Blender 3D. Give a face to you'r character with sculpt mode.

1. Intro: Do you want to use sculpt mode so you could make all sorts of interesting shapes for your character. Do you want to use sculpt mode to give you our character, our face, but you're struggling to figure out how sculpt mode works. Well, fear not because this is your lucky day. In this class, I'm going to teach you the basics of Sculpt Mode and how you can use sculpt mode to give your character a functioning and pretty face. Now guys, just to make one thing clear, before we start, this class does not have a complete start to finish process on how to make your own character. I won't show you how to build a body for your character, because I already made a class about that. If you want to learn how you can make up a body for your character, in just a few minutes, I recommend you to check out my previous class, how to make any character you desire with skin modifier. And after you check out that class, you can come back here. So you could learn how you can make a face with Sculpt Mode. And how you can use sculpt mode to make all sorts of interesting shapes for your character. And one more thing before we start, I need to apologize for my speech. English is a second language domain. So please forgive me if my pronunciation of some words is a little weird. So with that being said, let me show you how you can use Sculpt Mode to give your character a functioning and create the face 2. Friendly advice for sculpt mode: Now guys, just before we start this class, I need to make sure that you understand two things. First, I need to make sure that you want. Make one common mistakes. Many beginners make. You see guys, many beginners will get really impatient with their character. They're going to use sculpt mode on their character for just 5 min. And when their character doesn't look how they want it, they're going to get frustrated and give up. And that is, that is really big mistake because sculpting isn't something that can be done in 5 min. Sculpting is long process and it requires a lot of concentration. You see guys, when you want to use sculpt mode to give your character a face or a shape. You just make one horrible shape that just barely, barely resembles the shape that you wanted to make. And then you just start adding new details to that thought for shape until it begins to resemble the shape you had in mind when you started to use the sculpt mode. So don't get easily frustrated and don't give up if you're shaped, doesn't look good. Just add more details on it and eventually it will be built. Now, the second mistake many beginners make is there, they're trying to make things that are way too difficult for them. For example, if you are a beginner and if you have little to no experience in sculpt mode, I recommend you to stay away from realistic looking heads or faces. To see guys. Realistic faces and heads are extremely difficult to get right. And it's really easy to see when they're not made correctly. And if that happens, you are definitely going to lose some of your confidence. And you are definitely going to get frustrated with your skills in Blender. So if you're a beginner, I recommend you to stick to mostly unrealistic cartoon characters until you gain some, some decent skills with sculpt mode, n experience in Blender. And then once you have those things, you can move on to more complicated, realistic shapes. N. Okay, guys. Now that you understand these things, we can start with this class 3. Seting up sculpt mode and refrence image: Now what we need to do now is we're going to give this character a phase, which is called mode. But before we open sculpt mode, if you use modifiers like I did to give this character this shape, what you need to do is that you need to apply all these modifiers before you open the sculpt mode. Sculpt mode will work properly only when you apply all these modifiers. Now, in order to apply these modifiers, simply select this arrow, press Apply, and wallah that will apply your modifier. Let's do the same thing with these other two modifiers. And Okay, now that we applied these modifiers, we can start giving this character a face. Now guys, one thing I need you to understand is the importance of reference images. Now, what are the reference images and why are there so important? Well, let's say Guys, reference image can be picture of any character that you want to make in Blender. And why are there so important? Well, the same reference images work like a blueprint. Blueprint that shows you how that character is supposed to look, what kinds of shapes they are supposed to have, an overall, they're supposed to give you tips and hints on how to make your character without a reference see image, it's really difficult to make a good-looking character in Blender. Now, the reference image I'm going to use in this class is this picture of Alberto from low KM. So when you want to make a character in Blender, look for the character that you want to make or character that looks similarly to the one that you want to make and just use the picture of that character as a reference image. Now, in order to add a reference image to your blender, simply open the folder where you have your reference image. Hold it, and drag it into the scene like this. Now guys, just remember that whenever you add a reference image to your scene in blender, you need to make sure that your reference image is in the format that the blender can recognize. Here you can see all the formats that the blender can recognize. And unless your reference image is saved in one of these formats, you won't be able to use it since blender won't be able to recognize it. So whenever you are planning to use a reference image, just make sure that the picture you are planning to use is saved in one of these formats that blender can recognize. And okay, now we have this nice-looking reference image. And yeah, this will work really nice for the character we want to make. But now, when I look at this reference image a bit more carefully, I can see that Alberto's head is a tiny bit tilted to the side. Now that can be problematic. So let's use rotation tool and let's make sure that this head is straight, that it's not tilted, neither left nor to the right side. Okay? Now that this head is up straight, Let's move it behind our character. Let's move it back like this as well. What we need to do is we need to scale this reference image down and scale it down to the point where both the head of the reference image, n of the character are relatively equal size. Let's open the X-ray mode to see a bit better. Now that both the head of the reference image n of r k vector are relatively the same size. We can select our character and finally go into the sculpt mode. So to enter the sculpt mode, press this object mode, and select sculpt mode 4. Basics of sculpt mode: Okay guys, Now, since we are going to use the sculpt mode, I feel like I should introduce you to some basic features of the sculpt mode. Now first, in the sculpt mode, you'll immediately notice that we have a lot of different tools at our disposal. Now, I am going to show you a few basic tools that you are going to use most commonly in Blender. Now first, we have this dropper tool. Now what this will do is it will cause this bump to appear on the surface of your character. You can see how now we have this bump here. Now few features that every tool in sculpt mode has is this radius and this strength. Now, radius basically controls the size of your draft tool and how much of your character is going to be affected by this drawing tool. And the strength, strength basically determines how strong the effect this drawing tool has will be. Okay. So strength makes these tools stronger. Radius increases the area these tools are going to affect. Another option we have is this middle option here. If we enable this mirrored option and if we use this drug tool now, now you can see that everything we do on one side of a character's body will automatically be added to the other side as well. This tool works really similarly to the mirror modifier. And it's going to be a huge time-saver later in this class. Okay? Now let's actually increase the strength of this drought tool all the way to the top. Now guys, do you see this area around this bump we made with this drawing tool, meshes kinda breaking around this area here. Actually, let's select snake hook. And Okay, now as you can see, how much these, these character, this mesh is breaking when we use this snake hook. Now, why is our mesh breaking like this? Well, you see, let's quickly go into the Edit mode. Okay guys, now that we're in edit mode, can you see all these faces and points we have? You see guys, sculpt mode basically treats CRO object like a piece of clay. It allows you to mold your object into any shape you like. Now, the quality of the shape you are going to get in sculpt mode will be determined by the number of points and faces you have on your character or object or anything you work on. Now, in order to increase the quality of the sculpt mode, we need to increase the number of points and faces this character has. So to do that, they are, there are three ways. First, let's press say to select all these spaces. Press right-click, sub-divide n. Okay? Now you can see we already have this new points and faces on these character. Now the second way to add more faces on this k vector will require us to open sculpt mode. Do you see this ray mesh option here? Ramesh is basically going to re-create the measure of your character. And you can use this to add new points and faces on your own, your object. Now first, we have this voxel size. Sorry if I said that incorrectly. And this number is going to determine how many new points and faces you are going to get on your character. The lower this number is, the more new faces you are going to get. Now, I usually like to set this number 2.05, like this. But guys, remember, the lower this number is, the more new faces you are going to get. And just be careful not to add too many new faces. Because you see guys, the more faces you are object has, the harder it is to keep your object loaded. So if you place this number to love, you might actually crash your blender because your computer will not be able to keep all those extra