Photoshop Fundamentals: Class #3 Shapes & Smart Objects | Michael Lemma | Skillshare

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Photoshop Fundamentals: Class #3 Shapes & Smart Objects

teacher avatar Michael Lemma, Designer & Photographer

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

7 Lessons (46m)
    • 1. Introduction

    • 2. Shapes

    • 3. Smart objects

    • 4. Smart object mock example

    • 5. Saving time with smart objects

    • 6. Working with Smart Objects

    • 7. Final Thoughts

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About This Class

A follow up class from Photoshop Fundamentals: Layers & Blend Modes. Learn a introduction to photoshop with simple techniques to really make your photos pop. Learn how to use photoshop Smart Objects and different Shapes to improve your work flow. 

Meet Your Teacher

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Michael Lemma

Designer & Photographer


Mike is a successful designer. He worked for a hot startup in the Techn Industry. He grew up in California and received his BFA in Graphic Design from the Savannah College of Art & Design. Also has recieved his minor in Architecture. He has studied art and design since he was seven.

He's had clients that have ranged from NY Red Bulls, The Amazing Spider-man, Coors Light, AMC's Breaking Bad, Powerade, Verizon, and more.

His specialty is UI/UX, Branding, Corporate Identity, Poster Design, Logo Design, Package Design, Web Design, Concept Design, Matte Painting, Photography and Art Direction. He is the founder of the website exhbit.

He has gained inspiration while traveling the world and recently wrote and published a book on his travels. He's had articles writ... See full profile

