Watercolour Florals In Jars

1. Class intro: Hi, I'm Esther, better known as, as the IG Instagram. I'm so excited and happy to be back to JS skill share. Today's class is painting flowers in Java. It took me a really long time to decide and know what to teach. As I have already covered several basic intermediate classes at Skillshare, I wanted something new and yet easier to pin for both my mu and o students. So today, I'll be teaching you how to use washes and lines to create transparent jobs in both small and large jaws. That'll be easy step-by-step references class at my other Skillshare classes for more detailed flowers. Good new system. I'll be giving you templates for both the small and big just lowers and downloadable step-by-step PDFs. T2 is going to be a fun class. I hope you will join me. So I See you soon. 2. Florals in Jars Intro: Hi, It's so good to be back teaching this Skillshare class. In the Skillshare class, I'll be teaching you painting flowers in jazz. So you can see that painted some flowers in jazz like this one, lily of the valley in jazz, very tiny ones. Yeah, in two different kinds of jobs, I begin to explore more. Lavender. Hydrangea anymore needs daffodils, blue belts, puny tulips, dahlias, roses, Lily after values, and sunflowers, or in tiny jars for this piece, yeah, and for this, I decided to paint bigger justs and roses, peonies and release of the valleys. For today's class, I will be focusing on the roses. Puny. So let's see some more of these weapons at the roses. I painted them small. Yeah, later on in the class, Our be showing you how to paint in smaller jobs and in bigger jazz. So before I start, I also wanted to show you some of the roses that I have taught in my other classes so that you can also go there to learn how to pin their roses, loose roses like this, some more realistic one. I teach this turn roses in my online class, my other class, yeah. And this one is called step-by-step watercolor roses. So you can refer to those classes in my Skillshare class. So I do have a step-by-step in this way for my flowers in jazz, I'll be doing a faster version or you can go back to refer this class. It will be in a lot more details. Nsl, I have classes on any money, so, so which you can go in checkout so that you cannot repay an animal needs in jazz muscle. And of course, carnations. I have watercolor, Canadian step-by-step, and two lips here. Lips too. Yeah, because some of you mentioned that you like me to teach tulips or so, but tulips in justice basically the same as learning how to paint tulips and just putting them into their job? Yes. As that couldn't you just painted tulips? Replace and then so tulips, and of course, we have simpler purines like this in my class. So those of you who find that these peonies here is more challenging, you can achieve. Just pin something easier like this. Yeah, this is in my loose peonies class, also in Skillshare and for these class of Marty tip yearnings, not to worry, I have step-by-step days in my watercolor peony step-by-step. And I teach you how to pin these in different colors. The app. So ultimately, it's all about learning how to pin different flowers you can achieve. Just learn how to paint the flowers and then put them in a jar. You can pay them small or you can pin them big. I'll be teaching in two types. One in a bigger one and some of the demo in smaller one as I have already prepared here. Yeah. So I see you again. 3. Getting Ready with Art Materials: Hi, welcome back. So for this class we are going to talk about materials we use. So you can see I always emphasize on papers and I always talk about having 100% cotton papers. I will be using Fabriano 300 gram cold press, 100% cotton paper. Yes, I have cut down into A4 sizes. And for the pins, for the pins, you will need five of these colors, mainly for the jazz. So we have chromium oxide green pins, gray, cadmium yellow light, or you can achieve use any other yellow lights. A yellow, lemon, yellow, surrealism, blue hue. Green Earth. Yeah, option a for green earth. And we will need guage, quite useful for the glass spotter to give it a little bit of shine. Yep. For my flowers. For my flowers. I'm choosing some pink colors. Yeah. So it's optional again whether you have to use decent, not so I'm using olive green or you can use pin greens because in most of my classes I talk about pinch green and okay. Rose madder, a prior roles for a brighter hue. Perylene maroon. Partners Pin Options, and just talk about a goulash. And also cadmium yellow light is more for some highlighting details for the peonies? Yep. Okay. So about the brushes. So we are talking about small jobs and big just so definitely for small, just like this. If we are painting small jazz or rather, if you are painting small jazz, of course we need smaller brushes. Number 2, round brush and material round. And K. For shader, you may need a one-quarter. One-quarter. You can actually have 384 shading this the ages of the glass. Yeah. So this one and okay. Because the flowers for the for the smaller jars of flowers, they are pretty small. So I would suggest we use at number two for the flower. So if you are painting small just like this, okay? This should be sufficient. All right. If you are painting big jobs like this, this three grassy area in an A4 size A4 size paper. So I use a number 8, Princeton Neptune round brush. This N for the shader. I use half inch. And also for insight, I need a flat. Yep. So this is actually optional? Yeah. For this. Yeah. And depending on the size of the flower, sometimes you might want to switch to number four. So for these two flowers, you can use number eight and number four. And for this one, I probably can't really cover it, but I will be doing some demo only yet. So in details, it will be in my prints. My step-by-step prints are available online shop. Yep. But I will be teaching quite briefly and I'll be giving you a temporary. So these are some of the brushes that you probably like to prepare. Smaller brushes for smaller jars of floras and bigger brushes for bigger jazz or florists. So get ready this NRC you soon. 4. Step by Step Painting of Jar: So for this class, I'll be teaching you how to pin a glass jar. So we need these few colors, as mentioned earlier, these three columns and perhaps first of all, prepare a light wash of surrealism, blue hue. So if you don't have cellular and blue hue, you can use cobalt blue light and chromium oxide green. Yeah, Two of this very light washes over here. I will be wetting this, giving us glass of water on the glass. And the good news is, I'll