I have a very diluted
turquoise color here, and I'm also still
using my round brush. Make sure to grab a lot
of paint in your brush. Using a pencil I am just going
to put some marks around the center so that I know
where the petals will go. Let's create a loop. I just want to pull that sap green as you can
see right there, it's bleeding out
towards the petal. Let's just grab
some more paint so that we can fix the petal, we can add more strokes and
make it a little bit bigger. Let's add another
petal on the side. I just followed the marks that I made a while ago using pencil. You can always go back to
the first petal you painted, as long as it is still wet, it will be easy to fix
the shape of the petal. Let's pull some of
the sap green again and let it mix with
the turquoise petal. As you can see, I am going back and forth with the petals and just
trying to fix this shape. This part right here
seems to have dried up, which means that the sap
green in the center won't bleed out into the
petal when we paint it. In order to fix that, I am just going to grab my
brush and get some sap green, and then we are going to paint some dots to
re-hydrate that area. Now that the center is okay, we are going to add
another petal over there. You can see that
the sap green is bleeding into the petal
that we just painted. However, it seems
like the center has played out too
much into the petal. To fix this, just grab a clean and semi dry brush and just let it absorb
all the excess paint. We're now down to the last petal for the first layer
of our anemone. Right here we have five petals. Just feel free to go back to the previous petals
that you painted, if you want to fix the shape
as long as it is still wet. The center feels
lacking in color, so right now I'm just grabbing some indigo and I am just going to put some
dots in the center. We want the center to be a
little bit intense in color. While the petals are still wet, I'm just going to
grab the toothbrush, and let's get some
diluted sap green paint. We're going to add some
freckles on the petal. I do that by tapping the
brush on the petals. We're creating some
feathers, dots. My tip right here is to make sure that the
tooth brush isn't too wet because you don't want those freckles to blend
in with the petal, we still want to see
those impressions, those marks that we made
using the toothbrush. We are done, let's just
wait for this to dry. Let me just touch this
to make sure that it's really dry because
this part is crucial, and I want you to make sure that the first layer is dry before
we add the second layer. With a very diluted
turquoise paint, we are going to paint in
between these two petals. As you can see, we have achieved that transparency and you can still see the petals underneath. So let's just continue
painting in the gaps. I tried to load my brush
with a lot of paint, this makes it easier to fix the petals that
I'm going to paint. We can also change the
colors of the petal. We can add some sap
green to the turquoise, to make a bluish green paint. This anemone is
starting to look fuller because we are adding the
second layer of petals, and I'm quite excited for
you guys to finish painting. You can always turn
the paper so that it's easier for you to
paint in a certain angle. Everything looks great and we are now down to the last petal. Let's wait for this layer
to dry and then we can proceed to the Part 2 of painting an anemone
flower. [MUSIC]
7. Painting an Anemone Part 2: [MUSIC] Welcome to part 2 of
painting an anemone flower. Okay, so now that is
already dry and I just got the toothbrush again and I have moisten
it with water, and we are going to
grab some sap green. If there's too much water
in the tooth brush, just dab it in the tissue. We want a more
pigmented sap green, that we will tap in
the center like this. Let's add some
markings right here. Just tap the bristles
on the paper. Now I want to
intensify the center, so I'm going to concentrate that tapping in the center
of the anemone. At this point we're
going to let this dry, and afterwards I'm
going to show you how to add some gouache details. I have here my freshly
squeezed hoping white gouache. So I'm just going to introduce
a little bit of water in the gouache just to break it down and get the
right consistency. At this point, you can actually use a round brush in size 2 to create the details in
the center of the anemone. Right here I am just going
to add a ring of that. Let's try to mix it up a bit. So I'm going to paint some
dots a little bigger, some are smaller, and that will make this
look more interesting. This white gouache pops up more if the background
is quite dark, like what we did at the
center of this anemone. Now you're done with
the ring of dots. So I'm going to add more dots in the outer portion
right there. Let's just gather those dots, and I'm going to just
put it randomly. If you're having
a hard time using a size 6 round brush to