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1. Introduction: everyone. And welcome to the lecture. We will be talking about smart objects. So what is a smart object? Will? Pretty much a smart object is, um, multiple things in Photoshopped, a smart object is an object that you can open up in a new window and you could make any edits to the particular object, save it out, and it will update in a particular document. So, for example, I have a template here, and we have a logo on this coffee cup. So if I open this up and I want to say changed the coffee to say, uh, California Year Coffee Nation if I hit save it will update on the actual document. Now, you can pretty much put in a element into a particular document. You can right click it converted to a smart object and edited. So that way it's non destructive to the actual design. Um, and that way you can manipulate it and move it. However you need to and your design will still remain untouched, that we can go in and edit whatever it may be. So he needed it right? Callie, instead of California, you can go in and change and it will be ah, changed inside your smart object? No. Another way to use smart objects are to use illustrator. So, for example, I have, um a set of icons that I have in this box. Basically, if I opened them, they will open inside in design. Basically, when you take an element from in design and you copy it, you paste it into Photoshopped. You can have the option of putting in and as a smart object, pixel path or shape layer. So by doing that, you can put it into your document. You can manipulate it. However you need to you know, that way not that I would see what you do that, but I want to make a bigger I could make it bigger. But if I wanted to change the color, let's see of just this weight never go into it. It would open it up for me. I select the weight I change my color. Look, There you go. Come second pieces of the weight. Where to change its color change. Here you go. Ah, change this piece. All right. If I save it, it will update in photo shop. And there you go. So pretty much you are editing pieces that can be updated across the board, and that's basically what a smart object is s. So that's pretty much a general overview of, ah, smart objects they're really helpful to use. You can use them however you need, and then, um, edit them to your liking and without destroying your overall final piece. And basically, that this section is about me showing you different ways to make marks where you can put him on objects. Or you can put them, um, onto T shirts or app screens, TV screens. You could even use it further for Web design and so on and so forth. So pretty much just will be covering this section. See you guys at the next one. 2. Shapes: Hello, everyone. Welcome to the next lecture, and this looks you're gonna talk about shape, layers and what they are. So on our tool panel here on the side of we're going to go all the way down to the bottom. And basically you'll see either a learning tool that's defaulted or a rectangle toe. I'm not really sure, but it's below this little pointer icon. So we click and hold on it. It will open up a sub menu. And here we can see we have rectangle tool with around tool Ellipse tool a polygon to ally Intell. In a custom shape all these air, different shapes that we can apply and our projects. So, for example, as a basic, if I were to draw a ah square, I could draw a square and then it will show up. Uh, when I do that, we'll get the properties of that square. I will tell me how big and how wide it is. Um what point it is on the campus and then what color it is, which we can change if we wish. Um, so you just click here and then we can change to any color. We want we could also had a stroke. And then we can even increase the value of that stroke to be thicker. And it tells you the point size there. Or we can make it dotted line or even a, uh, a dotted, dotted line. We could even ADM or elements down here for the dashes in the gaps and what not ah, use. I just leave it as a stroke For the time being, we can tell it whether we wanted to be inside outside, um, of the shape comptel it if we wanted to circle around if you wanted to be, um, squared off. Uh, right now, I'm just leaving it in a sharp and, you know, leave that there for now. And I'll just shut this off, actually. And then what? We can also dio as we can around its corners. So if I hit five pixels, it will apply it all sides. I should say 10 because I have the little link chain here that says, Please apply to all sides. If I have another shape, I can also, um, cut out piece of the shape using tools down here. Eso It's really, really cool tool to use um we can also feather the shape if we wish Clicking on the mass so it already adds a mask to it Had density, color. You had another mask and apply it as well. If they go back to its properties. Looks pretty good. Una take off feather. Just go back to normal layer. Got our info, can hover over, you know, tells more about it. Colors seem like a where it is on the this curse. She is on the cameras. So in close out of that, so automatically we have a layer. It tells us what it is. We have a little square icon here, and basically that means I can go in and I can change its color, which is really, really cool. Lips do that second and color. I wish, and I can apply to that. Another thing I can do is I can add a layer started to to it as well. Um even at a color overlay. Not that. Would you? We'll see you wanting to do that because you can select your color. But that is an option. We can Oops. We can add a radiant on it if we wish. Pattern outer glow a drop shadow in her shadow mover in her shadow around, um, got a stroke and