Loose Watercolour Landscape - Practicing Speed and Timing without Panicking
Nadine Dudek, Professional Watercolour Artist
Regardez ce cours et des milliers d'autres
Regardez ce cours et des milliers d'autres
Leçons de ce cours
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1.
Introduction
1:46
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2.
Materials
1:34
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3.
Simple Sketch
1:12
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4.
Getting the Bulk of the Painting in in One Go
10:16
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5.
A Few Details Before it Dries
3:25
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6.
A Final Word
1:00
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- Niveau débutant
- Niveau intermédiaire
- Niveau avancé
- Tous niveaux
Généré par la communauté
Le niveau est déterminé par l'opinion majoritaire des apprenants qui ont évalué ce cours. La recommandation de l'enseignant est affichée jusqu'à ce qu'au moins 5 réponses d'apprenants soient collectées.
81
apprenants
11
projets
À propos de ce cours
In this class you'll be painting a loose landscape in one hit
- move quickly through the painting without fussing
- build up tonal contrast making use a mix of wet in wet and wet onto dry strokes
The class is fast intentionally, I want you to not overthink and give yourself permission to just see what happens, sometimes you can be pleasantly surprised when things dry.
Rencontrez votre enseignant·e
Hi, I'm Nadine,
I'm an Australian watercolour artist with a particular interest in wildlife art. I love the spontaneity of watercolour and the wonderful effects that can be achieved with very little input. I strive to keep my paintings loose and love the challenge of drawing the viewer into the work through a well placed shadow or detail.
For me, the quicker the painting and the fewer the strokes the better the result. I endeavour to teach my students to relax and remember - it's just a piece of paper.
To see more of my work head over to my webpage or find me on instagram and facebook
Projet de cours pratique
Assignment
Your class project is to paint a loose landscape using timing to give yourself a mix of soft bleeds and sharp strokes.
Materials
No reference photo for this one, but I have provided a template of the sketch if you need it.
The paints I'll be using are
- Daniel Smith Indigo
- Daniel Smith Hansa Yellow Medium
- Daniel Smith Transparent Brown
- Winsor and Newton French ultramarine
Brushes
You need one big and one small. I'll be using a Neef 4750-LP size 10 squirrel mix and a Neef 970 taklon round size 2.
Arches cold press watercolour paper, 300g
Palette (I use a cheap basic one)
Board for the paper and masking tape to stick it to the board
Tissues/paper towel
HB pencil and eraser
Jar of water
Sharing Your Work
Please feel free to post your finished painting (or any of the stages) under "Your Project". Questions are encouraged and welcome.
The work you produce is for your own personal use - go ahead and hang it on your wall or gift to a friend but paintings from the class are not to be sold or exhibited.
Notes attribuées au cours
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