Transcripts
1. Introduction: Hi. Welcome to the adobe After effects motion graphics scores in this course, you will learn the basics of motion graphics alone with the big set of techniques to improve your motion graphics skills and maker projects more professional. The scores will start with you from scratch and a step by step manner until you become a professional. This courses workshops so that you can apply what you learn to get the most of it and to get creative with high quality projects, you will advance and learn new skills from one level to the next and create a bunch of animation effects such as smoke and water effects, and a lot more so that you can be able to create a full motion graphic projects. By the end of this course, you will improve your skills and be a lot better as you will be able to create blood off professional effects.
2. Create a new project: Hello, everyone, and welcome to the adobe. After effects scores, the scores will take you on a journey from just a beginner until you become a professional . In this video, we will see how to open in your project in the software, and we will get to know the software's interface. It's so as soon as you open the software, you get this interface right here. For your information, I am using the 2019 version of the software in here. We have two options to open. A new project only have to do is click here on your project. And if you already have started the project and want to resume your work, you click on open Project and locate your project. Any open it's now. Since we have no former projects, we will open anyone. So we click on your project. By doing so, we get this interface right here, but the project is not yet fully opened. We need to open a composition and composition is like folder where we put on our projects. Resource is like videos, images over your files, etcetera. It's open in your composition. All they have to do is to click here on new composition or you go here to composition and select in your composition or even by the short but keyboard shortcut control plus end. After we opened in your composition, we get this window, and through this window we set our composition settings. From here. We can name our rush it. I will name its first projects, but you can go ahead and name it whatever you want. Sorry, I need to change the language first. Here we are, as they said, First project in here we have the reset list, and it's a bunch of resets offered by software to select anyone you like. From this list, you can see that we have the same preset repeated three or more times, with the difference being the number at the end of each crease it like here we have 25 in here 24 29 and this might confuse you if you are still trying to figure your way to the software. The different numbers. You refer to the number off frames per second because every video consists off a huge number of frames and each second or the video consists of a bunch of frames and you want to select the maximum number of frames per second. For example, in here we will select 29 frames. And why is that? Well, it's simple. You choose the maximum number of frames, so that's when you want to apply the slow motion effect or the time lapsed effect on your video. You won't face any problems during that process. Anyway, we have the wits and the height of the video. And here we have the postal aspect ratio. We leave it as it is. And in here we have the number of frames that we talked about earlier. And here we have the resolution because select and it was looking. You want full half third order and you have custom. But be careful. The higher resolution, the powerful your computer needs to be. And here we have the start time coat, which means when your video would start. And in here we have the project duration. And here we have the background color. You can select any color you want for me. I will leave it in black. You collect here to change the background, okay. And then we click OK to start our project and here we are. The composition and the project is open and ready for business. And as you see, we have here some new windows menus, tools from which we can edit our project and this side. We have the composition window in here we can add the project Resource is like images, videos, audios, etcetera. And here we have the layers menu. We will see how that works further in the course. Then we have the timeline here and decide menu here and last but not least, the media player in the middle. You can navigate through different inferences from here We have defaults, standards, small screen libraries, and each one has has lightly different local than the other. Now I will leave it at default, and you can adjust the size of any window or menial in the interface like this. You can ingest it at the way it suits you. If you ever used an adobe software before, you will see the similarities in both software's not tools bar in here on itself. So this is how to open a new project, and you get to know the software's interface. If you may changes that you don't want any more. You can go here and select Reset to save layout and it will go back to its default state. So that's it for this video. Thanks for watching. And I'll see you in the next video.
3. Add files to the software: Hello, everyone. And welcome to this video this video I'll show you how to add resource is to the software and how to edit your composition to add Resource is we go here then, right click and we select import from here. Then we slipped file. Then I locate the files I want to add and click on imports. I would select all these files. Then I click on imports and here we are. The resource is our added right here to organize your composition. You can add each type of file into its own folder. To do that, we right click and we slept in your folder. We call it Images. Then we add another four videos against at another folder because there is no space to right click. So we add videos to the videos folder first like this Let's let them. Then I copied them to the video folder. Here we are. Then we had images to this there folder. And then we create the audio folder and we add the older files. Do it. We are. I slept these two files and I add them to the only A folder. Perfect. Here we are. We have each type of resource is in its own folder to make the composition look neat and organized. And when we select certain resource, we get a preview of it here alongside of some of information about that fire even before we added to the timeline or the media player. Then I can add it to the timeline order immediately in case you made a mistake when you created the composition or just changed your mind and wanted to edit the composition, all they have to do is to go here, right click, then selects composition setting to get this window, and you can edit the composition as much as you want. You can change, the priest said, the way the height, you can change any setting you want. For example, we want did the preset like this, and here we are. The changes are made. So that's it for this video next fortune, and I'll see you in the next video
4. Editing files in the software: Hello, everyone, and welcome to this video. In this video, I'll show you have at files to the media player and a timeline and helped organize and aided the layers we have here. The files that we added on organized in the former video each file holds certain type of resource is the images, videos and dio news at files to the media player. All they have to do is to select the file and drag it to the media player like this. Here we are, or you can add it to the layers menu, and it will appear in the media player like this. As you see when we add the image to the media layer, it is in small size and just the image size. You need to hold the altar button and adjust decides from these dots in the corner like this. You can adjust the size without holding the altar button, but doing so would make the image slippery and difficult to control. That is why we hold the ultra bottom. Then we're just the image when we hold the old button. It's very easy and simple like this. But if we don't hold the ultra button, and we decided to adjust the size of the image. It won't be simple. As you see like this. It is slippery entry. That is why we hold the altar button. Then we just the image. It makes things easier and simpler. Now, if you want to add another image to the media player, we drag it here to the late as many of and here it is. But as you see, it's it has been, need the first image, and we can't see it. This is very important. The reason we can see it. It's because it's layer is beneath the other image layer and only the top layer that abuse . So we need to pull its layer up like this to make it visible. Onley. The top layer appears, so we select this layer would drag it up, and here we are. It appears before the other image, and as I said, this is an important thing, and you have to be careful on what for it. If you have 5 10 20 layers here, always remember that the image you want to show needs to be the top player. In the last. We hold the old wooden, and we just its size like this. As you see, this image appears on top off the other one because it's layer is on top off the other image layer. And then you can adjust its position and size as you want. Go to the corners, the old deals button and just the size of the image like this. As I said, you don't have to hold the old button, but I recommend that you do, because it makes things easier. You can adjust the image size from the science or from the top and bottom as well heat from the sides or from the top and bottom. And if you want to delete a file just selected and collect the lead from the keyboard and it will be gone like this selected click delete from the keyboard and it's gone. I will add video to the media player and drag it like this. Here we are. This is our video click plane. Now we go here to show the video buttons you go to preview, and here we are. We can play stop test forward video and even more this click on preview, and it will appear then you click on a line to get the line settings, and from here, you can align your file wherever you want. Like this for example, toe right to the left, to the center, to the bottom, to the top. Consider. You can line your video or your file wherever you want when we add a video file that shows here in the timeline, and we can adjust the video size like this as we saw before. So this is how you had files to the media player and toe the Layers menu and how to edit your files. That's it for this video. Thanks, watching, and I'll see you in the next video.