textures we do allow to it It is technically a smart object. We can even rast arise it to be just a normal layer. Right? Click it Rashed arised layer. And then that's it. We cannot make any more changes to it because we converted it to a J pay. Just gonna undo that. Um, if I have ever wanted to bring up its properties again, I can pretty much click with this. Ah, icon here below the textile clicking And then all my properties air up here so I can change its color again. Looking at a stroke changed the way to the line and I can do a few more other things to it . I can combine the shapes attracts shape. This technically here is ah, um a tool. We're technique that's only used in illustrator in the older versions. But now they carried it over and see, see into photo shop, which is a lot more useful. Ah, here I can even bring shapes to the front or back of via multiple shapes. So, for example, I chose the lip stolen, made in a lip shape, changed its color. You can select it and say sent it back. If they have another shape on top of that Well, for an easier ways, you can just go in the layers panel in just dragon underneath. Um, so that's something else you can dio. Uh, so that's pretty much what you canoe with the shapes. Now, if you click on this, we have a polygon tool. We have a line tool. This has basically in line the same type of, um, properties that you can apply to it. And then finally, we have the custom shape tool, and if you select that, it's kind of hidden. But if you go up here under sheeps, you get a menu, and then you have all these different shapes you can use. You get out of plane, you can add, um, fire icon, Butterfly, the copy and, um all right, reserved symbol are the I'm sorry. The registered symbol, the trademark symbol can have a star. Eso here are more shapes that we can play with just really, really cool on the line. Tool actually was added into that she didn't want but back Ugo and what I can do is I can select specific points and change that point. I can move it. Um, I can adjust it. Whatever the case may be really cool. So that's pretty much it for the shape layers we can. We can add, um, for feathering. We can change its color. We can add a layer style to it. And like I said, we could change the color. We can add a stroke to it. We can doing pretty much a lot to a shape layer very, very useful, especially when it comes to Web designing. And if you're gonna be, let's say, designing a button and you need to design but a big and it's surrounded many pixels. And there you go, there's your button and then some text on it. Okay, but then, not that that would be the rial size bigger. Here we go. There's our button. So that's another cool way of, uh, adding, um, what you would actually use shapes for You can use it for other things as well. Ah, there are a lot of different ways to use shapes, um, creatively. And that's all based upon you as the artist, so That's pretty much it for this little lecture. That's about shape players. Very, very simple to use, very easy to understand. There's you're shape layer one more thing before you go. Um, a lot of people get confused with this, but if you add a new layer, you can make a shape with your marquee tool. You feel that with the color, and then that can also be a shape. But you can't really do anything to it on the only thing you do is you can transform it. You can scale it, whatever the case may be. But we can also do that to our she players as well. I could squish it. I can transform, and it will still remain as is. I can still change the color to it. I can still go in, and I can even change the size again without it being effective. Nondestructive, um, working, making go back. So you know I can do a little bit more with Shea players. I don't recommend you using the murky tool unless you actually have to fill in a collar in a specific part of an image or your project, whatever the case may be. So that's pretty much it for this lecture. I will see you guys in Excellent. So you guys there 3. Smart objects : everyone. And welcome to the next lecture in this lecture will be talking about smart objects and how we can use them in our own mock ups. And how we can pretty much, um, mock up a photo with a particular piece of art on to the actual, um, photo. Whether if it's of a printed piece and we don't want to get it printed and we fold something up, they wanna put on a business card or for sure, or even an IPAD screen or an iPhone screen. Basically, we're showing how to use smart objects to mock it up in a specific perspective without destroying the original contents. So, for example, I have a site here called Picks Eden, which I use a lot to download A lot of, um, resource is such a Z markups or Icahn's air perspective, um, applications. So, as an example, this is what basically we're gonna be covering doing, uh, this type of technique. Ah, it's right where I'm looking forward to doing everything at a particular angle where we don't have to worry about messing up the original content. So I'm gonna take you step by step on how to do that so that you could see here. This is basically what I came up with really quickly. Ah, I found an image off global. You could take one yourself, or you can go download a free version or go. Whoa one, Um, and pretty much apply this technique to it. So I'm gonna put a application screen in this iPhone. I'm gonna start from scratch. You could see what I do from beginning in. So gonna pay much? Delete this layer. I must start from the beginning. So on the tools panel on the side Want to go to the shapes layer? When you're the shapes layer, we're gonna click and drag about. The whiff of an iPhone screen doesn't have to be perfect. Just what your eye