Creating Gifts and Home Decor with Ink Impressions of Florals and Botanicals | Kimberly Crawford | Skillshare
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Creating Gifts and Home Decor with Ink Impressions of Florals and Botanicals

teacher avatar Kimberly Crawford, flower obsessed, surface designer

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Intro to class

      1:45

    • 2.

      Class supplies and project

      0:51

    • 3.

      Card Making - Basic Inking

      3:38

    • 4.

      Card making - Gold Foiling

      4:29

    • 5.

      Wall art

      3:39

    • 6.

      Textiles

      3:52

    • 7.

      Wood

      1:31

    • 8.

      Class wrap-up

      1:02

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336

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2

Projects

About This Class

Imagine capturing an ink impression of a rose from your garden. Or from a special bouquet from a special occasion. How about flowers from prom? An ink impression of botanical is a moment and memory captured forever.

In this class, we will learn how to capture the beauty and details in nature on objects that will make stunning pieces of décor for your home, or to create gifts with heart for friends and loved ones. You will learn about different surfaces you can apply impressions of botanicals upon and how to prepare those surfaces. We will discuss which mediums are the best for application on paper, fabric, and wood. I share a ton of tips and tricks, so anyone can try this technique and be successful. The goal for this class is to inspire you, not only to try this technique, but to be creative in how you use your own ink impressions. If you enjoy flowers, gardening, being in nature, or even a stroll through your local garden center, this class is for you. Join in, get your hands a little messy, and let’s have fun creating!

We will learn:

  • how to capture botanical impressions from objects such as flowers and leaves
  • how to choose botanicals that will make the best impressions
  • how to choose the correct medium for the surface
  • techniques for effective impression results
  • how to create cards with ink impressions
  • how to gold foil an ink impression
  • how to frame ink impressions on paper
  • how to create impressions on fabric with paint
  • how to capture ink impressions on wood

Supplies:

Because of the variety of projects we will be creating, the supply list is extensive. Please see a complete list, with links, in the Projects & Resources tab above. 

Lesson Overview:

  1. Class introduction
  2. Supplies and class project
  3. Card making
  4. Card making – gold foiling
  5. Wall art
  6. Textiles
  7. Wood
  8. Class wrap up

This class is perfect for anyone wanting to learn how to capture beautiful images of botanicals. No special skills are needed, just the desire to make beauty.

Meet Your Teacher

Teacher Profile Image

Kimberly Crawford

flower obsessed, surface designer

Teacher

Hi, I'm Kimberly and I am an artist whose designs highlight the beauty of botanicals in a unique way. By inking and pressing the natural objects I find, I am able to capture delicate details and the pure beauty of nature.

When I am not designing, I am taking photographs, working in my gardens, enjoying walks in nature, doodling on my iPad, kayaking, baking, and attending the music concerts and swim meets of our teenage son with my husband.

