Transcripts
1. Becoming A Songwriter: Unlock the Secrets of Songwriting Introduction: I'm Bennett and welcome
to becoming a songwriter. This course is designed for
songwriters at all levels. We're looking to
elevate their craft and create lyrics that resonate
deeply with listeners. Whether you're writing
for yourself or others. The ability to craft compelling lyrics is the heart
of every song. Throughout this course, we'll dive deep into the
techniques that make lyrics powerful,
emotional, and unforgettable. By the end of this
course, you won't only have a solid understanding of how your lyrics can tell a story and connect
with your audience, but also develop your own
unique voice as a songwriter. But first, let me tell you
a little bit about myself. I'm a singer songwriter,
independent artist, and music my songs have been
featured on BBC Introducing. I've been added to
multiple playlists. And through these experiences, I've learned how to craft my songs that connect
with the audience. And now I'm here to share
those insights with you, and here's what we'll learn
throughout this course. You'll learn the
essentials of crafting lyrics that work
within a structure, creating emotional connections, and understanding
rhythmic placement. We'll discover how to find inspiration in
everyday life from personal experiences
to current events and learn how to shape
a strong central idea. We'll explore how
vivid imagery and specific details make the lyrics more engaging and relatable, moving beyond cliches
and abstract language. We'll understand
how to structure your song for maximum
emotional impact. Guiding your audience through a dynamic emotional journey, we'll learn how lyrics and
melodies work together, and we'll master the art of editing and refining
your lyrics, using feedback and tools to improve your work without
losing the heart of your song, and we'll unlock your creative
inspiration with prompt, daily writing habits and techniques for breaking
through these mental barriers. So why this course?
Songwriting is so much more than
finding the right words. It's about capturing
the essence of the human experience
and emotions. In this course, we'll learn
how to weave meaning, emotion, and heart
into your lyrics. You'll be encouraged to experiment with new
writing techniques, push past these creative blocks, and refine your skills
with practical exercises. Each module has been crafted to challenge you and
encourage growth. And by the end of this
course, you'll have the tools to really take
your lyrics level. Whether you're a beginner or
an experienced songwriter, this course will
challenge you to push past these creative limits. So let's unlock your full
songwriting potential.
2. Finding and Developing Your Song’s Idea: Hi, I'm Bennett and welcome
to becoming a songwriter. In this lesson,
we're diving into the most exciting
parts of songwriting. Finding and developing the
core idea of your song. Think of the idea as the
heartbeat of your song. It's what gives it life and
connects with your listeners, whether it's a story an emotion or just a single phrase
that catches your ear. Your idea is where
everything begins. So grab a notebook, a pen,
and let's get started. So what makes a great song idea? Well, it's not about
being overly complicated. Some of the best songs come from the simplest ideas that feel
personal yet universal. Think about Adele's hello
or John Mayer's gravity. These songs stem from
deeply relatable feelings, longing, love, self reflection. Here are the three qualities
of a strong song idea. Number one is relatable. Audience should be able to see
themselves in your lyrics. Number two is
unique perspective. You should be able
to see a fresh angle from a familiar topic, and number three is emotional
impact, whether it's joy, nostalgia or heartbreak, you should be aiming to
evoke strong feelings. So how about we pause
here for a moment, and let's think about the
songs that resonate with us. Think about the songs you love or the lyrics that
resonate with you. Is it the story, the emotion, or just a single phrase
that sticks with you? Know what makes a great idea, Let's explores how
to generate them. Inspiration is everywhere
if you know where to look. Here's some techniques to get those creative wheels turning. Number one is
personal experiences. You can write about
something you've lived through a breakup, a joyful moment,
a tough decision. Ask yourself, what's that memory that's constantly
replaying in my head? Number two, is storytelling. You can create a character
and tell their story. Imagine what they're feeling, their struggles, their triumph. And number three is current
events or observations. So look around you. Is there a conversation? Is
there a news story? Or maybe there's
something going on outside your window right now. And number four
is random prompt. Use a random word generator
or I'll flip through a book, and you can pick a
word or a phrase and build a song around
that. So let's try it. Pause this video and spend about 5 minutes brainstorming
different ideas. But try not to overthink it. It could be something simple as a rainy day or missing home. Okay, let's just spend a
quick 5 minutes on that. Okay, great. Now you've
got a list of ideas. The next step is choosing
one and fleshing it out. So here's a quick checklist
to help you decide. Which idea feels
the most exciting? Can you imagine a story or
an emotion attached to it? Does it feel personal,
even if it's fictional? Now, once you've
picked your idea, let's start asking questions to develop it further.
