Ableton Live 12 Complete Mastery MEGA CLASS
J. Anthony Allen, Music Producer, Composer, PhD, Professor
Ve esta clase y miles más
Ve esta clase y miles más
Lecciones en esta clase
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1.
Introduction
3:28
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2.
What is an Ableton Certified Trainer?
2:57
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3.
Ableton Live Versions
3:42
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4.
Where to Buy
4:35
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5.
Installation
1:13
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6.
The Look and Theme
3:26
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7.
The 2 Views
4:48
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8.
Arrangement View
4:19
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9.
Session View
4:55
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10.
Producing in Session and Arrangement View
1:43
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11.
What's new in Live 12
2:35
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12.
Navigation Overview
3:19
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13.
Info View
2:24
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14.
Help View
2:58
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15.
Zooming and Scrolling
2:37
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16.
The Main sequencer (Arrangement View)
8:24
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17.
The Clip Slot Grid (Session View)
3:39
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18.
Clip View
2:27
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19.
Creating Clips
4:47
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20.
Using The Browser - Why?
4:21
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21.
Sounds
8:11
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22.
Drums
4:59
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23.
Instruments
5:03
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24.
Audio Effects
1:56
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25.
MIDI Effects
1:40
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26.
Modulators
1:59
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27.
Max For Live
3:59
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28.
Plug-ins
6:17
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29.
Clips
4:25
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30.
Samples
1:55
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31.
Grooves
3:20
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32.
Tunings
5:02
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33.
Templates
3:32
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34.
Places
2:51
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35.
Packs
5:09
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36.
Cloud and Push
2:07
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37.
User Library
2:42
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38.
Collections
6:43
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39.
Browser Tags
3:44
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40.
Browser History
1:19
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41.
Sound Similarity Search?!?
3:50
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42.
Adding Content: Overview
2:26
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43.
Audio Settings
5:23
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44.
MIDI Settings
6:04
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45.
Recording Audio
5:44
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46.
Recording MIDI
4:52
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47.
Comping and Take Lanes
4:54
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48.
MIDI Comping
2:08
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49.
Session Deconstruction No. 1
5:28
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50.
Editing: Cut, Copy, Paste
5:05
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51.
Magic Corners and Fades
5:24
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52.
Reading the Timeline
5:13
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53.
Looping
5:57
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54.
Automation
6:47
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55.
Session Deconstruction No. 2
3:46
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56.
MIDI Tracks & Instruments
3:26
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57.
MIDI Editing: Cut, Copy, Paste
4:39
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58.
Transforming Tracks
7:02
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59.
The Piano Roll Editor
8:46
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60.
Scale and Fold
5:49
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61.
Quantizing
4:19
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62.
MIDI Transform Tools
7:52
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63.
MIDI Generators
6:48
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64.
Velocity Editing
2:33
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65.
Chance Editing
4:54
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66.
Session Deconstruction No. 3
5:56
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67.
Freeze and Flatten
3:06
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68.
Collect All and Save
3:40
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69.
Exporting
4:23
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70.
What Comes Next?
1:03
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71.
Part 2: Introduction
3:38
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72.
What We Will Cover Here
1:55
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73.
Introduction to Audio Recording Fundamentals
1:31
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74.
Hardware Needs
5:28
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75.
Do you need an interface?
6:19
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76.
Audio Interface Buyers Guide
6:52
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77.
Hardware Setup
5:14
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78.
Microphones
5:10
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79.
Microphone Buyers Guide
5:22
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80.
Setting Up Tracks to Record
5:19
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81.
Monitor Modes
3:38
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82.
Latency
5:18
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83.
Tracking in Arrangement View
3:19
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84.
Click Tracks & Metronome
3:20
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85.
Multitracking in Arrangement View
2:54
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86.
Comping
6:11
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87.
Overdubbing / Punching In/Out
4:04
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88.
Tracking & Multitracking in Session View
3:58
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89.
Effects
3:47
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90.
A Big Recording Session
2:36
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91.
MIDI Recording Fundamentals
2:29
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92.
Hardware Needs for MIDI
6:18
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93.
MIDI Guitars
5:56
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94.
MIDI Controller Buyer's Guide
3:22
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95.
Hardware Setup
6:01
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96.
Chase MIDI Notes
3:28
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97.
MIDI Signal Flow
4:09
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98.
Recording MIDI in Arrangement View
8:06
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99.
MIDI Takes and Comping
3:19
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100.