be giving you a template for this when I'm doing a wash on these pre-state not debt over here, the rim area, this but n here. This is the part where desert trees, okay. Just leave it white. That means we are not touching. Just be careful. A bit of water went over is fine. So my water it's seems to be a little bit blue. I've been painting a lot of glass bottles the last few days. As you can see my Instagram posts, perhaps we should clean off this pencil line for us. So as usual, I pin a few steps to show you glaze over. And you should have got 3D, the tin glaze of Bluetooth. And I just add here. You can either use the flat brush, the fret shader, or you can actually use this because we wonder sharp chisel age. So we can't really use our round brush. Very light. Okay. The partner unit, it be careful there so we want to keep it clear when we see like value means a lot of water and less pin. Yeah, So it's something like this. A lot of water, but the relative pin and I haven't in the green, so I'm adding in the green again. So this is my step one. Then we will move to step two. Step two, we will have to give more depth to all these ages. Ages here, the rounded lines. So for step two will be given more depth to the ages here, the ROC curves here, and the bottom of the bottle. And of course over here, the rim area. So I'm going to give a bit more depth for this brush. I just get more of the blue. Let me me the pincer here. So 10 the paper if you need to. Yes. And Okay. We have to add a little bit more value here also. If you're not used to using this brush. So you will have to turn the paper. Yes. So some of my students have really adding, use the angle brush before. So actually, for here I need a little bit more depth. The rim of the glass. Here. I'm adding a little bit more. No, so here it is too much too much like this. We just use water to clean or to ship it more evenly. So we have this path here quite bright. So I'll be working on the basis of just now I mentioned about the base year. We will also make it a little bit more distinct, little bit more adjusting than the paper if you have two. And because this is to show the thickness of the glass bottle and this is the base. Will just add in a bit. Okay, So I mentioned more or less finished with step two. So just now, I also have propelled step 1 here, and I'll be painting step 2 here again. So you can watch a step two and step three is to get the K. For this one, I'm showing you step two and step three together. So step two is basically just giving more depth to V here. Yep. And turn the brush. Always remember we are using these TO four here. Yeah. This is to show insight. And then bringing more depth again. Yeah, this is actually step two. Step two again. Just because step two and step three can be done to get the electric effect K. So right. I'm giving more depth to this one. Though will be the different. Can be the same. Every each bottle that you pin even for flowers. So I it every water that we pin is different. I'm adding a glaze of water at the same time. And I'm going to give each sum that now. Again, yeah. It's a little bit too much, but I can actually just clean it off. And now I'm going to add water. So depending on how high and how little, whatever you want. So I tried to okay. When you are drawing the water is not strict because you have to follow the control of these rim and a contour of the bottom. So it's something like this. Okay. Just now I added a glaze of water so that you can see that when I'm editing this in this line, it is not exactly very distinct is as a blurry effect, which is what I wonder. So, so I have this line and then, okay, it should have little creeps over here. So overshoot, so water. And I'm going to write, I'm going to pin, I'm not adding in the stop yet. So that will be in the fine in the class when I'm teaching. Yeah, but here we have some green. When we add in all these part, then we will also add in some details here. I will add in vendor stocks are inside our use to wash the white gouache to, in the clear glass look, have to add a lot more shadow because when the plant comes in, the flowers comes in, yeah. There'll be more shading. Yep. So this is amongst Dan I think for the base. Yeah. So I would like you to practice on these glass a little bit. I think it is quite easy. Yeah. As you can see. And, uh, so I am giving you the template. Yep. So it will be in a PDF form, but you have to trace it by Lee your pencil. Use a to B pencil. Very light. For our step three, we will have to add more depth to this. I use a little bit of pin screen, very light one. And I go over here a little bit. Depending on whether like this. So I would like you to observe if this is where the light comes here would be ductile. If this is the light, he'll be Tucker, right? So I'm also using a number to a smaller 0, 0 and above one liner, then you can use, but I always just use the number 2. So you will have to draw these just very lightly. I use a very like not a very high value, but a very light values. So just quite what to read. Yeah. And we draw this lined up here. You don't have to draw exactly all. Yeah. Some broken lines would do. Some broken lines. Yeah. Even for the rim is sometimes the rim you realize that you don't even need to draw so much because the flower we're covering. Right? Yeah. So all depends. But for for here, I'm just showing you everything. Our grass, Joshua. And yes, even here. Just very lightly straight line over here to the bottom. So I mentioned about the thickness of the grass. Right. Okay. So alright. For the water. Adding a little bit ticker. All right. So this part here, I probably would like to make it a little bit more distinct. So we have a pin this way. Yeah. So I did mention that we will add more shading. Yeah. Okay. This one can be done even after flowers, but I'm showing you here yet, I actually use a very thin layer of gouache. So you just pin over here just below this. So you can observe your own jar of water. Yet there's a tree, a very thin line here. Yeah. Right. So this I think even over here, you can draw. Yeah. Right. So I mentioned that for the glass. Only when you add in the flowers then we were we were at in the wash to show the clearness of the glass. Yeah. So this one I can't really pin over here now. Only when Yahweh I'm doing the demo, I will show you. So this will be how we pin the glass jar and I hope you affect this. Yeah, practice a few. So I see you again. 