So who's involved? Is it about you, someone else, or a fictional character?
What's happened? What's the main event or what's the feeling you're
trying to describe? And why does it matter? What's the emotional
core of the story? So take an idea from your list. Let's pause this course for a second and write a short
paragraph about it. And let's try and focus on answering the questions
we just asked. So don't worry about rhymes and melodies just yet.
We're just exploring. So let's touch on hooks. Every great song has a hook. The hook is that catchy line or phrase that
sticks in your head. It's also often the
essence of your song idea. For example, Taylor
Swift's shake it off, or Bill Withers
ain't no sunshine. But your hook doesn't have
to be perfect right away. Start with something
simple that captures the feeling of your song,
and we can refine it later. You've done amazing work today. You've just laid the
groundwork of your next song. Remember, every great
song starts with an idea, but the magic comes from how
you develop and express it. In the next lesson, we'll
explore the power of specificity and how to bring your ideas to life
with vivid imagery. Until then, keep
brainstorming and let your creativity flow, and
I'll see you next time.
3. The Power of Specificity: Hi, I'm Bennett and welcome back to becoming a songwriter. In this lesson, we're tackling the most important tools in
your songwriting toolkit. Specificity. It's
a really hard word to say, but it's very important. Specificity is what transforms a good song into a great one. It's what makes your
lyrics really stand out and connect even
deeper to your listeners. By the end of this
module, you'll understand how to replace
these generic lines with vivid imagery
and how to use all five senses to paint a picture in your
listener's mind. So let's get started. So let's
start off with a question. Have you ever listened
to a song and thought, Wow, that's exactly how I feel. Chances are, the songwriter used specific and vivid details to make this emotion come alive. For example, let's
compare these two lines. Miss you so much, and your mug still sits on the counter
cold and untouched. Now, the first line cuts
straight to the chase. The second line
doesn't just tell you the emotion. It shows you. And that's honestly the secret to writing lyrics that resonate. Now let's talk about cliches. Cliches are the absolute
enemy of originality. These are often phrases
that we've heard over 1,000 times and they've completely lost their
emotional core. So here's some common cliches and how we can refresh them. So the first cliche
is broken heart. To freshen this up, we could say like glass shattered
in the kitchen sink. The second cliche
could be feeling blue. We could freshen this
up by saying the sky's heavy with the
weight of twilight. Let's do a quick exercise. Let's take a cliche
that we've heard and let's rewrite it with
specific imagery. Think about colors and textures and actions to bring it to life. In songwriting, the golden
rule is show. Don't tell. Telling states an
emotion outright. Showing uses imagery
and action to imply it. So let's look at
a quick example. Telling is I was so lonely. Showing is I ate
dinner by the TV. The silence louder than
the news anchor's voice. By showing you invite the
listener to the scene. It's more powerful
because it lets them feel the emotion rather than being
told what the emotion is. So let's pause this
module for a second, and let's think of a line
from one of your songs or one of your favorite
songs that tells an emotion. How could you rewrite it
to show the same feeling? One way to make your lyrics more specific is using
all five senses, sight, sound, smell, taste, and touch. Let's
break this down. So for sight, what do
you see in the scene? Colors, shapes,
light, for sound. What do you hear? Music,
chatter, silence. For smell, are there
any distinct scents? Coffee, rain, perfume. For taste, is there a flavor, bitter coffee, sweet cake, and for touch, how does it feel? Is it warm, rough, cold? Here's a quick example.
A generic line is, I remember that night. A more specific line is the air smelled of pin and the sand
was cold beneath my feet. Okay, so now it's your turn. Let's practice taking
a generic lyric and making it specific
and descriptive. Here's how. Let's start off with a simple line like,
I'm lost without you. And let's think about what
the feeling looks, sounds, or feels like in real life, and then rewrite it
using sensory details. For example, the map lies
crumpled on the passenger seat, the road ahead swallowed by fog. So let's choose
one generic lyric from your writing
or a popular song, and let's rewrite it with
vivid and specific imagery. And don't forget to
share your before and after in the class
project section. So you've done
amazing work today. You've just unlocked the
power of specificity. That's still a really
hard word to say. By replacing cliches, showing instead of telling and
using sensory details, you can bring your
lyrics to life that captivates your listeners. In the next lesson,
we'll explore how to create emotional
arcs in your song. But until then, keep writing and keep experimenting.