tells you. So basically, I'm gonna draw shape. You can see it's drum. Once that's done, I'm going to convert it to a smart object. Another two ways to do this. I can right click and go convert to smart object. Or I could go to image. Sorry. Not image layers, smart objects, converts a smart object. Personally, I find right clicking the layer is a lot easier. So I'm basically right click it convert to smart object. Now your object is converted and it is now smart. Now, basically, what I can do is like a double click on it and will open up and I could put pieces into it . And then when I save it out, it's going to update into this document. So a good example of using this technique is it for designing websites and you have a header or footer and you know it's gonna be same across the board you and make it into a smart object. Save it out, and that will update across the board. So you don't have to keep putting in that header constantly over and over and over again. It's just one piece of element, which is the smart object or the PSB. So the next step is we're going to hit command t on the rectangle there on this rock, Tina. Later. And now basically, we're going to format to this rectangle. I'm sorry, this, um, screen to the size of the iPhone. How do we do this? Well, hicken Manti being a right click inside box and then all these options will come up. I'm gonna hit, distort Basically, what distort does is you can pretty much, um So I had to get a full screen mode. You can pretty much grab a corner and distort it to any particular corner. So, basically, we're gonna grab this corner, we're gonna bring it to this corner, and then this corn is going to go to this corner and so on and so forth that because we're doing this this isn't going to affect the, um, original dimensions of this screen. When we open it in a smart object, it will be just as it is now. And then we update it, it's gonna update into the perspective. You. So it's grab the top left corner and drag it to the bottom right corner. If you want to zoom in for accuracy, You know, by all means do it on. Basically, I'm hitting command. Plus to zoom. Need to go from corner to corner. Gonna go from here to there? No, because we can't see that one. I'm gonna just it in a second. I'm just putting in the general area. Looks like I got that one almost pretty dig it accurate. And now I'm gonna take this corner when a drug. It's this corner is pretty good Checking all the elements. Not like I said, because we can't see this corner. I'm relying on this edge and this edge as a guide. That way you can come right to the corner. That will be masking it out anyway, So it doesn't have to be perfect as long as it looks correct. That's a pretty good OK, it's another that's done. We want to pretty much no mask out this piece. So we're going to go click down here, gonna add a mask. We're gonna go grab a paintbrush. I can adjust our hardness. Don't doesn't do perfect. You don't want to be too soft. And then basically, we're going to paint in over the mask in black, not worry. And I like to pretty much paint a little bit over it so I could see the screen that way. Know where the edges So I could see that. Okay, well, the edges there. So I'm going to reverse it by hitting X and this paint back in in the corner just to make it easier on myself. Um, you know, I do that next. That's fine. Okay, so that's done. So there's our screen, our screens in it. Now basically, the next up I'm going to do because this is black. It's kind of hard to see. Um it looks like pretty much black iPhone screen. It looks pretty cool that you want to do, but I actually want to make it white, and then I'm gonna update it, and then I'm gonna check everything. So what I'm gonna do is I'm gonna double quick on this little icon here. Basically, this icon here is your ticket inside to the, um, smart object. Someone double click it and then it's gonna open up now because I have it on full screen. It looks weird, but if I go back to the main screen, it opens up in a new document called a PSB sore. And it's called a rectangle 13 dot psb Right now, I'm just gonna make it white just so I can see what I'm doing. So pretty much I double clicked on the layer because it's a shape layer so the color can be picked and hit OK, and a hit command s or file save and it should update. And then there you go. It's white. No, I did this because I want to go back and adjust this mask. I'm gonna go back into the mask and paint back in the weight now, because it's soft. I'm gonna have to bump the hardness so it's easier to get a crisper edge. Okay, Looks pretty good. Now, for time's sakes, I added, Lee are ready for a shadow. So pretty much ahead of my shadow layer. I'm gonna just adjusted a big bump it up. And as you can see, it's running into the fingers or what I'm going to do is I'm going to erase it on the finger portion. You, kid, is your mount. There you go. A bit of a halo effect, But see if I bumped it up. It looks pretty accurate. So now what it is, I'm gonna go back into the actual PSB layer, so I'm gonna pretty much double click on it. And to avoid that step, I just did. When you create your shape just created and white that way you can see everything. So I'm going to double click on PS PS are gonna open again. I'm gonna get my screen ready to drop in and go toe Gonna grab it, Gonna drop it into the rectangle. Um, later on, when I dropping in, it's gonna be a lot bigger than what the size of this campuses. As you could see, it's huge. So now we need to scale down. So in order to do that, we're gonna hit command t zero and basically that's going to show me the exact size of it compared to the campus. So I'm going to scale this down to fit into