5. Tools bar: Hello, everyone, and welcome to this video and this video will talk about the software's tools. You can see here we have the tools bar, and if you ever used another adobe software, you might find some of these tools familiar. In this video. We'll talk. We'll take a look at all the tools in the software we started with the selection tool. I will add an image to the media player, and as you see, the selection tool allows us to move any file or object. Next, we have the hand tool, and it loves us to move the whole composition like this. We can put it whatever we want. Next we have zoom tool. It loves us to zoom in and out. You can select fits from here to select the best size for your composition. Next, we have the rotation tool, and it allows us to rotate objects like this. Next, we have the unified camera tool, and I will talk about this tool further in the course. Next we have depend behind or the anchor point tool. And this, too loves us to set the anchor point for those who does not know what an anchor point is, the anchor point is the center point of any object like here. If I want to rotate this object, it's one rotate like this based on the anchor points position. Take a look when I rotated. As you see, the anchor point is the center, and this tool allows us to change the position off the anchor point. So the anchor points is the center of every object, and using this tool allows us to move it whatever we want. For example, if I click here, I changed the anchor point to this position. Now, when I try to rotate the object, you can see that the object will take the anchor point as its center when it rotates. Next, we have direct angle tool, and this tool allows us to draw rectangles or boxes. In here. I was the lead. This one and I will draw a rectangle in here. We click and drag like this adult direct angle or the shape as they said, director or books. You click here to just the rectangle color. You have solid color line near Grady INTs or radio radiant. You have some color options in here. In here, you have the capacity, then you have the stroke or the frame in here. You click and adjust the color of the stoke, just like with it with the rectangle color, and you will see me working with all these settings during the course. From here, you can select the store color and the stops sighs from here. And as I said before, from here, you can change direction with scholar. Well, I'm off this rectangle. I need to believe that shape our lives. Next, we have the mental, and you can find this tool in all of the Adobe software's. It's a vital tool that you will use a lot in your work. This tool allows you to go free and geometrical shapes, unlike the rectangle tool that only allows us to draw geometrical tools, the mental contro any shape you can imagine like this or any shape you want. Next we have the text tool, and it's used to type text. Next we have the brush tool. It's a drawing tool. Let me add this image to the media player first. Here we are. It's like the color from here and the brush type from here. Then you can start growing anything you want. Next we have the glowing stone tool, and you can use this tool to clone or a beat certain objects. For example. We want to clone this local right here with them on it. Then we select the clone stamp to about the circle on top off the logo. Then I hold the Olds button. Then I clicked with the left mouse button. Then I go here as you see the same logo or the same object is cloned right here. As you see, the same logo is cloned right here, right next to it. I conclude this object as well. He's in the same way. I held the old button, and I start by clicking the left button off the mouse. So these are all the tools in the tool bar, and this is Just look onto these tools as you will see me working with these tools and understand what our day for Better to the course. So that's it for this video next watching, and I'll see you in the next video
6. Link shapes layers: Hello, everyone. And welcome to this video. And this video will see help to draw shapes and how to link and animate them. So Sandro Shapes writes, click here, then select new and shape layer. You see that this tool is selected so I click on it and we slept the shape that we want to go in here. I would drop box in here, so I slept the rectangle tool. I click and drag like this until I broke the shape I want. We ended the box color from here. We just stroke size from here. You can make it disappear by putting zero in here, or we can adjust its size based on the number we put here. And of course, we can edit the stock color for me. So here's our shape. And if I want to add another shape, I used the same way for its click here, and I select new then shape layer. It's a set rex plague, new shape layer. Then I select the shape I want to draw here, As you see, For example, expect the Ellipse tool, then I just its color and stroke like I did with the first trip Now I will show you how to link shapes. So I need to do in your shapes in here. I would do it too. Circles in here like this. So I created a new chief player. It's like the lips stole from here. I drove it like this. Then again writes black new shape layer and I draw another circle like this and make sure to hold the shift about what we are going to circle. You're not the shapes as you see each on its own. Each one is it with its own layer. It's like the selection tool. Now we slept two shapes like this always like their layers. Then right click and we slept recompose. We get this window here, we name the big composed. You name it, whatever you want. Then leave these settings as they are and click OK, and here we are. We have a pre composed inside it. We have to shape slayers. You can see the recompose in here and the two shapes are visible in the preview window. So this is how willing shapes together. Now, for example, you go here to move the two ships together. As you see the position. So as you see, two shapes are length and day move at the same time. Now, at another shape to this pre compose, all we do is we opened the recompose, then right click. We select new shape layer and we drove the shape like this and I can keep adding shapes as much as I want to distress, click new shape layer and add as many ships as you want. I changed the colors in here, this one as well. And you were So all the shapes are inside the recompose and we can move all of them together like this. He goes to transform position and we moved them at the same time like this. Instead of moving each shape on its own, we can move them all at once. Now you may wonder, how could this be useful? I will show you how we have these shapes right here. Now we go here was left the rotation option. We click on the key frame. We move the cursor here and we rotate the shapes like this Perfect. And then we go back and click play. And here we are. The shapes move together. So this is why it's very useful. Tooling shapes together as it will save us a lot of time and effort instead of having to animate in or moving each object on its own. We moved them all together at once. Now I'll show you a different way to lake your shapes. It's called the parents in way. Now let's click creates a new shape. I was like a star. Here we are. We drove starting here and another one we don't smaller start this time we changed the second one's color. Since this is gold, a primitive way, we will think off small star as the sun and the big one. As the father, we select the sun and we go here. We click and drag like this to link the son with the father. Now we go here to move the bigger star off the father. As you see both stars will move together. Here they are. They move together and we can even rotate them as they rotate together as well. But if I go here to move the small star or the sun, you just it moves on its own without the other stuff. And that's because the big star or the father is the one that moves the small star or the sun and not the other way around. You can add another shaping here with a different color changed color the way out, and we go here to link the shapes like we did earlier. And as you see, these small stars are the Children, and the big one is the father. I made the father shape bigger than the other shapes, just so that I can explain better. It does not have to be always bigger. Now we go here to move the whole shape together or rotate them. Even now. It's unlike the shapes. You go here, right click and select. None in here as well, right? Click None. And here we are. Its shape is on its own now. Since we did, unlike the shapes would remove this star. It would move alone without the other stars. So that's it for this video. Thanks for watching. And I'll see you in the next video
7. Keyframes Part 1: Hello, everyone. And welcome to this. Very. And Israel will talk about the key frames. The key frames are very important as they allow us to animate our shapes. We start by creating a ship layer. Right click. You go to new she Blair. We go here. We slept star shaped toe here. This my old shift button and I drove. Start in here. I like this. We need to center the anchor points. So that's when we animate the shape. There will be no problems. So we go here, Click here to pan behind tool with the anchor points right here at the center of a star. No. You see that? The anchor point is that centered. Start now it's enemy. The shape we go here to transform way have transformed list. As you see here, we have the anchor point, the position scale, the rotation and your pastie sex. Now we will see how to change the shapes position using the key friends. The key frames are group of dots each dot tell us where the shape will be or how it will become. If we edited, it's a bestie or rotate the shape or anything and then we need to go here to position and click on stopwatch to set the current position of the shape. And we get this list and this dog, which is the key frame. So basically, we told the software that this shape would be here at this exact time. Now we will move the shape. So I put the cursor right here. Then I moved the shape here, and as we finish moving the shape, we get another key frame. Right? So this key frame means that this shape, the one that was here at this time, is moved to here at this time. Now go back. But the Christian back here and I click play and the shape is moving. If you notice the shape moves a little bit slow, increase the shape, moment, speed. We need to decrease the space between the two key friends. So I pulled this one here, put the cursor here, and when I click play, you can see that this shape moving speed is increased. I can increase the speed even further. Like this. As you see, the less the speed less than space between the key frames the festival, the shape will be you can put the crystal directly over to keep frame by clicking on the key fame. You want to put the cursor over from here. That is easier than doing it manually. Just click here at any key frame and it will be selected. Now Put the person here, and I put the shape back to its starting point from here. Here it is, no one in play. The shape moves and then returns to its starting point. Now I can make the ship returns to its starting points with a different way and let this key frame and up with the Christian here, and I copy this number right here. Then I put the Christian right there and I paced the number here and we are. The shape is back to its starting point. Let's play here we are now. We will try the same thing, but on a different setting. For example, scared standing Stop with the Christian here. Now I click on stopwatch to sit the first key frame, so our shape is this size at this point. Then we go here and we just the shape size at this point, and when we click play the shape starts at this size, then it gets bigger when it gets right here. The sheep starts at this scale. So I got this number then I go here and I based it. So that shape returns to its original science. When it gets to this point, you go back quickly and then we are the sheep. Start small, gets bigger than it goes back to its original size. And I continue to shape size again. When it reached this point, I just the space between the key frames to make the Sheikh moves a little bit faster. Click play anywhere, so the key frames allows us to edit our shapes. Now let's take a look at the rotation setting. We said the first key frame here. Then we go here, we rotate the shape and we get the second key frame. We rotate the shape right here. You see, we have another friend right there. And when I click play the shape starts like this. Then it rotates when it gets him. I could put the shape back as at its original states. When it gets here like this about the person right there I slept the first key frame hiss that I put the crystal right here and there. But the same number it was there I go back, I click play and he sheep rotates. See, that moves very slowly. I want to increase the space between the key frames to make it more faster. Here are plain sheep. Start drawing like this. Then it goes the other way again. Just space between them A little bit as it was very fast. You take a look. It looks perfect. Now we move to the U bestie setting. You put the frisky from here by clicking or stopwatch in Debussy's setting. And in here the your bestie is 100%. Now when we go here, we said the embassy at 50% you conceded the diversity of the shape degrees, click playing. And as the CDU by C decreases to get to 50% when it gets there, I could make it at 0% in here like this. So the ship will disappear completely like play. And he were So this is how to use the key faint. And if you want, you can set old settings at once like this. We will take a look at all the settings and the same example. For example, we start the shape at this point, then we change its position at this point right here like this. But the cursor here Didn't we put it that like this? Then we said scale at this size at this point, and then it changes. When it gets here like this, it will be a little bit bigger. Then we said rotation here. And when? When we get here to shape rotates like this, then the best he will be 100% at this point and then 0% when it gets here. Thanks. Then it returns to 100% when it gets here. But the gruesome back at the beginning I click play and he we are We change all the settings at once like this yet movements, rotation scale and Vesti. Now, if you want the ship, stay at this position for a little longer. When it reached this point, it's easy. First, we need to delete these key frames. But the concern right here please stop much. So we said the starting position like this. Then we go here and we changed position. Now if I said the shape to return at this point it will move and go back right away. But we wanted to stick then to stick there a little bit more. So I go back to this point. I remember this number here is then about the Christian here and I said a key frame with same number. No, no here. And I put the shape back like this. But this time between these two key frames, shape will stay still because it's the same percentage. It's the same percentage in here, so the shape will not move. I go back, I click play. You could see shift starts moving the stubs for a little while. Then it goes back. I just the space between the key frames so that you can take a good look at the shape. And here we are, the shape states. Still, when it reached this point and then it goes back to its starting point when it gets there. So that's it for this Very Oh, thanks for watching. And I'll see you in the next video
8. Keyframes Part 2: Hello, everyone. And welcome to this video and this video. We continue talking about the key frames in the former video. We saw the key frames and have to move and ended them. And this video will see more about the key frames, different types of G friends. So we joke shape in here First it's like Nushi player, as he saw. Then we slept. Star Tool. We don't start in here. If you want to draw a perfect shape, I recommend toe hold the shift about wild growing if you don't. If you don't hold the shift button, the shape will be a little tricky to control. Hold the shift button and click and drill like this. But as you see, if I don't hold the shift button, you will see that the shape is a little bit tricky to control. Like it. So always hold the shift button while growing like here. Now we censored shape and put the anchor points in the center of the shape. So it's like that anchor point tool and we center it like this. Now we go to the position setting. We could stop much, so I need to go back. He uh, now at different in here. I clicked on Stop watching position setting, but the gristle right here. If I don't want to move the shape from here, I can move it like this. I select the shape I hold the Olds button and I drag it like this. Put it for example, right here. Now we go back, we click play and you see the shape is moving. So these key frames are called the line near key frames. You can see when I click. Played shape moves perfectly select giving. They are like here and he would have. So this is the line Yuki frames, and this is a key frame path. Now it's like two key frames, then right click and I select Eazy E's Here it is, or click F nine from the keyboard. So after we selected and we have the easiest now take a look at the key frames and the shape movement looks smarter than before. Here, take a look to go up again and you will see the difference. The shape move smoother now. Been before. Now it's like a key frames and click on the graph editor. You can see the key frame path is different. It was a straight line before now it's a curvy line. We can adjust the bet like this, just the shape speed. It'll start slow than fast and slow again. So as I said, the shape would start slowly and we'll go back. As they said, it starts slow than fast and slow again. And this is another frame type called Easy's. Next we have another key frame type, right click, and we slept. So go hold key frame. You can see the cue fans look different and go back. I collect play. I just just space between the key frames and I click play. Now the shape is still and it moves suddenly to the other position. Here, take a look again. So these are some other T frames types that you can use in your projects. And there will be all for this video. Thanks for watching. And I'll see you in the next video. Thanks for watching
9. Creating the background: Hello, everyone. And welcome to this video In this video, I'll show you how to change. The software is background. As this is just a fake background provided by the software. Just click here and if you remove it now at the bedrooms are projects We go here, right click new and we slept solid. Then get this window. We name are solid. We leave the settings as they are and we select the background color. You can select any color you want. You click. Okay, for example, is like this color right click. Ok, they're okay again. And here we are. We have a better now. Now if you want to add some cool effects of the background, you go here two effects and resets. You sit for this effect. You hear this cease even yet. Here is then you add it to the background like this and from here you can edit the effects settings like this Did you see ended the amounts, the angle of view center and depend highlights. It's all even slept any setting and adjust it as you want. And of course, if you want to leave the background as it is without any effect. You just deleted. And here it is. So this is this was a simple video about to set your own background. Thanks for watching. And I'll see you in the next video.