I'll see you next time.
4. Creating Emotional Arcs: Hi, I'm Bennett and welcome back to becoming a songwriter. In this lesson, we'll
focus on how to shape your song's
emotional journey. Every great song takes the listener on an
emotional roller coaster from tension to release to quiet reflections
to soaring heights. And this is what we
call an emotional arc. By the end of this
module, you'll understand how to
structure your verses, pre chorus and choruses, and you'll learn how to
use dynamic contrast to keep the listener engaged. And we'll also touch on
incorporating metaphors and symbolism to add depth
to your lyrics. Dive in. So a song structure
plays a huge role in its emotional arc because
each section has a purpose. So verses are where you set
the scene and tell the story. Think of the verses
as the foundation of your song's
emotional journey. For example, in Adele's
someone like you, the verses reflect on
past memories and loss, and the pre choruses are
used to build tension. It's the bridge
between the verse and the emotional payoff
of the chorus. For example, in Katy
Perry's firework, the pre chorus
adds anticipation. And the chorus is the
emotional peak of your song. This is where you deliver
the big message or feeling. For example, in Whitney Houston's
I Will Always Love You, the chorus absolutely soars with heartbreak and do
a quick exercise. Take the song idea
you've been working on and outline where
you put the verses, the pre chorus, and the chorus, and what emotion will
each section convey. Now, let's talk about
dynamic contrast. Dynamic contrasts are the push and pull between
tension and release, and they are
essential to creating a compelling emotional art. Without contrast, your
song risks feeling flat. Let's explore ways
to achieve this. One way is quiet verses
and big choruses. You could use softer
instrumentation and a lower vocal intensity
during the verses, and then it could build into
a loud, powerful chorus. Imagine Dragons radioactive
is a great example. Two is pacing. You
could slow down during the introspective moments and then speed up for
urgency or excitement. And number three is
lyrics and melody. You could use repetitive and
rising melodies to build tension during the pre chorus and then resolve
it in the chorus. So here's a quick
exercise you can do. Try writing a pre chorus for your song idea that
builds tension, and try focus on
increasing intensity through lyrics and melodies. Now, let's talk about
metaphors and symbolism. Metaphorse and symbolism
can add emotional depth and also help listeners connect to your song on a
much deeper level. Instead of just stating
emotions directly, let the imagery do
the heavy lifting. So here's an example. So,
a metaphor is comparing one thing to another to
highlight a shared quality. For example, Love as a
Battlefield by Pat Benatar. And symbolism is
using an object, color or image to represent
an abstract idea. For example, a red balloon might symbolize fleeting
happiness or freedom. So let's pause this
module for a second, and let's do a quick exercise. So let's think of a central
emotion of your song and think of a metaphor or
a symbol to express it. For instance, if your
song is about heartbreak, you might refer it
to a sinking ship or a fading photograph. I'm really excited to hear
what you come up with. So now let's tie
everything together. The chorus is where your
song's emotional core shines. Now, here are some tips for
crafting a powerful chorus. Number one is summarizing
your emotion. You need to capture the heart of your song in one or two lines. Number two is using
dynamic language. I would choose words that
are vivid and evocative, and number three is
make it memorable. This would be using
repetition or a strong melody to
create the hook. Okay, so here's your task. Try and write a chorus
for your song idea. I would focus on summarizing
the emotional journey, using dynamic contrast
for impact or incorporating a symbol or
a metaphor, if possible. Don't forget to share your progress in the
class project below. You've done absolutely
amazing work today. You've learned how to
create emotional arcs in your song by structuring
verses, pre choruses, and choruses, effectively, using dynamic contrasts and incorporating metaphors
and symbolism. These tools will
really help you craft a song that connect deeply
with your audience. In our next lesson, we'll dive into writing lyrics
that really sing. Until then, keep experimenting and writing, and I'll
see you next time.