Capture
2:12
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101.
Recording MIDI in Arrangement View
1:35
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102.
Velocity
4:04
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103.
Chance
4:40
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104.
MPE Editing
2:45
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105.
Recording Automation
2:59
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106.
MIDI Generators
2:15
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107.
Why We Care About Tuning Systems
4:11
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108.
Changing Your Tuning System
3:54
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109.
Making Your Own Tuning System
2:23
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110.
Intro to Warping
5:39
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111.
Transients
3:18
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112.
Session Tempo and Clip Tempo
4:00
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113.
What if something warped wrong?
3:25
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114.
Warp Markers
5:22
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115.
Locking In Beats
6:42
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116.
ASD Files
3:12
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117.
Warp Modes
7:18
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118.
"Printing" Warp Settings
2:22
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119.
Warping Beats
5:44
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120.
Warping Abstract Clips
4:31
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121.
Warping Tracks
5:52
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122.
Warping Vocals
3:56
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123.
Warping for Editing
4:42
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124.
Warping for Sound Design
3:32
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125.
Grouping Tracks
3:23
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126.
Audio Effects in Groups
2:06
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127.
Linked Tracks
2:13
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128.
End of Part 2! What Comes Next?
1:05
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129.
Part 3: Introduction
3:38
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130.
Introduction to Arrangement View Editing
1:29
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131.
Timeline Commands: looping, locators, and key commands
4:30
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132.
Modifying Clips: Reversing, Warping, and more
5:12
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133.
Clip Fades
2:00
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134.
Split and Join
5:04
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135.
Drag and Drop
2:15
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136.
Automation
4:58
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137.
Tempo and Time Signature Changes
4:37
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138.
Downloading and uploading a session
2:30
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139.
The "Right way" to make a track in Live
2:27
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140.
Where to start?
3:02
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141.
13 ChoppingUpTheBeat
4:54
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142.
Harmony
7:14
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143.
Sound Design
8:21
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144.
Bassline
4:35
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145.
Strings
4:02
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146.
Introduction to Session View Editing
2:02
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147.
Moving Clips to Between the Views
2:03
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148.
Playing And Stopping Clips
2:09
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149.
Clip Slots and Scenes
6:12
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150.
Setting up loops
4:53
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151.
One-Shot Looping
4:30
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152.
Clip Envelopes
3:40
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153.
Linked and Unlinked Automation
6:12
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154.
Tempo and Meter Changes
3:10
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155.
The Back to Arrangement Button
2:02
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156.
Record to Arrangement View
4:17
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157.
Beats!
1:50
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158.
Terms and Definitions
3:07
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159.
Working with Loops
3:41
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160.
Chopping up loops
5:42
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161.
Consolidating & Doubling
4:44
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162.
Slice to New MIDI Track
8:21
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163.
Working with Drum Racks
7:11
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164.
Creating your own Drum Racks
6:51
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165.
Recording/Writing Drum Racks
4:17
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166.
Using Take Lanes
2:22
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167.
Hi-Hat Variations
4:51
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168.
The Triplet Grid
8:27
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169.
Arrangement
3:23
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170.
Introduction to the Live Synths
6:48
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171.
Exploring Presets
7:29
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172.
Layering Synths
5:25
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173.
Freezing and Flattening
2:55
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174.
Transformations
2:05
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175.
Stretch, Transpose
2:49
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176.
Humanize
3:00
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177.
Transform: Arpeggiate
7:05
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178.
Transform: Connect
8:01
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179.
Transform: Ornament
2:24
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180.
Transform: Quantize
2:22
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181.
Transform: Recombine
3:27
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182.
Transform: Span
1:48
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183.
Transform: Strum
2:15
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184.
Transform: Time Warp
2:07
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185.
Transform: Velocity Shaper
1:48
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186.
Generate Ryhythm
4:41
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187.
Generate: Seed
4:55
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188.
Generate: Shape
2:16
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189.
Generate: Stacks
4:20
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190.
Generate: Euclidean
3:31
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191.
Basic Audio Effects
2:52
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192.
Applying Audio Effects
5:06
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193.
Automating Effects
4:11
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194.
Introduction to Production Techniques
1:32
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195.
Side Chaining
7:25
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196.
Routing & Bussing
6:32
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197.
Resampling
4:35
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198.
What Next?
1:19
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199.
