Transcripts
1. Welcome to the Class: Getting started on YouTube
is actually pretty hard. You've got to be comfortable
putting yourself out there. You've got to actually be
able to speak to a camera. You've got to understand how cameras work,
how editing works, how to do titles and thumbnails, and how to actually figure out what the **** to
make video is about. But to be honest, you
can learn the basics of that in under four hours, and that's what we're going
to be doing in this class. Hey, friends. How is it
going? My name is Ali, and in this class I'm super excited to share with
you exactly what you need as a beginner to YouTube to get started
with growing your channel. I started my channel
way back in 2017, and I had absolutely no idea what I was doing at the time. It would be really cool
to start vlogging. I just made videos about
the stuff I enjoyed, and I learned a lot along the way through lots
of trial and error. Like with any other
channel, things started off slowly
for a year or two, but after consistently
publishing around two videos a week, by my third year on YouTube, I was making $3,700 a month
just from YouTube ad revenue. By my fourth year, that grew to $16,000 a month from
YouTube AdSense, and I ended up making about 10 times as much money on YouTube, as I was in my day job
working as a doctor. Five years and hundreds
of videos later, I've grown so much more comfortable making
YouTube videos. The channel has grown to over
2.7 million subscribers. In 2021, we did $4.3 million in revenue across
the whole business. Now, if you're just getting
started with YouTube, those numbers are going to
seem absolutely ridiculous, but I'm only flexing them
to make the point that even the YouTubers you know who
have millions of subscribers, and millions of
dollars in revenue, they all started from
zero just like you. In this class, I'm
going to teach you everything you need to know as a YouTube beginner to get started with kick-starting
and growing your channel. We're going to cover
absolutely tons of stuff, including how to figure out what the **** to actually
make videos about, and how to get over the fear of getting started
for the first time. We're going to talk
about the difference between filming on your phone, versus a $500 camera, versus a $1,500 camera, versus a $5,000 camera setup. We're going to talk about all the different audio options. Should you record
with a built-in mic? Should you use a lavalier?
Or should you use a shotgun mic? All
these options. We're going to talk
about lighting, and what lighting options you
really need as a beginner. Hopefully, by the
end of the course, you will know what type of content you actually want
to make on your channel. The way I'm going to teach
you all this stuff is in a very step-by-step
fashion as we make a new YouTube
channel from scratch, and do everything like figuring out what to make content about, how to actually set
up the channel, how to make the channel
branding and cover art, and stuff look really good
without paying a penny. We're going to talk about
how to plan, script, and film your first video
using just your phone, how to edit it
efficiently and upload it to YouTube with a decent
title and thumbnail, and how to sustainably
grow your channel while hopefully having
fun along the way. If any of that sounds
up your strain, I'd love for you to dive into the class, and I'll see
you on the other side.
2. Class Project: Welcome to the class. Thank
you so much for diving in, in this little lesson
I'm going to tell you about the class project. That one is pretty simple. By the end of the
class, I want you to have made your
YouTube channel, sorted out the channel cover
art and profile photo, and uploaded your
very first video, filmed just with a phone. If you don't have any
camera, that's totally fine, you can film
it with your phone. The video that I'm going to
make throughout this class, step-by-step is just
filmed with my phone. I'm not going to edit
it and upload it to YouTube with some
title and thumbnail. Then if you post that in
the class projects section, then that'll be cool and you'll be able to give
other people feedback. I'll be having a look and
checking out people's channels. If I like the vibe
of some of them, I might even hit the
subscribe button. I hope you enjoy the
class all the best. Really the main thing I want to emphasize is that
it is important that we actually do this thing because it's all well and good, learning the theory
about being a YouTuber. But until you've
made your channel and uploaded that first video, none of it really matters. Hopefully, we can do that
by the end of the class. Thank you so much, and I
hope you enjoy the journey.
3. Why Start a YouTube Channel?: Welcome to the course. I'm very excited to
dive right the way in. In this lesson, we're
talking about why should you start a
YouTube channel at all. To be honest, if you're watching this class about how to
start a YouTube channel, you're probably
sold on it already. But I think really, there's
two things to keep in mind around why you should
start a YouTube channel. The most important one is
that it is a good thing to do anyway regardless
of how well it does. Because most of the benefits you get from a YouTube channel, are internal personal
growth type benefits. Then of course there
is the other category of benefits that everyone knows about that you can get if the YouTube channel
actually goes well. What are those internal personal growth benefits of having
a YouTube channel? Well, firstly, it's a great
excuse to do things that you enjoy and to share
them with other people. That is just a fundamental
part of the human experience. If you have a hobby and
you want to talk about it, or if you have something to teach and you want to teach it, even in a way it
doesn't really matter how many views you
get on your videos, you've already going to
get more than one view, therefore your video is helping someone in
the world out there. That's just a nice
feeling to be able to share that stuff with people. Secondly, having a YouTube
channel actually does help you learn a lot more
about your interests. When I first started
YouTube and I was making videos of helping people
get into med school, I was quite interested
in the topic. Similarly, when I
moved forward to helping people study
for their exams, the fact that I was
making videos about it, encouraged me to learn
so much more about it. This is a fundamental
part of what makes stuff intrinsically
motivating i.e. what makes things fun, is that when we can teach
things to other people, it helps us improve
our own skills at the thing because now we're not just improving
it for ourselves, we're also improving it to
share with other people. You generally find that people who are the best in the field end up mentoring or teaching others because
they're like that. This is great because I get to learn more about
the thing itself. Thirdly, obviously, having
a YouTube channel teaches you a ton of really
useful practical skills. I was having a conversation with a 17-year-old the other day who was trying to figure out what to do with their
life and wondering, I've got the summer
holidays coming up, should I start a
YouTube channel? I was saying honestly,
there is no better way to learn a bunch of skills which are unlikely to pick
up at university, just off the bat, things like talking to a camera
or public speaking, filming, learning
how cameras work, editing, presentation, design. All of these things are
increasingly becoming more and more useful as the
world shifts to remote, as the world shifts
to this more like multimedia landscape. Being a good YouTuber requires
the ability to write, the ability to communicate
ideas clearly. There's so many personal
benefits you get by learning those skills and improving those
skills over time, which are very unlikely
to pick up unless you sit down and do a university
course in videography. Even then, I know people who've done three-year degrees
in videography and the stuff that you
learn through being a YouTuber and picking it
up on the job as it were, is so much more useful for a lot of areas in life than learning all the ins and outs of like
three-point lighting setups and things or the
teacher at university. Fourthly, having a
YouTube channel is really good because
it helps you build alternative CV or alternative resume or alternative portfolio. Now, we've hired about 18
people for my team right now, and a handful of them have had YouTube channels which haven't been particularly big, a few 100 subscribers, a few dozen of subscribers, whatever, but the fact that they've had
YouTube channels means that as an employer looking
to hire these people, I can immediately see
what they're about. I can see what the vibe
is. I can see that this person has actually
gone through the effort of picking up videography and editing and lighting
and cameras and knows a bunch about these other
skills which are very useful to almost any business. To be honest, even when I
was working as a doctor, there were a bunch
of benefits I had to my medical career because
of the fact that I had this background in design
and that I knew how to make videos and stuff look pretty because when I would go
to medical conferences, people would always
need some video. When the pandemic struck and all these conferences
moved remote, all of the people in
my hospital were like, who do we know who does video?
Ali Abdullah does video. Let's ask him to
figure out how we can film our little
presentation so we can submit it remotely to
this video conference and potentially get
CV points for that. Overall, even if your
YouTube channel doesn't do particularly well by the
metrics, which is fine, you still get the benefit
of having those skills and also having a CV booted up by the fact that
you've got this thing. Point number five, a
YouTube channel acts as a serendipity vehicle. Now the idea here is basically, if you imagine yourself living
in a little village and the only people you interact
with are the people in your village and you don't
talk to anyone else, then it's very hard
for you to experience lucky breaks because your world is confined to this
one little village. Maybe when someone visits the
village, then you're like, maybe talk to them
and then it's like, you've got a little bit of
potential lucky breaks. Maybe your future spouse just happens to
visit the village. That is one way of
approaching life. The other way of
approaching life is, let's imagine you are in this village, but every weekend you go out to neighboring towns and cities
and neighboring villages, and you talk to
everyone you meet, and you have interesting
conversations. Now let's say you go to
a different village and you meet someone who becomes
your business partner, or you meet someone who
becomes an investor, or you meet someone
who gives you a job, or you meet someone
who end up marrying. Yes, those are all lucky breaks, but the fact that you're the one putting yourself out
there meant that you can increase your surface
area for serendipity, i.e. more of those lucky breaks are more likely to happen to you. Again, it's not guaranteed, but you're just increasing
the surface area. It's just far more
likely that you're going to have one of
these interesting things happen to you by virtue of the fact that you've been
putting yourself out there. Now, starting a YouTube channel or having an online presence in any capacity where
you're sharing things that are useful
to other people, act as a serendipity vehicle. What that means is
that, like for me, I can make a video and it can reach however many people,
10 people, 100 people, 1000 people, and
of those people, now they're interacting with my stuff and my
ideas and my vibe. Maybe one of those 100
people that's watching my niche videos reviewing
a [inaudible] desk chair, maybe one of those
people is an employer looking to hire someone
for the next job, and they think this
guy on YouTube is making interesting content about this thing
I like his vibe. Let me invite him
over for an interview and I might end up landing
a job with this guy. But the really cool thing about the YouTube
channel is that you do the work once in
putting a video out there, and then it acts like your
little minion going out there and working
for you even while you're asleep
because other people are watching these
videos and interacting with them and then you can get a lot of lucky breaks
coming your way. In fact, all of the
YouTubers I know, they've had so many
opportunities in their life come through the fact that
they have a YouTube channel, which they've put effort
into consistently overtime, wrote it to a size, where now they're benefiting
from the serendipity that comes as a natural side effect of putting yourself out there. Point number six about
having a YouTube channel is that it helps
you make friends. About a third to a half
my friends these days, the ones that I see on a
daily basis or weekly basis, are friends I've made
through the Internet, through Twitter,
through YouTube, through being a creator,
through being an entrepreneur, and it's just great
because as you get into this network
of YouTubers, you start then
being friends with other YouTubers and
other entrepreneurs and other people on Twitter. As you take all this
stuff more seriously, you then just unlock
this ability to make cool friends from around the world who are
interested in your thing. Thanks to my YouTube channel and Twitter and Instagram and stuff, I now have people that I
would consider friends in most countries in the world, most cities in the world, and so if I want to
visit somewhere, all I have to do is just
message a few people. I'll be like, hey,
what are you doing? Can I stay over at your place in Austin or can I stay over at your place in San
Francisco? Or wherever. It's not really just
the friends that you make who are also
other creators, there's also this
para-social relationship that forms with the audience. Again, if I was
visiting a random, I'm going to Paris next weekend, all I have to do is post
on my Instagram story. I'd be like, Hey, I'm in Paris. Anyone want to hang out? I did that in Monaco a few months ago. I was in Monaco, some
guy messages being like, "Oh my God, I'm a
university student. I literally live half an hour
away from where you are. I would love to show
you around the city." We connected with him and he showed us around the city,
and that was pretty cool. Our final benefit of starting a YouTube channel,
there's loads more, but this is the final one
we're going to talk about is the potential to
make some money. Obviously, when you're
starting out on YouTube, you're not really going
to make any money. You need 1000 subscribers and 4000 hours of watch time to
monetize through AdSense. But there are all different
ways of monetizing a YouTube channel, which
we're not going to go into. But the really cool thing
about YouTube is that you actually can make some
significant money. I first started making money about nine months into
starting my YouTube channel. I think I'd made about
90 videos to that point, 90, and then I started
making some money. Then I remember the
day when I made like $5 in a day and I
was like, oh my God, like this means I can basically get a free
lunch every day, if my YouTube channel
is making $5 a day. Then it was when it
was making $15 a day. I was like, Oh my
god, $15 a day. I can basically get a lunch
and a dinner takeaway for $15 a day and it's all paid
for via my YouTube channel. Then as is the case with all these things then
the numbers compound overtime through
consistency and through marginal improvements
over a long period of time to the point where now, just through AdSense alone,
the YouTube channel is making about 50,000 pounds, which is about
$70,000 every month, just purely of the fact that
I make these free videos, stick them online and
people watch them and YouTube ads pay 50K a month. Now, this is the point
that we're going to return to throughout
this course. It's not good to start a
YouTube channel thinking, Oh my God, I need to be hitting 2.5 million subscribers
and making 50K a month. That's pretty
unlikely to happen. The thing we want to focus
on is actually enjoying the process so that
we can sustain it through that initial one to two to three-year period while we don't have
much traction. Like with me, for example, it took six months and 52 videos to get my first
1,000 subscribers, and my channel wasn't
even monetized until I've already made in 90 videos. I know so many people
who start YouTube, who's over there
like, "Oh, I've made 10 videos and I'm not
getting any growth." I'm like bro, you've made 10 videos, of course, you're not
getting any growth. This stuff takes
time and what it takes is compounding effect over a very long period of time
where you were making marginal improvements and making videos that are useful
to other people. But hey, it's good because we're at the
start of the journey, and this class is all about
YouTube for beginners, I'm going to teach you
everything you need to know to get started on that journey. Then further down the line, there are all other resources
and stuff that you'll pick up along the way
on this path to growth, consistency, and having
fun along the way. Yeah, that's why you should
start a YouTube channel. To be honest, I would
hope you're already sold on it already if you're
watching this course. Thanks for watching and I will see you
in the next lesson.
4. What to Make Videos About : Welcome back. Let's talk about the
age-old question of what the hell do we want
to make videos about? This is one of the biggest things that stops people from
starting YouTube. They think, well, I don't know what I would make videos about, therefore, I'm not going to make videos about anything at all. I can completely empathize
with this point of view. If you don't have a good idea of what
you're actually going to make videos about, it's very difficult
to actually a, convince yourself to start a YouTube channel because
it's a good idea, making videos about
random stuff. Because then you
might be thinking, why would anyone care? I don't want to be one
of those influence of logotypes people that shows
myself brushing my teeth. No one's going to care if I brush my teeth,
and you're right, no one will give a toss
if you brush your teeth, but this does not have to be the thing that stops us from
starting a YouTube channel. The way I like to think
about it is that there are broadly two approaches to starting a YouTube
channel around this question of what the
hell do I make videos about. We call them the architect
and the archaeologist. Now, what is the difference
between these two? Well, I'm glad you asked. The architect. An architect is a person who has all the plans
before they get started. They don't lay a single brick, they don't buy any cement until they know exactly
what the house is going to look like and have
all of the details of the building completely sorted in their minds and on paper, and only then do they
then figure out, okay, now let's lay the brick. That's one way to
approach YouTube. It is also the wrong
way to approach YouTube for about 99
percent of people. Most people should not be an architect in their approach to their YouTube channels, instead, most people, 99 percent of people
I would suggest, should be an archaeologist. Now, what does an
archaeologist do? An archaeologist
doesn't necessarily know what they're going to find, but they think, that
area looks interesting, I'm just going to start digging. They dig and they
dig and they dig, and most times, they won't find anything at all. But occasionally
they'll stumble up, oh, hello, what's that?
Then they'll dig more. Once they see a little
bit of results, they'll start
digging a bit more, they'll do some more excavation, they'll dig deeper
in that one area, as they start to see
some level of traction. The archaeologist approach
is what I would suggest most beginners to
YouTube should be doing. If you don't know what
to make videos about, that's okay, you should just make videos about
anything at all. It doesn't need to have a niche. it doesn't need to be like
a specific, oh my God, I need a business plan, I need
to do my market research, I need to know what I'm doing. It doesn't need to be
any of that at all, you can just literally
start making videos. The things you'll learn as you start making videos
about anything at all, you'll learn a, how to
actually make videos, how to talk to a camera, how
to film, how cameras work, how to edit, how
to brand yourself, how to do lighting and
audio and all that jazz, how to upload to YouTube, how to be comfortable
talking to a camera, how to be comfortable sharing your ideas out there
with the world. Those are the personal scaling
up benefits you'll get even if you only make a few videos and nothing
else ever happens, you'll still be glad
that you did that, and there's not one
person I know who's ever started a YouTube channel
who have then regretted it, even if they haven't continued
further down the line. But then what you'll also
find is that as you're exploring different
areas, because obviously, you've got multiple
interests and you don't know which one of those to
make videos about, you'll start making videos
about a lot of them, and as you do those, you'll
get some experience. You'll get an idea of, what are the things you enjoy
making videos about? What are the things you
enjoy talking about? If you make a few videos around a single topic for a while, you might even start getting an audience around that topic. You might be making a few vlogs, or making a few study videos, or making a few tech videos, or making a few
product reviews of parental products to help raise your babies, and
you might be like, oh crap, when I review my prime, suddenly that video
got like 25 views and that's more than the five views
I had on my random vlogs. Therefore, interesting, maybe the audience is resonating with this video about a prime. I also have this other Bjorn baby holder that
I use for my kid. Let me do a video reviewing that because I
actually went through a whole process figuring
out is it worth spending $200 on one of these
Bjorn baby holders? Oh, crap, that
video got 35 views. People are resonating
with when I do reviews of parent
items and stuff. You might think,
this is interesting, I quite enjoy that, the audience seems to be resonating with it, this is an interesting
area to explore, and I'm going to
start digging more in that area by making more
and more videos about that. I'm not saying once you hit that area, suddenly
are going to be like, oh, my God, I'm a multimillionaire because I've got a
million subscribers. That is completely unrealistic. Instead, what I'm saying is that you try out multiple
different things, you throw a lot of proverbial spaghetti
on the walls and you see what sticks. You see what sticks in terms of, I'm personally enjoying making
videos about this thing, and or you see what
sticks in terms of, oh, there seems to be some audience willing to watch
videos about this thing, and my videos seem to be
resonating with that audience. You might even start to
see comments being like, oh, my God, I completely randomly came across your YouTube channel, I'd never heard of you before, but this video was really good, I really want to see more
videos about this thing. Now, you're like, oh
this is interesting, this is a direction I can go in. Whereas, if you started
with an architect approach, you probably won't have
start a YouTube channel at all because you'd
be thinking, oh, my God, I have all the
different interests, I don't know what to talk about, why would anyone listen to me? I'm not an expert in anything. All of the stuff that YouTube beginners
always struggle with. To be honest, I've
been doing YouTube for five years and I
still struggle with, what the hell am I going
to make videos about? Do I really have a niche?
I don't really know. Do I want to narrow down, do I want to broaden out a bit? These problems
never ever go away. Every other big
YouTuber I've spoken to also has these
problems of thinking, what the hell am
I actually going to make videos about
in the future? It's not a problem
that ever goes away. But I think for most
people thinking about it like an architect is
not the way forward, thinking about it
like an archaeologist is the way forward. That was the first
mental model we want to think about the architect
and the archaeologist. Now, I want to share a few
other questions that you can ask yourself to help
ultimately narrow down, what are those areas that you might potentially
want to explore? On a Part-Time YouTuber Academy, we go over much more
of these in-depth, but I'll just give you a
brief overview right now. Broadly, there's like a
three-step process for this. The first one is
to ask yourself, who am I, and what to do I want? That sounds like a
big question, but the sub-questions there are, what do I actually want
from my YouTube channel? What are the things that I would personally enjoy talking about? What are my unfair advantages? What are the areas of my life
where I have an advantage, where pretend if I made
videos about this thing, I'd be leaning into
that advantage and advantage that other
people may not have? In my case, when I
first started YouTube, what do I want from the channel? Well, the answer to that
was, I don't really know. I want to treat it like a hobby, but I wanted to treat
it like a serious hobby and I'm not expecting
to make any money, but I know in the future
if this goes well, I might make money
further down the line. I was also thinking
that I already sell products that help people
get into medical school, I sell courses, therefore, if I can attract a target of
medical school applicants, some of them might
actually think, this guy knows what he's talking about and therefore they
would sign up to my courses. That was the one small
thing I wanted for my YouTube channel to increase
sales for my courses. Secondly, I asked myself, what would I enjoy talking about? I realized I actually
really enjoy teaching, I really enjoy helping people get into med school
because I've been doing that for years
and people come to me for that advice. I also really enjoyed
reading up about what makes effective
study techniques. I gave a talk about that, four years before starting my YouTube channel, it
went down really well. I really enjoy talking about it. That was a subject
that really resonated with me in medical
school as well. I thought, hey, I could
potentially make videos about helping people study for their exams. I also
really enjoy tech. I was thinking, if I can figure out a way to
incorporate reviewing tech into this YouTube channel
that could be interesting. I wasn't thinking
about it too hard, but I was thinking those are some areas that I might want
to explore with my channel, but I'm going to
start off small, just serving this audience of people applying
to medical school. Then I was thinking, what
are my unfair advantages? My unfair advantage was a, I was a medical student, and b, I was at Cambridge University, so I had with the credentials
to be able to give people advice about how to become medical students
at Cambridge University. I was not making
guitar tutorials. If I was making guitar tutorials , no one would have
watched my channel. The fact that I'm a medical student at
Cambridge University is completely irrelevant if you're looking for someone who's
good at the guitar, and good at teaching guitar,
to do guitar tutorials. If I was doing a
cooking channel, I have no unfair
advantages that. No one cares about me, I have no skills when it
comes to cooking. The fact that I'm
a medical student at Cambridge is
completely irrelevant. But if I'm making
content helping people become medical students
at Cambridge University, there is no one in the world
better placed than I am to help people get into that thing which I
was already doing. One way of really increasing the likelihood that your
YouTube channel will succeed. Because ultimately it's all a probabilistic game,
there are no guarantees here. But one way to stack the
deck in your favor is to lean into your
unfair advantages. Everyone has unfair advantages. There is a book called
The Unfair Advantage, which is written by
now a friend of mine called Hasan Kubba and Ash Ali. They talk about this idea
of the MILES framework, M-I-L-E-S, that's money, intelligence and insight,
location and luck, education and status, or something, I can't
quite remember. But basically, their point in the book is that everyone
has unfair advantages, you just need to
figure out what your unfair advantages
are, and maybe, if you can lean into those, your YouTube channel is far
more likely to succeed. That was step one, figuring out the personal aspect of
it; like, who am I? What do I want? What do
I want from a channel? What are the advantages? What would I enjoy
talking about? Then we have step two where
we want to be thinking about who is my potential audience
and what do they want? Now, if you don't have
an audience already, it's going to be like, well, I don't have an
audience, how do I know? But the answer there is to go internally and think about, what is the audience that
will resonate with my stuff? When it comes to
educational content, this is fairly straightforward. Generally it is you, but like a year ago
or two years ago, three years ago,
or five years ago, depending on where you are in your life and in your career. When I started my
YouTube channel in 2017 at the age of 23, I was thinking, okay, I want to be aiming my
videos at people who are 17 or 18 who were on
the same path as me. Basically, myself,
but six years ago. These days I'm 27 and my
YouTube channel is more aimed at people like four
years-ish younger than me, so people who are 22, 23. The way I think
of it is how do I make videos for that person? What are the problems
that that person has? What are the problems that I had five years ago that I can
then make videos about? We also want to be
thinking, what is the content I watch
on the Internet? What's this stuff
that I consume? Is there a way that I can create things around
the stuff that I consume which would potentially help that hypothetical
audience member? One way to think of it is
to think of this idea of , even if I don't
have an audience, can I conjure up
this construct of a hypothetical member
of my audience who one year from now will be
my absolute super fun? This is the person that my
audience is so targeted at, they resonate with it so much that they're going to tell
all their friends about it, they're going to scream
it from the rooftops, and they're going to
start a YouTube channel talking about how much they
love my YouTube channel. Who is that person? Then thinking about what they want potentially, from
a YouTube channel? That's another way of
thinking about, okay, what is the value that I
can provide to the world? Then Step 3 of the process is to bring those two things together. It's this idea of who am I, what am I good at what
are my unfair advantages? Then number two, who is this
potential audience member, who's maybe me but
a few years younger or whatever your audience
construct might be? It might be a way of
bridging those two gaps. Step 3 is what value am
I giving to that person? In my case, when I
first started YouTube, it was what value am I giving
to this medical applicant? Well, I'm helping them
get into med school. I'm teaching them how to do
well in the entrance exams, I'm teaching them how to
do well in interviews, how to write their
personal statement, how to study for their exams, and then over time that definition of what
value am I giving, has evolved beyond just a, I'm helping people
get into med school. The key thing here is
that you don't have to be the salvation for absolutely every problem that person has. You have multiple interests. I'm sure you're watching this, you've got a growth mindset, you're interested in
starting a channel, you don't really know
what to talk about. Even if you've got this
hypothetical audience member, they have like 20 different things that
they're struggling with, you don't need to have
answers to all 20 of them, you just need to have
answers to one of them. Whatever that thing is like, the more niche you can go, some people say the more likely you are to blow up on YouTube, and I probably agree
with this to an extent. Those are some of
the ways that we can think about this question of what the hell do I want to make? But the crucial thing to
remember is that don't let, not knowing what your
niche is going to be, stop you from making
content in the first place. Think more like an archaeologist rather than like an architect, and get started
with making videos, throwing spaghetti at the wall, and then eventually you will find something that
sticks and you can double down
on that and start digging deeper and
deeper and deeper. Those are some
thoughts on how to figure out what to talk about. Thank you very much for watching and I'll see you in
the next lesson.
5. Overcome the Fear of Getting Started: Welcome back. We've talked about what to make videos about, and think like an archaeologist, don't think like an architect, architect is a bad idea for most people unless you're
already a pro at doing YouTube, which we'll talk
about more slightly. I just want to talk a
little bit about how to get over that fear
of getting started, and this is a thing that
holds a lot of people back. Now, when I first started teaching my
part-time YouTuber Academy, I assumed that the fear of putting themselves
out there on YouTube, was a fear that only
kids would have. I assumed, if you're
a 13-year-old, and you're worried
that your friends in school are going
to bully you then, okay, you have a fear of
getting started on YouTube. Turns out that actually everyone has a fear of
getting started on YouTube. We have real adults on our course all the
way from age 18-68 who are worried when they start a YouTube
channel that potentially, what are my friends, and
family going to think. Because even now, even while YouTube is such
an established thing, there is still this fear
of like, oh my God, isn't it a bit cringe, what are people going
to say if they see me starting a YouTube channel, like this is just a fear that so many people have
from all walks of life. Really, there's no
real way to get over this fear other
than to do it, and recognize when you do it, that no one actually cares. Like we all spend so much time worrying about what the people are going to think about us, that once we actually
start a YouTube channel, all of our friends, and family, and cousins, and sisters,
and moms, and dads, they all have their own lives, they're not worrying
about what we're doing on a daily basis. They might be like,
oh, it's weird that Tommy started
a YouTube channel, or weird that Alice has
started a YouTube channel. But to be honest, probably won't even think
that, they probably think, oh, that's weird, but
it's weird in a cool way. I was really worried
initially, like, what are people going
to think when I start my YouTube channel, and then I started it,
realized no one gave a toss, and I was like, great, this
gives me so much freedom. Then occasionally,
people will be like, oh, that's a bit weird, but then they will
look at the channel, and they'd be like, oh,
this is actually cool. It's cool that you're
vlogging your life, it's cool that you're giving advice on how to get
into med school. I think the 99 percent of the fear comes from before
you publish your first video, and then you publish
your first video, and you're like, oh, that actually wasn't so bad, and I might as well just have gotten started with
this ages ago. The other thing to
remember is that, it's very easy to change direction once you're
already moving, it's very hard to change
direction when your static. Like so many people will be in their heads about
starting YouTube like, oh my God, I need to have
everything planned out. I need to be an architect,
but no, be an archaeologist, it's much easier to change
direction once you're already moving in a
particular direction. To be honest, when you're
starting, you're not committing yourself to doing this for the rest of your life, you're literally just
trying, and experimenting. You know what, I'm
going to try this for the next few weeks,
and see how it goes, and then what I would
suggest is that, once it goes okay over
the next few weeks, ie, your enjoy the process
or you can start to feel yourself making progress or improving or
enjoying the process. At that point, you commit to doing it for at least a year, preferably two,
preferably three, and then, at that point you don't have
to think about it much harder because you already made this commitment for a
long period of time. But certainly when
you are a beginner, you don't need to
worry about it, you can just get started. The third thing to
remember is that, if it all really goes badly, you can just delete
your channel, there's this whole
fear like, oh my God, something is on the
internet forever. Like, when you have
0 subscribers, no one's watching your
videos anyway, no one cares, and if you want to start again later on when you are
better at doing YouTube, you can just start
a new channel, like it's all good, you can just delete
your channel, and start completely from scratch. You can also just
delete your videos, and just keep your
channel going, there are so many options, and so many people spend so much time
worrying about this, oh, I can't get
started decision, it's just like bro,
just get started. It's like if you wanted
to learn how to paint, and you were teaching someone
to learn how to paint, and they were like,
oh, I just can't bring myself to get started, I don't want to put
pencil to paper. Bro, it's just a painting, no one cares, it's all good, you don't need to
worry about it, you can just get started, you can throw it in the bin
if it's really, really crap. But you have to
make a lot of crap paintings before you get to a point where you
actually know how to paint before you can
make good paintings. Again, this is just
my plea, that look, if you've been procrastinating from getting started
on YouTube up until this point,
however old you are. Even if you're 55,
and watching this, I know 55-year-old who procrastinate from getting
started on YouTube, they have incredible careers,
the one I'm thinking of, incredible career in
management consulting partner, made millions, financially
independent, but still, struggling with the
idea of putting themselves out there in YouTube. Don't worry, it's a
problem that we all have, and it's a problem that
we all get over overtime, but you can't get over it
unless you get started, please just get started. Thank you for watching, and I'll see you in
the next lesson.