points and faces low dead. I usually set this number to this 0.05. But if you are a blender has a hard time keeping this law that you may need to set this number a little higher. And then to rematch this character, just press this remeasure option here And if we go into the edit mode, now as you can see, we have these new points for our character. Now, re-image tool may seem really, really useful. But I actually don't recommend you to use 3D mesh tool because if you have a really complicated character that has a really complicated shape, Ramesh might actually mess up and ruin the shape of your character. So I don't actually recommend you to use the 3D mesh unless you absolutely need to. And now, the third way you can use to add additional points and phases to your character is this dine topo tool. Once again, sorry if I mispronounced that. This is my personal favorite method to add new faces, and it's the one I use most commonly. You'll see what this tool will do is it will basically create new points and faces, but only around the areas where you use your tools in sculpt mode. So to enable this tool, press this button, open this tool. And now the tile size, little size works really similarly to the rematch. The lower you set this number, the more new faces you are going to get. But be careful, don't set this number too low. I'm going to set this number to something like a file. These details size of five usually works really decently for me. But remember guys, the lover, you set this number, the more new faces you are going to add. And if you add too many faces, you are going to crash your blender. So if you are a blender has a hard time keeping this many new faces loaded. Set these details size a bit higher and that should fix any issues you have in Blender. Now enabled smooth shading. And now if we use this snake hook tool, you can see that now this shape we got to the snake hook looks a lot, lot better and it's no longer breaking like it did before. If we go into the Edit mode, you can see that this tool, we use the sculpt mode, added new points and faces only around the area where we used this snake hook and left the rest of this character unpatched, which is great. This is really useful tool you can use to improve the quality of Sculpt Mode. And now, let me just quickly show you what these other tools in sculpt mode work. First, we have this clay. Clay tool is really useful when you want to add additional mass to your character. We have this inflate tool. Inflate does exactly what it sounds like. It will inflate any area. You use a ton on your character. Now we have blob. Blob works really similarly to the clay tool. It will give you only this small, rounded shape on your character. Blob is like a combination of clay tool and inflate tool. It will add this new mass, but it will also make this new mass. We made a lot smarter and rounder. And now we have this grace to, grace to basically works like a knife. It will allow you to start Dakar this, to cut these shapes into the body of your character. Basically like this. And now we have smooth tool. Smooth tool is the tool you are going to use most commonly in Blender. Now, Smooth Tool does exactly what it sounds like. It will smooth out any area you have on your blender. It will smooth out the bumps, the searches, and make this entire character look smarter. Now we have this flattened tool. Now flattened tool does exactly what it sounds like. It will make any area you are using it on a really, really flat like this. And okay. Now we have this scrape. Scrape tool is really similar to the flattened tool. Scrape tool will basically do the exactly same thing. The flattened tool will do. Only scraped tool will make this shape. We made this flat area, we made a bit more detailed and smarter. Now we have this graph tool. Now, grabbed tool will allow you to pull the pieces of your character out of your body. And that will allow you to create this sorta spiky shapes all around your character. We have this elastic deform. Now, elastic deform, it's going to deform your character. It is going to move a big area of your character and allowing you to change the shape of your character like this. Elastic they form, will basically allow you to form your character and to quickly change the shape of the huge area on your character, or maybe the entire character if you want to. And now we have this snake hook and snake hook we already used. It will allow you to create solid shapes like this around the body of your character. This is really useful to make a tentacles are some other interesting shapes on your character. And actually if we increase the radius, we can even use this to give this character this nose like shape. Snake hook will basically allow you to create these standing like shapes on your character. And one more thing you can use with smooth tool. Smooth tool can also fix the area where the mesh is breaking. You see this area where these meshes kinda breaking will simply use this smooth tool and arcane, as you can see. Now this shape is all fixed. Okay? And one more trick that applies to all tools in sculpt mode. You see guys, if you hold Control while you use your tools, it will basically cause Yoda tools to work in reverse. For example, I selected this drawing tool and this graphing tool, maybe this bumps that came out of our character's body. But if I hold Control, this drawing tool is no longer causing the shape to come out of your character. It is causing this, this bump to sink into the body of your character. Now let's just fix this area. It's smooth tool. Basically holding Control will cause any tool you have in sculpt mode to work in reverse. And okay guys, now that you know the basics of the sculpt mode, let's move on with our lesson 5. Sculpting head and eyebrows: Now first thing, the absolute first thing you need to do is before you start to do anything, is you need to make a blueprint for your character. Now, how do we make a blueprint for our character? You see these tools on the left side. Let's scroll them all the way down to this tool here. Let's call this button to open these extra options. And let's select these lines. And now what do these lines will do is they will allow us to sort them, draw in our blender. Now, what I want you to draw is to simply, I want you to simply draw this lines like this that go, that go around the edge of your character's head like this. Okay? Just simply draw these lines that go around the edge of your character like this. And you don't need to draw these edges. You don't need to draw these slides for the entire head. Driving these lines only on one half of your character's head will be enough. Now, if you want to change the color of these lines, simply you can press this tool here and give these lines any color you want. I'm going to stick to this dark blue color. I think this works really, really well. And now the next thing we need to do is we need to push the form this head so that it fits this blueprint we made. To do that. First, let's disable x-ray mode. Now, scroll a bit up, select elastic deform, increase the radius, enable mirror tool. And let's also enable this tool as well. Set the details size and enables smooth shading. And now what I want you to do is to simply push this head around until it nicely fits this blueprint we made. Alright. You can scale this radius now. Move this head around these edges as well. Like this. N. Okay? Once you have this shape for the head that matches this blueprint we made, Let's select this drawing tool again. And let's enable X-Ray mode. Now what we need to do is we need to draw the blueprint for the rest of our character. Scared. Let's start with eyes. Let's draw these lines that go around the eyes of our character. Like this. Now let's draw these lines that go around the eyebrows of our character. Like this. Now, let's draw these lines that go around our character's nose. And just like before, we only need to draw the half of the nodes. And let's also draw this shape for the rest of our character's nose. Now, let's select all the way to the top. This dropper tool disable x-ray mode enabled mirror tool. And now what we need to do is we need to draw the shape for these eyebrows and the nose. So to do that, hold control, and simply use it around all the areas on our character's face. Just leave these areas for the nose and the eyebrows untouched. Okay, let's keep deriving like this. N. Okay? Now that we drew the shape like this for our character's face, Let's select the smooth tool. And let's smooth these areas around a bit. Okay, great. But now what we need to do is we need to give these nodes and the eyebrows are beta. We need to identify them a bit tomorrow, give them some more sharper features. So to do that, select this tool, and let's use it to draw around here, around the, around the store down bottom of the nose. And let's use this tool to draw around these shapes below our characters, eyebrows and the nose, as well. As you can see, we have these much more identified features for the nose. Let's use this tool a bit more on the eyebrows. And now we have much more identified eyebrows as well. And what we need to do now, let's select these elastic deform. And let's push this nose around so that it fits our blueprint. And let's also push these eyebrows as well so that they fit the blueprint as well. Okay, great. Now that we have the shape like this, let's select these flattened tool. And let's rub it across the nodes around here and around the eyebrows. And let's use this tool around this, around the sides of the nose. Let's use it here at the bottom of the nose. And let's use it around here. Below the eyebrows as well. Okay, great. Now that we have this shape, Let's use the elastic deform one more time to pull this around, like this. Push it around. Okay, great. 