10. Car animation: Hello, everyone. And welcome to this video and this very you will work on an example project that will allow us to put everything we learned so far in this course to work. I have a car designed that I downloaded from prospective come and I added it to the adobe illustrator's. So we need to save it and added to the adobe after effects. Now, mostly, when you open a file in the Adobe Illustrator, it will be like this a single layer with multiple layers inside of it. But this is not the right way to export this design to the after effects software. So first we go to this layer. Then we click here and select released two layers. Then we select the bottom layer and we hold control plus else. Then we select the top layer, just like all the layers in between. Lucky real deals and control button directly here, and as you see, we selected all the layers. Then we pulled the layers like this to put it upside the first layer. So now we have each layer on its own, but not all the layers inside a single layer, like we had earlier Now we save our design. We leave. It is this type. We'll be safe. We go back to the after effects software and we will not open a new composition. Instead, we'll double click and select out project file. It is we located. We select it that we will get this window, right? You make sure just let's composition from here because footage is a single layer. But composition allows us a lot multiple layers at one time. And as you saw, our design is multiple layers in here. You might find document size by default, so make sure slipped later. Size and click. OK, so we have our position here and our project is open in the after effects software. Here it is now. I will combine the layers in one recompose because I can't animate each layer on its own. I select any layer than I click control past ages like all the layers. Tonight's Blake and I select three composed. I click OK, and we are. All of our layers are in a single recomposed, so I need to delete the background layer first. You may have a background or not. If so, go ahead and elated like this. Perfect. Now it's gone. I go back here now it's like the anchor point tool, and I put the anchor point in the center of the car. Then I put the car right here. Then I go to the position setting, and I click on stopwatch to mark this point as where the car will start. Then I put the question here, and I make the God disappear like this and driving all the way down here until it disappears. Now when I click play, you can see the car moving like this. We can increase the space between the key frames to make the car move slower. Click play. And he ran. No, it's looking que fame's, the nerds click and ice. Let's create a key frame assistance. Then easy is to make the car move smoother. And I like play and you take a look. Now we zoom in, and next I will make the car wheels move. As you see when the car moves, the will stay still, so I will show you how to move the wheels. It's like the selection tool. When I got here to slip the wheels, layers click on the wheels. Looks like I need just like the wheels manually. Here is the first real layer and go to the rotation sitting. But the Christian here and I click on stopwatch that put the cursor bet for you, and I put, for example, 360 years now Click play and you can see the wheel is more. Now I do the same thing to the other wheel. I need to locate its layer. Here is click here to transform, lest they know bag. I just space here to make sure that I control everything. Probably now click on stopwatch in the rotation sitting. I mean, you find there and we put 216 here as well. Now an active play with space. Beg now when I could play. As you see, both wheels are moving. Go back here and you can see the car is moving and it's wheels are moving as well. But in that outfit go back, I click play, and as I said before, you can see that the car is moving and with our moving as well. So this is an example on how to move or animates an entire object or just part of it using what we learned in the former videos. So that's it for this video. Thanks for watching. And I'll see you in the next video to work on another example.
11. Traffic light animation: Hello, everyone. And welcome to this video this video I will show you animation using scale option to do so . I created this streetlight design using the illustrator. And in this video, I'll show you how to create this design and how to animate it as well. Now I opened a new page in the illustrator to start creating our design and make sure it is like the same settings you are working on in the after effects. So these are the settings using publicly here to open it. I slept direct angle tool and I draw a rectangle in here the nightly on the start and Greg toward the inside to make the edges of the rectangle around it, then being direct angle in black. Now I know the street lights post like this. Now I will throw the light circles So it's like the left stool. I hope the shift button and I draw a circle in here to make sure it's symmetrical. It means it's in red. Put it right here. Then I hold the olds button and I dragged the circle down here to duplicate it. I select it, hold fields, button I dragged down and here it is duplicated. I painted in orange. Now I need to adjust the position of circles. Hold him up a little bit. Then I duplicate this one. Like before I hold the old button I dragged down here is pull this one up a little bit like this Same thing with this one. The 3rd 1 I pull it up and I would change its color to green. Now they're perfect. Just a little bit now. I changed this circles green. Now we need to set the design to move it to the after effect. We have all the design in one layer. So we slept all the layers like this. It's like the top layer. I go here release layers and I slept all the layers like this I pulled them up. Here we are. I say the design. Here we are. You name it and we save it. Then we go to the after effects and we import the design. Find publicly. Here. Here is our design folder the recall The design file. I get this window As you see, I have composition in here player size in there and I click OK now Our project is added to the software double click on its and here we are. Each part is in its own layer. Now we will start any meeting our design. Now It's like green light layer to know to what each layer belonged. Toe. All you have to do you is to hover over the layer and you will know what each layer belongs to. Now it's like the layer of the nightly contracts for and I go to scale. I click on stopwatch to get this key frame right here. Then I put the cursor here. Well, just here. Then I type 115 here. You can see this circle is bigger Now. I put the cursor here and I put it back to 100 in here. You go back. I put the cursor back here and I type zero now when I click play. I was just the space between the key frames to make it fester. You're actually play and you were You can leave it like this or make it easy, Easy It's up to you. No motive, the next circle and we'll like the same settings to it to make it more at the same time. So what? Zero. I need to go here about the grocer back here. Click on stopwatch and zero in here. That I go here. I put 115 here. Then I go here and I put 100 in here. Click Play. And here we are. They move at the same time. Same thing for the less circle you go to drugs form last but the crystal back here. Click on stock. Watch at scale. Put 115 year. They're about the crystal here and output 100. I just decided. The media player, You go back. Sorry. Any type zero in here? Here we are now. It's going just media criticized like this so that you can take a good look at it. I click play and it starts by nothing that the circles become bigger and then it returns to its normal state. So this is an example of how to use scale option to animate your designs. That's it for this video. Thanks for watching. And I'll see you in the next video to work on the next example
12. Windmill animation: Hello, everyone. And welcome to this video and this video would work on another example. As you see, I already added the project file to the adobe after effects software. And I already show you how to end your project from the illustrator to the after effects. So to save time, I already added this one. In this video, we will see how to animate this windmill. First we select the windmill layer and reflect on the windmill to select its layer Very quickly it is. We opened the layer, click here, transform. Then we go to the rotation sitting and we click on stopwatch. I leave the sitting as theirs. Then I put the cursor all the way to the end and a 360 Any you can see that this dot is at the end off The timeline happen to defame at the end instead of here is, for example, so that the windmill does not stop. When it reached here, we needed to keep rotating. That's why I put it at the end of the timeline. So, for example, if I put it here when the cursor reaches, there's this point. The windmill will stop But if I put it all the way to the end, it will keep rotating. So that's why I put it here. And when I click, play is will keep rotating until the end, and it will starts again. It's like it's on a loop. We decrease the space between the Tookie frames and we decrease the length off the timeline as well, so that we increase the speed of the wind. Man, to keep going until you get the right speed you want Just let it be easy. Easy key frames to make sure that the window metal movement is smaller. Go back with play And here we are. As you see, the windmill movement is smarter than before. In case you made a mistake or wrong move, just click on control policy and it will take you step back to where you were, and you can keep present control. Plus the to go multiple steps back all the way to your first move. So that's another example. And it would be all for this video. Thanks for watching. And I'll see you in the next video