6. Starting Your New Channel: Welcome back. In this lesson, I want to introduce the fake, not really fake new
YouTube channel that I'm going to be creating as a little follow along
as we go through this entire process of starting YouTube as
a complete beginner. I've decided that through
my niche exercise, the things I care about, the things I might
be good at etc., that I want to make
a YouTube channel called Ali's Kitchen. I want to make it a cooking and food themed YouTube channel where I can combine the idea of home cooking with the idea of doing things productively
in a small amount of time. I liked Jamie Oliver's approach. He's a UK chef to like five-minute meals
and 10 minute meals, and I want to do something
in that cooking genre. I am going to show what is the market research process that I would be doing. You
don't have to do this. If you're just starting out,
just make a YouTube account, you can skip this lesson and just move on to
the next one where we'll follow along and create
a new YouTube channel. Because I've spent lots
of time on YouTube and most of you probably spend
lot of time on YouTube, you'll know what are the channels in the genre
that you're thinking about. But even if you don't, you
can always just search. I'm going to say
productive home cooking, and let's see what comes up. Pro home cooks, The Home Cooking Survival
Guide for Your Busy Week. Let's check out his
channel. This is nice. You've been loving
the 15-minute meals having breakfast,
lunch, and dinner- This is good. I look
at the channel, and I'm immediately thinking, this guy is like a
professional setup. He knows what he's doing, I've actually seen some of
his videos before. I'm looking at videos
and glancing through the thumbnails and I'm
getting a feel of the vibe. It's all very colorful. He's got these nice like
handwritten things. He's using yellow as a
bit of an accent color, and I'm flicking
through his channel. How long has he been doing
this YouTube thing for? Five years, six years, six years, six years. My goodness, seven years. He's been doing YouTube
for a long time, and he's been doing this foodstuff on
YouTube for a long time. This is a very interesting
channel to me. His first video, pumpkin
Cinnabon- school at 23. Herbs smoked stuffed
salmon and spicy bear, braised ribs, grilling steak, beginners homemade
pizza, eight years ago. This is all going
to have probably really junky production value as well because it
was eight years ago. Yeah, pretty jagged
production value. But actually it's not that bad. His editing is
pretty reasonable. But if you compare his earlier videos to
his current videos, there's a significant obviously huge change in what's going on. Pro Home Cooks is an interesting channel that I am going to be
keeping in mind. [NOISE] Another one
that I watch is Babish., Babish
Culinary Universe. Again, you look at the channel
and immediately you think, this is a professional setup. This guy knows what he's doing. I'm just doing a little bit of market
research to be like, what are the
channels that are in the space that I maybe want
to be a little bit like? Not copying them obviously, because there's no way
I'm going to be copying Babish or Pro Home Cooks. But just getting a feel of what the vibe of those channels is. Another one that I like is Pick-up Limes, 3.7
million subscribers. Interesting channel
arts, probably not the direction that
I want to go with mine, but if we look at
the thumbnails, doesn't that look absolutely
incredible? Okay, cool. Now this is like, if I
was beginning YouTuber, and I was looking at
these thumbnails, I'd be like, "Oh, my God, this is like a level of
pro that I'm not yet at." But that's okay,
because it's like you look at the van Gogh or like the pro artists
of the world, and you're like, "There's
no way I can do that." But it's fine, you do a lite version of it and
you work your way up. In fact, when I'm doing
research on YouTube channels, I'll often sort them
by oldest to be like, what does a 3.7 million
subscriber channel look like, and what did they look like
when they first got started? So Sadia from Pick-up Limes
started five years ago, and these thumbnails
are actually pretty reasonably aesthetic, but we can see some travel tips, they're not quite as nice as the thumbnails that
she currently has. This is interesting, because this is a
more doable style of thumbnail that I could choose to go in this direction
if I wanted. Let's see what Babish
was doing if we sort by oldest.
Now look at this. Eleven years ago, he made a bunch
of random videos, but then he seems like
he really started doing it properly
five-years ago, and actually it seems like his thumbnails five
years ago are very similar to what they are now and he was crushing it from day 1. Maybe Babish is a bad example, but it just gives
me some ideas of potential thumbnail
styles as well. Then obviously I've
actually watched a bunch of the channels before so if you are going down the taking YouTube seriously market
research approach, I'd recommend just
watching a ton of YouTube to see
what is out there, and where can you potentially
fit within this market. But again, as always, don't use this as a source
of procrastination. Don't use this as a way of overthinking what
you're going to do. It is just worth
understanding what else is in the space that you
potentially want to go into. Like I said, I'm
going to be starting a cooking YouTube channel, and that's the thing that we're going to be following along. As we set up the channel, do the channel art,
do all the stuff, film the first video, edit the first video, publish
the first video. It's all going to be based on me starting a Cooking Channel. Other than just the vibe of the channel and the
thumbnails and the style, it is worth watching the
videos as well to see what kind of vibe
the videos are. This is all fairly simple stuff. You probably doing this
already if you spend a lot of time on YouTube and if you're not spending a lot
of time on YouTube, you should spend a lot
of time on YouTube. Let's look at a random
video from Babish. Binging with Babish, how to make apple pie. I'm
going to speed up. [inaudible]. This is actually very simple. It's like a voiceover, over or just like a single
camera angle it seems, and he's just
talking through it. I'm like, "Okay, this is do able." [inaudible] Yeah. It's actually just
a single camera angle, and a voice-over, and some
music in the background. I'm thinking, this
is the kind of vibe that is reasonable. I can see myself doing videos
that are this sort of vibe. It's okay to copy.
I'm a beginning YouTuber, no one's
watching me at this stage. The way I'm thinking of it is, what are the elements from
other people's channels that I can steal like an artist
or I can copy from, and how can we combine those to make
something interesting? Because Steve Jobs
famously said, "Creativity is just combining ideas," and there's this
other quote which is that, "When people's say
something is original, it just means they don't
know the sources involved." If you just take an idea
of format from Babish, and then of speaking style
from Peter McKinnon, and then a branding
and thumbnail style and Pick Up Limes and then maybe add a dose of like Nathaniel Drew background music. It's those elements that you can take from different
YouTube channels that combine to give a flavor of this new thing that
you are creating. Again, it's advice that I give to beginners who are thinking of taking it seriously from day 1. Do this market
research and figure out what is your mood board? What are the different
elements you actually want to be taking from
different channels out there, and how can you combine them to make something interesting? Let's look at Pro Home Cooks, the greatest home pizza ever. Right. I'm just going to flip
through this video. He's got a few different
camera angles. [inaudible]. There's a lot going
on. It's vlogy style. It looks like he's filming
this with a phone. The whole process. The dough
was a little bit too small. I probably could
have doubled that. He's got a front angle,
he's got sign language, he's got a handout angle, he's really clearly got
a very stocked kitchen. This is way beyond
my level of cooking. Just flicking through, and obviously if I was doing
this in real life, I'd be spending probably
a whole week just watching YouTube channels that are in and around my niche, so my potential niche for the things that I
potentially want to do, so then I can get an idea and figure out what are
these elements I want to steal that I can combine
into my own little thing? You can do that with
a bunch of channels. The reason I'm
making Ali's kitchen as the example channel
for this class, is because I've spent the last six months just watching tons of cooking videos because I genuinely do want to
get into cooking. I already have an existing
interest in the thing, I've seen a bunch of
YouTube videos about it, and so I think
you know what? Let's try this out as
a potential thing. I'm thinking that my angle can be that productivity
angle of like, how do I do nice meals as
quickly and efficiently as possible as a home cook with
basically zero experience? Those are the ways in which
I do market research. Thank you for watching,
and I'll see you in the next video where we're actually going to
make this channel.
7. Create Your YouTube Account: Hello. Welcome back. In this lesson we are
talking about how to create our YouTube channel. I'm just going to show you the process and you can follow
along if you feel like it and I'll explain the
rationale behind some of the decisions that
we're going to be making. But really, the key message
here is let's keep it simple. It's not that hard. We don't need to
over-complicate it. This is like the easy part. I'm going to agree
to all this stuff. I'm doing this in an
Incognito Window so I don't have any of my Google
account and all that jazz. I'm going to hit Sign in. Actually I'm going to make a new Google account for
this particular one. Now at this point
it's going to ask me, do I want to make an
account for myself, for my child or to
manage my business? And I'm actually going to click
on to manage my business. This is not a huge deal, but it's just useful to have a business Google account rather than personal
Google account. Because then later
down the line it's easierish to give people access to your accounts and
your channels and stuff. But again, it's not the end
of the world are plenty of ways around this, so it
really does not matter. You can just use your
existing Google account, but I would say let's
create a new one. Let's say Ali Abdaal. Your email address. Let's create a new
Gmail instead. I'm going to say
aliskitchen@gmail.com. Ali kitchen is taken. Aliabdaalkitchen@gmail.com.
There we go. I'm going to make
a random password, and I'm going to use
my phone number, recovery email address,
and my date of birth. Let's go express personalization
to just do this quickly. I don't really care about
add personalization and I'm going to agree to all
the terms and conditions. At this point I now have
a Google account which has only for my YouTube channel. This is generally
considered good practice. Some people say you don't want your YouTube channel connected
to your personal Gmail. Again, it doesn't really matter. My YouTube channel is connected
to my personal Gmail, so just an extra example, but it is probably more secure to have it not
connected to your Gmail. Again, not a huge deal. You
don't need to worry about it. Anyway, I'm going to
go all the way to the top and click Create a channel. Now this is exciting.
How you'll appear, name. Name is a thing lots of
people get hung up on. They are like what should
my YouTube channel name be? Should it be my real name or
should it be a brand name? Now, generally,
for 99% of people, I would say just
use your real name. You don't need to call
it Yoga with Adrian, you don't need to
call it [inaudible]. You can just call
yourself Adrian, whatever or Ali Abdaal or Tom Smith or whatever
your name is, and that's probably fine. Two, you can always change the name further down the
line if you really want to. In this context, I'm deliberately not going
to use my real name. I'm going to call
it Ali's Kitchen because I already have a personal channel
with my real name, and I know that I
want this to be a food specific YouTube account. I know that further
down the line, let's say for whatever
reason this becomes my main channel because I just enjoy posting on it too much. I can always change the
name at a later date. I'm going to ignore the
profile picture for now. We do not need a profile
picture at this stage, and I'm just going to
hit Create channel. Now the magic is happening, and here we have a
YouTube channel. We have Ali's Kitchen, which has no profile picture
and no subscribers. Now at this point
we do want to add a little bit of fluff to our YouTube channel
because we can see there's basically nothing
on here right now. What I'm going to do
is I'm going to hit Customize channel and that will take me to YouTube studio
where I can hit Continue. It's going to ask me
for a channel trailer. You don't need a
channel trailer. I don't even have a channel
trailer on my main channel that has 2.7 million subscribers
or however many it does. No one really needs channel trailer. It's
not a huge deal. Branding wise we are going to sort out the profile picture and banner image and
watermark in a little bit. But I think it is
worth on basic info, just like writing a few words about what your
channel is about. Welcome to Ali's kitchen. This is a channel where I share my newfound love of cooking recipes and a
bunch of other things. I hope you have a
nice time here. It doesn't need to be fancy, just like a very
basic description. Most people don't look at
the About page of a channel, but it just nice to
have something there. I can add a link if I
have a personal website. I'm going to actually add
a link to my main channel , but you don't need to. I'm going to main
channel, my website. It's probably all I
need and contact info. I can put in my email
address if I want to. I'm going to say
ali@aliabdaal.com, because then that goes
into my thing and that's the email
address that gets displayed on the website. Once I've done that, I'm
going to hit Publish. Now if I click View channel, we can see this is what
my channel looks like. Still there is nothing on here we're going to sort that
out in the next lesson. But if we hit About, we now have this description. Welcome to Ali's kitchen. This
is a channel where I share my newfound love of cooking recipes and a bunch
of other things. I hope you have a
nice time here. It's very basic, no one really cares about
the description. We've got our links, we've got our view email address
for business inquiries, and we can see that
I've joined on the 8th of February 2022, which is when we are
filming this video. Now if we go back
onto YouTube Studio, you'll see there is a
bunch of stuff here, and YouTube Studio can be consumed quite intimidating,
but don't worry, we're going to go over all
of the interesting bits as we go through this course. I'm going to show you all of
the customization step by step as we go along as
I show you how I would actually build this YouTube
channel and then we'll film a video for Ali's kitchen then your YouTube channel.
Thank you for watching. By the end of this
lesson, you should have your own YouTube channel
setup like this, and then the next
lesson we're going to customize it and make it look absolutely sic for
free and quite easily. Thank you for watching. I'll
see you in the next lesson.
8. Choose Your Channel's Visuals: [MUSIC] All right, welcome back. At this point, we
have Ali's kitchen. We have our YouTube
channel looking bear and looking not very nice. We're going to start to make
this look absolutely sick. The website I want to
introduce you to is canva.com, which is a very easy way to make your website or your YouTube channel look absolutely sick. What I'm going to
do is, over here, I'm going to type
in YouTube channel and it's going to give
me YouTube channel art. I'm going to hit
YouTube channel art. I'm just going to use one of the templates I like the look of. I'm not going to
worry about this. We've got music, beauty. Can I search food, have
they got food as an option. Look at that. My goodness,
this food looks really good. This says Lucky's Kitchen, I'm going to replace
it with Ali's Kitchen. Bring you easy and fun comfort
food recipes every week. I just need to think
of a random tagline, you don't even need
a tagline for this, but I'm just going to
make something up. Bringing together the worlds of productivity and
healthy cooking. Emoji, smile. There we go. This is how easy it is to make something look
good on Canva. Here are some other options. That looks cool as well. It could be this, Ali's
Kitchen, it can be that. Let's say I was a
random YouTuber, I can just scroll
through all results. This looks nice. Not fond of the font.
This looks nice. There's so many
options on Canva. I'm just going to go
back to that, food. This is Ali's kitchen. I want the background to be
a little bit darker, so I'm going to add
a filter to it. Let's see epic, no. Festive, no. Summer, no. I want
a darkish one. Drama, that's nice. I want to reduce the intensity, 33 percent intensity
filter on drama. Don't want to get rid
of it. Looks better. I think that's fine. Good. Now I don't need
to do anything else. I'm just going to hit
the download button , and there's going to be a png. Now I need to sign
up. That's okay. I'm just going to
make an account. Because I made a free
account on Canva, I can now download this image in higher resolution format. That is the one that
I'm going to upload. Also I just recommend having
a Canva account anyway, I'd even recommend
signing up for Canva Pro because it makes it
easier to make thumbnails. But I'm going to hit this
little camera button, which lets me change
my channel art, and I'm going to change this. It's going to be at
Ali's Kitchen 3. There we go. Hit
"Done," hit "Publish". Now when I refresh, hopefully Ali's kitchen should
look a little bit better. Perfect. We have a high-resolution
photo on Ali's kitchen. This is already making this channel start to
look pretty reasonable. What we need now is
a profile picture. The best profile picture is
generally one of your face. I am literally going
to take one right now. It says edit profile picture, and it needs an upload. What I'm going to do is,
I'm just going to get my phone and I'm going
to take a little photo. I'm going to use portrait mode, so I get a bit of
blurred background, natural light. There we go. I've got my photo. I'm going to AirDrop
it to my MacBook so that I can upload
it to YouTube. Nice and simple. We
don't need to overthink this stuff. Good, that's done. That shouldn't be happening. Anyway, doesn't really matter. Great. I'm going
to hit "Publish". This is what my YouTube
channel now looks like. View channel. Look at that. We already have something
that looks reasonable, and in fact I actually want
to slightly reposition this. Hit ''Change'', upload again. I'm going to go a little
bit less headroom. I like this. That level
of headroom is good. Perfect. Publish. Now I
have a YouTube channel that automatically looks
better than most people's starting
YouTube channels. There's just no
excuse for not having a channel art and
profile picture. But even within our
part-time YouTuber Academy, there are so many
people that just don't have channel art. It just make the channel
look like absolute trash. Like it's so easy to
just go in Canva, make a free account,
completely free. You don't need to pay anything
for it. Download something that looks pretty reasonable. Now you have your channel art. Yes, further down
the line, you can start overthinking your
channel art a bit more. You can start thinking
more intentionally about the vibe and the branding
and all that stuff. But when you're getting
started with YouTube, when you're a complete beginner, none of that stuff matters. Just pick something
you like the look of and get started
straight away. The mistake people can
make is overthinking and over obsessing about what the channel art looks
like and all that. I need to have my typography, I need to have my
branding, I need all of it done before I upload
my first video. But that's all a bit BSE. It's like starting
a business and then waiting to have
the perfect logo, and the perfect business card, and the perfect domain
before you go out and start actually trying to build a
product or find customers, is a generally a bad
way of doing things. But here we are, we
have Ali's kitchen and hopefully by this point you have also in the follow along, have made your YouTube channel. You've got your channel
art and you've got a profile picture
preferably of your face. But I guess it doesn't
have to be of your face. The thing to keep
in mind is that people follow other
people on YouTube. We don't generally follow
brands or logos and stuff. There are lots of
exceptions to that rule. But if you can put your
face as a profile picture, and if not, you can use an icon or whatever if you
really want to. If you're desperate to use
an icon website that I like to use is flaticon.com. If I search icons for kitchen, something like this, that's
actually quite a nice icon. I could just download
this as a PNG. Free download and,
cool, I've got it now. Now if I wanted to, I could change my
profile picture to this kitchen tool thing. I don't personally like non-people profile pictures, so I'm going to change it back. But there's always the option, we have the option of using
flat icon if you want to get a random icon for
your channel art. Generally, when it comes
to YouTube channel, you don't really
need to worry about royalty-free images
and that stuff, but a website you
could look at if. you want nice
background is Unsplash. Unsplash gives you
freely usable images. If I want kitchen I can type in kitchen and get
pictures of kitchens. If I want food, I can type in food and get
pictures of food. I can choose to use a
combination of Canva and Unsplash to make
my own balance. The key thing is start
with a template and customize a template a
bit to suit your likings, and then we are ready to go. At this point, we have Ali's kitchen bringing
together the worlds of productivity and healthy cooking to form the basis of
our YouTube channel. I hope you followed along. I
hope you've gotten this far. Thank you for watching and I'll see you in the next video.
9. Beat Perfectionism: [MUSIC] All right, welcome back. It is now time for our
very first challenge, and in this video we are
going to beat perfectionism, and we're going to upload
our first video to a new YouTube channel
without any preparation. Yes, I know that sounds scary. If you're a beginner to YouTube, you're probably overthinking
your first video. The main thing we need to do is we need to besmirch
the blank page. This is a thing. I
don't know who it was. Was it Van Gogh or
some famous artist who said that whenever
he draws something, he always puts a pencil mark
in the middle of the page, so that he stops thinking
that the blank page is sacred and that for the first stuff he does
actually matters. What we're going to do is
we're going to use our phones, we're going to record a video and we're just going
to upload it to our YouTube channels, and
it's not going to matter. No one's going to
care. Our channel has zero subscribers at this point. I don't think anyone is
ever even going to see it. What I'm going to do is
I'm just going to go on the camera app on my iPhone. Nothing fancy. I'm
not using FiLMiC Pro. I'm not using all these
other fancy apps, I'm just hitting the
"Camera" button. I'm going to go into Video mode. I'm going to turn the phone
sideways because it's YouTube and YouTube is still broadly a sideways phenomenon. I'm just going to hold
my phone like this, and I'm just going
to talk to my phone. It doesn't matter if it's 4K, it doesn't matter
if it's an ATP, the point is we
just get it done. I'm going to talk
to my phone and just introduce myself and say, "Hey, this is my YouTube channel and here are the videos I want to make." Let's go for it. I literally
have not prepared anything at all and this is exactly
what I want you guys to do. Hello, how's it going? This is an introductory video for my very first
YouTube channel. What I'm going to do is I'm
theoretically going to be uploading videos about cooking, combining my newfound
love of cooking, because I decided to get into cooking and my love
of productivity and just to make this channel about recipes and stuff
in my day-to-day life. We'll see how it goes. Honestly, I don't think
anyone's going to be watching these videos, no one's going to care, but, hey, a few years from now, it'll be interesting
to look back on just to see how I have changed as a person and what the vibe is. I know that if I
didn't do this video, I would be overthinking
the **** out of this, and I probably never
film my first video. I'm keen on my first video
being this handheld thing. I know the studio
looks all fancy, but completely ignore that,
that doesn't really matter. I'm literally just filming
this with an iPhone. If you have any
ideas for content, then I'd love for you to
leave a comment down below. If this vibe sounds
up your street, cooking with a twist of productivity then by all means hit the
"Subscribe" button, although I don't think
anyone's realistically going to see this video
except my grandma. But yeah, please do
leave a comment. Thank you, and I hope
you enjoy the channel. Okay. That was my
very first video. Literally what I'm
going to do is now I'm going to go on the YouTube app. I'm going to log
into my new account. I'm just going to upload
it straight from my phone. We are not editing this
at all. YouTube app. Now I'm logged in on my
phone, on the YouTube app. If I look at your channel, it says, we've got
the profile picture, we've got the channel art, and now I'm going
to hit "Create." It's going to let
me upload a video, and I'm just going to upload
completely wholesale, this video that I have just filmed. I'm
going to hit "Next." I'm going to title this, I'm going to call it Welcome
to Ali's Kitchen, My First Video. That's
a reasonable title. Welcome to Ali's
Kitchen, My First Video. Great. Now, add a description. I'm just going to say, welcome
to my new YouTube channel. Please hit the
"Subscribe" button if you'd like to see more. I'm going to add a
little smiley face. It doesn't need to
be anything fancy. Cool. Then I'm going
to hit "Next." No, it's not made for kids. Unless you have a specific
video made for kids, you want to click the
"No" button on that. I don't need to bother
with age restriction, and I'm just going to
hit "Upload Video." Now, fingers crossed. The video should
just get uploaded. Now after a little bit
of a lot of waiting, as I've refreshed this a
bit, here we go, uploads. Welcome to Ali's
Kitchen, My First Video. No views, 18 seconds ago. We've literally just
beat imperfectionism. We have besmirched
to the blank page, the blank slate of our
YouTube channel by uploading our very first video, by filming horizontally with our phones, zero preparation. This was easy, hopefully. Hopefully, by the
end of this lesson, you will have done this as well. Please just do this. You can always get rid of
this video later. You can always delete it, make it private, make it unlisted, or you can do what I did, and just leave it
up on your channel. I have one of these videos on my main channel. You
can just leave it up. Then if your YouTube channel
gets big, three years later, people will look back on
your first video and think, "Oh, my God, it's so inspiring that you started by filming videos
just with your phone. I want to do the same,"
and you might inspire people to start their
YouTube journeys. We're not going to
worry about thumbnails. We have uploaded
that first video, and we have besmirched to the blank page of
our YouTube channel. Hopefully, that was helpful. Thank you for watching, and I'll see you
in the next one.
10. Brainstorm Video Ideas: Okay, so at this point, let's have a look
at how we're doing. We've got Ali's kitchen, it's got the very first
video with one view from me published eight
minutes ago because I uploaded it eight minutes ago. Welcome to Ali's
kitchen- My first video. At this point, let's talk about what our next steps
are going to be. I think we generally
want to start with brainstorming some ideas for potential videos
that we might do next. Now, I have not yet
thought about this; I'm literally doing
this on the fly, I'll show you what my thought processes as I'm brainstorming
these new videos. What I'm going to do
is I'm just going to open Apple Notes, basic note-taking app, it doesn't need to be fancy. It doesn't really matter. I
don't bother with Notion, Roam, all these
other fancy apps. You don't need to worry
about them just yet. I'm just going to
open Apple notes and start thinking about, "Okay what are the
different ways I might brainstorm
some video ideas? So Ali's kitchen video ideas. I know that my vibe equals
cooking plus productivity. I like the idea of five-minute
meals, weeknight meals. I like that general thing. I like the general philosophy of chuck ingredients at the
pot and hope for the best. I don't really vibe with the whole fine dining
tweaking every ingredient, and I think my angle in the cooking space
is going to be what is the quickest and dirtiest
way that we can make healthy tasty meals, basically. That's, I think what I want. Probably again, I'm
thinking of myself, but a few years ago, or
even myself, but last year. I'm imagining a 20s, five-year-old college graduate, first job, orders take
away all the time. Doesn't know how to cook anything but an egg,
even that's bad. Never cooked anything
before, etc, but interested in
getting into cooking because it seems cool and
healthier and cheaper, and a good way of like hosting slash
bringing people together. I'm just brainstorming
a few thoughts. I'm like, "Okay, I think maybe this is the
direction I want to go, but I'm going to be an
archaeologist about this. I don't want to put all
this stuff out in advance. I want to archaeologist. I want to find little
bits and figure out where my potential
niche can be." I'm going to start by
just brainstorming ideas off the top of my head. Then I'm going to go into
other YouTube channels and just do some searches
on YouTube and see, "Oh, what are some video ideas, that I can steal like an artist? What are some video ideas that
I can copy?" Video ideas. I could potentially
reviews of cooking gear, but stuff aimed at
beginners, potentially. I actually do have a Le Creuset
Harry Potter collection, Dutch ovens, which I
bought the other day. I could do a review of those. I can do review Le Creuset, mugs times four, I've
got some of those. I don't really have any other, review School of Wok, because I bought one of
those woks the other day after reading some
reviews online. I can, I can always
review these products. What else can I do? As a beginner, so beginner learns series,
something like that. I could do my favorite
cooking channels where I can talk about like Babish and Pro Home cooks and
Ethan Tchaikovsky, and Pick Up Limes and stuff. I can just make a video talking about my
favorite things there. I can make a why I'm
learning to cook, how I'm learning to
cook-type video. Really scraping the bottom
of the barrel here. Then I can think, "Okay, essential pantry shopping list and essential kitchen gear." What I can do with
those videos is, I guess I can look at
other YouTube channels and other blogs and stuff to see what they
recommend and be like, "Hey, I watched 10 other videos, and here are the things that
they have recommended." What I'm doing there is taking a curator approach
where I'm just taking advice from
other people or maybe taking advice from
a book and be like, "Cool, this is what
this book says about the essential
kitchen gear that I need." I'm going to buy it and
I'm going to make a video talking about the reasons
I've bought all this stuff. As you can see, this is a very
higgity-piggity approach. Again, I'm not overthinking
this. I'm being an archaeologist
rather than architect. The key thing when
we're starting out our YouTube channel is to
just make lots of videos. It doesn't matter
what they're about. This is the formula that we teach in our
YouTuber Academy, is level zero or level
one is where you're making one video
at a time and it's a struggle to make
every single video. That's a place where
everyone starts. Then you got to level two, which is where you are then
making one video every week, and you're not concerned
about the quality. All you want to do is
figure out how do I make one video every week, then
you have level three. Level three is where
you want to make one good video every week. So until we get to
level three where we're already making a
video every single week, we don't want to be caring
about the quantity, the quality of that video. We want to focus on quantity
to begin with these ideas. These are all probably
pretty bad ideas, but the point of these videos is not to grow my
YouTube channel. The point of these
early videos is to grow my own abilities
at making videos. Now, unless you are a
professional videographer, unless you've had so
much background in video editing and audio
editing and lighting and cameras and all that stuff where you already know how
to make the videos, then if you're that person, then the architect approach
is probably better for you. Me having done YouTube
for the last five years, if I were starting a new
channel from scratch, it would be the
architect approach because I already know
how to make good videos. If I was a beginner and I didn't already know how to
make good videos, those first 20, 30, 40, 50, sometimes even 100 videos, my first 50 videos are
not for my audience. My first 50 videos
are for me to help myself improve my own
abilities to make videos. Then once I know how to
make a video every week, at that point, I can
start thinking about delivering value to my audience. I think this is really the way
we want to think about it. We don't want to have any
expectation of growth. No one cares about our videos. No one's going to watch our
videos because I videos, quite frankly, they just suck. They're really bad. You would not expect to read the writing of someone
who's never written before. You would not expect to buy the painting of someone
who's never painted before. So how can we possibly
expect our viewers to give us their most precious
resource, their time, and their attention,
for videos that are objectively absolutely
awful? We cannot. Therefore, our first
50 videos are for us. Our next 50 videos are for our audience once we know
how to make good videos. So all of these things
I'm writing down, reviews of cooking gear, I'm not expecting anyone
to watch them. Begin a learn series, my favorite cooking
channels, who cares? No one gives a **** about what my favorite cooking
channels are, but the point is me
making that video helps me develop my
own cooking skills, and as a bonus side effect, maybe someone will
watch those videos. Maybe they'll comment and
maybe they'll subscribe, but the point again, it's
for me, it's not for that. Okay, so those were some ideas about how to brainstorm stuff. Again, first 50 videos for you, your next 50 videos for them. Let's talk a little bit about
filming styles as well, because that comes into when we're brainstorming
video ideas. The most common style
of video on YouTube is where a person is talking to a camera and doing something. For example, this is a
talking head-type video. I'm talking to the camera, maybe doing some
stuff on the side, maybe you got a
screen recording, maybe I'm sharing some stuff. Maybe I'm being like, "Hey, I want to do a review of this glass," but ultimately it's a video of me talking
to the camera. Those are the videos that
we're probably going to be focusing on as
beginner YouTubers. There are other
formats of videos. You can do a faceless, voice-over type thing, where you show what's
in front of you rather than your face and you do a
voice-over at the top of it. We're not really
going to talk about those because those are
a bit more complicated. You can do faceless
animation channels, things like Wendover
Productions or Kurzgesagt, or CGP Grey, where you're telling a story
through a voice-over, through music,
through animations. Again, those are
also really hard. We're not going to
focus on those. What we're talking
about in this beauty for beginners is the
easiest videos to do, which is you speaking to
a camera and doing stuff. If we think of what people
like Binging with Babish do, you don't really see their
face on camera, which is fine. If you're like one of
those people who so terrified of showing a
face on the Internet, you don't necessarily
need to show your face. For example, one of
my YouTuber friends is called Mr. Who's The Boss, and he is huge on YouTube. He has nearly on 10
million subscribers, probably will be by the
time you're watching this. If we look at his old videos, I wonder if we can see them, how to optimize your ZTE Blade, Olympus camera review, how to install a custom ROM. Let's look at this one. Hey, Youtube. I'm just
doing a quick video on my [inaudible] ZTE Blade. You don't see his face. For
three years also on YouTube, Aaron never showed his face. Coca-cola montage, I don't
even think that's his face. He's just doing videos where
he's reviewing the tech. Where he's like talking over the top of it and
doing a voice-over. Again, that's a
reasonable way of getting started if you're terrified
of showing your face. In fact if you're like
14 at the time and you didn't want to keep people
in school to know and stuff. If you're beyond the age of school where you're
concerned about bullying, you probably should
not be concerned about sharing your face,
but hey, whatever. Those are the two
easiest older videos; either the speaker
camera video or the voice-over while something else is happening type of video. The ones we're going to focus on are these speak to
camera-type videos. All right, so these are just a few brainstormed video
ideas that I've got. I think what I'm going to do is my first video is going to be a review of the Le Creuset Harry Potter collection
Dutch ovens. Probably no one's going
to watch the video. In fact, the thing with that video is that someone
might watch the video. So if I go on YouTube and
I'm going to search for Le Creuset Harry Potter, if I search for
that, Le Creuset, 18,000 views, 1,700 views. Someone's made an unboxing
video, 2,000 views. 3,000 views, kettle
review, Dutch oven. There's a few people who've
made videos about it. The top three are from
the Creuset themselves, but no one has really made a review of the Harry
Potter Dutch oven. So if I make a review called Le Creuset Harry Potter
Dutch oven review, and have a good thumbnail, there is a chance that
some people might see this just because they
might be searching for it. I have no idea what the search
traffic or this video is. I could use a plugin like VidIQ or TubeBuddy
to figure that out, and those will be
linked down there below in the resources
section if you'd like. Again, I'm going to
keep things simple. The point of these first 50 videos is for me
rather than for them. I'm just going to
make video review of the Le Creuset Harry
Potter collection. I'm not a pro cook. I don't know anything
about it, but hey, I've used the product
once or twice, and so I can give my very first impressions as
a complete beginner. That is going to be the
test video that we do here. Hopefully, this
gives you an idea into my brainstorming process, process as I'm very early
on in this process. The other thing that I
would probably want to do is cooking for beginners. I will do a bunch
of searching on YouTube; cooking basics, five basic cooking skills, 15 mistakes most beginner
cooks make, simple recipes. I'd probably start incorporating some recipe-themed content if I was taking this seriously. I'd probably be looking at
a bunch of cooking channels that are big today and see
what were their early videos, and are there any
title ideas that I can steal or borrow from those? This is what we've got so far. I could feasibly make
my next 10 videos off the back of just this list. Thank you for watching, and I'll see you
in the next one.