5. Small Jars Anemones flowers: So we swap Whatever's, we don't really need that much details. As you can see from my painting, there's a lot less details because some of the bottles are being covered by the flagged IDs, the reading here. So we give a bit more definition on the ages, the PRF ages at the bottom also. And I'm going to use a bit of pins gray, just amusing, they're sharp edge off here. You can use your liner. As mentioned, just randomly with do donate to be all round. We at this point, I am good. How was Buck? I will bet it first. You see when it is wet, it will give you a burglary effect. So it's like be high. And then there's another stop here, which I can achieve it in. You can add a few more because some of the flowers I actually be high. We have a front though one which is more visible. So now when it is still wet, I'm adding in the water line. And I pull down a little bit, as I mentioned, when we are painting small reuse more breath here. So I'm using two smaller 138 and number 2, k. So I finished the bottom and I'm going to move to the flowers anymore. I have hot in my other Skillshare class. So you can look that up. I think it should be under watercolor technique for painting florals. So I do have a PDF that class for you. So we start with the full path of birds and I'll be using blue. You can do free handy. There's a few samples here just to show you here, okay, if you are not in my Skillshare class, you can actually go to YouTube. I also teach them this one. Just in all the pentose in blue for us. And we earn a higher value here, I guess in painting small jar in a way is faster, but you have to be patient because they're so tiny. So you can actually just add in some proposal. I mean, after you because I placed them. Okay. Nice can be purple, but because my group bells, I'm going to use purple. So it would be too much blue. So I'm using just beneath blue for this one. And then here would be a bill. I have it in the higher value here in the center. So here you can, in your higher value, you can actually choose a number for if you want also, for the brush, I'm just using a number two. At the same time. I would just add in my pins green, the details of what color you can use in a PDF curves, this class, we'll have a lot of different flowers, yeah, and with different colors combinations. So I guess combination of colors is very important. I have, I'll finish not really one yet, but just the center. Okay. One thing about paintings, small jars. Yeah. He's like You see them altogether. You tried to give as much detail as you can when you see them altogether. The I20 looks very rare critique. I'm going to let it dry for a while. And I'm adding in the link. Yeah. Okay. This one, I have no least dive into these four here. All of these leaves, you can also learn if you are totally beginners and you find, oh, you loved this class. But this class is not totally like very beginners. Yeah, it is not totally a beginners class yet, but still, beginners can learn these little strokes. You can go to my roles class. Yeah, in most of the classes I have basic strokes, yeah. So I think my rows and rows class, I will teach you about strokes. And a good thing is that for this class, I'm also giving my templates k. Now I'm giving the secondly. Secondly, we're finished the front petal. We will use that backpack though not even for the back petals. Try not to just pin it as one PECC. Yet as you can see. Yeah, I have one piece and then I just add one layer and another value so they spread. So but because sum here is very, very small, very small. So UCI at when they year and I tried to give an iodine. You can see now there's another gradient. So very, very tiny. I'm going to give here some gradient. Yes. So as I mentioned, these are very, very small jobs which I'm trying to teach. Yeah, more of the jostle. I have prepared a few, but in details for the flowers, you can go to my Skillshare class to learn, but you can watch how I pin these first and also the composition. Talking about composition, I also have a block of decision class, which I also taught you how you can compose, not ready on the grass job, but at least a bouquet or something. The composition I talk about is that mostly I will have up to three flowers in that bouquet. I bet you have one or you have three. So you can go and check out that class because the other crust will also have more details on this composition and how you can give this flower a nicer look. So you see that in a bouquet, I wouldn't just have big leaves. I will also have filler flowers and berries. I just pin this we directly and leave a small hole here. So when you are tracing, if you just want to trace the flower OD and all these leaves, you can just do it free hand. I think it's a lot more fun. So I'm giving a bit here. The right. So we give a bit of a color contrast. The small bottle. Yeah, I think I went to add a bit more. Yeah. So I'm giving a free hand. Actually, I really prefer to pinning free head. Great. So I have completed these little jar. Yeah, perhaps I think it takes about 15 minutes. 6. Small Jars Blue Bells: Welcome back. So far the second job, we're going to learn blue belts. I have covered that in my book, a guide to fluoro watercolor, page 30, ping trumpet, page 32 and 33, pain. And you practice. The other side, though is called stroke, but yet the size that they are not S, we have, so we just kind of another be struck down. So we have three, yeah, three strokes like these and you can achieve this at, in these. And why just do wet? You can add your manganese violet just this way. So it's something like this. If you want it to be broader, it can be like that. So we do a few practice. First of all, auto marine violet. So the two colors that we're using, this and this. Yeah. Again, I have them recorded so that you can see here. And it will be in the PDF. So let's do again. Hey, when you want it to be broader like this. And we can have either people. So then you use your weight is too wet, you use your mechanism to just AT II. Yes. You can have a mix of pain or so. Yeah. So now my brush actually have a mix of pain. So the more you practice, you will get the right shape. Initially, my small and the law. Yeah. It was the longest and now I wanted it shorter. So you practice and you will get it quite correct meter or so you take about maybe five, 10 minutes to practice this before you let these gaps. So now I'm just going to use my number two to pin this one thing you have to take note this dough I told you yet about the colors. You can play a little bit PV, the tone. So those that be high can be slightly darker. Those edges in Frank would be slightly lighter because it's casting sheet and