13. Furniture animation: Hello, everyone. And welcome to this video. In this video we will see how to animate our design. Using do you bestie setting have created this design using the illustrator And now I need to add it to the after effects. You can see that this design consists off one layer and dead layer has more layers inside of it as each object is in its own layer. Here we are and each layer contains multiple layers inside of it. So I can't add the design like this because it won't work. So I need to make sure that the design is not a single layer. I will make sure that each object is in its own layer so that we can animate the object separately and the after effects software. So I opened all these layers like this and now we will separate this layer from the top one . So I select this layer that's up on like this, right click here and I go to release two layers. I slept all these layers by holding control us shift. Then I pulled the latest up here. As you see, these layers are still inside the top players, so I go back here again. Release in layers And I slept all the layers control plus shift. Then I put the layers up here and here we are. Each object is in its only. So I would say the design to add it to the after effects. Here we are. We get this one that we click OK now imports our design Double click here and we locate our design. We open it, make sure the composition in here and layers sizing here. Then we click. Ok, here we are. Here's our design. Double click on it to open it. And as you see here are designed layers You can see that each object is in its own Later you have the sofa carpet Never go to transform than a bestie meekly won't stop. Watch. Then we put the cursor here. So first I need to put zero in here. Here we are. Then we put the cursor here and puts 100 any perfect. Now we can we go back, I click play and here we are. It starts with no carpets then here we are. It appears out of nowhere I collect space from the keyboard to play the video. You can do that. Oh, played the video from here. It goes to preview and he used to play. But as they said, the carpet appears out of nowhere. Now we move to animate the silver I go to transform. We click on stopwatch. We put zero in here, move the cursor here and we put 100 and he was garbage and the sofa appeared at the same time. If you want to make them appear at a different time, you need to put the key frames in here. Change the key frames. The silver first key frame is at the same time as the carpet less one to make sure that the sofa appears after the carpet is fully visible. We are the carpet starts first, then so far follows it. We have the plan spot, so we will do the same thing for it. We click on stopwatch. We put zero in here, but the closer right here. As you see, I need to keep the same space between each different. Same thing we did for the sofa on the cover. It takes one second between each key frame. Now what? The closer back here, I click play The carpet is first that the sofa untended plants parts now we moved bait. Now we move to work on the paintings on the wall. I need to just this que friend first just the size of the media player Put zero in here. I didn't want second after it. Sorry, I need to go back. I click on stopwatch, but zero then one second after it up with the cursor here and then 100 in here. Same thing for the other two paintings. We have the lamp in here. We will do the same thing for it. So we go to transform Vastine stopwatch but 0% in here than one second later. But the cursor here and I put 100% in here I go back here on We slept this second Anything I couldn't stop watch, but zero in here one second later up with Christian here and we put 100 back fits enamel toe the third painting. Here it is. I go to transform bestie but 0% in here one second later. So I need to go back Any first to play on stopwatch. Then I put 0% one second later, we put the cursor here and we will put 100% back in here. I go back at play and here are the carpets appears for the carpets appears first that the sofa boss plans the lamb and the Greek paintings on the wall. So, as you see, put the first key frames right here We have a second between each key frame. Same thing here. When the 1st 1 ends, the 2nd 1 starts that same thing here. When the 2nd 1 ends, the 1st 3rd 1 starts and as you see when each object appears, the other one follows it and we have 17 space between each key frame. Of course, you could make them all appeared at the same time. If you want, I only have to do is to make sure that the key frames are all at the same position and believe each other. Now go back with playing. And here are the carpets, the sofa, the plans, the first painting, the lamp and the rest of the paintings. So this is how to animate this design. Use into your bestie setting. Thanks for watching, and I'll see you in the next video
14. Create and animate the text: Hello, everyone. And welcome to this video. In this video, we'll talk about the text to type attacks and the software. You click here and then you start typing. All right, click here, then select new text and start typing like this. For example. I type Joseph Adam, you can say whatever he wants. You can adjust the text as you want, but you need to be careful. As you see, the text anchor point is in the left side right here. And that will cause some problems. For example, if we want to adjust the text size that sex will look a little bit different. Here, take a look. When I tried to just decides, as you see, it will cause a problem. You can see that it does not work like this. Put the text back right here. So we need to fix that. And to do so, we select the anchor point tool and we put the anchor points at the center of the text. But when we do it like this, we can determine the right center point. This is just approximate. So to get the right center point, you hold control plus cult. And here it is centered perfectly. No. Since the anchor point is centered when I tried to adjust the text There are no problems at all. Not like before. No, just the text. We go to this menu right here, click here character. And we get these settings right here. You slept the text from here like this. And from here you can select the text phones, the funds he will find You are the funds that you have on your computer. So you may not find the same phones that you see right here on your screen because you will only find the funds you have on your computer. Next we have the text size you selected from here, you can double click and type whatever size you want. Pro made. You said the space between the lines from here. You said the space between the letters communities with stoke settings. Here I will change the stock settings, as you see. And from here you can set texts. Color change takes coming so that you can see the stroke. Here is the stroke is activated. As you saw. Just double click here to change the color of the text and thank you to change the Stoke Coming from here you can is just two sides of the stroke so we don't move this stuff from here. So these 100 sex settings you can change the sex color or anything else you want Now move to talk about the text. Animation text animation is pretty much the same as sheep animating. So everything we saw about the shape animation applies to the text. So we go to the position sitting here, you go to transform. And we slept the position sitting, for example weekly gonna stop, watch you put the cursor, I believe the Texas Days And then we put the curse of year. Then we type number in here. Any number, you go back, we click play and he read, Our text is moving. We decrease the space between the key frames to increase the space of the text, the speed of the text. So, as I said, everything we saw about the shape animation Bligh's to the text as well Take a look at the scale sitting, but it's expect you to meddle. Click on stop barge, then work with 0% in here who put the purchaser here and then we put 200 in here or just 115. Then I put 100%. I go back, I click play. As you see, the text starts to grow. Then it goes back a little bit. Let's take a look at another example. Do you basically, for example, he's left layer than clicked on you go back and we slept depressing manually. Instead of shortcut, we clicked the stopwatch. We put 0% in here. You put the person here, then 100% in here. We go back with play and he was on. The text starts invisible. Then it appears out of nowhere. Let's take a look at the rotation setting as well. But the crystal here stopwatch. It puts your percent, but the cursor Here you go back and we put 300 in here, coriander and 60. Sorry, and then here we are. So every animal in way we used to animate the shapes applies to the text as well. Let's take a look at free animating for the text. Stick the position like a stopwatch. First, I need to adjust the size of the text. Then I click on stopwatch from the position sitting about the cursor here that the text here, that grocer here sex keep moving it like this. Now when I go back at the lake and here we are, As you see, our text is moving. So this is how to adjust and animated text. And as you saw everything we did to the shape blind. So the text as well. And we saw the character menu to have to adjust and edit text so that we both for this video. Thanks for watching. And I'll see you in the next video.
15. Mask text: Hello, everyone. And welcome to this video. In this video I'll show you how to mask a text. It's always let the text tool. Then we type a random checks in here. You could take whatever you want. For example, I will type after effects. We slept the anchor point to and we click. We put the anchor points at the center directly control plus all to center The anchor points Probably it detects right here. Now let's click on the text layer. Then you slept mask and your mask. Now go here you click on this area. Then we click here and we slept position. Of course you consider anything? I chosen position. We click on stopwatch. We put zero in here. Then we put the aggressor right here and we pull the text down like this. You can see when I pull the text down here Text disappears. Now when I click play that sex is masked like this. To reverse the process, you reverse the key frames click play and here are the text starts masked, then appear from the bottom like this. So this is how to mask or reveal a text. And we saw the text appear from the bottom and you could make a beautiful any direction. For example, we make it appeared from the right like this or from any direction he wants. Now When you think play he Riyadh the text appears from the right. So this is how to mask or reveal a text. And we saw the text appeared from any position. So that's if this video thanks for watching and I'll see you in the next video.
16. Source text effects: Hello, everyone. And welcome to this video. In this video we will talk about the source text setting. We type anything in here. For example design. We center the anchor point and we just the size of the text a little bit. Now look here to get to the source text setting. Here it is. We can animate the text using the source steps setting and the characters menu as well. Now the sexes any green like like a stopwatch. Put the cursor As you see, I get a key frame in here. So I put the crystal here. I changed the text color. Then I did the same thing. I put the cursor here changing color. Then again and again I just sighs of time line like this. Now if Cliff play and here we are, the text changes colors like this. I slept all the key frames. I hold the altar button to adjust the space between all of them at the same time like this Just time timeline. I click play and here we are. It's a cool way to animate the text. Remove the key frames and I would pain to decks and white, for example I type? I'm here in here. I will type them in here. You can't stop. Watch I go here than any type A of the precursor. I just decided time I first did. I put the cursor here and I will type designer in here. So you graphic on then I type designer in here. I go back. I couldn't play. And you? I will decrease the space between the key frames to increase speed. I just decided that the time line late and here out. I'm a graphic designer. So as you see each key frame, we have a different text. It's a very cool and professional effect that you can make on your text. For example, I typographic in here. Or maybe Joseph Adam. You can type whenever you want. Of course. I just keep frame my center it Sorry the ink appointment. You frame center. The anchor points up with 16. Then I click right here. Stopwatch on the source, that setting. Then I put the crystal here and I just decided to text a little bit like this. But the cursor here again I would change the phone this time. Then about the crystal here and I make the text like this. This is just an example, of course. Then at the end, I will change the text color. No back. I click play and you see each time when we reach a certain Q frame, certain change is made. So using the text source, you can make a lot of changes to the text. Go ahead and try different things and you will see how creative you will get. So that's it for this video. Thanks for watching, and I'll see you in the next video.