11. Script Your Video: All right. Welcome
back to the course. In this lesson, we're talking
about scripting your video. Firstly, we are going to
talk about should you script your video and to what extent you should
script your video? Then we're going to talk about
how to script your video. Then we're going to
talk about how to know when your script is ready. So let's start with number one. To what extent should we
be scripting our videos? Now, there is a
spectrum for this. There is the fully
scripted spectrum on one hand where
you literally just reading off a teleprompter or
reading a voice-over script, fully scripted word for
word, that kind of thing. Right on the other end, you have a video that's
completely unprepared. Like no, literally just,
I'm going make a video. I'm going to hit
the camera and I'll figure it all out
as we go along. Now, most YouTubers are going to fit somewhere in-between those two spectrums in terms
of like, scripting stuff. The place that I normally
recommend for beginners is somewhere in the
middle, IE it's worth scripting your
video in terms of bullet points and
rough talking points about what you're going to say. It's worth scripting out the rough structure
of the video in terms of bullet points but it's not worth scripting things
out word for word. Yes, scripting things
out word for word will probably make your video a bit better in that it will make it more engaging and
a bit more like, improperly increase
audience retention. But when you're a beginner,
it's actually really hard reading out a
script word for word. It really makes it sound
like it's reading. It's really hard to use a teleprompter and
it makes filming a video become like a
five-hour-long job. If you're trying to read from the laptop
and then memorize that line and then
deliver that line and then read another line and then memorize and
delivered the line. It just ends up being
really annoying. Feel free to try
this for yourself, but I have doubled and we've had 1000 plus students through
our YouTuber Academy who have done various
degrees of scripting. The place where most
people are comfortable is scripting out rough
talking points, but not scripting out
much more beyond that. In fairness, this does depend on what your
channel is about. If you're a faceless
animated channel, where that relies heavily on storytelling and
animations and stuff that, obviously you do have descriptive voice
over word for word. But for most of us,
those of us who speak to a camera and do stuff on camera. I think bullet points is
really the way forward. Let's now talk about how
to script the video. There's really nothing
fancy here again, I'm just going to open
up Apple notes and I'm going to do my
first video which is the Le Creuset Harry
Potter Dutch Oven Review. Now, when it comes to
scripting a video, there's a few things we
want to keep in mind. The first one is, what
are my title ideas? Then we have thumbnail ideas. Then I'm going to say what's the hook slash
intro of my video? I'm going to talk about the
main body or the main value, and then I'm going to talk about what am I going
to say at the end. Well, that's all I need
to do in scripting video. We want to start from
the top. We want to start with title ideas. Again, as a beginner, your first 50 videos are for you, the next
50 are for them. You don't need to
overthink the title ideas, but I can literally
just use this, Le Creuset Harry Potter Dutch
Oven Review or Le Creuset x Harry Potter Dutch Oven
Review, something like that. That can be a title
idea. Trying out the Le Creuset Harry
Potter Dutch Oven Review. Honestly, I think
for this one they're very vanilla basic
title of what is the product and sticking
review at the end of it. Review for beginners, or just even review. That's totally fine.
Thumbnail idea. Now, I'm thinking,
okay, well, what's the thumbnail of this
video going to be? A probably close-up
of the Dutch Ovens. I probably don't want
to have my face in it. My rationale there is
that, at the start, if I'm trying to give
views in this video no one cares about my face. Well, when people are
searching for this video, what they care about
is the product. That's why most tech
review channels don't have their face
on the thumbnails because generally
if you're targeting search traffic rather
than [inaudible] traffic, but that's a bit
more complicated. If your video is
targeting search, it wants to get out
people who are searching for the thing itself rather than people who will just
see it randomly on their homepage and be like,
that looks so intriguing. I want to click
on it. I probably want to shoot with my iPhone, a close-up of the Dutch Ovens and that'll
be my thumbnail. Potentially, one of me
holding them up and smiling. Maybe if I hold them
up like this and smile then that adds a human touch to the video and maybe people
will click on that more. So we'll take a few different thumbnail
examples for this one. It's easy to overthink
title and thumbnail. Most pro YouTubers do that title and thumbnail way
before they film the video. Most new YouTubers, beginning YouTubers
film the video first and they think about
the title and thumbnail as they're uploading the video. It doesn't really matter
when you're starting out, but we want to move
towards thinking about title and thumbnail
intentionally. Even if we are in
those early days where we're making the
videos just for ourselves because title and thumbnail is such an important part of
moving forward with video. Now, let's think about
the hook or the intro. Again, don't need
to overdo this. For a video about a
Dutch Oven Review, I'm probably going to be
like, I'm just going say it. Often what you can do is just repeat the title of the
video in your intro. So this is how Mr.
Beast, for example, the famous YouTuber,
says that he knows his video title is good. If his opening sentence can literally just
repeat the title, for example, I built the world's most dangerous
escape route as a title. He knows that's a
good title because at the start of the video he
can literally say, right, so I build the world's most
dangerous escape route and the little blah, blah.
It's interesting. Generally, what we want
to keep in mind is that the first thirty seconds of the video is the
most important. We're in that first 30 seconds, we just want to
really make sure that the audience knows that they are getting the value that
they were promised. When someone clicks on a
title and the thumbnail, that creates an
expectation in their mind. If my title is Le Creuset
Harry Potter Dutch Oven Review and the thumbnail is a
photo of the Dutch Oven, they're expecting
to get a review of the Harry Potter Le
Creuset Dutch Oven, right? In my intro I need to be like, this is going to be a review of the Harry Potter Le
Creuset Dutch Oven. They're like, I got
what I came for. If in my intro I started like, hey guys, how's it going?
Welcome back to the channel. You know I've got a
new YouTube channel. Make sure you smash that like button and subscribe button
and make sure you sign up for my newsletter or check
out my product, blah, blah. They're getting
disinterested because they clicked,
uninterested, rather, because they clicked on
that video expecting something and I'm not
delivering on that expectation. That's just a general principle. We have a whole two-hour
long session about this, a live session in our
YouTuber Academy. But as a very basic thing, make sure your first
30 seconds you are delivering on the expectation
that they were promised. So, Hey guys, welcome. I'm going to say, Hey friends,
welcome to the channel. This is my first
video etc reviewing the Harry Potter Le
Creuset Dutch Oven. Great. That's all I
need to say for that. Now, when it comes
to the main body, what I'm thinking
about is what is the broad structure
of the video? What are the general areas
I want to talk about? I'm probably going to
start with a caveat that, I'm a beginner and don't know anything about cooking
but these were cool. Then we'll talk about
the design plus close-ups of the items. Then we'll talk about
tech specifications, which I can get on the website. We can talk about what
it's like to cook with them and five closing
thoughts. Something like that. Cool. For each of these, I'm just going to be
thinking what are the bullet points that I want. A caveat that I'm a
beginner and don't know anything about cooking
but these were cool. Why I bought them, used them for
spaghetti bolognese and they did the job nicely. But don't expect a
professional chef review of these design and close-ups. Go over design of both
and show closeups. Yeah, that's pretty
self-explanatory. I don't need to
worry about that. Check Le Creuset
website, discuss sizing. Yeah because I remember
thinking when I was buying these 28 millimeters to I
just write 28 centimeters, 26 centimeters, 24 centimeters.
What's a good size? I did a bunch of
researching so I can share some thoughts in sizing what it's like
to cook with them. So SpagBol discussion because I cooked spaghetti bolognese, and also a fajita discussion because I
cooked fajita in them, in the smaller one. Bigger one, smaller one and aesthetic vibes
of cooking with them where I want to explain how it encouraged me to cook because of the aesthetics and then closing thoughts; Nice but expensive, check them out if you like. Easy. Right at the end, the final bit of scripting
a video is the end screen. It's the message I'm going to get to the audience at
the end of the video. Generally, you don't want
to end the video with, Hey guys, thank you
so much for watching. Please make sure to
hit the like button. Please make sure to subscribe. Because at that point
people are just going to switch off and leave the video. Generally, you want
your end screen to point them to another video. The problem is this
is my first video, so I have nothing to
point them towards. I know that in my
YouTube studio, at the end of the video, I can choose the option that
says latest upload. I'm going to say, in the end of my video, Thank you
so much for watching. If you want to watch
more, click here to see my latest video.
Thank you so much. Hit the subscribe
button, blah, blah. In my end screen, I can select my latest video is that one, and it will always update
to my latest video. While I have one
video on the channel, whatever, no one knows. They won't have anything to
click on, but that's okay. We're building the foundation for the
rest of our channel. This is the extent of the scripting that I've
done for this video. Now, I've made something like 450 plus main videos
on my main channel, another 50 for the
second channel. I've done another 500 to
1000 for online courses. This is the level of scripting
that I do for most videos. But I'd say 90 percent of my videos they have this
level of scripting. Maybe five percent of
them are completely unprepared if it's just like
I'm answering questions. But even if I'm
answering questions, I'll still semi prepare them by knowing what the questions
are going to be in advance, or if I'm going really
ham on research, like researching
scientific papers and doing reviews and
that kind of stuff. Then I'd put a lot more
scripting into it. But 90 percent of my content is scripted with this
level of bullet points. The nice thing about
this is that it really encourages you to lean into
your personal experience. As I'm moving forward
to my YouTube channel, I'm thinking about how can
I make this channel unique? The way I make it unique is by making it uniquely authentic. You can escape
competition through authenticity as novel
Robert Kant famously says, "There are a lot of
people in the world are going to be making
cooking channels, but there's no one
in the world who's going to make a
cooking channel by me because I am
somewhat unique." There's another phrase, "There
were no unique messages, only unique messengers." This encourages leaning
into personal experience and showing the vibes
and all that stuff. I think this is the
level of scripting, maybe a little bit more,
that most beginners should be aiming for. If you need to do a video that requires so much
heavy scripting, I would suggest it's probably
the wrong video to make as a beginner because all of the
other bits are hard enough. Yet if you add scripting and reading from a teleprompter
or reading from a script, it just really takes the joy and fun out of the whole
process of making videos. At least that's what
most students on our part-time YouTuber
Academy find. So hopefully that gives
you an insight into what my scripting
process looks like. Hopefully, by the
end of this video, you will have scripted
your own video as well. I'll see you in the next one where
we're going to talk all about how to actually
make one of these videos. Thank you for watching and I'll see you in the next lesson.
12. Film With Your Phone: [MUSIC] Welcome back. Now we're getting
into the fun stuff. This is where the
rubber meets the road, and this is where we
start to have fun in terms of actually
filming the video. Now, because this is a
class for beginners, we're not going to worry
about fancy camera gear. In this lesson we're going
to talk about how you can film pretty reasonable videos
using just your phone. What I have here is one of these phone tripody-type things. You can get these off of
Amazon for like $5, $10. You can get them from any shop.
It really doesn't matter. If you have one that has
this little gizmo on top, this is known as a
cold shoe mount. It's easier to mountain
microphone on it. But again, it's not a huge deal, it doesn't really matter. To show you how to
do this one thing, we're going to move
away from this setup. Because to be honest,
this is unfair. We have the lights, we have the cameras, we have multiple cameras,
we have a studio. This is just not a beginner
friendly setup and therefore, we're going to switch
to handheld mode, and I'm going to
show you how I'd set up the iPhone to film a hopefully
reasonable-looking video in a random place
in this building. Hopefully, you can do
the same. What we're going to do is we're going
to go around a bunch of different randomized
places that don't have any fancy light setup, and I'll show you what
an iPhone setup would look like in those contexts. There's a seat. This is
far from ideal conditions. Lighting is not
great, but what else. I have my iPhone attached
to this dock thingy. What I'm going to do is
I'm just going to use the BOG Standard Camera
app on the iPhone. I'm not going to do
anything fancy with FiLMiC Pro or any of
these other fancy apps. If you want, we'll put some
links to resources down in the resource-type area
where you can find more videos about
exactly how to film with an iPhone and how to
level up your filming. But really, default camera
app is all we need to do. This is what the kind of
non-selfie mode looks like. I'm just going to switch
it to selfie mode and we're going to see what
this footage looks like. We can see here that this is not ideal because we
can't see me at all. What I'm going to do
is figure out a way of moving this further away from me so that the framing
looks reasonable. In fact, I'm going to hit
"Record" here as well. Sure, I have record of that. What I'm aiming for
over here is like the top of my head just about brushing the
top of the frame. If I use the selfie mode, I've got to have my
iPhone far away. But actually this is not bad. Like, as far as iPhone footage
goes, this is reasonable. If I hit "Record"
over here as well. I wonder if that will work. This could be a YouTube video. At the moment, I'm
looking at myself in the camera screen. We've got
Golem in the background. But that looks kind
of weird because that's where I'm looking is
not where the camera is. In fact, this is
where the camera is over here somewhere
at the top of my iPhone. Instead of looking
at myself filming, what I should be doing is
looking at the camera, and now as I'm looking at
the camera, hopefully, this looks like I'm making
eye contact with you. Whereas if I'm looking
at myself in the screen, it looks like I'm looking
at something else. We want to be looking
at the camera. This is one way of filming
ourselves with an iPhone. It just means we have to put the iPhone a little
bit further back. That's a kind of framing
we're aiming to get at. Now if I was filming
a video like this, in this video we're
going to be reviewing the part-time
productivity planner from the Essentially
stationary Line built by Ali Abdaal This looks like a
reasonable setup for video. I have done zero in terms of lighting, in
terms of background. The iPhone is just
doing all the work in making this look
somewhat reasonable. Now, the other way that
we can go about this is not by using the selfie
mode on the camera, but instead by
turning it around and using the other angles.
Here's what that looks like. Now what I'm doing is I've
turned the iPhone around and I'm going to look at it
and see what this looks like. The problem is, I now
can't see myself. This is, basically
a two-man job. Either that or requires
some kind of mirror, or requires me plugging in
my iPhone into my laptop. I have a video on my channel where I talk about
how to do this, but I just want to show you
what the basic principle is. Generally, the camera
on the back of an iPhone is higher-quality than the camera on the front, and this applies for all phones. You get slightly
better quality if you use the back cameras
rather than the front cameras, but you do run the risk
of not being able to see yourself. I'm going
to ask Golem's help. Golem can you set up this
phone in a way that makes it look reasonable with
the main angle. Now, another thing
that we want to keep in mind while setting up our shot is that we want
the angles to be straight. We don't want it to be like, this is looking
at me from above, or looking at me from below, we want it to be
dead on straight. We just wanted to try
and move the position of the phone so that
it accomplishes that. You know what, I
have an idea. Golem, I'm going to ask you to
sit over there and we're going to use you as
the subject for this. I'm going to show
you how I would set up a phone in this context. This is looking pretty
reasonable already. I feel like Golem is a
little bit far away, and he's got too much
headroom over here. What I want to do is just
move the phone closers so that we get a little
bit less headroom. Because I want his
head to be just about brushing the
top of the frame. Somewhere here seems
pretty reasonable. Now another thing
to keep in mind is that when you're
setting up your phone, you want the angles
to look straight. This looks reasonable because
you can see we've got these straight lines
in the background and they look straight
on the iPhone. What we don't want to do is have it like this or
have it like that. That is like the phone is looking up on Golem and the
angles are a bit wonky. We also don't want to do this. This looks really bad,
it just looks awful. Often, the trick to
something looking good on camera is just
the lines being straight. Here is where the lines
are right about straight, and this looks
pretty reasonable. Golem, if you can
say some stuff. Hello. My name is Golem. I've been enlisted
to help Ali with his phone video thing [LAUGHTER] This quality seems
pretty reasonable. Here I'm using the 1X lens. If I switch to the 0.5, now
Golem is suddenly miles away. The way that would work is if I put this camera
much closer to him, and now, that's just a
slightly different framing. Now, Golem, if you can
speak to the camera. Hi. This camera feels
really close to me. It does feel really close because this is a
wide-angle lens, but it just shows you based
on whatever your phone is, you can figure out the best
way to set your framing. I think to be honest,
if you're a beginner, just use the selfie mode because then you can see yourself, and it's a lot easier to
know what's happening when you're seeing yourself than when you don't
see yourself. But it just goes to show
the power of phones these days in producing
a reasonable picture, even if we haven't
thought at all about the light to
camera or anything else. I'm going to do this in a
few different locations. Let's go outside and we'll see what this looks like
from the phone there. I'm going to switch
to selfie mode. Now I'm literally just going outside into our office area. I'm going to plunk this
phone on this table. See what it looks
like in selfie mode. Reasonable. I think we're still a
little bit tall for this. This is probably bad practice, but I will slightly angle up my phone on the tripod just
so my head fits in there. Let's just make it a
little bit less wonky. What I'm focusing on is I want the background lines to be as straight as possible. If we look at the lines in the background,
they're slightly wonky, but there's not much
I can do because I'm confined to the
length of this table. Here's another
random video setup where I haven't really
thought too hard about it. I've literally
just gone outside, hit the Record button
on my phone using the default camera app.
Nothing fancy at all. This looks pretty reasonable. This is another way
that you can get started using just your iPhone. Let's just drive this point home by doing this iPhone setup in a bunch of
different places. I'm going to get up now, move around the building
a bit. Walking down. Turn this into vlog
mode if you'd like. It looks something like
that. Thank you, Golem. [BACKGROUND] [NOISE] This will do. We have loads of
background noise here, and this is not a particularly
fancy background, it's not particularly a static. What I'm focusing on it's like, I just want to get my iPhone, my footage living reasonable, and get it looking
at the point where my head is just brushing
the top of the frame. Now if I'm doing a review, I can be like, in this video, we're going to talk about the American Express black card, and I'm going to review
that black card. I have to remind myself of this because I don't
use to film like this, to not look at the screen, but instead to look at the lens. Now I'm looking at the
lens and hopefully this looks more like I'm
speaking directly to you. Hey guys, welcome
back to the channel. In this video, we're
going to be reviewing the American Express black card, and I'm going to tell you
all about the benefits that I've had from this card
over a long period of time. Conditions here are not amazing, but she's still shows
power of the iPhone in making stuff look
somewhat reasonable. We've switched the iPhone
over to cinematic mode now, which means it's going to artificially
blurred background. This is a feature on
most modern-ish phones which can look quite nice. Like in an ideal world, when it comes to
lighting, again, we don't need to overthink
this as a beginner, but the lighting setup I want is where there is a big
soft light source like a window at a 45-degree
angle from myself. If I was standing like this and filming a video like this, this would look
pretty good in terms of the general lighting,
the general vibe. You can probably think, this
looks pretty reasonable, especially with cinematic
mode turned on. It's annoying
holding the camera. What I'll I'd be trying to do is set myself up
something like this. Where potentially now if I was filming a video like this, we can see head is just about brushing the
top of the frame. Well, lighting is
pretty reasonable and pretty aesthetic on me. I'm using cinematic mode so the backgrounds a
little bit blurred. What I could be doing is I could be talking to the
camera like this, talking really about
anything at all. This would be a good setup
for my, I don't know, if I'm doing a video about my
favorite cooking channels. I could just sit down on
the sofa and be like, all right guys, this video is all about my favorite
cooking channels. Let's sit down and
have a bit of a chat. This was quite cozy,
is quite nice. We got a bit of blur
in the background. We've got that light. Again, I haven't done
anything. We've just roamed around this building, just trying to find decent
spots to the iPhone to go. Like I said, you don't
need to overthink this. The iPhone or
whatever phone will compensate for almost any
terrible lighting condition. But in an absolutely
ideal world, we would be shooting somewhere
45 degrees from a window. Hopefully, this looks
pretty reasonable. I could probably even
shoot a main channel video just by using this
natural light. We'll talk a little
bit more about light in the video
about lighting. But again, moral
of the story, you don't need to overthink
these things. Just get a phone, get a tripod for your
phone that cost like $10, and find a way to have straight lines in the
background like those. They're all straight, which
means my angle is straight. Make sure you're looking
at the lens rather than at the screen. That's it. Make sure roughly your head is brushing the top of
the frame because that looks reasonable
and it's sort of horizontal video is
supposed to look like. That brings us to the end
of our iPhone lesson. In the next lesson, we're
going to talk about how you can set up a basic camera setup. Then we'll talk
about lighting and we'll talk about audio. You'll have everything
you need to film your first video properly. Thanks for watching and I'll
see you in the next lesson.
13. Upgrading Your Camera Setup: Welcome back. We've
talked about what it's like filming on an iPhone. In this lesson, I want to show you what the differences are between different levels of
upgrading your camera setup. What we've done is we've got these four different cameras. We've got the iPhone 13 Pro, we've got Canon M50, we've got Sony A7C and the Sony A7S3 with
various lenses on them, trying to read vaguely re-create the same scene that we have
with our main camera angle, which cost $6,000 or
something stupid like that. I want to show you what
the differences between, assuming we have
optimal conditions, studio conditions, what is actually the difference
between shooting with these cameras at
different price points. Let's start with the iPhone. Honestly, this iPhone has
cinematic mode turned on. To be honest, iPhone
cinematic mode footage is actually really good. you probably wouldn't be able to tell that this was
shot with an iPhone, and even if you can, this is a level of
production value that no one is going to complain about this
level of production value even if it's coming
from an iPhone. If you're a YouTube
beginner, again, another place in which beginners seem to get
hanged up is, "Oh my God, I can't get started filming YouTube videos unless I have
the perfect camera gear." You don't need the
perfect camera gear, phones these days are
absolutely incredible. You don't even need to have the brand new state of the art iPhone 13 Pro with the pro mode. Almost any phone like
iPhone 8 plus or almost any Android phone
from 2012 or beyond, will be able to film at a
reasonable camera quality. Especially while you're making
your first crop of videos, where you're still learning the craft of editing videos and talking to a camera and filming and lighting and all that jazz, you don't need to worry
about upgrading your camera. But having said that, if you do want to
upgrade your camera, this is what the
Canon M50 looks like. Now, the angle is a
little bit weird and I'm not really a fan
of the Canon M50, but it's a $500 camera setup and it's a fairly beginner
friendly YouTube camera. It's got to flip out screen, which means you can see yourself
while you're recording. This is what it
looks like when I'm talking to the Canon M50. Again, I didn't like
it, to be honest, I actually think the iPhone
footage looks better with an iPhone than the $500
Canon M50 setup personally, but that's a pretty
reasonable camera to upgrade to for beginners. Once you learn how the settings
work and all that stuff, you'll be able to make
the camera work for you. This is another point I want to make in this session that, it's not about what
camera you have, but it's about how
you use the camera. If I was someone who
was using a Canon M50 a $ 500 camera on a daily basis, I'd figure out a way to
get the most out of it. I'd be watching
loads of tutorials trying to figure out the
appropriate settings, figuring out the
best lots for it and the best light
color grading profiles, just making sure I know how to use the
camera that I have. Basically, the main thing
I want to take home from this lesson is that it's
not really about the gear. Everyone says gear
doesn't matter, and it's true to an
extent you can get amazing quality footage
just using an iPhone. Or you can get pretty reasonable quality footage using a camera. That's not the thing
that generally tends to make or
break YouTubers. But having said
that, if you can get your production value
looking as good as possible, that is another
thing that helps you stack the deck in your
favor when it comes to making content that has a bit more of a
wild factor to it. This is the Canon
M50 a $500 setup. Let's now switch
to the Sony A7C. The Sony A7C is a $1,500
full frame camera. We don't need to go into the differences between
crop sensors and full frame and stuff that's not beginner friendly, but again, more resources in the
video description and you can always
dive more into this stuff at a later date once you've got a few more
videos under your belt. We've got the camera
Tamron 28-75 lens attached to it at a focal
length of 28 millimeters. This looks reasonable,
to be honest. What looks better, this or
the iPhone? I'm not sure. Probably if we're doing
a direct comparison of iPhone versus A7C, the A7C will look a bit more natural because the
iPhone is doing computational photography
to do It's like cinematic background blur
all that kind of stuff. If we turned off cinematic mode on the iPhone
and the background would look quite flat
because it's not very good at the blurred
background effect. But this is what I
set up. The costs run about $2,500 looks like, again, it's not really
about the gear. It looks reasonable. You don't need to
upgrade beyond this. This is where you get significant diminishing
returns when it comes to spending more
money on camera gear. This is the $2,500 A7C with
the Tamron 28-75 lens. Now let's move on to
the Sony A7S3 with the 24 millimeter G Master lens with a Peter McKinney ND
filter applied to it. If you don't know,
what all this game means, it doesn't matter, this is a big $6,000
camera setup, which is an overkill, but it's the main setup that
I use for my videos and have been using for
the last six months. But let's bear in mind that for the first year of
my YouTube channel, for the first two
years actually I was shooting with a
camera that costs around about £900 so like $1,200, that's still expensive. But this was four years ago
before phones were amazing. Now phones are amazing. to be honest, I could get a YouTube channel
to a 100k subs, probably just off the back of filming with just an iPhone. But this is the gold standard with a nice lens and a
nice camera and stuff. But again, this is a
course for beginners. The thing I'm going to
keep on repeating because it needs to be said
multiple times is that, it's really not about the gear, what provided you have like a baseline level of production
value at that point, the gear stops
mattering so much. Unless you're competing in
an industry like tech or photography or videography where the gear that you use
actually matters, because the production value is the unfair advantage
you have the thing that sets you apart
from other YouTubers. Tech YouTubers like
Marquez Brownlee MKBHD with over 15 million
subscribers. He'll spend like $500,000
on a camera robot, a robotic arm that he
can program with a fancy $50,000 camera attached
to it just for five seconds of footage
for one of his videos. Because he will know that
in the world of tech, that is what's needed to really stand out and to really
stay on top of your game. That's one of his
unfair advantages. He can throw money at the
problem and he can have that technological
advantage over the competitors in
the tech space. But if you're a beginner,
you're not trying to do that. You aren't spending
$500,000 in a robotic arm, all you're trying to do is just make content that's reasonable, that you enjoy making that provides value to your audience. Whether you're filming
with an iPhone or a Canon M50, or a Sony A73, or a Sony A7S3 or well even if you don't know what any of
these cameras things mean, you can always learn this
kind of stuff overtime I knew basically nothing about cameras when I first started, I was filming with
a Sony A6,000. Actually, I started just
filming with my iPhone, but overtime as I watched more YouTube
tutorials and learned more about the craft while I was continuing to make videos, that is how my camera
knowledge evolved. The mistake that you don't
want to make is to think, Oh my God, I need
perfect equipment from day 1 to get started. Just start with your phone. Phones are pretty
reasonable these days. This footage looks fantastic, if I say so myself I hope. Even just get started with
this and then you can level up your cameras
overtime as you go. That's really the main
point of this lesson. Don't overthink the
gear, just get started, make the videos and overtime
you can always upgrade and you can always figure out the optimal cameras set
up for you over time. That brings us to the
end of this lesson. Thank you very much for watching and I'll see you
in the next one.