why it is due with indebted to you. So I'm having and painting those in front, or rather randomly. This one is in front of the Porta. And then I will add here manganese. And okay, for the star, a little bit of a greenish class proposed. So I'm going to stop now. Have been proposed and a little bit greenish as you can see in this painting. Again, if you want it to bleed, just add water, a glass of water over R3 When I thought you were blue nicely right there. So just draw in the mean stop. This will be quite similar to my VDS of the valley. Just very watery. Yeah, why it is due with the bleep. Very well. If you want it to have a bit of blue, yeah, you can just use whatever this on your palate muscle because ultramarine violet is actually more of a proper ratio. The environment, yes, so I'm adding a little bit of blue for interests. As long as it's not too close this tab because we don't too much of the blue, similar blue. I'm finishing. But even though I finish, I might just want to add on a few modules because it looks a little bit empty as compared to this one. Yeah, this one looks a bit more K because this is a very small bottle. So we don't really have to work in a lot of details. So I'm just adding in the pins gray here because of the sheets. Because they said love this blue belts. So there'll be some shadow. And I think for the small board, I didn't use quite so by if you're painting bigger bottles, I think you may just want to Use the quite as I mentioned. So I'm using the pins grade to actually just define some lines decile. So now we are going to move on to the next one. 7. Small Jars Roses: So for the next quarter we're going to pin rose and now something that you have been waiting for. And again for the rows I have taught in my Skillshare class, rows and rows reef, which is for the simple rules. Another one is called watercolor rose, which is a little bit more detail. Yeah, which I taught wet on wet. And I cover a lot of the Tuesday. So I would like you to learn how to pin the rows in that class. Yet, again, for small bottles are thin, you don't need that much details. For small bottles like this, you only need to pay him loose rose yet you need to be so details, yeah. So you can refer to the roses and rose wreath class. Again, when you are painting these, I would like to add in the flower stalk firms, I would like to wet it first. So now when I add in, you see the bleed. So I can have a bit of darker green. And also I like to have some, okay, there's a leaf here. Perhaps I will have when beef insight. Okay, So this leaf here, let's give a cruise ship. This one, this leaf is insight and since, and I have some US, so lighter, green. All right, There's one year to the clippers. I will have to use a light shade of paralleling green and chromium three oxide. So as I said, since I'm still having these clean my brush, again, we are painting very small bottles, so there can be a lot of details. But if you really like to learn more details, I also have a class that has teaching botanical roles at, in that class, I do kin, the UCLA person's soul. But that class is not in Skillshare classes in my website. So I did mention that in this class we are not actually learning how to paint the flowers. Yeah, except for the brew bells, which I haven't taught before. But because it is quite simple, just as, as shit. Yeah. There is, the rest of the flower is really quite difficult for me to go back to teach step-by-step, because it will take about two hours to teach the roles, or perhaps a few hours so to teach these. So it would be very, very, he will take a very, very long time. So they are already in my Skillshare class. So I would like you to refer to that. How to pin them? And you can achieve convert to learn. Yeah, to pin this together with me. So very quickly I have finished the leave because they are so tiny. Yep. I just pin them together and then I add a little bit of shape in the center. I should in the water line. Okay, I would like to wet it a little bit. To give this look, to have this loop, you must actually wet it. Clear depends on what your one, you can actually draw your water lower case. So the bottom, the bottom of the bottle, I like to give it in a bit more sheets and the ages or so. And I mentioned about the rim here, we can achieve it in a bit more. Now I'm using the pins grade to achieve just define the outline. As I mentioned, every bottle is defined, you can expect to see for it to look exactly this way. So now I pin it this way. Okay, so now the roses, a very light wash versus a very light wash on the whole rose. Same for all these things. I can very, very light, very, very even lighter than this. Or these are the site roses. Again, for this site roses, I I haven't got any online class on this yet, but I already have them imprints and they're selling it, shop the prin to pin this. And I have them in step-by-step because it's very tiny and I've already given, given you the template, so I think is pretty workable for you. This is a myth which I had b sub k. So now I have gift, what I really liked kin to all these n here. So now I'm going to pin the center of the rules. If a dot n, just some details of the center. Because it's so tiny, you really have to guess k. So this is the shape. If you go to my class, you will see how I pin or these. And I think because it's smaller, we don't really have to be show very, very details. Yeah. So this is the shape. This at a pet bills, this shape. So I'm going to have a bit of shit here to the pit here. I think you can see my tiny rows coming up. Therefore, all of these is easier to use a shader. And I'm just using the toe of agents ship below and just ship below. Here. If you find that this is a bit difficult for you, you can actually pin all these, change them to all these roses. Gap. I think this composition is more interesting. With all these tempature roles. I will not share that much, but perhaps just show you and explain. So that's what I've done here with the value of the pin, the first one, and then now I'm shading. Yet briefly also, this is just a sample, a sample of this. So you would like to capture it. This one I share in my steps and this is a tree what I'm teaching. Yep, so I'm going to shake here. So these are the pet photo here. The I'm leaving it quiet because it's so tiny, we will leave this petal here quite yet. So you can see back to these tiny ones because it's really hard to see. So that's why I wanted to show you a bigger version. So ideas and shouldn't just know that if you find this a little bit too hard to pin a thing, you