17. Text free animation: Hello, everyone. And welcome to this video. In this video, we will talk about the sex animation again. But this time we'll see text animation in a different way. So we start by putting a Christian here, and we slept the text tool and we type anything we wanted here. Example. I type motion graphic. I selected that I painted in white. I'm off the stroke, leaving only the still center detects right here. Now we will create a bed for the text. No, it's like a pencil. And I drove the path for the text like this. So this is the text path now. How to apply the sex to this back to move on it. So I go here As you see, you got text masks and transform. So it was leading text setting than that options. And as you see, we have bet on, there is none into settings. Now we will add this line to the Beth to do so. We click here, and as you see, we have mass Quantum. This is the mess one. Here it is. Mess. Want is the line or the best player. And as you see, the Texas added to the Beth. It looks like a train on a raid. And as you see, we like to text to the bet. And now, as you see, we have these settings, right? Right. We have the reverse, Beth. And of course, it's obvious when you apply it, the text will be reversed and will start from the bottom on the right side instead of the top on the left side, like here. Then we have to be Indyk, Alor to Beth. And, as you see the perpendicular to pet will makes the letters vertical like this. As you see it, the letters will go along with the best. When the bed is vertical, the letters will be vertical. When it's horizontal, the letters will be heard something. Now we have the force alignment, and as you see the force alignment settings, make sure that all the letters are spread it throughout the Beth. Then we have the first margin on the last margin, and it's obvious it leaves a margin. It started at the end of the Beth. Now we want to animate or move our text to do so. We click right here. As you see, we have left a margin at the start and we use that to move the text. So we click right here. Stop much. Now, put the cursor here. And we grabbed a text like this, leaving a big margin on the right. So I left now with the play. See, that's a text. Moves along the bed. We set for it at first. We just keep for him at this to increase the speed, He increased the speed again a little bit. And he were. So you can move the text according to the bet you said for it at the beginning. And of course, you can set any Beth you want. You can ingest it. You can put it whatever you want. Example, We make it like this. Now I click playing. And here you can see the detectives and move all the way. So I need to make it reached the end like this, using the first month Now when I click play, it will reach all the way to the end. So this is how you can move your text According to the bed. You said for it. Any better you want, we have some more settings. We have more options. right here we have the anchor points reupping as you see the anchor point grouping. As you see we have here two words text So right here on the character and you can adjust it to select character, word, light or all. As you see, we have character selective. Any conceded text moves like this, but let's take a look at work. As you see, the two words are separated and each would moves on its own. Now when we slept lying. You can see that text more straight like this, but I always recommend to leave it there for But again, it depends on your projects. Now we have here the grouping Lyman's. You can align the letters. You put it at 0% which is the default then we have here, Phil. I'm stoked and you're familiar with the film and stop. Of course, it's the internal and the external color to fill character late and all felt over old stroke because we don't have a stroke in here. Now we need to activate the stock First beer acceptable. Making this government. As you see. Let's talk appears like this. He really had a stroke is visible in here we slept old strokes over all fills. And as you see the stroke B is very good in here and even select for capture pallets or any setting you want to remove the stroke. And as you see, this is a very effective way to animate or to move the text at the end. We have here the insert character blended. You can select any mo do you want from here, and the setting is useful when there is a bedroom. But since we don't have any background in here, it won't make any difference. So that's it for this video, and you just so different way to animate your text. Thanks for watching, and I'll see you in the next video.
18. Free animation: I know everyone and welcome to this video. In this video I will show you how to animate your objects freely. Without any restrictions. It creates a new shape layer. Then we slept the a little. We hold the shift button and we don't circle in here Now we positioned the anchor point in the center of the circle. Here is I already explained how to make normal animation. You go here and you put the first key frame here. Then move the shape. Put the cursor here and you put the second key frame there. So this is the normal animation process. But now we will see how to animate or move the sheep at any direction you want. Not just vertically or horizontally. Now I click on stopwatch in the position setting. Then I moved the shape to hear, for example click play And here we are now put the crystal here and we put the shape here. Then we click play and he aren't shape moves freely keep moving to shape like this and again. Then here and now. I put it right here and go back. I click play and you can see that the shape moves freely without any restrictions. The shape moves in the bed. We set for it, and you can adjust the bet like this disconnect on any dot And just like this, for example, we put it right here. You could put the shape, whatever you want, never think play. And here we are. And the enemy and speed depends on the space between the Q face, for example, we decrease the space between these two key frames and the shape when we're going in here, but slowly in here. Since the space between these two key frames is longer than the 1st 1 it starts faster and then slower when it reached that point. If the thoughts are far away from each other, that means that the shape moves fester. If there are closer, that means that the shape will move slower. Take a look here. If the thoughts are far from each other, that means the shape will move quickly. But if the thoughts are close to each other, that means the shape moved. Slowly click play, and you can see the shape most quickly in some points and slowly in others. But if I want to make this shape move in the same speed along the whole path like this. I need to keep the same space between all the key friends. As they said that we need to adjust the space between the frames to make it the same between Oliver. It could explain and you can see the shape is moving in the same speed all along the Beth. But if I decrease the space between these two key frames, the shape would start faster than become slower. So this is how to animate your shape freely. Explain this in another way, for example, with shape right here it's like the position it like a stopwatch. So I need to go back. But the cursor here first. Then I put the shape right here that the cursor here, then this shape down here, the cursor next here, that shape appear. Move the cursor with shoot down here but the gruesome here and to shape up here one more time. And he really now when I go back, I click play and you can see the shape moles. In a wavy matter, you can adjust this shape Beth like this to make its curves look better. This way. I just need to adjust a little more. Are we go back, We click play and here it is. So this is how to move your shape anywhere you want. You can edit the best as you saw as we did by editing the dots like this and putting up whatever he wants. Making your Beth or your shape looks smoother and it's moving. And as you see when you decrease the space between the key frames, the shape on, move faster. See fast, slow, slow, fast and you keep going. So this is how you can animate your shape freely. Thanks for watching. And I'll see you in the next video to work on another thing.
19. The Alpha matte effect: Hello, everyone. And welcome to this video. In this video we will talk about the low moment which is similar to a mask effect. So we started by added sex layer that's click new text. And I take anything example just of Adam. You consider whatever you want. I sent her the anchor points like this and I sent her the text as well. Now I would cover the text with rectangle and we go to the track. Matte. You can see that the track met is unavailable to the first layer. So if I want to apply to the shape, I need to make sure that the shape layer is the 2nd 1 I will pull it down here so that I can apply it to the shape layer. But we will apply to the text. So we need the text as the second layer. Now go to Dr Mate and ice like the alphabet. You can see that the rectangle disappeared after we selected the element. Now take a look. When I move the text like this outside of the rectangle, it disappears again from this side, from the left and from the right. You can see that the text appears on Lee inside the rectangle we grow earlier and nowhere else. So in a place upside of the rectangle the text wants appear Now how to use this? It's very simple. You put the text down here, then we go here. I click here then likely won't be from the keyboard to get the position setting likely stopwatch Put the cursor here Then I pulled a text up here And then when we flick played here we are text appears out of nowhere from the bottom. Of course you can apply the same thing to make the text beautiful The right side, the left side or from the top from any side you want for example. But the text There you go back here But the position What position to text back here. Then we go back. We could play and here we are. Text appears from the right side. We delayed these dorky frames. Now we will try the El Faro inverted men's You can see when I select it. The text disappears instantly because we have reversed the process. The text will appear everywhere upside the rectangle but not inside of it. So we can use that to make this effect Like in the movie credits, the text goes up, then disappears when it reached the box or any certain points you want Put the cursor here . Then I pulled the text inside of the rectangle. You go back with playing and here we are just like in the movie credits. So this is the Alfa Met makes the text appeared inside the rectangle or the shape on Lee and the inverted Alfa makes the text appear outside of the shape on now put everything back to its default position. We showed the shape about the shapes Anchor points in here on the left side. Then I select the shapes layer. Then I click on us from the keyboard to get the skills setting. I click on stopwatch Then I click here to a link and I put zero in you. Now put the cursor here. Then I put 100% in here. Now when I click play you see the rectangle appears from here to cover the text like this. Now we go here and we slept. The alphabets apply the same effect onto the text. So the effects with it on the shape or the rectangle. We applied it to the test click play and text appears from the left side. Now it's like the inverted off met to reverse the process and the text starts visible. Then it starts to disappear like this. We can use this effect to create school lower thirds like the ones used in the news channels slicked up from Matt's from here. Perfect. Remove these two key frames and go back right here. Have texting it is Pull it down here to the bottom left corner. I just its size. I moved she player. Then I slept the rectangle tool And I draw a rectangle like this covering the whole test. Here we are just like the shaved and I select and appoint Tool and I placed the anchor points right here. Now it's like the shape layer and I click on ads to get the scale setting. I click one Stop bunch. I m link That would 0%. Here you go back here and I put 100% and go back flick blade And here now go here to the text layer and I select element Cliff play. And here we are now All I have is to add the background. So it's like the rectangle tool. And I placed a rectangle here. I dragged it down here to make it behind text The nice elected Sorry, I slept slept Point talk as you see, Just position that it's like the shape layer that I clicked on s from the keyboard to get this scale sitting. Then I think Stopwatch link and I put 0% in here. So first I need to adjust the anchor point. I put it right here. Then it becomes scale stopwatch on link up a 0% in here. Then I put the crystal here and I put it back at 100%. Now when I click play, you can see that this shape follows the test So the text starts. Then the background follows and it took click here. Click on us to get scale setting and I can adjust the key fame's to just position off the text. And so we are, as you see shape the rectangle appears first, then the text follows it. So this is how to use the UN formats to create lower thirds and that it would be all for this video that's watching. And I'll see you in the next video
20. The Trim paths effect: Hello, everyone. And welcome to this video. In this video, we will talk about Dream Path. We stopped by placing a circle in here. You hold the shift button while we don't to make sure that this circle is symmetrical. I had a stroke to the circle and I moved to fill. Then I would change the stroke color like this. You can select any color you want. We go here to drink, Beth. And as you see, we have two important settings the start and the end Setting. As you see, the start setting makes the Circle Butte out of nowhere and keep going until it's fully connected. And the end setting gives us an already existing circle. But it starts disappearing until it's full gone. So difference between these two is the one is the opposite of theater. We begin with stuff sitting so you can stop watch. We put 100% in here. Then we put the person here and we will put 0%. You go back with play and he Assisi. There is no circle at the beginning, but it starts until there's a full circle. I move these Tookie fames and we take a look at the end setting now, but the closer here. Click on stopwatch. Then I put the Christian here and I put 0% in here. I go back and play and he askew. See, there's circle, but it starts disappearing gradually. So, as you see, we have two settings and each is the opposite of the other. One gives us on already there circle that starts disappearing gradually and the other gives us nothing at first. But we get a circle that start showing gradually as well. Now I need to just size of the circle a little bit. Here it is. Then I changed second circles color. Now in a clip plane, you can see that both circles disappeared together. I can reverse the thing, the process by going here to cram pet one, and I moved the key fame's. Then I slipped to start setting. I could stop watch. I put 100% in here. Put the crystal back here, and I will make it 0%. Now when I click play, you can see that the circles are opposite of each other. One starts disappears gradually and theater is not there, But it appears gradually. And of course, we can go like this old day weaken Create many circles as much as we like. And I had another one and I just its size as well. I just decided to stalk a little bit. Then I changed it Still color. Now, when I click play you conceded two circles run together and one is opposite of them. Now go back here its contents three beds. I remove these key frames that's left to start setting. I click on stopwatch. I make 100% in here. Put the cursor in here and I put 0% like this. Now when I go back, click plane. Here we are. It looks school this way. So, as you see, you can use these settings to create cool and attractive designs. Now I will delete all these shapes. Now go circling here. So I need to make sure that it's symmetrical by holding the shift button at drink. Beth, I go here. I clicked on stop watching to start setting. Then I put 100% in here But the crystal here and I won't make zero. I will make on Lee 15%. Then I put the crecer here. Then I put 75% in here. Have a closer here, and I put it at 0%. Now when I click play, you can see that the circle more In this way like this Just go ahead and get creative. Give it, give it a try and create anything you want. As you see, you just have to get creative. You can make a lot of effects and a lot of moves. It depends on your creative. So that's it for this video. Thanks for watching. And I'll see you in the next city.