14. Set Up Your Audio: [MUSIC] Welcome back. We talked all about
upgrading our cameras setup, and we've decided that for
the rest of this class, we're basically going to
film things with the iPhone. Right now I'm filming
with the iPhone. But in this video, we're
talking about the importance of audio and how to get decent
audio for your videos. Now, the thing with
audio is that audio is actually probably one of the most important
things because people will sit through bad video quality if
the audio is good. But your video quality can be the most amazing
thing in the world. You can be treating with the fanciest camera
in the world. But if your audio quality sucks, then no one's really going
to want to sit through that. That begs the question,
how do we get good audio? In this lesson, we're going
to try and break that down into simple steps and the ways you can
level up your audio. Let's start with level 0. Level 0 is where we are not using any external
microphones at all and all we're doing is using the audio that's on our device. Right now I'm filming
on the iPhone 13 Pro, and the iPhone is about two
hands lengths away from me. By the standards of
microphones anyway, that's pretty far away. This is what it sounds like
when I'm just speaking in without using
any external audio. This is just the pure
native audio of the iPhone. This is what the audio on
the iPhone 13 Pro sounds like without any external
microphone attached tool. The Quick Brown Fox
jumped over the lazy dog, Mr. and Mr. and Mrs.
Dursley of number 4, Privet Drive, were
proud to say that they were perfectly normal,
thank you very much. This probably doesn't
sound amazing. It probably still
sounds reasonable, probably sounds possible,
but it's not amazing. We've got a bit of a
harm in the background. The room is quite big, it's a little bit echoey. The iPhone is really far
away from me and we're not plugging in any external
microphone. That's level 0. Now there's two different
things that we can do to basically level up or our audio to the max and
those two things are, number 1, use an
external microphone, and or number 2, bring the microphone
closer to us. Those two factors are basically the only real determinants
of audio quality. Number 3 is the
acoustics of the room. But to be honest, if you're shooting in a really
big open church hall, you're going to
get a lot of echo, if you're shooting
in your bedroom, your living room, wherever. Usually there's not much you can do about
the acoustics and things like setting
up acoustic panels and some blankets
and all that jazz, that maybe gets
you an extra five percent of audio quality. But really the key
thing is external microphone number
1 and number 2, bring the microphone
closer to you. Now we're going to show you what both those different
things look like. First of all, we're
going to plug in an external microphone, and we're going to plug
in the Rode VideoMicro into the iPhone. The iPhone has a lightning port, and the lightning port requires this lightning port
adapter and then we need this extra
thing to be able to plug the Rode
VideoMicro into it. We're going to plug
this in right now. Right now we have plugged the Rode VideoMicro
into the iPhone. Now hopefully, you can hear that this sounds a
little bit better than what I did before and
we're going to play some samples with and without
all this stuff anyway. But you can see
that the iPhone is still quite far away from me. It's still two
hand breaths away. But now we just have an
external microphone. This hopefully shows
that the addition of an external microphone
does improve sound quality
significantly compared to no external
microphone at all. That's why we say
for most people, the Rode VideoMicro is
like a $40 microphone. You can get microphone super cheaply and they
really do level up the quality of your
videos because it just makes such a big difference
to have external audio, and so that's why
this is broadly the setup that I'd
recommend for beginners, like get some cheap ***
tripod that takes a phone, you can get those
for $10 of Amazon. Use your phone and
then plug a microphone so that that microphone
sits on top of it. That's one very easy
way to level up your YouTube setup
immediately without spending much money while you're just filming using your phone. Now we've switched our audio. What we've done is we have boomed in the same microphones. We've got the Rode VideoMicro, but we've stuck it on
a microphone stand and we've got it
closer to my mouth. While before it was quite
far away now it's probably to this length away from me rather than two of
that length away from me. You can hear what the
difference sounds. Now what I suspect is
that the addition of an external microphone
will be more important than the addition of the boom pole and bringing
that microphone closer to us. But generally those are the
two things you want to do. You want to add an
external microphone and then you want to
bring it as close to your mouth as possible.
If we do the test. This is the test of what
the audio sounds on the Rode VideoMicro
while it's boomed in. It's this far away
from my mouth and still connected via
the lightning port to the iPhone 13 Pro, the Quick Brown Fox jumped over the lazy dog, Mr.
and Mrs. Dursley, of number 4, Privet Drive, were proud to say that they
were perfectly normal, thank you very much. But broadly, you can take
a cheap *** microphone, you can plug it into your iPhone and or wherever your camera is and you can just
bring it a little bit closer to your mouth. That generally gets you 98 percent of the way there
towards decent audio. At that point, you can then
upgrade the microphone. This is a $40 microphone. What we actually use to
film our videos is like an $800 Sennheiser
MKH 416 microphone. To be honest, it's probably a little bit overkill that
particular microphone and maybe went to people's
side-by-side here. The difference between
this and the Sennheiser, which is like 20
times the price. They might be able to tell
the difference, maybe not. It's basically moral of the
story to improve your audio. Step 1, add an
external microphone, they're quite cheap,
and or step 2, bring it closer to your mouth. Now there is an
option. A third option which actually
incorporates both of them. It means you don't have to have this boom pole lying around. That is switching to
a lavalier microphone and that's what we're
going to do next. At this point we
have talked about three different audio setups. We've talked about
what the audio sounds like just using an
iPhone, number 1. We've talked about
number 2, what it's like having a road VideoMicro sitting on top of the iPhone far away
from me, and number 3, we've talked about
what it's like having a Rode VideoMicro connected to the iPhone through a cable, but boomed in on a
microphone stand, a $20 microphone
stand you can get from Amazon just more close to my mouth about this faraway
compared to that faraway. You've heard what those
different audio level sounds. You'll notice now that I'm
wearing a lav microphone, lav stands for lavalier
and it's one of those lapel microphones
that you stick, you clip onto your top or
your shirt or whatever. You'll notice that you can
already see the wire in here. Because the wire we
have for the lav mic we had lying around is
not long enough. Moral of the story, if you are buying a lavalier
mic for your videos, you should get one that
has a longer wire so that it can go down
your top and under the table and so
it's less visible. But the good thing about these is that it automatically is, a, external microphone, and b, very close to your mouth. Hopefully, you'll get pretty
reasonable audio quality, and it'll be much
better than just having no audio options at all plugged into your
iPhone or your camera. Ultimately, when it comes to figuring out what audio setup
you want for your content, really the key is we want a decent balance
of audio quality, yes, but also convenience. Lav microphones, I'll be
honest, are pretty convenient. It's also pretty
convenient to just have a read VideoMicro and just stick it onto the top
of your microphone. The thing that we do where we boom the microphone
in and you have an external microphone
pointing down and all that stuff, it's inconvenient. I think the benefit
you get from them when you are a
beginner is not huge. Right now my main
channel these course is, we're not talking beginner
level content and so we're doing everything we can to
level up production value, even if it means we get an extra one percent gain for
an extra $1,000 of expense. That's worth it for us. But as a beginner, it's not
going to be worth it. I think lavalier option
is very reasonable, or just stick an external mic onto your iPhone
and call it a day. I think that's also
very reasonable in terms of leveling
up your audio. Like I said, there is
other stuff you can do to soundproof the
room and reduce echo. Basically it just means
having furniture and having soft furnishings
and rocks and stuff. But that's way beyond
the scope of this. You can find tons of
videos on YouTube where people who are
actually pro at audio, are explaining all
the various things that you can do to make
your audio sound better. If you're looking for specific gear recommendations,
then again, you'll find loads of stuff
if you just search YouTube, this stuff is always
updating and therefore, if we recommend gear here, it's just going to go
out of date immediately. But channels that
are good are DSLR, video shooter, and
Gerald undone. If you just search YouTube for best shotgun microphone under $500 or whatever your budget is, you'll find various
options for that. But hopefully, this
gave you an idea about how to level up the
audio in your videos. Moral of the story, use a lav mic or use
an external mic. Don't use the
built-in audio onto the iPhone or onto the camera because usually
it's not very good. Thank you so much for watching. This has been a long one, but I'll see you in the
next lesson. Bye-bye.
15. Set Up Your Lighting: [MUSIC] Welcome back to this lesson. In this lesson,
we're talking about the importance of lighting. The main thing that I
want to emphasize here is that actually if you're
filming with a phone, lighting is not
overly important. Yes, if we look around, [LAUGHTER] we do a lot in the
way of artificial lights. We have this biggest
softbox and all that stuff. If you're filming
with a fancy camera, then having a biggest
light is one of the things that you
can do to really level up the quality
of your videos. But to be honest, when you're
filming with an iPhone, biggest light versus
no biggest light doesn't really make
a huge difference. It really starts to matter when you start going into
proper camera mode. In a dream world, you would have a setup like this
where you have, at 45 degrees, a very big soft light source, and that's really
the key to a decent looking lighting: just as bigger light source as possible and a softer light
source as possible. Which is why these
whole softboxes, the whole point of
them is to diffuse the lighting so it
becomes softer, and softer light looks more
pleasing to the eye and makes faces and skin
tones appear much nicer. Conveniently, there is
another source of good, high quality, soft light, and that is daylight
outside next to a window. When you're standing next
to a window, for example, that basically acts as
a soft light source. If I hit record over here, now you can see
that the light on my face on this
side is quite nice, it's quite aesthetic, it's
quite pleasing and it's because I'm literally sat
right next to a window. I could record with the window at 90 degrees right
right to me like this. Or like we showed in
a previous video, if I was sitting here
moving on these plants, now the window is
45 degrees from me and it's lighting me
at a 45-degree angle. So 45 degrees is
absolutely ideal if you can get some light source at 45 degrees whether
it's a window, whether it's an artificial
light or whatever, 90 degrees is pretty good. The thing we generally
want to avoid is like having light coming
right in front of us. Right now with this
particular angle, we can see over here,
the windows in front of me and the light is
hitting my face. That generally is not
particularly pleasing because it makes the face
look a bit more flat, because you've got the light shining you straight
in the face. For example, if we go over here, I would not want to film a
video with the lights hitting my face directly on because there's something
about that just looks a little bit and not nice, a little bit less nice than
filming a video like this, where this light is now like
45 degrees in front of me. That's really the key
thing with lighting. It's like the 45-degree rule. Try and get your light source either in a dream world
45 degrees from you. But if you have to, 90 degrees
is totally fine as well. I'm going to swap
places of angles now. Now, over here, this is
actually reasonable. If I set up the camera
in this position: so something like that
and just up a bit. You can see the background
is absolutely awful and it's not great because again the camera at eye
level is looking up, but we're working
with what we've got. But you can see we've
got a window over here. I've got this nice soft light coming in at 90 degrees from me. In fact, if I was actually filming this for a
YouTube channel, I would probably, to be honest, set up
my camera over here so that now the window source
is actually at 45 degrees. It's not at 90 degrees, it is at 45 degrees. This is what that set
up would look like. Again, I'm filming with an
iPhone, so it doesn't really matter because the
iPhone will just compensate for the light anyway, but we've hit the sweet spot
of 45 degrees in this mode. The thing that I encourage
you guys to do is as you're figuring out where
to film your videos, again, if you have the option, try your best to
get a light source 45 degrees away from your
face in either direction. Try to make that light
source as big as possible and as soft as possible,
and like we said, window is often the
way to go if you don't have a bigger softbox
and artificial light. We're actually outdoors in this villa inside
the building now. There's two interesting
examples of light situations. It's actually the two bathrooms. One has got great lighting, this one, and one has
terrible lighting, this one. We're going to show
you what it's like in both lighting conditions. Let's go into the
little bathroom. I'm going to sit on
the toilet seat. We're going to close the door
and only use the iPhone. The only light we have is
that light at the top, [NOISE] which you
can see is just like terrible spotlight. This is an example of
horrible lighting situation, horrible audio situation
it's ridiculously echoey, but we're going to show what
this looks like anyway. I'm just going to plot
my phone over here. [LAUGHTER] Plot as it were.
I'm going to hit record. Now, this is what this sounds like and
what this looks like. This is by far the worst lighting
and sound situation imaginable, super echoey, it's probably not great at all, but this actually
doesn't look horrendous. I'm just talking to an iPhone and phones are so
good these days. They're just compensating
for bad lighting conditions. If you stuck a
proper camera here, if you've got a cinematographer
or videographer along, they'd be just
absolutely aghast. How can you possibly be
filming in this set up. But, yeah, terrible lighting, it still gets the job done. So really the message I want to drive home in
this lesson is that, you don't need to overthink
the lighting thing. Similar to background, as
we're going to talk about, lighting is something
that you can just improve over time
if you want to. It's not something
that's massively important to worry about
in the early days. You can just get your phone, stick it on a tripod, go to a fricking bathroom,
and you can still hit record. To be honest, I'd be quite comfortable filming a
video in this set up despite the lighting
and audio conditions being absolutely horrendous. That was this awful
lighting condition. We're then going to move
to the other bathroom that has much nicer lighting, and we'll see what that
difference looks like. Now, we're in this other
disabled bathroom, which actually has a
really good light source. There's soft light
from the window. Let's see what this
would look like if I were recording a video here. Again, this light source is
in front of me like that. This looks quite pleasing. In fact, I'd probably stick
the camera over here. [LAUGHTER] I'd sit
on the floor and adjust things so that
the lines are soft. I can't really get the
lines straight, whatever. Try to make the best
of a bad situation. But, hey, it's not too bad. This is a big soft light
source 45 degrees from me. I'm just sitting on the floor.
I'm talking to the camera. Again. the phone is
actually really good. This is just a selfie
camera as well. I'm not using the
fancy back camera. I'm not using fancy cinematic
mode or anything like that. I'm just pointing the phone at myself with the selfie camera. Again, I'd be very comfortable
filming a YouTube video, if I was a beginner,
just using this set up. Again, moral of the story: yes, lighting is good,
yes, 45-degree rule. Try and get a soft
light if you can. But if you can't, be filming at night,
filming in bedroom, filming in a bathroom, it
really doesn't matter. I know a few doctors
actually who've blown up several hundreds of
thousands of subscribers on YouTube and they film videos on their phones
in the middle of a shift when it's super dark and there's no
decent lighting around. They still manage to
do well because unless you are in the field of live
photography, videography, tech to an extent, quality does not matter as
much as the content. So focus on the content, focus on getting
better at the content, and the quality will naturally
improve over time as you'd be a little bit more intentional about what your
setup to look like. That was a little primer on lighting: 45 degrees,
soft light source. If at all possible, yes, and artificial light will make your videos look slightly nicer, especially, if you're
filming with proper cameras. But basically don't overthink
it, focus on the content, focus on getting better at the
craft of making videos and lighting is something
that you can improve slowly over a long
period of time. Thank you for watching,
and hopefully, I'll see you in the next lesson.
16. Perfect Your Background: Welcome back to the
course. It is a new day. We filmed all of yesterday and then we lost light and then we got tired so we've now
started again on day number two. Today in this lesson
we are talking about how to make your
background look great. Now, a few points to begin with. Firstly, don't overthink this. If you're a beginner,
you actually don't need to worry about what
your background looks like. Remember your first 50 videos are for you to hone your skills. Your next 50 videos are
for your audience to actually provide
value and over time your background can
and will change so it's far more important than you actually get filming
those first few videos. The background is like maybe
a five percent difference in terms of quality
of your videos but really the true value comes
from the video itself. The background is just a
little cherry on the top, a little nice to have. But having said that, the
background is important. It's one of the main levers we have for figuring out what is the vibe of the
videos and what's the vibe that we're trying
to create for our channel. To reiterate, having a
perfect background should not be the thing that stops
you from filming videos, but you can over time adjust your background and make it a little bit
more interesting, which begs the question of what is it that makes a
background interesting? To be honest, the answer
is it really depends. It depends on what vibe
you're trying to create. I personally think
for most channels, the vibe that I like is
the Holy Trinity of lamp, bookshelf, and plant. I think if you have a lamp if you have a
bookshelf and if you have a plant in your background or multiple copies
of those things, it will just automatically make your background look nicer. But that's creating a
very specific vibe, which is the vibe that
I personally like for my channel and that I personally like for other YouTube channels. I know that because
I spent a lot of time watching YouTube
videos and analyzing their backgrounds and
figuring out what is it about that
background that I like? Is there something that I can incorporate into my own channel? If we look at this background, for example, we have
this Holy Trinity. We have a lamp over there, which is providing some
nice accent lighting and we have a color changing light bulb
in there so we can change the colors of the
light if we really want to. We have a plant over there. We have a plant over there.
We have a plant over there. We have a plant
on the bookshelf. We've got lots of plants
in the background, and we've got a bookshelf
that has a bunch of books. Even if I move, you'll see that there's
this other mini bookshelf that's covered up by me right now but that is the
one that then gets shown depending on if we move
angles around this room. That's what we've
got at the moment. This is like five
years into doing the YouTube thing so this
is probably unsustainable and unfeasible for most people unless you have large amounts of control over your living room or your bedroom or wherever you
want to film your videos. But however small your space, putting some books,
putting a lamp, and putting a plant is
probably going to be possible if that's the
vibe you want to go for. Let's now have a look at some of my older studio
setups and we can see how things have evolved over time and how I was thinking
about the background. This was from November 2020. This was my desk setup
in my Cambridge flat. We can see this was about
half of a living room, which I had completely
repurposed into a studio. We have a big desk. We've got plants
in the background. We've got this Kentia palm. We've got this little
Christmas tree. We've got a plant over
there in the corner. We have a bookshelf
in the corner. We have a lamp in the
corner with the bookshelf. We even have a guitar, a con, a little bit of a
piano because I'm adding in the music
vibes and it was a very deliberate choice to
add in musical instruments in the background so that's the
vibe that I want to create. You also notice there is a ukulele in the
background over there, which is currently
not visible, but it would be in different angles. You can see that I'm going
for quite a light mode vibe. This is filmed at night because this was when I was
working full-time as a doctor so I
didn't really have time to film during the day. But you've got this blue accent that's created by the
lamp in the corner. We've got the orange
accent created by the lamp in the other corner,
teal and orange, like blue and orange is like a pretty pleasing
complimentary color set or opposing color sets, just in terms of color
grades and stuff. A lot of people like pairing teal with
orange and I thought, hey, that fits my
vibe let's do that. In the foreground as well, we also have this
colorful keyboard, which is again a deliberate
addition because I thought, keyboard that's white, blue, and pink is actually the
vibe I'm going for and there's a very
deliberate choice of books in the background. We've got a few board
games at the bottom of this bookshelf, and then
we have a few books. I think it's the Throne of
Glass series or something like that where I saw those
in a shop and I was like, those books look really
nice because they're white and blue and white and blue is the vibe I'm
trying to create. Therefore, let me
buy these books specifically to stick on the
bookshelf in my background. Now we're going to go in
the channel and we're going to look at the older videos. I'm going to show you when I
first started doing YouTube, what did the backgrounds
looked like? We've got a few singing videos. Here we go. This is really bad. This is awful. This was my first proper
video that I did, which now has 137,000 views. I was filming this in
a random hotel room in Cambodia where it was
on my medical elective while I was doing a plastic
surgery placement did not have any knowledge about what
makes a good background. It was literally just the
hotel room curtains behind me and a very harsh light from a desk lamp shining onto my face because I knew
nothing at the time. This is not a very good
background but hey, it did the job and
it goes to show that the background is not
massively important. Then this was all still in that hotel room
where I was like, I don't like filming
against the curtains. Therefore, let me film with a white wall in the background. Again, not thinking
too hard about it. Then I got back to university and this was
my background in my room. We can see over
here, I've actually made a mistake with
framing and that I probably have too much headroom
because this looks weird. I'm also weirdly off-center. It's not quite the rule of
thirds where I'm off to a third of the screen but
it's just a little bit off, like as if it's somewhat
unintentionally as if I intended to
be in the middle. But you can see again, I've got a bookshelf in the background because I
had a bookshelf in my room. We've got a little
teddy bear at the top, massively overexposed on
the lighting so this is not fantastic and then
50 videos later. Here's one, this was another background that I had
where I was like, if I have the camera far
enough away from me and use a 35 millimeter lens then I'll be able to have my computer
monitor in the background and the computer monitor looks nice because it shows that, it's a computer
monitor and that's the vibe I wanted to create. But it was a university
room where I didn't have a lot of stuff going on so I couldn't do a
lot with the background. Then a few 100 videos later, I finally decided
to make this one. This was a iPad Pro medical
school review video, which now has 5.7
million views and this was like my 90th video
or something like that. A whole nine months
into starting my YouTube channel and
making two videos a week. This was when I realized
that, this actually looks quite nice because I've got the light coming in from the window. I did not have an artificial
light for this video and if I clean my room and have most of the
background behind me, the camera does a
good job in blurring that background so
this looks nice. Again, none of this was
completely intentional. This was just what my room
happen to be like but you can see how I'm thinking about approaching
the background. Let's look at some
other examples. An example that I really
like is Pick Up Limes. This is one of my favorite
YouTube channels to get inspiration for with
regards to vibes. l think we showed her example
with thumbnails as well. You can immediately see the vibe that she's creating,
this wholesome, healthy, green vibe and so if
we look at her background, you'll notice that well there's just loads and
loads of green and stuff in the background and it's very earthy tones but with loads of green and it's very light
mode rather than dark mode. It just makes you feel
awesome and nice and she's just got loads of
plants everywhere. All of these are
intentional decisions that Satya is using to make her background seem
more naturally and awesome-y because that's
the vibe she's going for. Let's look at Peter
McKinnon. Peter McKinnon is also one of my
favorite You Tubers and as I said whatever
session it was, I try to make my vibe to be the Peter
McKinnon of medical school. If we look at his background, there's a lot of camera gear in the background because that's
the vibe he's going for. He's got a bunch of lights. You can see lights up
there., lights over there, lights over here.
He's in his studio. It's cool because
he's got a lot of lines leading up
to him and you get a lot of straight lines but this is also very dark mode vibe. The way he's dressed,
the way he's lit, the background, it's
very dark mode. It's very different to mine, and it's very different
to Pick Up Limes. Peter McKinnon is not going to have loads and
loads of greenery in the background with a white
wall and bright lights and bright blue colors
because it's not the vibe he's trying to create. The vibe he's creating is a more grungy, masculine, tattoos, pirate icons like
very grungy vibe and it works really
nicely because that's the vibe that he's
intending to create. The thing that I'd encourage
you to do is that as you're thinking about figuring out what your background
should look like, be intentional about the vibe that you think you
want to create. If you don't know,
that's totally fine. Again, you can steal
like an artist. You can read this
book, steal like an artist and follow its
advice and actually steal like an artist where you're just getting inspiration
from other people, you are stealing
ideas from them. Then over time, you
can be like, I really like that element
from Pick Up Lime, that element from Anti-valor, that element from MrBeast,
that element from, l don't know Nathaniel Drew, or whoever your inspirations
are and you can start incorporating those slowly over time into your videos. Let's use another example
that's different. This is Casey Neistat, which you might be
familiar with and again, his whole vibe is that he's
got this very like DIY setup. He's got his office
in the background. Again, Casey Neistat
would not be caught dead with
bright blue stuff, with lamps, with green
plants everywhere. It's not the vibe
he is going for. The vibe he is going
for is homemade DIY. That's his editing style, his filming style, it's
his background. It all works nicely to create the brand that
is Casey Neistat. Now, at the start of
your journey again, it's not overly
important because you probably don't know
what your brand is. You don't know what
your brand values are, you don't know what
vibe you're trying to create but just keep that in mind slowly over time as you make more
and more videos, being intentional about
the vibe you want and therefore adjusting your
background accordingly. I get it, if you're
filming in a tiny bedroom at the university
or in your house, or you've got kids running
around all over the place, or you've got family, that means you can't
completely control your living room to whatever you want, that's totally okay. We all have to work within the constraints
that we've got, but there is always
stuff that we can do to make our background look nicer. To be honest, like one
of the main things is just to make it clean. One of the most
unprofessional things you can see from a background
is that it is untidy. If we look behind this camera right now, it's
an absolute mess. We would not be filming with the absolute mess
in the background but that's okay because
in front of the camera, where you guys are
seeing it looks super clean and super
nice hopefully, and I even spent
some time tidying up the bookshelf this
morning to make sure the books were aligned because books that are like wonky, books that are not
in the right size, it just all looks a
little bit messy. Even if you're not going to add anything to your background, just make sure your
background is clean and tidy because
that is far more aesthetically pleasing than a messy and cluttered background unless of course you are
going for messy and classic. Casey's background is
pretty messy but it's like organized chaos and it doesn't look as if you've
landed in the picture. It looks like, wow, everything is organized nicely into place. Those are some tips on how to
set up your background and then when we actually get
around to filming the video, I'm going to pick the most
random unnecessary part of this room to film in and I'll show you how physically I would change up
the background to make sure it's
clean and to add in these elements of personality
that I care about. Thank you very much for watching and I'll see you in
the next lesson.
17. Exclusive Bonus Materials: Hello again, how's it going? I probably look a little
bit older than when you're watching this class because I'm filming this after the fact. Because just to let you know, we have just added an
enormous amount of totally free bonus material
over to my website, which facilitates all of the different skill
share classes that we have here
on the platform. So if you head over to Ali Abdel.com, forward
slash Skillshare, resources that lingual
appear here and also down in the projects and
resources section or wherever you happen to be seeing this Skillshare often changes the structure
of the website, so it'll be linked somewhere on this page and
also right here, so you can go to that URL and that will give
you access to a bunch more bonus information
relating to all of the different
Skillshare classes. For some of those that might be Notion templates
for some of them might be PDFs and worksheets
and bonus material. It's all on the website,
it's all completely free and you can check
it out with that link. Anyway. I hope you
enjoyed the class. I'd love it if you can leave
a review if you haven't already and hopefully see you
in the next one. Bye bye.