76 WrapUp
0:58
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- Niveau débutant
- Niveau intermédiaire
- Niveau avancé
- Tous niveaux
Généré par la communauté
Le niveau est déterminé par l'opinion majoritaire des apprenants qui ont évalué ce cours. La recommandation de l'enseignant est affichée jusqu'à ce qu'au moins 5 réponses d'apprenants soient collectées.
16
apprenants
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Acerca de esta clase
Welcome to the Ultimate Ableton Live 12 MEGA CLASS
Hi – I’m J. Anthony Allen - an Ableton Certified Trainer and tenured university professor with a Ph.D. in Music. I've been teaching Ableton Live for a long time, and making online classes like this one for even longer. Nearly a million students have taken my Ableton Live classes, and they average over 4.7 in student ratings.
I'm here to guide you through the intricacies of Ableton Live. Whether you're a beginning music maker, an aspiring producer, or a seasoned professional looking to up your game, this course is the perfect starting point.
My approach in these classes is simple: I like to create a relaxed, conversational atmosphere centered around making music together. Don't worry - we'll get to the heavy sound design stuff soon. But for starters, we are going to get comfortable with the program, one step at a time. It's just the two of us hanging out and learning Ableton. Please laugh at my bad jokes. I'm pretending that you are.
Why choose this course?
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Top Seller on Udemy: Thousands of 4+ reviews and tens of thousands of students can't be wrong!
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5-Star Certified: Independently reviewed and certified by IAOMEI, ensuring the highest quality education.
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Ableton Certified Trainer: With a Ph.D. in music, I bring a unique blend of expertise in both production and education.
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Responsive Instructor: Enjoy a 100% Answer Rate! I personally answer every question posted in the class within 24 hours.
My Promise to You: As a full-time Music Producer and Educator, I am committed to your success. Post your questions in the class, and I will respond within 24 hours. If this class doesn't meet your expectations, take advantage of the 30-day money-back guarantee—no questions asked.
Why Ultimate Ableton Live 12?
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Comprehensive Learning: Master every aspect of Ableton Live 12, finishing as an expert in the software.
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Workflow Techniques: Unlock my top production workflow techniques to streamline your creative process.
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Buyer's Guide: Receive valuable insights on recording equipment, microphones, keyboards, speakers, and more.
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Direct Access to the Instructor: Enjoy direct access to me for any questions or clarifications within 24 hours.
Course Highlights:
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New Features in Live 12: Stay updated on the latest enhancements in the software.
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Learn to produce amazing music with my systematic approach.
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Why is everyone using Live?: Learn the unique features that make it such a popular music production tool.
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Signal Flow Demystified: Understand Live's signal flow for optimal recording and production.
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Editing Mastery: Learn to edit audio and MIDI like a Pro.
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Full Track Deconstructions: Gain insights into professional track production.
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And much more!
Why learn from me?
Apart from being an Ableton Certified Trainer, I’m also a tenured university professor with a Ph.D. in Music Composition, AND a dedicated professional music producer. I've had a few tracks on the charts in the last few years, and a long series of awards for my teaching. My passion for teaching and staying at the forefront of music production techniques brings a unique perspective to this Ableton Live 12 class and everything I teach.
Don't miss this opportunity to master Ableton Live in the most comprehensive way possible. Let's embark on this journey together!
See you in Lesson 1.
All the best, Jason (but call me Jay...)
Rencontrez votre enseignant·e
Dr. J. Anthony Allen is a distinguished composer, producer, educator, and innovator whose multifaceted career spans various musical disciplines. Born in Michigan and based in Minneapolis, Dr. Allen has composed orchestral works, produced acclaimed dance music, and through his entrepreneurship projects, he has educated over a million students worldwide in music theory and electronic music production.
Dr. Allen's musical influence is global, with compositions performed across Europe, North America, and Asia. His versatility is evident in works ranging from Minnesota Orchestra performances to Netflix soundtracks. Beyond creation, Dr. Allen is committed to revolutionizing music education for the 21st century. In 2011, he founded Slam Academy, an electronic music school aimed... Voir le profil complet
Proyecto de clase práctica
Buckle up, because we are going to get into a LOT of stuff in this class. So at the end of it, you are going to be making tracks left and right. I'm going to ask you to post one here for me. Be sure to keep in mind the following things:
- Keep a good track arrangement- whatever is appropriate for the style you are working in.
- You can use session or arrangement view, but try using whichever one you are less comfortable with, just to get some extra experience.
- Experiment with some "outside of the box" sound design. Let's find some interesting sound sources.
Post your track here!
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