can just pick this row. So we have it. The shape of the petal rose. I will have a very simple here. So the first step and then bring out the shadow here, is very small as well as the use of one-quarter instead of three. So y small, so small jobs. Okay. Some of you might like to just pin uncut, uncut. You don't really need it to be so big. So you can pin us, cut like this, about this size and then you can write what's on it. Yeah. So you can actually paint a few bottles and cut and so I think they're sweet. Yeah, I think there's more photos. I actually really, really very streets this way. Initially I was thinking that I want to teach three big bottles. But I was thinking, I think, yeah, the small bottle will be a lot cuter. Epsilon IM, amongst. Finish with this is, you can see with the rows. So I hope you understand the concept of these 10 rows. Ie, we'll be giving you a temporary so not to worry. Yeah. So you were just shaped those tech behind the petals. We call this the tongue peptide. The peptide that has yeah, there has been turned. All these will remain as the light color? Yes. Yeah. As the light color. We're going to have to bother about this highlight because this is really a lot of details for the big flower. So for small flower we only need this part here by this and we just need the shape behind. So I'm really finished. Yet. This tiny room. 8. Small Jars Peonies: We will be moving to the pureness very soon. And again for the pyramids, I have taught in my watercolor peony step-by-step. And this is the PDF that you will get if you go to that class. I actually taught them step-by-step free him. But for this one, for this class, I have them in templates again. So you can actually just follow that. And actually I've botanical pureness on my class. Yeah, selling at my online shop also be using rose madder or something like that. It's the under forestry pet of this. So imagine if is freehand. It is this way. I'm using a very bright pink, so is, it should be purple mechanisms, right? So this Carlos here. So I have to add on some values, higher value of the mechanism. I wait for this to dry before I pin these. Puny are usually very, very bright colors, but I do see some pianist, very pure pink. I left those. You should just wait for this to dry a little bit, but I think it Jaipur fast. One petabyte, one petal here. I think it should be drained them, but let me finish up this one. There you can see a tiny bees like this. The insight. So far my steps here, which is in my class, it will be another Petr after distribute the other pet. Yeah. So because why I didn't have this one here because you will be too wet. Yeah. So so again, just now we talk about the impasto hearing. So this is a temperamental let me just check. Just show you. This might be thicker, maybe easier to see. Yeah. This is the impasto is lighter in color. Yeah. So we are finished a tree USC I add a lot of shift-reduce. Yep. So as I said, is up to you, you underpin a bigger one? Yeah, I will I think I'll show you a template of this bigger one and so, yeah, so you were toys of Pinot, a big one or a small one. So this is the term pet technologists have it very light in color. I think I'll just pinch competitor this way. Light versus perhaps easier to handle. Very, very light value. So this one, I will have to add in more calculus. Here, just put sheets. So in my watercolor peony step-by-step, I also taught the tiny puny spots. Yeah. So you can in the end, those budding peonies or so. So that class I think is quite comprehensive for you to learn how to pin this puny. Yeah. So a bit of water for us. And you need to add sheets. Yeah. The bleeding, their funds. So it's really about patients. I think it's about patients yet the pin these. So I'm like painting two together so that when the sky is still wet, I can go to here. So we have a bigger piece I think is a lot easier to see you. So my foot, back petals here. Docker, here, I should have slipping Docker too. K This another pattern. So there's a lot of pet those actually. So these pieces on its own can take up quite a lot of time. So just remember that you have to give a little bit more value whenever the staff of the pepper yeah, like here, the start of the petal. This year or this year. This one is very, very bright. It is, it is beryllium or prior roles giving a lot of details to it. So we were at leaves. Q, this leaf is insane. Actually, I can have the cytosol then in the spot, perhaps the Jaffa. So now I move back to some of the green range in which anyone it. So let's check on the space here. I would like it to be a slightly thicker, I mean, the shadow here. So I will give a little bit. When muscle while this is still wet, I need to add in this top, he would be bleeding through this. By now. I hope you get used to seeing this. And then I have the base. Now I like to add in the details for the visa. So so for one of these one of these units is almost done because it's so tiny become really showed that much details. But we really need to show or this day so they can see Separation. The lines have to be out. So I'm going to add on the finer details for this pure needs so that you can actually see one puny done. So that is the tire of the tools that we want to work on. You can have a mixture of countless, but Putin's the three Fran, petals. But I still can add in a bit of rose madder to give you a brighter sheet. Coming five. So this is the tip one. Slowly and surely my pure needs coming. So this is the Rousseau's Geneva. So in my pianist class, I actually taught them, yeah, K of three hands. So by using the comma stroke, but here I'm just painting them this way. So this class for those beginners, you can just follow my template here is a lot easier. Which means you have the pencil line and then you just few in the color. I'm going to just do a shortcut just by painting everything in this shape of ROS metaphors. So just wait for it to dry. I should be able to work on hearing. Firstly year. So a wet brush and just blending it. And then edges at some sheets here. Somehow I feel that I should have somewhat, yeah, puny butts around. A few more. I need some more rows. Rows are purines is okay. Yeah, Actually, maybe he'll, so, so that's how I pin free hand 123. So just add in some sheets here. The IC I really prefer it to be. And then these yeah. And okay. Then I will add in the greens. So these beeps, everything is small. So we're down to our last puny. Yeah, very tiny, but still time-consuming. Yet using my number two with a bit of mix of rose madder and perhaps coming. Yeah. Oh, perylene maroon. Yeah, you just need to define the lines because this is very tiny. Whereas when it is big, I don't really need to define a cat be shown very clear. So when you just small, yeah, not so visible. So I need to draw some outline to define. 