this campus. So what I'm gonna do is I'm gonna click and drag to the left corner so their locks into the left corner, I'm going to click the bottom right corner until my era has changed. So you could see it goes to a little circular piece, and then it goes to, um across like it's going across. I'm gonna hold the shift key when a click and drag, and it will pretty much scale proportionately. And I don't want toe skilled us into the campus. I want to get it almost edge to edge. So that looks pretty. What's pretty accurate. And again, I'm just going to, um, go full screen, so it's easier on me now, if I wanted it to be, um, full screen and match the actual so you can show everything I can drag my crop tool, so it would be so it fit. If I do that, it might extend beyond the actual iPhone. It might look a little odd and see if that did anything which it did, which it looks weird. Absolutely fine. So we're gonna leave it as is when I hit file, save and go back to the phone. There it is. It's inside the application. No, but that being said not being done, want pretty much go back and double check it. It's pretty good. A little distorted here. That's all right. I had a little effect on here. So now that that's done, I'm gonna add a little effect, because this looks a little flat. So in double click on my layer and and add a layer effect so pretty much I'm gonna add a inner shadow, which would give it the effect of pretty much all iPhones where it's kind of set inside the screen, do that. That looks good. And that's pretty much it for making a piece go into a, um, a mark. I just want to go back in a justice, maybe check it out a little bit more. Maybe even skill is down slightly. It's white. Doesn't really even because this is white on way. I don't think it will. I don't know the difference. So you enough A. We can check. And there it is. There's your markup that is inside a phone before and the after. It's a pretty straightforward. I'm gonna do a series of these just so you could see how it goes across the board. I'll show you want with the template on. Then I'll show you one with, um, like this one without a template on different scenarios. So it's pretty much it for this lecture. Very straightforward, very simple. It's really cool. Smart objects are really fun to use. Um, and I will take you through in the section about how to do this technique even more. Ah, there are a lot of different ways to do it. The way I showed you is just one of the ways there's hot, different ways to do the same scenario. That's pretty much it. I'll see you guys in the next lecture. See you guys there 4. Smart object mock example: Hey, everyone, and welcome to the next lecture. Now we just covered, basically, is how to take a smart object and put it, put it into a mock up of a application screen. Like he said, it doesn't have to be that it can be onto a print peace or to a, um, TV screen, anything at a particular angle. You want to put it in. So basically, I have a template here that I've downloaded. I wanted pretty much break down the template just to show you, um, the angle of how it's placed in. So basically, we have three different folders, and each holder is representing a piece on this canvas. So basically have a bubble. The bubble that pops up, we have the screen itself, and then we have the backer, which don't really have to worry about three. And I want to focus on pretty much the screen. So they open the folder. We only have one piece, actually, no, I'm sorry. Three pieces. We have pretty much the smart object layer. We have a, um Larry. That pretty much goes over some effects on the actual presentations green. And then we have the shadow, particularly the shadow for a second. Just to show you the perspective, Mark, we double click on it. This is what opens. And pretty much the person who created this template obviously created the ah screen first saved it as a J peg. But for this case scenario, all this show you an example. All right. Hello, This template and thank. Put that there a little bar here. It's gonna be really, really quick. Um, to get the idea across, make three quick buttons. But but but so basically, I'm just wire framing this out really quick just to give you the general idea of everything . We're here to make it a but and then maybe a list looks fine for now, but if I command s for save and then when I go back into the other screen, I will see what I made Has shown up there. Get rid of the bubble, Pretty much. No. We see everything that I've created. Now, why is there pretty much half of the screen missing? Well, obviously there is a effect over, and we could see a greedy in effect, and probably they put this effect in just to give it a little shine, depending on what? Ah, the actual effect is under. It's under linear dodge. So on a dark image, it gives it that, um, nice gloss feel. So shut that off. And there you go. There you could see basically what I just did saves up on his A plot into the actual template. No, Like I said, you know, we can pretty much take a smart object and put it at a particular angle and make it look like it's at that angle without destroying any image and hurting any, um, piece of it. So if I zoom in the text is nice thing, why wouldn't say it's Chris, but you know hasn't been adjusted in any way. It's pretty much, as with the PSB is, and that's, um, not that one, uh, open really quick. It's as as is standing up. So I do everything here and then pretty much it gets transferred on to the angled final mark. Peace. Very simple. Very straightforward. So temples were really good to use. I really recommend him definitely to pick seat in and ah, Google some other ones really, really great Teoh use for getting those marks and again This doesn't have to be applied to applications. It could be TV print, and I'll show you a print example next. All right, see you guys in the next video. 