See full profile

Level: All Levels

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Transcripts

1. Intro to class: Hello, my name is Kimberly and I'm a surface pattern designer. I'm an educator, and I am obsessed with flowers and botanicals. I'm so inspired by them that I literally use those natural elements to create my designs. I have been using ink impressions of flowers, leaves, and more in my design work and getting amazing results. Those images are incredibly beautiful and they really need to stand on their own without getting turned into a digital image and then set aside in a pile. Instead of simply capturing those gorgeous details on paper, I've been using objects that can be turned into home decor, home textiles, clothing, and more. In this class, let me show you how to capture the beauty and details in nature on objects that will make stunning pieces of decor for your home, or to create gifts with heart for friends and loved ones. You will learn about different surfaces, you can apply impressions of botanicals upon. Also, learn about how to prepare the surfaces and which mediums are the best for application. I'll show a ton of tips and tricks, so anyone can try this technique can be successful. The goal of this class is to inspire you, not only to try these techniques but to be creative in how you use your own ink impressions. If you enjoy flowers, gardening, being in nature, or even a stroll through your local garden center. This class is for you. Join in, get your hands a little messy, and let's have fun creating. 2. Class supplies and project: Because of the variety of projects we'll be creating, our supply list is quite extensive. To see the complete list with links to where to purchase items, you can find it in the projects and resources tab above. For your class project, I'd like you to make an ink impression of a botanical or flower and place it in frame. Choose a botanical that has meaning to you or meaning for someone special to you. Display it in your home or give it as a gift. Be sure and share your project with the rest of the students in the class by uploading an image to the class project section. I really want to see where you display your ink impression piece. Sharing your project is quick and easy to do. Honestly, I find everyone's projects so inspiring. 3. Card Making - Basic Inking: [MUSIC] Let's start off with a great project, one that is easy to create and is a gift you know will be totally appreciated by everyone, cards. To begin with, card bases need to be made. Find a basic card stock with a matte or flat finish. A very basic sized card called an A2 measures 4.25 inches by 5.25 inches. Cut your paper to that size and from each sheet of card stock, you'll get two card bases. You can purchase pre-made card bases at your local scrap booking store or big box store, if you prefer. I'm pretty partial to the crisp look of white card stock in black ink, but go ahead and use any color card stock you want. If you're cutting your own card bases, when you have finished cutting, you'll want to score each card base. Scoring the paper is what makes the fold. I have a tool here for scoring, but you can use a ruler to help you as well. Do not fold the card in half yet though, you'll want to leave it flat because that will make for a much easier surface to apply your ink impressions to. For our set of cards, I'm going to be using wax flowers that I put in my flower press the day before. First off, I'm going to check the size of the stems to make sure that they'll fit on the card front. Then I'm going to check the flower and decide which side I want to get the impression of. I'm looking for more detailed blooms, defined stems, mostly good surface area for ink. I paint the ink on the stem with the paintbrush, coating it evenly, building up the coverage. Not knowing how my first impression would turn out, I didn't want to go straight to my card base. I grabbed a piece of scrap paper to practice. I press the ink flower into the paper and then I topped it with another piece of paper to help get a good impression. I pressed through the paper, feeling through it, pressing down evenly. When you're finished, lift the flower up carefully and voila, you have your first ink impression. Fortunately, these wax flowers can be inked over and over again. Keep making impressions until the petals fall off. Now, let's ink the flower again and create impression on our card. We're going to repeat the exact same process. For a more detailed look at this process I'm sharing, check out my other class here on Skillshare called inking natural elements for design work with Adobe Illustrator. In the class, I cover supplies, techniques, tips, and talk about flowers and other botanicals that make beautiful ink impressions. As you make each card, be sure and set them aside and give them plenty of time to dry. The ink can take quite a bit of time to set in place. Once the ink is dry, go ahead and fold up your cards, they are ready to gift. I really recommend four to six cards in a set to give to someone and don't forget to grab some beautiful coordinating envelopes. To inspire you further, I did want to share that there are colored India inks available. The colors are bright and vivid and they're like these inks, but keep in mind, they dry much more quickly than the black ink. They can be fussy to work with, especially when you're trying to get a solid impression. But the gorgeous colors are worth a try. Look at these gorgeous, detailed, and elegant cards we have now. Meet me in the next lesson and we're going to take it a step further and