9. Big Jars Roses: In this class, I'll be showing you how to pin roses. I have already done the jobs. Just a Min structure later on some more details for the jar. And okay, for the rows. This is the bigger jar. And I mentioned that I have taught roses and rose wreath in my basic class and watercolor, rose step-by-step in a more intermediate class like this. So I have rose madder, and potters pink mix. So I'm going to get a quite a bright color. I have chaos outlined to this, so it will be a very light wash. So you can just watch. And if you want to learn a more detailed one, you will have to go to my class in another Skillshare class, you just have to click for watercolor rose step-by-step, use a number eight round brush. And this paper I'm using is actually access for this one. And in that class, I discussed a lot more on how you should wait the next step like this. Yeah. So because the water actually not very fast and okay, in that class I mentioned a lot on you have to look up for the ships. Yeah. So you have to study the shape of a rose very well. The class is a little bit more intermediate. If you had to learn something more basic, you can go to my rows and groceries. Yep. So I'm reaching for it to a little bit dry up at a high value of my rose madder, not too much water. I make sure that there's not too much water here. So I just go around and now I pour a little bit. And I won more pet this coming up. Yeah, You actually need to study a lot like the structure of the roles that Pettus actually read. One at the end ladder. Yep. So now you can see that, yeah, I have some Pettus wrapping. This is a bigger petals. So here I will have the shadow like this in the shade, do in shadow. So I am creating that the PET does the big pectus. This is the first layer. We are just working on the first layer now. So this is another one pet photo here, one pet dog here. So I said another petal coming up. Okay, I'm going to create a shadow again. So I have another petals here is given you can see the ship of the rooms coming up. This is my first layer of rows, so I need to add more depth. Second layer. Can you get a mix of roofs made a game? And this time I add a little bit more of my perylene maroon, just mix a little bit. And I don't want too much water because it was spread. So i in depth now and cannot be two doubles. So because or else it would be too strong. So I'm adding in layering, layering for the roles pet dose. So this is the grading on the sheets. So this rose is very light color. Key I went to a bit more sheets you here. Perhaps you should have one more. Yeah, it looks too big. The pet photo so at, at one more. So you can see the pet DFS of v, but reworked keep some pot highlight. That means without adding pin on it, these are the highlights. So I always tell students to refer to a road's flat picture of a rose so that you can actually pin it better. Yeah, we will reference. So I'm giving you a bit more sheets to some fats. So you have to imagine a look a bit when you're painting these rules because for beginners, yeah, I think this is a little bit tough and you need to practices, so so perhaps the loose rose is easier. Yep. So okay. I'm going to add one more thing, this one also a bit big so I can have any peppers look. So I finished this one K for the insight, I would like it to be even duct. So I will be adding on perylene maroon and a bit of burnt umber, sexually very sad because there are many, many petals wrapping. Just layer. Again. I'm going to just go over here to make this proportion Docker. I want these rules to have a bit more layer. Since this big, but when your roses on a smaller scale, you don't need to have so much details. I didn't want this to be sold, that thing given. So I can clean it off a bit. So, alright, so we have the minerals finish and I'm going to show you how I pin this. I call this competitor rows. Okay? I thought this in a Zoom online class and some of you may have already learned this, but I also sell the prints, step-by-step prints on my, on my shop here. First of all, we give a very light tinge actually for this one, I would like to use create angular brush for this. I'm using a bit of participant to worry about this, okay, So we crisscrossed it. And I will mix a little bit of the rose madder also for the bottom. Very light color. Very light color on top, right. Just very, very light for the top. Just cover it. Just like this k we can achieve both together, so forth, visa, so I will be giving a template for these so not to worry about the shape. Yeah. I think most of you are more concerned that you can draw is really for beginners. And sadly, the bit difficult to get these correct as well. I need to give a template. I'm just giving a very light ship. When it is wet. I'm using the toe of the angular brush and then just slightly shift this. Yeah. Notice my brushes not even on the paper or needed TO. Not the whole brush. Actually, I'm working both Step 1 and Step 2 together. While it is wet, you actually can just work on them together. Q would be slightly dark blue. And the and the bottom of the 10 rows. So that go here and just show you how I get the, so I get the pin from here and I just blend it a little bit on my palette. And maybe here, man here a b, so it is wet. I'm going to pick up some water. You will get the sheet a very light ship. And here k my brush do have pin. So you see this part I've done. And I just put in, okay, if you find this difficult to pin and you still want to do your job. Kenyatta, okay, well, you can do is that you can pin just two rows us using blending for my rows and rows reef. And in that class also, I have a bit of sight roses that you can use to paint for this. So basically for this class, I would emphasize that it is not really about the flowers that I'm teaching. It is how to have that flowers inset that Jack. So we are working on this later on. Yeah, but at the same time, I still had to teach the flowers. Just a bit of P90. You can see you just use a bit of pin. And I'm going to use a little bit of the rules matter to brighten it up a little bit. Even for diesel. Or these ten pet is left as a very light color by, in this case, the temperature. Here. I will have to give it a little bit of sheep. Just to give it a little bit of 3D effect is not so detailed. I didn't really pin it that detail. Yes, So I