create those tiny dots, then you can definitely
switch to a smaller brush. You can use a size 2 or
a size 0 round brush. After adding those dots, I'm going to rinse my brush and then I'm going
to let this dry. Now let's just grab
some more sap green. I'm going to paint more
dots because I want to intensify everything
in the center. Then we can add a little bit
of indigo in some areas. With those sap green dots
still wet I'm going to grab some white gouache and you're going to paint more white dots. As you can see, I'm smudging some of the dots and letting it
blend with the sap green, and that would create
a beautiful 3D effect. Just trying to mix it up. Some of the white gouache dots, we will leave it as this. But some of them, you're going to smudge
it with the sap green. For me, this is
such a fun way to paint the center of
the anemone flower. I just love going
back and forth with the gouache and the sap green
and sometimes the indigo. So the more details that I add, the more 3D the center looks. With a round brush I'm going to grab a pigmented
sap green color, and we're going to paint a
thin strokes right there. I did not add a lot
of water in my paint because I want that
intense sap green color. You can also try to add a little bit of
indigo if you want. Okay, so everything's
coming into place, and I'm just going to add a few more dots just to
give it more detail. I just love how we can slowly build up the center
of the anemone. It depends on you if you
want it to be more detailed, you can of course, add
more white gouache. That's it. Congratulations
on painting your first anemone flower
using the layering technique.
8. Class Project: Let's paint a half wreath
for our class project. Let's start with the paper. I'm using the Fabriano Artistico 100 percent watercolor paper. This is called press paper. Then I have here my paints from ShinHan PWC and of course, I have my toothbrush. We're going to start by painting the anemone right
here in the center and then we'll add
some leaves on the left and right
side of the flower. Let's start by wetting the
bristles of the toothbrush and we are just going to
moisten it a little bit and then let's
grab some paint. I am using here the
color sap green. We want our mixture to be
on the more intense side, which means there should be
more paint and less water. Then we can start by
tapping it on the paper. Just a tip, you can use an old toothbrush
for this painting. You don't need to get a new one for painting the center of the anemone. This looks good. I'm going to grab
my round brush. This is a size 6 and
let's get some sap green. Let's paint some dots to create a rounder center
for our anemone. I'm just going to
fill in the gaps. It's now time to
put some markings so that we know where
the petals will go. I have my very diluted
turquoise color and we're going to start
painting our petals. I am trying to pull the sap green in the
center towards the petal. Let's create that nice bleeding, and because they are both wet, they will blend well together. When you're painting petals, you can think of painting
the shape of a balloon. As I'm painting the petal, you can see that I'm
also moving the color. You can see some of the sap green color on
the edges of some petals, and I just love how it looks. I love the mixture of
turquoise and sap green. I love the bluish green color because it looks so
fresh in the eyes. We are now onto
the last petal for the base of our anemone flower. Right now I'm just fixing
the shape of the petals. While this base is still wet, we're going to add
some freckles, and we're going to
do that by grabbing our toothbrush and let's
just grab some paint. Let me just show you what
it looks like when you tap this on dry paper. Then now let's see what
it looks like when tap it on wet paper. Petals are still wet
and as you can see, the colors are dispersing, but it still has that shape and I'm going to name them as
freckles or feather dots. Let's just wait for this to dry. Now it's already dry and I have prepared my turquoise mixture. This is diluted so that we
can get a nice transparency. Let's start to paint our
second layer of petals. We really have to be patient when we're about
to paint the step. Let's make sure that
the first layer is dry before we do this. You can see the edges of
the petals underneath, which means that we
did this correctly. Let's add one more
petal over there. We're almost done. Just one more to go. Don't forget that you can always change the color
for the anemones. It is, of course, up to your preference. For this project, I just decided to use
turquoise and sap green because it looks very cool and
very pleasant in our eyes. Let's just wait for this to dry. Let's grab our
toothbrush and intensify the center of the anemone
by grabbing some sap green. You can also add a bit of indigo to make the color deeper. It's now time to add the ring
of small dots over there. What's nice about this