6. Sculpting eyes and the mouth: Now that we have this sorta nodes than the eyebrows, we need to give our character some eyes. Now to do that, go back into object mode. And let's actually hide this character we made. Now in order to give our character the eyes, let's go under the Mesh. Select UV sphere. Now, press S to scale this down. Let's open the X-ray mode. And let's move this I, this sphere around here, around the eye on the reference image. Now let's bring back the character, disabled the X-ray mode. And let's pull this a bit to the front, maybe a little bit back. And Okay, now let's select these character, go into the sculpt mode. And now we need to make this shape for the eyelids. Now to do that, let's select this dropper tool and let's use it to rub it across these edges of the mesh around the eyes like this. And let's keep extruding, adding more mesh until we create the shape that sort of matches this blueprint we made for the eyes. Okay, now, as for the ride, Let's select these UV sphere. Let's add a mirror modifier to this UV sphere. Now, do you see this mirror object? Press this tool, select our character. And boom. Now this mirror modifier created the copy of this sphere on the other side of our character's face. Okay, great. Now let's select the character. Go back into the sculpt mode. Now, we still need to do the mouth, but before we take care of the mouth, Let's actually make this area around there, around the eyes a bit better. So to do that, let's select this smooth tool. And let's smooth this area where the eyebrows meet with the eyelids. Now let's select this clay tool and add a bit of an extra mesh around this area below our character's eyes. Now select the smooth tool. Smooth this area around n. Okay? Actually come to think of it. We can add a bit texts to a mesh around here at the upper side of our character's eyes. And I'll just select Smooth tool to smooth this area around a bit. And okay, great, we have this decent looking eyes for our character. Now, what we need to do next, we need to give our character them out. Now, making a mouth for the character with this reference image will be a little problematic because whenever you make come out, you want to make them in a closed position. And if we open the X-ray mode, you can see that this mouth aren't closed. So we'll need to improvise a bit around. So in order to give our character the mouth, select this dropper tool. And let's lightly use it to give just a little bit extra mass below, below the nose. Let's, we can smooth this area just a little bit with smooth tool. And now select this tool. Let's decrease the radius a bit around this bump we made below the nose. We need to draw a sort of W shape. So press this and slightly create this W like shape around the lips. And okay, now we have this leaps for our character. We can maybe add a bit more mess around here. Okay, great, great, great, great. Now to give these slips a bit better shape, we can also cut this area around here below the lips. And we can also cut this area between the lips and the nose. And okay, now we gave these lips a bit of a better shape. Now use Smooth Tool and very slightly, not too much, just slightly rabbit the lips around these edges we made n. Okay, now we have this decent looking lips for our character 7. Sculpting ears: Okay guys, now the head of our character is mostly finished. We only need to improve some facial features and to give this character that pair of ears. Now, I'm not going to use these reference image to give our character the ears. Because I don't want to give our character of human ears. I'm going to give him some elf ears. So to do that, go into the sculpt mode. And how are we going to give this character the pair of ears? While it's simple, select this snake hook. Go around this area that is around the nose, that is on the same level as the nose, but on the side of the head as well. Now, let's just create the shape like this with snake hook. And Okay, now these ears could look better. I know. Now to improve these ears, select these inflate tool and let's use it to give these ears a bit of a bump around the top. And let's also use it to give these same years a bump at the bottom as well. Let's give a bump around here as well. N. Okay? Now that we have this interesting shape for the ears, Let's select these two. And let's build in the shape for the inside of our characters here. So hold control and wrap this year around the inside of the character, inside of the ear. Just use this tool to curve this shape for our characters ears. Now let's also give this character some ear canals. So hold control. And let's make these holes around the sides of our characters ears. And okay, Now to give these ears a better shape, Let's select this tool and use it to curve this area where the head is merging with the ear like this. Okay, great. Now just use Smooth Tool and very slightly used it around here too similar to these areas around. Okay, Great. Okay. And now to improve this map, this head even more, let's also use this clay tool to sort of fill up this hole on the sides of our character's nose. Okay, Great. And now what we can also do is select this inflate tool. And let's rub it across the top of our character's head, just to give our character a bit smoother head that isn't so flat at the top, like this. Okay? Now just use the Smooth tool to smooth this area around like this. Okay? Okay, great. Now what we can also do is select this tool to give these eyebrows, this area around the forehead, a bit tomato, sharper angle. We can also use this around the nose of our character as well. Okay, Great. All right guys. Now we have this, this and hit for our character. Now, I honestly think that we can make this head look even better. So let's improve this facial features a bit. First, I want to fix these ears. So what we are, what we are going to do is we're going to select elastic. They form. Let's make the strength, Let's increase the strength. Now. Let's use elastic. Whoops. Let's make the right the radius a bit smaller. Now, let's use elastic deform to give our character this sort rounder shape for the ears. Okay, something like this. And now just use this smooth tool. Let's smooth this area around the ear like this. Okay? We have this nice-looking years. Now if you want to, you can use this tool and you can rub it around the inside of the ear to give it a bit more identified shape. But this is completely optional. N, Okay? Now we have this decent looking shape for our character's head. Now, now that we have this entire head made, we can honestly get rid of this blueprint. Now to get rid of the blueprint, select this tool, hold it, select Erase. This does exactly what it says. It erases the blueprint we made. Okay? 8. Introduction to retopology: Okay guys, now that we gave our character a face, it's called mode. Now we need to take care of something else. We need to take care of the topology. You don't know what tree topology is. Well, let me explain it to you. You see guys, whenever you make a character which is called mode, that character is most likely going to have a few issues. First, your character probably won't have proper we set up eyelids and amount. And the second problem is that whenever you use sculpt mode, our character, a proper shape, that character is most likely going to have way too many points and faces on its mesh and they're going to be completely disorganized. So to fix that problem, we are going to use three topology. Topology. We are basically going to make a new character that is going to look exactly like this one we made with sculpt mode. But this new character we are trying to make is going to have a properly set up a mountain and eyelids way fewer points and faces on its mesh. And those points and faces are going to be a lot better organized. And that is going to make this character a much more easier to use while animating. So let me show you how you can take care of the topology for your character. Now, just before we start, I just need to tell you a few things. First, this is going to be a very, very long process. Tree topology takes a very long time, so just prepare yourselves mentally for that. And another thing I need to tell you is that I like to call read topology masking. Now, why do I like to call Ray topology masking? Where you see guys when I first started to use topology, I felt like I wasn't making unasked for my character. I thought that was pretty funny. So that is why I started the goal rate topology masking. So I like to call it topology masking. So don't get confused if I say masking instead of three topology. Okay, So with that being said, let me show you how to take care of real topology for your character. 9. Blueprint for retopology: Now, how do we make a mask for this character? Well, remember how before we started sculpting the face on this character, we made a blueprint with this tool. Well, we'll need to do the exact same thing for the mask as well. We'll need to make a blueprint for our mask. So how do we make a blueprint for the mask of our character? Well, let's really simple. Let's find under these tools in sculpt mode, Let's find this paint tool like this. Now, before we do anything. First, let's make sure that the strength of the paint tool is on one end here. By pressing this, you can give your, your paint any color you want. I will pick this blue color. But really you can pick any color you want. Now what I want you to do after you pick your color, I want you to use this tool to draw this circle around the eyes of our character. Now, in case your paint too isn't working well, one thing you need to understand is that this paint tool works only if these two here is disabled. So whenever you're planning to use the paint tool, make sure that this tool here is disabled. And actually, we can extrude this blue circle all the way to the forehead and eyebrows like this. Nrk. Now that we've painted this circle around the eyes, Let's pick some different color. And now we need to paint this nose like this. Let's paint this area around our character's nose like this. Okay? Okay. Let's also paint the forehead of this character as well. All right, sweet. Now let's speak some different color. And this color, Let's paint this area below our characters eyebrows. And we can also paint these end of our character's nose like this. Okay, great. Now what I want you to do next, Let's pick some different color. I now first with this color, Let's paint this area below the eyes. And now let's keep painting around the jaw of the character. And let's meet, let's close this circle here around the chin. Paint these areas below our character's eyes, and then paint around the jaw until this yellow color reaches this chain here. Alright, now let's pick some different color. Let's paint the