always emphasize that for our bouquet or for our reef, we should have flowers that have different angle. Yep. So as I mentioned, if you can try to pin this way with the site rows, if not, you can just go with just two roses or one hidden or rows, but the none we will be working on the leaves. The leaves. I can use these or I can use my round brush, so I will just use my round brush to kn. I will use green oxide again. And a mix of mine. This one should be olive green. And if I want study that color, this is my paralleling green. I have the myths years, right? So this is my stock. The stock will, we will keep it a medium colored K. There's some small leaves coming up. Sometimes we want a little bit brighter, we'll just use our brighter green and my brighter green should be set green again for my leaf. If you need to learn how to pin leave stroke. Yeah, it should be in the rows and rows reef class where I taught the students how to pin leaves your strokes. But in this case because I'm giving the template, so perhaps you don't really need to go buy the stock. So we had to pick leaves here. So one stroke. So I like to give it a shot because rose leaf is a little bit took each year. There is an attributes here. Those of you who are comfortable with just painting without tracing. Yeah. You can just trace that jar. Yeah. And then just leave the rows and the leaves to pin him, free him at the hints. A lot more fun. I'm going to wet this part first because I want it to bleed a little bit. And then I will paint the flower stock. And here too, stop. The spot has tons. So I just have it a little bit lighter Cutler for the provers, but this the high. So it's really quite fun to see me being, okay, this is supposed to be stopped. So I'm going to define the lines with my liner now go Payne's gray for the bottom, we would define a little bit. Here can be ducked, go a little bit more, can have it Docker and okay, But what can lie here early on when I pin it bleed a bit. So now I'm going to give it a bit more defined look. All the way down. This is to show the thickness of the glass jar. Maybe slightly decrepit. Alright, something I mentioned also that we the waterline, we knew whitewash around here. It's just below this line. Again, it can be broken. And I'd like to get a bill refresh of pin on my glasses on. So I would take some rose madder from my palate. So just a bit over the rim day should be ductile, so I'll give a bit of a light sheet here too. If you can remember. We mentioned that for the bottles or here should be quite yet, but we'll also talk about a little bit of sheets here. We also want to add on something here for the last two, look the issue of its shiny. So I'm looking for my number 10, that brush and just a bit of the white goulash, they make sure that the number 10 brush is wet, a little bit moist. This part of the grass here is vouching up killing. You should know we want it to be a bit wet. So I'm giving a bit of what Anna, so hips some here, some here. This part here, I like to give it a bit of whiteness or so. So you can also have your glass I'm showing you. So have a jar of water, what that glass to have a reference and see it over here. Yeah, the refraction here should be quite Brett. Yep, So we have finished this bottle, the rose water. Then we'll continue. The next one is the puny. 10. Big Jars Peonies: Welcome back. So far my second job, I'm going to pin peonies in the jar. So it will be this peony, something like this. And I'll be using a brighter color, brilliant red, violet. And again, may be a mix of ROS manner or perhaps our prior roles. Again, I have taught these in my pureness watercolor step-by-step. So there'll be a PDF in the class, so you can refer, this is using free hand, but the techniques are mostly the same. This one, you will be given a template. So let me show you how to pin this. Start with water. I think I will start with the one that is behind because it's Tucker, the color. I'm using a number 4 because the size is a little bit slightly smaller because of all the petals. If I use number two, it will be too small. Amusing at chess. Arches paper. So it will absorb water as well as pins. So this part will be Quinta, which is here. I'm using a very bright color as you can see. Yep. So I think I will just ping here for us or waiting for that site to dry. There's a lot of patients needed when you're painting pure nice like this. I also have an online class for botanical future needs. So in that class, I teach the student comprehensive class. As I mentioned, in today's class of painting flowers in the jar. We can't afford such a class because Mindy, I am teaching how to have flowers inside that jar. So there's always the temperature here, very light color. This puny is very big. It's actually here. Or these artists are very light, go one further away, have a very light value. Let me be more water, less PID. So you will do, just sit back and watch first when you're ready. Yet, you can learn together painting this. Or you can actually just learn from my puny class time back here to pin with the job, I still need to add a lot more depth to Depot helps our pin here. Now, in my online class, I actually talk about how much value to each pet. So that one is really very comprehensive. I actually leave a lot of white in this one for the impetus is achieved a lot of weight. So I'm trying to follow this as much as possible. Also, I noticed that I have used million barrels, so but not too much, I guess. Or else you will be very bright. So I mixed a little bit. So the petals upside is very light. Very light. That's okay. The indent area will be Tucker or this overlap also tag. So I'm actually leaving all these a bit brighter. Yeah. Okay. This should be darker because this peptide is actually this one. Yes. So again, I'll be giving you a template and you can study close certainly the pit and how to pin this, yeah, this petal here has to be very bad because later on I'm going to clean in the Poland's of a stigma. So they have to stand up. So there is some more like pet this here. And of course, if you find that these puny is very hard to pin for your glass bottle. There's another class called loose pureness does blow been using round brush and it's not so detailed. It will look very nice. We're ready to like this. But of course, again, I want to emphasize is really up to you. We are just learning how to pin the flowers inside that jar, but it's quite satisfying. I will see when you pin that big portals, you, when you see that details, the clinic come out even a darker color, paradigm violent