5. Writing Lyrics that Sing: Hi, I'm Bennett and welcome back to becoming a songwriter. In this lesson, we'll
be touching on how to write lyrics
that really sing. One of the most exciting aspects of songwriting is marrying your lyrics with
your melody in a way that flows naturally and
feels effortless to sing. But how do you make sure that
your words fit the music? Let me tell you, by the
end of this module, you'll understand how to align
syllable stress, rhythm, and melody for a natural flow, and you'll learn how
to craft lyrics that are both expressive
and singable. So let's start off
with the basics syllable stress and rhythm. In every line of your lyrics, certain syllables will
naturally carry more weight. When these stressed
syllables are aligned with the natural
beat of your melody, your song ends up
flowing effortssly. Pay attention to how your words
feel when they're spoken. If it doesn't flow naturally, it probably won't
sing well either. If the melody emphasizes
the wrong syllables, it might sound awkward. So let's compare
them. For example, let's take a line
walking down the road. A natural way of saying this is, I'm walking down the road. An awkward way of
saying this is, I'm walking down the road. So here's a quick
exercise you can do. Write a short lyric
and read out loud. You could try and
tap your hand on the table and find
a natural rhythm, and then you can try singing
it to a simple beat. Does it feel natural?
Does it feel awkward? And most importantly, does
the stress feel right? So now let's see how words
and melody work together. Your melody should guide
the flow of your lyrics, and in addition, your lyrics should complement the melody. Here's a few ways you
can achieve that. You can match phrasing
with musical phrases. You can end lines where the
melody naturally resolves and avoid cramming way
too many words in a short musical phrase. You can use repetition
strategically. Repeating phrases or words can reinforce the melody
and make it memorable. For example, let it
be by the Beatles, and we can also
listen for cadence. Cadence is the natural rise and fall of melody and speech. Pay attention to
where your melody rises and falls and pauses. So here's a question for
you. Did you know that certain sounds are easier
to sing than others? Vowel sounds, in particular, are the backbone of
singable lyrics. Open vowels like R and O
are easier to sustain, and they also sound more
natural than melodies. And I would be mindful of using hard consonants like
K or P at the end of phrases because
they can often cut off the flow of your melody
if they're overused. For example, let's compare
these two phrases. A phrase with harsh
consonant is, I can't keep this cup, and a singable phrase
with smooth vowels is, I feel this love inside. So here's an
exercise. A line from your song and identify the
vowels and consonant sounds. Sing it out loud and adjust any awkward sounds to
make it flow better. Now it's time to put everything
together, and here's how. Choose a simple melody or
create one by humming a tune. Take a lyric you've
written and sing it to the melody, adjust the phrasing, stress, and sounds to
make it sing naturally, and keep refining until
it feels effortless. And don't forget to
share your progress in the class project section. You've done great work today. You've learned how to
craft lyrics that really sing by aligning syllable
stress and rhythm, and you've also
focused on singability using vowels and consonants. In the next lesson,
we'll learn how to edit your song like
a true professional. Until then, keep
experimenting and singing your ideas out loud.
I'll see you next time.
6. Editing Like a Professional: Hi, I'm Bennett, and welcome back to becoming a songwriter. In this lesson,
we'll be diving into a crucial aspect of songwriting. Editing. Editing your lyrics is just as important as writing
them in the first place. In fact, the best
songs go through numerous revisions before
they get to the final one. Today, we'll explore how
to critique, refine, and perfect your lyrics, just like a professional
editor. Let's get started. Before you can
refine your lyrics, we need to identify where
they need improvement. This can be quite tricky by
yourself, but don't worry. This is a skill we can
develop over time. By asking yourself
these questions. Do my lyrics flow naturally
or do they sound forced? Is there any repetition that doesn't add any
meaning or impact? Are there any parts in
the song that feel vague or don't really connect
emotionally with the listener? Are the rhymes effective or do they seem too cliche
and predictable? Just look for the
areas where the lyrics might be too generic or don't fully capture the emotion or the story
you're trying to tell. The key here is to distance
yourself from your writing. Remember to be critical,
but also be kind. You've identified the areas that need improvement,
it's time to rewrite. The goal is to
elevate your lyrics without losing the
original message. So here's a few techniques
on how we can do that. We can simply simplify,
sometimes less is more. A little quote I like to follow is keep it simple, stupid. Look for ways to eliminate unnecessary words that
clutter the message. We can also strengthen imagery. Instead of telling
the listener how you feel, show them instead. Lyrics are feeling monotonous, try replacing the
rhythm or giving it a different rhythm pattern and we can experiment
with word choice. Try and find more unique
and precise words to replace the generic ones. But remember, editing
isn't about cutting words. It's about improving
the meaning and the emotional impact
of your lyrics. So let's move on to feedback. Feedback is truly one of the most powerful tools
a songwriter can have. So don't be afraid to share
your lyrics with others, whether it's fellow songwriters, friends, family, or
online communities. However, I wish
someone told me this, but it's very important
to know when to stop. Editing can become endless, and at some point, you need
to accept the song is done. So here's when you can
consider stopping. When you feel your lyrics, convey your message
clearly and emotionally, when you've edited
and re edited and still feel really proud
of what you've created, when the feedback from others
helps improve your lyrics, but doesn't change the
essence of your song. But ultimately, the best time to stop editing is when
it feels right. When it feels complete
and no changes can make it stronger.