lips of our character Here. Okay. I'll pick some different color. Let's paint a circle. Let's paint actually the circle around the ears of our character like this. Okay? And let's also paint this. Let's also paint the edges of the ear as well. Okay, let's paint this circle around the ears of our character, like this. N. Okay? Now that we've painted the ears, what we still need to do is to paint this circle around the neck. And okay guys, this is going to be the blueprint for the mask of our character 10. Retopology 1: Now, how do we actually make a mask? Well, first, go into the object mode. We can actually hide this reference image. We won't need it anymore. And now, in order to make a mask, go under the Mesh, select the plane, press S to scale this plane down like this. And now let's bring this plane around these sorts of our character. Let's use the rotation tool to rotate this, press S to scale it down. Okay. Now, move, move your plane somewhere where it's hovering above this blue circle we made, okay. Now that you've placed this plane above this blue circle we made, select the plane, go into the edit mode. And now we need to cover this entire blue area with this plane. But in order to do that, we need to make sure that this plane will stick to the surface of this character. So how do we do that? Well, to do that, we're going to use snap. Let's press this button here that is going to enable Snap. Now press these snapping snapping button here. And we need to give this snap tool a proper settings under snap to select Face project under shape, weight, select Active. Here, also select project individual element. Now let's select this point. Press G to move it around. And as you can see, now this point, this point, we moved it, now it's stuck to the surface of our character. Let's move this point as well with g n, As you can see, as we move these points, they're big, they're getting stuck on the surface of our character. But now we have problem. We can see our plane through these mesh. So to fix that, go here under object properties, and now go here under view-port display and enable in front. This will allow you to see or plane even when it's clipping through some other mesh. N. Okay? Now simply select these two points. Press C to extrude. Move them around so that they stick, so that they nicely match this blue circle we made. And now let's keep extruding this faces with IE. Make sure that they're nicely matching this blue circle until we cover this entire area we painted blue. Okay, So just keep extruding like this. Let's move these points around until we cover this entire area. We painted blue. Okay. Now around the nose e to extrude. Move these points around like this. Okay. Now to close this hall, just select these two points, and these two points press F, and this will merge them together. Okay, Great. And now this is basically what the mask is. We're basically covering the entire surface of our character weight wheat plane like this. And that is basically going to be the mask for our character. Now, we, now in order for this mask to be good, we need to make sure that it fits our character as good as it can. So to make sure that this area, this mask we made for the eye, that this fits our character as good as it can. Let's select this loop cut tool. And let's make a loop cut around the inside of this mask. Now, just move each of these points around slightly with snapping enabled so that they stick to the surface of our character. Okay, now we have this mask that fits the surface of our character really, really nicely. Now, just so that we don't need to deal with this other half of our character's face. Let's actually open this modifier properties. Now, let's add a mirror modifier to this mask. And do you see this mirror object? Let's press this tool here. Select our character n. As you can see, what mirror modifier now does. It creates the copy of this mask on the other side of our character's face. And Okay, now the amount of work we need to do has been cut in half. Now, we need to, we need to cover the entire head with masks like this. So we covered this blue area with the masks, but now we need to cover these this orange area. So to do that, Let's select these points around here. Press E to extrude, and move them around so that they cover these nose from the sides. And now let's select these points, these new points we made. And let's move them around to cover this middle of the nose. But now we have one more problem. Let's see what will happen when we move this point to the middle. You can see the left and right side of the masks. They're clipping to each other. And that's not what we want. We want to make sure that both the left and the right side of our characters mask is being merged together. Really, really nice slim. So to fix this problem, we are going to enable clipping. And now let's see what will happen when we move these points around. You can see once the left and the right side of the mask touch, they sort merge together and they're no longer clipping through each other. Which is great. That is exactly what we wanted. So let's merge these other holes as well. And okay, now we just need to keep growing and we need to cover this entire orange area we made. So let's pull this point a bit down. Now, let's select these two points, E to extrude. Select these two points, and these two points, press F to close them. Alright. Now select these two points, E to extrude. E to extrude again. Let's extrude the third time. And now what we need to do, select these two points and keep extruding until we cover this entire orange area. And okay, great. Now that we've covered this orange area, we can start covering this area below our characters eyebrows. So let's move these points to this sorta edge of this green area. And now what we need to do, select these two points. And these two points. Press theft to close this hole. Now select these two points and these two points f to close it. These two points and these two points f to close it. And now let's close this last call. Okay, great. Now that we covered these orange and green area, we will cover these nodes later. But for now, let's actually covered this yellow area. To cover this yellow area. Select these points around here, extrude them with E. Okay? Move them around like this. Now, what we need to do, let's cover the rest of this yellow area. Select these two points, and let's extrude them with 0s Let's keep going until we cover this entire yellow area. Now that we covered this this yellow area, we can start covering this nose as well. So to do that, let's select these two points, E to extrude. Okay, like this. Now let's select these two points. And these two points, press F to close them. Let's extrude one more time. Let's close this hall around here. Okay, Great. And now let's select these point E to extrude. Move it all the way here to the end of the nose. And now let's just select these four points. Press F to close them. And okay, now we have this nose of our character all covered up. And okay, now we need to take care of the lips of our character. So to do that, Let's select these points around the edge of this area we made. Now extrude all these points with E. Press S to scale them down a bit. And now let's move these points around until they reach this red area we painted for the lips. Okay guys, now that we reached the leaps of our character, the way we are going to make this leaps is simple. Select these two points. Press E to extrude. And let's keep extruding until we sorta cover this entire edge of the upper lip like this. Now simply select these three points, f to close them. Select these points, close them it, f. Select these points, close them with F. And now select these points and close them with F. Okay, we covered this, this upper lip. Now to take care of this lower lip, select these two points, E to extrude. And just like before, covered this edge of the lover, leap until we cover this entire edge. And now select these three points f to close them. And let's keep closing these points ON, by the way, in case you didn't make enough faces around these edge of the lip here. You can always use loop cut to add some extra points, extra edges. Just make sure to move them around a bit with snaps so that they stick to the surface of our character. Now, just select these two points. Close the mid f. And let's keep closing this ellipse like this. Okay? 11. Retopology 2: Now that we closed this entire face for our character, what we need to do now is we need to cover these ears of our character. Now how do we do that? Select these two points, E to extrude. Okay, move them all the way like this so that they cover this purple area. Now, let's add a loop cut and let's move loop cut around this area where the purple and white collar meat. And Okay, now just simply select these points and keep extruding them. Just keep extruding points, extruding phases until you cover this entire purple area like this. Okay? Okay. Keep making new faces. Now that we reach this point here, select these two points, and these two points, close them with f n. Okay? Now we still didn't cover all purple area. We need to take care of this purple area around here. So just select these two points, extrude them with E. Okay? And let's keep adding new points until we cover this entire purple area. And also if you're having trouble with visibility, you can always just go in inside your character. Usually when I have trouble with visibility, I physically go into the character. And you can see from this angle, from, from the inside of your character, I have a much, much better view and I can more easily see what I'm doing. Okay. Let's extrude one more time. And now to close this area, let's select these two points. And these two points close them with f n. Okay? Now that we covered all these painted areas with the mask, we need to cover the rest of this head with the mask as well. So to do that, first, let's cover the back of the head. Select these two points. Press C to extrude. Let's keep adding extra faces until we close this circle around to the back of the head. And now to close the rest of the head, Let's select these points around to the back of the head. E to extrude. Now select these two points, and these two points, press F to close. Then. Let's keep