method is that we can slowly build the
center of the anemone. We can continue to
tap our brush and add more texture and dots to
the center of the anemone. It really depends on how
thick you want this to be. Now let's wait for
this to dry again. We can touch the paper to make sure that it's already dry. Now I am going to grab
some white gouache. Let's add a bit of water to the gouache so
that we can get the right consistency
and then we can start painting the ring of white dots in the
center right there. It's painted randomly
and of course, you can change the size, some dots are smaller,
some are bigger. After which we can
now proceed to painting the dots
on the outer ring. Adding white gouache really adds that extra texture to
our anemone flower. This is a great way to intensify the look of an anemone flower. Because we added
these small details, the painting doesn't look flat. With a round brush, I'm grabbing some sap green
and adding some dots, I'm also smudging
some of the gouache. You can go back and forth after painting the dots
using the sap green. You can go back to
using gouache and just start adding more white dots
and try to smudge it again. Smudging just gives this
3D effect to the flower. Now, this is looking
really good. [MUSIC] Let's go back to our sap green and I want a
more intense color. Let's paint some thin
lines over there. You're done with the flower. Let's now move on to
painting the leaves. Right now I have here my paints. I have sap green and indigo. You're going to start
painting some leaves. I'm going to attach them
to the main flower. Try to mix the sap green with the indigo so that you
can create a new color. Whenever I paint leaves, I love changing the shades of green because it just
looks more interesting. We're going to paint some
leaves later in those gaps. Let's paint the leaves as if it's coming from the
back of the flower. I am not going to be
on top of the petals. Let's not try to paint the
left side of the half wreath. I'm painting this
one leaf at a time. You can try to
change the angle of the leaves and also
change the colors. I am painting the leaves diagonally from each
other like this. You're done with the left side, and let's just wait
for this to dry. In the meantime, let's paint the right side of
this half-wreath. To make it easier for you to paint the shape of the wreath, you can use a pencil and
draw a line like this. This will serve as a guide for you as to where you
will paint the leaves. Just make sure that
you draw lightly using a pencil because once
you paint over the line, you won't be able to erase
the pencil mark anymore. We are almost done with the first layer. This is the last leaf
for the first layer. After that, let's just wait
for all the leaves to dry up. Now that everything is dry, we can start painting the
second layer of petals. I'm going to start by mixing a little bit of sap
green with indigo. Let's just paint in the gaps. By overlapping those leaves, we can make this
half-wreath look fuller. Now you're ready to add
leaves in this area. Just paint those leaves
in the white caps. I'm going to stop right there. This will be the last leaf for this side of
the half wreath. I'm now going to move to the right side of
this half-wreath. You can change the
direction of the leaves. It doesn't really have to
follow a certain pattern. Another tip is to
also vary the sizes of the leaves so that
it looks more organic. It's now time to add some buds. I'm using the
turquoise color again. I'm just going to paint some oval shapes all
over the half-wreath. You can also change the
color right here if you want to add
some purple buds, that will look good as well. After adding those buds, you're going to add some stems that will
connect it to the wreath. I usually add the stems while the buds are still
wet because it looks good when the base of the bud mixes with the green
color of the stem. I'm going to add one more
layer of leaf over here. Let's just try to add some more finishing touches
for this half-wreath. One of my tips for you is to
add some stem sticking out. I usually do this by grabbing
a deeper shade of green. I will just add some thin strokes that
will look like stems. This very simple step gives
your wreath more depth, and it also gives that very natural and
organic look to it. You can add more buds
in places that look like it has a big
gap. We are done. I can't believe that
we were able to finish this pretty half-wreath
in just a few minutes. I'm very excited to
see what you painted. [MUSIC]
9. Bonus Class Project: [MUSIC] In this video,
I'm going to show you a bonus class project. I'm going to show you a demo
of this beautiful painting. Aside from the half wreath, we can also paint this project. The first step is to paint the anemone flower
in the center. Beside it, we are going to paint two small anemone flowers. To serve as a guide, I'm going to draw
small circles and that will be the center of the anemone flowers