maybe for more debt. Now even discovered is it's on mock-ups. So I really want to give more depth to this one. Yeah, just a glaze on this one. I have the great coordinated. So KD finish up these. Had put another few more to go on again. For them. Yeah. I really require you to show you here. Um, so right here, it also should be the curve. Katie, Sorry, I would like to have a bit of a prior roles very bright one. So when ever desert endemic area in more depth, which I actually, as I mentioned, I discussed very comprehensively in mind. Class. Over here, you can just watch me pin. So we have a few more petals to go. Yeah, for this pureness, actually, I I draw freehand. Freehand, meaning I used pencil or two from a photo I saw. I just sketch it freehand and then I pin. So I mean by but this one I actually just trace it. Yeah. Because when you're sketching directly, you can observe the elliptic curves that are these, I observe or these curves. But when I'm tracing is a little bit hot. So if you are tracing from my template, yeah, you also lost some of the curves, perhaps. So I always encourage my students if possible. Just draw your own. If possible, is coming out quite nicely. So some more petals. Well, I think there's a few more human being I guess like to sheep. So I will only be showing you this puny and the leafs. Yes, for this one I'll be painting on my own because viscosity at very similar and I finish all these details to show you. Some of these. Like I mentioned, the tons in the indent area and pathos be high will be tucker. Of course, this peony is more design. Yeah. Whereas because this is free Hen, resistant, free hand. So yeah, the shipment or this is not as defined. This one because I joined up. So if you want to draw it out, Yeah. Then every pet this will look very defined yet. So I intentionally wanted to be so bright because and I, yeah, I have seen puny stare at these brave soul. And if you were to compare the tiny one, done it so much the tints. So that's why I'm teaching in both. One in the picture. One is small. So depends on what you want to do. A peanut butter jar. Take longer time. A smaller jar? Yeah. Not as much details. Yeah, I'm leaving a lot of white for the highlight of this template. I just did here highlight, I am using my number 4 to just draw the outline. So I think this puny is 10, not quite bright and cheery. And now we will use my gosh, I will switch to number two now and OK, you can see that the stigma here or Poilane does a lot. So what I do is the edges pin this. We had a bit of water because it's hard to move and different angle. It would be really be very interesting. Yeah. Try not to have them just stick to one side. Okay. I need to really get the kid out because I've been to pin readout of water. So I'm mixing a little bit over here. I noticed that there's a bit of orangey look probably. Yeah, I can mix a little bit later. So I mentioned that over here. I want it to be very dark. So I think later on I'm good on some more. Let us stand out better. Yeah. Now it is. Okay, it is fine. So now I'm going to pin the leaves vector number for the brighter green is actually sap green. This is shim except bring, and I always use chromium oxide. So I think I will just have them mix two colors. So I get a little bit of bright color so you can adjust pinned and this we just follow that template leaf cost. That is, there is a way to pin the leaf also IMAP units class, you will be able to learn from there. So we'll just go to that class. If not, it's just like that. You were just happy to see. Different shape is very beautiful. Yeah, just have different shape here. And I'm just going to use a lighter green sheet. And I'm just waiting for this to dry. Then I can say in the bins, and then we have more of these green, okay? And also I talk about in the layer of the leaves. I also mentioned that we want to have some lighter colored leaves. So here I'm going to get a mix, perhaps. Of yellow and this is my lighter green green. I can just pin the leaves. Yes, I also mentioned it will be a lot more fun if for the smaller leaves you like to just do free hand. So, okay, perhaps I will do some freehand. Freehand is of course a lot nicer. I'm not sure even notice, yeah, my my grass Jack is small, but my Frau is the Arabic. This is, I think, another way or how people kind of arranged flower, Amazon mixing that green a little bit with the pin. So we get a very interesting parallels. So all these are the small details that we want to add in our jobs that these, okay, this one as I say, I will ping me. So now I'm going to in the flower stalk, me just wet this little bit and I'm going to very good is not so bleeding as earlier on is duplicate. This is the other spot. Enter, so don't forget, I have the small leaves there. So I should have another stop. I don't really like this this green. Yeah. I think it's too much, so I'm picking up too much of the green. So just use of a DEM brush to pick up so you can get the different shaped muscle. Now, I should have the waterline. So I get my blue. I'm going to just draw a bit lower, just for a bit of different some green key. So how to see the about these contours that look at the job below. And then you follow the contour. A key here would be a bit slightly darker. I'll get pins gray. So right now, if we leave it this way, it will look as if the stock is prototyping now. So I'm going to use a bit of white light these to cover that. Even here. You can still see the transparency. Yep, and here I will use a startup brush the number end. So it's just this pattern to show that. Glad I went to a little bit more so I use quite a thick one and I pull and okay. So I would like to and below show the thickness. You can use a round brush if you are not comfortable with using the cheesy each of the brush, I'm just showing the thickness of the grass and now I'm moving the outline for the outline, that one I will be using pins gray. So this should be the, the insight here should be Tucker. Yeah. So again, i 1 k to be tough goes so to show the water. And a little bit of broken line here. Again, don't draw everything. And lastly, I'm going to have a point, remember k. And this would be upset. And I just, yeah, just edit. We'll hear some quick color over here. Yeah, I think I like this part here to be a bit darker. Inside that jar. Yeah, I look a bit darker. So I get a bit of green and a bit of blue. Okay. So for the John, for this grass area, we have finished and as I mentioned, I will finish up this, right. So I see you again and I'll show you the whole picture later on.