adding new faces. And let's keep closing this hall like this. Okay? But now we should also do a little bit of merging from the front of the head as well. To select these two points. And these two points, press F2 to close them. Okay, like this. And now select these two points. These two points, close them with F. Okay, great. And basically now select these two points E to extrude. Close this hall around here And let's keep adding extra faces until we closed this hole between the ear and the face like this. Okay. I think we should extrude once or twice more. We should extrude two more times. And now let's extrude these faces one more time. And let's close this hall around here. And okay, now that we closed this whole what we need to do later, Let's select these points around to the back of our characters scared. E to extrude like this. Select these three points. Press F2 to close them. Now, let's keep extruding these points. And also as we go merge them, wait, these points on the other side as well. Okay. Let's extrude. One more time. Close this whole around here. Let's extrude. Again. Close this whole around here. And we'll also need to extrude a few more times. Okay. Let's close this hall around here. And this whole around here. Now, let's extrude one more time. N. Okay? Now that we covered this, now that we've filled up this whole, we need to close this hole at the top of our character's head. Now to do that, Let's keep selecting these points around the edge of the top of our characters here. Now go to the top few e to extrude. Now press S to scale these points down a bit. And now that we made it here, let's move each of these points around so that they stick the surface of our character. Then we are basically going to repeat this process until we cover the entire head. Now, let's keep selecting these points. Go to the top few e to extrude S to scale this down. And I'll move each of these points in their place a bit. Okay. Let's repeat. This plot says e to extrude S to scale it down. Which of these points in their place? Okay, I think we should extrude this one more time. And after that we can just merge this whole width F, okay? E to extrude S to scale it down. Now, reach of these points around a bit Okay, now we just need to close this call. Now to do that, select each of these points that are around the edge. And now just press F to close this whole n. Okay? We covered the top of our character's head. Now we need to cover this lower part of our character scared. And then we just need to cover the ears. So to close this hole down here, select these two points, these two points to close it. Like this. Now select these two points. These two points close them with F. And now what I want you to do, let's select, let's select these points around to the back of the head. E to extrude. Select these two points. These two points, close them with F. And let's do this one more time. Now select these two points, and these two points, close them with f n. Okay? Now we can keep going. Now, let's select these points around here. E to extrude. Select these two points, E to extrude. Let's close this whole around here. And now select these two points. And these two points, close them it F. Now let's keep going until we cover this entire head. Okay, extrude. Okay, now select these two points. These two points, close it. N, okay? Okay, okay, okay. Now we still need to cover this chain. So to do that, Let's move these points around so that they cover, so that they reach this purple area. And now just select these two points, E to extrude. And now select these two points. And these two points close it with deaf. Extrude. Close this hall around here. And let's extrude one more time. Whoops, wrong point. Now let's close this hall. Okay? 12. Retopology 3: Now all we still really need to do is covered these ears. Wait, the mask as well. So to do that, let's select these points around the edge of the inside of our characters here. Like this. Now, let's press E to extrude S to scale these points down. And now move each of them around with Snap enabled so that way they stick to the surface of our character. Okay, like this. And I will just repeat this process until we close this entire area around the inside of our characters ear. And then I'll show you how to cover the back of the ear as well. Okay. Movie each of these points around. Okay. Actually come to think of it. We can just select these points around the edge of the ear. And now just press F to merge this hole. And now how do we cover the back of the ear? Well, it's really simple. Select these few of these points, ie to extrude. Now let's close this whole around here. X2 them with E. Close this whole extrude again. Close this hall. Let's select these points. Extrude again. Close this hall. And just keep going until we go all around the year. And now just to close this whole select these four points And let's actually keep selecting points until we close this and your hall like this. And okay, a care, care k. Now let's select these points. Let's extrude them with 0s. Okay, at a few extra points around. And now just keep closing this hall around like this. Now select these points, x2 them with E, K. Selected these points. Close them with F. Do the same thing here. Okay, Great. Now let's keep closing this whole close it. Let's fix through today's points. Close this hall around here. Let's extrude one more time. Now to close this whole select these two points. These two points, close them with F. And let's actually move. Let's actually move these faces a bit out. Like this. Moved a bit to the side. And now let's select these two points. These two points close the mid f, like this. Okay? Now let's just select this point. Let's move these points around. Like this. We can scale them down even with S. And now select these two points and these two points n, okay? Okay, okay, okay, great. Now what we need to do is really simple. Now, to close this hall, we can simply just select each of these points around the edge. Press F to merge them. Whoops, looks like I forgot a point here. And now we can honestly use this tool. Let's switch this selection from points to faces. To add this extra phase. Let's switch control back to points and now move each of these points around. Wait, snap in their place. Okay. Now we have these decent shape that is covering the entire head of our character. Now, let's also cover this neck of our character. To do it that simply select these points, ie to extrude. Alright, move each of these points around so that they reach this entire purple circle. Select these points, ie to extrude. Move each of these points around so that they fit this purple circle. Now let's just close this hall around here. Press Surf n. Okay? 13. Retopology 4: And now, just like we made the mask for the head, we also need to make the mask for the body as well. So let's select our character, go into the sculpt mode, and let's draw the blueprint for the mask that is going to cover the body. In order to do that, Let's draw this circle that goes around the shoulders of our character like this. Let's make another circle that goes around the waist like this. And let's make these two circles that go around the lakes of our character n. Okay, great. Now select this mask, go into the edit mode. And now we basically need to first cover this area around the shoulders. So to do that, let's select these two points. Press C to extrude. Extrude these points so that they reach this blue area. Let's extrude one more time to cover this entire circle. And now what we need to do is we need to keep extruding faces like this. Till we cover this entire purple circle we made for the shoulders. Like this. Extrude one more time. Now select these two points and close it with death. Okay guys. Now, before we actually start covering these arms with the mask, we need to cover these stores so with the mask first. So to do that, let's select these two points. These two points. And now just merge them by pressing f. Okay? And now to cover the rest of the torso, select these three points, extrude them with 0s. Move them around like this. And now select these two points. And these two points. And close them by pressing f n. Okay? Now select these three points, extrude them. Close this whole around here. And okay, we have this area covered. Now to cover the back of our character. To do that, select these two points. These two points, press F to merge them. Now select these three points, extrude them with E. And I'll select these two points, and these two points close them with F. Let's select these three points, extrude them. Close these points around here with f n. Okay? Now what we need to do is we need to select all these points around this hole on our characters mask. Let's actually disabled snap. Press C to extrude. Re-enabled snap. And now just move these points in their place by enabling snap. And then all we need to do now is repeat this process. Select each of these points around this whole disabled snap e to extrude. Re-enabled snap. Move each of these points in their place. And then we are going to repeat the process until we covered this blue circle we made around the waist of our character. So yeah Okay, now that we covered this entire tour, some with the mask, we can start covering these arms. Now. Arms are going to be really easy to cover with mask. We will have a little bit of extra work around with the hands. But don't worry, I'll show you how to do that. For now. We're going to cover these arms with the mask, the same way we cover to the torso. Disabled snap. Select each of these points around this whole press E to extrude. Now re-enable snap. Move each of these points with snapping enabled so that they stick to the surface of our character. And now let's just repeat this process until we reach the hands of the character. When we get to that point, I'll show you what to do later. Disabled snap e to extrude, re-enable, snap, move, move each of these points in their place. And then we're going to repeat the process until we cover the entire arms 14. Retopology 5: Okay guys, now that we reached the hand of our character, how do we covered this hand with the mask? Well, the hand is going to be a little tricky, but don't worry, it will be a lot easier once you get the hang of it. So for the start, Let's