That's it for editing. You've done an amazing
job. Editing is a vital skill for
any songwriter. And I hope today's
module helps you realize it's okay to change
things around and edit. In fact, some of the best
songwriters spend a lot of time rewriting and improving their lyrics until it's
the best it can be. So keep practicing
and remember to trust your creative instincts while also being open to
constructive feedback. In the next lesson we'll
touch a little bit more on songwriting prompts and
overcoming writer's block. It's a little bonus module, but it's still just as useful. But until then, keep editing, keep refining, keep writing,
and I'll see you next time.
7. Songwriting Prompts and Overcoming Writer's Block: Hi, I'm Bennett and welcome back to becoming a songwriter. This one's a little
bit of a bonus module, but it's still
just as important. As songwriters, we all hit
a wall from time to time. It happens to the best of us. You're staring at a blank page, and words just won't come
out. But don't worry. Today we're going
to discuss how to overcome writer's block
and spark your creativity. Plus, we'll explore
some helpful prompts to help you get your
writing flowing again. One of the most effective
ways to overcome writer's block is to make
writing a daily habit. The more you write, the more you train your mind to be
creative on demand. And when you have a
routine, your brain becomes accustomed to
the act of creation. Even if you're not feeling
particularly inspired, writing every day allows you to build momentum. Here's
how you get started. Dedicate a specific
time each day to write, even if it's just about
ten to 15 minutes. Don't worry about whether it's good or not. Just get
your thoughts out. The goal isn't to write a
hit song every single day. It's just to keep that
creative muscle active. Sometimes you'll need a little
extra help to get started. And this is where
songwriting prompts come in. Prompts are simple exercises that just gives you
a starting point, and they can open up new
paths for your creativity. So here's some
prompts you can use. You can take a random
word and just write down all the feelings and words that come to mind
when you think of it. For example, if
the word is rain, you might think of the puddle, melancholy, sadness, stress, you can use these associations
to form ideas for lyrics. You can look around the
room and pick an object, create a story or a song or
a poem about that object. For example, a candle could
lead to a story about light, memory, or the passing of time. Or we can think about a strong
emotion like love, fear, hope, regret, and we can write something from that
perspective of that emotion. What would love say to you?
What would fear look like in the form of a character?
Talk about perfectionism. Perfectionism is one of the biggest barriers
to creativity. You might find yourself
erasing lines, overthinking every word
or getting stuck in the little nitty gritty ideas instead of letting your
ideas flow freely. The truth is the first draft
doesn't need to be perfect. In fact, the beauty
of songwriting comes in the editing process. So let go of perfectionism
and let yourself write freely without judgment. And here's how we can do that. Get the ideas down
first and worry about refining it later on.
Embrace the mistakes. Sometimes a mistake can lead to something so surprising and unique and also give yourself the permission to
write bad lyrics. They can always be fixed
and refined later on, but it's the act of writing
that's the important. Now that we've covered
some techniques on overcoming writer's block, it's time to put it to the test. We're going to pause
this module for a few minutes, and I'll
tell you the plan. So set your timer for 15 minutes and just start writing
without stopping. Don't worry about grammar,
rhyming, or perfection. Just write whatever
comes to your mind. You can use a prompt
like the word association or the objects, or you can just let
your thoughts wander. And when the timer goes off,
read what you've written and pick out any lines or ideas
that stand out to you. And then shape one of
these ideas into a verse. But remember, the goal
is just to write. Don't judge yourself,
just let it flow. So I hope this
exercise makes you realize that writer's block doesn't have to hold you back. With a little practice,
daily writing habits, and some creative
prompts, you can always find your way
back to inspiration. And as you move forward into
your songwriting journey, remember that
creativity is a muscle. The more you work on it, the
easier it is to tap into it. So use these prompts
when you feel stuck and remember to embrace
the messy first draft. Perfect lyrics come
with time and edits. So thank you so much for joining me on this course and make sure to check out all of my other songwriting
and music courses. And please make sure to
share whatever you've created in the class
project section down below. I'd love to hear
them. Once again, my name is Bennett and
I'll see you next time.