Okay, I've prepared a list of topics that are relevant, at least from my point of view as a newbie:

> Transferring the recorded animation to the characterized character, taking into account the props (connecting them, maintaining the correct grip of the hand throughout the length of the shot...)

> How to adjust the animations to the idle position avoiding the "sliding" motion of the legs, or what other problems you may encounter when adjusting to the idle (which I believe is usually 1 frame long - just a starting pose). I guess that sometimes the shot is shot elsewhere on the stage, and then you have to adjust it manually to the idle.

> Where to find materials like rigs, recording takes from mocup scenes, practice materials, recommend sites

> proper export (.fbx, common issues, potential problems with diff software versions, and so on)

> From lighter topics: a talk about the quality of rigging and skinning and with what quality you're usually working within your job

> And also: a normal day in your shoes, a day of an editor. How you started, what's your story, and what are your daily struggles and challenges? How to find good companies and assess the motion capture studio quality (whether it is a good place to work in or not), perhaps based on the equipment they're using or their portfolio. Personal portfolio/demo reel. What are the jobs positions in the motion capture studio, and what are their roles (mocup editor, stage director, actors, 3d animators)

I hope that may help you and thank you for sending us your question!

Cheers!

Nikolina Peric

Motion Capture Editor and 3D Animator

85

8

Company

Community

Teaching

Mobile

Company

Community

Teaching