select these two points. Press C to extrude like this. Now, select loop cut. Let's cut this face in half. And let's actually delete this half of the face. We want to separate these phase from the rest of the hand. Now what do we need to do? Let's move this plane, this face around here, around the finger. Now let's move these points around like this. Now what we need to do is we need to make the circle that goes around this entire finger. Select these two points. Press C to extrude. And let's cover this entire finger with the faces like this. Also, if you want a better visibility, you can look from inside your characters, your characters scanned, that is going to improve your visibility. Now all we need to do, select these two points. These two points, press F to close them. N. Okay, great. Now we need to do the exact same thing we did for the arms. Let's select each of these fingers around this whole disable Snap. E to extrude, re-enable snap. Move each of these points in their place with snapping enabled. Then we're going to repeat this process until we cover the the entire finger for our character. Okay. Disabled snappy to extrude. Re-enabled snap. Move each of these points in their place. And then we're just going to repeat this process until we cover the entire finger. Okay, Now let's move these points in that place. And then how do we make this term the end of this finger? Well, it's really simple. Sample is select each of these points around the edge. Press Save to merge them all together. Now disabled snap, select this inset face tool, set this from points to faces. Now let's use this tool to make a new face. Here. Let's set this back to zero points. Let's re-enable the snap tool and now move each of these points in their place. With snapping enabled, like this Okay, great. Now to improve this finger, we can actually add a loop cut here. Movie each of these extra points in their place, like this. N. Okay? We can actually use this inset face, select this plane. Disabled, snap. Let's make one more face. Set. These two points enable Snap. Move each of them in their place. And okay, now we have this decent mask for our characters finger. Now first, let's save. And now now we need to cover these other fingers with this mask as well. But we actually don't need to make a new mask over and over again. What we are going to do is this. Let's disable Snap. Select all points around this finger. Press Shift D to duplicate. Right-click to snap this extra points in place and move them like this to cover these, these other finger, shift to d. Now let's cover these other fingers as well. Okay, Great. And now we can actually use this same tool, the same mask to cover this term as well. So press Shift D to duplicate, move it around like this. Now select Rotation tool. Let's rotate this mask. Play sit around here. Okay? Now we have this term covered with mask as well. But as I'm sure, you all know this this mask doesn't fit the term as nicely as it fits these other fingers. So how are we going to fix this? Well, it's really simple. Let's actually, let's actually delete these two circles of points. Now enables snap and move each point around this circle around so that they fit. Our characters. Can't. Okay, great. Now, just to fill up this area around the hand. So how are we going to do this? Well, first, let's disable Snap. Go to this area where the fingers are. Now select these two points. These two points, press Save to close them. Let's close this whole around here as well. Okay, Great. Close this hole up here as well. Alright. Alright, alright. Now let's merge these fingers as well. Okay, Great. Merge these fingers too. Alright, great. So what do we need to do now? Well, simply select each of these points that is around this whole around the fingers. Then we're basically going to extrude this points until we cover the entire hand with the mask. We did this procedure many times. So press E to extrude. Okay, re-enable, snap. Each of these points in their place. Okay, let's keep moving these points In their place like this. Alright, now select these points around the edge. Disabled snap e to extrude. Re-enabled snap. Move each of these points in their place like this. We will keep extruding these points until we reach this term. And then I'll show you what to do next. Okay? Disable, Snap, extrude, re-enable, snap. Move each of these points in their place. Whoops, looks like I forgot to extrude one point around here. Well, that shouldn't be an issue. And okay, now how do we merge the stamp with the hand? Well, it's really simple. Select these two points. And these two points. Press F to close them. Now select these two points, and these two points close them with f. Select these two points and these two points, f to close them. Now, we're going to do the same thing, something very similar we did for the stores. So around this area here, what I want you to do is to disable snap. And now I want you to select these points Around here. Press C to extrude, re-enable, snap. Move each of these points in their place so that they match this hand. Now, let's select these two points. These two points, press F to merge them. Down here. Select these two points. These two points merge them with f. And Okay, now let's repeat this process. Select these points around here. Disable Snap e to extrude. Whoops, I forgot one point around here. Well, that shouldn't be an issue. Big issue anyway. Okay. Now select these two points. These two points, press F to close them. Here, select these two points, and these two points close them with f All right, great. Now we can, now let's just repeat this process. Select these points around here, E to extrude. Now let's select these two points. And these two points press set to close them. And now select these two points. These two points close them with f. Okay? But now I noticed that I made one tiny mistake. I forgot to enable Snap and to move each of these extra points I made wheat as snap. So these points didn't really get merged. These points didn't get properly placed on the mask of the body. These points, they didn't properly get placed on the body. That is what I'm trying to say. Okay. Now that we reached this area, select these two points. And now let's select these 1234 points. Close them with f, like this. Okay? And now what we need to do, let's select these points around the edge of the hand. Disable Snap e to extrude, re-enabled snap. Move each of these points in their place like this. Okay, Great. And now let's select these three points. And these two points, press F to close them. Down here, select these three points. And in here, select these two points, close them with F. And now to close this hall around here, simply what we're going to do, select these two points. And now let's select a few points around here. Close this whole width, f, select these two points. And these two points close them with f. Select these two points. And these viewpoints close them. Okay? Select these two points. And these points on this side as well. Close it with f n, OK? Select these two points here. And these points around here, close it with f. Okay? And now to close these last few points, select these two points. Select these points. Press F to close them. Select these two points, and these points here. And now for the last touch, let's select these points around this hole here. And now just press F to merge them. N, Okay? We have this area all closed up now. But we could still improve this area around here. So to improve this area, let's select this knife tool and let's use it to carve this extra, this extra circle of points around here like this. Okay? And then after we're done, we're going to move each of these extra points we made so that they stick to the surface of the character. Move them around a little bit like this. N, Okay? We have this hint for our character. Now the last thing we need to do are the lakes 15. Retopology 6: So to make the legs, Let's select these points around the waist. Press E to extrude them. Move them to this point here where legs begin, enable Snap. Move each of these points around so that they stick to the surface of this character. Okay, Great. And now what we need to do, Let's select these two points at the side. Press C to extrude. Move them to this area where this blue circle begins. Extrude one more time. To cover this entire circle. And now select these two points. Press C to extrude. And as you make the circle that covers this blue area, keep merging it with, with this mask we made for the torso. So select these two points. These two points, close them with f. Extrude one more time. Keep emerging. Okay, but don't actually, why not? Let's select these two points, extrude, merge them with these points, and don't go any further. Stay here. Now, we need to merge these. We need to cover these legs on the back as well. Okay. Extrude. Extrude. Let's extrude one more time. Whoops. Let's extrude one more time. Okay, Great. Select these two points. These two points press set to close them. Okay, now how do we fill up this whole around here? Well, to fill this hole up, Let's go, Let's actually hide this mirror modifier. This way we will have better visibility. And now what we need to do is this. Let's select these two points. Let's actually go into our character for better visibility. Now proceed to extrude. Move it here. Move this point around here. Select these two points like this. Now select these two points and these two points, close it with F. Ok? And now it's really, really simple. Simply select these two points, E to extrude. Select these two points and these two points, press Save to close them. Close this whole around here. And okay, great. We have now this mask for the legs of our character. Let's bring back mirror modifier. And yeah, this looks really, really good. Okay, great. Now, all that is left for us to do is to cover the rest of these legs with mask. Now, covering these legs with the mask is going to be really easy. The exact same thing we did for the arms we are going to do here. Select these points, disable Snap, e to extrude, re-enable snap. And now move each of these points in their place like this. And then we're just going to keep adding new points, new faces like this, until we cover the entire lake. Okay, so let's do this again. E