21. The Linear wipe effect: Hello, everyone. And welcome to this video and this video We will talk about the line near white effect. So we start by creating a background right here to new solid and we slept Bettman color from here. You can select any color you want. Okay, then. Right click Here we go to Neo and we slept so late and we will create another bedroom click . Ok, Perfect. Now we have to backgrounds and we will start to apply our effect. Go here to effect transition. And here it is the line near white effect. You can see that if I changed in this setting the background we'll show right here the 2nd 1 for example. I put 100% here to make sure that this Bagram appear like this. Then I go here to effect I click on stopwatch right here in the transition completion He conceded we got frisky frame. I clicked from here or from there to give him a beer time. No, but the Christian right here And we put 0% in here. You can see that second background beer. Now when we click play he really we slept Tookie frames right click Given assistance and we slept Easy's now when we click play as you see it's smolder Moment. Course you can add as many bedrooms as you want this race. Click new, solid, select the color and at the background as many bedrooms as you want. Now go here to effect transition lightning white. And as you see when I changed percentage in here, we can see that the background appears from the left side. But you can change that from him. This is the angle you can select any angry one to make that background beautiful. It's like any side any and go you want no change the angle and I'll leave it at 100%. Go here to effect 19 white. I stopped watching transition completion. You see, we got a key frame right here That happens here. Percent here. Sorry, I need to go back. I need to put the cursor here first. Then I put 0%. Now I just think you frames up with them right here. When I click play, you can see that we have out first background than the second appear. And then the third. Now it's like Tookie frames. We go to keep assistant and we slept easy. He's from here. Click playing first background the second and 1/3. So, as you see, this is a simple and cool effect that will help you work on your project. You can use it to create some cool effects on your projects as much as you like. So that's it for this video. Thanks for watching, and I'll see you in the next video.
22. The Transition effects: Hello, everyone. And welcome to this video in this very well talk about transition effects. So we started, created a circle in here. We center the anchor points like this Click on the anchor point tool that we put the anchor point at the center. Then we click Control was off from the keyboard to make sure that anchor point is centered . Probably now we paint our circle in any color and select any color you want. Then we go here to transform scale sitting. Of course, you can go to transform, or you can just select the layer on click on us from the keyboard to get the skill set No. 0% in here. We click on stopwatch to get the key frame. Then put the person right here. Then we put, for example, 500% in here to make sure that the circle fits the whole background. Now we slept the anchor points, we go to give him assistance, and we slept Easy's. Then we flick on the graph editor, click here and we correct like this to make sure that we have this curvy line like this. Then we make sure it looks like this Let's see. It starts slowly when we when it reached this point it starts fast, then slow again. So it's like playing as you see slow, fast, then slow. Of course, the second slow does not appear because it already feeling the whole page. Now we duplicate this player three times We've been duplicated any number he wants now it's like the same layer. We click on us from the keyboard to make sure that the scale setting appears. Believe that for all the layers we select these key frames, we put them right here. As you see, this one is right right beneath their own. This one like this. Perfect. Now let's look at this layer. Click here to change the color of the second layer. Then I do the same for the 3rd 1 As you see, we have organized the key frame so that when certain layer ends, the other one begin. Now go back with Cliff play. We are here. We are anywhere. We can make sure that things are faster by adjustments space between the key frames. You put this one on top of the one we just space between those and this one on top off the last one and we just space as well. Click play And he were. You can use this effect as a transition effect. Now we duplicate this layer. Then it would change the layer color. Go here, select white, for example. Then we click on us from the people to get the skills setting. We put the key fans right here. Perfect. Then we'll at logo right click import file relocates our local and we edit. It is I already have it right here. Then I added right to you Here is I just its size. You see, it's really big. My home feels wouldn't and I just its size like this Now I opened the local layer. It's like this key friends and I duplicate them. Control us sitting in court plus V right here at this layer. Here is I need to just this land like this Key frames like this, you know, and you know it at the plate. Perfect. So, as you see, this is a transition effective in use it and blight on your project to create some cool and attractive effects. So they said for this video. Thanks for watching. And I'll see you in the next video
23. The Circle animation: Hello, everyone and welcome to this video and this really will talk about difference animation technique. So we start right here by creating a circle in here. It's like the little and we drove circle. We hold the shift button to make sure that the circle is symmetrical. We select the circle and we select the anchor point tool, and we make sure to center the anchor point like this. We center and then re click on Control was also bottom to make sure that it's center problem. Now go here to the sheep player. It's like dealers one layer. Then let's Beth one, which led the size. We click on stopwatch. Then we put 0% in here to make sure that the circle disappears. Then I put the gruesome right here. I just the size like this now, as you see when I click, Play Circle appears like this. Now it's like the Tookie frames, but rights plague key frame assistance. And that's like Eazy e's to make sure that this circle animation is smoother. Now let's look at the graph editor and I just the graph editor a little bit like this to make sure that we have a good feeling like this. It will start fast and then slows a little bit. No, it's like a deluxe Beth a selected. Then I click on control, positive to duplicate it. Here we are. We have another path. Then I go here to Ed and I slipped merged baths. I slept the merge beds. You have your mode and I click on it and I select subject. No. When I click play, take a look at this circle. How it looks. It didn't work. I need to go back here to the lips. Beth and I opened the first, but as well Stand one. And I need to adjust the ski frame a little bit like this. Now, when I look late, here we are. It's the cool effect and go back at it again. And he will. It looks like a blessed or blessed radiation. We duplicate the layer and put this one right here. I just decisive. Then I changed its color. You go back and the way we have to circles with the same effect. Now duplicate this one again. I selected control positive, duplicated that I put it right here. I would change its color click. OK, duplicated one more time I selected that control was detected, Dictator and I put it down here. Change its color. Now when I click play here it looks like fireworks. And of course, you can use this effect to animate your shapes and use that as a great effect on your projects. So that's it for this video. Thanks for watching. And I'll see you in the next video.
24. The Circle animation Part 2: Hello, everyone. And welcome to this video. In this video, I'll show you another ways to animate shapes. So first we go here and we slept. Title action. Safe to get this screen like this. Now I won't go circle in here. You can drop any shape. You want a center like this to make sure that it's at the center off the screen. Then we go here to the lips, The rise amount. I select the lips. Here it is. Then I go to transform collapse one and I click on stopwatch for position setting about the Christian right here, 20 frames away. Then I bought the circle up here like this Now when I could complain. Here we are now I close to transform lives than I go all the way to contents. It's like the layers first layer. Sorry, I go to bed the nice like Peter. And as you see, we have create copies in here. We will make them six. Then I opened to transform repeater. I go to position at 0% in here. Now I go to the rotation. So, as you see, the rotation is transit 60. Now we have create 100 and 60 divided by six. Since we have six circles and here we are he will take a look. It's go away, toe enemy through shapes that go back here, Close this setting this one as well Go through the lips transforming lives Skill If it stopwatch, you put it at 10%. Then we put the question right here and we put 86% in here. Maybe I'll get a little bit more. 90%. That's better. You are. That looks good. No way. And you were You can see that the circle start small. Then it becomes big when it spreads like that. Not click on the diversity stopwatch sitting. And I put 0% in here. You hear me? Huh? It starts small than it grows. Then it disappears. Let's keep it slipped off key frames, writes Blake. I go to give him assistance and I select easy east. No, When I click play it looks perfect so that you can use this effect on your projects. So this is our effected. Look. School right. Click new solid change. The background color. He is likely. Okay. Okay. Well, the background layer down and here we are go to fit could play and here duplicate the effect. And I put it down here. Now, when I click play, you can see that it looks like fireworks or something like this. And here we are. So this is how our effect looks. You can duplicated multiple time to make sure that it looks cool, as they said, like fireworks. So they said for this video, Thanks for watching. And I'll see you in the next video.