do some gold foiling. [MUSIC] 4. Card making - Gold Foiling: Gold foiling is a personal favorite technique of mine. It's how something beautiful gets even more beautiful. This process requires a few specialized tools, but if you're into the look, it's totally worth the investment especially once you see how it works. To start with, you'll need a kit made for toner ink stamping. I will give a link in the class resources section for this specific kit. The kit includes two stamp pads, the ink, and a measuring cup for dispensing the correct amount of ink. Be sure and follow all the manufacturer's instructions. To make a gold foil image of this little fern leaf from my garden, I'm going to start by pressing the leaf into the ink pad. Use a piece of scratch paper to protect your hands from getting ridiculously covered in ink. You could press the ink pad onto the top of the leaf, but I felt like doing it this way, I would lose less ink from the ink pad to the paper, but do whatever works best for you. Now that the leaf is covered evenly and completely with ink, it can be placed on a piece of card stock. This is the same card stock that I used for the card bases, flat, matte white card stock. Once again, I'm feeling through the paper, making sure that I have pressed down all the edges and all the way to the end of each of these leaves. This ink reacts differently than the India ink we used on the cards. You'll find that you'll get less of a solid impression, which is okay. Be sure and set this aside to dry for a few minutes. The next products I have are laminating machine, heat reactive foil, and a carrier sheet. Any laminating machine will work for this technique. The carrier sheet is what will pass through the machine with a paper and the foil inside of it. Finally, heat reactive foil is necessary. This foil is available in a rainbow of colors. I have cut a small sheet of the foil to fit over the fern image. The foil has two sides, the color we want to see and the dull silver backside. When the foil is put over our image, we want to be sure to put the color face up. Place the image inside the carrier sheet and top with the foil. Smooth everything out and start passing it through the machine. It moves slowly and is very warm, so be careful. The sheet goes through the machine by itself once it starts. See, I told you, it's hot. My absolute favorite part about this process is the foil lifting because what is underneath is glorious. [MUSIC] This was supposed to be about cards. I mean, feel free to adhere this to a card base, but these impressions were so pretty. I just had to pop them in small frames which leads us to the next lesson, wall art. 5. Wall art: These ink impressions of botanicals make the best wall art. Not only are the image is gorgeous, but the botanicals themselves can have such personal meaning to you. There is nothing better than personal wall art in your home. This fern leaf image was created with a few different colors of India ink. I love the mix of greens, blues, and yellows. When I made the impression, it was on a nine-inch by 12-inch piece of watercolor paper, which is too large for the eight-inch by 10-inch frame I have. Using a paper trimmer, I'm able to cut down the paper to size pretty easily. If you don't have a paper trimmer, a ruler and a pair of scissors works just as well. I know that my paper is nine inches wide, which means I need to get one inch off the width total, or a half inch from each side. Sometimes the image isn't perfectly centered, so I carefully check and recheck before cutting. Looking at this image, I know that losing a bit off the bottom where the part of the stem image is located will have little impact on the image as a whole. I know I can trim a little bit more from the bottom. Framing up these ink impressions is crazy easy and makes striking pieces. When I saw this oval frame, I knew it was going to be perfect for framing of botanical ink impression. But making sure the image fits inside the frame can be a little tricky, especially when it isn't a standard rectangle frame. To give myself a guide, I took the fake photo from the inside of the frame and used it as a template. By tracing the outside edges of the oval under watercolor paper, I now have a place to line up my ink impression. Now I'm ready to begin the same inking process as I have done before. Let me speed things up a bit so you can watch. I start with applying an even coating of ink to the fern leaf, then place it on watercolor paper. I press down on the leaf, making sure to press all the edges and all the way to the tips of the individual leaves. You can see this fern leaf is rather twisted. Because of that, I made sure to keep one hand down on the lower part of the stem at all times, helping it stand contact with the watercolor paper so it doesn't create a second impression or a halo impression. While I use black India ink, of course, you could use colored inks for this impression as well. Set the ink impression aside to dry. Give it a couple hours and once it's dry, it's ready to be cut. To cut it, I simply grabbed a pair of scissors and followed the line I traced with pencil around the liner from the photo frame. More than likely it will need a little trimming along the edges to get a good fit. Once it fit well, I check the placement in the frame. If for some reason the ink impression is in the wrong location or it doesn't look right, go ahead and make a new impression. The fern will easily be able to handle making multiple images and watercolor paper is pretty cost-effective. [MUSIC] Are you excited by the possibilities