5. Saving time with smart objects: Hey, everyone. And welcome to the next lecture. Ah, and this lecture, we're gonna be focusing on smart objects in the web and how they're gonna help you cut your time and half for your workflow. I'm basically what we see here is a web page that I mocked up for someone and we're gonna be focusing now on the footer Now there's gonna be applied anywhere on a webpage. I was using a footer as an example. Now, if I go to my layers panel here on the right inside, I'm screwed into the bottom to my footer folder. Okay? And this is where this will come in handy? No, As you can see, I have Oh, here we go, Foot. As you could see, I have everything in a folder, but everything inside is individual layers. Now, if I ever had Teoh, um, work for a client. Ah, which kind of talking I am. But if I ever had to make a update to the particular, um, footer, I would constantly have to go in, select each peas, keep updating it, whatever it may be. And do that across the board. No, you know, if you have 10 pages with the same footer they could get really tedious. And here's a great way to cut the time in half. So basically, we're gonna go up to your foot or folder and just you could see it. I'm gonna market him read. Basically, we were going to right Click it. We're gonna go convert to sort object as you saw the present videos. Once you converted to a smart object we can open in a new window and certain making edits and saving across the board so pretty much I'm going to convert it to a smart object and then there it stuns. Convert to smart addiction. Now, this is one piece that I can move around, uh, even manipulated. But whatever do inside of it well, obviously update within this, um, so I'm going to open it up, and basically we see the full of that I have created, and then we have all the different layers for each individual piece inside this footer. Now, let's say if I did something differently, for example, but they had to change the footer. Um, and I wanted that to be green and say this was going to be, uh, green as well. And I would say, is gonna be purple just picking really random colors. Really, really bad machine. I bother trim and she's yellow. Okay, so we got our colors picked. And so now let's say that we have to apply this across the board. Obviously, when we save, it is going to update into the other documentation. But there's another thing we can do to updated across the board without obeying up constantly a smart objects for, let's say, 10 Devyn documents. So basically, what we're gonna do is we're gonna file save as and we're going to save it in the large document format setting or the PSB, which is its short name. And basically, I'm gonna leave it named us footer dot psb. Um, it's just name it foot or alter. Just so I know, uh, would file to select. So I'm gonna save it to my desktop. Gonna hit, Okay, I'm gonna close out of this and I'm not going to save it only because I want to show you this technique. So now that that's been saved out, we didn't save it, obviously didn't update across the board. So let's say we did make a document. You know, we saved it out, and we want to update it in our Photoshopped document. Well, there's a really easy way to do that. If you hover over your layer, you right, click it. You go replace contents right here. You select that you go find the document that you, um, saved out. Here it is. Footer appears, be. And there you go. It's updated. He didn't have to go into it. You didn't have to select anything. You didn't have to add anything. Of course, you have to go in and make the changes that are necessary to the documents so you can apply it to this document A zone alternative ways, because this is another way that you can apply a smart object to a document. But if you have 10 different Web pages, you can apply this technique across the board, and this doesn't necessarily have to be applied toe web. This could be applied to print. Could be applied to, um, digital. Oh, are even if you were mocking up an iPhone or a print piece or an iPad, a TV, whatever it may be, if you have 10 different versions that you want to update and their, um, going across the board. This is a great way to do it really quickly. It's a good habit to do. It's good practice, basically, eso That's pretty one chip for this lecture. Really straightforward. It's a great way to start updating your smart objects across the board. Save me a lot of time instead of me actually going into the smart object, selecting each individual piece and then editing each one, which would have taken, um, probably a good 10 15 minutes. So again, it's something that just saves you time. And it's because they say that it saved it to that, uh, footer. And then it updates here, Um, but this technique is more for updating more about quantity than one piece more about multiple pieces across the board. It cuts your time in half. Um, it saves you headache from going back and editing things constantly. It's a good habit to get into in terms of your workflow and just good habit in general, right? That's it for this lecture. Hopefully, it was hopeful, and I'll see you guys in the next one 6. Working with Smart Objects: everyone. And welcome to the next lecture and this one we're going to be continuing our conversation with smart objects on. I have basically two examples here, uh, printed pieces that you can use as templates that are basically only using smart objects. So we have basically 1/2 full brochure in a magazine with a page supposedly folding. So if we go