18. Talk to the Camera: Welcome back. In this lesson, I'm going to give you some
quick tips on how to improve your camera confidence and how to speak to the camera
a little bit better. Now, this is something
we all struggle with. No one finds it
natural to speak to a camera as a completely
inanimate object. It always feels really weird. People always feel,
''Oh my God I hate the sound of my voice when
I hear myself on camera.'' People often think
you know what? I'm reasonably
comfortable speaking in a group setting
or speaking in a class or presenting in real life or even
speaking on Zoom calls. It's just something about
hitting the Record button on a YouTube video that makes me freeze up and makes
my life very, very sad.I have a few different ways
of dealing with this. We're actually working on a course about this
which will be linked somewhere over here at
some point but basically, Number 1, it just comes with practice but you
already knew that. Number 2 is we
want to figure out baby-step ways to improve
our camera confidence. One of those is actually to send more video messages
to our friends. What we can do is we can
just open the camera. I don't know, just make a
video message selfie mode on the camera being like, hey, Gareth has going, I just wanted to say,
thanks for all the work on the creator MBA course that
we're working on I just want to check in to see
how things were and yeah, have a good day. Whatever, anything like that you can send
to your friends, you can send to your co-workers, you can send to your colleagues. It's things like that. The more practice
we have talking to an inanimate screen or lens
and delivering information, or it's saying,
we want to say in the same way as if we would if that person was
standing in front of us, the more comfortable we're
going to see him on camera. Tip Number 3 is
that we want to be thinking of the camera as
if they were a person. Now there's two ways
that I go about this. I have two minds to two different approaches
to talking to a camera. The first one is the
coffee conversation. It's when I usually
have a glass in my hand and I'm
talking like this, hey friends, welcome
back to the channel. In this video, I want
to share my thoughts about why I decided
to quit medicine. To be honest, it was a bit
of a difficult decision. I have been really struggling with this for
the last seven years, but ultimately I decided that
this is what I wanted to do and it's this slightly
lower energy, a bit more loci as if I'm
confiding in a friend, I'm treating the camera as if the camera was my therapist. Almost. The camera's
not going to respond to me but it's
like my therapist, I'm pouring my heart out and I'm doing it as if we're just
sitting across a coffee table. Right now the camera is
about our hands, hands, breath, hands length away from me and I can talk in that way. The other way to talk on camera and this is
what's more popular amongst YouTubers is to
slightly dial up the energy. If my usual energy
like right now, in speaking is
maybe a five out of 10 when I'm presenting
a YouTube video, I'd probably go up to
about a seven out of 10. This is what that looks like. That doesn't necessarily mean that you have to speak faster, but it does usually mean
that you're coming across just a little bit higher energy, a little bit more confident
using a little bit more in the way of hand gestures
and stuff like that. Now if you were sitting across a coffee shop for me
and I was talking like this, it would be a bit weird. It would probably
sound a little bit preachy but generally, when we see stuff coming
across on camera, by default, we imagine it as being a slightly
lower energy level. To compensate for that we go for a slightly higher energy level while we're talking
to the camera but to be honest when it comes
to speaking to a camera everyone has their own style
and any style can work. What I would recommend is that
if you don't yet know what your camera personality
is you watch a lot of YouTubers and
see who you want to copy. One example that I will say
is that Peter McKinnon, the YouTuber, was who I wanted to copy with
my camera style. I thought I want to be
the Peter McKinnon of medical school because he was very dynamic, he was engaging, he was fun and my
failure to imitate Peter McKinnon ended up morphing into my own personal style. You're never really
going to quite copy someone because
you can never really copy someone's style
word for word but you can take inspiration
from that style and even attempting to
copy someone's style will eventually result in your
own style coming through. One quick thing that I do when speaking to a camera's
if I make a mistake I usually clap my hands or snap my fingers because a, that makes it easier
to see the waveform spike when I'm editing video if I'm editing
the video myself. But it also functions as a bit of a psychological research. It also functions as a bit of a
psychological reset. It helps me think
I can just snap. I can take a breath
and I can continue. What you don't want to
do is snap and then what you don't
want to do is snap and what you don't
want to do is snap it. What you want to do is leave a pause before and
after you snap because then, it's much easier in the edit to string those things together. Whereas if I snap and
immediately go into it then when you're
editing your own videos you realize it's
actually quite hard to edit out that pause, which is why it's okay to pause when you're filming a video that's
going to be edited. Pauses can always be removed
in the edit after the fact. Now I've got a bunch
more tips on how to speak more comfortably
to a camera but what I'm going to do is I've already made a YouTube video about this called Secrets of Public
Speaking or something like that. I'm just going to
include that video in this class wholesale. That's another 10 tips on how to get better at public speaking, which also applies
to getting better at speaking to a camera.
I hope you enjoy that. When I was younger,
I used to be really, really bad at public speaking. I was super shy, I never wanted to put
myself out there and I was really terrible at
talking to pretty girls, but over time I've improved
at two of those things. In this video, I'm
going to be giving you my nine top tips for how to
be a better public speaker. Let's get into it.
Tip Number 1 is get the **** out
of your own head. When we're talking
in front of people, public speaking is
the biggest fear in the world outside of spiders
or death or something but when we're public speaking we can often feel like there's all this judgment
that's being cast on us and that people are here to judge the things
that we're saying. It's very easy for
us to get into our own heads and to worry
about the things that we're saying and to worry about how we're coming
across and worry about our body language
and whether we're sweating through our top All of this stuff gets in the way of giving a good talk,
giving you a good speech. For me whenever I'm giving a speech or even
talking to a camera, I always try to remember
that it's not about me. The audience does not care about me. They do
not give a toss. The audience only cares
about themselves you, the viewer as much as you like me and care
about me potentially, you actually don't
really care about me. You only care about yourself. You care about the, hopefully, the value that I
can provide to you. Therefore, for me to be in my own head worrying
about how I'm coming across is
counterproductive because it gets in the way of the message that
I'm trying to give. Keeping that in mind that
no one cares about us, get out of our own head, and let's make it all
about the audience. I found that really
helpful. Tip Number 2 is to speak through a smile. Now I'm going to show
you what this looks like before and after I
apply this technique. While doing that I'm
going to tell you about our sponsor for this
video which is Audible. If you haven't heard
by now, Audible is the absolute best place to
get audiobooks from anywhere. Audible is probably
the single app that's most changed my life. I often say to people
that if I could only have one subscription
in the world it would be a subscription
to Audible That's me talking normally without
speaking through a smile. Now I'm going to say
basically the same thing, but I'm going to have a smile on my face while I'm saying it. Hopefully, you will see
the effect that it has. Audible is genuinely one of the most life-changing
apps that I've got. I listen to Audible
for many, many, many hours each
day and these days now that I'm actually leaving the house a little bit more, I'm going in the car going on road trips going on picnics. It's like enjoying my hot
girl summer as it were. I've always got audible as a companion these
days I'm listening to a book called unconditional parenting, which is
all about parenting. It's really, really interesting even though I'm
not yet a parent. With that, hopefully you
have seen that when I'm speaking through a
smile, hopefully, I come across as much more
engaging and enthusiastic rather than when I'm
talking like this because I could be saying
exactly the same thing, but as soon as I start
speaking through a smile, hopefully it just sounds
a little bit better. This is an absolutely
fantastic hat for getting better
at public speaking. Tip Number 3 is to avoid the British Airways
mode of speaking. This is what I mean by the British Airways
mode of speaking. If you're looking
for a great way to experience audiobooks this summer then head over
to audible.com/aliabdaal. If you're an Amazon
Prime member, you'll actually get 53 percent off your Audible subscription
for the next four months. This is an incredible deal and it's an absolute no-brainer. That is my British
Airways voice. This is the voice that
a lot of us put on. Sometimes I call it the primary school teacher voice as well. It's a voice that a lot of us fake put on when we're giving a speech because
we're thinking of it as giving a speech
and it's like, when I am giving a speech, I have to talk in this
exaggerated sound like an air hostess or like an announcement on an airplane
flight would sound. But if you're still
watching this, hopefully you've
realized that that is not the way we want
to be spoken to; we don't like it when people
talk to us in this fashion. To get over this,
like sing-songy, British Airways, primary school teacher way of speaking, what I try and do, when I'm speaking, I'm
going downwards. If I tell you about Audible while speaking and going down, it might sound
something like this. Genuinely Audible is one of those absolutes most
changed my life. I've been listening to fantasy audio books for
absolutely years now. Since 2017, I've listened to Audible for around
three hours a day. Particular favorite
of mine are the Mistborn Series by
Brandon Sanderson, Stardust by Neil Gaiman, also a great public speaker, incredible for listening to, if you want to improve
your public speaking. But if that sounds
up your street, then head over to
audible.com/aliabdaal, and if you're a prime
member, you'll get 53 percent off your
first four months. That was me talking and
not British Airways mode. I was talking in a more matter of fact fashion and aiming to go down rather than talking in a sing-song fashion and aiming to go up at the
end of a sentence. That's just something
to keep in mind. Avoid speaking like a
primary school teacher. Avoid speaking like a British
Airways flight attendant. Be yourself and try and speak how you speak when
you are around your friends, which is not in this
sing-songy fashion. Tip Number 4, is let your
personality shine through. Again, one of the issues
that we have when we're public speaking
is we think of it as I'm giving a speech
and we don't want to be thinking of it as
I'm giving a speech. Because then for
some reason we feel all stuffy and we feel formal. Even if it's something like
a business presentation or a presentation at work. I've given so many
presentations, at medical conferences and at teaching sessions
in the hospital, and I always try and let
my personality shine through and try and
be a little bit more casual and a little
bit less formal. If I'm at a medical conference, even if I'm talking about
something very serious, the audience wants
a personality, the audience wants
banter, they want humor; they want to have a good time, to an extended they care about
the content of the speech. But broadly, they all just want to have a good
time and they all just going to stay there
sweltering in the heat. I was at a conference in
Singapore a few years ago, sweltering in the heat and they just want
to have a good time. When you let your personality
shine through when you're on your own
unapologetically weird self, the audience really
appreciates that and so whenever I think of public speaking or speaking in general, I think that I should not stifle the quirky aspects
of my personality. Maybe I'll throw in a
toilet joke here and there. Maybe I'll reference
Harry Potter. Maybe I'll talk
about Disney songs or how I was singing in
the shower the other day. That kind of stuff sounds a bit trite and
trivial right now. But generally it helps
my personality hopefully shine through videos
and through speaking, ramping that up slightly
rather than dampening it down, which is what we're prone
to do in a public speaking. Think that's the way forward. Tip Number 5, for
public speaking, is try and add banter and humor and stories to the stuff
that you're doing. Again, we're is
getting outside of this mindset that
I'm giving a speech, therefore, I have to be formal
and I have to be boring. Instead think that
really the only thing the audience cares
about is having fun. How do we make the
audience have fun? We can add jokes,
we can add banter, we can add storytelling. This is not a video
about storytelling. Maybe we'll do one
in a little while, but fantastic book by one of
my friends, Matthew *****. It's called a Storyworthy. It's absolutely incredible, my favorite book of 2020. That is basically all about
how to tell a better story. In fact, that's also
available on Audibles so go to audible.com/aliabdaal to get your audio book of
Storyworthy by Matthew ***** if you want to learn
to be a better storyteller in every way. Tip Number 6, is don't
read from a script. Whenever we're reading
from a script, it's going to sound
absolutely terrible. Like there is no way to make reading from a script
sound not like reading from a script
because we all go into this reading thing. We've all seen people, speeches, and stuff
where they look down, they've got their notes and
the way they deliver it, it's obvious that they're
reading from a script, they automatically go into
British Airways mode. This is basically
all the way forward. Certainly for me I find
that whenever I'm having to read from a script to
make a YouTube video, it's just not fun and it sounds absolutely
terrible and it takes me absolutely ages
to get it right because I just hate
reading from a script. What I would recommend is,
if you're giving a speech, just use some talking points. It's useful to have an outline. It's useful to know how you're going to start and how
you're going to finish. It's useful to know what broad talking points
you want to hit. But beyond that, I
think there is a degree like it's very possible
to over prepare a speech. As soon as you get into that
realm of over-preparing, you're going to sound like
you're reading from a script and that's not going to
be particularly engaging. Don't worry about the script.
Focus on the bullet points. Tip Number 7, is to
just speak louder. Generally when we're
giving a speech, we want to be adding
a little bit of energy because people want
to have fun ultimately, they don't really care
about the content. They just want to have fun and
a super easy way of adding energy to whatever
we're saying is to just speak a
little bit louder. The way that I think
of this is that my normal speaking style
is about a five out of 10. This is about five out of 10. This is how I'd be
talking normally if I was hanging
out with friends. But I'm going to ramp it up to a seven out of 10, if
I'm giving a video. This is me talking at
a seven out of 10. Certainly, if I was doing
a speech in public, I'd be talking at this pace or this kind
of loudness rather. This loudness would be weird if I was sitting
across from someone at a coffee table or if
I was at a dinner party, this loudness would probably
be a little bit excessive. But it's a YouTube video. I'm giving a speech. Or if I'm
giving a speech in public, I would ramp up my
loudness to a seven out of 10 rather than a five out of 10, which
would be my baseline. Tip Number 8, is to speak
slower and pause more. This is something that
I really struggle with. I did a course called
Ultra Speaking, which is really
good link the video description if you
want to check it out. Then of course, the main thing that the instructors were telling me on
this is that look, you just needs to be more
okay with taking time. Be more okay with
speaking slower, and be more okay to take pauses. Because a pause to
the audience does not sound nearly as
long as a pause to us. If I'm actually giving a speech rather than trying to race
through a YouTube video at breakneck speed the
pauses are what allows the audience to appreciate the thing
that we've just said. The guys are ultra speaking.
The way they talk about it, it's like when we're speaking, if you imagine a snow globe, when we're speaking,
it's like we're shaking up the snow globe. Then when we pause, we're giving time for the
snow to settle. I still suck at this; it's a work in progress, but certainly I found that my speeches and my
talking in public becomes more powerful
when I'm more confident that I can speak slower and
I can take more pauses. Otherwise, the thing that
I struggle with is that, in my head where I'm
like, Oh, my God, what if what I have to say
isn't really valuable? I'm trying to respect
people's time. Therefore, I'm going to race
through this as quickly as I can so that they can go on and do something
more interesting. But I'm having to rewire
my brain into thinking, no, people are here, they want to listen to me. I am providing value, and it's actually better
for the audience, if I slow down a little bit, if I let this snow globe things settle and if I take a
little bit more pauses. Finally Tip Number 9, something
that I find helpful is to actually play
public speaking games. Again, my friends
at Ultra Speaking, they have this ultra
speaking simulator that gives you lots
of interesting games. I'll show you what one
of these looks like. This is Triple Step, which
is one of my favorite games. The idea here is that
we've got to give a speech about a random topic. Then we've got to
incorporate the words from that are appearing on screen as they're
coming on screen. This is hard, but it's also quite fun to do. I enjoy doing this
sometimes in my spare time. I'm going to do it on
the maximum settings. Let's do 30 seconds integrating eight words into it and it's
going to suggest me a title. Let's see what this looks like. The color of life. To be honest, I think the
color of life is blue. Blue is my favorite color. I find that, for example, if I'm running a marathon, I see the blue sky and
it really helps me focus if I roll the windows down in my blue Tesla, again, it allows me to feel
the breath in my face, even when I'm going
to the toilet or having just been for
a round of horse racing, I just feel that color
blue everywhere around me. It's like an engine. When you have the perfect color, you can feel as if you're like a Ferrari engine
driving down the road. Even if you're voting for
popsicles or whatever, it's just the color in the sky. It feels like the color
of luck. That's scary. But these games, you can get an Ultra Speaking. They're free, pull
the link in the video scripts if you
want to check it out. This is fun, good way of
improving public speaking. Those are my nine tips at getting better at
public speaking. If you liked this
video, you might like to check out
this video over here, which is the lessons
that I've learned from the last four years of being
a public speaker on YouTube. Those are general life lessons that being a public figure, dealer celebrity has taught me. Thanks so much for watching. I'll see you in the next video. Bye-bye. Those were a bunch of different tips on
how to get more confidence speaking to a camera. When you first start
filming videos, it's probably going
to feel really bad. It's probably going
to feel like you're waiting through trickle
because it's just such a nightmare trying to film the video.
But that's okay. We all make mistakes. I still make mistakes all the
time while filming content. I've been doing it for
five years. It's okay. You just sort it
out in then edit. It's like writing. The first draft of
writing is pretty crap. But then in the edit is
where it starts to get good. Similarly, when you're
speaking to a camera, it really doesn't matter
how many mistakes you make because you can always just get rid of all of them in the edit. Hopefully that's
helpful. That was some tips on how to get
better at cameras speaking, and I will see you in the
next lesson. Bye-bye.
19. Set Up Your First Video: Now we're getting into the fun stuff
and we're actually going to be filming
our first video. In this lesson, we
are going to be setting up for our first video, and we're not going to
use this setup because this setup is a bit unfair and not very beginner-friendly. Instead, I'm going to walk
around and I'm going to find somewhere totally random, probably this one where
it's just basically a desk. It's nice because we have a
bit of a window behind us. But otherwise, there's
not much going on here. What I'm going to do is, I'm going to show you
cinematic mode. You know what? Let's actually just
use normal mode. Cinematic mode? You know what, I'm going to use normal mode, whatever, it doesn't
really matter. I'm going to use
normal mode, and we're just going to
set up the phone and we're going to talk about how we're actually
getting the setup. Before we do it,
what is the setup? Well, the setup is an
iPhone 13 Pro with a random Amazon tripod
phone mount thing and this Manfrotto
mini tripod thing, which I got off Amazon as well. You can get any phone
tripod. They're super cheap. What we're going to do for
audio is we are going to use our Rode VideoMicro. Please, if I can
grab it. Thank you. This is the Rode VideoMicro, which is again $40 from Amazon. We're going to plug
it into the top and we're going to, oops, thank you very much,
plugged it in via the lightning port into
our iPhone. There we go. Where is the pluggy thing? That red cable.
Thank you very much. We are going to
be just basically plugging into the microphone. There'll, of course,
be links to all of this stuff in the
resources' area. This microphone is $40, the cable is about $5, this tripod at maybe
$30, $70 setup, we have what is going to be a pretty reasonable
filming setup and so this is the gear that we are now
going to be using. This is fun. I'm
excited about this. I'm going to set up
the tripod first, and we're going
to see how we can make this background
look not awful. Currently, this looks pretty bad because there's
too much going on. I wonder if we actually
discussed straight. How am I setting this up? I do want a table in front of me because
when I show the items, this is your table. Maybe we'll move this a
little bit further back, oh God, another way. How's that? That could
work reasonably well. Annoying thing about
this mic is that I can't really see myself. Here, I want to get my phone
up to some high level. What I'm going to
do is take some Amazon boxes that
we've got lying around and just like there we go. That's a pretty junky *** setup. But I'm sure it will
get the job done because we are
beginners after all and as long as we are
making the videos, it doesn't really
matter what we are. I'm happy with the kind of
high level of this right now, although I would actually like the table to be more
visible because I want to show the item and then put it down and so right now this
view is not showing the table. I need to probably move the
camera a bit further back, which is annoying because
it's going to be the audio worst. But what else? We really are just working
with what we've got. Does this work? [inaudible] I think
it will work. Good. I think we're
getting somewhere. I think this is good.
This works nicely. I'm happy with the
general framing. My head is just brushing
the top of the frame. We can see my table so that when I talk about the gear that I'm going to
be reviewing for the video, I can lean forward, I can
talk to the camera like this. I need to make sure I'm
looking at the lens rather than at myself because
that looks weird, and I can have
stuff on the table. Now we need to
figure out we've got the gear, we've got the framing. We now just need to make
the background look a little bit nicer and the key thing to
making the background look a little bit nicer is just like cleaning
it up a little bit. We can see that random
coat needs to go. There's some boxes there,
there's some boxes here. I'm just going to do my best
to clean this up so that it doesn't look so atrocious.
Here's what that looks like. Great. Now this background is so much cleaner than what
it looked like before. We're going to do a little before, and after. I don't know what that's
going to look like in post, but this is starting to
look pretty reasonable. Now the things that
I want to do is I could just film
the video like this. This looks reasonable.
No one's going to complain if they
see a Le Creuset Harry Potter review,
what's its face? Let's get my products. I could film the video
like this if I wanted to, but I actually do want
to do a little bit of modifying of the
background just to, [inaudible] that box
is a bit annoying, well, it's hidden
by my chair anyway, modifying in the background is to make things look
a little bit better. We said the trial
factor was books, plants, and a lamp. We don't have any lamps
that are easily movable, so not going to
bother with that, but I am going to stick a plant
or two in the background. We can see what that looks like. I don't really like
the fact that there's obviously some
office-looking fire door. I want to see if I can put a plant in that
corner over there. Just stick a plant in there
just to add good vibes. Let's try that and
see how it looks. Navigating my way
through this office. What kind of plants
should be used? I think this plant would
be good because it's quite tall. Well,
it's self-contained. Good. I think house plants like
this, it just like so good. Just making any background
looks so much better. Does that work? It's not work in the background. It does but another
general principle which I learned from Peter McKinnon through
watching a bunch of videos, is that you ideally
don't want to have stuff coming like sprouting from your body or sprouting
from your head. Right now if I film
the video like this, like my body is half covering
the plant and half not. I do want to move
it a little bit more in this direction
unless I can potentially move
this drawer unit over here and shove
the plant over here. Would that work?
Would that look good? That's looking reasonable. This background is now
automatically more interesting because we have a
plant. I think that's nice. There's not really
a lot that I can do about that fire
door, keep locked. Is there anything I
can do about that? No, there is not, but I can get rid of this all-dotted
green screen. This is looking okay. What else can we do
with this background? To be honest, I think not a lot. I think we are kind of stuck now because
we've got the plant. I could put a bookshelf
there, but I'm not allowed to cover
the fire door. Do we have anything else
that we can use to add vibes? I think plants. Fake plants are good vibes, especially in the foreground, so I could stick a fake
plant like over here somewhere and this would be a nice little
like, I don't know. Oh, over here.
That works nicely. Now I want to talk
about the video. I've got little fake plant over here is a
bit of foreground object. We've got plant over there, in the background and now I can just say my video like this. This is actually, I think,
a pretty reasonable setup. I do tend to have a tendency
to move around a bit. We might see that yoga mat, but I don't really
care at this point. I am now happy with my setup to film my
first YouTube video. That's how we took a random spot of the office, made it look a
little bit nicer by basically just cleaning
up the background. We've got the setup, we've got everything ready to
go and now I need to fill my video based
on the script that I wrote a few lessons ago. Thank you for watching and
see you in the next lesson.
20. Shoot Your First Video: [MUSIC] Welcome back. It's now time to film our video. You can see what I've
done is I've taken my laptop and I'm
sticking it in front of me so that it can't be seen
in the frame of the iPhone. I'm going to bring up my script. I've got my script
in front of me. I'm going to zoom in a bit so I don't have to worry about it. Type line title is LeCruset Harry Potter
Dutch oven review. Thumbnail, will
think about it in a little while, but
I've got some ideas. Now, I've got my hook intro. Hey, friends. Welcome
back to the channel. I've got the main body where
I'm talking about caveats, design, tech specs, what it's like to
cook with them, and closing thoughts,
and I've got an end screen where I
point to my latest video. What I'm going to
do is I'm going to hit record on the iPhone. I've got it on cinematic mode so that it will artificially blow the background
a little bit, but if your phone doesn't
have cinematic mode, that's totally fine. It
doesn't really matter. I'm just going to run
through and show you how I would film this
video in real time. No cuts or anything like that. By the end of this video, once you've seen what I've done, I want you to also go out
and film your first video. If you can. That would be ideal. Let's do this. I'm
going to hit record. This is attempt number
1 at this video. Now, actually microphone-wise, I'm actually recording
our audio from this road, road video micro. This lavalier microphone
is actually just to record with this
proper camera, so you can ignore the fact
that this lavalier exists. This is what it would
look like if you had a lavalier that was like
underneath your shirt, snaking around here
and plugging into the iPhone if you
really wanted it to, but [NOISE] let us
go. Hey, friends. Welcome back to the channel, or should I say welcome
to the channel? Because this is my first
video, this is Ali's kitchen. In this video, we are reviewing this LeCruset Harry Potter
signature edition Dutch ovens. These are expensive. They're a bit absurd, but
I thought, you know what? I'm getting into cooking and I freaking love Harry Potter
and so I thought why not? Let's find a way to buy these
and then to cook with them. Here I am making a review
because to be honest, I looked on YouTube
and I couldn't find many reviews about it. What's coming up next? Now, quick caveat before
I start the review. I'm a total beginner to the world of cooking and
I actually don't know anything about how
to review cooking gear. If you're looking for a
pro chef to review these, I'm sorry, you're out of luck, but this is a beginners
review of the topic, or should I say of the products. As I said, I bought
these because I was in the market
for a Dutch oven. [inaudible] the four-hour chef, and I bought the
Harry Potter editions and paid extra for them because [LAUGHTER]
it's Harry Potter and I freaking
love Harry Potter. I have used this
one so far to make a corned spaghetti bolognese, which turned out really nicely. I've used this smaller one
to make a vegan fajitas, which also turned
out really nicely. I'm a huge fan of
cooking in them. Let's get started
with the design. Now, the design is pretty nice. These are pretty standard
Dutch oven from LeCruset. LeCruset famous for apparently having some of the
best Dutch ovens in the market. What size is this? Twenty six centimeters? I'll go over sizing in
the next one actually. They are available
in red and blue. In red, you only have
available this larger size, which I believe is the
26 centimeter one, although let's just
double-check to make sure. Yes, 26 centimeters indeed. This size, it's pretty heavy, it's pretty hefty, it's how hefty you'd expect
a Dutch oven to be. The little one is
20 centimeters. It's a nicer size for cooking for a small
number of people. I think this is more
small family vibes, whereas this huge one is more like if you're
cooking for a party, I suspect, although
I don't know. I'm not really a pro, but the real cool part of
these things is the lids. For the red one, you get
this lid which has LeCruset, and if I hold it up like this, you'll see it's got
the glasses over here. It's got the hair over here, and the lightning
scar, which is nice. The lightning scar acts
as a bit of a lid. [NOISE] That's really cool. Then the little
one is Quidditch. I don't know if you can see
on the camera, but we've got LeCruset at the top. We've got these three
hoops when they're playing Quidditch and
we have the golden snitch as a bit of a handle. That's actually a
pretty cool part of it. To be honest, this is why
I bought the collection. I also got a cast iron pan
which is 26 centimeters, which then fits this lid. I've got that in series, which is the red color as well. Now it's as if I have multiple items in the
Harry Potter collection, even though I've
only got one lid, so that's pretty ideal [NOISE]. Designs as well,
we've got the handles which was convenient,
and obviously, if you're sticking
these in the oven, the handles do get
really hot because this is enameled cast
iron, I do believe, but the way it works is that, well, if you stick
an oven hat on it, or oven handles or
anything like that, it becomes much easier to carry so that you don't
burn yourself, obviously. Fine. Let's talk about the
technical specifications. I've written tech
specs in my script, but I went a bit
off script and I've already discussed these, so I'm just going to cut
that from the script. I'm just not going
to bother with that. [NOISE] That was a little bit
about the design. Let's now talk about
what it's like to cook with these items. Like I said, I made a big
corn bolognese in this. I cooked for around
about 22 people, managed to make a whole pot
full of corn bolognese. I think I got like four
cans of canned tomatoes, or pasta sauce or something. Put it all in, put a little corn mince because it's vegan, or vegetarian or
something like that. I chopped up some celery,
chopped up some carrots, and I shoved them all in there. Then I actually had
this all prepared like an hour or so before the guests arrived
and this was just simmering on the
little stove top. By the way, I was using
an induction cooker, and these are induction
cooker friendly. They work with all
sorts of cookers. It was just simmering
away and it added a really nice smell when
people came in and they saw it simmering away
as people came into the house for the
party and they were like, what is that? It created a really good vibe. It was super easy to clean
up afterwards as well. I think the fact that this is enameled cast iron means that
it's quite easy to clean. I just use a little bit of soap and just rinsed it out a bit. Didn't put it in the
dishwasher because apparently you're not supposed to
do that with cast iron, although to be honest, I'm not sure about what that's like with enameled cast iron, but it was amazing. It was very easy to
clean and brand new. Now I'm really looking forward to cooking
with this again. That's what it was like
cooking with this one I thought the size
was perfect for a whole ton of bolognese that was servings for
about 20 people. Although at the end, there
wasn't really much leftover. If you're trying to
serve for 40 people, this is probably
not a good size, but 20 people,
bolognese where you're making pasta on the side
in a different dish. This worked really nicely. Now, let's move on to
the 20 centimeter one. I cooked some chicken
for heater mix in this. I got some garlic, and salt, and onions, and chopped them up,
shoved them in there. Used some Mexican fajita mix and chopped up some
vegan chicken, chucked it all in there,
and some bell peppers, chucked it all in there.
What else do I have? I think I had a few
tomatoes as well, chucked it all in there.
This worked nicely. I was feeding four people; me, David, Lauren, Lucia. Yeah, four people. To be honest, I probably
could have made more. We finished it all quick, but everyone had two
or three fajitas each, and the food then finished, and I was like, I'm actually feeling a
little bit more hungry. I wished I could've
cooked a bit more, but when I was cooking those, it was about half full, so I could have easily gotten more value out of this had I just added in more
bell peppers or more fajitas or more chicken
bits or more whatever. [NOISE] Overall amazing experience of cooking with that one as well. Again, super easy
to clean because enameled cast iron and
everyone was blown away because this lid looks pretty sick when you bust it out and stick
it on your table. This is probably the one
that I'm going to be using more on the daily to cook because this one is
more party-sized when I'm cooking for a
large amount of people, but to make balls, to make
stews, to make soups, this is the one that
I'm going to go for, [LAUGHTER] [NOISE]
and it's the one I find myself reaching for when I think about doing
any cooking with it. Now, let's go into
closing thoughts. [NOISE] Now, in terms
of closing thoughts, to be honest, these
are really nice. This was 360 pounds and this was like 280 pounds
or something like that. I checked in the
LeCruset shop to see how much the non-Harry
Potter versions were. The non-Harry Potter
version of this was 300 pounds and
this was like 220. I was paying about an
extra 20 percent more for the benefit of the
Harry Potter branding and I felt personally for me, that was a price worth paying. Since I've gotten these, I also got the spatula set
and I also got the mug sets. By the way, if you're
interested in a review of those, leave a
comment down below, and I'll review the Harry Potter mugs and the Harry
Potter spatulas. I'm trying to get the
Casserole Voldemort dish as well, but that
was out of stock. I found that because it's just the Harry Potter's vibes and I freaking love Harry Potter, it has encouraged me to do more cooking now
that I have these, but it does come at that expense of
the extra 20 percent, although LeCruset
lifetime guarantee, these apparently last
for generations. I'm hoping my kids and our kids' kids will
also be fans of Harry Potter so they can
use these items as well. [NOISE] If you want to check them out, I'll put links in the
video description to the LeCruset website
where you can check these out and you
can buy them if you like. [NOISE] That's the
end of my review. I hope you enjoyed this. If
you did click over here, which is my latest upload. I'm hoping to do more reviews
and stuff on the channel. If you have any
requests for ideas of content that
you'd like to see, please do leave a
comment down below. Hit the subscribe button if
you aren't already and if you want to see more
cooking theme stuff. Thanks for watching and
I'll see you hopefully, in the next video. Bye-bye. I'm actually
sweaty [LAUGHTER]. It's actually quite
hard doing a review of something that you're
not that familiar with. I'm going to stop recording
on the iPhone. That's it. You hopefully saw,
as I was doing that, that I was making a
bunch of mistakes, but I was just going with
the flow, correcting myself, going a little bit off script, but roughly following the talking points that
I was talking about, and I did cut out
the technical bit of video because I realized I can't be bothered
to talk about it. That's video number 1 down, 49 more videos for me to go as I improve my own
ability to make videos. Then I'll start worrying about actually making the videos
valuable to the audience. Next video, we're going
to be editing this up. Thanks for watching and see
you in the next lesson. Bye-bye.