25. The Collision effect: I love everyone. And welcome to this video and his video. We will talk about the rebound effect and you can use the rebound effect to make your designs. I feel a lot more real and alive. It's a very cool effect. So we will need to shapes for this design. I wouldn't drop post in here or won't Whatever you wanna call it. And then I would go circling here. It refers to a ball. Here is now I will change circles. Color. Oh, sorry. It looks like I did put them in a single there. So I will leave both layer on its own, would create circle in a different like this would change. It's gonna of course, you can use any colors you want. So you are now we will move the circle or the ball toward the wall. So, as you see, when two bodies collide, there is a rebound, especially when there is around object. As you see, we have you this shape. It looks like most Orwoll and we have a bowl. And when the ball hits the wall or collide with wall, there is a rebound or a bounce. And in this video I'll show you how to create the rebound effect. Now we select the bowl layer and we click on Be to get the position setting. We click on stopwatch. You put the cursor right here, then we drag the boat. So let's go back before I had frame, I need toe, said the anchor point. So it's like the anchor point tool and I center the anchor points in the circle centric mentally. Then I collect and drop us out to center it perfectly. Same thing for the anchor points in the post or the wall shape he wanted to anchor. Points are set. Now we go to the circle layer. We could stop watching the position setting. Put the person right here. Then we drag the ball toward the world. You put it inside of it like this may reach all the way there, and here we may. As you see, the ball hits the world. But there is no sex or any rebound or anything. No, we will create the effect to do so. We go to this layer the post layer, we said to write the exact moment where they meet, where the bulk alights with the wall money to zoom in. So did I can from over mentally like this. And this is the exact moment when they collide when the bullet hits the wall. Now we slept the both layer. Then we go to the puppet position Mental. I put the thoughts in here. Then another one in here, one right here opposite to with simple and then another one in here. So we have four points right here before that's now we go to the shoe player. We opened the effect and we go to the puppet effect. Click on you from the cable to get these settings right Here I go toe to and I go here. I dread the ball a little bit. Don't here until it meets with this duck. Then we hold and drag the shape from this dot Now, as you see, when the ball hits the post, there is an effect. As you see, it looks like the ball hit in the post and pushing it. So what? The right side. So as you see, we have you. This is the collision effect. And now we will talk or we will see how to create the rebound effect So I pulled the circle or the ball back down here. Sportingbet right here. Then I go back to the puppet been to, and I dragged the post to its original place like this. Now you can see that when we think play, there is the rebound effect. So we have the collision effect and the rebound effect. So I click, play the ball, goes, collides or hits the wall. Then it bounces back to its original position. So as you see, there is an effect now and the design looks alive and really so the bolt acolytes or hits the wall or the boats, then it bounces back to its place. So we have the collision effect and the rebound effect. This is a very important lesson, and you need to learn to have to create these two affects the collision and the rebound effects so that you can use them in your projects. And if you are going to create a lot of projects, you will go and you will have to create this effect along the way so that you can make your designs feel alive and read. So go ahead, try it in different ways to take a good look at it. So that's it for this video. Thanks for watching. And I'll see you in the next very.
26. Clock animation: Hello, everyone. And welcome to this video. And this video will show you how to animates Glock hands. So we still buy any files? We go here, we import file. I have a club design right here. I already created this design using the illustrator. So I added right here, double click on it to read it too. The layers many of and as you see here is off site waste. Let the minute hand zoom in. We put the minutes and ankle points right here at the center so that the hand rotates perfectly. We have any problems. I select the anchor point tool and I put the anchor points right here. Perfect. Now we slept this layer. We like our from the keyboard to get to the rotation setting, and now we will rotate the minutes hand. So we have a circle which is 360 degrees and the minute hands rotate for 60 minutes. So we will divide 360 by 60. We have six. So which means you will rotate for six degrees. Now I click on rotation is you can't stop watch And we have the first setting. You put six degrees in here, Then we go to the 2nd 2nd What 12? Then the third. Set it. Second. You can do that. You can either type 18 or plus six. No. One. I click play and see that the minute tends rotates. I will add another effect, so it's to make sure that it rotates perfectly because you see now it does not rotate in a perfect way. So I slept all the key frames to make sure that the minute hand rotates perfectly. Let's click here on the key frames and we slept. Togo hold key, Frame concedes. Keep things changed their look. Now when I click plate, here we are the minute hand turns or rotates in the rial way, like in a real club. So this is how toe rotate or to animate clock hands, whether it's the minute hand or our hand. And, of course, this is just a small video. I just showed you glimpse or an example. You can use what you learned here to rotate or to animate the clock hands toe, full day or a full hour. So that's it for this video. Thanks for watching, and I'll see you in the next video
27. Flag animation: Hello, everyone. And welcome to this video. In this video we will talk about flag animation. We have this like designer right here. And this is how it will look after we complete this lesson. So now to create this design and animated, we need a flag design. You can use already existent flag or creates one for yourself. If you have the means to get a flag for yourself, go for it. If not, follow me and I will create a flag design from scratch. Now we will use thes setting the same settings we use in the after effects software. Now we select the rectangle tool. We don't correct angle in here like this. Paint it in black. We slept the pencil and I would go this shape right here. Sorry. Go back. Start by clicking here outside of the flag, Done like this. And here between the shapes color perfect. I slept with two shapes that was like the shape build Issel and I like old. Then I delete this part of the shape. Now it's like the mental and I would go a different shape this on like this again. I selectable chiefs and I was like the shape, color tool. I hold Fields button and I delete the other. Put this one right here. It's like the group which tool and I just shape perfect again. It's like the pencil. And I would drop another shape like this, just like the shapes again as like the shape boulder tool. I hold the old one and I believe this click on this shape to related like this. Now just the position of this one just a little bit like this. Just this shape using the curvature tool a little bit perfect. Now we will drop the flag post, so it's like direct angle, tool and withdraw opposed this. Track it you to decide leg. Here is I'm off the stroke from here. I'm more struck from flag as well. It's like the bulls, and I wont select radiant from here and double click here, and I paint it with this color. Changes need to be a little bit lighter, and here it is. Zoom in a little bit. As you see, it's not totally black. Now let's click here, and I slept the lips still in a circle on top of the post like this. Click here. Then I slept Really ingredient. Perfect. And here's our flat design is good. I just need to pull it up a little bit. Perfect. And we We took us only about five minutes to design our flag. Now let's click here. And I slept released two layers to make sure that every letter is on its own. Then I slept all the layers. Pull them up here. I need to organize the layers. Both these to them here. Now it's perfect on the letters are organized to make sure that our business is perfect. No, I saved the design. You name your design and then you save it. Now I go to the illustrator software. I will believe this design. I opened a new composition using these settings. As you see Click. OK, I already showed You have to years. I need to double click here. And I slept design file and I slept composition on layer size from here. Okay, here is that would click on it. And here it is. Now I select these shapes layers. I don't select the post. Ladies only select the shapes layers. Here they are. Here it is. I can click here and take a look at what each layer belongs to. So I select all the shapes layer, leaving only the background and the post players selected. You have all these shapes right here selected then right click recompose. We named our become pulls whenever we want and he fled is in its own recompose that we have the post and the background slaves on their own about all the parts of the flag in a single day, composed to make sure that they are in a single layer so that when we animate, we animate all of them at once. Now I go to effect, I'll use an effect his thought I go down here and I slipped Click down here to make sure that you to look at this shape and we slept the wave war profess may not be too used to go down all the way down and select wave work the Senate's as you see. This is how it looks when we apply the effect just the way which Olympic you have the wave war sex right here. Now it looks better, just the angle perfect. And we leave spade speed at one. Now when we click play. You can see that our design animated pretty cool. Perfect. You can see that there is a small error, but that's only because the timeline is ended. And of course, you can adjust or set the settings as you want. You don't have to follow the same steps I did with settings. Now you can see that flag is animating without adding any key frames. Now, to make sure that flag is still at first. Then start animating. We go here just like the recomposed and go to fix. We have the wave warp here we open it. We have old the effects settings right here. Now we go toe. We've hate height, but they don't stop much and we put 0% in the wave height. Now, as you see, our shape is still never go here after one. Yes, sir. 10 frames And we'll make it stuck in here that we put eight back in Here we go back. We could play. It starts still. Then it starts moving. You see, it's very first, so we need to just space between key frames. I slept key fans that put them all the way here. Now, here we are with Wait and it will stay still for this amount of time until it reached here . Then it starts animated like that. It starts still. Then it starts moving. Get just decide of a time line to go back here, and I put zero back here to make sure that it will return starts. Still, that moves. Then it returns to its default position, which is still Of course, you can adjust the wave speed or any other setting. Just go ahead, give it a try and take a look at any setting you want. For example, we click on stopwatch in the way speed we put the cursor here. Just this speed like this, you go back, it starts normal. So it I put 18 here. As you see a click, it start small, then it starts. Then it becomes fast. It's like that the winds. It's getting pretty windy or body strong. As I said before, you can select any setting. Go ahead, give it a try, take a look at it and make sure to apply any setting you want to your design until they are fully comfortable with all the designs and create your own project. If you want at a background to your design, let's go back here, writes black, new, solid, slept any background You want any color click? OK, and here we are, people it down here and here we are. Our background is ready. So this is how to create and animate flag design, using the illustrator to create your design and the after effects to animate it. So thanks for watching. And I'll see you in the next video.
28. Liquids animation: Hello, everyone. And welcome to this video. And this video will talk about liquid animation whether it's water, Jews or anything. So we start by creating a cup shape just like the pencil. And we started going like this. Of course, you could draw any shape you want. You don't have to do in the same shape I'm doing right now. Just gonna make some small adjustments that cup shape. - So here is our design and never stop working. We duplicate the shape was Let's it's layer control, lusty to duplicated. Then we hide this layer Now old creates rectangle in here. So this is the liquid color. So obviously we will use blue well considered as water. So I go to affect the stores, and I select wave warped from here. Here is here on this are effect we've worked. It may not be in the camera, but that's because it's the bottom effect. So go ahead and you will fight it. Look for it and you will find it at the bottom list. The bottom of the effect lists now click late and it looks like liquid running. No, it's like this layer control was due to duplicated again. That was like this layer and we changed its color. Make it unless But Dr they we adjust the way. It's a little bit like this to give us this effect like this. We put minus 90 in here to make sure that it runs in the opposite. For the first shape, you're out of the plane and here we are. They run in opposite directions. Let's let these two layers the knights Clegg and I select recomposed. And here we are now they are in single breaking balls. Now we grow up to be composed down here to put it behind the cup shape. Then we go to the track matte and we select Alfa meant And here we are. The liquid is inside the cup. Now we have this land as we do. Forget it. Earlier you show it. Then I put it appear like this. I'm over the hill and I activate the Stoke Perfect. Now here are played. Live with Buress inside Pick up now another effect and go to the big compose We slept with collectively be from the keyboard to get the position setting, click on stopwatch Then we pull shape down here like this. You put the person here, then put it back like this. Perfect. Now when I click play, you can see that it looks like the water is being poured inside the gun. Now we will make an effect. So we go here. It's like the rectangle tool. And we drop a rectangle in here like this, repainted and white. Just it's science on the bed and position as well. Now we go to effect assimilation. And we slept. CC bubbles Here we have a bubbles effect. We have the bubbles amount in here. You can select any amount any amount you want. Of course, it just have to be a reasonable amount. And here we have the bubble speed seven, for example. And we have the wobble, an attitude. And we just publicized like this the global frequency. And as you see, we adjusted the level amplitude Go back to the bubble size with just a little bit. We slept not from here in the shed and type. The world will frequency lipid like this size. Perfect. Of course, you don't have to follow the same settings I'm using and he our this is our design. It looks like the water is pouring and we have the bubble effects. Now go here to affect CC bubbles. So I go here just like the shape here is. It looks good, but we need someone adjustments to it to make it look. Let it real now the shapeless pretty cool. The whole designers now, as you see, even when we finish pouring the water, the bubbles state moving. We need to just the bubbles movements. So we go to affect cc bubbles. But the person here please stop watching the bubble amounts. Put the key frame right here. Then I go here and I will make it at as you know, percent. Now, when we click play perfect, you can see it starts with a lot of bubbles than the bubbles disappear. One more thing is that we need to just the water movement. The water stays moving. It gives him a win. So I need to adjust it now. Double click on the decompose. I go to Xi player the first layer. Then I go here. I couldn't stop watching the wave height. I put 0% in here. Then I put the question here and I will put Tim in here and only with a tent in here. Perfect. Now we will do the same thing for the second she player do here. Click on stopwatch 0% in here that I put the car serene and I put 10 in here. Go back and you were perfect. Now close to recompose, I go back here, click playing. And here we are. So this is how to design a cup of water, soda or anything. As you see, we have liquid animation bubbles on all the effects. It's like water being poured into a cup. So that's it for this video. Thanks. For what chain? I'll see you the next video.