to extrude. Whoops, I forgot to disable. Snap. Came. Move each of these points in their place, like this Okay. Okay. Let's repeat this process. Extrude. All right. Let's extrude this one more time. Reach this area around the feet, re-enable, snap. Move each of these points in that place like this. And now I'm going to show you how to cover the feet of our character. Now, feet, they are going to be simple to make. What I want you to do is to select these three points. Press E to extrude. E to extrude again. Okay? Make these two set of faces. Now select these two points. Extrude width, ie. Now select these two points, and these two points close them with F. Now select these two points on the other side. Extrude them with E. Select these two points, and these two points, press F to close then n. Okay? Now what we need to do is we need to make the circle that goes around the entire feed of our character. Proceed to extrude. And just keep adding extra faces until we cover this entire feet. And now simply select these four points. Press F to merge them. And okay, now let's actually cover this area of our character's feet. Now this is going to be really, really simple. Just select these points around this edge, press E to extrude, enable Snap. And now move each of these points in their place with Snap enabled, like this. Okay, Great. Then we're going to repeat this process until we cover the entire feet. So X-Ray mode, select these points, disable Snap. E to extrude, re-enable snap. Move each of these points in their place. Okay. Now disable Snap. I think we'll need to do this one more time. E to extrude. We can also press S to scale these points down. And actually let's also press F to merge all these points, re-enable, snap, and move each of these points In their place like this. N. Okay? Now that we covered this feed here, let's also take care of this heel. So how do we do this? Well, it's really simple. First, disable, Snap, select each point around the edge of our characters. Leg around here. Now, press E to extrude, move them down here. Re-enabled, snap, move each of these points in their place, like this. Now what we need to do, select these two points, and these two points. Press F to close them. Do the exact same thing on this other side as well. And what we need to do now is repeat this process until this entire heel is covered with faces. So select these points around the edge. Press E to extrude, re-enable, snap. And now move each of these points in their place bit by bit. Okay? Now let's select these two points, and these two points close this score. Select these two points and these two points close this hall as well. Disable Snap. Let's repeat this process. Okay. Press C to extrude. We can also scale this down with S. Re-enable snap. Now, just move each of these points in their place, like this. N. Okay, now close this hall around here and around here. Okay? Now let's repeat this process. Select these points around, Around here. E to extrude. We can scale this down with S. Move each of these points in their place. Now select these two points. These two points close them with f. Select these two points, and these two points close them with F. Now, let's select each of these points around the edge of the, this whole press F to close it. Whoops, I forgot to this point here. Press, press F to close it. N. Okay? Now we basically covered this entire character with mask 16. Seting up mouth and eyelids: Okay guys, now that we covered this entire character with mask, there are still two things we need to take care of. First, we need to take care of the eyelids for this character. And we need to also give this character a proper mouth. So how are we going to do that? First, let's press this to disable mirror modifier and actually come to think of it. We can also hide our character, and we can also hide the eyes as well. Now select your mask, go into the Edit mode. First, we need to take care of the eyelids for this character. Now, how are we going to do that? Let's select each one of these points that are around this whole for the eyes. Make sure that Snap is disabled. Press C, press, right-click, press S to scale these points down. Now what we need to do, Let's select this move tool and move these points we made back into the head of our character n. Okay, by doing this, we nicely set up the eyelids for this character. Now, what we need to take care of next is we need to take care of the mouth of this character. So how are we going to do that? Well, first, let's select each of these points around the mouth of this character. Press E and slightly move this new points into the mouth of this character. Now press C again and move these new points we made a lot further into the mouth of your character. Now what you need to do next, Let's select each of these points that came from the upper lip of your character and move them up like this. Now select each one of these points that came from the lower lip of this character and move them down like this. Now select this new points we made for the mouth and press E to move them back. And let's also rotate them a bit like this. Okay, great. Now let's press C Again. Move them a bit back like this. And let's actually scale these points down a bit. For example, let's select these faces that came from this upper lip. Move them a tiny bit down. And let's also select these points that came from the lower lip like this. And now move them a bit up like this. Now select this one point and move it into the head. Maybe around like this. And okay, now we have this proper mouth for this character. Okay? Now what do we need to do? Let's select each point, all points around this edge for the mouth. Okay. Now press C to extrude and move them down here into the throat of your character. But now, as you can see, we have one problem. These phases. We made our clipping through the neck of our character. So how are we going to fix this? Let's select these points that are down here. And let's move them a tiny bit closer to the middle of our character, to the center of our character. Like this. Okay. Just a tiny bit. And just to take care of this area that is still clipping through the neck. Let's add a loop cut here. And let's move these points a tiny bit closer to the center. Of our character like this, n. Okay? Now that we did that, we have this proper mask for our character. Now let's improve this mask even more. Going to the object mode. Press right-click, select Shade Smooth to give this mask Smooth shading. And now let's bring back mirror modifier. And let's also add a subdivision surface. And let's increase subdivision surface to three. And okay, looks like we have one problem around the ears. These ears are breaking here. So how are we going to fix these ears? Go into the Edit mode, and let's actually temporarily hide the subdivision surface. Let's select this face for the ear. Press right-click and delete it. Now, what we need to do next, Let's select these two points around here, and these two points around here, close them with F. And let's keep going. Selecting two points up, two points down, then press F to merge them. And we will just keep going until we completely close this hall around the ears of this k vector. Then we are going to bring subdivision surface back. And then I'm going to show you one more trick you can use to improve your mask even more. Okay, Great Britain back subdivision surface n. Okay, as you can see, this ear now looks a lot, lot better. Okay guys, now, I told you that I'll show you one more trick you can use to improve your mask even more. Well-to-do that. Let's go to modifiers. Let's say the new modifier. And let's select shrink wrap modifier. Now, under shrink wrap, we have the target. Let's quickly bring back the original character we made with Sculpt Mode and skin modifier. Let's hide the mirror modifier just so we can see it a bit better. Now, under shrink wrap, press this icon around the target. And now let's select this original character we made for the target on shrink wrap. Now let's quickly hide this original character we made. And let's bring back mirror modifier n. Okay? Now what shrink wrap will do exactly is it will cause your mask to sorta stick closely to the surface of any object you select it. Shrink wrap is basically going to make your mask nicely wrap itself around the character you made. But now shrink wrap May the one problem. If we hide this mirror modifier, you can see that shrink wrap completely messed up the eyelids and the mouth of your character. So how are we going to fix this? First, let's hide shrink wrap. And now let's go into the Edit mode. We can also hide subdivision surface for better visibility. Now, select all points by pressing a. And now go here under Object Data Properties. Now here in object data, we have this vertex group. Let's press this Plus button, and that will give us this new vertex group. Let's double-click it and let's rename it into something like shrink wrap, okay, like this. And now we need to place each of these points into these shrink wrap vertex group. So now that we have all these faces on our character selected, let's press this Assigned button And that will cause all faces that are selected to be placed into these shrink wrap vertex group. And now what we need to do next is we need to remove these phases for the eyelids and for the mouth from this vertex group. So to do that, let's select each of these, each of these faces around the eyelids like this. Now press this remove button here that is going to remove them from the vertex group. Okay? Now that we removed these phases for the eyelids from the vertex group, we need to remove these phases for the mouth from the vertex group as well. So let's select each of these faces that are for the mount of our character. After we select all of them, we are going to remove them from the vertex group. Okay? Whoops, looks like I forgot one face around here and one around here. And one here. Okay. Did I select all of them now? I did. Okay, whoops, I forgot. Let's select this circle of faces around here as well. Select these faces down here as well. Okay? Now that we've selected all these faces for the mouth of this character, simply press this remove button that is going to remove them from this vertex group. Now you can go back into