to the brochure, we go to the full that we open it up and basically have two versions we have the one that is sitting on top of the full did own. Um I'm sorry of the open one, and then we have the open one, uh, underneath it. Uh, looks like this person has built this entire peace inside of Photoshopped, and that's very impressive. And that's something you could do if you need a, um, save money, you can definitely do this or download a template. Now, these air off the premium account off picks eating, but they do have some free versions that you can get. They have a lot of free resource, is there, So definitely check those out. If you look, we shut off the layers. That shows you how it was built Looks pretty cool. There's his shadow's You're in a rate. Then the air left. And if a human, you can even see the texture of the paper, which is pretty pretty impressive. Um, so that's that. And then we have he inside, which is basically again. Take it off. It looks like parents been built. They open it. We have more elements, more pieces, obviously pieces they don't want you to touch. And they tell you where to put your work. So basically double click on this. You say OK, you could put your stuff in here So can if I were to you se wanted this toe have ah color overlay say that was the only thing I wanted to change. I save it. Update in there And then there it is. It's red and that's pretty damn realistic. Really cool. Put a logo on their or whatever it may be. Same goes for the magazine. You want to do a cover on one article on something you can show the design of your article in the actual piece, which looks really cool. So again, you open it, it tells you which one to look at and pay attention to you. So I opened that one. It's just put your working here in this cave in or that cause there's tax American using and then basically, you can delete this whole thing and put it in there. Or you can stick within the frame and delete everything else. It's up to you. Um, se if I'm gonna delete that, let's say if I want to put an image in there Ah, actually know what we're gonna could I just have grab a image? Yeah. Did she, like, grab, you know, back to this one that in there, we didn't masking inside that hundert gonna just It's a fits inside and then I'm gonna move it. It's there. If it's not, obviously that's not to skill. But this is just again as an example, you save it and then, oh, look, there's our image. So as you could see it up these across the board, it's really good to have if you need it for presentation purposes or portfolio purposes. Really great. If you want it pretty much break down how they built it. It's also a great way toe Get one and see how everything was done. So as you can see as you mean if I should have the devil in the boss, this in the middle goes away. The shadow I shut off the inner shadow may not really see it, but well, shut off the shelf ingredient shots of the greedy on the page showed a pattern. Overlay the shot of the texture in an official of the drop shadow. Take off the job shadow. And that's how it looks, as is turn everything else back on. It looks pretty good than any overlay pieces, like highly to anything of a page, like a glare. Shut that off the time looks and then any other pieces, just shadows or other pages. Basically, what he do is he made shapes. So busy Lynn. All you see here underneath our shapes shut that off its shape, that off it's a shape and shut that up. There's a shape as you can see their affection on there and again, he added a battle of the boss in her shadow cover overlay and then a greeting overlay, which basically gives the effect of the page. The pattern over way turn the so back on double click, one off effects like, even go and see what they did. Grieving overly and it looks like they have it at 90%. Linear burn. Don't want any that turn around. I can see exactly what they did for the pages, which looks pretty good. Looks like they had a transparency. They restricted the colors. So that's pretty much the breakdown of these templates. Really straightforward. Really good to have. Really good to check out are highly recommend checking out picks. You didn't go Look at it. It's a great tool to use. Download what she need for six bucks a month. It's great to have you could do 72 for the air. Think it's like 10 for the month? Not quite sure, but trust me, it's worth it. There's a lot of resource is on here that you can use, Um, from print a Web icons, anything backed arised graphics. You I background text effects. Whatever you may need, they have a lot. Even if you're a coder, you know some code. They have bootstrapping templates for coders. Basically, it's all HTML. You can customised template as needed can. If it click, it shows what it looks like. Pretty cool that you could even see a live demo can it shows it to you, which is even more cool. Awesome. So pretty much that's pixie. Didn't those air some elements that you can use? Um, in smart objects again? Templates really good to local because it could help you understand them more. But at the same time, you want to build it yourself, go back and refer to the lecture with the iPhone, basically cover and how to do that, I'll cover some other options. And how toe pretty much make, um, I won't get is d killed as, ah page flipping. But you know I can get is detailed as putting something on a piece of paper. Right? See you guys in the next one. 7. Final Thoughts: everyone, thank you so much for taking my class. If you like to continue to Siri's, go ahead and sign up for Photoshopped fundamentals. Class three. You'll learn how to save different types of files and how to stay organized on the computer to go on, sign up and I'll see there.