on the sides. For this project,
I'm going to use the surikomi brush but you can definitely use a toothbrush. For the center of
the small anemones, I just mix indigo with violet
to get that deeper color. Using the surikomi brush, I am just going to dab it to create a nice texture like this. Now let's draw some marks so that we know where
the petals will go. For the color of
the petals I just use violet and I
added a little bit of indigo to create that more
muted and more vintage look. I'm painting five petals for the base of this anemone flower. Now let's start with the small anemone
flower on the left. I'm also using my surikomi
brush to paint the center. Now we can start
painting the petals. I'm also pulling the color from the center towards the petal
to create that nice bleed. For the small anemones we are not going to put
some petals anymore. After painting the first
layer of the anemones, we're just going
to let this dry. When the first layer is dry, we can start adding
the second layer. Now we're doing this
correctly because we can see the petals underneath
the second layer. You can also change the color for the second layer petals. You can add a little bit of
blue or a little bit of pink. Just have fun with decorating
these layered florals. Let's just wait for
this to dry again. Let's grab our surikomi
brush and let's intensify the center by tapping
the brush on the paper. Now I'm just adding
a few more details. I'm using just the sides of the surikomi brush because I just want a few dots over there. Now let's grab our
white gouache and let's paint a ring
of white dots. The procedure is
pretty much the same as the bigger anemone
that we painted. Now I'm going to
grab some indigo and I'm just going to smudge
some of the white gouache. Let's try to zoom in and then we can now paint the thin lines. Again, you will
just let this dry. We're done with
our main flowers, now let's proceed to
painting the leaves. Again, I have my sap
green and indigo, and I'm going to use those two colors to
paint the leaves. I am going to start by painting leaves in
those white gaps. You can try to vary the size of the leaves and also the
colors of the leaves. Again, we're just going
to paint the leaves as if it's coming from
behind the flowers. My plan is to add
more leaves all over the flower and then I will add
more leaves in the center. I'm leaving some white spaces
in between the leaves so that I can try to layer it
later and it will look fuller. When the first layer is dry, we can start adding
the second layer. Now let's start to
layer our leaves. The paper that I used here
is quite small so try to find a bigger paper so that the painting
isn't as crowded. Right now, there are
still white gaps and I'm just going to fill
it in with more leaves. Let's wait for this to dry and then we can start
adding some veins. To give it more depth, I'm going to add some
veins on the leaves. My tip is to choose the leaves that you
will put the veins on. Try not to put veins on all the leaves because it
will look too crowded. Try to alternate the leaves with veins and the
leaves that are blank. Also don't use a
dark green color for the veins because it might look too harsh
on the painting. You can probably just
choose around two shades darker than the
color of the leaf that you are going to
paint the veins on. We're almost done.
Congratulations for making another class project. I hope that you
enjoyed this just as much as painting
the half wreath. I hope that you can post
this in our project gallery.
10. Final Thoughts: [MUSIC] Congratulations
on reaching the end of the class and I hope that you were able to
learn something new today. As for my different guys, my Number 1 tip is to practice. I know you've heard this so many times in my previous classes, but it really does
help to practice. Number 2 is to be patient, especially when it comes
to layered florals. You really have to wait for the first layer to
dry before you can add another layer to achieve
that nice transparency. To make the process quicker, you can use a hairdryer or a heat gun so that
you won't have to wait that long for
the first layer to dry. You can also look for
a reference photo for painting anemones
and definitely, you can change the
colors that we use. Then when it comes
to layering florals, you can apply this technique
to different flowers. Don't be afraid to experiment
and also don't forget to, of course, inject your own
style in your painting. I'm excited to see your class projects and
don't forget to upload your projects in the
gallery section of our class so that I can
see your paintings. If you're going to
upload it on Instagram, don't forget to use this hashtag so that I can view your work. If you're not yet following
me on Skillshare, do follow me now, so that you'll be notified every time I upload a new class. That's it. Thank you
so much for watching and see you in my next class.
Joly Poa, Watercolor Artist