21. Shoot Your B-Roll: [MUSIC] Welcome back. At this point we have
filmed our lesson. We still got the sweat stains, the pit stains on our
T-Shirt underneath a hoodie. Now we're going to film
a little bit of B-roll. B-roll basically meaning
close-up shots or rather B-roll, defined as anything that
goes on top of the footage. You have A -roll
which is where you see the person talking
to a camera and you have B-roll where you cut away to other things
that are happening. For this, I'm just going to shoot some B-roll right
here where I can just get some close-up shots
again with my phone of the different elements of the Le Creuset Harry Potter pots. I really should get this whole class sponsored by
the Le Creuset. I'm literally just going
to go on my phone and film random from running
with the B-roll. I'm not it's not going
to go, you showed us in some motor video mode,
it goes video mode. I'm just going to go video
mode, hit Record and just do a little bit of a
close-up E-type stuff. Just a little bit
of movement here. [NOISE] I quite like overhead shots as well
[NOISE] so I can show this. I can stand up, my overhead
short a bit more legit. [NOISE] Now it's a nice close-up and we're just
adding a little bit of dynamism to the shot. If I want, I can really
go fancy on the shove there's a fake plant over
there in the corner, to be like, "Oh hello." Now we have a shot. [NOISE] Let's do a little bit of
this, a little bit of that. Oh hello, 26 France. I'm going to do the same
thing with the other one. Made Made in France, very nice. Le Creuset and I
can show you these. Show a good close up with
the golden stitch thing. Show close-up with the
golden stitch thing. Nobody concerned about
what's in the background. Now I can sit back down
and I can do a little bit of a handheld B-roll like this. Boom. What a pro. This is going to look so bad. But to be honest, for
beginners at this point, we're not doing anything fancy. I'm using my chair as a
slider, [inaudible] clever. Hear is one way you can look
to minimize camera shake. It's like tuck your elbows in and then hold
the phone out like this because what you
don't want to do is have your phone far away from you
because it's going to shake. Tuck your elbows in and try and get more than one contact
point with the device. I'm pushing it in a little bit. I call it the ninja walk, when you're holding
a camera like this and you're walking
like a bit of an Ninja. [LAUGHTER] None of it is
particularly perfect, like a slider or a
gimbal would be, but it just adds a little
bit of flair to our video. Let's go close up with
this. Go that way. [NOISE] Hello, do the
same with this one. I'm just trying to be
a little bit creative, just trying to get
some Bureau shots. To be honest, I
think that's fine. Then we'll do some shots
of this side-by-side. That's it. 2.5 minutes
of B-roll filming. [NOISE] I was just rolling
the camera because I know in the edit I can just chop the bits out that I
need to stick in my video. [NOISE] That's us done
with filming B-roll. Again, we don't really
need to overthink this. Yes, if you're
doing tech reviews, product reviews, and stuff, then having fancier B-roll does make for a more
engaging video. Having some amount of B-roll makes a video generally better. But it depends on
what your genre is, what your niche is, what your vibe is,
what you're going for. There are plenty of people that have millions of
subscribers and don't use any B-roll at all because it
forces their personality, and actually the content
is speaking for itself. It's not overly complicated. But some B-roll is usually
better than no B-roll. That's it for this lesson. Let's now dive into the edit
and see see you shortly.
22. Shoot Your Thumbnail: Welcome back. Let's now talk about thumbnails. Thumbnails are a
ridiculously important part of what makes for a good video, good being defined as people click on it and people
are watching it. In order for people to
click on the video, they have to see the thumbnail, they have to see the
title and they have to be sufficiently intrigued, and they have to want to click on it and then
they click on it. A few things to keep in mind. The first one is that thumbnails
are really important, but getting good at
thumbnails is very much an art rather
than a science. Like there is some
science associated, but it's more an art
than is a science. Secondly, getting
good at thumbnails is a thing that will
happen over time. Your thumbnails are not
going to be amazing from day one because getting good at doing thumbnails requires
a large amount of different skills like
an eye for design, an eye for photo editing, an eye for how to actually
take decent photos, how to think about what photo
best summarizes the video, but in a way that doesn't
quite summarize the video, but actually creates intrigue, and makes people who are searching or browsing for the video want to click
on the video. There's all sorts of
skills that go into it. The main point I want to
make in this class is, please don't overthink
the thumbnail thing. Again, this is one of
the worst things you can do where you're thinking; "My God, thumbnails
are so important, but because they're so
important, I'm going to ramp up the pressure and the stress so much that I'm never
going to film the video, I'm never going to
shoot a thumbnail." It doesn't matter
if your thumbnails are really bad initially, I promise they will
get better over time. With that said, we're
now going to go back in time and I'm
going to show you exactly the process
that we went through to shoot the thumbnails
for this class, for the Le Creuset-Harry Potter
pot product video thing. I'll be honest, this is a
little bit all over the place, I would have liked it
to be more structured. Then we were thinking should we reshoot this and make
it more structured? But then we thought no,
this is actually what our process looks like
for creating thumbnails. It is a little bit
all over the place, and so you'll get this idea of what it actually
looks like to be like; "Okay we've done this
video, now we need to figure our thumbnail, how
are we going to do this?" I'm going to walk you through exactly what the
thought processes for the shop placement, for the photos, whether we're
choosing photos with me, photos without me,
photos with the pots, and then how I'm
editing those photos. Let's go back in time and I
will see you in a little bit. So we have filmed the video, now we need to shoot
a good thumbnail. So tip number 1 for
this is actually take a photo for the thumbnail because the thumbnail
is important. Even when you're starting out, it's good to get
into the practice, into the habit of doing
a proper thumbnail. What are the different ways
that we can do thumbnail? Well, tip number 2 here is, do a little bit of
market research. I've done a little bit of market research
and I've seen that these thumbnails we have for these Le Creuset videos
are not very good, but ultimately this
is a product review. So the options I've got
for a thumbnail are; I could take a photo with my
phone of just the product, maybe it could be
an overhead shot, maybe it could be a
more close-up shot, something like that, or I could do a shot of like, I don't know, me holding a thumbnail,
something like that. Probably what I'm going
to do is I'm going to shoot a variety of different options and then
once I bring them into the computer or edit on
my phone or whatever, then I'll decide which of these thumbnails do I
really want to go with. Let's just try a few of these. I'm going to start
with the overhead. I'm going to see if is there
anything I can do to make this look a little
bit more interesting than just a boring white drop because this looks not very
interesting right now, but maybe if I bring in a
plant, stick it over there. Threes are nice, so maybe could do
a photo like this. One thing to keep
in mind is that the YouTube aspect
ratio is 16 by 9. I think iPhone shoots
four by three by default, and so I'm going to
need to crop this out, at the top and the bottom
in some editing software. Maybe if I shoot like this, that could be an option. In fact, I might as well
just edit this right here. I want to crop it to an
aspect ratio of 16 by 9, will it give me the option? Nine by 16, perfect. That actually looks
pretty reasonable. This is crops to 9
by 16 aspect ratio and I don't really like that
keyboard in the background. Is there a way I can
get rid of that? We want to say 9 by 16, perfect. I'm going to do a little
bit of editing on this. This is what that
thumbnail would look like. It's reasonable, but actually
it's a bit annoying that that keyboard is in the
background, so you know what? I'm going to take advantage of that and actually move
the keyboard out of the way and put something
else in there that looks, I'll stick another
plant, why not? Another fake plant, sorry
about the fake plants. Now, if I imagine my field of view is something like
this, could that work? Boom, let's see what
that looks like. I'm just going to edit
this on the iPhone again, and just crop aspect
ratio, 9 by 16. Still looks a bit crap
because we now we have these wires in the photo, but let's get rid of the wires completely. Look at
this, could that work? To be honest, that could work as a reasonable
looking thumbnail. We've got a screen recording of this anyway, so this works. At this point, we've got two
potential thumbnail options. So I've done the overhead one. But as we can see from these,
there's a bit of lights, we've got this top lighting. It doesn't really
reflect too nicely, so I'm going to try this out. Let's see if we can do something else with
these thumbnails. I like the idea of
doing a close-up, but currently this background
is just really awful. I don't want my
thumbnail to look bad because the
background is awful, so what can I do? You know what? Let's take this outside as it were and let's see if I can do a decent thumbnails outdoors because we have a slightly
nice background outdoors. Grab the other one. You might think, I'm
spending a lot of time doing a thumbnail and
it's only a thumbnail, but no, we never want
to hear that phrase, only a thumbnail, because
the thumbnail is arguably the most important part
of the video because it's the thing that people
see when they first. This could look nice. Yeah, this could look quite cool. I'm going to keep in
mind the rule of threes, so I'm going to
get a fake plant. Just generally, when you
have three things in photo, it looks better than
when you have two or because we like odd numbers. Let's take a photo here. Nice, so that does
my overhead shot. Again, if I edit this
for aspect ratio, edit, let's rotate and
now let's 16 by 9. Here we go, something like that. That could be actually a
pretty good thumbnail. If I saw that on YouTube, I might be thinking, reasonable looking thumbnail, why not? Well, that'll do for
those thumbnails. Now, let's try and do
some close-up ones. This doesn't take
too long but it does involve putting a little
bit more effort into a thumbnail than you
would ordinarily think. Maybe we do actually
add this thumbnail. It's not quite like a
straight down shot, but it could work.
Let's try that. Let's do a little bit
of editing, edit, and 16 by 9, and just crop out. This could work, look amazing. But let's try this one as well. I'm going to rotate
and then aspect ratio. In fact let's edit this one too, so we'll just rotate. Actually, I much prefer the natural light
outdoors than indoors. Indoors, the light
looks very fake, artificially thing,
whereas if we flick, immediately, there's something about these thumbnails that just seem more legit and
the other ones. I don't really like that one,
actually quite like this. I think this is a
really solid thumbnail. Let's edit this a bit more. Maybe we'll add a bit of
rotation. That could work? That could be a good thumbnail. Let's see what other
options do we have. The other option we
have is actually just me taking a photo of myself holding up the things. Gollum, can I enlist
your help please? I'm going to enlist
the help of Gollum as a friend to take
some thumbnails of me. Gollum, I just want you
to snap some photos of me holding up these. Sure. But we want to keep in mind that the horizons
needs to be straight, so we want to be at eye level. Yeah, something like this,
where I'm maybe holding up something like this where I've got this
one over here. I'm going to stick
that over there. How is that looking?
Yeah, looking good. [inaudible] something,
a few of those, and if we can turn on
cinematic mode as well or portrait mode on the iPhone, which blows the background. Let us see what that looks like. Should I do anything
else, Gulam? I think you are good. This is the setup that we do for all of them like often we take 50 plus photos
for each thumbnail. If you do not have a friend, you can set yourself
up on a tripod. Oh, that could look quite
nice, that looks pretty good. Yeah, I think that
does us nicely for our thumbnails because
it's getting cold. Thank you for the help, Gulam. Okay. Let's go inside and we'll just do a bunch of edits
to these thumbnails. I'm going to leave these
outside, that will be fine. Back into the warmth. What am I doing with
these thumbnails? I quite like the
ones that do not have the effect on
them, so this is nice. I'm going to hit "Edit" on this. Again, I'm going to; aspect ratio is sixteen
by nine for you. Oh, that is a bit annoying. When you are sixteen
by nine, it means that the thing gets cropped out, let us try it for this
one, this could look nice. I think 16:9 should
make this reasonable, and this is always a
danger when you are doing thumbnail photos that
it is very easy to overcrop to not keep the
16:9 aspect ratio in mind. Although this looks
pretty good, it actually does look really solid. Let us just do a minor
bit of editing on here, contour light, no,
definitely not. I don't want to use any
of these fancy effects. But I think if I
adjustments, Oh, here we go. Vivid, vivid warm, vivid cool, dramatic, dramatic
warm, dramatic cool. I actually quite
like dramatic cool. This is normal, this is
vivid it is a bit much. [inaudible]. I like dramatic cool as a vibe. I'm just going to dial it too maybe I do not know 60
percent or something, and I think that
looks reasonable. Now I have this as a thumbnail which is
looking pretty good, or I have got this option. Either way, we now have two pretty reasonable
looking thumbnails. Let me just see if I
can edit this actually to give it some effect. I quite like vivid for this because it doesn't
make the colors pop, so there we go, and we have just done
some thumbnail editing. Now what I'm going to do
is, I'm going to Airdrop this onto my MacBook. Let us open up these images. We have that as a thumbnail, and we have that as a thumbnail. Actually, to be honest, I think both of these
look very nice. I like the one
that has me in it, but I have got two thumbnail options and I can always if I really want to I
can change up the thumbnail, but that is like a more
advanced tip and trick. What I might do here,
is I might just get feedback from some
friends being like, " Hey, which of
these things do you prefer as the thumbnail?" I don't know, either
of these could work. Basically moral of the story, how do you shoot
a good thumbnail? Well, you be
intentional about it. You do a bit of market
research to see what other thumbnails are
there of the sort on YouTube. Number 2, you actually take some photos and it's worth taking lots of photos for the thumbnail until you land on
the perfect one. There is no such thing
as a perfect thumbnail, it probably could
always be better, and often you don't know what is going to
work as a thumbnail, but you just try
and put yourself into the audiences eyes. On reflection for
this particular video where I'm targeting
such traffic, Le Creuset Harry Potter review. People probably do not
want to see my face in it, they want to see
the product itself. I'm probably going to go
through the thumbnail that has the close-ups
of the product, and I have done a
bit of editing to make them pop a little bit more. To the thing we also want
to keep in mind when it comes to a thumbnail
is that people are scrolling very fast on their phones or on the
computers through YouTube, and we want our
thumbnail to catch their eye. Actually,
let us look at this. If I do this particular video, Le Creuset Harry Potter. What do the
thumbnails look like? Yeah, the thumbnail
is optically good. Hopefully, mine will stand
out. Oh, this is nice. That is a nice close-up of
one of them.Other than that, the thumbnails are not
amazing, so I'm not competing with very much
that is going on here, but hopefully my
thumbnail can be good. The other thing to keep
in mind is just trying to get a variety of thumbnails. Yes, we did a bunch of different shots of me just holding it up in
different positions. But we also did a close-up,
we also did a oblique angle. Generally, you want to have a few different ideas of like, here are some possible
thumbnails of this video. But again, this is a slightly getting
good at thumbnails is a fundamental part of being a good and a successful YouTuber. We want to work on
that skill over time, and through our part-time
YouTube academy, we often interview big YouTubers
and we always ask them, what do you wish you had
known when he got started? They always say the importance
of titles and thumbnails. Everyone wishes they would spend more time thinking
hard about title and thumbnail and being aware rather than treating those
as a bit of an afterthought. Hopefully, that is
helpful. That is how you should get a thumbnail
and take lots of photos, edit them to make them
pop a little bit more. You can do that on
your phone. You can find a Lightroom tutorial
if you really want, and take a thumbnail on. Thanks for watching
and we will see you in the next lesson, bye-bye. All right, so we are
back in the future now. Hopefully, you saw
that walk through of what it was like to
shoot those thumbnails, and now we have a
thumbnail for this video, which I think looks
pretty reasonable. A few other points to
mention about thumbnails. Firstly, it is pretty easy to know what
the thumbnail would be for a product review if
the video is like Le Creuset Harry Potter
[inaudible] tradition Dutch over view. It is obvious that the thumbnail is going to have
that product in it. Really, you have got fairly limited options
for thumbnails there. It is like a shot
with a product of myself where the product or show of the
product with food. There is a limited sort
of show selection. In a way, it is a
lot easier to do a thumbnail for a
video like that. But what if you are doing
videos where it does not obviously land
itself to a thumbnail. That is where it gets a lot
hard to do the thumbnails. And that is where the art and the science really
starts to come in. For example, let us say
you are doing a video call and how much money
I made in 2021. That is like [inaudible]
going to be, it could just be a photo of me just sitting there doing this. It could be a photo
of me doing this. Then using Canva or Photoshop, we add in some fake money
falling down from the sky. It could be a photo of me doing this and some fire in the background with
some money on fire. It could be a photo of me doing just looking
at the camera, smiling at the camera with
some $ signs in my eyes. There is lots of different
stuff that thumbnail could be. And it is hard to know like
this is not an easy thing. Like if there was an easy
way to do thumbnails, more people would be very, very successful on
YouTube because people like MrBeast said, the thumbnail is like 70 percent of the overall value
of the video just because it is the
main thing people see that dictates whether they are going to
click on the thumbnail. But with all of these options, the other thing we want
to keep in mind is that really your vibe
attracts your tribe. And so if you look at
other YouTube videos, there is companies
like vidIQ and video creators that do
analysis of thumbnails. And they will say that
a thumbnail should have a shocked expression
on your face. or like, oh my God! They will say that, hey, statistically
thumbnails that show the whites of the eyes do better than thumbnails
that do not. They say statistically
thumbnails that have emotion behind them do better
than those that do not. And yes, that is true, but we have to keep in
mind that data is being skewed by the fact that
YouTube skews quite young. And so, oh my God, like a thumbnail that
appeals to, for example, a 10-year-old child will
probably get more views than a thumbnail that is a
top-down shot of a book, like some of my book
club thumbnails because those are appealing to less of a mass market
audience than generally, kids on YouTube Who have large amounts of time to
watch content on YouTube and therefore spend large
amounts of time clicking on stuff and therefore
get all those views. The thing we want to
keep in mind is that depending on the vibe,
of the thumbnails. Yes, it is about optimizing the thumbnail for the
individual video, but it's also about like what is the sort of channel
you want to make? The sorts of thumbnails of a
channel like Graham Stephan, which is like quite
kind of almost mye, meaning he is quite
like YouTube. He has thumbnail styles. If you compare it to a channel like Andre CIC [inaudible], that is like still kind of
appealing to a younger crowd, but a little bit less, maybe a little bit more sophisticated. If I can use that
word, then you look at a channel like Matt
Developement where those thumbnails are pretty sophisticated, they are
pretty minimalistic. They go with his
designers study, they go with his vibe. They are not particularly
like YouTube maybe, it does not have massive
colors, or major, whatever fire in the background, he does not do that
kind of thing. You look at a channel
like pick-up lines and how hard thumbnails
are like very nice aesthetic that clearly
does not appeal to 9-year-old kids like some
of MrBeast, thumbnails do. But it is a really
nice aesthetic that appeals to her audience. Overtime we want to
figure out like what is the vibe we want to
create for our channel. And that kind of helps us narrow down the scope of what sort of thumbnails
we are going to do. For my channel. I do not want to do thumbnails like MrBeast. I do not want to do thumbnails
like Graham Stephan, but I do like the vibe
of pick-up lines. I like the vibe of Marcela. I liked some of Peter
McKinnon thumbnails. I like Becky and Chris
thumbnail style. So it is like as, as I'm
going through YouTube, I'm looking at
channels and thinking, I really liked this
thumbnail style. And then I'm trying
to figure out what is my style based on? What is the vibe I want
to create for my channel. This is again, a more advanced thing and
I'm only mentioning it here because there is so much
new to all of these topics. Like we could do a whole course on how
to shoot thumbnails. And it still would
not cover everything because it is not
an exact science, it is an art and you get
better at the art over time. But that is just another
thing to keep in mind. Like if, for example, you are a thirty five-year-old
business consultant targeting an audience of thirty four-year-old
business consultants. You do not need to do fire
in the background or like, oh my god, like reaction
phase are using thumbnails. That is not going
to appeal to the sophisticated nature
of your crowd. If however, you are
a gaming channel and you are appealing to
9-year-old then yes, maybe like, Oh my God, would like a screenshot of the game
in the background and maybe some like fire
emojis or whatever. Maybe that would appeal to the target audience
of your channel. So a lot of this stuff that we discussed in a part-time YouTube Academy. And there is also much new
ones behind all this stuff. And we have got more videos on our part
time great Academy channel, which is coming up
about, thumbnails, but basically moral
of the story. Do not overthink it too much. It is a skill that will
improve over time. And as long as you take a
photo and edit it slightly, you are already
ahead of the curve and your thumbnail
is hopefully nice. I wish I could talk about thumbnails for hours
and hours and hours, but that would be a
whole course in itself. Maybe we will do a whole course
on thumbnails. who knows? Anyway. Thank you
for watching and I will see you in the
next video. Bye bye.
23. Edit Your Footage: [MUSIC] All righty. Now, we get to the
fun stuff and we get to actually editing
this footage. Now, I actually have
an entire course on how to edit and final cut, but I'm going to be using
the free software iMovie, which I have basically
never used before. I'm hopefully going
to show that by just understanding the basic
principles of editing, we can demystify editing
and it becomes a thing that is not that hard broadly. Let's open up
iMovie. I've already air-dropped my footage from
the iPhone onto my computer, depending on what
phone you're using, you can plug it in and just
transfer the footage across, and hopefully, this
will actually work. What's new? Cinematic mode.
What else? I don't care. I'm going to click "File", New, iMovie Library, and we're going to
say, Alis Kitchen. [NOISE] Great. I'm going to import media
and I'm going to import my file and my B-roll. Now, the first thing I'm
going to do is the A cut. I'm just going to
blitz through what editing this
actually looks like. The point of the A cut is we
get rid of all the pauses. But I'm not going to explain all the things that I'm
doing because I already have an entire course on
this that you can follow and that'll be linked
in the video description. We're basically going to drag
and drop this into here, and now I'm going to zoom in. I just want to cut out
all of the pauses. My final cut keyboard
shortcuts don't work on this. I need to blade. [NOISE] How do I blade?
Split Clip, command B. Good. I Understand.
Command B, good. Delete. Nice. Hey, friends, welcome back to the
channel or should I say, welcome to the channel
because this is my first video? This
is Alis Kitchen. In this video, we are reviewing this Le Creuset Harry Potter Signature Edition Dutch Ovens. These are expensive. They're
a bit absurd but I thought, I'm getting into cooking and I freaking love Harry Potter and so I thought why not? Let's find a way to buy these
and then cook with them. Here I am making a review
because to be honest, I looked on YouTube and couldn't find many reviews about it. What I'm doing as I'm doing
this is that I'm looking at the audio waveforms
and I'm trying to figure out where are
the massive pauses, so I can just cut out those
massive pauses wholesale. I find a massive pause, I'm
going to blade over there, and then I see over here that
there's another big pause, so I'm going to delete that.
Making reviews about it. Now, quick caveat before
I start the review. Good. I'm sorry,
you're out of luck but this is a beginner's
review of the topic. How do I zoom in? No, I
don't want to zoom in. I want to make this small. View. [NOISE] Or should I
say of the products? [NOISE] Nothing happening there. Delete. As I said I bought these because I was in the
market for a Dutch oven as per Tim Ferris [NOISE] Cool. [NOISE] What I'm doing is I'm just trying
to find when I start talking so that I can just completely cut out
all the poses. There are also apps
that you do this. Recut and a Descript let you automatically
get rid of pauses. But I'm just going to try and keep things as
simple as possible. [NOISE] Delete. Good. They are available
in red and blue. This is the 26 centimeter one. Although let's just
double-check to make sure. [NOISE] I'm like I'm not even going
to watch the whole thing. I'm just going to skim
through this and I can just see on the waveforms
exactly what's going on. The point of the first part is just to get rid
of all the pauses. [NOISE] One lid so
that's pretty ideal. [NOISE] It becomes much easier to carry so that
you don't burn yourself. [NOISE] Now, you can see over here, if we zoom right
into the waveform, you can see these little spikes. Now, the point of
these little spikes, is that's when I've done this
[NOISE] or that [NOISE] or whatever and that
means I can just visually see where I've
made mistakes and so I know I need to cut beyond those mistakes so that all the mistakes
get cut out. Delete all that. [NOISE] I was looking for a mistake in that waveform over there
but turns out that was just the [NOISE] spike from me putting the metal lid
down, but that's fine. [NOISE] You can see, I've made lots of mistakes
in quick succession here. I can see from the
waveform that bump, bump, bump cold four
mistakes in a row. Let's just get bit
through those. [NOISE] Mistake over there. [NOISE] Cool. Now, I can just blade that and
delete. Okay, nine minutes. Great. In nine
minutes, we've done the first cut and we have chopped down a
nine-minute video into a six-minute 57-second video. Now, what I'm going to do
is I'm just going to go through each of the
cut points and just make sure they're as tight as possible because I don't want
to have any pauses at all in this video because
getting rid of pauses is philosophically how we keep up engagement
in our videos because when we
pause in a video, that pause gets magnified in a way in the audience's mind, so I'm a fan of just chopping out all silence completely, unless it's specifically
designed and used effectively. Hey, friend. At the start, there's too much pausing. I need to get rid of the [NOISE] and just go straight
into hey, friends. [NOISE] There we go. I'm just going to look
at each of the cuts and see whether the cut is tight. [BACKGROUND] That
wasn't too tight. I want a tighter cut, so
let's blade there and get rid of that.[BACKGROUND] Good. That's a sharp cut [BACKGROUND]. That is not a sharp cut. What I'm doing is as
I'm scrubbing through, I've got audio
skimming on iMovie. This will be a
setting depending on whatever video editing
app you're using. I'm just hearing
for when I first start speaking and that
is where I want to cut. [BACKGROUND]. That's fine. [NOISE]
[BACKGROUND]. I don't like that pause. [BACKGROUND] I can get rid [NOISE] of some pauses
at the end of the clip Number 1 and at the
start of clip Number 2. [NOISE] [BACKGROUND]
[NOISE] Nice. That's good [BACKGROUND]
They are available in red. Good. [BACKGROUND] That's fine. Is 20 centimeters. [NOISE] [BACKGROUND] That's fine. [BACKGROUND] Fine. [NOISE] Now I'm really looking forward to cooking
with this again. That's what it was like
to think with this one. [BACKGROUND] Nice. This
worked really nicely. [BACKGROUND] Nice. [BACKGROUND]
That's reasonable. [BACKGROUND] That's
was a lot of pause. [BACKGROUND] Let's get rid
of the pause at the end. [BACKGROUND] That's fine. You
can buy them if you like. That's the end of my review,
I hope you enjoyed it. A bit of a pause
at the end here. [BACKGROUND] Buy
them if you like. [NOISE] Get rid of that
0.12 second pause. [NOISE] Out and you can
buy them if you like. That the end of my review,
I hope you enjoyed this. If you did click over
it. [NOISE] Good. Basically we now have
a six-minute and 55-second video with no
pauses in-between the cuts. That is good. We're nearly done,
to be honest. Now, what we need to do
is add B-roll and add a bit of music and
then we're sorted. Let's see. [NOISE] Hey, friends. Welcome back to the
channel or should I say, welcome to the channel because
this is my first video? This is Ali's Kitchen.
In this video, we are reviewing
these Le Creuset. To the channel because
this is my first video. This is Ali's Kitchen.