object mode. Let's bring back subdivision surface, and let's bring back shrink wrap. Now, do you see this vertex group at the bottom of the shrink wrap modifier? Press it. And here we can see this shrink wrap vertex group. Press set N. Okay? As you can see, this stuff automatically fixed these snout and this eyelids. Now, what did we exactly do by placing this vertex group in this shrink wrap modifier? Well, you see guys, by placing this vertex group into this shrink-wrap, we told the blender, Hey, I want to shrink wrap to only affect the faces that are in this vertex group I made. And since we removed the faces for the eyelids and for the mouth from this where it takes group, these shrink wrap modifier is no longer affecting these faces. And as you can see, now we have this really, really nice mask for our character. Now let's quickly bring back mirror modifier and actually come to think of it. Now we can disable in front on this mask. And we can also bring back the eyes of this character 17. Makeing teeth and the toung: Alright guys, are character is looking really, really nice, but we still need to place some teeth and the tongue in our character's mouth. So how are we going to do that? Well, let's add one single cube like this. And we're going to turn this cube into the teeth for our character. Let's press S to scale this cubed down. Move it around like this, and now go into the Edit mode. Now, how are we going to turn this cube into the teeth? Well, it's simple. First, let's use low cut to cut this cube in half. Now, let's actually delete this entire one side of the cube. And let's use mirror modifier to bring this half back. Now let's select this face on the side. And let's make these cube a bit wider. And also these teeth should be a bit thinner. So let's select this point and this point, scale them down to make this thinner n. Okay? Now, in order to turn this cube into the proper t, Let's select this slope cut. Let's give a number of cuts. The number of cuts here. Let's increase it to something like a tree. And let's use it on this side here. Now bring this number of loop cuts back to one. And okay, now what we need to do go into the X-ray mode. And let's select this loop cut around here. Now, let's use this Bevel tool. And we're going to use it to split this loop cut into two new loop cuts. Okay, like this. Now let's do the same thing here. Select this loop cuts, use Bevel tool to split it into two more loop cuts. Now let's do the same thing here. Split it n, Okay? Now select loop cut tool again, make sure number of cuts is set to one. Let's add a loop cut here between these two loop cuts. And let's press S to scale this loop, cut it down a bit. Let's do the same thing here. Add a loop cut here. Press S to scale this loop cut down. Let's add a loop cut here. Press S to scale it down. N. Okay? I think you can already see some teeth like shape. Now let's under modifiers. Let's add a subdivision surface. Increase the number to three. Okay, great. Now let's add a loop cut here on the side and pull it up like this. I can think you can already see the good looking shape for the teeth. Now another problem we have is that these teeth are flat when they should be bended. So how are we going to fix that? Let's actually select this circle of points around the middle, around here. And now enable proportional editing. Make sure connected only is enabled. Let's set this to sphere. Go to the top view like this. And now under mirror modifier, don't forget to enable clipping. And now let's use proportional editing to give this a good looking shape. Something like this. Okay, great. That the state on the side, they should be fixed later. So to do that, Let's disabled proportional editing. And let's actually fix the shape for these teeth like this. Select these faces, rotate them a bit. Move it around like this. Let's actually select these faces around here as well. Rotated too Now that we have this good looking shape for the teat, go into the object mode, right-click Set smooth shading. Okay, great. Now actually, I'm not, I'm still not happy with how this state look here. So let's go into the Edit mode. And let's select these faces for this T. And let's pull them back a bit like this. Now, let's select these edges around this area where these teeth meet. Like this. We can actually disable subdivision surface for better visibility. Like this. Okay, Let's rotate this circle around like this. Let's solve some, move it to the side. Okay, great. Now bring back subdivision surface. Select these faces for these teeth and move them around a bit, sort of like this. Okay, these two states look better now. Now let's press Shift D to duplicate these teeth. Right-click to snap them in place. Let's rotate this like this. Okay? Pull them down like this. These are pretty decent teeth for our character. Now, if you want to, you can also give your character some gun as well. To add a GAN, Let's add a new cube, press S to scale it down. Move it around like this. Right here. Let's immediately add a subdivision surface to this cube. Smooth shading. Now go into the edit mode. And now that we're here, let's use a loop cut to split this in half. Let's delete this one half of the gum. Let's add a mirror modifier and actually place mirror modifier first, enable clipping. And now what you need to do, select this extrude region tool. Select this face, extrude it, move it a tiny bit, move it a tiny bit to the back. Extrude this face. Let's create a new face with this tool again. Okay, Let's move this face around here. And let's also rotate this tool like this. And let's extrude this one more time. Pull it inward like this. And now let's use loop cuts on the sides. Add it in the middle n. Okay? This is pretty decent guns for our character. Select this tool, selected this gamma Shift D to duplicate. Move this second gap down here, n or k. This is, these are pretty decent t for our character. Now on our character, let's actually hide one half of our character by disabling mirror modifier. And now it's going to be easier for us to see what we're doing. Let's scale the state and gamelike this and move them in a proper shape in the, in the mouth of our character. Okay. Okay, alright. We can actually scaled, Let's scale this a little bit as well. Move it to the front like this. Now let's actually use this scale tool to make this a bit longer. Let's also make this theta and gamma bit taller as well. Bit wider. An okay. Place them around like this. N. Okay? This will be pretty decent teeth for our character. We can bring back mirror modifier. And now all that we still need to do is to give this character the tongue. So to add a tank, tank will be really easy. Select the, make this cube Scale it down like this. At subdivision surface. Smooth shading set smooth shading, go into the edit mode. Now, let's cut this cube in half. Delete this here. And now let's also add a mirror modifier, move it to the top. Enable clipping. Now, let's use this extrude region tool to add a new face around here. And now let's select loop cut. And let's place this loop cut around this area here. And I will just select this face here. Extrude like this. Now, select this edge, move it closer to the center. And okay, now we have this decent shape for the tongue of our character. Now, let's make this tank thinner like this. Okay? And now just to give this Tanga better shape, Let's use loop cut to add a new set of phases points here. Move these points really close to the middle of our character stunk. And simple is select these faces on the middle top area. And now just pull these points at tiny bit down to give this a better shape N. Okay, great. Now we have this central King tank for our character. Now to place this tank into the mouth, Let's select this character, hide mirror modifier. Let's move this down around here. And let's also, this tag is way too big. Press S to scale it down. Like this. Scale it out, scale it down a little bit more. And now go into the Edit mode and simply place the stunk in the mouth of your character. Let's select these faces. These points. Move them around here. Now select these points. Move them around here. Let's rotate these points. Let's rotate these points down here as well. Okay, Great. And now actually, we can make this even better. Let's select all points by pressing a. Let's actually go into the object mode. First. Let's make this tank not so wide. Scale it down like this. Now go back into the edit mode. And let's make this tank at tiny bit thinner, like this. Let's make it thinner around this area and this area as well. What we need to do, Let's actually add a few little cuts around here just to give this stung a bit more flexibility. But to now of course, to give this tongue back its proper shape, you know what? Let's actually hide this character just so we can better see what we're doing. Let's actually select these two points. Move them out like this to give this character a proper shape. I'll select this point. Poorly tin. And Okay, now that we have this proper shape for the tongue, let's bring back our character enable mirror modifier. All right guys. Now that we nicely placed these dunk teeth and gum in the mouth of this character. We can quickly apply all these modifiers we added on this mask. Let's apply mirror modifier, subdivision surface and shrink wrap. And Okay, now that we apply to these modifiers, we are ready to move on to the next lesson 18. Outro: Congratulation guys. You made it to the end of the class. You'll learn how to use sculpt mode and how to use it to give your character a functioning and preteen phase. Now, don't be shy. Feel free to show all the beautiful work you did in Blender, in class projects on Skillshare, light to the others, see all the beautiful work you are capable of doing. Now in the near future. I'm planning to make a few classes on how to read your character, to give your character a clothing, how to give your character at here, how to texture your character. So be watchful for that because those classes will be coming out in the near future. But until then, have fun using sculpt mode to make all sorts of different beautiful characters. And I hope you are going to put the knowledge I gave you in this class to good use. Enjoy making characters in Blender, and see you in the next class.