yet, what special flowers leaves or plants would you like to see in your home? This quick lesson is meant to inspire you to start creating in your own unique voice. If you're ready to get even more ideas, meet me in the next lesson about textiles. [MUSIC] 6. Textiles: [MUSIC] Putting botanical impressions on paper is beautiful, but how about textiles, like dishcloths or a T-shirt? For this technique, fresh flowers work best. Normally, flowers are pressed before giving an impression, but because of the nature of the paint, we aren't going to use that step. Sturdy flowers work the best as well. Gerbera, daisies, and zinnias have brought me the best luck with this technique, along with leaves. The impressions will have less detail than the ones with India ink, but they are no less impressive. To start with, prepare your textiles according to the directions on the textile medium you will need. My personal favorite is Delta, as I've had excellent results, but feel free to use any brand you can find. On the bottle will be the preparation directions for your textiles as far as washing and preparing your fabrics, and the instructions for the mixing ratios for the medium to acrylic paint. Mixing with a medium allows you to choose any color your little heart desires. How great is that? Mix the paint on a pallet or a piece of paper, or even a paper plate. Evenly apply the paint to the flower. You will visibly be able to see if you need more paint or not. It will also take a few layers as the paint dries on initially. It will have a wet look on the flower when it's ready to place on the fabric. Per usual, I like to test out a first impression on a scrap piece of paper. Press on the petals to get the paint to adhere to the surface of the paper. Go gently as petals can fall off. Don't get too worried when they do fall off. Often they're on the bottom of the flower and they won't impact the image. Fabric is porous. The paint will go through the layers, so be sure to protect the surface underneath your fabric. When I make the official impression on the dish towel, I also switched over to using a piece of paper to help me push the petals down. It keeps my hands cleaner and I feel like I get a better impression. This beautiful flower needs some leaves now. Because I added paint to the entire surface of the leaf, I grabbed a tweezers to pick up and place the leaf. That way the leaf loses barely any paint from the surface. Continue this painting process until the entire dish towel is covered the way you desire. Follow the instructions on the textile medium bottle for drying time, heat setting, and washing instructions. This T-shirt is my favorite. I love wearing something that I not only made but made with flowers from my very own garden. The process for adding images to a T-shirt is exactly the same as the dish towel, but I want to share a couple of helpful tips. First, I found that with colored fabric, the white paint almost tints to the same color as the shirt. The details were not as defined. To help, I used a smaller paintbrush and the textile acrylic paint mixture and added them back in. Second, because the paint will bleed through the T-shirt fabric. I add a barrier on the inside of the shirt. I took a piece of cardboard from the back of one of my watercolor paper pads and wrapped it in wax paper. The surface can be wiped clean and it fits inside the shirt. [MUSIC] One final lesson up next. This one will really blow your mind. Let's call it other surfaces. 7. Wood: How many surfaces are you wanting to try these techniques on? I know when I walk through a craft or fabric store, I am dreaming of ways to capture botanical ink impressions. This final project of mine is already being displayed in my kitchen. The key to these impressions is unfinished wood. Nothing with a stain or varnish. While the wood on this smaller cutting board is darker, it wasn't treated and it took the India ink beautifully. Let's return to the same processes before inking and pressing. This time, I noticed that part of the stem didn't leave a good impression, using my paintbrush without reloading more ink. I very lightly and carefully added a bit of the stem back to the image. Feel free to add back those details when they're needed. I did not use any finishing spray on these pieces, knowing I would only be displaying them. Please keep in mind that this project is also not food safe. To complete the cutting board, I added a stamped sentiment. It was the perfect finishing touch, encouraging words alongside an ink impression. Also, the perfect way to end this class. 8. Class wrap-up: We've only scratched the surface of the ways to use botanical impressions to create home decor or gifts. These lessons are a starting point for your imagination, creativity, and heart. Use your new knowledge from these lessons to find a million more ways to create meaningful home decor and gifts. I cannot wait to see what you design in the class projects section. Be sure and share your project with the rest of the students in the class and inspire us all. For more on ink impressions of botanicals, join me on Instagram. I would love for you to be a part of my little community there. You can find me @sincerelyyourskimberly. If you share any parts of your projects on social media be sure to tag me because I would love to share your creativity with others. If you would like to learn more about creating ink impressions, check out my class Inking Natural Elements for Design Work with Adobe Illustrator. Thank you for taking this class, I hope that you're inspired to create some heartfelt gifts and home decor.