Digital Makeup with Photoshop, adjustment layer, blending mode, brush. Adobe Professional Tutorial

1. INTRO PROFESSIONAL DIGITAL MAKEUP WITH PHOTOSHOP: Hi, I'm under a creative directory. Multimedia teacher. I create this class to explain a professional mattered to make a digital makeup with a use off adobe for the shop software. From today, it will be no longer be a problem for you to make a makeup off your model. If this it's not convincing you as you will be always able to make a post production or even create a digital makeup from zero, I will explain every step off the job in detail. I will provide you with a photo to work and together, step by step. But we will create a fantastic digital make up. What are you waiting for? Let's start. 2. PROFESSIONAL DIGITAL MAKEUP WITH PHOTOSHOP: welcome to this new tutorial today. We're going to speak and learn how to create the digital makeup. Using photo shop. The first thing we're going to do is to switch on the software for the shop. Then we moved to the main menu and we go to five open to switch on an open our picture. Once we still like the pictures we confirm with open these hard looked interface. So we have on the right part layer pallet on the left part. The toolbar in case you don't have both of them one off this part. Remember that every part of your interface you can switch on and off under the main men window. In this case, layer or tools. First step of these exercise is to use the adjustment layer Did you can find in the footer off the layer Plata solid gold. It will open you the color picker. How the color picker work. You have three letters here Age snd With age, you select the team. In this case, we're going to use this blue to confirm and visualize on the new preview, you have just to click inside this square, as is the saturation of the teen. So you can make these brightness and be darker or brightness. Okay. Situation Priebus Who? It means, themed, once you see, like the color you confirm with Okay, here in the rear. Polite. You have two options. You can change the kora. Moving to the layer down main are you can go to the layer mosque, the layer mask. It worked like that. You can feel with every fear, a tool. For example, the paint bucket tool. And here you have always to color black and white with black. You just cover is like canceling we. Dwight, you served the game. So using this principle, we just remove. But we are not canceling. We are just covering. And then we take the brush tool. We zoom a little bit on the I. Okay, the brush store. We set up it like that on the option, we first decided sides. You can do it also in the right. Click with your mouse. Then the hardness should go on zero. So that what you obtain, it's really blurry. And it looked more natural and we start with the opacity, which is 50% looking. Do this with why this is exactly what we are today. To make this more natural, we use also the blend in more in this case, the bill anymore. We're going to use this card soft light. We increase a little bit of positive decreases. It'll be the sites off the brush. And then we are going on creating our first part off the makeup. No worry if it's not super precise, because after we're going to blur a little bit so everything will look more not okay. So filter blue Go Sembler. We, as you can see it choosing the right writers. This become very natural. So this is the first step that's going on. Begin adjustment layer. So did color. In this case, we used this being this magenta, as I told you before, blending modes soft light, we moved to the mosque area and we feel with a paint bucket with black so that it becomes not feasible anymore. And here we use the brush tool and with a wide corner, we just three visualize the content off the layer. Let's increase the sights a little bit. And is this what we hope? Day? Let's go here. No worry. If it's not precise in the beginning. Just I think about save that. We're going after to overpromise it. No way. Okay, so we moved to filter Blur. You're simpler again. We blur it, Mom, that that's what we need. Then we go to the a layer mask and we black We just optimize the shape with a one corner here They weren't cooler in the eye again in this part, it look trading after So this where we are now again. It just meant there you're solid color. We need a brighter version of distance. So we moved to the ass and we increase the brightness or something really bright. Gained a layer mask with paint bucket, tool, black. We make this not feasible. It more rush to with white. In this case, we use the blending modes off light or in this case, mix together everything we need. You can also reduce city the big capacity we black we can optimize always the shape of what we are doing. Okay, That's the first part off our work so we can group together. They treat cars praising, shaved and then pressing on the folder, we create a group so made up first No. I moved to the adjustment layer in this case I want to use, but because I want to have, like, a sparkling effect the butter feel it worked like that. You have this pop up window than you moved the preview. Here you have this icon where you can choose between the least off defined the gallery of water. In this case, I want to use the natural Potter. You confirm we don't care and ease the part we're going to use. You can also scale. Take a little bit on a breeze. The sites of the brush off he here is the bottom. Here is the mask. Same as we did before with the paint bucket toe feeling with black, we make this disappearing, so we zoom a little bit. We set up our blending mode in this case in a soft eyed list twice off light or in this case, black a wide. And this is what we offer A Let's increase the sides a little bit with a soft light is not working. Very good. Let's choose overlay that make this more visible. Okay, That is exactly what I need. Do you like that? I worry if it's not really precise, because I'm going to just give a shape. So that would be too big that sides of the bottom. So double click open again. This button feel I can scale this site. Yeah, I want the exactly days. This is the perfect sites for me. Then I moved down just Monday. You in the mosque area feeding with black I can remove where I don't want this visible can also reduce a little bit capacity so that it makes perfectly to area together. Okay. Same thing. Que Okay, perfect. Nice effect. No, it just made a your partner gain same patterns before. So natural butter we feel with paint bucket tool in black coming this not feasible. But in this case, the Brennan. What we're going to choose. It's called Linear Dodge. We use this to give more light, bright justice makeup. The brush tomb with Dwight. Andy, this port I of them, as you can see, right? Nice. Nice life on no makeup. I increase the size of it a bit. That's the main teas. Nighties, are you same here. Let's give more right here. Perfect. Cindy's reduced to positive. No. Start increasing teas. Well, nice. Okay, so these is that make up. That's a likely shift together in group. Call it make up. If it's still visible, you can also reduce the basket and then optimize. For sure you want In case you want to work, you're leaps as well. You proceed exactly in the same way. So first you select. Are you adjustment layer? So did column. Then you select them core right and you mix together using soft light or lighter as you prefer. I like so flight in this case. Then you move to there mosque area you feel with a paint bucket through with black so that this is not visible anymore. You take a brush and you make the car to be busy. Bar can also increase. It would be this positive. So that buster and is your result. Okay? And is this how you proceed it? It's too much. Just reduce. So the final result of what we hope today it's this. So we have bean starting with their what a general picture makeup. Let's see. Have you like this tutorial? You can check my page to visualize in choose other tutorial about father ship advances retouch. Thank you very much on Have a good work