[NOISE] I'm going to hit "M" to add a marker here because when I say
this is Ali's Kitchen, I want to pop-up text that
says at Ali's Kitchen, but first I want
to add the B-roll. I'm just using the marker
thing to keep track of the fact that I have a marker here and then I want to add something
to it for the downlink. Now, to add the B-roll,
basically what I want to do is I want to set in and out points for each of the clips on my B-roll that
I want to go into the video. Again, far more
details on this in my actual Skillshare
editing class on Final Cut, or you can just find
a dedicated tutorial for whatever app you're using
to edit. This is not that. This is just doing things quickly to make it easier
to set in and out points. What I want to do is I
want to zoom quite far in. What this is doing is
converting this little thing. I can scrub through and I can see exactly what I was doing when I was
filming the B-roll. Let's see, what are
the shots that I want. [BACKGROUND] When adding B-roll, I'm not going to use the
sound from the B-roll clip. In fact, what I'm going to
do is I'm going to show waveforms and can I get
rid of sound completely? Can I get rid of
sound? Who knows? It doesn't matter. Then you
see the weight for waveforms. I'm just going to delete the
sound from this recording. [BACKGROUND] [NOISE] I'm setting using I to set an in-point. [BACKGROUND] [NOISE] [NOISE]
That's an out-point. I'm going to drag this
and stick it over here. I'm going to take
the sound slider and drag it all the way down. Good. Here's what this
looks like. Hey, friends. Welcome back to the
channel or should I say welcome to the channel because this is my first video? This is Ali's Kitchen, in
this video we are reviewing these Le Creuset Harry Potter Signature Edition Dutch ovens. These are expensive. [NOISE]
That looks all right. Cool. That's a more B-roll. [BACKGROUND] [NOISE] I
like this short bit. [BACKGROUND] [NOISE] Good. I've used my in
and out points to select a clip of B-roll
that I went from here and I'm going
to drag it somewhere random, get rid of the audio. Then I'm going to figure
out where I want to put. [BACKGROUND] That actually looks reasonable at that
part of the video. [BACKGROUND] Let's find
another bit of B-roll. [NOISE] That's nice. [NOISE] That's a good bit of
B-roll that I want to show. Then I made up the
[OVERLAPPING] Excellent. I've set the in and out points. I'm just going to chuck
it in here somewhere. In fact, I'm going to put this fairly early on
because the thing would B-roll is that at the start of a video
it probably matters more because that's when we really need to engage the
audience. Hey, friends. Welcome back to the
channel or should I say welcome to the channel, because this is my first video? This is Ali's Kitchen. It
doesn't quite work there. The first video. This
is Ali's Kitchen. In this video, we are reviewing these Le Creuset Harry Potter Signature Edition Dutch Ovens. These are expensive. [NOISE] That looks
pretty reasonable. They're a bit absurd
but I thought, I'm getting into
cooking and I freaking love Harry Potter and
so I thought why not? Let's find a way to buy these
and then cook with them. Here I am making a review
because to be honest, I looked on YouTube
and couldn't find many reviews about it. Now, quick caveat before. [NOISE] Cool. That's fine.
Let's find some more B-roll. [BACKGROUND] [NOISE]
That's a close-up. [NOISE] That'll do. Drug and drop. Stick that in here. [NOISE] Get
rid of the sound. Quick caveat before
I start the review, I'm a total beginner to
the world of cooking. I actually don't
know anything about how to review cooking gear. If you're looking
for a pro chef. Cut. [NOISE] It's fancy. [LAUGHTER] That's very loud. Let's get rid of all
the sound there. How to review cooking gear. If you're looking
for a pro chef to review these, I'm sorry,
you're out of luck. But this is a
beginners review of the topic or should I
say, of the products. Now, I accompanied by the term. Actually, I'll use the shot. This is nice. That's actually a nice shot for the
opening of the video. I do like that because they show the both
of them side-by-side. Hey, friends. Welcome
back to the channel, or should I say
welcome to the channel because this is my first video? Good. [NOISE] Should I say
welcome to the channel because this is my first
video? This is Ali's Kitchen. In this video we are reviewing these Le Creuset Harry Potter Signature Edition
and Dutch ovens. These are expensive. [NOISE] Good. I have added all the
B-roll that I want to. I could go through the video, add more and more of it,
but you get the idea. I'm trying to keep
things simple here. This is just our first video
and so it doesn't really matter too much for you
to spend absolutely ages trying to get
this video right. I've added my A-roll, I've gotten rid of the pauses, I've made sure the
cuts are tight, I've added in a
bunch of B-roll at the start in the
first minute or so, first 30 seconds of the video, just to make the video seem a little bit more interesting. Now, I am going
to add some text. [BACKGROUND] This
is Ali's Kitchen. Great. How do I add text? Text in video editing
software as known as titles. Here we go. Looks
fancy. Why not? Let's stick that in
here. Ali's Kitchen. In this video, we
are reviewing this. [NOISE] This is Ali's Kitchen. In this video we are reviewing. Great. I want to title text
here to say Ali's Kitchen. [NOISE] I'm going to
move it down a bit. What's the font that I
actually like the look of? Helvetica? Bit basic. Should we go for Chalkduster? It looks a bit tacky, but
what else? Who cares? That's going to look tacky,
but I actually don't care. Do I care? Oh, no, I do care. I can't bring myself to do
something that looks tacky. I can change the duration of it, but I can't change any
other details about it. I think that's because this is iMovie and iMovie doesn't
have a lot of controls, but in Final Cut, you can do all these
different settings. It doesn't matter. [NOISE]
This is Ali's Kitchen. In this video, we
are reviewing these. Great. I'm going to
reduce this duration. Welcome to the channel because
this is my first video. This is Ali's Kitchen. In this video, we are reviewing these Le Creuset Harry
Potter Signature [OVERLAPPING] [NOISE]
Great. That's fine. I've got my one
[LAUGHTER] bit of text just to show
that you can add text in iMovie, but obviously, if you'll using proper
editing software like Final Cut or Premiere
Pro, or DaVinci Resolve, you'll be able to have much more finely tuned control of
exactly what you're doing. What I'm going to do is I'm
going to add some music. I use a site called
Epidemic Sound for royalty-free music. Let's actually just
use YouTube Studio. I'm going to download
a royalty-free track from YouTube Studio. Good. I got reviews, 40 percent impressions
click-through rate, incredible. Let's see copyrights,
audio library. I'm just going to use
YouTube's audio library and I want to create
something acoustic. Oh, no, can't spell acoustic. I want something instrumental. Country and folk calm. [MUSIC] Oh, dear, it's loud. [MUSIC] You know what? I'm not going to deal with this. I'm just going to hit
"Download audio track." [MUSIC] [NOISE] What I'm
going to do is just drag and drop it from my thingy
into iMovie [MUSIC]. This is really
loud, this needs to volume down all the way. Let's see. Hey friends, welcome back to the channel. It's really loud, volume
down all the way. Hey friends, welcome
back to the channel or should I say welcome to the channel because
this is my first video. That looks reasonable. I think my own audio
is probably quite low. Let's look at my audio settings. Hey friends, welcome
back to the channel. You know what, I'm just
going to select all of my video clips and use the auto audio setting
to make them auto. Hey friends, welcome
back to the channel, or should I say
welcome to the channel because this is my first video? I actually want to
create this very slightly. Let's
go three percent. No. That's too loud. Let's go two
percent. Here we go. Hey friends, welcome
back to the channel, or should I say,
welcome to the channel because this is my first video? This is Ali's kitchen,
and in this video, we are reviewing this Le Creuset Harry Potter
Signature Edition, Round Dutch ovens.
These are expensive. They're a bit absurd, but
I thought, you know what, I'm getting into
cooking and I freaking love Harry Potter and
so I thought, why not? Let's find a way to
buy these and then to cook with them and here I am making a review
because to be honest, I looked on YouTube
and I couldn't find many reviews about it. Now a quick caveat before
I start the review, I'm a total beginner to
the world of cooking. I actually don't know anything. I think it actually
is a little bit loud. What I'm going to do,
I'm going to blade that, and I'm just going to set
this to one percent now. In the introduction
to the video, the background music
is a bit more audible, but then it fades
into the background a little bit more as
the video progresses. That's pretty nice.
[inaudible] it helps more likely
and the little one. Cool. The audio
level sounds good. Now I'm just going to copy and
paste that so that it just happens multiple times across
the rest of the video. Copy and paste, copy and paste. Now you can see if we zoom out, I've now copied and pasted
this bit of the thing so much. [MUSIC] What I want to do is just get the
final bit of this. Why can't I play
this? [NOISE] Trim to play it? I don't know. Basically what I'm
trying to do is as the music fades out,
I want my video to end. This is a bit advanced, but
I like doing it [inaudible]. [NOISE] If you weren't ready, and if you want to see more
cooking things, stuff. Thanks for watching. I'll see you hopefully
in the next video. Bye-bye. What I'm trying to do is line up
the waveforms here. If I increase the
volume slightly, let's go to two percent. [inaudible] below
and just subscribe, but if you weren't ready
and if you want to see more cooking things stuff, thanks for watching,
and I'll see you hopefully in the next one. Bye-bye. It seemed reasonable. That was [inaudible]
to stop. I found that because it shows
the Harry Potter vibes and I freaking
love Harry Potter, it has encouraged me to do more cooking now
that I have these. But it does [inaudible] more expensive, the
extra 20 percent. Although Le Creuset is
life time guarantee, it will probably last
for a generation. I'm hoping my kids
and their kid's kids will also be fans
of Harry Potter so they can use
these items as well. If you want to check
them out, I'll put links in the video description to the Le Creuset
website where you can check these out and you
can find them if you like. That's the end of my review,
I hope you enjoyed this. If you did, click over here, which is my latest upload, I'm hoping to do more reviews
and stuff on the channel. If you have any
requests for ideas of content that
you'd like to see, please do leave a comment down below and the
subscribe button. But if you aren't ready
and if you want to see more cooking things stuff, thanks for watching and I'll see you hopefully in the next video. Bye-bye. [inaudible] I'm just going to align [inaudible]
a little bit more. I want to be like bye-bye. [NOISE] That's like the
[inaudible] I'm trying to go for. I will see you hopefully in
the next video, bye-bye. [MUSIC] Look at that,
that's beautiful. I want to play that again.
More cooking things, stuff. Thanks for watching and I'll see you hopefully in the next video. Bye-bye [MUSIC]. Love it. That's the video. Then let's just add some text
over here saying, thanks for watching. I'm
going to go "Titles". Let's add in a chromatic. I like this, standard.
Standard looks good. [MUSIC] That could be nice. I'll cut this to fit the music, and then I can say,
thanks for watching. Please subscribe. Lots of love. [NOISE] Great. Thanks for watching, and I'll see you hopefully
in the next video. Bye-bye. Look at
that, beautiful. Now we're done with the
video, it's literary done. How much time have
we been going for? 28 minutes. Sick, less than half an
hour to edit the video. I'm just going hit "Export"
and then we're done. File, Share, File, I believe. I'm going
to share it to file. Ali's kitchen Video 1 Le
Creuset Harry Potter. I'm going to do 1080p, quality; high, compress; faster, hit "Next". Save it as a movie, and then it's going
to take a while to export while I'm going
to have my lunch, and we can see it over
here. It's all exporting. It's actually happening
pretty quickly, it's going to take one minute while
I have my lunch. Once it'll export and then we're going to upload
it to YouTube. That's what we're going to
do in the next session. As a reminder, if
you've gotten this far, this was me blexing in iMovie, which I've never
used before, but I'm infamous familiar
with the Final Cut. The very basics of what
it takes to edit a video. Do the A cut, get
rid of the pauses, make the A cut super tight. Add in relevant B-roll that you care about, add in text, add in images if you want, add a background music track,
and hit ''Export". In fairness, if you're
editing a video properly, then for me, if I'm editing a proper video
for my main channel, they will probably take
somewhere between 4-10 hours to edit depending on how
complex the video needs to be. Certainly, when I was
editing most of my videos, most videos would take at
least three or four hours, and generally no more
than eight hours to edit. That is the ballpark
we're normally talking. This was just me blitzing and doing the bare minimum
editing for a video. But hey, we got the
video out and now I can improve in the next one. First 50 videos, we want to
try and get that quantity out as quickly as we can so that will improve by
getting in the reps. Thanks for watching, deeply checkout the Skillshare
class or course, or wherever you're
watching this on how to edit in Final Cut. There's also tons of
YouTube tutorials that will take you start to
finish on how to edit. We even got some on one of the YouTube channel
that we would like. All the recommended resources around how to actually
learn to edit, we will put in the video
description, but hopefully, this has given you
a little bit of a flavor of what it's like to do fairly quickly
in half an hour, which is quick in terms
of the world of editing. Thanks for watching and I'll
see you in the next lesson. Bye-bye.
24. Upload Your Video to YouTube: [MUSIC] All right, team. At this point, we've
done all the hard stuff. We've shot the video,
we've filmed the video, we've edited the video,
we've done the thumbnail, now we just need to
upload the video. Let's do it. Let's go on
YouTube and make it happen. I'm going to go on my channel, don't really need to
find on my channel, but, hey, what else? I'm going to hit this
button up at the top, which says Upload video. I'm just going to
drag and drop or rather select the
file from my laptop. I saved it into movies, which I believe is somewhere, Ali's Video, Harry
Potter. Hey, friends. Welcome back to the
channel. That's the one. It's getting uploaded. I
just double-click that. I'm going to title it, how
do you spell Le Creuset? Le Creuset Harry Potter Signature Dutch Ovens Review. Thing to keep in mind is
you want your title to be ideally less than 55 characters. Because if it's more
than 55 characters, it's going to get cut off when people watch the
video on mobile. This is a welcome to
my first proper video. This is a video review of the Harry Potter Le
Creuset Signature edition Dutch Ovens in 26 centimeters and 20
centimeters respectively caveat. I'm a total noob when
it comes to cooking. So hopefully this isn't
too bad. Enjoy xx. Links to products, and I can just find the link
to the website. There we go. I'll just flag up this is UK in case anyone is watching
this internationally. Please subscribe if
you'd like to see more. Sharper timestamps. No, I can't even bother
with timestamps. That's enough for the
description of the video. Description is not
that important. It doesn't really
matter too much. But now I'm going to
upload my thumbnail. I need to verify my phone
number. That's annoying. Well, after I've uploaded the video, I'll be able
to choose the thumbnail. Let's see, playlists,
non-audience, not set for kids. I'm going to go Video
elements, end screen. You know what, let's
add an end screen. Let's add one video
and one subscribe. I think I'm pointing in that direction. That's
the end of my review. I hope you enjoyed
this. If you did, click over here, which is
my link. The other side. I'm going to put that
video over here, which is my latest upload. Let's say most recent upload. That's the end of my review.
I hope you enjoyed this. If you did, click over here. I want that to start over here, so I can just edit the
settings. Here we go. This is what it's now
going to look like. That's the end of my review.
I hope you enjoyed this. If you did, click over here, which is my latest
[OVERLAPPING] upload. Nice. That's good.
I'm hoping to do more reviews and
stuff on the channel. If you have any
requests for ideas of content that
you'd like to see, please do leave a
comment down below. Hit the "Subscribe" button
if you haven't already, and if you want to see more cooking stuff, thanks for watching,
and I'll see you, hopefully, in the next video. Bye-bye. That's better. I want to get rid of that. No, I can't get
rid of it, can I? No, I can, actually. I want the whole thank you for
watching thing to show. Which is my latest upload, and [inaudible] cooking stuff. Thanks for watching,
and I'll see you hopefully in the next video. Bye-bye. Nice. Good.
Let's save that. I've done my end screen element, and then I don't need
to bother with cards. We're going to do
some copyright checks once it's finished processing. Initially, I'm going to
save it as unlisted, because I want to edit the thumbnail before I actually
hit the "Publish" button. Cool. Processing
will begin shortly. Excellent. Now
this is rocked up. Now I should be able
to upload a thumbnail. Wonderful. I'll go
into my Downloads, and I think I will use
this as the thumbnail. Yeah, this looks pretty good. File is bigger than
two meg. Okay, fine. Let's reduce the file size. So Tools, Adjust Size. Let's make it 1920 by 1080. Save. Hopefully, that's
less than two megabytes. Not that one, this one. Perfect. Now,
visibility is pending, but let's just
head it to public. Now I can hit "Save." Now when the video finishes processing and the
copyright checks are done, it should just upload
it to my channel. That was nice and
easy. Here we go. Le Creuset Harry Potter
Signature Dutch Ovens Review. Maybe we don't even need the x. Le Creuset Harry Potter
Signature Dutch Ovens. Nice. Great. We've
done it, people. We have a video on the
channel. Here we go. It's online. Look at it. My thumbnail looks pretty
reasonable as well. In fact, you know what, I'm actually going to
change the thumbnail for welcome to Ali's Kitchen
just because, why not? Upload thumbnail. Let's use that thumbnail that
I made for this one. Because this can be like
my little welcome video, I'm just going to
adjust the size to make it smaller, Save. Just because then it makes a channel look a
little bit nicer. Perfect. Save. Now we have
two videos on the channel. We have my random phone, one that I uploaded,
without thumbnail. I want to see the thumbnail. Why can't I see the thumbnail? Because I've seen some
of the video already. Here's what this video now
looks like. Hey, friends. Welcome back to the channel. It bad bad quality because it hasn't finished uploading it, but it hasn't finished
processing yet. Whenever you upload
something to YouTube, it takes a few minutes
for YouTube to process it so that
it comes out in HD, but this is it. I'm going to say,
welcome to the channel, because this is my first
video. This is Ali's Kitchen. In this video we are reviewing this Le Creuset Harry Potter Signature edition Dutch ovens. Great. We've done it.
Well done, everyone. Hopefully, by the
end of this lesson, you have also
uploaded your video and given it a title
and thumbnail. Now, that's it. No one's going to
watch this, unless we start getting search traffic. There's really no need
to share it on Twitter. You can share it
on Twitter or on Facebook, wherever
else if you want. I'm not going to do that. Maybe I'll share it once this
class actually goes live. But for now I actually don't want this video
to get any views, but it'll be interesting
to see what happens to it. Now, that's it, and now
it's onto the next video. Thanks for watching, and I'll see you in
the next lesson.
25. Grow Your Channel - 6 Tips: [MUSIC] Welcome back to the course. In this lesson
we're talking about six probably tips for how
to grow your channel. These are somewhat
miscellaneous, but hopefully they'll be helpful if you are a
beginner to YouTube. The first one really is
that the reason a channel grows is ultimately by
making good videos. There is no way to grow a
channel by making bad videos, so you have to make good videos. Now, what is a good video? Well, in YouTube speak there are only two things that
make a good video. The first one is that
people have to click on it, and the second one is that the people who click on it
have to watch the video. The more people we can get
to click on our videos and of those the
more people that we can get to watch
more of our videos, the better our video is doing according to YouTube and
according to viewers. Now everyone has this
idea of the algorithm. How do I make videos
better for the algorithm? Really, that's a bit
of a false concept. You don't want to be
thinking about making your videos better
for the algorithm. You just want to
be thinking about making your videos
better for viewers. How do we make a more
intriguing title and thumbnail that accurately
depict what's in the video, and that gives the viewer an accurate promise
of what's to come? Then once they click on it, how do we actually
engage them through the content and how do we
make it either entertaining, or educational, or inspirational or whatever combination of those
three things you want? This is really the
million dollar question, how do we make good videos? How do we make a good
title and thumbnail, and then how do we make
an actually good video? Honestly if there
was a formula for this someone would
have solved it, and then it wouldn't
be a formula because everyone would evolve
to keep ahead of that. The answer is not clickbait. Clickbait means that you've
got a title and a thumbnail. This was a big thing back
in 2013 i-sh on YouTube. People would have titles, and thumbnails would
like the keen models on them and the video
would be some dude giving productivity advice. That's creating a
false expectation in the mind of the viewers, so maybe you'll get
more clicks but those people are immediately
going to leave the video. People immediately
leaving the video is a signal to the algorithm
that this is a bad video. It is a video that
people are not watching all the way through. Clickbait is all
the way forward, the way forward is by making titles and thumbnails that are genuinely intriguing
and interesting and get people's interests, but that also accurately depict what is actually
the value of the video. Then when it comes to the people actually
watching the bit, that bit incorporates so
many different things, like how engaging
are you on camera? How good is the
writing of the video? How intriguing is the
writing of the video? How much value; whether
it's entertainment, or education, or inspiration are you actually
delivering to the viewer? What's going on, on screen? What's the branding like? Are they vibing with
your personality? Is the audio quality good enough for it to
seem reasonable? Is there background music
that creates a good vibe? There are so many things
that go into that, and that is why tip number 2 is focusing [NOISE] on quantity
rather than quality. It comes back to that idea that we said earlier
which is that your first 50
videos are for you, your next 50 videos
are for your audience. It takes a large
amount of time to actually get good
at making videos, and while your videos
suck you really shouldn't expect any
growth on your channel. If you have an
expectation of growth while your videos are
just objectively awful, then you're going to be setting yourself up
for disappointment. It would be like, "I'm in the process
of learning Mandarin. I'm really bad at
Mandarin right now, I can barely string together three words in
Mandarin to make a sentence." If I tried to write
blog posts in Mandarin, no one would read them because they just wouldn't
make any sense. If I was thinking, "Oh,
but I'm putting in the work because I'm
being consistent. I'm publishing blog posts in Mandarin, but no
one's reading them." What the **** I'm doing? I
currently suck at Mandarin, my blog posts are
objectively awful. Of course no one's
going to read them because they're
objectively awful, whereas if I spent a long time getting fluent in Mandarin, getting familiar with that, that now when I start to write blog posts in Mandarin
I can actually think about the value I'm
providing rather than just my inability to
actually speak the language. It's like that for YouTube,
it's not quite that extreme. That's a very
extreme example, but it is like that for YouTube. While your videos are awful you cannot expect any growth, and that's why at the start
we want to be focusing on quantity rather than
quality because A, quantity has a quality all
of it's own, but also B, the quantity of videos is
getting in the reps that's what helps us get better at the
craft of making videos. If you're already a pro at the craft of making
videos, then that's okay. You don't need to suffer
through the quantity phase. Software is maybe
the wrong word. It's actually quite fun
as you improve a skill. But if you already know how to make amazing
videos then great, just go straight for quality. But if you don't, you need to go through putting in lots
and lots of reps to actually get good at the craft
of making videos which is why quantity is more important than quality at least
at the beginning. Tip number 3 is that even when you're in that
quantity stage, the way that you can get your videos found if you
actually want people to watch the videos is to
go after search traffic. For example, the
video that I'm going to film/half film by the
time you've watched this, is a review of the Le Creuset Harry Potter
collection Dutch oven. That is a very niche
thing that there is not already a significant
market for on YouTube, there's not that much
competition for it and I'm targeting people who are searching for that thing, people like me three
weeks ago before I bought this while I was searching
for reviews about the thing. This is not the video that's
ever going to go viral, it's never going to
get a million views. It's not the video that people would click on
on the home screen, and be like, "Oh my
god, I can't wait to see this review
of this Dutch oven." It's a video that
people explicitly searching for the thing
might be interested in, and so by targeting
search traffic with my initial crop the videos. Even if my quality
is not very good, and my camera presence is not very good, and I
suck at presenting, and my writing is awful
and the quality is bad; even if all those
things are true, I can still provide value to people who are searching
for a specific thing. The mistake would be at the start while I'm still
making crappy videos, if I make a video called
10 Productivity Tips, there's so much competition
for 10 Productivity Tips. You're competing
with people like me, Thomas Frank, Matt D'Avella. You're competing with
people with millions of subscribers who already know
how to make good videos. There's no way your crappy video is actually going to
succeed in that format, but there is a chance
it could succeed if you're carving out this niche
for yourself within search. That's one way of
doing it to be honest. For the first 50 videos while I'm still bad
at making videos, I would not even have an
expectation of growth at all, and I will just
be trying to make videos to figure out
what are the things I enjoy and maybe what are the things that are
resonating with some people? Tip number 4, is that as I'm
getting better at making videos I'll be spending a lot
of time on YouTube itself, but I'll be spending that
time intentionally on YouTube doing a bunch of market
research into other channels, other creators, other genres to see what is working on YouTube. What are the things that I
personally enjoy watching, and what is it about those
things that I enjoy watching? Do I like the branding
of [inaudible]? Do I like the camera
presence of Peter McKinnon? Do I like the editing
style of Casey Neistat? Do I like the background and soft jazz piano music
that Matt D'Avella uses? Do I like the color grading
that [inaudible] uses? Do I like Becky and
Chris' interior design? What are the aspects of other people's YouTube
channels that I like? On top of that what are
their YouTube channels that are within the
genre I'm interested in? If I'm making a cooking channel, I'm going to be
extremely familiar with the top 50-100 cooking channels, and I'm going to say, "Okay, what are these guys doing well, and what are they doing that I could potentially
do differently, and what are the elements
from those that I can take?" What are their video titles that are doing well?That channel has 100,000 subscribers but they had this video that had
five million views, so their view as
subscriber ratio is huge. That was by far the most
popular video on that channel, what was it about that video
that made it so popular? Is there a way that I can
take the lessons from that video and reverse engineer the success of that
particular video. Obviously nothing is guaranteed, but this is the
way how we can use intentional consumption
of YouTube videos as a way of actively
and deliberately improving the quality of
our own videos overtime. Tip number 5 is to
try and land on this idea of creator market fit. Now in the world of start-ups, there's the concept of
product market fit. What start-ups do when
they are first building their products is that they actually don't build the
product immediately. They spend a large
amount of time interviewing
potential customers, phone call, Zoom calls, actual physical real-life
meetups and to have coffee, chatting to people on Twitter, putting surveys out there, and just doing a
bunch of research to figure out what does the
market actually want? Is there a demand for this thing that I think I
might want to make? Only after they spent many months generally trying to figure out what's going on; do they then actually
build something, but then as they're building
it their constantly iterating on it and they're putting it out
there to the market. They're shipping it,
and they're seeing what happens and they're getting
feedback from users. Eventually or usually after a few years of scrambling
around doing this thing, they land on this
magical idea of product market fit which
usually people say is when they've got over
a million dollars in the current revenue and you're depending on who
you asked about this. But once you have product
market fit it shows that your product is
a fit for the market, and at that point growth
becomes so much easier and it feels start-up
founders who have product market fit describes it as a feeling that it almost feels
like cheating. It feels like in the early
days we were struggling so hard to get even
a single customer; it felt like taking
blood from a stone, but then once we got
product market fit at that point it seemed like we were just
growing organically. People wanted to use this,
people were coming to us. We can take that same concept and apply it to the
world of creators, and think about this idea
of create our market fit. At the start you're throwing lots of
spaghetti at the wall. You're being your
archaeologist, you're digging for these
different sites, and you're hoping
something will stick. As you're doing that
you're actually getting better at making videos
as a YouTuber himself. Eventually you might stumble
upon this thing like, "Oh, when I make cooking reviews
about this one specific thing that seems to resonate
with the audience, let me do a little
bit more of that." Then you think, "Oh
my god, now people are actually asking me to make videos about other
stuff and now I make videos about
that stuff," and now, "Oh my god, those videos are doing well and people are
watching the channel. That feeling of
like, "Oh my god, the channel is
growing is when you stumbled on creative
market fit." Once you've done that,
it's time to double down on that specific thing
that's been working. Basically you just
do more and more of that and slowly try, and dial the quality dial to get a little bit
better over time. Once you've got this
creative market fit, that's really when
you start to seal the flywheel effect in action. Jim Collins is a business
coach and writer guy. He talks about this
concept of flywheels. A flywheel is this thing that takes a lot of
energy to get going, but once it starts
going and gathers momentum then it
becomes unstoppable. Similarly, it's going to
take a lot of energy, a large input of time,
and effort, and hustle, and blood, sweat, and
tears, and all that stuff; hopefully while having fun, to do your first X
number of videos, but then once you've hit on
"Create a audience fit", that's when it's going to seem
like your channel is just growing organically and things are just happening for you, but the crucial thing is
that you don't want to stop the consistency before
you've gotten to that point. This is a mistake so
many creators make. They make videos consistently for a few weeks or a few months. They're not seeing momentum
and they just give up, but it's like they
stopped before they've got a chance for the
flywheel together momentum. They stopped before they let compounding actually
run its course. Really tip number
5 would be yes, lookout for creating market fit, but recognize it will take some amount of time
of work where you're throwing spaghetti at
the wall and nothing is sticking for you to make
any progress at all. Finally, tip number 6 is
a bit of a different one. Actually it's not good to obsess all the analytics at the
beginning of your journey. A lot of YouTubers are like, "Oh, I put a video out there, and then I spent 12 hours
looking at the analytics to analyze my retention graphs and figure out exactly why
viewers were dropping off." That's like when you
have not many views on your channel, A, the analytics are pointless
because they're not particularly statistically
significant, and B, the amount of time
you're spending looking at analytics
is time that could be spent
making a new video. I would suggest
that until you have at least a few
thousand subscribers or a few thousand views, it's pointless to
look at analytics. I would just spend all
that time and effort just making more videos
instead and doing what I know it will
take to make a video better when you're at millions of subscribers and whatever
at that retention graphs. When I say this specific thing, my retention graph
goes up a little bit, therefore let me
do more of that. At those levels of numbers that stuff starts
becoming important, but certainly in the early days you know what the difference between your video and your dream YouTuber
video looks like. Just make it better and try
and get your own skills, your own quality to the point
where it's actually good, and then you can
start worrying about retention graphs once you've
got more of an audience. Those are six tips on
how to grow on YouTube, hopefully that was helpful and I'll see you in the
next lesson. Bye-bye.