29. Create a smoke effect: Hello, everyone. And welcome to this video. And this very I'll show you how to create a smoke design and how to animate it. So first we need a background. I have this designer attitude and we have a chimney which will we create the effect of smoke coming out of the chimney. Now I need to save my design. I already save. Now I'm gonna need to breathe the smoke. So I opened a new page with this sitting right here, the same settings we use for our aftereffect composition. Now I'm gonna put a background for the page and select any color. You want this just because the smoke will be white. So we don't need a white background. Or instead of painting the background in white, I will paint the smoke any other color than the white. This is just an example. At the end, I will paint in bed and right now, as you see, I create circle that I duplicated a move stroke from both circles. Then I duplicate circle again. Put it here. Then I do pick it again to create the shape of a smoke cloud. We are just like all the shapes are more stroke now. It looks perfect. So this is a clout? No, I slept the whole circles. Then they go to a window, that finder, and I make sure that all these shapes are a single player. Now I will change glove toe white. Since the federal is in white, it won't appear so It will be just for a brief moment. Here it is. Then you go here, right Click the night click release toe layers. Here we are. Apple the layer out like this that I save my design I click on save Okay, No, I go to the after effect. We already opened a new position. Start a new composition with settings I used before a long discourse. Now I locates. My design here is double click on it to open it. Here is it's a design of a small house. Now, I would add the smoke design here is I open it. Okay, couple file down here so that it appears with the design now only hide the smoke layers just the size of the design held the old button and I just its size like this make it a little bit smaller. I pull it down here Now Open smoke layers. Here it is the only one. I moved it back down Slayer. Then I selected on I clicked on s from keyboard to go to this skill setting first I need to said the smoke position This one look perfect. We'll be right here. I put the anchor points right here. It's up on the chimney now I go to the skill setting Likely stopwatch Then I put 0% in here I go all the way right here and I put 100% in here. Then here I bought 0%. You can see that smoke starts out of nowhere, it goes, Then it disappears again. No, I select layer then likely won't be from the keyboard to get the position sitting there going stopwatch put the cursor here and I would change the position or the smoke to move a little bit to here. Then I put the question here and I put the sheet what is smoking here but the Christian here and make it more right here? No, I just spaced between the key frames like this and go back late. And here we are, just the smoke path. It's like the mental and as, like, the head. But sex tool. And I start adjusting those shapes back like this. Same thing in here. Perfect. Now go back quick, Blake. And you can see that our smoke shape moves smartly. Go back. Huge skill setting and this key frame. I will slow it. I will make it a little bit smaller. Perfect. Now go here. Click on the smog layer, then control plus D to duplicated. Then I pulled this layer down here a little bit. Then I duplicate this one again and I keep going like this. Now take a look at How do you think those life As you see, we have multiple smoke shapes going out not far from each other. I won't forget it again. Create another one and you can keep going and duplicate in it as much as you want until you get the results you want. So a zoo. See? It looks like the smoke is coming out of the chimney. And when it goes for a while, it disappears. In this guy. You take a look again? No. Increase the size of the sweet layer anywhere. So this is how we creates a smoke shape and have to animate it and how to use it in our design. So they said for this video, Thanks for watching, and I'll see you in the next video.
30. Create the fall effect: Hello, everyone. And welcome to this video. In this video I'll show you how to create a real effect which is dropping the ball. So the main idea is that when the ball drops to the floor or down, there is collision effect and rebound effects. So in this video, I'll show you how to create the effect off. Dropped a ball in a riel and alive way. So now we start by reading a background. So right click. We go to new solid. We left any color for the background click. Ok, and here we are Now we're gonna make a bull or circle in here. Did the assault Right? Click. We go to new solid and first I need to Here is OK, we have two bedrooms. And inside this background I create this circle like this. Here we are. So, as you see, I already have circle horrible in here like a selected the nightly won't be on the keyboard to go to the position setting about the cursor right here. Then I put the bull on the way up disappears like this. The nickel Here I click on Rulers about the first roller right here, so We will consider this as the floor. This is where the board will stop. Then if we can't stop watching the position setting. I put the crystal right here and I dropped the ball like this. And I need to leave space over the ruler to make sure that it crosses the line. So this is how to drop shapes. You can see that we have a line. It looks like a wrecking ball or anything. Here we are. That's how to make shapes move more professionally. We don't just animate the circle or the ball to create a path and put it down here. Now we make it disease. Then we go to the graph editor and we writes Click. We check the edit speed graph and we just the speed graph like this. As I was saying, You don't just animate the bull to go down. As you see now, it starts slowly and then it drops very fast. Makes it the real and life. So now. But the concern right here, then we make the bowl goes up a little bit like it's it bounces back off the floor. Then we pulled it down to be at the same line at the ruler or the floor. Now you can see that we have a rebound or a bounce effect. So when the bull is dropped, hits the floor, then it bounces back up a little bit. You are perfect. Now I'm gonna move to another effect. We slept. Layer would look on as to get the scale setting. Then click on you from the keyboard to get old sittings right there. Then I click on us to get scale setting. Click on stopwatch. I unlinked the heights and the whipped. Then I put circle like this. I make it a little bit oval we are. Then I click on your to get these effects right here. As you see, the ball looks like it's dropping very fast. That's why we made it. Look over now when it reached you which is the collision effect, the collision moments. We will put 100% in here But here in here we will adjust the wit to 74 so that you see, this is the collision effects. When the bulk alights with the floor course, it won't stay all the way rounded. So I always liked to key frames, writes Click. I go to give him assistant and I slept Easy's. Then they go to graphic editor and I just it like this. I go back, I click play, and here are it looks like the ball hits the floor than it shapes changes for a few seconds . And this is what happens in reality when two objects collide. Of course, their shapes changes. And, of course, the shape of the strong objects stays the same and the weaker object changes its shape for a matter of seconds. Fraction of segments actually. Now here. I would put the circle better like this. Then we go here and we put it 100%. Go back to that surrounded shape and here we are. So the bull is dropping hits its collides with the floor, it bounces back and it goes back to its original shape. And in the process, shape off the boat changes slowly. Just a little bit. Now I put the question here, go back. I go to masks, mask one, and I go to mess. Beth, I could hear on stopwatch. Then I click on your from the keyboard to get these key frames right here. And when the ship reaches this points, I wanted to go back, so I stopped the selection tool and I will. But this don't appear a little bit. And here we are. You can see that the bull gets a little bit defective when it hits the floor. Now click here to make this like this to go back. And I put Crystal right there and I pull it up a little bit like this. And he now on ethnic plane. You see that the bolt drops and then it bounces back. It looks perfect. And it looks really and life now, right? Click. I go to give him assistance, he sees and go back. I could play anywhere now go to graph editor. I just graft. But like this perfect neglect plane now our shape looks very much alive and really so you see, this is an effect that makes your design life. And as I said before, when the ball drops toward the floor or the graham and when it's collided with the ground, it bounces back. But in the collision effects, the bowl shaped changes. And that's what we did right here. We changed the shape off the bolt when it hits the ground At that exact moment Now we will add some shadow to the bolt. So we go back here we slept the layer control plus t to talk later and then I click on you from the keyboard to show all key frames. I delete the mess path and position leaving Onley skill setting Now we will change circles color. So could someone sitting and I It's like this color on Lee a little bit darker then right? Split here and then I go to recompose. I select this one. Move all attributes into the new composition I click. Ok likely won't be to get the position setting but the Christian right here I make certain I make the ball a little bit so I need to skill sitting and I make the boat left but wider . Perfect. Now about this layer between these two like this. Perfect No go to this layer with compete to just position of the shadow effect to go back and he really Now we open this composition. You go to the your bestie and we just Debussy make it zero. We put the cursor right here, moving shape, and in here we put it at 50%. Now we click plane and area, but the cursor right here about this key frame right there and here we are. So this is the final look off our design as you see the ball drops and with real effects on when it collides with the floor. And we did the same thing for the shadow. When the ball starts getting closer to the ground, there is shadow appearing, and it follows the shape of the bowl when it hits the ground. The shape of the bold changes slightly, and so does the shape of the shadow to make our desire look real and authentic. So that's it for this video. Thanks for watching, and I'll see you on the next.
Joseph Adam, Graphic Designer