26. Bonus: 10 Tips for Aspiring YouTubers: [MUSIC] Welcome back to the course. In this lesson,
we're talking about 10 tips for aspiring YouTubers, slash 10 tips for
beginner YouTuber, slash 10 tips I wish I had known when starting YouTube
for the first time. In fact, I have already recorded this video on
my YouTube channel. If you haven't seen
it, I'm just going to include it right
here in this lesson, just for ease of browsing. Starting this YouTube
channel is hands down to the single best thing I've
ever done in my life. In this video, I'm
going to be sharing my top 10 tips on how you can get started with setting up your own channel if
that's what you're into. [MUSIC] Coming in at number 10, we have don't worry about what other people will say. I
was asked this question. I asked a question
on Twitter and on Instagram and I asked people, what are your fears
about starting on YouTube and what do
you want to know? The number one
complaint is always, I'm worried about what my
friends and family will think. I've been running a course called the part-time
YouTuber Academy, where we have people who
are aged from 18 up to 55. Basically everyone in that
age range also worries about what their
friends and family will think. But you know what? The thing that everyone
realizes is that once you've uploaded your
first video, all of that fear, it goes away because you realize that no
one gives a ****, no one actually cares whether you're uploading
videos to YouTube. You might think it's like the
biggest deal in the world. Oh my God, what is my mom going to say, what are
my cousins going to say? What are my friends in
university going to say? But no one actually cares. Everyone is just so worried
about their own lives that the fact that I'm doing
YouTube, no one cares. The fact that you're going
to start a YouTube channel talking about whatever you want, no one cares, and we just need to get
that into our heads. This is such a common
fear and we all have it and it's just the first
thing you have to get over. Basically, no one cares. Stop deluding yourself into thinking that
people are thinking about you because everyone is just worried
about themselves. They're worried about how they are appearing to other people. There's this thing in psychology called the spotlight effect, which is that we
all walk through life thinking that
there is a spotlight trained on us and
just not realizing that everyone else is
absorbed in their own life. We are only the heroes
of our own story, and we are supporting cast
in everyone else's story if they're even
thinking about us at all. Start your YouTube channel. Do not worry about what
people will think, 99 percent of the fear is in just before you
publish your first video. But I promise you as soon as you hit publish
on that video, 99 percent of the fear will disappear and you will stop
worrying what people think. [MUSIC] Then at point number 9, we have gear doesn't
matter at the start. Gear does matter
in the long run, but at the start, gear
does not matter at all. When I started my
YouTube channel, I started filming on my iPhone. I did not have any
microphone attached to it. I literally just got
the camera, lay in bed, pointed at myself
and said, Hey guys, I'm thinking I'm going
to start some vlog. I knew absolutely
nothing about editing. I just followed free
YouTube tutorials about how to edit videos and that's what you have to do when
you're getting started. It's like if you're starting
learning how to write, it doesn't matter
what pen you're using as long as you're
writing something. If you're getting started
learning how to draw, it does not matter what pencil and what paper you're using. That's all a distraction. What you need to do is pick up any old pencil you've got, or pen that you've got
lying around the house, any old piece of
paper or scrap paper and just start
learning from day one. It's the same thing
with YouTube really, if you're watching this, you have a device which is
capable of recording video. You have your phone, if you want to get
started on YouTube, screw the gear, don't think, Oh, I need to wait to upgrade to a fancy *** camera before I'm allowed to get
started on YouTube, start with whatever you have, start with your phone and you
can always upgrade later. In fact, over there is a video where I talk
about exactly how to stop filming videos
with just your iPhone and it looks pretty reasonable. If you do want to
upgrade something, then upgrade your
audio quality firstly, because people will sit
through a bad video quality, but no one will sit
through bad audio quality. That's the first
thing to upgrade. If you want to learn more about exactly which gear to upgrade, a shopping list for gear
at different levels. You should definitely sign
up to my part-time YouTuber, free 7-day email course. This is totally free. You just enter your email
address and then every day, I will email you with a
long *** article which contains lots of tips about
getting started on YouTube. One of those in the
seven-day course is exactly what gear you need to
upgrade and in which order, and I give you
different levels for gear at different budget levels. Again, that'll be linked in the video description if you
want to check it out. Again, totally free just seven days of emails
from me where I give you my top
tips on getting started on YouTube
as a beginner. Point number 8, we have, don't
worry about the numbers. Once you've started on YouTube, this is a mistake
everyone makes, is that you're way way
focused on the analytics, but at the start, it
doesn't really matter. The only thing you have
to do is just keep on producing more and more
and more videos and not really worry about
the fact that no one is watching them and
that you're not getting very many subscribers. If you look at the stats,
according to TubeBuddy, the average channel with
1,000-10,000 subscribers, has made 152 videos. Until you've made 152 videos, you do not have the
right to complain that you're not
growing on YouTube. You have to make 152
videos first and then we can think
about how to tweak your growth prospects
on YouTube. For me, it took me 52 videos and six months to hit
1,000 subscribers. That was making
two videos a week, six months in a row, while I was a full-time
medical student at Cambridge while preparing for my final
year medical student exams, two videos a week, six months, and then I hit
1,000 subscribers. At the very least,
if you've made anything less than 52 videos, then don't worry about
your subscribe account. You can always email me
for advice or sign up to my part-time YouTuber mailing list and reply to
emails on that. You can always email me for advice further down the line, but I can't give you any
advice [LAUGHTER] until you've made at least 52 videos.
That's just how it works. Point number 7 is this idea of stacking the deck in your favor. We've established that you're going to start your
channel and you're just going to do it and not
care about what people think. But to succeed on YouTube, you want to think in terms
of stacking the deck. How do you take the deck
and how do you [NOISE] stack it in your favor? Now the extent to
which you should stack the deck depends on how you're
thinking about YouTube. If you're thinking about
YouTube purely as a hobby, where you don't actually care about the numbers
and you're thinking, Oh, it would be
nice to make money from this further down the line, but it's not my primary aim
right now. That's great. You don't need to worry about stacking the deck in your favor. [NOISE] But if a lot of
students in our course, the part-time YouTuber Academy, you're thinking of YouTube more as a business opportunity. The more business
entrepreneurial, people minded end
of the spectrum. You then want to [NOISE]
think about how do I stack the deck to try
and grow on YouTube, or to try and get to
achieve my goals for YouTube as effectively
as possible. There's broadly two ways
of stacking the deck. You can stack the
deck in terms of time or you can stack the
deck in terms of money. How do you stack the
deck in terms of time? Well, it involves putting in the time to learn how to
get better on camera, which happens over time as you
make more and more videos, and involves putting
in the time to get better at editing videos. Again, it happens as you just produce more
and more videos. I've got a friend
called James Johnny, who has grown from 0-500,000 plus subscribers on
YouTube by making like 10 or 12 videos or something stupid like that
because he spends hundreds of hours editing
each one to make it crafty into a perfect Netflix
documentary style video. He is stacking the deck in his favor by spending
large amounts of time, hundreds and hundreds
of hours writing, scripting and
editing his videos. The other way of
stacking the deck in your favor is by using money. Now we're not going to
talk about this because this is a more advanced point. But for example, you can
invest in gear and number 2, you can invest in hiring your own team, which
is now what I've done. Actually a lot of people
don't realize that you can outsource video editing for
quite cheaply, very early on. Especially if you have a job
where your time is worth. Let's say more than $10 an hour, you can easily outsource
video editing to someone who you're paying less than $10
an hour or two if you want, as a way of stacking the deck in your favor by using money. Again, that's a bit
of an advanced point. We'll talk about that more in my part-time YouTuber
free email course, sign up in the video description if you want to check that out. But yeah, that's how
I think about it. There are no guaranteed
formula to success on YouTube. [NOISE] But really
it's all about stacking the deck in your favor, in whatever way
you can, depending on what your goals
for YouTube are. Are you a hobbyist or are you a entrepreneur,
businessperson? I'm somewhere in the middle leaning towards
the business side. I do whatever I can to
stack the deck in my favor. [MUSIC] Point number 6, use your unfair advantages. Now, I've got a secret
three-part formula for success on
YouTube and in fact, success in anything in life. That is success equals
work multiplied by luck, multiplied by unfair advantages. Now, work you have
to put in the work, you have to put in the time
and the effort to do this. Otherwise, it's not
going to go anywhere. Luck, you're reliant, you do have to get
a little bit lucky. But the good thing about luck is that the more
videos you put out, the higher the odds that
any one of them will get picked up by the algorithm and will start to go viral. In fact, for my channel, it's only been like
two or three videos in the last three
and a half years that have gone really
viral that have really propelled channel growth. Everything else has
been fairly average, fairly mediocre, so
that was work and luck. But the third component of the success equation
is unfair advantages. What are the unfair advantages
that you have that you can exploit in your YouTube channel or in whatever you're doing? For me, my unfair
advantage was that I was a medical student and I
was at Cambridge University. Those are pretty big
unfair advantages because the niche that I was targeting was people applying to study medicine
at Cambridge University. I was not trying to be
a makeup influencer. I was not trying to be
a fashion influencer or a lifestyle or workout
or fitness influencer. None of that would have
used my unfair advantage, maybe the medical
student thing if I was actually
interested in fitness. But you want to think about what are the qualities I have, what are the things that other people can't
necessarily "compete with" even though we don't really want to think
about this as a competition, what are the unfair
advantages that I have that I can use to help
propel my channel? If at this point
you're thinking, well, I don't have any
unfair advantages, you should check out a
video linked up there, which will be in my
book club episode of a book called The
Unfair Advantage, which is all about the
formula to success, where I chat with
one of the authors, Hasan, about the five different types
of unfair advantages. We talk about how to answer
this question of, well, I don't feel like I have
any advantages because everyone has their
unfair advantages. You just have to lean into them. You have to figure out what
they are and then you want to try and weave that into your
YouTube channel somehow. Point Number 5, focus on
quantity rather than quality. It is far more
important when you're starting out on YouTube to make 100 really bad videos than to try and make 10
really good videos. Caveat, unless you're going
down the James Johnny root of putting in hundreds of
hours of editing into videos, that's a different style. But I imagine for most
people watching this, your aim is to become a
YouTuber that's like me, whereby you can sit in front of a camera and talk about
whatever you want and it's nice and
you share your life and you share your
experiences and you do some teaching rather than to
craft a Netflix documentary. But whatever the case, quantity is more important than
quality at the start. There's a nice
story that I like, which is the Parable
of the Pottery Class. The story goes that there
is a pottery class and the teacher divides the group
into two different groups. One of the groups has to make a pot every day for 30 days, so by the end of the 30 days, they make 30 pots, whereas
the other group has to focus on a single plot
for the whole 30 days. They only have one pot at
the end of the 30 days. Then at the end of the 30 days, the teacher brings all the pots together and judges the
quality of the pots. He gives that prizes about
whose the best pots were. Every single pot that
won a prize came from the quantity group rather
than the quality group, especially when you're getting
started out in something, there are so many
learnings to be had. Improving your own ability
to talk to the camera, improving your ability to edit videos, improving
your storytelling. All of these happen through quantity rather than
through quality. You have to get in the
reps. My theory on this is that you just
have to make 100 videos, make at least 100
videos and then worry about trying to
improve the quality of them. Because by virtue of
making 100 videos, you're naturally going to
improve the quality of them without even really
thinking about it. But the main thing is you've
got to get in the reps. It's all about quantity rather
than quality at the start. Number 4 is don't really worry
about what your niche is. People get hung up on
this, like I don't know what to make videos about. It would be like
a writer saying, I don't know what to
write about therefore, I'm not going to write
or an artist saying, I don't know what my masterpiece is going to be therefore, I'm not going to
hold a paintbrush. It's totally okay for your
niche to emerge over time. Yes, you can take a very calculating route and plot out in advance and be like, this is my path or you
can do what I recommend, which is just stop
making videos on YouTube about whatever you enjoy,
whatever you want. If I were starting on YouTube, I wouldn't really worry
about the niche thing. I'll just think, [NOISE]
you know what, let me make videos about the
things that I enjoy, make maybe some close-up magic because I'm not a total loser. Maybe like iPhones, maybe
like my favorite pen, maybe like tips for getting
started on YouTube, maybe life as a medical student, maybe whatever experiences
in my life that I enjoy talking about and that I think I could teach on the Internet, that is the stuff I would
start making videos about. Overtime, as you start making videos about
things that you enjoy, the audience starts to resonate with some
of those things and so your niche ends up
emerging over time. I never thought I would be
a productivity YouTuber, but I seem to have become
a productivity YouTuber because that niche just
emerged over time. It was not fore-planned
in advance. If you've got a lot
of interests, if you've got a lot of things
you're interested in, or even if you don't know what
to talk about on YouTube, just start making stuff and
you will figure it out. Don't be one of those
writers who says, I don't know what
my bestseller book is going to be about therefore, I'm not going to
write a single word. It's the same with YouTube. Who cares if you don't
know what your niche is, your niche will
change over time. I started off making videos for medical school applicants. I now no longer care about medical school
applicants in terms of making videos and therefore, it just changes over time. Don't worry about it.
Don't overthink it. Just make the videos
that you enjoy at start. Point Number 3, be patient
and be consistent. Those are really
the only two things that you need for
success on YouTube. You need consistency
and you need patience. Consistency in publishing
at least one video a week and patience in that not worrying about
the fact that you're not going to get any traction
for a large amount of time. Success on YouTube
is absolutely not an overnight thing and
certainly with my channel, my first 80 videos, I made no money and
then I started making a few dollars here and there and with all of these things, like with every
good thing in life, it's like a compounding
returns curve. You don't realize it when you're right at the start of the curve because you're not
seeing any traction. But three years later,
if you can stick with publishing two videos a week for three
and a half years, like I've been doing, you
look back and you think, my God, my first 100 videos, they were just part of
getting that flywheel to turn and really it's all
about that consistency. But also having the
patience and having the faith that this will
pay off in the long run, just not in the short-term. It's like one of my
goals for the new year is to get six pack abs. But if I were to do
some crunches right now and do not see
any abs coming out, it would be a bit
silly of me to say, why am I not growing on YouTube or why are my abs
not coming out? Because you have to
do it every day for several months before
you see any results and that consistency is what
gives you the result rather than a super intense
ab workout on Day 1. Point Number 2 is try think
about it in terms of systems. Now this is a big thing that
we teach in our course, the Part-Time YouTuber Academy. Again, if you wanted the
free seven-day email course, hit the link in the
video description. But it's really
all about building a system because we've
established that the way to grow on YouTube is by being consistent for
a very long time. You then want to start thinking, if I need to be consistent and put out one or two videos a week for the next five years, how can I build a system around that to make it
easier for me to do? At the start of our
YouTube careers, what everyone does
and what I did is you think one
video at a time, you think, what's
this week's video? What's next week's
video? Then another one. But then very quickly
you realize that this is quite hard to sustain and so you want to think about building
a system in terms of how can I generate as many
ideas for content as possible? Then Number 2, how can I refine these ideas and turn them into titles and thumbnails and hooks? Number 3, how can I create
these videos in parallel? Number 4, how can I find pockets of time
throughout the day? Where maybe I've got a 10
minute break at work or in my lunch break where I
can plan out a video that's going to be pushed out
several months in advance. How can I plan out my
content calendar so that I actually only
have to film once and I can batch film maybe
five videos in a row so that I don't have to go through all the effort of setting up the lights and camera
and everything? It's all of this
stuff around building a system and if you want a
book recommendation on that, you should check out The E-Myth Revisited by Michael Gerber. This is a book I've
been recommending to all the students
in our course and everyone who's
read it says that, my God, this book is
absolutely amazing. It's just a great way of changing your mindset to
thinking in terms of systems and I would say that's
one of the books that's most changed
my life and that has made publishing on
YouTube a lot easier because now instead of thinking of it as one video at a time, I think of it as a holistic,
cohesive, coherent system. [MUSIC] Finally, point Number 1 is if you're thinking of getting started on YouTube,
then just do it. You could literally pause
this video right now, you could get your phone out. You could switch on the
recording, the camera, turn on selfie mode on
your phone and be like, hey guys, this is my
first YouTube video. I was watching Ali's
tips on getting started on YouTube video
and he was saying, to be honest, you should just
do it and so this is it. I'm going to start
my YouTube channel and this is video Number 1. That video took me 11 seconds to film and if you're
starting on YouTube, you could literally do that. Pause this video right now, turn on the selfie camera on
your phone and just upload it using the YouTube
app on your phone. It is that simple. We all overthink this
so much like, my God, my first video has to be
good and it has to be perfect and what are
people going to think? But what we don't realize
is that no one cares, no one's going to watch
your first video, who gives a toss? If it takes the
average channel 152 videos to go between 1,000
and 10,000 subscribers, why do you think that
video Number 1 matters? It's just completely
inconsequential. Video number 2, 3, 4, 5, 6, 20, 30, 40, none of those videos actually matter in the long run. What matters is that
you actually just get started and you
realize that hitting that Publish button
on YouTube is not as hard as it originally seems. There's that quote
that I like that the best time to plant a
tree was 10 years ago, the second best time is now. If you're thinking, ****, I wish I had started YouTube 10 years, I wish I had started
YouTube 10 years ago, but if I don't have
a channel and I'd watched to the end
of this video, I would just get my phone out and film that video right now. In fact, if you're doing that, link it in the comments down
below and I will subscribe to your channel and
I'll be your first subscriber for
whatever that's worth. But I just need you to
upload that very first video and then commit to publishing
at least one video a week. Those were 10 tips on
getting started on YouTube. You really don't
need anything else, you just need to get started. But if you're interested in
joining me on a live course, where I teach a few 100 people about how to do this
stuff with assignments and things and everything
and we teach you about the systems-based approach of growing your channel, then check out the
Part-time YouTuber Academy link in the video description, along with my free
seven-day email course, again, linked in the
video description. Do you need a course
to succeed on YouTube? No, absolutely not. It really is just about publishing content
consistently and there is absolutely nothing I teach on my course that you can't
find out on the Internet. Anyway, check out the
Video Creators Podcast, check out the Video
Creators YouTube channel, checkout Think Media. They've got a fantastic
YouTube channel. There are so many free
resources online. If you don't want to sign up
to a course, that's fine. You can do the work
yourself. But if you're the person who benefits
from accountability and having a community of people
to go through the process with on top of the content
that's all in one place, nicely packaged up for you, then you might like to
check out the course. Whatever happens once you
start your YouTube channel, you're going to need some
tips for time management, which is why you
should check out that video where I talk through my eight top tips for managing your time so you can pump out
that content consistently. Thank you so much.
All the best with your channel and I'll see
you in the next video. Bye. That was 10 tips
for aspiring YouTubers. Hope you found that
somewhat helpful. Thank you for watching and I'll see you in
the next lesson. Bye.
27. Make YouTube Fun: Let's talk about how to
make YouTube sustainable. I don't know why we're
doing this on the piano because we were partly, whenever we're getting to
the end of this filming has been two solid days of
filming for this class, and we're like let's inject
a bit of fun into it. To be honest that's really
the main point here. The way we make
YouTube sustainable, is by finding ways to make
it a little bit more fun. Especially in the early days, the way motivation
works is like, you put in some effort
and you see some success. Then the small
success that you see fuels the fire of motivation. Motivation does not work, by the sense of like
you need to feel like doing something and
then you'll have the motivation
that you'll do it. It's like you do
something, it works a little bit and then that
success feeds on itself. But in the early days of
starting a YouTube channel, you're probably not going
to have much success. You're going to think that
your work is absolutely shite. There's going to be a large gap between what you know a
good video looks like, and the videos that you're
capable of producing. You're going to feel like, oh my God, I hate
talking to a camera. Oh my God I hate the
sound of my voice when I'm editing my videos. Oh my God, when I
talk to a camera just feels like such an
absolute **** hole like. I don't know what's
going to happen, I can't get my
thoughts in order, you stumble and start your
way through the video, and it feels really painful, then you get to
editing it and you think there's just really bad. My gear is not good enough, my phone's a bit shite, the camera's not great, the
lighting is a bit awful, the sound sounds bad,
can't find a figure out my background music. It's
all a little bit of a slog. But really the way to
make it sustainable, is by finding ways
to keep it fun. By also managing expectations, and not expecting us to get any growth in the
first 50 videos. Which is why I say
the first 50 videos are for you to hone your skills. The next 50 videos, are for your audience where you can
worry about providing value. Now, what are some
other ways that we can make YouTube
more sustainable? I think another big one is making sure that the goals
that you're setting, are goals that are 100
percent within your control. When I first started
YouTube in 2017, people would ask me what
are your goals for YouTube? How many subscribers
do you want to get to? I never had a subscriber goal. I thought in the back of
my mind that if I can get 4,000 subscribers in my first
year that's pretty cool. But that wasn't really a goal. The goal in my mind was, I just want to make one
or two videos every week, and I want to get a little
bit better with each one, that was it. It wasn't
even the second part. I want to get a little
bit better with each one because the whole every video needs to be better
than the last is not really something you
can sustain forever. It's like if you're
into weightlifting and stuff, when you're a beginner, when you are new, you can
always lift a little bit more this week than
you could last week. But then you get
to a point where you plateau and suddenly you actually can't just keep
on lifting higher weights. You have to actually
get stronger. It's the same with YouTube. For your first few videos you do genuinely get really good, a lot better with each one. But then it comes
with a plateau point. At that point, having
the requirement that your video has to be objectively better
than the previous one, is actually not
particularly helpful. If the goal is something
that's within your control. Like for me, making one
or two videos each week, is actually a goal that's 100
percent within my control. Whereas getting a
certain subscribe count, getting a certain view count, getting a certain revenue count, those are things that are
actually not within my control. Their partly within my control
because I can do the work. But they also require other
people to watch the videos, and to like them
and to comment on them and hit the
Subscribe button. It's not a goal that I have
fully within my control. For me personally, when I have goals that are outside
of my control, that's quite demotivating and it makes it less fun
doing the thing. I think the third way of
making stuff more fun, is by making progress visible in a way
that's different to views like subscribers
and all that stuff. Yes it's really nice, when
you start getting the views, you start getting the comments
and that really fuels the dopamine hits and like
yeah, things are working. But in the early days before
you start to get that stuff, you need to have a more of an internal sense of progress, and an internal sense
of leveling up. This comes from you
knowing internally that this video that
I'm now making, is a little bit better
than the one I made last week and my skills are
improving a little bit. The way that I did it, is that after my
first few videos, when I first got the
hang of editing, I would watch a bunch of
other YouTubers, and be like, in my next edit I want to incorporate this thing that
I saw from Peter McKinnon. Or in my next edit I
want to incorporate this storytelling technique
that I saw Martin Vela use. I spent lot of time
watching a ton of YouTube tutorials to be like how to make transitions nicer, how to deal with background
music and stuff. Just that feeling of like
acquiring mastery over time, that feeling of making progress, is a big part of what makes
tough feel more fun for us. This is the concept that
games tap into when you're leveling up
in a game during this grandeur activity, game designers know
that sense of progress, that feeling of mastery,
that feeling of getting better and leveling up drives a profound amount of
intrinsic motivation to continue to play the game
because it's genuinely fun, and it's the same with YouTube. We just need to find our
own internal sources of intrinsic motivation for it, rather than relying on the
external metrics like views, subscribers, comments,
and that stuff. I think another way to
make things more fun is to recognize that actually
is okay to take a break. When we start on YouTube, everyone pedals this whole
idea of consistency. But to be honest, the official huge
team behind YouTube, has done the analysis
and they say that taking a break
from your channel, will not negatively
adversely affect it in terms of the
algorithm performance. Yes, if you take
absolutely ages away, then your viewers might
then lose touch with you. But especially in
the early days, where you don't
have any viewers, or if you do there's
not that many of them, it doesn't matter
too much if you take a break of a
week here and there. Because if real life
gets in the way that sometimes real
life gets in the way. It's better to produce, two videos a month than
zero videos a month. Because yes in a dream world you'd be making one
or two videos a week. That's like a good
spot to be in. But if you can only
manage two videos month, three videos a month, that's
also better than nothing. What you don't want
to do is think, I can't commit to doing this every single week
for the rest of my life. Therefore I'm not going
to get started at all. Sometimes stuff happens,
back in the day, I don't think I missed an upload for like
two years in a row. But there were some weeks where loads of stuff was
happening in med school, or when I was
working as a doctor. If I had a weird shift pattern, where instead of doing a video, I will just do a live stream. These days YouTube has shorts. Instead of doing a video,
you can make a short. There's all these ways that
you can lower the bar, for the videos that
you're allowed to make. Speaking of lowering
bar, that's also a generally good strategy
for making things fun. We can easily get into this
perfectionist trap of like, oh my God, this video
needs to be good. But what I found is that
as my channel has grown, I've got to actively fight
that default inertia of the bar going
higher and higher, to the point where now if I feel bad uploading video
that I think is low quality. But as long as it
feels authentic to me, I'm trying to lower that
bar as much as possible. Even some videos that we do
on the main channel today, we're like two and-a-half million
subscribers are videos that I just have an idea for. I have like three
bullet points on my phone, and I just
film the video, and those videos turn out great because people are like, Oh, you're being authentic, you're
being true to yourself. Whereas often it's
the more scripted videos that do less well, because people have
realized that it's scripted and people
at some point want to see more of the authenticity and the personality
shining through. I think lower the bar, be okay with producing some content that isn't quite as polished as some of
your other content. It's totally okay to do
community-themed videos. This is something we haven't yet touched on in the course, we talk a lot about this
in our YouTube Academy. There's basically three
different types of videos. There's discoverable videos, there's community videos
and the sales videos. Discoverable video is
a video that you want to try and get it to
attract a new audience. You're trying to put
your best foot forward for a discoverable video. Whereas the community video is a video designed to only appeal
to your existing viewers. When I do a Q&A video, or when I do an answering
assumptions video, or when I do a what's
in my bag video, I'm not expecting
those videos to be viral hits that new
people will discover. I'm just expecting
that people in my existing audience are
interested in me doing a Q&A. People in my existing
audience are interested in me doing
an assumptions video. Those are often the easier
videos for me to film. If I'm having an off week
or I'm having an off month, or if life at work is tough, or if real life is
getting in the way, I can always lower the bar and create more
community content. That's easier for me to film
rather than feeling that every video needs to
be a discoverable, heavy lift that really
appeals to a new audience. Those are just a few thoughts on how to make things more fun. Hope you found that
helpful, and really, the name of the game is to find a way to make
it sustainable. Because so many
people quit YouTube before they have a chance for
the company to take effect. So many people quit
YouTube because they don't see progress in
the first 30 videos, and then think, oh my God,
I'm doing something badly. But I think just reset
the expectations. Your first 50
videos are for you, and then your next 50
videos for the audience. Within those first 50, that's when you need to
enjoy the process, try and make and
sustainable and slowly level up over time, and now, once you're in the
realm of trying to please the audience
at that point, the equations on what
changes but still, trying to make things fun
is always the way forward. Thanks for watching. Hope
that this was helpful and I'll see you in
the next one. Bye-bye.
28. Final Thoughts: [MUSIC] Welcome back. It is
the end of the lesson. In this little video, I just want to share some
final closing thoughts. Firstly, if you've gotten
to this point, well done. You've made a big
step in putting out your first YouTube video. I really hope you
have done that. If you're watching this on
Skillshare, please do post the class project
in a project area. It'll be cool to see what other students have
come up with as well for their first videos
on their YouTube channels. Really, I just want to reiterate that the
thing to keep in mind is that your first
50 videos are for you, your next 50 videos
are for them. You shouldn't really
have an expectation of growth while your
videos still suck. Hopefully, over time as
you get better at making videos, as you
develop that skill, then you can switch
towards actually thinking about trying
to make videos that are good for the audience that
are high-quality that people will get a certain
amount of value from. For some people that
will be 50 videos, some people that would be a 100, some people that's five videos, 10, 20, 30, I think 50 is a good number
and 50 was the number I had in my head when
I first started my YouTube channels where
I thought, you know what? I know my first 50
videos are going to be crap but I'm just going
to get through them. In fact, I will put
that thing from my first video in 2017 right here so you
can see what I mean. For the past few days,
I've had the idea that it would be really cool
to start vlogging. I really enjoy watching
vlogs on YouTube. They say that whenever
you're starting on YouTube, your first 50 videos are
going to be terrible. I'm hoping that
over the next year, I'll make my 50 terrible
videos and then when we hit August the 1st 2018 when life as a
junior doctor starts, then I'd be able to hit the ground running and
be able to actually film decent vlogs maybe
once a week talking about aspects of being a
junior doctor and hopefully, people will find it interesting. Just keep going, keep it
sustainable, keep it fun. The thing that I tell
students who are part-time YouTuber
Academy is that if you can publish a video every
week for the next two years, I can basically guarantee
that your life will change. I can't put any numbers on it. I can't tell you how
many subscribers you'll have or how much revenue
you will be making, but I can 100 percent guarantee that your life will change, provided you make
one video a week, you upload consistently
to YouTube for the next two years and you slowly aim for marginal
improvements over time. If you want to learn
more about YouTube, you can totally
check out my course, the part-time YouTuber Academy that'll be linked down below. I also have a class all about
editing with Final Cut Pro. If you want to dive deeper into editing for YouTube videos, that'll be linked
down below as well. Now we've got a bunch more
things like productivity for creators and like camera
confidence, a few other things. Anyway, all of the other
stuff that I've done around the sphere will be linked in the video description. You can also check out my
brand new YouTube channel, the part-time Creator Academy, which should hopefully launch by the time you're watching this, which will have free content galore about how to be
a part-time creator. So thank you so much for being
with me in this journey. It's been a fun two
days of filming. I hope you've enjoyed
watching this course and I really hope you
got some value from it. All the best with
your YouTube journey. And hopefully, I'll see you
sometime soon. Bye-bye.